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#what in the shoujo manga
btxtyuri · 7 months
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THE WAY HE LOOKS AT BAKUGOU!!! ARE YOU KIDDING ME!!
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tellerluna-stories · 2 years
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HEIZOU NATION HOW WE FEELING
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spacebubblehomebase · 1 month
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Happy birthday, Anthony! I just finished drawing this on April Fools and thought it fits. What better thing to post today than some queerplatonic Radioapple tomfoolery? And the fact that Angel Dust invited himself in it is just one big beautiful bonus! So please enjoy! -Bubbly 💙
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roppiepop · 2 years
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And then they started a book club.
((Click for better resolution!!! otl))
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devilsrains · 2 months
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rose of versailles 50th anniversary book
oscar françois de jarjayes for SPUR magazine wearing dolce & gabbana, lanvin & dior
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croix-meridies · 7 days
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kiwicidios · 1 year
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. ︵ 🎀🏩ᅠᅠׅᅠ࣪ divider by alfaireᅠᅠ . ( i love u so ) ♡ᅠᅠׅᅠ*
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untilyouremember · 2 months
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Atsumori-kun's Bride to-be
Available digitally
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bishonenspit · 6 months
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Maraich, for Cherish Gallery - Mineo Maya Art Exhibition Official Visual Book
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Trimax Thoughts Vol. 3 Pt. 2
Oh boy. So this might be a little silly but I can't stop thinking about the face. I want to give my own interpretation of it because I did notice something earlier on that I think gives it a bit of context.
Yes, it's this face.
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Ok. First off, this is undoubtedly a fond look. Unbearably fond, if you ask me. His eye is dark; there's no fear, shock, or feelings of being unsettled. There should be no contention at this point - he cares about Vash.
But the actual feelings expressed by this face are mixed. If you hold up your hand to cover the left side of his face, you'll find a closed eye and a smile. Cover the right side and you'll see an open, half-lidded eye and a small frown. The overall effect is conflicting.
All throughout this volume, Wolfwood has been struggling to come to terms with what Vash is, how he can have seemingly no survival instinct (which directly challenges his worldview), and, importantly, the concept of immortality.
We can split up this immortality concept into two types of immortality. The first is immortality of the self - that runs directly counter to the survival instinct that comprises much of the core of his worldview, and so entities that seem to display proof of immortality are unsettling to him (even more so in Vash's case, since somehow his pacifism survived all this time...).
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Immortality of the self is disturbing yet possible to Wolfwood. It is something he can prove through mounting evidence and disprove with a gun. And to have Luida tell him that Vash's use of his immortality is not for healing or fixing himself but purely for others - that's important, because up until that point, Wolfwood had done mental gymnastics to convince himself that Vash could afford to jump into danger because of his immortality, something Vash even refuted earlier ("I don't do this for fun, you know.").
But Wolfwood is not fully convinced until he sees Vash's smile again.
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Their entire dynamic started off with Wolfwood immediately noticing Vash's smile hides his pain - but what he's now realizing is that Vash's smile helps him move forwards in spite of the pain too. It's not a mask, it's his armour. It's his way of shielding himself in the same uncaring world they all inhabit. Vash's decision to choose kindness over and over then, isn't because his immortality means he can, but because it is necessary for his survival. It's not a whim, it's something he believes in. These are his ideals. They're genuine.
That's worth the right side's smile. He may still not understand what Vash is - but who he is, as a person, is rather straightforward.
And now, for the other type of immortality - immortality of ideals. Unfortunately, there is no wavering on this front, because there is no way to definitively prove that an ideal will survive, especially in a harsh world like this. Wolfwood's cynicism is on full display.
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"Ya can keep on walkin' down this road 'til ya bite the dust. Nothin' will change."
To Wolfwood, ideals can never be immortal, not in a world like this. Vash's efforts seem fundamentally hopeless to a man with no hope.
And so, the left side of the expression; that bittersweet frown. Being unsure of Vash's intentions in the Ninelives scene, Wolfwood is able to appear rather darkly satisfied - he understands a truth of the world that Vash (apparently) does not. He's "won" the argument against Vash's apparently incomprehensible foolishness. Except then he comes to understand that Vash is genuine in his intentions and in his kindness, that he needs to believe in it himself, and suddenly there is no deriving any of this cynical satisfaction anymore.
Wolfwood is still convinced he's right, but now, that takes on a more tragic context.
Vash is good. His ideals are good. And, according to Wolfwood, nothing good lasts.
To me, this bittersweet expression reads as fondness from Wolfwood for Vash, for his kindness and persistence in the face of everything... but it's complicated by the certainty, in his eyes, that eventually, these ideals will die, either when he inevitably succumbs to the world's cruelty, or, what's seeming more likely at this point, when Vash dies himself.
Wolfwood has been sticking around closely with Vash. He might have to watch this happen. He doesn't want to watch this happen. But he thinks it's inevitable. Kind things don't grow.
...or I may just be dramatic and reading into it too much. But that's what I got from it.
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shoujo-dump · 22 days
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Hikaeme ni Itte mo, Kore wa Ai
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hotwaterandmilk · 11 months
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9 x Hina (Oshi ni Amagami) icons featuring art by Suzuki Julietta. Scanned & edited by hotwaterandmilk. Use & enjoy freely.
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shimamitsu · 16 days
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thinking about my last rb bc i've seen a lot of comments like that since dunmeshi started airing. it's weird how some people who actively read/watch manga and anime have this idea that animanga is. overall bad with a few exceptions that are good
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exosalt · 1 year
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friendly reminder that nozaki thinks hori looks cute with his hair down
~~~
BONUS - looks like the sentiment is returned:
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devilsrains · 29 days
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yasuko aoike's plus ultra
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if youre hungry theyre hungry too
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