#I JUST WAS NOT EXPECTING THAT

[tuituipupu]

STFU I ALMOST SCREAMED AT WORK GOOD YENNOWEW

[giffingthingsss]

When Spock died they played Amazing Grace. 

[kenapiece-main]

Can you believe I'm having to make this meme even after successfully finishing up taxes and applying to job

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[sadclowncentral]

when i got my medical certificate i very confidently answered the question "what do you do if a person becomes unconscious?" with "remove from the room immediately" only to be met with puzzled silence by the instructor and that's when i learned that the deeply ingrained nautical fear and grim reality of seamen and their rescuers asphyxiating in enclosed spaces due to build up of toxic gas or especially lack of oxygen does not translate to land.

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[soranker]

laios985

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[charliebugz]

When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at

but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.

When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.

What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[puraiuddo]

FanFiction.net is not gone.

Right now it's a victim of DNS (Domain Name Service) spoofing. This means that a malicious party is trying to steal traffic from FFn by purchasing a very similar domain.

Correction:

The new "fake" site that people are seeing still belongs to FanFiction.net—they just misconfigured their servers and are not redirecting traffic from the bare fanfiction.net to the main site at www.fanfiction.net. There is likely no malicious agent. Didn't mean to scare anyone! Just wanted to let people know the site wasn't deleted!

So if you want to read fanfiction and not see leaves, you have have to type out "www.fanfiction.net".

Please share so people stop panicking.

[melmov]

Batboys profiles

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[chloesimaginationthings]

Scott Cawthon’s version of FNAF Burntrap..

[macbethz]

I’m actually obsessed with this person. more cis (or “cis”, if they end up identifying differently) people should be doing this who gaf

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.