#tim dennis

[tim-dennis]

Stone Bridge in the Woods

[landscapeexposurenetwork]

This week’s featured blog is @tim-dennis!

“Amateur photographer from England, UK”

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[charlotterenaissance]

at any given moment

[sirhinkjinks]

dads and their inability to remember your friends' names

bonus:

[havendance]

Anyway, my proposal for a run on Detective Comics where I write a series of one-shot stories showcasing all of the various supporting cast Batman has accumulated with stories, including, but not limited to:

Batman invites Nightwing to Gotham to help him solve a murder. The murder is very straightforward and they dance around the real reason Bruce invited him, until at the end, he finally admits in a constipated Bruce way that it's the anniversary of him adopting Dick and he wanted to spend time with him.

Huntress and Robin (Tim Drake) team up to investigate Killer Croc. It turns out he's turning over a new leaf in the sewers near the Marina. Huntress is dubious, but Robin convinces her to give him a chance, though she says she'll be watching him. We re-canonize Joker: Last Laugh.

Damian and Duke team up to take on a street-racing operation--a mission that naturally requires them to do some high adrenaline racing together.

The Riddler gets on social media with a plot that involves lots of puzzles and clues all over Gotham. Oracle taps into old members of "We are Robin" to take it down.

Batgirl (Stephanie Brown) and Batman end up on the same missing persons case. With the pressure on to find the missing child, they snipe at each other as tensions rise. In the end, after saving the kid, Bruce sort of kind of apologizes in a Bruce way and expresses some measure of respect for her.

Jason teams up with Ghostmaker to take on, idk, one of the Clayfaces. Does Gotham still have one of those? I haven't read any comics ghostmaker's in yet, but from I've heard it sounds like they'd have an interesting dynamic. Jason gets flashbacks to digging his way out of his grave.

Luke Fox recruites Harper Row (She does engineering stuff right? I also need to read comics she has a significant role in.) They take some new tech for a joyride and go bother the Penguin.

Batgirl (Cassandra Cain) and Azrael team up to take down Mad Hatter. He probably has some elaborate Alice in Wonderland theming going on that neither of them get. (I think neither of them should have read it.)

Batwoman and Catwoman team up to steal back some Kane family heirlooms, possibly from Jacob Kane (What's his and Kate's relationship looking like anyway?), possibly from someone else.

Gotham Girl and somebody. Me advancing my Cass & Claire agenda Possibly Oracle trying to rehabilitate her in that controlling yet well-intentioned way she has sometimes? Someday, I will get to being more up to date on what Claire's status quo in current comics is.

A handful of representatives from Gotham's various crime families get together in the backroom of a bar somewhere. They play poker and exchange stories of being busted by the various bat-affiliated vigilantes in which they are very scary and almost inhuman. It ends with Batgirl (Cass) busting in and beating them up.

Helena Bertinelli takes a gig as a substitute teacher at Gotham Academy. She teams up with Maps & other supporting cast when Mr Freeze takes the school hostage while trying to escape the police.

[thermodynamic-comedian]

me, looking at every single fictional character i like: you could be aroallo....

[spacedace]

So I don't know a whole lot about DC/Batman canon but I do recall seeing something about Tim trying to clone people (his parents? I'm unclear about what happened to them but I think remember seeing something about cloning) and I feel like there's some good opportunities for some dc x dp stuff there.

Like, don't get me wrong I love everything where Danny and/or Elle adopt Con, but consider:

Tim, waking up after passing out from sleep deprivation for the nth time that month, groggily becoming aware of some guy sitting - wait no, floating, he's crisscross applesauce a full foot above the bed - staring at him unblinking. And Tim has half a second to think this white haired, weird looking - is he green? He kinda looks his skin is green, and h's glowing a little? - guy is his (okay, he can admit it, pretty attractive) sleep paralysis demon before attractive-sllep-paralysis-demon gives him a terrifying smile - oh God that's way too many teeth and they are way too sharp and why is that doing something for him??? - and says:

"Oh good you're up! We can get started then."

And then pulls out a laptop from somewhere?? And turning it so that Tim can see there's a PowerPoint pulled up with "So You've Started Cloning People: The Ethics and Responsibilities of Creating and Caring for Your Clone Children (AKA: How Not to be a Total Fruitloop)" It's entirely in comic sans.

Danny is just happy that things are going better than when he tried to do this with that bald weirdo in Metropolis. Though at least he'd been able to snack on the guy's rock candy while he did his presentation there. Maybe cute-sleep-deprived guy would be down for breakfast after this, provided Danny doesn't have to body him for being a shitty Clone dad.

[nma-nekro]

the legend himself🌸 i was bored.... i love him too much 🙈 ♡

[ani4detal]

Tim Budesheim, Dennis Reinhold and well, Dad maybe?

[ahsxual]

Can someone give me some ideas to write about Matthew Lillard characters? 🥺 I want to write about Tim Laflour, Stevo Levy, Stu Macher, Doug Van Housen, Dennis Rafkin, Tim from The Curve, Jerry Conlaine, Billy Brubaker, Shaggy Rogers and obviously William Afton ✨ Maybe other Matthew's characters, if you request it? 🤭 (I think it's important to say that I only write with fem!Reader or GN!Reader <3)

[tim-dennis]

Dahlia

[successionsuccs]

one of my pieces for @sunnyhalloweenzine 💍🦋

[thekillingvote]

No Birds Allowed: Batman without Robin

The usual claim is that Jason Todd was singularly hated by audiences. Dick Grayson, Carrie Kelley, and Tim Drake are proper, beloved Robins—and Jason Todd is the one and only outlier so unlikable that audiences killed him off by popular vote.

But this claim ignores a massive piece of the puzzle—the Robin role has long been treated as an outdated remnant of a childish era, not only by a significant share of Batman fans, but also by Batman creative teams. While there were definitely fans who hated Jason Todd, he was at least partly chosen to be killed as a scapegoat for some long-standing complaints about the Robin role in Batman stories.

The 1988 poll to kill Jason Todd wasn't just a poll to kill Jason Todd—the poll to kill Robin was a poll to kill Robin.

Fan letters columns from Batman #221 and Detective Comics #398, reacting to Dick leaving for Hudson University in Batman #217 (1969):

Denny O'Neil Batman/Detective Comics writer (1970-1980) Batman group editor (1986-2000) on sending Robin away to Hudson University:

Dan Greenfield: Actually, last night I went back through my comics and the one thing that always strikes me is that before you came onto the character, they’d already made the decision to have Robin leave. Robin was up at Hudson University and was used sparingly from that point forward. Denny O’Neil: Well, that was a conscious decision of mine. Greenfield: Oh! O’Neil: Yeah, I mean … I had been offered Batman a year before I did it. Greenfield: No kidding? I wanna hear this. O’Neil: Because that was in the (Batman TV show) camp thing. The comics were very half-heartedly following in the footsteps of the camp because it was having a palpable effect on circulation. That’s not always true but it was in that case. Camp as in the sense — as opposed to the more erudite sense — this one-line joke about: “I loved this stuff when I was 6 and now that I’m 28 and I have a bi-weekly appointment with a therapist and a little, mild drug habit and two divorces, ‘Look how silly it is.'” I would go into the most literary bar in Greenwich Village on (Wednesday) or Thursday evenings and there would be writers and poets and college professors, all looking at Batman! But when that was over, it was over. It was like somebody turned a switch. And that’s when (editor) Julie (Schwartz) said, in his avuncular way, did I have any ideas for Batman? And at that point, I wasn’t going to be asked to do camp. I was going to be asked to do anything within the bounds of good taste, etc., that I wanted to.

O'Neil, quoted from “Notes from the Batcave: An Interview with Dennis O’Neil” in The Many Lives of The Batman: Critical Approaches to a Superhero and His Media:

There was a time right before I took over as Batman editor when he seemed to be much closer to a family man, much closer to a nice guy. He seemed to have a love life and he seemed to be very paternal towards Robin. My version is a lot nastier than that. He has a lot more edge to him.

O'Neil in 2015:

Modern Batman does not do camp. He has to evolve but to stay true to the concept he has to stay lonely. The kids, there shouldn't be many. Keep him the lone, obsessed crusader and the stories will be better. We did a story called Son of the Demon. It told a story where he had a kid, a baby. It wasn't in continuity. These days, the kid came back and became the new Robin, and I hear that Batman's got a few more running around.

Jim Starlin, Batman writer (1987-1988), writer of A Death in the Family:

I tried to avoid using [Robin] as much as I could. In most of my early Batman stories, he doesn’t appear. Eventually Denny asked me to do a specific Robin story, which I did, and I guess it went over fairly well from what I understand. But I wasn’t crazy about Robin.

I thought that going out and fighting crime in a grey and black outfit while you send out a kid in primary colors was kind of like child abuse. So when I started working on Batman, I was always leaving Robin out of the stories, and Denny O’Neil who is the editor finally said, "You gotta put [Robin] in."

In the one Batman issue I wrote with Robin featured, I had him do something underhanded, as I recall. Denny had told me that the character was very unpopular with fans, so I decided to play on that dislike. [...] At that time, DC had this idea that they were gonna do an AIDS education book, and so they put a box out and wanted everybody to put in suggestions of who should contract AIDS and perish in the comics. I stuffed it with Robin. They realized it was all my handwriting so they ended up throwing all my things out. About six months later, Denny came up with this idea of the call-in thing. [...] I didn’t find out about it until I came back [from Mexico] and found out that, just as I expected, my ghoulish little fans voted him dead. But by a much smaller margin than I’d imagined. It was only like 72 votes out of 10,000, so statistically it was next to nothing.

Dan Raspler, assistant editor/associate editor to Denny O’Neil (1988-1990):

Denny wasn’t really interested in comics continuity, and he didn’t like superheroes. And if you read his work, you see his influence was really a pushing away from the conventions at the time—it was growing old, that sort of Golden Age-y, Silver Age-y stuff, and Denny sort of modernized it, and he never stopped feeling that way. Jim Starlin’s Batman appealed to Denny. It was a little more ‘down to Earth. Nobody liked Robin at the time. For a while Robin was not—it didn’t make sense in comics. Comics were darkening, and so having the kid was just, it was silly, and even at the time I kind of didn’t. Now Robin is my favorite all-time character, but at the time when I was twenty-whatever, I accepted kicking Robin out, the short pants and all the rest of it.

Comic shop owner Phil Beracha on A Death in the Family, quoted in The Sun Sentinel (October 22, 1988):

"I got 100 copies, and I don't expect them to last past the weekend," said Phil Beracha, owner of Phil's Comic Shoppe in Margate. "I usually get 50 copies of Batman. I doubled my order, and I still expect to sell out." The readers voted right, Beracha said. "Robin is an outdated concept. He was created in the `40s, and back then in a comic book you could have a kid beating up grown men. I don't think that works today."

Writer Steve Englehart, quoted in "Batman, the Gamble; Warner Bros. is betting big money that a 50-year-old comic book vigilante will be a `hero for our times'" in the Los Angeles Times (June 18, 1989):

Writer Steven Englehart, who did a series of Batman stories in Detective Comics, also worked up some movie treatments. In a letter to Comics Buyer's Guide, he revealed the approach he had in mind, which would have pleased Batfanatics: "My first treatment had Robin getting blown away in the first 90 seconds, so that every reviewer in the country would begin his review with, `This sure isn't the TV show.' "

Michael Uslan, producer and film rights holder for the 1989 Batman film:

I only let Tim [Burton] see the original year of the Bob Kane/Bill Finger run, up until the time that Robin was introduced. I showed him the Steve Englehart/Marshall Rogers and the Neal Adams/Denny O'Neil stories. My biggest fear was that somehow Tim would get hold of the campiest Batman comics and then where would we be?

"Death Knell for the Campy Crusader" in the Orlando Sentinel (23 June 1989):

For most people, the name Batman summons up a picture of a clown in long johns, a Campy Crusader who - with the young punster Robin - ZAPed and POWed his way into our lives. That's the Batman that appeared on TV in the mid-'60s, and that's the Batman that the world at large knows. Such is the power of television. But this ludicrous image may become obsolete now that the new, $40 million Batman movie has opened. Robin is absent from the film, as are the perky Batgirl and the utterly superfluous Aunt Harriet of the TV series. And though the movie has plenty of sound effects, they don't appear on the screen as words, spelled out in neo-Brechtian absurdity.

Sam Hamm, writer for Batman (1989 live-action film):

The Case of the Disappearing Robin is high comedy. Tim (Burton) and I had worked out a plotline that did not include the Boy Wonder, whom we both regarded as an unnecessary intrusion. Really: Our hero was crazy to begin with. Did he have to prove it by enlisting a pimply adolescent to help him fight crime? Was Bat-Baby unavailable? But the studio was insistent: There was no such thing as solo Batman, there was only Batman and Robin. So, after holding off the executives for as long as we could, Tim and I realized we had better try to accommodate them. He flew up to my house in San Francisco and we walked around in circles for two days, finally deciding that there was no way to shoehorn Robin into our story. [...] We figured that if we managed to squeeze him in, the lame hacks who were making the sequel could worry about what to do with him next. When the film went into production in London, and ran seriously over budget, WB started looking for a sequence that could be cut to save money. And there was one obvious candidate: Intro Robin! So Robin was cut from the movie and shoved back to Batman Returns— from which he was cut yet again and shoved back to Batman Forever.

Grant Morrison on creating Arkham Asylum: A Serious House on Serious Earth (written 1987-1988, published 1989) with Dave McKean (see the annotated script's fourth page):

The original first draft of the script included Robin. Robin appeared in a few scenes at the beginning then remained at Police Headquarters for the bulk of the book, where he spent his time studying plans and histories of the house, in order to find a way in to help his mentor. Dave McKean, however, felt that he had already compromised his artistic integrity sufficiently by drawing Batman and refused point blank over for the Boy Wonder — so after one brave but ridiculous attempt to put him in a trench coat, I wisely removed him from the script.

Paul Dini on Batman: The Animated Series (1992), as told in the 1998 book Batman Animated:

The Fox Network, on the assumption that kids won't watch a kid’s show unless kids are in it, soon began insisting that Robin be prominently featured in every episode. When Fox changed the title from Batman: The Animated Series to The Adventures of Batman & Robin, they laid down the law-no story premise was to be considered unless it was either a Robin story or one in which the Boy Wonder played a key role. Out were underworld character studies like “It's Never Too Late"; in were traditional Batman and Robin escapades like “The Lion and the Unicorn.” A potentially intriguing Catwoman/Black Canary team-up was interrupted in midpitch to the network by their demand, “Where's Robin?” When the writers asked if they could omit Robin from just this one episode, Fox obliged by omitting the entire story. Looking back, there was nothing drastically wrong with Robin's full-time insertion into the series—after all, kids do love him. Our major gripe at the time was that it started turning the series into the predictable Batman and Robin show people had initially expected it would be. For the first season, Batman had been an experiment we weren't sure would work. We were trying out different ways of telling all kinds of stories with Batman as our only constant. For better or worse, having a kid forced him, and the series, to settle down.

Christian Bale, star of Christopher Nolan's The Dark Knight trilogy (2008):

If Robin crops up in one of the new Batman films, I'll be chaining myself up somewhere and refusing to go to work.

Summed up

Among the keepers of Batman, there has been a vocal contingent arguing against the inclusion of Robin. They argue that Robin damages Batman's brooding, solitary persona. They argue that the concept of Robin is too ridiculous and fantastic for the grounded, gritty ideal of Batman. They argue that a respectable version of Batman shouldn't allow, encourage, or train "child soldiers" to endanger their lives fighting against violent evil-doers.

The original and most iconic Robin, Dick Grayson, has definitely benefited from his deep roots in DC lore and his consistent popularity among fans—and yet even he has been shunned from various Batman projects over the decades. When even he struggles to get his foot in the door, his successors face stiffer opposition.

So it's not quite correct to say that Jim Starlin hated Jason Todd. In his own words, Starlin wasn't fond of Robin, and his storytelling (most obviously A Death in the Family) set out to argue against Batman having any kind of "partner" at all. This, following the wildly successful comic that treated Barbara Gordon as a disposable prop. A growing audience welcomed the Dark Age, and the gruesome spectacles made of kid-friendly elements like Batgirl and Robin.

This trend could be broken by the upcoming sequel to The Batman and by the planned slate of upcoming DCU films. But most Robin fans will tell you that many movie-going Batman fans still have their doubts about Robin sharing Batman's spotlight.

[sirhinkjinks]

[snakeredbirdbatkatana]

He loves Jason on most days he's pretty confident that's it mutal.

Brothers and all that shit clearly something happened either Bruce being a bitch or whatever else can make him insecure. That still doesn't give Jason the right to hold a gun to his head and be a fucking prick.

"What are you gonna do now Tim-Tam still so trusting of your big brother."

Self Deprecating is not a good look on Jason Todd.

Now normally this is where Tim takes a step back softens his tone gives the I love you Jay, I know you wouldn't hurt me, we are past this.

Hey he has this down to a science.

Yet he doesn't feel like it appealing to his big brother by rolling over.

Instead he steps forward the gun cold against his forehead he already sees that Jay is unbalanced concern overtaking the anger that seems to linger in the Red Hood.

"I don't have to trust you," he knows that he is making Jason uncomfortable that he threw the entire situation into something different.

He grabs the gun taking his time disarming it.

"I could call Dick, he might kill you if I ask nicely enough or, I could yell for my super who has been listening since I let my heart race I don't have to fear you Jason."

Pushing him to the end of the roof which normally couldn't happen perks of being built like a fridge.

"I don't actually have to deal with you if I don't want to and putting you down would be so easy. Hold another gun to my head and it will be the last thing you do. I would love to see Outlaws versus Young Justice who do u think would win?"

He can't help the laughter as he walks away he does love his brother but he won't be a punching bag to a pissed off teenager who never got to read the end of Hamlet.

[madcapmento]

One sec I need to talk about Shiva.

Lady Shiva was introduced in Richard Dragon: Kung Fu Fighter in the 70s. She was a traveling martial artist hellbent on getting revenge for her sister, who she believed had been killed by Richard Dragon. She lured Dragon into a trap, revealed herself as Carolyn's sister, and tried to fight him to the death. Once she realized that Dragon had nothing to do with it, that Cravat and The Swiss (unimportant villain characters, they killed Carolyn) had been the ones to kill her sister, she helped Dragon defeat the villain (by giving him her shiny belt so he could redirect the beam of a deadly laser that was being pointed at them while they were fighting, don’t even ask) and Richard Dragon and Lady Shiva became allies, friends even. Dragon convinced her it would be a waste to kill Cravat and told her that he had killed the Swiss himself. She accepted this. They shook hands. This all took place over the course of one issue of Richard Dragon: Kung Fu Fighter. It took ONE issue for Shiva to go from antagonist to ally. She then tagged along with Richard because she liked the adventures he got up to, the danger, the challenge, and the thrill of it. Richard even called her later on when he needed help on a different adventure. What I’m saying is she didn’t start out as evil.

Okay, so what do we know about Shiva so far? She’s a thrill-seeking peripatetic martial artist of great capacity and skill. She cared about her sister. She’s willing to kill. She’s an adventurer and a valuable ally. Great. Moving on.

The Question 1987 features THE Lady Shiva. A character capable of both ruthlessness and mercy, cruelty and tenderness. A curious, thrill-seeking, teasing character. She was vicious and nonpartisan and she was working as a mercenary for hire. But she was an ally, even when she was beating the shit out of Vic. She loved the O Sensei. You can tell she even cared about Vic in her way. I’m not saying she had a heart of gold, or that there weren’t tropes she fell into. She wasn’t and there were. But she was a fairly well-rounded, morally gray character that played a key role wherever she showed up. She was closer to a non-traditional anti-hero than anything else. Idfk, just go read The Question.

I read a tvtropes article describing Lady Shiva as “an archetypical Dragon Lady, complete with sinister motivations and exotic sex appeal,” which… she isn’t. She subverted this trope in several ways actually. She never had “sinister motivations” until Chuck Dixon got his grubby little hands on her. Her motivations were pretty neutral. She had her own set of principles, she was very morally gray. She wanted to travel and fight worthy opponents on her adventures for the thrill of it. She seemed to operate mostly on personal whims, and on the basis of building worthy rivals, out of love for the art of combat. And she didn’t use her sex appeal for shit (until the Richard Dragon reboot comic kms), she didn’t tolerate sexual advances or objectification. She just WAS NOT a conniving temptress, I don't understand where this misperception came from (but I do blame Dixon, I’ll get to that in a sec).

This same article states that she began as the arch-nemesis of Richard Dragon? Unless you’re accepting the version of the two of them from the very short lived Richard Dragon 2004 series as their canonical relationship then NO she didn’t. But I digress.

There was a marked change in the way Lady Shiva was written by the time Robin (1991) came out, this is where her character starts to lean towards the Dragon Lady trope imo. She also weirdly, and maybe arguably, leans more into traditional femininity while at the same time being written as more wild and uncontrollable. Chuck Dixon seemed to fundamentally misunderstand Lady Shiva as a character. He turned her (sometimes ironic) disdain for brutes who wouldn’t last a second in a fight with her into stereotypical womanly haughtiness. He turned her capacity for ruthlessness into bloodlust. And he made her into a conniving, somewhat deranged, villainous woman, tempting our young hero towards evil (oh my!). Again, I’m not saying she ever had a heart of gold, but Dixon changed core character traits (namely her respect for other people's personal code) to turn her into a villain.

“Kill him, little bird. Kill him and become a predator…Aren’t you my weapon? My instrument of death? Say you are mine.” Like?? She would not fucking say that, respectfully.

That isn’t even to mention Richard Dragon (2004) where Dixon turned Shiva’s relationship with Dragon into a resentful, sexually charged dick-measuring contest.

Even so, I don’t entirely hate Shiva as a villain, especially in Batgirl (2000). Pucketts Shiva is a bit less egregious imo. So she’s a passively suicidal evil mentor-figure who wants Cass to be a killer like her. Whatever, I can get on board with that I guess. I can enjoy it because I love Cass and this is a great comic run. But the retcon that–Listen, THE RETCON THAT IS SHIVA’S SISTER BEING KILLED BY DAVID CAIN, SHIVA DESCRIBING THIS AS FREEING, SAYING SHE’S GRATEFUL, THEN AGREEING TO GET PREGNANT WITH HIS CHILD IN RETURN?? This boils my blood. Shiva, who was introduced as somebody who cared about getting revenge for her dead sister. Shiva, for whom freedom and autonomy were core character traits. That Shiva?? That Shiva is relieved her sister is dead and is willing to carry her sister's killer's child to term?? What the fuck?

I hate it. I don’t understand it. Why would you take a complex character who makes it difficult to tell who she really cares about, and flatten them into somebody incapable of love?

Okay I’m done, this is getting too long and I don’t even want to get started on New 52 era Shiva. I don’t have a conclusion, I’m just annoyed. Thanks for reading. The Question (1987) is NOT a perfect comic but if you’re interested in Shiva please please please check it out, it’s very moody and philosophical, noir-esque. Also Chuck Dixon suck my dick.