please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!
do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!
The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.
I want to emphasize something about the dungeon meshi ages.
So Senshi is 35-36 here, yeah? The dwarven age of maturity is 40, and he’s just shy of it.
When Chilchuck was just shy of his race’s age of maturity, he had a kid and got married. He was 13, and the half-foot age of maturity is 14.
So, developmentally-wise, THIS is how old Chilchuck was when he became a father:
This is even further emphasized with Izutsumi. She’s 17 (and actually turns 18 during the faligon feast), older than the tallman age of maturity, and still reads VERY immature to the audience. By the time Chilchuck was Izutsumi’s relative age, he was already on his third kid and had moved away from home to the city.
Imagine Izutsumi being a parent of three. Imagine Senshi having a child of his own when he was with the miners.
straight women need to start fetishising sapphic women so there can be more femslash fan fiction. we gotta outsource and get more writers on board. I want it to get to the point where two women cant be on screen together without having a 80k space opera fic written about them. I want show runners to be scared of cancelling sapphic shows because legions and legions of fans will come after them. dont tell me my priorities are wrong.
I think a lot of people haven't actually read Flatland so you may not realize A. What Bill's eye mutation means and B. What precisely Bill did to destroy his homeworld.
Bill's home isn't completely the same as Edwin Abbott's Flatland: A Romance of Many Dimensions (notably, women and men can be both polygons #feminism) but we can assume most of the mechanics are the same. The basic premise is that the world is 2D. Everyone perceives the world in a 1D way, along the plane. There's a part of Journal 3 that describes this pretty well.
Bill can see up to the stars because his eye is on the flat surface instead of on the side like everyone else, like this:
(He's also slightly 3D, as we can see in the show.)
But there's one more important Flatland detail. The denizens of Flatland (and therefore likely Euclydia) do still have organs "inside" their bodies. Since there is no depth, they're just on the inner radius of their bodies. The 2007 Ehlinger movie adaptation shows that:
If Bill wanted to "give his world a new perspective" and "show everyone what they were missing," he wanted to get everyone to look upward.
Meaning he probably tilted the entire world.
Meaning everyone not only slid off of the plane, but all of their organs spilled out and everyone died.
...Hence "so much blood."
(The only issue with this is that it doesn't account for the number of times Euclydia is referred to have been burned ("saw his own dimension burn / misses home and can't return", he only has ashes leftover), but I'm sure the act of turning an entire dimension upwards expends a lot of energy.)
my one wish for studio trigger is that they don't draw laios like a dehydrated twink when he takes his shirt off if he doesn't look exactly like this in the anime i will cry and scream
EDITING THIS TO INCLUDE THE COMMENTS I DON'T WANT PEOPLE REBLOGGING THIS WITHOUT THEM
listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.
Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.
writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.
so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.
Happy Pride Month! It’s my first year celebrating and I decided I wanted to make an asexual cake! With the help of my extremely perfectionist mum, I think we managed to pull it off! I hope ya’ll are having an awesome pride month, whether you’re out, in the closet or somewhere in between 🏳️🌈
Dunno how to put it properly into words but lately I find myself thinking more about that particular innocence of fairy tales, for lack of better word. Where a traveller in the middle of a field comes across an old woman with a scythe who is very clearly Death, but he treats her as any other auntie from the village. Or meeting a strange green-skinned man by the lake and sharing your loaf of bread with him when he asks because even though he's clearly not human, your mother's last words before you left home were to be kind to everyone. Where the old man in the forest rewards you for your help with nothing but a dove feather, and when you accept even such a seemingly useless reward with gratitude, on your way home you learn that it's turned to solid gold. Where supernatural beings never harm a person directly and every action against humans is a test of character, and every supernatural punishment is the result of a person bringing on their own demise through their own actions they could have avoided had they changed their ways. Where the hero wins for no other reason than that they were a good person. I don't have the braincells to describe this better right now but I wish modern fairy tales did this more instead of trying to be fantasy action movies.
Another reason why I’m a firm believer in letting Bruce get old is because the idea of him looking and his dark haired children without his glasses on and genuinely not being able to tell them apart is unparalleled
MY FAVORITE PART ABOUT GRAVITY FALLS IS THE HAPPY ENDING!! STAN REMEMBERS!! FIDDLEFORD FORGIVES!! PACIFICA HAS FRIENDS!! SOOS BECOMES MR. MYSTERY!! THE TWINS HAVE A BANGING BIRTHDAY PARTY!!!!! DIPPER GETS A MEMENTO FROM WENDY!! MABEL GETS TO KEEP WADDLES!! STAN AND FORD MAKE UP AND SAIL AWAY ON THE STAN O' WAR II!! THE WORLD ALMOST ENDED!! BUT IT DIDN'T!! AND WHAT A WONDERFUL WORLD IT IS!!!!
how I slept last night knowing that s3 of iwtv is secured, rockstar lestat is happening, akasha is on her way, loustat are endgame, ghost!claudia is a possibility, sam reid is not allowed to cut his hair short for a couple more years, daniel is now a vampire and the devil's minion is real: