#writeblr tutorial

[gloomglimmer]

𝐌𝐈𝐋𝐀𝐍𝐎𝐓𝐄  𝐓𝐔𝐓𝐎𝐑𝐈𝐀𝐋 ( estimated set up time: 10-20 mins )

For  all  you  visual-based  roleplayers  out  there,  I  just  have  to  share  this  amazing  "idea  board"  site  I  found  Milanote!  this  is  a  tutorial  so  you  can  make  something  similar  to  the  video  above!  It’s  perfect  for  organizing  your  character  ideas,  worldbuilding,  or  even  plotting  out  entire  storylines.  I  can  see  it  as  a  potential  replacement  for  a  minimalist  based  carrd!  Here’s  the  Milanote  website  to  check  out,  and  here’s  an  example  of  a  live  board  to  give  you  a  feel  for  how  it  works. please like or reblog if this helped you!

(  1  )  Sign  Up  or  Log  In

Visit  app.milanote.com.

If  you’re  new,  click  “Sign  Up”  to  create  a  free  account.   

(  2  )  Create  a  New  Board

Once  logged  in,  you’ll  see  the  Dashboard.

Click  on  the  “+  New  Board”  button  to  start  a  new  project.  

(  3  )  Add  Content  to  Your  Board

Add  Notes:  Drag  the  Note  icon  from  the  toolbar  or  double-click  anywhere  on  the  board  to  write  ideas  or  plans.

Add  Images:  Drag  images  from  your  computer  or  click  Upload  Files  to  bring  visuals  into  your  board.

Add  Links:  Paste  a  URL  directly,  or  use  the  Link  option  to  organize  references.

Organize  with  Columns:  Use  columns  to  categorize  content 

Create  Checklists:  Add  checklists  to  track  tasks  or  progress.

(  4  )  Organize  and  Style

Drag  and  Drop:  Move  items  freely  to  arrange  them  however  you  like.

Connect  Items:  Use  arrows  to  link  related  elements  for  better  visualization.

Color  Coding:  Use  colors  to  highlight  or  differentiate  ideas  and  sections.

(  5  )  Collaborate

Click  “Share”  at  the  top-right  corner  to  invite  collaborators.

Assign  tasks,  add  comments,  and  share  feedback  in  real  time.

[yvesdot]

How To Get Roughly 50 Notes On An Original Writing Post And Possibly Net A Single Reader

I had someone ask today how I get people to click through and read my writing, and I'm realizing that I've never actually made a post all in one place of everything I do to get a new piece of short fiction off the ground... so here you go! How to get (some) eyes on your work, even if it is not published anywhere of interest and you don't have a marketing team behind you.

The #1 thing is presentation. You want to get people's attention, and once you have it, convince them to keep paying attention. Fortunately, people tend to be both reasonable and predictable, which means all you have to do is follow The Formula.

(original post link)

Here's the formula from the above post broken down:

[giant horizontal title card, preferably animated to catch the eye] OR [a few tasteful parallels, if you're good at parallel posts]

TITLE (linked to where you can read the piece) / wordcount

a quote that is representative of the tone, themes, prose style, and/or the "promise of the premise"

A longer pitch, featuring the overall subject of the piece (transsexual reality TV drama), any comp titles (Detransition, Baby), the main draw (in this case, watching trans people be awful to clueless cis people), major themes (performance), and any other promises you'd like to make (food romance and tigers). You can see that the quote I chose delivers on the promise of trans people intellectually outperforming cis people-- if I were a reader, I would be more likely to trust that the rest of the pitch was accurate based on that assurance.

If you have any positive reviews on your piece, say so. If it has won any awards or contests, say so. If your work has made people cry, Doja Cat - Say So. Always. Generally speaking, more personal and more detailed is better, but keep it to one or two people-- e.g. "when I gave this to my S/O to read he shot milk out of his nose so far I had to go clean under the couch" or "my favorite review of this piece is the reader who said they read it chapter-by-chapter under their covers because they wanted it all to themself." This should be one sentence.

Depending on where the story is published, what you usually promote, etc., it may be worthwhile saying the story is free. Use your judgment on whether the reader can tell.

I also like putting my links at the bottom so someone seeing this on a friend's dash can easily track me around the 'Net. They make me look more professional (I now include a link to my website) and they visually balance the post, in my opinion. This post also happened to have some additional links for bonus content.

This is not as high stakes as it seems. I'm not 100% happy with the pitch here, and I'm not 100% happy with the graphics I've used in other cases. These are some bones that help to sell the piece even when the details aren't as sharp.

REBLOGGING

When is the last time you read something the first time you saw it on your dash? I schedule reblogs of all important posts at least twice over the next 2-3 days, often three times so I can get the morning/afternoon/evening reblog. If your followers tend to be more active at certain times, go ahead and use those. In the past I've intentionally scheduled posts for times I knew more popular mutuals were active, and it has paid off!

I also schedule a reblog for a week and a month and sometimes even a full calendar year out, because I know there is going to be that person who tags the piece '#to read' and instantly forgets about it, only to get excited when they see it weeks later. I am very often that reader. The goal is to catch people when they're ready to read immediately, and this is a game of chance.

Every so often, I go through my entire #writing or #important writing updates or even just #popular tag(s) and queue two dozen posts before shuffling my queue to redistribute matters. This keeps my older work circulating, ensuring new readers get a chance to see older pieces and giving those older pieces another shot at dashboard space. (More on #popular later.) This sounds like a lot, which is why you have to space everything pretty far apart. Fortunately, this is the world's best site for cool things to reblog. I guarantee you that you can find something new you love to post in the meanwhile.

COPING WITH FAME

The post above is what I, a published author, consider "doing well" for a post about my writing on Tumblr. As of October 10th, 2024, over two years after its initial posting and over five years into my posting doggedly about my original fiction, it has 77 notes. More than half (43) are likes. Around half of the reblogs are me promoting my own work or the same very sweet person dutifully reblogging me every time I do so. Glancing through the reblogs now, I know of four people whom I can confirm have read it. Presumably, there are more who are completely silent and have never interacted with the post whatsoever. Genuinely: wahoo!! I am so grateful and happy for the attention and reception of my work.

This is the number one thing I suggest: focus on what you have, and not what you lack. Imagine your post from the perspective of an outsider: even one reblog means you convinced that one person to spread your art! How cool is that! This is also good advice because moping is simply not helpful; it will not get you more reads. (And no, neither will guilting others. Kill that vent post in your head!)

GETTING FOLLOWERS

I don't have that many followers. Of the followers I do have, people are very unpredictably active. When I hear about other people's follower counts I am consistently surprised, because people with half of mine will have fans and haters the likes of which I could not possibly dream of. I follow 500-follower folk who post "I ate a strawberry today" and get 6 asks ranging from "Wow I respect you so much for eating that strawberry" to "I'm going to come to your address at [REDACTED REDACTED REDACTED] and shove bananas down your throat for hating on my favorite fruit."

I point this out to establish three important things. 1) Be grateful for what you have (in my case, 0 anonymous hate asks about fruitpinions), 2) followers have far less impact on interaction than one might think, and 3) followers don't engage with the things you might like them to.

Think about yourself. Are you more likely to reblog a photo of a cat in a pumpkin (alright, here) or something advertising fifteen minutes' worth of writing, which could be, for all you know, bad? Or, for that matter, by a person you should not like to support? Reblogs on generically interesting things are 'safer' (unfortunately) than reblogs on art, and it makes perfect sense that people are skittish around the latter. People don't often reblog things they haven't read, and nobody can reblog every artpost on their dash. Having someone else put it there, however, is incredibly powerful—someone's vetted this post as Worth a Reblog, after all. Having more followers allows for much more of this.

(Followers don't guarantee any one sort of interaction, but having more of them is rarely bad. Rarely.)

Across my most popular posts, one theme becomes very obvious: people like things that apply to them or their blog. I try to post writing advice/opinions/memes every so often, because I know I have a loyal base of writerfolk who like to see that from me, and it's "easier" to reblog than my writing. This is simply the nature of the universe. I used to pretty frequently go into the #writeblr tag and check out what was recently popular so I could figure out how to serve the same base, and from time to time it worked.

You're welcome to examine the list of #writing posts that made it to 100 notes, because each tends to have a notable reason behind its success: a reblog with an exceptionally good review, a contest win, a wordcount that lends itself to pasting the whole thing in one go.

(Posts about my book's release are a notable exception, in part due to Blaze and in part due to my absolutely relentless flogging of their reblog buttons during the ~year of promotion. Also in large part to a dedicated circle of friends who passed the post around nonstop! Thank you so much!!)

A lot of people will tell you to attempt covert reciprocal promotion. You know—reblog a lot of stuff, in the hopes that people will reblog yours. If I could change one thing on Tumblr, it would be this: the culture that quietly encourages disingenously interacting with other people with a secret True Goal in mind. (On the autism website.)

Please, for the love of all that is good and holy, do not do this. If you comment on other people's work, do it because you're happy to do so. When I released Paper Tigress, I went through everybody else who responded to the same prompt and read their work, because I had the day off and I was curious. This has led to Paper Tigress having more comments on Reedsy than one of my contest winners, and even outranking the shortlisted story in the same prompt category. However, this would have been a waste of my time if I did not genuinely enjoy reading the other stories. I read 80+ stories, taking several hours, and gained 30 comments from the venture (half my comments are my responses).

Crucially, I do not promote other writers' work on Tumblr in the hopes of them reading or boosting mine. This is the #1 tip I see thrown around that I viscerally disagree with. While, again, I am grateful for engagement with my work regardless of the context, I do not want people suffering through my work in the hopes that I will promote them. I work a full-time job, and my reading calendar is perpetually overbooked, including with work by my absolute best of friends. Even if it wasn't, I think it would be quite insulting if I were posting works in the hopes that someone would choke it down like medicine. I post what I think is good so that people can read and enjoy it. If you are not enjoying it, I do not want you to feel as though you have to read it. My aim is to give to others what my favorite authors have given me, which is most certainly not A Bad Time Spent Being Dishonest In The Hopes Of Getting Something Back. You have better things to do with your time. Please be honest.

CONCLUSION

Realistically, the readers I have, I gained through being a published author for five years promoting my behind off on Tumblr, the least forgiving social media for promotion. People like it when you have a book they can buy, especially if it has Goodreads reviews that make it look like you have been vetted for them. Many people who follow me have read only Something's Not Right and nothing else. (Many people who follow me have read everything but Something's Not Right.) I have posted dozens of pieces on Tumblr and Wattpad (and AO3). I gained a small number of readers writing and posting fanfiction for the Locked Tomb Tri(?)logy, even though I marketed it absolutely terribly.

Just keep writing. Keep writing, keep posting, and keep making sure everyone who follows you knows you write. And keep writing because you want to. There's no better advice than that.

[sskybooks]

Your character has been kidnapped...

The chains on your wrists rattle as you move. Your butt is starting to hurt from the chair you're sitting on. A double mirror is on one side of the wall. You stare at the reflection. You're disheveled, but you're fine. The door opens, and someone in a black cloak walks into the room. His face is hidden by a mask. It is completely white and shows no facial features. He sits down across from you, his arms clasped in front of him.

“Now, let us begin.”

His voice is human-sounding, so you cross "unknown beast from beyond" off your list. He lifts a stack of papers and sets them on the desk. You can’t see what is written there.

“Who are you?” you ask.

“I am part of the story police. I’m going to ask you some questions. Answer them to the best of your ability.”

“Why? What do you want?”

“Simply what’s best for the author.”

“Author? What author?”

“It doesn’t matter. Let’s start.”

(This is a character interview. You sit down with your character in your head and talk to them. This is a good tactic to flesh out your characters. The scenario was just to give your character context. You can use it or not. Enjoy)

Part one: The basics

What is your name?

What three words best describe your personality?

How old are you now?

When were you born?

Do you have a lifelong dream or aspiration?

What is your state of mind usually?

Where do you call home now?

To what social class do you belong?

What do you tend to do that other people find strange? 

What are your quirks, strange mannerisms, annoying habits, or other defining characteristics?

Do you have any bad habits? If so, what are they and how do you plan to get rid of them?

Do you have a lifelong dream or aspiration?

Part Two: Family

How close are you to your family?

Do you have a spouse or significant other? Describe them.

Have you started your own family? Describe them if you do. If not, do you want to? Why or why not?

Who was your Father and what was he like?

Who was your Mother and what was she like?

Who are you closest to in your family?

Is there someone in your family you wish you were closer to?

What was your parent’s marriage like?

Did they remain married? If not, how did that affect you? When did they split?

Part Three: Friends and Relationships with Others

In general, how do you treat other people that you have just met?

Does your treatment of people change depending on how well you know them and if so how?

Who is the most important person in your life and why?

Who is the person you respect the most and why?

Who are your friends? Describe them.

Who would you turn to if you were in desperate need of help?

Do you trust anyone to protect you? Who and why?

If you died or went missing, who would miss you?

Who is the person you despise the most, and why?

Do you tend to argue with people or avoid conflict?

Do you tend to take on leadership roles in social situations?

Do you like interacting with large groups of people? Why or why not?

Do you care what others think of you?

What is the most important quality you look for in a friend?

What do you most value in your friends?

Part Four: Growing Up (Childhood)

Where were you born?

Where did you grow up?

How would you describe your childhood in general?

What is your earliest memory?

What is your fondest childhood memory?

What is your worst childhood memory?

As a child, what did you want to be when you grew up?

As a child, what were your favorite activities?

As a child, what kinds of personality traits did you display?

As a child, were you popular? Who were your friends, and what were they like?

Part Five: Growing Up (Teen/Young Adult)

How much schooling have you had?

Did you enjoy school?

Where did you learn most of your skills and other abilities?

While growing up, did you have any role models other than your parents? Describe them.

While growing up, how did you get along with the other members of your family?

How old were you when you went on your first date? Describe the date.

What is your favorite memory from your teen years?

What is your worst memory from your teen years?

When and with whom was your first kiss?

Describe any influences in your past that led you to do the things you do today.

Part Six: Past Influences

What do you consider the most important even of your life so far?

Who has had the most influence on you?

What do you consider your greatest achievement?

What is your greatest regret?

What is the most evil thing you have ever done?

Do you have a criminal record of any kind?

When was the time you were the most frightened?

What is the most embarrassing thing that ever happened to you?

If you could change one thing from your past, what would it be, and why?

What is your best memory?

What is your worst memory?

When and where were you the happiest?

Part Seven: Beliefs and Opinions

Are you optimistic or pessimistic?

What is your greatest fear?

Have you told any one your fear before?

Who would be the one person you’d never tell your fear?

Are you able to kill?

Under what circumstances do you find killing to be acceptable or unacceptable?

In your opinion, what is the most evil thing any human being could do?

Do you believe in the existence of soul males and/or true love?

What do you believe makes a successful life?

How honest are you about your thoughts and feelings? (Meaning do you hide your true self from others and in what way?)

Do you have any biases or prejudices?

Is there anything you absolutely refuse to do under any circumstances? Why?

Who or what, if anything, would you die for? (or go to extremes for?)

What is your best feature, in your opinion?

What do you think of drugs and alcohol? Are there any types that people should never do? Why or why not?

What is your idea of perfect happiness?

What do you regard as the lowest depth of misery?

Part Seven: Religen/politics.

What are your religious views?

what religion are you apart of?

What are your beliefs?

what will you not do as part of your religion?

What are daily/weekly practices do you do?

What holidays do you celebrate?

Why do you follow your particular religion?

Are you aware of the origins of your religion?

Do you ever disagree with the teachings?

Do you ever have a crisis of faith?

Do you trust priests or religious leaders?

Why do you think religions were created

Do you believe in an afterlife punishment/reward?

Do you know much about religious history?

Are you ever sceptical of holy fables/stories?

Do you think you can be manipulated by religion?

Do you ever dislike non-believers of your faith?

what commands from a religious leader would you not obay?

What are your political views?

What life experiences have you had that have led you to feel so passionately about this issue?

Where do your beliefs come from? Family? Church? Work?

What do you think your beliefs might be if you had been born into a different family, religion, race, gender, class, or time?

What is at the heart of this issue, for you as an individual?

Why do you care so much about this issue?

Do you see any gray areas in the issue we are discussing, or ideas you find it difficult to define?

Do you have any mixed feelings, doubts, uncertainties, or discomforts regarding this issue that you would be willing to share?

Is there any part of this issue that you are not 100% certain of or would be willing to discuss and talk about?

Do you think other definitions, meanings, experiences, or emotions are possible? How?

What underlying values or ethical beliefs have led you to your current political beliefs?

Part Eight: Likes and Dislikes

What is/are your favorite hobbies and pastimes?

What is your most treasured possession?

What is your favorite color? Why?

What is your least favorite color? Why?

What is your favorite food? Why?

What is your least favorite food? Why?

What is your favorite sound? Why?

What is your least favorite sound? Why?

What is your favorite smell/scent? Why?

What is your least favorite smell/scent? Why?

What, if anything, do you like to entertain your self with? Books or movies? Why?

What makes you mad?

What makes you furious?

What makes you laugh?

What makes you laugh out loud, hysterically?

What makes you cry?

What makes you cry, hysterically?

What shocks or offends you?

How do you deal with stress?

Are you spontaneous or do you always need to have a plan? Why?

What are your pet peeves?

Where do you go when you’re angry or depressed?

What do you do when you are sad? Why?

What do you do when you are angry? Why?

What do you do when you are happy? Why?

What do you do when you are scared? Why?

What do you do when you’re bored?

What type of music do you like? Favorite bands or musicians?

What annoys you more than anything else?

What kind of weather is your least favorite? Why?

What is the most beautiful thing you have ever seen?

What is the most awful thing you have ever seen?

What sorts of things embarrass you?

Part Nine: Self Image

Describe a normal day for you.

How do you feel when your routine is disrupted?

What is your greatest strength as a person?

What is your greatest weakness?

If you could change one thing about yourself, what would it be?

Are you generally introverted or extroverted?

Are you generally organized or messy?

Name three things you consider yourself to be very good at.

Name three things you consider yourself to be very bad at.

What are your reasons for being an adventurer or heroic? Are your real reasons different than the ones you tell other people in public? If so, detail both reasons.

What three words best describe your personality?

What three words would others probably use to describe you?

What about you is heroic?

Are you a better lead or follower? Why?

What is your responsibility to the world? Why?

What do you like about yourself?

What don’t you like about yourself?

How do you picture yourself?

Part Ten: Occupation & Finance

What is your occupation? (If you don’t have one, where does your money come from?)

Do you like your job?

What is your boss/employer like?

What are your co-workers like?

Do you get along with your co-workers?

Which co-workers don’t you get along with and why?

What is something you had to learn that you hated?

Do you tend to save or spend your money? Why?

If you were to gain an obscenely large sum of money, what would you do with it?

Do you smoke, drink, or use drugs? If yes, why? Do you want to quit?

Do you drink on a regular basis?

Have you ever tried any kind of “mood altering” substance? Which ones? Describe the experience.

Part 11: Love

Have you ever been in love? What happened?

Have you ever had your heart broken?

Do you currently have a lover? Describe them, what you are attracted to, and what the relationship is like.

What is the perfect romantic date?

Describe your perfect partner.

Do you ever want to get married? When do you see this happening?

Do you want children? Why or why not?

What was your most recent romantic relationship like? Who was it with?

What’s the worst thing you’ve done to someone you love?

Part twelve: Morality

What one act in your past are you most ashamed of?

What one act in your past are you most proud of?

Have you ever been in a physical fight before? Over what, with who, and who won?

What do you feel most strongly about?

What do you pretend to feel strongly about, just to impress people?

What trait do you find most admirable and how often do you find it?

Is there anything you think should not be incorporated into the media or arts? (i.e., sex, violence, etc). What and why or why not?

Do you think the future is hopeful? Why or why not?

Do you think redemption is possible? Why or why not?

Is there something you think is absolutely unforgivable? What is it?

Is it okay for men to cry?

Is it okay for you to cry?

What do you think is wrong with most people, overall?

What is the worst thing you could ever do to someone you hated?

Do you have feelings that disturb you? What and why?

On what occasions do you lie?

Do you think it is okay to lie?

Part thrteen: Talents/Superpowers

Tell the story of how you became what you are or first learned of your own abilities.

What do you think now of being supernatural? Is it cool or have you been screwed?

Do you have a mentor? Describe them and how you became their student.

Do you have any magical items? Where did you get them?

Think of a major event that happened during your training/initiation. Describe the experience.

What is something you had to learn during your training that you hated? Why did you hate it?

What is something you had to learn during your training that you loved? Why did you love it?

Part fourteen: Future

What goal do you most want to accomplish in your lifetime?

Where do you see yourself in five years?

If you knew you were going to die in 24 hours, name three things you would do in the time you had left.

What is the one thing for which you would most like to be remembered after your death?

If you could, what advice would you, the hero, give to the villain? Or If you could, why would you, the villain want the hero to be at your side or part of your team?

If your house burned down, what one thing would you want to save?

What is a nightmare (during sleep) that you have often?

What is a daydream that you have often?

What is your motto?

Part fifteen: Chariter arc

If you could go back to any point in history and change something, what would it be?

What is the absolute worst thing that could happen to you at this point in the story?

What is the best thing that could happen at this point in the story?

Everybody’s hiding something—a fear, a weakness, a strength, an unpopular opinion. What are you hiding right now?

[livums]

Liv’s {Totally Optional Non-Mandatory Completely Voluntary} Pointers for Fleshing Out Character Relationships

Hi I’m liv e. and by middling demand I am going to blab a liiittle* bit about relationships.

So I will start by saying that I’m trained & licensed as a marriage and family therapist. So this is kind of what I do all fucking week. And I like this whole writeblr thing so why not make it fun and about fiction instead. LOL.

The purpose of this liiiiittle** post is to offer some ways in which you, a writer (great job btw!), might deepen your own understanding of the relationships between two or more characters in your writing. More specifically, by thinking a little deeper about how relationships function in real life.

These are ways in which I might conceptualize a relationship between people who seek my services as a clinician.

A small disclaimer: the VAST majority of my work is with couples (because I. prefer to see couples over families, lol), so this advice is coming from that perspective. Please keep in mind also that there are certainly infinite other ways to think about relationships. This is just the way I was trained. Or at least, the parts of my training that resonated with me the most, especially as I began writing more seriously.

My hope is that reading and practicing/toying around with these tips will help add another dimension to how relationships play out in your writing. So um. Cheers! Let’s chat.

*it’s not a little. it’s a lot.

**it’s a long post.

i. What I Say vs. What I Mean

When was the last time your partner or good friend pissed you off?

Maybe they were flippant about your feelings. Maybe they blew you off to hang out with someone else. Maybe they keep loading the dishwasher like a neanderthal.

And did you say to them, “Baby/honey/sweetums/bestie, it really upsets me when you load the dishwasher like that. I’ve asked you to do it X way several times, and it feels like you’re not listening to me, or that you don’t care about how I feel” ?

Probably not? Because, hello? (If you did, first try, then, wow! you’re a better person than i’ll ever be.)

You might’ve said “Dude, stop cramming shit in the dishwasher like it’s a fucking suitcase,” or “Haha, wow, again with the dishwasher. Awesome. No, it’s like, whatever.“ Or you might not’ve said anything at all, on purpose.

There is a tension that exists, there, in the CONTRAST between what we are thinking/feeling/meaning (e.g., I love you/I miss you/You hurt me) and what we are communicating via our words and actions (e.g., You never make time for me/You’re so lazy/You’re such a(n) [expletive of choice]).

That tension is ... really fucking interesting to read, huh!

Personally, I have a lot of fun watching the needs/wants/feelings of a character (that we might be privy to, as readers) get filtered through their unique... voice.

So say you write a character who is quite rough around the edges, and not very skilled in affection. They have a deep yearning to be close to [love interest], but they just aren’t accustomed to languaging their true feelings. Maybe we see how scared they are of putting their feelings out there. It’s vulnerable. It’s terrifying.

So instead of “I really care about you, [love interest]”, maybe it comes out something more like “Don’t you have anything better to do with your time than follow me around all fucking day?”

And we, the readers, are like, wow! That’s not what you were thinking at all man! You’re so bad at this, that’s awesome.

So the point of all this is that it’s very helpful to clarify for yourself, in any meaningful interaction between characters in or soon-to-be-in a relationship:

What are the characters individually thinking during this interaction? What are the emotions that are present? How does it show in their body or their movements? Are they careful not to let these things show, or do they not notice at all?

How are they expecting this interaction to go? (Are they afraid something might go wrong? Are they looking for a certain reaction from each other?)

What DON’T they know about what the other person is thinking? What are their assumptions about how the other person perceives them--in general, and in this moment?

What is the GAP or the CONTRAST between all of the above and what actually ends up coming out of their mouth? Or what actions they end up physically taking (or not taking)?

Are the characters aware of their own contrast, here? How do they feel about it? Or, do they think they are being perfectly congruent?

In this way, you have the ability, as a writer, to create some devastatingly (or delightfully) poignant moments between characters. These are the moments that can really sell the reader on the relationship--its importance (why are you showing us this?) and its appeal (thank you for showing us this, this blew our tits off, etc).

ii. Tender Spots and How to Attack Them for Fun and Profit

So we’ve got issues.

What are the things that really fuckin get at you? Those topics that, when brought up, make you really upset and really defensive at like, mach speed. Maybe you’re insecure about your skills. Maybe it really bothers you when people see you as weak/unintelligent/a burden/unattractive. Maybe you have a rough and complicated relationship with a family member.

So these can be thought of as, like, tender spots (lol). You can also think of them as “raw” spots, sensitive spots, or triggers.

Figure out what your characters’ are!

This is another key way in which you can create deep and believable interpersonal drama--Character A (accidentally or intentionally) stomps all over Character B’s sensitive spots. So to speak.

A very cursory and relatively uncomplicated example of this in action:

Tasha and Mimi are two adults in a committed partnership.

Mimi’s got a real fucking chip on her shoulder about being seen as a burden--her father always went to great lengths to make sure she knew just how much he did for her, just how many opportunities he passed up in order to raise her, just how great his life would have been if she’d never been born.

Tasha is the oldest of five siblings. She was frequently tasked with their care, growing up. She did her best not to complain, as her parents were always very busy working to keep a roof over their head. So, Tasha did her part. She would’ve loved to rest and play and goof off like other kids and teens, sure, but it never felt possible with all of her responsibilities.

Mimi is suddenly injured and is unable to do certain things on her own that she had been doing before. Tasha goes about taking care of these things as well as taking on certain other tasks on her own that the pair of them may have tackled as a team before. Tasha feels stretched very thin by the workload, but is deeply concerned about how Mimi feels. There’s nothing to be done about the situation, she reasons, so there’s no point in complaining about how stressed out she is.

Mimi offers to help to the best of her ability, but Tasha is very concerned about her, and insists that Mimi rest and not exert herself. Mimi insists back. Tasha insists back back.

Mimi points out how stressed Tasha must be. Tasha agrees that she is stressed, but does not elaborate on her feelings. Mimi assumes that Tasha must think that she is a burden.

Mimi then becomes very emotionally activated--she is reminded, consciously or unconsciously, of how shitty it felt to have her father tell her over and over again what a burden she is, and how better off he would be without her. So this must be how Tasha really feels about her, Mimi accuses.

Tasha, who is very stressed but who cares very deeply for Mimi and her well-being, and who does not see Mimi as just a burden, becomes very activated in turn--she feels maligned and misunderstood. And now she certainly can’t talk about how stressed out she is, because it will only convince Mimi that she is right.

So Tasha is now convinced that she must continue to hold her feelings in in order to keep the peace--she’s reminded of her childhood spent taking care of others, and how she never felt allowed to express herself.

This example is obviously from a very zoomed-out view, chronologically, and is not exactly the way we would see it written in fiction (fiction is much more moment-by-moment and, well, exciting, usually). BUT we can see where Tasha and Mimi’s sensitivities lie, and how they specifically hurt each other with their behavior (unintentionally, in this case) by stomping RIGHT ON those sensitivities.

Readers love drama. And drama makes the plot go ‘round! So don’t be afraid to lay it on them!

In your (very good and compelling) writing, ESPECIALLY if you want to write engaging relational conflict, you would do well to clarify what your characters’ deepest sensitivities are. Consider the following:

What needs went unmet for them, growing up? A very cliche therapist-y question, but for good reason--our upbringing is where many of our deepest insecurities originate.

Additionally/alternatively, what do your characters understand to be their role in relation to other people? E.g., are they always the caretaker, the burden, the comic relief, the heartbreaker, the lonely hero, the boss? How did they first get this idea of who they’re ‘supposed’ to be towards others, and how was this reinforced throughout their life? Are they satisfied or dissatisfied with their ‘lot in life’? What do they hate about their ‘role’, if anything?

What sorts of situations might remind them of what they hate most about this role? E.g. ‘I enjoy taking care of others, and I’m good at it, but my partner gets upset if I discuss how stressed I get sometimes--I’m never allowed to express myself.’ How can you incorporate these situations into your story to create conflict?

How does your character respond when these sensitivities are triggered? Do they lash out? Do they retreat and get quiet? Do they ghost people altogether?

What do they think will happen if they are unwilling or unable to fulfill this role in their relationships with others? E.g., ‘My partner will leave me if I am not a good caretaker’, ‘Nothing will get done right if I’m not the one taking charge’, ‘If I don’t keep others at arms’ length, even if they say they love me, I’ll end up hurt.’

This is another way in which you can help your relationships really come to life! Anyways. Read on for more cheer and relational joy!

iii. We’re Attracted to What Hurts Us Sometimes, AKA Oops! I Ran into the Knife, Ten Times,

(less of a part 3 and more a part 2.5, but it was simply too long. so,)

So maybe you have a good idea of what your ideal partner/bestie looks like. It’s probably any number of positive traits: kind, considerate, good sense of humor, shapely posterior, ambitious, active, fun-loving, studious, etc.

What probably don’t make the list are things like: emotionally distant like my mother with whom I long to have a reparative experience.

Maybe you’ve witnessed (or been in) a relationship wherein all parties can be described as ‘just so bad for each other’. And maybe this relationship should not have lasted as long as it did (or shouldn’t be lasting as long as it is). And maybe you’re like--’Why are these assholes still together?’ Or, importantly: ‘Why did these assholes get together at all?’ The answer may surprise you! But more likely, it won’t.

Sometimes, we pick people on purpose specifically because they stab us right in the sensitive spot (again. so to speak).

(i should clarify before moving on: I am specifically NOT talking about relational abuse, here. That’s kind of an entirely different subject that is like. the cousin of this subject. In this discussion, I specifically mean relationships in which there is no major power differential--you’re just bad for each other. These relationships can be what we might call ‘toxic’, sure, and painful, but not abusive. The distinction is important, moving forward. ok ty)

[Author’s Note: I need everyone to know that I wrote and subsequently deleted 700 words here because I realized they didn’t make any fucking sense ok. let’s try this one more time.]

Essentially, it’s a known phenomenon among humans that, when we have experience with relational distress in the past (e.g. a partner who neglected you emotionally, or parents who disregarded boundaries you tried to set), we like to seek out similar people with whom to form relationships. Weird! But not really.

The human brain seeks closure and resolution--where we couldn’t get things to work out with our parents, or our exes, we try to get the same situations to work out next time, with someone new.

Let’s look at another example, together. Take my hand,

Suppose you write a character (Character A) whose mother was in and out of their life from a young age, and never seemed to prioritize them. Now suppose you are looking to craft a fraught or tragic or dramatic romance (or other relationship) with this character. Using what you’ve written of your first character’s backstory, you can do just that!

It’s perfectly believable, you know now, for your Character A to pursue a love interest (Character B) who has a tendency to... not want to stick around. Maybe this love interest seems to fear commitment and intimacy.

Now, maybe Character B in actuality has a very dangerous profession that requires that they maintain the utmost discretion, and be ready to flee anywhere at a moment’s notice. Maybe the fate of the city/kingdom/nation/world relies on B’s profession.

It probably doesn’t make them leaving all the time hurt A any less, though.

Character A, unconsciously or not, is determined to make things work this time around. As the relationship deepens, B is faced again and again with the choice--stay, for your love, or go, as duty commands. Maybe they’ve taken a vow for their profession that is no light thing. They leave, time and time again.

Character A, unconsciously or not, remembers this feeling--it’s an old one. Mother, time and time again, chose something else over them. It would be understandable for A to feel a deep anger towards Mom and B both. Maybe A takes drastic action to get back at B (action that is also, symbolically, retaliatory towards Mom)--maybe they cheat on B, or do something that endangers their own safety.

When all they really want is just to get B to stay.

It’s probably very clear now why it’s not so simple a thing for A to choose to date someone more consistent--this is something that goes beyond B alone.

In this way, you can very easily weave themes into the relationship(s) of your main characters. Maybe the story of A explores the pain of abandonment, or loneliness. If B is the protagonist, maybe the story explores the way we excuse our shitty behavior in relationships (maybe the job is a pretext--maybe they really are scared of commitment), or maybe it’s about the dilemma of duty over love.

Relationships don’t always make sense. Or rather, they do make sense, just in a different way than we might expect. You can use this understanding now to intentionally explore a number of complex relationship dynamics, and to create nuanced (but sympathetic) characters. As you do, consider:

In your existing characters’ relationships--what keeps these assholes together? Why do they have to be with each other, as opposed to anyone else? This is important, again, for selling the reader on the relationship, especially if it’s your work’s main relationship.

What initially attracted your characters to each other? Consider again from the previous section (what is this, a fucking textbook?) the historically unmet needs of your character(s).

How do your characters go about expressing their needs? Think again about CONTRAST here--what is the discrepancy between what the actual need is, and how the character seeks to fulfill it? E.g. ‘I need to keep B from leaving me, because it really hurts me when they go, so I’ll go risk my life just to keep their attention (rather than express this pain to them).’

What similarities, if any, exist between your MC’s relationships with the people in their present lives, and your MC’s childhood relationship(s) with their caregiver(s)? Could you expand on/deepen any similarities in your writing? What themes might emerge if you did?

iv. Change / The Arc

So you’ve got your work’s central relationship. It’s believable, it’s just the right amount of dramatic, it’s suitably tragic, and just all-around devastating. People will cry. Great job!

Now what?

Well, that depends--what ending do you envision for your relationship?

If they remain together, do they get the happily ever after? The happy-for-now? Is the reader left to wonder about whether or not their relationship will survive?

Do they not make it at all? Are they separated by tragedy? Do they crash and burn? Or maybe they try their best, but despite how badly they love each other, it’s just not enough?

Whatever the Point B of the relationship is, if it’s central to the work, you’re gonna want to have a clear arc in there. Or not, idk, I’m not your mom.

You might already know, if you inhale every piece of writing advice you come across (like me), what makes a compelling character arc. The good news is that it’s much the same with relationships! Kind of.

Systems (relationships) tend towards homeostasis. Without deliberate intervention, relationships want to remain the way they’ve always been. Just like people!

And just like characters, relationships need a reason to change. Like a catalyst, or a motivation. Whatever the hell you wanna call it.

It’s not always, like, complicated to figure out the driving force behind change in your central relationships. Sometimes the pieces fall together!

Pay attention to the characters within the relationship--as your characters progress through their arcs, their relationship will naturally shift. It will probably not look exactly the same as it did when it began--there might be similarities, of course (they’re not entirely different people.. usually. And there’s a beauty to bookending a story with the familiar, certainly). But in this case, the relationship can be thought of as an extra character, almost. It’s unsatisfying to read a whole story wherein a central character stays exactly the same. It’s further strange and incongruent for a relationship to stay exactly the same while the characters have like, achieved actualization or whatever.

Outside events can force change on a relationship, just as they do individual characters. A couple that’s close to Characters A and B get married--and A & B start to wonder what their future together even looks like. B’s company hires a fiiiine honey, who’s exactly B’s type, and A starts steaming about it. A pandemic ravages the nation, and to prevent the spread of the virus, A and B have to stay inside togeth

YOU GET IT ok anyways I’m fucking tired of writing. If you’re wanting to develop the arc of your MCs’ relationship(s), think on some of this:

Do your characters see any problem(s) present in their relationship? Are they all equally aware of the problem(s)? Do they agree on what the problem(s) are?

How secure are your characters in their relationship? If anything could possibly cause doubt and conflict to arise, what is it?

Where do your characters see their relationship going in the near future? In the far future? Do their visions align? If not, how do they differ? Do they even want the same thing?

Is the arc of the central relationship congruent with the arcs of the characters who comprise it? I.e. does the relationship remain exactly the same as it was when it started, despite the characters undergoing wild metamorphoses? Is the reverse true?

When you think about their relationship, INDEPENDENT of any ending you may already have decided, where do you see it going? Like, where do these people feel like they’re headed, realistically? Does this align with the ending you’ve decided on for them? If not, this doesn’t mean you’ve written a bad relationship or anything, it’s just a possible sign that some really intense shit might have to happen in order to shift their course, y’know? Or not--the world is your oyster and you are the God of your own creation!

What are you trying to say with your story, and do the arcs of the central relationships reflect that message?

final thots

If you read all that shit, thank you. I wrote it all in one sitting and posted it without proofreading 💜

In all seriousness, I want to emphasize that, although some of these aspects of relationships are most visible in rels with a lot of anguish and maybe even some toxicity, you by no means have to write this kind of relationship in order to make use of these tips. You could write a very Normal couple!

The idea is to offer you some avenues through which to consider aspects of your characters’ psychology and personalities, and how they mesh or clash with their partners’ or besties’.

Anyways I hope this was helpful. I love talking about relationships I could literally go on and on all day. Which I kind of just did so. lol.

I’ve been liv and I’ve got two main WIPs I’m working on right now: The Romance of the Demigods and The Marking Blood and they’re full of really really super normal relationships and examples of me definitely taking my own fucking advice.

Cheers and happy writing! 💖💖💖

[satureja13]

As a story teller, what advice would you give to fellow Simmers who want to start a story but struggle?

For example: How did you start story telling and which obstacles did you have to shove out of the way to finally start? What made it easier for you to put yourself out there? Did you gain any personal rewards/benefits by telling your stories? How do you set up a story post? Pics first or plotting the episode? Where do you find inspiration? What did you wish you knew earlier? Or anything else that comes to your mind that could be of any help. I see quite a lot of posts from struggling future story tellers and I thought it would be nice to collect a few tips.

Questions are very welcome too!

(My answers below the cut)

How to actually start:

I do read quite a lot and also watch series and movies - and what really turns me off is an infodump at the beginning. So I try to avoid that. And that also makes it easy to start. All the lore and background stories can happen later and you don't have to plot that out before you start. (Our current story started as a playtest and hundreds of episodes later, we have a lore as deep as the Mariana Trench ö.Ö') So don't let it stop you. It all evolves over time, when you ask yourself: Why did x have to move and go to a new school? Why is y restraining himself to hit on the cute guy? Why is z so annoyed of y and why is he the only one who thinks like this? How do they cope with stuff that happens to them? Why does x react in another way than y on the same event? ... There is a plot behind literally everything if you just take your time and look closely. Like a three year old child: "Why do we eat cute animals?" ö.ö' Showing your character's feelings and why they are who they are also helps you and the reader to form a connection to them. It never ceases to amaze me when story tellers are able to create characters that grow on you even though they are annoying and vulnerable and have flaws. (Like Terry Pratchett for example, or the characters in The Big Bang Theory.)

Which obstacles did you have to shove out of the way to finally start? I have a few obstacles to overcome putting my stories out there. ADHD often keeps me from concentrating and getting things done. It's hard to stick with something when you're distracted all the time. And I have a weird way of thinking. I'm also autistic and writing about feelings and how others think and stuff, is so, so hard for me. My stories are weird because of all of that and I know it. But I think they are quite unique and fun because of that and I wouldn't want it any other way :3 Plus my english isn't very good. Writing in a different language is quite an obstacle to overcome ö.Ö' But I can't write anything in my native language, I even take my notes in english. I have no idea why. Just sounds wrong to me.

What made it easier for me? - starting slowly I started this tumblr over ten years ago to post about my builds. Only a few people saw and liked my stuff so I got bolder and also shared gameplay pics and, after a while, a few stories. - passion I love my Sims, I think that helps a lot. After all these years, I'm still eager to see what they are up to and to tell about their shenanigans and adventures. - keeping expectations low Of you and your audience. It does not have to be perfect and not everyone will like what you do. That's just a fact. You'll get better at your own pace. I think tumblr is the perfect place to start a story, because if someone doesn't like your stuff, they don't have to follow you. - it's an outlet for my creativity. My ADHD brain is running on warp speed. Sitting down and putting some of these ideas and thoughts in a shape and make them real is relieving for me - and exciting! What rewards/benefits did/do I gain? - learning new stuff: I'm still learning english and just a few days ago, I shed tears of joy because I could finally understand an american series without subtitles! Also Photo editing. I kept looking for better ways to edit my screenshots and I learned so much! My Sims even inspired me to craft some stuff in RL ^^' - changing my point of view Telling about 6 different charcters is quite a challenge. Things that happen to them affect them in different ways and they have their own way to cope with stuff. They helped my autistic me a lot to make me see what's going on with people around me and to understand them.

- healing Seeing how the characters in my story cope with hardships and following them through difficult times helped me a lot. I could never express how glad and grateful I am I started all this. But I am. - fun I'm having fun doing what I do. And I think that's the motor that runs this whole thing. I think the readers can feel if you're commited to what you do.

How do I set up a story post? I have a rough idea where the story is going and what's supposed to happen next. Then I go ingame and take the screenshots, my Sims add a few ideas themselves - and I go with it. I write the post around the screenshots and what happened ingame. Like this, it's still surprising and thrilling - even for me, the story teller.

Where do I find inspiration? My brain goes without filters and I need a lot of time to get back on track after challenging days. But this sponge in my head also soaks up so many ideas! I get inspired by anything. Music, series, things I see... Sometimes, that sponge gets squished and I get to see glimpsesof future episodes and I just think 'whoa!' and take notes.

What advice can I give? Use the things that keep you from starting to your advantage - to make your story special and unique. Don't worry too much. Other people don't see things as serious as you might think. Write for your own healing and growth. There are mutuals who will like what you have to tell. You don't have to please everybody. Read others' stories, watch movies/series you like and note what you liked or disliked. That gives you a rough direction of where your story could go (that was a great advice from youtuber Grayson Taylor, link is below).

What I wish I knew earlier? That there are great youtube channels for writers! I know, that's kind of obvious, but I don't feel like a writer. I barely managed to finish school. And I thought those channels might be too sophisticated and dry, you know? But there are aweome ones. Like Grayson Taylor (who is an author) and Bookfox, (who is editor and author), for example.

You'll never know where it leads. Our current story started when I made four of my favourite adult Sims teenagers to check out the Highschool Years pack. That was ~ 2 1/2 years ago - and I hated school from the bottom of my heart, so I was very sure this wouldn't take long and we could go back to our ongoing story (spoiler: we didn't...). And: the first chapters the Boys spent at school were truely healing for me. I didn't plan anything of it ^^'

Don't be afraid. I'm here on tumblr for over ten years and I never got any hate on my stories or the other stuff I post. Though, I turned anon off. You decide what you see on your dash, that's the great thing here on tumblr. You just get as much drama as you invite in. For me, tumblr is my save place and I still say this is one of the best communities I've ever been part of (on and off line). Thank you <3

[pvposeur]

Useful F2U Programs (and 1 F2U Website) For Writers

Can't afford Microsoft Office?? No problem, just download LibreOffice or OpenOffice, both in which are not-for-profit + open source, and you're good to go.

Need a dictionary to use when you're offline and have no internet or just need to know what something means + synonyms/antonyms?? No problem, just download WordWeb and you're good to go.

Need to create some fictitious deities for your fictitious race?? No problem, just go to Chaotic Shiny Productions, press CTRL + F, and type in Pantheon Generator Portable. Once downloaded, you're good to go.

Need to know how many words you need to write a day to reach your monthly goal of _____ number of words?? No problem, just go to Chaotic Shiny Productions, press CTRL + F, and type in NaNoWriMo Calendar. Once downloaded, you're good to go.

Want something that's better than Notepad because it auto-backups every-so-often and has a countdown word counter?? No problem, just download yEdit2 and you're good to go.

Need a program that allows you to do a scene-by-scene play for your works?? No problem, just download yWriter7 and you're good to go.

Want to be able to use ProWritingAid Pro without needing to purchase it?? No problem, just head to The ProWritingAid Team Trial Signup, get a Temporary Email (almost any of them will suffice), and create a new account every seven (7) days which will lead to an infinite number of #7DayTrails. You'll also need to download ProWritingAid and you're good to go.

Want to create your own Wikipedia?? No problem, just download this Wikipedia HTML-CSS-JS Template from HTML5 Templates, create an account on Neocities, and download Brackets to edit said Wikipedia Template. Once finished, you're good to go.

[oros-ash3s]

Ahser, how do you make those nice colors on your text? They look so cool

hii! sorry it took me a while to get to this, it’s just a bit of a long process to explain. I’ll hopefully do my best at making it make sense, but if it doesn’t, there’s also a very good tutorial by @pixxiesdust:

https://pixxiesdust.tumblr.com/post/626456563152977920/how-to-make-text-in-captions-gradient-or/amp

how to make cool coloured text જ⁀➴

✩₊˚.⋆☾⋆⁺₊✧

⟢⠀ So, to do this you need to be off of mobile and on the actual Tumblr website, or else it won’t work. You’ll open up your draft or your post or whatever on the website, and in the top right corner you’ll find a settings button.

Like this.

⟢⠀ You want to click on it. Near the bottom it will open up a menu for the text editor. You want to change it to HTML, which will allow you to put in the hex codes for the colours you want your text to be!!

⟢⠀ Now, your text should look something like this:

Next, the website I use is called Stuff by David. Here’s a link to it just in case: https://www.stuffbydavid.com/textcolorizer

⟢⠀ This is the best website I’ve seen, so I definitely recommend it over others!! Fortunately, the rest of the tutorial is in the very front page, as it gives you clear instructions on how to do everything.

⟢⠀ Once you have your text all sorted out, you simply go and paste the HTML code into where your text would’ve went:

⟢⠀ And you’re done!! Hopefully this was at least a little bit helpful to you. I wish you luck with all your new gradients and colourful titles :]

[kiennwrites]

Building a following:

are you fr kienn?

… 500 total across several platforms

but it's over the span of 2 months, and on new accounts, and your mileage may vary

very niche dependent (am a queer horror writer)

some platforms are more queer friendly than others

more under the cut

Here I will share some tips breaking down my experience with social media marketing for my writing.

Across all platforms:

have a consistent posting schedule!

more posts = more exposure

but consistency is most important.

i do 3 posts a week

interact with the community!

the most response i get is from networking

most writers are also readers!

following people and following back

engaging with posts (comments and reposts are more impactful than likes, connecting with the content)

community benefits:

peers with similar interests

observe what other successful accounts are doing

tips, trends, support groups

Between platforms:

the quality of interaction varies

the type of content varies (text vs images)

take time to learn

Video and image posts:

throwing your content out into the wild

instagram:

stats:

~150 followers

3k views/month

5-20 interactions a post

linked to threads, most of the time my threads followers channel to my instagram

schedule posts!

video content: the shorter the better, have a strong hook in the first seconds

image content: carousels with lots of slides

hashtags don't matter as much, though they help you show up through search

audio is a tool, choose wisely

share stuff on stories so it's seen, and promote fellow authors in the community

comments help alot, ask friends to help with engagement!

tiktok:

stats:

100 views before dropping to 0

some queer hashtags are banned

can use same content as instagram

scheduling on desktop only…

i don't use it much

Text posts:

more community engagement!

replying and reposting

threads:

stats:

~150 followers

5-20 interactions a post

linked to instagram

relatable text posts do well

keywords matter more than tags, incorporate words like "book" "author" "writer" etc naturally

lots of threads call for replies with similar interests or promotion, a great opportunity to share yourself and find similar authors, community rallying posts

reply to and repost fellow authors!

bluesky:

stats:

~300 followers

5-10 interactions a post

feeds are customized timelines that use tags and keywords

use feeds to find your community

i have a queer writers feed on my account (to avoid filtering issues include "author" in your bio!)

make sure your posts are seen in feeds by incorporating keywords naturally, and include tags or the emoji-tags, #booksky and 📚💙, etc

having images to go with your text helps, and including alt text

find tags like #queerprompts or #wipsnips, where the community shares their work and wip snips!

follow feeds, reply to and repost fellow authors!

twitter:

stats:

~100 followers

~50 views a post

0-3 interactions a post

most follows are follow backs

the search function is terrible, as is the algorithm

lots of bot impersonators, block unsolicited DMs

throw your posts into the void, don't expect much interaction

image posts do best, as do trends. show you're not a bot? 😭

go through follow lists and tags to find community

tags like #agentsguide #amquerying help to find other writers

reply to and repost fellow authors

tumblr:

stats:

~50 followers

~ 1-10 interactions a post

blogging and text posts, most personal

use lots of tags

do tag games, trends, share wips

reply to and reblog fellow authors, leave comments in tags!!

SUMMARY

Find community

Interact, give and recieve

Reply and Repost

Follow and follow back

Use keywords

Use hooks, short attention spans

Thanks for reading!

This is from my personal experience. Your mileage may vary... Give it a try and see what works for you and your niche! and you can follow me @kiennwrites !

[all-purpose-dish-soap]

hi, can i get a tutorial on how to put tags as a link? i wanna do mine for my blogs 😞

sure! i assume you're referring to this sort of thing i do in my masterlist and at the bottom of my posts to point readers toward similar content--

more Price / more Gaz / masterlist

how to make tumblr tags into links

first, and this may go without saying, but make sure you have at least one post on your blog with the tag you intend to link.

first method: desktop (recommended)

1. navigate to your blog on the left-hand sidebar.

2. then, on the other sidebar--right side--select "view blog." you should be seeing your blog the way any other user would, including its custom colors, header image, etc.

3. navigate to the post with the tag you want to turn into a link.

4. go to the post's tags and right-click the one you want (or command-click; whatever it takes to bring up the menu).

5. copy the url from there. the url should look something like "https://www.tumblr.com/[yourblogname]/tagged/[thetagyouwant]." alternatively, left-click the tag and let it take you to the "[...]/tagged/[thetagyouwant]" page itself, then copy that url from your address bar.

6. now, wherever you want to add it (like in a new post), type out the text you want to display--

all my homemade posts

7. --highlight it, and and use tumblr's hyperlink function to link the "[...]/tagged/[thetagyouwant]" url to that text.

8. click the linked text you made just to be sure. you should end up with something like this:

all my homemade posts

second method: mobile

this method is more roundabout. i haven't found a way to do this solely through the app, so you'll need to use a combination of the tumblr app + your phone's browser.

1. navigate to your blog in the tumblr app .

2. navigate to the post with the tag you want to turn into a link.

3. select the arrow at the bottom of the post to send/open the link in your browser of choice. alternatively, select the meatball menu (•••) in the top-right corner of the post, copy the link, go to your browser of choice, and open that copied url.

4. in your browser, go to the tags of your post and select the one you want.

5. copy the url from there. the url should look something like "https://www.tumblr.com/[yourblogname]/tagged/[thetagyouwant]." alternatively, select the tag and let it take you to the "[...]/tagged/[thetagyouwant]" page itself, then copy that url from your address bar.

6. now, wherever you want to add it (like in a new post), type out the text you want to display--

all my homemade posts

7. --highlight it, and and use tumblr's hyperlink function to link the "[...]/tagged/[thetagyouwant]" url to that text.

8. you should end up with something like this:

all my homemade posts

and you're done. happy hyperlinking! b(￣▽￣)d

[chizukao]

how to block tags on ao3 permanently (for both mobile and desktop):

1) if you don't already use firefox as your browser, download and switch to it. there's a ton of tutorials out there on it and it's super easy to move your bookmarks and such over, so i won't go into detail on that here. (links: desktop - ios - android).

2) download and add tampermonkey to your extensions.

3) download ao3 savior and ao3 savior config. when you click install script, it should open up a second window with tampermonkey, where you will click install again.

4) the scripts will download really fast. once you're done, check if they downloaded by clicking on the tampermonkey icon on your browser, and then the dashboard. it should show your installed scripts now!

5) restart your browser (close all tabs and/or just close firefox if you're on mobile).

6) reopen your browser and go to tampermoney's dashboard again, where you can see your installed scripts.

7) click edit on the ao3 config *savior* script. the icon should look like a square and pencil.

8) scroll down until you find the tagBlacklist part. there are already three tags added there as an example (['dobby', 'jar jar binks', '*mimes']).

9) get rid of those and add in your own tags, making sure they match the same format as the examples. asterisks work as ANYTHING, meaning that if you never wanted to see [any character]/reader again, you would put '*reader' as a tag. this would also include anything like 'strong!reader' or 'male!reader' though, so be careful with how you word it. here is an example of what my blacklisted tags look like:

tagBlacklist: ['Harry Potter *', 'Reader-Insert', '*Reader', 'Reader*', 'Dean Winchester', 'Sam Winchester'],

10) if you wanted to exclude every [any character]/reader fic again EXCEPT for a certain pairing or fandom, then you'll head over to the tagWhitelist section. here, any tags you add will always make a work shown, even if they contain tags from your your blacklist. you can also do this with authors in the authorWhitelist section!

11) decide if you want to see when a fic is blocked for you/if you want to see why a fic is blocked. if you just want the fics to be hidden without any warning, then change showReasons and showPlaceholders to true. if not, leave it as is.

12) put // in front of any of the sections that you don't want to mess with right now. for instance, if you don't have any authors you want to blacklist, put // in front of authorBlacklist to make sure it doesn't run the examples for now. you can always get rid of the // later on if you want to add something and make it run again.

12) click on file, then save. go over to ao3 and check if the tags you have blocked are hidden. if they're not, move to the next step.

13) if the tags you have muted are still showing up, try changing them a little. for instance, 'harry potter - j.k. rowling' fics kept showing up for me until i changed it to just 'harry potter *'. you should also try restarting your computer/phone to see if that works. if nothing works even after trial and error, feel free to dm me and i'll try to help you out personally!

14) enjoy never having to filter out anything you hate ever again (unless you come across a new tag that you want to add to your block list) :>

the og tutorial i made some tweaks to is here. credits to the author of that one! <3

[sparkiekong]

More writing help

[kiraleighart]

Have you always wanted to make art, but don't know where to start?

Let me help you get on the path to making your art, your way.

Fair warning: this is quite a long read, but I promise that it will help you make art that's all your own (and way faster than practicing on cubes or reading 469464 books).

[l0starl]

𝐁𝐚𝐤𝐢𝐧𝐠 𝐰𝐢𝐭𝐡 𝐜𝐢𝐧𝐚𝐦𝐨𝐧𝐫𝐨𝐥𝐥 !!

A/n :: Things I’ve seen in writing that need to be talked about + tutorials on how to do things like gradient text etc.

totally not an excuse for me to not finish my drafts

#1 Gradient text (remake)

#2 Knowing the difference between to, two, and too.

#3 Identitying your work

#4 Dialogues in fics

#5 ???

#6 ???

#7 ???

More later 🏃🏾‍♀️

[smilocity]

Hello! I’ve been wanting to do text posts for a bit! I was wondering if you could share how you make yours! Thank you 🖤🍒

Of course!! (I’ll be showing you a few pictures so you can properly understand!)

So I basically use my phone for text stories. It’s all free so no worries!

First off, you are going to have to download an app called "Chat Tales". (I have an iPhone so I don’t know if it’d available on Google Play Store…)

Second, you don’t need to use your money for a membership/premium,etc. It’ll only give you more access to how many chats you want and stuff.

Third, there is a LIMIT of at least 4 chats you can create. (Usually I take screenshots—from my phone or use the app to take screenshots to save time.)

There are different fonts! You even have the option to chat like you do on Snapchat.

(I usually add the cover of the person that you’re texting so everyone can know who is who.)

Fourth, it’ll be something like this! Well, it depends on your story. (BEWARE of the watermark at the start if you take screenshots with the app! The white arrow in a blue circle)

The " + " Is where you add characters in the chat! I usually hide the person speaking (blue bubble) with the character so the person can think it’s them actually texting them. (There are PLENTY options.)

Lastly, the blue and white arrow is where you basically "export" your story. (I HIGHLY recommend to either screenshot with the app or do it with your phone. The videos aren’t that good…)

You can change any style of the chat, wallpaper, the profiles and more! (Like erase all chats so you can create a new one without having to go through all that trouble of doing the characters, etc!)

The “ is the give quotes in between the messages! Like by example — "Today 3:55 PM"

And that’s basically it! Thank you for asking me about this! I was going to do a tutorial but I completely forgot! I hope this has helped you with your journey of writing in text style!

[pvposeur]

How to Use ProWritingAid Teams Free Indefinitely

For anyone wondering, ProWritingAid is a lot like Grammarly. And, like Grammarly, ProWritingAid does not use your data to train AI programs shit and do not store your writing on their servers. Here are screencaps for proof with ProWritingAid and Grammarly.

So with all of that being said and done, I will get right down to the nitty gritty and explain how to use this for free 5ever. It is gonna be under a Read More to make it easier on everyone's dashboard.

001. Open this link here (https://prowritingaid.typeform.com/to/M8XJM6Kt?typeform-source=prowritingaid.com) in a new tab.

002. Get your hands on a 10 Minute Mail of your choice (pretty much any of them will do AFAIK).

003. Go back to the tab with The ProWritingAid Team Trial Signup and start filling everything out with the 10 Minute Mail info you have. Down below are some screencaps of how it ought to look.

004. Click Return to ProWritingAid and then proceed to the 10 Minute Mail tab. You will get an email from ProWritingAid looking something like this.

005. Click Confirm email. It will open in a new tab and you'll type in your password of choice. Click Save Account Details when finished. It will redirect you to a different page and you start filling some more stuff out. It will look something like this.

006. Once finished, click Download for OS and proceed to install it. After finished and is opened, a screen should pop up and look something like this.

007. Proceed to Log in and you are 100% good to go because it will redirect you to the account you, quite literally, just made.

008. Once the 7-Day Trial is done, you will open the settings up for the app and click Sign Out. After that, you will do Steps 1 thru 5 and Steps 7 and 8.

And there you have it! This is how you get your hands on a lifetime's worth of ProWritingAid Team for free.

[nemo-duspy-writes]

Here's some stats from my two original works on AO3:

Work 1:

Language: English 

Words: 18,282 

Chapters: 6/16 

Kudos: 2 

Bookmarks: 1 

Hits: 14

Work 2:

Language: English 

Words: 21,253 

Chapters: 6/16 

Kudos: 2 

Bookmarks: 2 

Hits: 218

I think the difference is obvious.