#version control for beginners
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vivektech · 4 months ago
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Use Git if: ✅ You need speed and distributed development ✅ You want better branching and merging ✅ You work offline frequently
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cloudolus · 5 months ago
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🔍 Git Architecture | Understanding the Core of Version Control 🚀  
Ever wondered how Git works behind the scenes? This video breaks down the core architecture of Git and how it efficiently tracks changes. Learn:  
- 🏗 How Git Stores Data: The difference between snapshots and traditional versioning.   - 🔀 Key Components: Working directory, staging area, and local repository explained.   - 🌐 Distributed System: How Git enables collaboration without a central server.   - 🔧 Commit & Branching Mechanism: Understanding how changes are managed and merged.  
Master Git’s architecture and take full control of your code! 💡  
👉 https://youtu.be/OHMe-H35xWs
🔔Subscribe & Stay Updated: Don't forget to subscribe and hit the bell icon to receive notifications and stay updated on our latest videos, tutorials & playlists! ClouDolus: https://www.youtube.com/@cloudolus ClouDolus AWS DevOps: https://www.youtube.com/@ClouDolusPro THANKS FOR BEING A PART OF ClouDolus! 🙌✨
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justnshalom · 7 months ago
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Demystifying GitHub Pages: A Beginner's Guide
Demystifying GitHub Pages: A Beginner’s Guide GitHub Pages is a powerful tool for hosting your website, allowing you to easily publish and showcase your web projects. If you’re new to GitHub Pages, you might be wondering what it is and how to leverage its capabilities. In this beginner’s guide, we will explore GitHub Pages and provide you with step-by-step instructions on how to get started. What…
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starboundsingularities · 1 year ago
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can someone just send me a hundred dollars so i don’t have to choose between getting flstudio so i’m not in the trial version anymore and getting vocaloid so i can actually have someone sing the song i’m writing…. can’t make these choices anymore
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randomshyperson · 4 months ago
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hiii😸
i wanna request wanda with hugs no. 31😻 ur fluff is so good i want to bash my head into the wall
/pos
hope u get free from ur writer's block!!😻
Wanda Maximoff x Reader
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prompt: hugging while straddling the partner | words: 2066k | warnings: (+18), dark(ish)!wanda, smut, bottom!reader, dom!wanda mainly, implied variant death sorry, but happy ending for the main.
a/n-> this is the last one actually, i got my drafts confused if you saw more in the masterlist you didn't. i won't be posting anything for a while now just to write new series but I won't be gone for long I hope.
challenge masterlist | general masterlist
-&-
Considering all the things that had happened until she reached this moment, Wanda expected there to be more noise.
Fighting. Or even pain.
Two years and six hundred and eighty-four universes and she had finally found you.
Not a fallen hero version, not an evil clone, not a dead wife.
Just you, available, alive and asleep.
The room was dimly lit by the rays of sunlight that passed through the half-open curtain. Her variant must have gotten up early to prepare breakfast, and Wanda took complete control before she could even open the door. She took in little of the room, mostly focused on your sleeping figure in the bed in the corner, peaceful and vulnerable.
Five universes ago a variant of you had tried to arrest her for crimes against the multiverse, so this calmness was quite the bonus.
She quickly inspected the most recent memories before the deepest ones. This Wanda didn't know she loved you like that, not yet. Young and naive, this variant was rewarded with an entire childhood and adolescence by your side. Friends since kindergarten, the deep intimacy between you was beautiful to watch. Easy to envy.
It was a sadistic joke that in all the universes, she was the only one having a miserable life.
Controlling her own irritation, Wanda pushed those memories away and sighed deeply. You moved, searching for her warmth in the mattress and she wondered if your variant was already sure of what she knew many universes ago. You were made for each other.
She watched you with some curiosity. She still wasn't sure how she would do it. She hardly had a clear plan. She took very deliberate actions now, which was probably why she always ended up with some wizard on the way, close to some interdimensional prison.
But as you woke up, Wanda felt around that reality. There was magic like most, but it wasn't as strong even in the body she occupied now. This Wanda was a beginner witch, with simple levitation or tarot tricks that she could use to make you laugh in admiration.
Your sleepy figure finally opened its eyes, felt the bed, turned your face, and faced her standing in the middle of the room. Wanda felt so small, not at all like the great Scarlet Witch. She was almost like a child, eager to please. To be liked. When you frowned at her, she wondered if you were already able to tell she was a fraud, an impostor.
But your expression softened, and you chucked hoarsely.
 "Were you watching me sleep? Creep."
Oh, you had no idea.
Wanda swallowed, forcing a chuckle. "I wasn't." She lies quickly, pushing away emotional nausea as your tousled-haired, sleepy-eyed figure brings back similar memories of a life she doesn't know how to get back. She clears her throat and looks away so you don't see the tears welling up in her eyes. "I was just going to get breakfast. Do you want anything?"
"Yeah." You chuckle relaxedly, patting the mattress as you rest your elbows on the bed, your back against the headboard. "Come back to bed. It's too damn early."
She sees it then, when the sheet loses in your body and she catches a glimpse of your neck full of purple marks. The most recent memories are indeed different from what she searched for before. Peeking again, it's a bit overwhelming to be invaded by the sensations of your kisses and groping all at once, a night of steamy making out in that bed, after a college party that ended long after the time you and the variant returned to this dorm. Wanda sighs, realizing that this body misses your touch just as much as she does. So addictive for every single one of her, no matter the universe.
But her silence brings a hesitation to your face, and you settle better in bed. 
"Hey, if this is about last night..." You begin, a little awkwardly with a nervous giggle. One of your hands pushes your hair back in a nervous gesture, and Wanda gasps softly. The tattoo on her forearm has very familiar symbols. She searched every corner of the multiverse and ended up with a punk covered in protective runes. This was Strange's work, of course. He was probably going to as many worlds as she was. Protecting variants before Wanda could reach them. Take them for herself. You, oblivious to the whole thing, kept talking. "It's okay if you regret it. We don't even have to talk about it if it's weird. I mean, if you want we can even go back to being just friends, I definitely don't want to lose-"
"You're not." She cuts you off, taking steps towards the bed. You fall silent in surprise, but Wanda forces a smile. "Where did you get that tattoo again?"
You frown at the sudden change of subject, stammering a little as you try to remember and then finally laugh, looking at her with some confusion. "It's just reindeer, remember? That strange woman made it for us at the beach last week. It should go away soon."
Wanda searched a little more and found the memory you mentioned. Beach, friends, witches she didn't know, that this variant didn't know how to perceive yet. A witch using the opportunity to draw protective spells on your skin as if she could read the danger in your future.
She took a deep breath and walked closer until she felt her shins hit your bed.
"Maybe you should take it off now."
You hum absently, looking at the tattoo. "Why? I liked it. You also said it was pretty. Maybe I could even make it permanent-"
"No!" She snaps back through gritted teeth, startling you a little. Forcing a smile then, Wanda considers the options. She probably can't mess with your memory right now, maybe she can keep you calm, until she finds an appropriate solution. "I just... I think your first tattoo should be something more meaningful, sweetheart. And not some cheap art from a charlatan, huh?"
You frown, before your chucle again, looking at her with confusion. "Wanda, are you high?" We got our first tattoos together in high school. Have you really forgotten that?" You look upset. Wanda hates this. Hates it with all her might. Out of everything she’s ever done, hurting you is probably the most painful and stupid thing she ever did.
She shakes her head, forcing a giggle. She bends her knees and crawls towards you, which immediately wipes the frown off your face.
Young people and their hormones.
“Oh, babe, I just got confused. I’m sorry.” She begins, and you swallow hard as she takes her place on your lap. Your hands hesitate on the mattress until Wanda grabs them and moves to her waist. “Don’t be upset.”
With your mouth dry, you try, “I’m not.” but it comes out so hoarse that Wanda wouldn’t have heard it if she hadn’t been so close. Her hands close behind your head, and you wait for her to make the first move like the good girl you’ve always been no matter what universe.
Wanda shouldn’t risk it, but she can’t resist. You seem so eager for her to do it too that she doesn’t have the heart not to. The kiss starts out innocent, tentative. She wants to know the extent of the protection runes, and eventually, she realizes that you were right about the ink coming off. Wanda manages to turn you into a mess of breathless whispers as she slides her tongue against yours, and once your arms are tightening around her waist, invading beneath her shirt, she can feel the runes melting in your skin, until finally, she feels no magic resistance. You are all hers to play with.
But like everything else she’s done, Wanda didn’t quite calculate what kissing you would do to her. The effect on her body is ridiculously incapacitating and distracting. She knows she should be muttering spells, but all that comes out of her mouth are affected gasps. Your hands move down, grabbing her ass and grinding her against your lap and Wanda forgets what she came here to do.
"I cannot believe..." You groan suddenly, between one kiss and another. "That we've gone so long without doing this." Wanda bites your lip, pulling and making you whimper, the sound sending a sharp throb through her belly. Your dilated pupils stare at her with such adoration that Wanda needs a moment.
She remembers those looks. She remembers everything. And it's only fair that you remember too.
Coming closer, she kisses you more fervently now. Enough to make you squirm on the mattress, trying to pull her down, increase the friction between your hips. But Wanda knows the passion will turn, so she controls the kiss, controls everything.
One of her hands wraps around your hair, and she's still kissing you, taking the air from your lungs as the first memories dance in flashes behind your eyes.
You frown in confusion, trying to pull away, but Wanda kisses you again, and again until you gasp in shock and her magic goes deeper into your mind, invading you without you even realizing it.
Wanda's free hand suddenly goes inside your pants and you gasp against her mouth, surprised by the touch before surrendering completely to her.
Wanda pants into your mouth, and red irises glare at you when you break the kiss with a moan. She's not gentle, her fingers pushing your panties aside and not bothering to collect much of the surrounding moisture before sinking inside, filling you up all at once. She twists her hand, pushing deeper and you whimper into her mouth. Oh, how Wanda missed feeling you like this, coming undone against her fingers. 
There’s a flash of memories again, of a team of heroes and a battle, but Wanda adjusts her hand and her palm presses against your clit, and you break into a moan and throw your head forward on her shoulder. She hums in satisfaction, the hand that’s not inside your pants moving past your hair, to your back in an attempt to calm you. 
The memories will get worse, you’ll remember everything eventually. 
Wanda knows that sooner or later you will- Your hand wraps around her throat suddenly. She’s startled, of course, but the sound sounds much more like a moan than a protest of pain. Your eyes glow the same scarlet as hers, and the once-innocent expression carries a maturity that only memories of a lifetime could give you. Your hips are still moving—hard and fast against her hand, but Wanda feels much less in charge. You squeeze her neck as you come, and she feels so ridiculously turned on that she can barely move her fingers, being used up in the final waves of your climax. Not a second later, your hand pushes hers away, and her body is pushed next. Pressed against the bed with you on top, instead of holding her neck, you hold both your hands above her head.
"I don't know what the fuck is going on, but this is a very welcome way to bring someone back to life."
She chuckles affectedly, with emotion, with lust. A little - a lot - of both. But in the end, emotion wins. The tears in her eyes are indeed from longing.
"It's so good to see you again, darling." She says hoarsely, her hands still clasped on top of her head.
You sigh, loosening your grip without letting go of her. "Wanda, how..." But she looks like she'll start crying, for real, if you have to explain. You sigh again in defeat and soften your gaze. "How about that coffee? And you explain everything to me calmly."
She nods, smiling tearfully. "You'll have to get off of me first." She jokes, but you look at her mouth and get a little closer to her face. 
"Yeah, in a minute. I don't know how long it's been, honey, but you've managed to get even more stunning." 
She laughs shyly. "Good to know you're still a flirt." 
"Only with my girl." That's what you say before closing the distance. Wanda doesn't need to think about anything or worry as long as she has this. No multiverse, no possible dead variants. She has you, and that's all that matters.
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sheeezu · 7 months ago
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My shifting guidebook.
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This is my last post, as melodramatic as I was in my last post, since both the posts I've made on here and reddit i got busy with responding to dms (for those confused check my first post) so i didn't permashift.
Unfortunately i still couldn't respond to all the messages and questions sent to my inbox and dms, mainly because of the different time zones and general laziness from my side.
I appreciate everyone who asked questions, although i felt it's a bit unfair since the answers to very common problems didn't reach everyone, and i want everyone to shift, i want everyone to shift tonight, so i decided i'll make a post to share all my knowledge, whatever i know, sort of like a parting gift.
And this isn't going to be a beginners guide, mainly for people who need a final push, and most importantly, for emergency shifters.
Onto the questions (: Divided into categories, skip through according to your needs :)
Detachment from CR, attachment to DR:
How can i detach from my CR/attach to my DR?
Generally, detachment can be achieved by numbing your emotions in your CR. But first, I would advise you to refrain from extreme and unhealthy detachment, because you'll end up getting stuck in a endless cycle of messing up your CR and not shifting (because you'd have no control over yourself, which would lead to your subconscious getting grounded in the messed up version of your CR; assuming that unhealthy detachment is daydreaming about your DR all day without any sense of where you are, without a strong mindset, when you eventually snap back you'll think even more vividly of your CR)
But- "unhealthy" attachment can be utilised to your advantage, to shift, in a controlled manner.
Pick a day to shift, let it be a weekend. After dusk, only indulge yourself in your DR. (When you're sure you have free time and you won't be disturbed) for me, I hid under the blanket, with a fully charged phone, I spent a portion of the hours listening to subliminals, and a portion of the time scrolling through pinterest with spotify in the background (things that remind you of your DR)
I recommend listening to detachment from CR and attachment to DR subs, and if you are a permashifter, and it's your deadline, go all out.
This is my advice for detachment from CR during the day, during the method it'll be different.
How can I detach from my CR while I'm shifting? I can't divert my attention away from my CR body/mind.
I'm writing in the pov of my own method.
The only way you can let go of the CR while you're shifting is with a calm mind. If you're overthinking about how you're going to carry out your method, whether you'd wake back in your CR, you'll have trouble reaching a detached state.
To detach, first of all, make yourself comfortable, do not try to force yourself into doing something, or laying in a position which makes you uncomfortable. Next, think of thoughts which pushes your CR to the side, your CR is just another reality, and you're the creator of it, treat it like its any other pebble on the road.
Affs: (again, void reality meaning your CR)
"Void reality? Huh, can't seem to remember what that is..."
"It's so peaceful not being in the void reality, going to fix it when I eventually return from my DR" (I vividly remember saying this, if you're a permashifter, make it so it fits your situation)
"..."
(Not saying anything says a lot, fall numb to your void reality and go onto your DR)
Remember, you're not answerable to your CR, its not your boss or captor, it's actually the opposite.
To attach to your DR during the method, in the middle phase of my method, say identity affs until you feel familiarise with your DR self, think of memories, have a small conversation with your DR loved ones, do a small rewind of your DR life in your mind, so you can ground yourself. I won't be going into much details on how to shift by becoming your DR self, my first post says it all.
How to detach from CR body?
Detaching your thoughts is basically detaching your CR body, the 30 second black out state is basically a window to shifting, because when your CR shuts up for a even just a few seconds it will give you the opportunity to divert your attention to your DR, no matter how fidgety you are.
Problems faced while shifting:
Something always itches me when I try to shift, any advice?
Before you're shifting, take a look at you're environmental factors, why are you feeling itchy in the first place?
If it isn't bugs, dry skin, I recall that during the method some symptoms are just itchiness.
Say affs to block off your senses first of all, until then try to control yourself
Affs:
"I have stopped sensing my void reality (CR)"
"I have stopped hearing, feeling, seeing my void reality"
If the need gets overwhelming and you're just starting your method, make yourself comfortable and move a bit, or just itch it, you can still shift.
I always fall asleep when I try to shift, what should I do?
During the day you're going to shift, and you know you're just tired and lack sleep, take a nap during the day.
If you didn't nap, or just generally feel sleepy still, turn my method into a sleep method, by letting yourself fall asleep while you're actively acting, thinking like your DR self (you'll wake up in your DR the next day)
Sleeping is a good tool for shifting, especially if you're starting to doze off while doing your method, you can achieve other states such as sleep paralysis, lucid dreaming or mind awake body asleep state, so don't get discouraged, if you prefer awake methods, there are some subliminals you can use to stay awake.
I always fear or dread shifting while doing my method and back out at the last minute.
(Copypasted from reddit)
Familiarise yourself with your DR, it's not scary if you know where you're laying, who you are, what's next to you and who's going to be in the room.
If you already start acting like your DR self then in theory fear shouldn't be here (why would you be scared being yourself in an environment which is supposed to be familiar to you?)
It also depends upon the kind of fear
Fear of spirits snatching your soul mid shift - listen to safety and protection subliminals (no, I wasn't personally possessed by demons last minute but it will put your mind at ease)
Fear of the unknown - familiarise yourself with your DR and shifting
Fear of symptoms - don't focus on them
Just know that nothing fearful will exist as long as you don't allow it to exist, you're the creator of your reality.
Trouble focusing while shifting.
Once you're even a tad bit detached from your CR, you would have no trouble focusing, because it's only your CR body's mind which is causing you trouble, the semi-void state in my method (when you don't feel your body that much, you force yourself to not have thoughts) is all you need to do to go onto the next phase of your method, and trust me, it'll feel very easy for you.
Prior to shifting, listen to frequencies, subliminals, basically flood your subconscious with your desired affs (calm mind subs, focus subs, general shifting and void state subliminals) when you're shifting, stare at the blackness and think of it as a milky way, like you're stargazing, I don't know why but your hyperfixation allows you to focus; count to a hundred, visualise your DR memories, youll eventually reach a trance state where you're focused and ready to shift. (if you can't visualise, then think of it in the form of a story)
Misc:
For folks with ADHD:
(Copy pasted from reddit)
I'd recommend try listening to subliminal (especially bundles) when you aren't feeling like doing anything or if you think your messing up.
Also try to keep yourself as comfortable as possible, if you can distract yourself in a way you aren't attached to your CR activities, for example watching movies or shows or youtube video which require minimal effort and attention
And im saying this only if you're utilizing a single day for shifting, or practicing LOA
while doing the method, i'd try to use as less time as possible, and if you feel off, then you can open your eyes and try the method after a small break.
Can I shift to-
Yes, yes, yes. You can shift to anywhere your mind can think up of, it really is that simple. You can shift to the past, shift to prevent a certain event, you can shift to a reality with a confusing concept, you can shift to become a chair.
Did you shift to a animated DR? How was it like?
I shifted to a pokemon DR where I studied pokemons for a living, but I quickly shifted back after 2 days because I got bored.
Personally for me I get creeped out of anything that's eerie or out of the ordinary.
So basically I scripted that it'll feel normal and I wouldn't even question it.
So I didn't, and now that I think about it, everything was proper, people had noses it wad 3D and everything, so just this reality except everyone looked unnaturally good and the world's graphic were different. If the entire world looks the same then nothing feels weird.
Your opinion on clones/time period?
I don't really care about clones or what they are, mainly because I believe in the consciousness theory, and the multiverse theory is a subdivision of consciousness theory, you basically let yourself believe there is a multiverse and for that reason it exists.
So in perceptive of the multiverse theory, your "clone" is just a body, which comes under your command or control.
It can't mess up your CR life, it'll make the same choices as you like you would have made if you were present in your CR.
Personally I had scripted that when I shift back I will wake up the next morning, following the night when I was shifting.
So my "clone" was just sleeping.
Secondly, stop stressing over your clone,
It'll just do what you want it to do, or just live life how you'd normally would
If you script your clone is a superhuman for the time you're in you DR, you'll shift back to a parallel reality of your CR where a superhuman lived your life for a while, but if you want you can just shift to a better CR like I did.
...
Those are all questions that came in my mind, I tried looking back into the chats and inbox to find more commonly asked questions or something I didn't clarify in my first post but most other questions had straight forward or a clear enough answer.
I really wanted to expand this post with more sections and questions, but in my opinion my first and this post combined are a lot of their own, I think I clarified a lot.
It's been a week being on Tumblr, and I loved helping people out, everyone was kind and unique in their own ways, I looked through my followers scripts and blogs and I enjoyed everyone's dedication to shifting, and their DRs (btw, I hadn't expected to get so many follows and notes, I'm genuinely suprised even now)
It had been a lovely experience being on shiftblr, in my opinion it's the best shifting, or just generally the best community on the internet.
As much as I would like to stay and blog regularly on here, I have to go back home, I'm permashifting in (from the time this post went up) 7 hours, and this time I'm not staying, so refrain from asking me questions after that, I won't respond, but this post will still be up.
Farewell, I hope your shifting journey conclude today and each of you live happily in your DR, with your well deserved love, respect and peace.
Goodbye c:
(Within the 7 hours, I may be partially active, if there is any question that is truly different and a genuine struggle for you, inbox me, I'll try my best to answer; I may as well post my DR script in my last few hours, since some people asked, remind me if I forget; also not posting on reddit, ive already annoyed the mods so much by breaking several rules)
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thebramblewood · 4 months ago
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As storytellers, realism and continuity are important to us, and they're sometimes hard to achieve within the confines of the game. I’m personally a big fan of posing Sims in open doorways, and unless you want to be limited to the CC options that exist, you’re stuck having to make some poor Sim walk in and out and pausing at just the right moment for the desired effect. But it’s actually very easy to edit a door in Blender to make your own open version!
I initially learned about "posing" objects from surelysims' Wicked Whims posing tutorial, which I highly recommend as a whole. However, it might be a little overwhelming to learn a whole new posing system for the sake of a screenshot or two, which is where this tutorial is meant to come in. Some of my explanations might seem overly simplistic, but I wanted it to be approachable even for beginners. I am far from an authority on using Blender or making CC, and I'm sure there are flaws in this process or easier ways to achieve certain things, but it works well enough for my purposes and I hope it will work for yours too. 💗
Now, onto the tutorial...
Figure out what door or gate you want to create an open version of. If it’s from the vanilla game, all you need to do is make note of its name. If it’s CC, find the package in your mods folder, make a copy, and paste it into My Documents > Sims 4 Studio > Mods. This will allow you to find it in S4S in the next step!
Open S4S. On the main screen, make sure “Standalone Recolor” is checked under the “Object” button, then click the button.
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A new window should pop up (if it’s your first time doing this, it may take a while to load). At first, it will show every single object in the game. If you know the name of the object you’re looking for, you can use the search bar to find it. You can also use the filtering options to narrow the selection down by category, game pack, and whether it’s vanilla or custom content. Here, I’ve filtered the search to only base game doors. Once I find the door I want to adjust, I click on it and hit “Next.”
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This will pop up a window prompting you to save a new file. Place it somewhere you know you’ll be able to find it easily later and name it accordingly. This file will ultimately contain your mesh edit, so you don’t want to lose it! I suggest placing it in a dedicated folder, on your desktop, or in your Mods folder directly.
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On the next screen, you’ll be looking at the contents of the package itself. For this tutorial, you don’t need to worry about grabbing anything but the mesh. Click on the “Meshes” tab and then “Export Mesh.” You’ll again be prompted to save.
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Open the mesh file you just saved in Blender. (If the view is funky to start, I recommend hitting 1 on your keyboard’s number pad to get a forward-facing view.) [It should also be noted I’m using Blender 3.6, so my screenshots and the location of certain settings may be different than in earlier or newer versions.]
You’ll see that there are actually multiple meshes involved (and the number can vary from object to object). Right now, we’re only concerned with the “rig.” If you’re familiar with posing, you’ll know that all Sims have a rig that is used to move different parts of their bodies around. Objects also have a rig, and objects that can open will have “bones” that control their moving parts. So click on “rig” and then change “Object Mode” in the bottom corner to “Pose Mode.”
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Now, if you hit A on the keyboard, it will select all bones and you can see where they’re located. As far as I can tell, all doors have two bones that control their swinging movement. They both do essentially the same thing. I tend to stick with the top bone, which is called something like “bind_doorSwing.”
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Pro-tip: If you’re having trouble seeing or selecting the rig's bones, you can change the view on the right side of the screen to “dope sheet.” Then when you save the position of the bones, just like when posing a Sim, by selecting all with A then clicking I and selecting “Location & Rotation,” the list of available bones will pop up there.
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Rotate the door open using this bone or bones, if it’s a double door. On double doors, I recommend rotating each side individually rather than trying to rotate them together, as you may get unexpected results. You can use the R+Z combo on the keyboard to limit the direction of movement. (You can also use this in combo with numbers to swing them more precisely. For example, if you want a 45 degree swing, you can press R+Z+45.) Specifying the Z axis allows you to only swing the doors open and closed while restricting their movement in other directions.
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Once you’ve got the doors swung open to where you want them, hit A to select all bones, then hit I and select “Location & Rotation” to save the position. (If you’re a poser, this maneuver is already familiar to you - and you know how important it is! If you skip it, the new position won’t save and the doors will revert back to closed.)
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That’s it! You don’t have to do anything else to the mesh. Save your file in Blender. If you want to keep it separate from the original door mesh, save as instead and name it something different. (This is why you may want a dedicated folder, since the number of files does add up!)
Reopen the package you made earlier in S4S (or simply return to it if you’ve kept it open). From the same place you exported the mesh, you will now import the edited mesh. Hit “Import Mesh,” navigate to your edited Blender file, and you should now see your edited door replace the original. Since it’s the same mesh, all the swatches will still work perfectly with it.
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You’ll notice that you’ve only replaced the “LOD 0 (High)” version of the mesh. When you click the drop-down menu, you’ll see that there are also medium and low detail versions, as well as shadow meshes at all levels of detail. If you’re only making an object for personal use, you don’t have to worry too much about LODs. You can probably just import the same mesh into LOD 1 and LOD 2 and be fine (so long as your computer isn't a potato). And if this is just for you, I honestly wouldn't even touch the shadow LODs.
The only other thing you might do is go back to the “Catalog” tab and alter the object name so you can find it easily in the game catalog. You can also edit the description, price, etc. if you so desire. Hit “Save.”
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Test in game! If the package isn’t already in your Mods folder, move it there. As long as you didn’t mess with any of the tags, it should still be in the door section of build mode and work perfectly as a functional door. The door swinging animation will look different, and you could probably get rid of it if you wanted, but that’s above my current skill level and I don’t think it’s really necessary for our purposes. If all you need is an open version of a very specific door for storytelling purposes, it gets the job done.
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(First screenshot: doors swung open as intended, second screenshot: doors swinging in the opposite direction as they’re walked through)
These steps can also potentially be used to create open versions of other in-game objects like gates, books, chests/boxes, etc. I’m only just beginning to experiment with minor mesh edits, but once you get the hang of it they can often be faster and easier than trying to line up the best circumstances to get the perfect shot in-game. I might make more tutorials for small edits like this that help with storytelling realism and continuity in the future!
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aethon-recs · 1 year ago
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2024 Update to Tomarrymort Longfic Recs — 8 additional fics
I wanted to add 8 lovely new longfics that have been published since the last time I put together this rec list — 6 more for the Intermediate reads list and 2 more for Advanced. Hopefully you’ll find something within these additional 950k words of absolutely brilliant Tomarrymort fic to sink your teeth into and enjoy:
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Longfic rec list collection:
Tomarrymort Beginner reads are the fics I would use to introduce someone to the ship and help them get a baseline for the variety, themes, and tropes that best represent our ship;
Intermediate reads are for readers that are already familiar/sold on the ship, and are looking for fics that explore interesting new facets of the Tomarrymort dynamic; 
Advanced reads comprise challenging works of some nature, whether the writing features more complex subject matter and/or pushes the boundaries of what’s possible in a piece of fanfic.
Please enjoy these 8 additions to the list, all of which are either completed or still updating as of 2024!
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Intermediate Longfic Recs
A Light That Never Goes Out by @kippipies (M, 80k, WIP)
Setting: Non-Magical AU Premise: If Harry is the target of a dangerous crime lord called Voldemort and his gang of Death Eaters in a modern mafia AU. Why I rec it: This is a delightful, high-energy caper of a fic in which Harry is a scrappy low-time criminal who accidentally crosses crime boss Voldemort. Naturally, Voldemort sets his sights on getting revenge, but Harry slips through his fingers at the last minute each time. The action scenes in this fic are incredibly dynamic and super fun — I felt like I was watching an action movie at each confrontation between Harry and Voldemort.
And the Living Will Envy the Dead by @k-s-morgan (M, 81k, WIP)
Setting: Time Travel (1940s) Premise: If Harry were flung back in time to Tom’s sixth year and almost immediately reveals he is Tom’s horcrux, setting off a chain reaction of obsession and control.  Why I rec it: An intricately crafted character study of Tom and how he gained control over the rest of Slytherin House by the time Harry meets him at the start of sixth year. Harry’s arrival throws Tom’s plans off-kilter, especially once Harry reveals he was Tom’s horcrux in another timeline. This leads Tom to believe the other version of him had somehow loved Harry, and shows him that it’s possible to form such a connection with Harry here if he wants, despite how dark, cruel, and violent he turned out and how little he cares for others. 
By Any Means by @corpium (E, 74k, WIP)
Setting: Alternate Universe Premise: If Harry has a younger brother Evan who is the Boy-Who-Lived, yet Harry’s overprotective actions towards Evan end up attracting the attention of Voldemort directly onto himself. Why I rec it: This is a really engaging and fast-paced adaptation of canon events if Harry were born 2 years earlier and his younger brother were the one that the prophecy applied to. The relationship between Harry and Evan is really sweet, as they share the burden of growing up at the Dursleys and all the adventures that Harry underwent in canon. There’s also such a fascinating exploration of magic as Harry gradually becomes more powerful as a result of all the trials that he’s put through, eventually becoming powerful enough to attract the attention of Voldemort. 
Pledged by @moontearpensfic (E, 118k, WIP)
Setting: Alternate Universe Premise: If Harry and Tom are best friends that enter together into a Hunger Games-crossed-with-Triwizard Tournament in their seventh year.  Why I rec it: This fic depicts co-dependency to such an intense degree between Harry and Tom. Not only are they inseparable best friends throughout their time at Hogwarts, they also perform a cooperative magic ritual that binds their magic to each other permanently, and allows them to share thoughts and feelings with each other across a mental link. There’s also an intriguing mystery at the heart of this story, as Harry and Tom try to figure out the origins of the Triwizard-style tournament that they enter into in their seventh year. 
Revolution of Configured Stars by @tollingreminiscentbells (E, 153k, WIP)
Setting: Voldemort Wins AU Premise: If Harry was raised in a pureblood family in a universe where Voldemort wins, and ends up attracting the attention of Voldemort in his seventh year at Hogwarts.  Why I rec it: This is such an intricate, incredibly thoughtful depiction of a society where Voldemort won and Harry was raised as a ward of a pureblood family. By the time it’s Harry’s seventh year, he’s a budding Arithmancy scholar who wants to explore whether it’s possible to choose the optimal timeline via arithmantic calculations, which catches the attention of Voldemort. Voldemort and Harry’s relationship unfolds in such a steamy way, and they truly feel like equals who hold each other in high regard, as Voldemort reveals that they have been inextricably linked by fate, whether or not he ended up trying to kill Harry as a baby in this particular timeline. 
the stars, my destination by @milkandmoon-ao3 (M, 15k, WIP)
Setting: Time Travel (Marauders Era) Premise: If Harry is sent back in time as an infant and adopted into the Potter family, growing up and attending Hogwarts alongside James.  Why I rec it: There is a dearth of Harrymort fics set in Marauders Era so it is such a delight to read about Harry’s friendships and rivalries with Marauders Era characters, like being best friends with Regulus and Quidditch rivals with James. As Harry starts his sixth year, the First Wizarding War heats up in the background and begins spilling into their life at Hogwarts as many of their classmates are recruited to fight on either side of it. All the while that he has to keep secret the strange mental connection that he’s had with the Dark Lord all his life. 
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Advanced Longfic Recs
Hearthstone Abbey (Series) by @ramabear (E, 152k, WIP series)
Setting: Soulmate AU Premise: If second year Harry is plucked away from his canon universe by Voldemort from another universe who is his soulmate. Why I rec it: I wholly melted at all the ways Voldemort takes care of Harry in this fic, better treatment than Harry’s ever gotten in his entire life, and Harry is so lovable and adorable in turn. Voldemort has established himself as a religious figurehead/cult leader in the alternate universe, and it was very interesting to read about his alternate path to power. The soft grooming in this fic was so so delicious, ramping up in intensity as the fic progresses; Voldemort completely dotes on Harry and their dynamic is so sweet and tender, a very nice counterbalance to the sinister and predatory tones that underlie their relationship.
if we were lovers by @reggieblk (E, 277k, complete)
Setting: Non-Magical AU Premise: If Harry and Tom meet in a prestigious drama programme and fall for each other against a backdrop of high stakes threatre productions.  Why I rec it: The character work is so rich and detailed in this coming-of-age story in a modern AU setting. It’s clear there was so much thought that went into all the character interactions here, not only between Harry and Tom, but also the ensemble cast of characters who inject so much heart and humor into this story as well. I love the way that @reggieblk cleverly weaves in elements from Shakespeare’s plays and uses the theatre backdrop to depict how the love story between Harry and Tom unfolds — their developing relationship feels, at the same time, both very immersive and cozy, as well as highly fraught with tension. (As a bonus, there is an absolutely amazing original play in the interlude chapter that was written specifically for this fic!)
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theresattrpgforthat · 7 months ago
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So, I went to a game store, and I asked if there were any good beginner games for someone who tried the DnD Essentials Kit and found it too complicated, and you'll never guess what one singular game they suggested!
THEME: Simpler Games than DND.
My friend, I’m not a very good guesser, but I hope that I am able to present you with some games that will give you what you’re looking for.
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24XX: Chaos Unit, by polyhedralmice
Deep under the busy streets of Sapien City is the headquarters of the Vermin Squad, the espionage wing of a secret organization of urban animals known as the CHAOS Unit. They capitalize on the fact that vermin are virtually invisible human inhabitants of the city and use they use their street smarts to run vital missions for the unit. Raccoons, opossums, pigeons and squirrels each play specific roles and together form teams that take on the most vital of missions. From intercepting life-saving pizza orders to rescuing their colleagues from the dastardly Animal Control, there is no task too daunting for the brave animals of the Vermin Squad. Every night teams are sent out on their missions, and this is the story of one of those teams. Nothing will stop these brave agents from successfully completing their tasks (except maybe a humane trap baited with peanut butter). 
CHAOS Unit is a spy themed hack based on Jason Tocci’s 24XX.
24XX games are great for groups that love different-sided dice. In general, you only have a few skills for your character that are outside the normal parameters (upgraded to d8 - d12), and the success threshold is the same for pretty much every roll. The challenges and situations of any given scenario are typically presented as roll tables, allowing the GM to come up with an adventure just by rolling a few dice.
CHAOS Unit has just a few character options, some simple gear options, and a comparatively light-hearted premise. It’s a great introduction to the system, and learning how to play one 24XX game makes every other 24XX game a piece of cake to learn, even if they include new rules.
Loot, by Gila RPGs.
LOOT is a fantasy TTRPG by Gila RPGs that combines looter shooter mechanics with west marches vibes. When a rebellion toppled a lich overlord and torn down his city, the people were left with a lot of loot, and a lot of problems. That's where you come in.
Get some friends together, fight some monsters, deck your characters out in cool loot. Do it all over again.
Even though LUMEN uses grid-based combat, your character’s stats are simplified, reduced to a few things: health, armour, and three action types: force, flow & focus. Your stats themselves come from the items that your carry - your loot.
Your loot is organized through slots on your character sheet: you can only carry so much, so you’ll have to think carefully about what kind of stat bonuses and abilities you want. I find that a visual inventory can make it easier to keep track of everything you have, and can help some players learn how to think strategically. If you like the fantasy and strategy that exists in D&D but don’t want to do nearly as much math, you might be interested in LOOT - although the lack of dice is certainly a big change.
Slugblaster, by Wilkie’s Candy Lab.
In the small town of Hillview, teenage hoverboarders sneak into other dimensions to explore, film tricks, go viral, and get away from the problems at home. It’s dangerous. It’s stupid. It’s got parent groups in a panic. And it’s the coolest thing ever.
This is Slugblaster. A table-top rpg about teenagehood, giant bugs, circuit-bent rayguns, and trying to be cool.
Forged in the Dark games can be tricky to introduce to a new table, but Slugblaster is one of a few that I think can do the job. It’s a streamlined version of the system, that takes away a lot of the crunch that comes from Stats, Position, and Effect, and boils it all down to Kick and Boost. It also streamlines harm into 2 levels of slams, and keeps stress and downtime to a procedure that you can follow step-by-step when you finish a run. Finally character creation is very easy: you only make few choices in terms of abilities, and many of these choices are descriptive, rather than mechanical.
One thing I’ve noticed about games with “simpler” rules systems is that they typically do require a bunch of improv, which can be scary for new GMs. Slugblaster isn’t that different in this regard, but it does have a few things you as a GM can prepare beforehand if you want to make things easier for yourself. For example, you can set up your map of the different dimensions beforehand, including the doorways that the teens can get through. If you know that the teens get back to your home dimension without going through Operablum, then you can prepare a few location - specific threats to confound the teens as they try to get back in time for dinner.
Another strength of these games is that typically, if a player wants to do something, they just have to be able to describe how they’d do it - you can then work backwards using the gear & resources on your sheet to give you some dice to roll, as well as the logic of the game world, to figure out what happens next.
Lady Blackbird, by John Harper
Lady Blackbird is on the run from an arranged marriage to Count Carlowe. She hired a smuggler skyship, The Owl, to take her from her palace on the Imperial world of Ilysium to the far reaches of the Remnants, so she could be with her once secret lover: the pirate king Uriah Flint.
Lady Blackbird is the first game I ever played, and it’s a game I fell for - hard. It involves rolling pools of dice that you pull from descriptive collections of tags assigned to pre-generated characters. It simplifies game-play by taking away the step of character creation, and gives the group a pretty solid story to pick up and follow wherever your heart may lead.
While the rules of the game are fairly simple, I think that as a GM, you’re going to need to be comfortable with a fair bit of improv to make this work. The game has some excellent pieces of advice on how to come up with scenes for the characters, and even includes some example complications to throw at the party. I’m really glad this was my first game because from the beginning, it affirmed that roleplaying games are a communal experience, and even if the characters and the starting scenario are already written for the group, the players have a lot of freedom to decide who their characters are, and what they’re going to value.
Liminal Horror, by Goblin Archives.
There’s a strange comfort to ambiguity. To stand at the threshold between states of what was and what’s next, to inhabit the places of transition. But you’re never truly alone here. There are things that hunger within the dark places. Strange creatures and mysteries lie in wait and tumbling into the wrong place at the wrong time may put you on the path towards doom.
Grab your flashlights and blood splattered jackets as you try to make it through the night. Beware, snapping bone and rending flesh are often the simplest outcome. While there may be great power within these places… not all mysteries can be solved and not everyone can be saved. Above all, there are fates far worse than death.
LIMINAL HORROR is a rules-lite, adaptable Survival-Horror roleplaying game about normal characters and their struggles against the things that go bump in the night. The game focuses on surviving the weird and Investigating horrors while blending simple, old-school inspired rules with modern, narrative first principles. Survival is not guaranteed and those that do make it through the night are often forever changed.
In Liminal Horror, character creation is rather quick, often easily generated using a few dice rolls. For most tasks, your characters will roll a d20 and try to get a number lower than one of their three stats, so when you get started, teaching the game should be pretty simple. Of course, since it’s a horror game, there’s more than just trying to roll under a stat: characters will find themselves subject to the consequences of being exposed to horrors that are far beyond the limits of human experience. As a result, characters will find themselves dealing with two different kinds of harm: stress & fallout. These two harm systems will make the stakes feel real, and they’ll also inflict changes on your characters as you play.
Liminal Horror has a few things going for it. The basic rules are fairly straightforward, but they’re also free. The game is meant to be paired with pre-written adventures, which often include place descriptions, NPCs, and adventure-specific consequences to torture the characters with. A lot of the adventures available come with a price tag, but if you want to try out the system, there’s a couple of free ones out there - I recommend Messenger National Park, by capacityforwonder.
For the Ship And Its Crew, by Adeline Fowl Games.
We've crewed this Ship for years together. We've seen wondrous sights, gotten ourselves into seemingly insurmountable trouble, and have owed our fair share of creds to the wrong people. And yet, still, we fly. But after all these years, our past may be catching up with us. As the missiles tear across starlit space, we'll be forced to ask ourselves: What will we do, for the Ship and its Crew?
This is a hack of For the Queen, which mostly involves answering prompts, using something like a card deck, or in this case, a digital hosting service. Your group is telling a story by taking turns answering questions, which makes the game fairly easy to teach, even to people who don’t have a lot of roleplaying experience.
These kinds of games can also be played very quickly, which might also make it easier to introduce to folks who aren’t used to sitting around a grid and calculating resources for 2+ hours.
Other Recommendation Posts To Check Out…
Easy To Teach Recommendation Post
First Time GMs Recommendation Post
Little Reading or Writing Required Recommendation Post
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on-a-lucky-tide · 4 months ago
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absolutely feel free to ignore this if you don’t feel like babying me through it lmaoo but i’m trying to get back into my physical therapy and picked up my dad’s old hand weights. i’ve never lifted a thing in my life and i’m severely chronically ill and deconditioned (hence the pt lmao) and i was just wondering if you had any tips for absolute beginners or things i should really avoid bc i have no idea what i’m doing and have no one to ask 😭😭
Yo, T, this is great news.
If by "hand weights", you mean those like... baby dumbbell thingies? Then absolutely I can help.
Top tips:
Form is more important than weight. You need to get the movement right to build strength without injury. So, don't be ashamed to start as light as you can at first. Ensure you get full range of motion (e.g., if you're gonna do a bicep curl, then all the way down, all the way up; slow, controlled).
You'll need to warm up first. You can do this by lifting lighter weights before moving to heavier in exactly the same movement you intend to do (e.g., I'll always lift an almost naked barbell for my first set, or with very few weights, just so my joints can uh... crunch their way into motion). Some people do some band work.
Don't be me; listen to your body. If things start to bubble, pop, grind, crunch or, my personal favourite, stab you in the nerve endings, stop. Pushing through leads to injury. If you are consistent and patient, you will get better.
I recommend downloading the free app 'FitBod'. It has .gifs and videos showing you how to do hundreds of exercises. The free version won't let you 'log workouts', but you just need a pen and paper for that tbh.
I'd suggest starting seated in a dining room chair. This will stabilise you. Once you get confident, you can begin to do standing exercises.
Supplement the hand weights with body weight movements, such as shallow squats, crunches, push ups on knees (or, push ups against the wall, against the edge of the sofa).
Do mobility work. A good app for this is Pliability. Although I do shit like the Weatherman push up challenge 'cause my brain is spicy and gets bored with shit like the frog pose.
There's a link in my pinned for a workout split if you want it. Good luck, stay safe! 💪
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cloudolus · 5 months ago
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viviennemaeve · 3 months ago
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𝐄𝐥𝐞𝐯𝐚𝐭𝐞. 𝐄𝐱𝐩𝐚𝐧𝐝. 𝐄𝐯𝐨𝐥𝐯𝐞. 🔥
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Hello, loves. I'm Vivienne Maeve. ✨
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toskarin · 1 year ago
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Any recommendations for getting into Elona/ElonaPlus/Elin/etc? I remember trying some version of ElonaPlus a very long ago and finding it Very Overwhelming, so I'm curious if there's a way to get into it that's Relatively Beginner-Friendly.
download elona+ from here and extract it to a folder. this is where your game's gonna be
go here, scroll down, and download the .zip file
drag the files from that zip right into that folder we just made
accept all replacements that it prompts you to, since this is patching the game
you can now play elona+!
[optional]
if you want a pretty tileset and some other graphical tweaks, you can download Beautify here. just patch it onto your game
there are a few sprite sheets and replacements out there for things like monstergirls, but if you want those, you'll have to go looking for them yourself, since each version update usually requires a new sheet
if you want some extra options for the game (and some extra windows for things like companion health monitoring and midi playback control) you can download Elona Extender as a patch over here
hope that helps!
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mikelogan · 20 days ago
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Hello. 🥺I hope you can still remember me! 😂 would you mind provide me the specific tutorial on how to make these HQ gifs especially this post: https://www.tumblr.com/sinnersmovie/781373995991826432/the-pitt-2025-created-by-r-scott?source=share ? 🥺 the quality is really nice! I have the problem of gif making, the thing is that I have followed many tutorials on how to make HQ gifs but it always turn out differently even tho I follow every step.. I am too confused. Literally, so desperate to fix the problem 😭 not sure what did I do wrong..
yes, hi!!! so, for this gifset from the pitt, i can walk you through my process on capturing footage and coloring, but if what you're struggling with is quality, the most important part is the file and definition of the footage you're working with.
i personally almost exclusively use 1080p footage with a decent file size. a file can be HD and still vary in size from a couple hundred megabytes to several gigabytes. this will also depend on the length of the episodes (half-hour episodes vs. an hour-plus). since we're talking specifically about my gifs of the pitt, my DLs of the episodes are all in the 2-3.5gb range, give or take.
i know there are gifmakers that swear by 4k footage and i certainly won't deny that gifs made from 4k files are stunning, but i've already spent a lot of money on external hard drives and don't have the space to spare for the frankly massive sizes of 4k movies and tv. besides, most 1080p quality gifs turn out perfectly well!
below the cut, i'll show you how i capture, gif, and color scenes from the pitt like this:
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note: this tutorial is beginner-oriented!
step 1a: once you obtain your file (this is not a piracy tutorial lmao, but if you google "piracy reddit" you can find a lot of reputable suggestions for sites to peruse), it's time to screencap or clip the scene(s) you want to gif. i would say that, from what i've seen, most gifmakers use screencaps, but i highly prefer taking short video clips (which i keep and usually label for future use/reference), so i'll be showing you that version. if you would prefer to screencap, please check the "beginner tutorials" tag on my resource blog @gifmakerresource
step 1b. i only use windows pcs, so i can't give any specialized info regarding macs, just as a disclaimer. i use the program VLC Media Player, both for clipping scenes and as my regular media player on both my laptop and my desktop. to initially set up vlc's recording capabilities, i used this website (please just ignore all their annoying advertising for movavi).
step 1c. now that vlc is set up to record footage played through it, i open my video clip (ctrl+o) and navigate to the scene i ultimately want to gif. i typically recommend recording an extra 5-10 seconds before and after the clip, especially if you need to convert the clip afterwards.
step 1d (optional). depending on the file format of your episode, you may need to convert the clips you take before photoshop will accept them. for example, a vast majority of the files i download are mkv files, but photoshop works best with mp4 files. for this, i use another program called HandBrake. once downloaded, i add whatever file(s) i need to convert, select the appropriate preset (which is almost always "Super HQ 1080p30 Surround" to maintain as much of the original quality as possible). you can select where the converted files automatically save for organization purposes, just like with vlc.
step 2. now that we have the clip we want to turn into a gif, it's time to bring it into photoshop. to do so, select file -> import video frames to layers. once you select your video clip, photoshop will pop up with a little media player with a few controls. here's what that looks like:
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the box on the left that i've highlighted is what you'll adjust depending on whether you want to load in the entire clip or a specific range of the clip. with the way i clip scenes, i have quite literally NEVER used "from beginning to end." instead, i use the toggles on either side of the progress bar (circled in red) to select a specific range. you don't have to be overly precise with this as you can always delete extra frames, so i'll navigate using those little arrows until i roughly have the shot i want to turn into one gif and click okay. i would not recommend checking "limit to every x frames" because while this can help with file size, it will make your gif appear choppy. make sure "make frame animation" is checked.
this is what photoshop looks like after clicking OK:
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across the bottom are the frames. make sure that "forever" is selected at the bottom left rather than once or three times. this makes sure that wherever you post your gif, it will play continuously. the 0.04 below each frame is the frame rate -- at this setting, each frame plays for four tenths of a second. this might vary depending on your source material, but i HIGHLY recommend using 0.05-0.06. we're not going to worry about that yet, though, so don't bother changing it right now.
over on the right under "layers" are, you guessed it, each frame's corresponding layer. now, i could go more in-depth on this, but i don't gif using frame animation. i used to a very long time ago (over ten years ago), but i use a series of actions to convert to timeline animation. before doing that, however, i execute a couple more steps first.
step 3 (optional). i may be a slob irl, but i'm extremely organized and neat on my computers, so the first thing i do is use an action i created to select all the layers and put them into a group. to manually do this, you can either click on the first (or last) layer and then click on the last (or first) while holding down shift OR you can go to select -> all layers OR you can use the keyboard shortcut alt+ctrl+a. i just turned this process into an action to save time.
step 4 (optional). delete any excess frames. because i don't bother with being extremely precise with photoshop's media player, i usually have to trim off extra frames at the beginning and/or end of my gif. to delete frames, select the first frame and either hold down control and click each one or hold down shift and click the last one to select everything in between. once the frames you want to delete are selected, click the little trashcan below the frames (near the left side just before the horizontal scrollbar).
note: to watch your gif at any time, simply press the spacebar. press it again to pause.
step 5. while everyone's process is different, i prefer to crop my gif to its final proportions here. there's nothing wrong with doing it later, but sharpening and coloring can take longer at larger dimensions. the width of a single gif in a row on tumblr needs to be 540px. two gifs in a row are both 268px wide. three gifs in a row are 177px, thus making tumblr's gutters (the small transparent spaces separating gifs) 4px.
step 6. this is when i sharpen my gif and convert it to timeline animation. when it comes to sharpening, i think everyone probably does it a little differently. here's how i sharpen my gifs (which i turned into an action to save time) and here's the sharpening tutorials tag on my resource blog. as with most things gifmaking-related, i recommend trial and error. try different things until you find what you like! once again, to save time, i turned that sharpening tutorial (and its base sharpening) and the timeline conversion into a single action.
to convert your gif from frame animation to timeline, you need to select all your layers and all your frames and select "convert to video timeline" from the menu after clicking these three lines:
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this is what i have once i've run my action to sharpen and convert:
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you can adjust how zoomed in your timeline is with the slider at the bottom and if you're having issues with playback (though especially with larger/longer gifs, it always takes a while to load before playing smoothly) click the gear icon near the top of this screenshot and make sure it's set to 100% and to loop playback.
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(group 2 is my vivid sharpening per the tutorial i linked, so if you don't use that, yours won't look exactly like this.)
step 7. time for my favorite part: coloring! now, i'd recommend taking a look at coloring tutorials as every show and every movie is going to be different. even separate scenes in the same episode can have totally different lighting. i have a bad good habit of saving just about every psd (photoshop file that contains all coloring adjustment layers), so there are times where i can just reuse a coloring i've already made rather than having to color each gifset from scratch, but you might be surprised just how much i DO color from scratch.
in several of my other gif tutorials, i explain and go step-by-step through my entire coloring process and why i use the adjustment layers i use, but as i said, what works for one scene may not work for another, so the best thing i can recommend is to familiarize yourself with commonly-utilized adjustment layers. play around with them, see what each one does, and over time, you'll be able to recognize which ones to use and when to use them. the adjustment layers i use are brightness/contrast, curves, selective color, channel mixer, gradient map, vibrance, hue/saturation, photo filter, levels, and exposure. the bolded ones are the ones i use on almost every single coloring.
on the navigation page on my resource blog, you can find a lot of tutorials that are specific to one or more types of adjustment layers and i encourage you to check those out as well as explore the navigation page itself.
here's an overview of my coloring for the pitt:
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and here's a visualization for you of what each layer does:
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(top to bottom, left to right) no coloring, brightness/contrast, adding curves, adding selective color 1 (black, neutrals, and white), adding selective color 2 (blue and cyan), adding gradient map (b&w set to 25%), fully colored, without vivid sharpening, and a comparison of the original to the full-coloring.
step 8. it's time to save! i HIGHLY recommend using this save action from @anyataylorjoy as it's a total lifesaver. if you save your gif right from here, photoshop will automatically set your frame rate to 0.07. while i used to gif at 0.07, i cannot believe how slow and choppy that looks now. all of my gifs are now 0.05, which is what this action does in part. without this action, you'd have to save your gif here and then open that file, change your frame rate, and re-save.
once this action has finished running, you go to file -> export -> save for web (legacy). here are my save settings, which do make a difference:
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just remember, to be uploaded to tumblr, a single gif must be below 10mb in size. # of frames, #of colors, and dimensions all play a big part in the size of your gif. here's the finished gif at 540px:
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to sum up, what's most important when trying to make high-quality gifs is the quality of your footage. generally, the larger the file size the better, but you do not have to use 4k instead of 1080p. and a 3gb 1080p file will likely look higher quality than a 300mb 1080p file. sharpening and coloring go into it, yes, but they're probably not going to make or break your gif.
as always, if you have additional questions or need clarification on any part of this tutorial, please let me know! i don't believe in gatekeeping and will always help to the best of my ability (it just might take me a few days).
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raspbel-art · 2 months ago
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Hi hi!! Just saw your doctor who bookmarks, they're adorable. Ever since I started seeing your art on my feed, I've been so admiring of how good the body proportions are.
I love drawing as well, but when it comes to body proportions, i don't know where to start... I was wondering if you had some advice regarding that? Maybe some advice you learnt as a beginner that helped you throughout the years? Or some general tips?
Thanks in advance, i hope I'm not bothering you!
Anyways. I love your art a whole lot <3 xoxo
Hello!
First of all, thank you very much for your kind words asdkhfgakhebd 😍
Second! No, you are absolutely not bothering me, thanks for your question, it’s a very interesting one! And a bit tough :D
I’m a self-taught artist with little experience of art lessons from college, so I’ll do my best to explain! To be completely honest, I don’t use 98% of academic tips I learnt at college, the only stuff I picked there is that when you build a pose, you can understand where the elbow goes, because it’s the length of ribcage, and that in relaxed position hand stands on the spot approximately in the middle between hip and knee :D
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Pic 1. When I start to build a character, I usually go for a thick brush and start to draw from head. Sometimes I draw legs literally as sticks and only then add the shape, but more often I just draw by blocks. Head, neck, torso, hips. Talking about limbs, I cut them in three parts - arm from shoulder to elbow, elbow to wrist, hand. Leg - hip to knee, knee to ankle, foot itself :D Somehow it feels easier to control the proportions by breaking the figure such way!
In most of cases as I’m already too used, after the first stage I draw character’s features and clothes in sketchy style, but if the pose is too complicated, first I do “a naked version”. Simply talking - drawing body itself :D
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Pic 2. If you hesitate and feel that something feels off, try to measure the length of body parts. You don’t need any ruler for this, ahah, it’s enough to just place your pencil/stylus flat along the part you measure - for example it’s a leg. You put the pencil parallel to it such way that its tip is where the hip is and put your thumb on the level where foot is. Keeping your thumb like that you can move the pencil to torso or any other body parts to see the length difference and correct accordingly. Important to keep your hand the same distance from the eye, otherwise you will confuse yourself ;)
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Pic 3. When you are happy with your proportions - dressing time!
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Here’s the practical example of my process with bookmark Ten. As you can see, here the thick line base was enough to start right away with character and clothes. And here’s a little timelapse, which practically shows how my process starts and goes
I hope it was clear and interesting enough! Again, thank you for your question and don’t be afraid to ask, if something is unclear or you have other questions! Enjoy your drawing :3
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galene-gothic · 2 years ago
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𝖶𝗁𝖺𝗍 𝖽𝗈𝖾𝗌 𝗍𝗁𝖾 𝖻𝖾𝗌𝗍 𝗏𝖾𝗋𝗌𝗂𝗈𝗇 𝗈𝖿 𝗒𝗈𝗎 𝗅𝗈𝗈𝗄 𝗅𝗂𝗄𝖾?
୧ ‧₊˚ ⋅* ‧₊ I hope this reading found you in good health, every reblog is appreciated and thank you for everything :) ˖♡ ˎˊ˗ ꒰ 🐇 ꒱
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˗ˏˋ༻ʚ♡︎ɞ༺ˎˊ˗             PAID SERVICES
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⸼ ۫ ︎︎⊹ ! 🪡︎ Pile 1 ꒱
What I'm getting for this pile is that you guys have always been told how to live life, you've been given instructions and if you weren't willing to live life in the way others wanted, they ostracized and did everything in their power to hurt you which caused you to have a back and forth between choosing yourself and people pleasing. You are also used to dimming your shine for others because you cared about them and they were uncomfortable. You might've been guilt tripped by others because you were competitive, rebellious and simply living your life in the way that you wanted. Most of your past friends have always been in a competition with you and had a secret resentment against you because they didn't seem to win. Well, the best version of you is comfortable with competition and will have a lot of rivals (and yes, there will also be ones you won't even be aware of). They have friendly competitions with others. They don't mind getting involved in disagreements and arguments. They make others feel kind of threatened just because of who they are and also because of how competitive and hard headed they are. They have a lot of courage.
They don't let the other person win just because they care about the other person. They share the opinions that they have that might differ from the crowd's opinions. They're selective and do not relax their guard for just anyone. They're connected to their inner self and know how to keep their secrets close to their chest. They are individualistic and introspective. They heal themself, they are in touch with the darker aspects of themself and know how to work with it. They are emotional and intuitive. They face their fears, they sleep well. They know when and how to mentally leave a situation. They are independent and know when to leave things, situations and people behind. They are smart enough to take a rest when they feel exhausted. They know how to find balance and have control over themself and their life again. They leave whatever doesn't serve them. They try to move towards peace, safety, comfort and stability. They overcome chaos and hardships, and grow a lot from them. They protect themself but also help others. They have close circle who'll support and love them. They know how to take guidance from others and learn from their regrets.
⸼ ۫ ︎︎⊹ ! 🪡︎ Pile 2 ꒱
This pile likely struggles/struggled with taking action. Maybe, for some of you, you fear failing so bad that you don't even try. You might have cancer or/and leo placements (doesn't have to be). You get discouraged when things are going too slow or if you receive criticism/even if you don't receive enough praise or appreciation and then give up. The best version of you will take actions with determination. They'll be resilient and not give up because they'll understand that slow progress is still progress. They'll understand that the negative attempts count as progress too. They'll be a hard worker and move forward with control. They'll reflect over themself, including their mistakes. They'll have a lot of willpower. At some point, things will start going very fast for them. They'll be ambitious and disciplined. They'll be focused and overcome obstacles after obstacles. They'll have learnt how to enjoy the process of things, they'll enjoy the journey.
They'll try to make the most out of their 'beginners phase'. They'll always win in one way or another. They'll balance their emotions and be successful. They'll find it easy to have a good and a bad reputation (because people will love to talk shit about them). They'll be a source of inspiration for others and will be looked up to. They'll be driven and will set out goals for themself. They'll be a bit impatient though because they'll be working hard, also, please try to relax a bit when you've reached this point, you might sometimes overwork yourself. They'll change routines regularly because they prefer a more flexible routine. They'll be a perfectionist. They'll not give up even when obstacles come in between their long term goals. They'll regret the decisions and choices they've made and learn from them. There will definitely be a tendency to overwork here. They'll have to work with people who are quite different from them. They'll not enjoy working in groups but will still be able to do it when things come down to it.
⸼ ۫ ︎︎⊹ ! 🪡︎ Pile 3 ꒱
There have been times when you've made mistakes and been unfair to others. Well, first off, when you start becoming this person, you'll be receiving your bad karma and maybe even just the consequences of your actions but the thing is, people will be treating you unfairly not just because of what you've done but also just to make you feel shitty about yourself, etc. You'll be critiquing yourself. In the past, you guys might have been honest to your own detriment, at that time, you'll understand that not everyone has good intentions towards you and you'll not be very honest. You might even cut communication with people who disrespect you more than once, you'll have a good understanding of how the world works and won't mind having to be a little corrupt in order to get what you want, atleast, if you get off vibes from the other parties. You'll feel like you didn't get the last laugh. Your energy will be very scattered and even though you'll want revenge to a certain extent, you'll not be trying to get it for yourself. Somehow, after you choose to take accountability but stop self hating/victimising yourself, once you let go of the guilt that they've tripped you into, your wishes will start getting fulfilled. The best version of you will have everything that they want. They'll have success in all areas of life. They'll be emotionally fulfilled. They'll have a wholesome love life too. They'll feel confident. They'll value themself and treat themself well. They'll slowly but surely start earning respect and recognition from others. They'll be emotionally fulfilled. They'll be grateful for how far you've come, and how much you've learnt and achieved. They'll be emotionally intelligent, not only with others but also with yourself. They'll be focusing on different things than when you were in a bad place in life. They'll finally have gained clarity on the situation and other things as well.
You'll be reborn in some way, you'll have evolved and changed. The hardships that you've gone through will give you a newfound power, it doesn't exactly seem newfound, it seems more like the power that you had forgotten that you had, until you retrieved it back again. Truths will be revealed and even though, people might have done you wrong, you'll have received wisdom which will cause you to not be as vengeful as before. Before, you even realise it, you'll have been successful and will have grown a lot. What I mean is that, even though you'll be growing a lot, you'll not be able to see the progress due to guilt, hatred, etc. and also because you'll be very occupied with people trying to make your life worser than ever, you'll only realise how far you've come after everything has passed. For example, you come from a low income family and you've quit school and are working instead, your parents are going through a divorce but because of friendship drama, let's just say, you dated your friend's crush when back in school and the entire friend group is still persistent on trying to make your life living hell even though you're going through enough already. You'll not be able to see the progress in life because you'll be so focused on surviving but once you've gotten away from it, when things have ended, you'll suddenly realise that you've become a millionaire which means you're basically rich and successful. You'll have already healed by then, it's just that you might've been isolated for so long, you'll have to work on building connections but besides that, you'll be doing well in life. After you start slowly building your connections, you'll enter that energy, the energy where you'll not be lacking anything at all, the energy where you'll be happy and fulfilled. Your best self. All the best.
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