#I tend to make characters like that a lot | Explore Tumblr Posts and Blogs

froggiewrites · 1 day

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hi I had another idea for a request! dealer’s choice on the character(s) (but if you’re stuck for an idea maybe law?), but maybe the reader gets hurt in a fight and their (slightly in denial about being in love) future love interest nurses them back to health? can be fluff or smut or whatever you want I’m not picky I just love seeing your words

thank you I still love your work please keep it up

This request is from @toadmakes, on anon since it's her sideblog! I thought this idea was so sweet, so I just made a really fluffy, self indulgent little piece. Also, I let Law be cool last time I wrote about him so of course I had to make him a flustered little nerd in this one. I hope you enjoy it!!

A Helping Hand

Pairing: Law x Reader

SFW

Summary: You get hurt protecting Law, and he's not pleased. Warnings: Fluff, Lots of Banter, Very Little Hurt/Lots of Comfort Word Count: 1.3k

You don’t remember throwing yourself in front of Law, or being carried back to the Tang. You don’t remember the screams of your friends, or the shaking hands that so carefully bandaged you back up. But that’s alright, because they were all too eager to tell you how stupid you had been once you came to.

“–disgustingly irresponsible! Not to mention unnecessary! What good reason could there possibly have been to do that?” Law is the most furious you’ve ever heard him, and you fear it may be because he’s the most scared you’ve ever heard him. You don’t know how close of a call it was, but you know you hurt all over, and his eyes are shining with something someone who didn’t know better might confuse with tears.

“I didn’t want you to get hurt.” You try not to say it like an excuse or a plea. It’s simply fact.

His eyes shoot away from yours. You swear you see a hint of red on his cheeks, but just as quickly as you notice it, it’s gone. He clicks his tongue with displeasure before continuing. “I wasn’t going to get hurt. I could have very easily moved out of the way. You–” he sighs. “Don’t do anything like that again.”

“Well I don’t think I’ll be doing it anytime soon.” You try to give him a wry grin, but it turns more into a grimace as you shift, pain shooting through you. You’re covered head to toe in bandages, every part of you sore and bruised. You’re surprised you’re upright and conscious right now, honestly. “Can I get some painkillers?”

“You’re on enough to take down a horse.”

“But it still hurts.” You pout, and he grits his teeth and looks away from you again.

“Yeah. Almost dying tends to do that.” Even with the gruffness in his voice and face, his hands are gentle as they begin to fuss with your bandages, checking over every inch of you to ensure you’ve been properly taken care of. You could swear he hesitates slightly at checking the bandages around your thighs and chest, but he perserveres, ever the professional. You wince a few times when his hands brush a particularly tender spot, yelping when he makes slight contact with your ribs. He fiddles with the IV in your arm, and you feel a flood of relaxation and relief hit you. Looks like he found a reason to give you more painkillers after all. “You’re going to be out of commission for a long while, y’know.”

“How long?”

“At least six weeks, but probably longer.”

“What?”

“That’s nothing compared to what it could be. You have a couple broken ribs, not to mention all of the cuts and bruises. You’re lucky your organs weren’t crushed.”

“Can’t you like…shambles it away?”

“No.” His voice is flat. You look at him with wide, pleading eyes, and he scoffs at you. “Well, more like I won’t.”

“Why not?”

“If I just fix it you’ll run off and do it again, and next time you might not be so lucky.”

“Oh…so you’re just worried about me?” You giggle, filled with warmth at the idea. And maybe the pain meds. “You could just say so.”

“That’s not–” he lets out a soft choked sound when he realizes there’s no way to deny it without insisting he doesn’t care about you. As grumpy as he can be sometimes, he would never say something so unkind. Not to you. “Shut up.”

“Hey Captain?” You feel your tongue loosening with things you would never say, but you’re too out of it to stop yourself.

“Yes?”

“Do you like me?”

There’s definitely a flush to his cheeks now. “What?”

“I think you like me. A lot.”

“I–No!”

“You don’t like me?” Your voice cracks a little, tears coming far too quickly. Whatever he gave you is powerful stuff.

“That’s not–I–agh!” He roughly runs his fingers through his hair, desperately avoiding eye contact with you. “I like you. As a crewmate.”

You puff your cheeks out a bit with displeasure. “That’s all?”

“That’s all.”

“I’ll believe you if you look at me.”

“I am looking at you.”

“You’re looking at the headboard over my shoulder, Captain.”

His eyes flick to yours, and he turns an even more brilliant shade of scarlet. “I li–” His shoulders tense and he suddenly shoots up and turns away from you. “I can’t believe I’m arguing with you about this. You’re high off your ass. I bet you won’t even remember this when you wake up tomorrow.” You can see the tips of his ears burning as he gathers his things and prepares to leave.

“You’re gonna abandon me?”

“I have work to do!”

“I’m a patient, I am work!”

His voice is rising with frustration. “You’re already set up, what else is there to do?”

“I don’t know, Captain, I’m not the doctor here!” You try to raise your arm to reach out to him, only to let out a soft whine when you can barely move it.

“Please stop trying to use your broken bones.” He comes closer to gently hold your arm down, concern clear.

“It doesn’t feel broken.”

“It will soon.”

“You’re gonna let me hurt? On purpose? You’re so mean to me, Captain.”

He sighs. His thumb starts rubbing small circles onto your hand, though he doesn’t seem conscious of the action. “If I fix you up, do you promise not to do anything like that again?”

“No.”

The affectionate movements stop. “What?”

“I can’t promise that. I don’t want you to get hurt.”

“I’m strong, I can take a little pain.”

“But I don’t want you to.” You know you sound petulant and childish, but you can’t stop yourself. “I don’t want you to hurt at all, I don’t care if you can handle it. You shouldn’t have to.”

“So you should?”

“Yes.”

“That’s stupid.”

You huff. “You’re stupid.”

He can’t help but break into a rare laugh, a chuckle that rumbles through him and makes your heart skip a beat. He doesn’t seem to realize he’s lost himself until he looks up to see you staring at him, eyes wide and cheeks red, mouth slightly agape. “What?”

“I really like you, Captain.”

He grows horribly flustered, but for once he doesn’t pull away from you. He keeps looking you in the eye, even as every part of him screams to run and avoid his embarrassment. “You do?” His tone is heart-wrenchingly hopeful.

“I do. So, so much. You’re the most beautiful and wonderful person in the world.” You can feel your smile grow dopey and lovesick. “I’d take a million hits for you. A billion, even.”

“What if it’d make me happier if you didn’t take any hits at all?”

“Then I would say you shouldn’t have let me join your crew. Getting hit is part of the job. But that’s okay. You’re worth it.” You lean forward, begging him for a single touch, since you currently can’t lift your arms. You can feel your eyes drooping, but you fight to keep them open long enough to receive what you want.

He sighs, but you can see the affectionate smile creeping onto his face. “You’re insufferable,” he mutters, resting a hand against your cheek so tenderly you could weep. “Get some rest. I’ll fix you up in the morning.”

You hum as he uses his palm to gently push you back down, his other hand on your shoulders to recline you slightly. You’re fading fast, finally losing your fight with sleep, but before you go, you swear you feel the ghost of his lips against your forehead.

Tag List: @pandora-writes-one-piece

#law x reader #trafalgar d law x reader #one piece x reader #law x you #law x y/n #trafalgar law #one piece

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radishaur · 1 day

Text

༄ kind words ༄

Warnings: mentions of unwelcome advances in Law's part Genre: fluff Characters: Luffy, Zoro, & Law Summary: How they realize they have feelings for you (words of affirmation edition) Author's Note: It's finally here! These keep getting longer and longer as I get more familiar with each character and the dynamic, especially Law's, but I don't think that's too much of an issue. I also kind of hate Luffy's but couldn't keep redoing it, so maybe I'll edit it later. Happy reading as I begin working on the next part!

masterlist

Luffy is great at giving compliments because he just says whatever he's thinking.

He gets complimented a lot as well. He's always running around and saving people, intentionally or not, so he's probably heard his fair share of compliments. I think hearing a compliment that's more deep and genuine, that comes from someone who knows him deeply, would be more meaningful than anything and would make him recognize his feelings.

Not every day on the Sunny was a fun adventure.

Setting out to sail across the whole world and strive for their individual goals there was bound to be hardship. Sometimes it came in the form of grueling battles with their latest enemy. Other times it was internal conflicts or disputes, simple disagreements or heated arguments.

This time, it was grief.

After so many months traveling together, the crew had learned how to tell when one of them was upset about something and needed space. Today, it had been Nami. For the past few days, her mood had been off. She'd been more quick to anger and had spent more time than was strictly necessary tending to her orange trees. Then today, she'd been even worse, snapping at Sanji's normal overbearing lovey behavior and brooding to herself under the shade of her grove.

It didn't take him long to realize what was bothering her.

Nami only ever got like this when she was thinking about Bellemere, which meant today must be the anniversary of when everything happened. The crew had spent most of the day giving her her space, allowing her to process what she was very clearly feeling. After a while, he took it upon himself to cheer her up. He made silly faces and played some of her favorite games on the deck, goading her into joining them by making bets he knew he would lose. He'd even secretly asked Sanji to incorporate oranges into their dinner. By the end of the night, Nami was laughing and she seemed a lot lighter, like whatever was weighing her down had lessened some.

Now, it was late at night, and the only sounds that could be heard on the Sunny were the lapping of waves against the ship and the snores of his crew as they slept. All except for him.

Sleep was avoiding him, so he decided that he would be much better off just joining whoever was on watch and maybe having some fun. He made his way up to the crow's nest and was happy to find you sitting on the bench, looking out across the sea.

"Oh, hi Luffy," you said, your voice quiet.

"Hi!" he said, sitting excitedly next to you on the bench as you looked out across the sea once more. "I couldn't sleep so I decided to come out and have some fun!"

You smiled, always amused by his antics.

"Well, unfortunately, there's no fun here. I'm on watch, remember?"

He pouted, knowing you were right but still disappointed anyways. You laughed at him as he whined and complained, but he didn't actually intend on distracting you, so after a while, he quieted down and let you focus.

"I hope Nami is feeling better," you said, resting your head on the arm you propped up on the window. You were frowning slightly, your eyes unfocused as your worry made itself visible on your face.

"She'll be ok, she's Nami! She's strong," he replied, no doubt in his mind that tomorrow she would be the same old Nami she had always been. "She might be sad now, but it's not forever. She has us to help her."

You hummed in agreement, a small smile on your face. He smiled himself, happy to see you smiling instead of with a frown on your face. He felt so lucky to have found a group who cared so deeply about each other.

"All that stuff you did today. It was to cheer her up, wasn't it."

You said it like a statement more than a question and he found himself smiling at how observant you were. "You figured it out. You're so smart!"

You laughed at him once again, his own laughter joining you as you said, "Of course I did. I know you wouldn't have made those bets under normal circumstances."

They had been stupidly dumb bets that left no chance for him to win and he found himself giggling as he remembered how Nami had perked up upon hearing him agree to them. He loved his crew more than anything, so what was a few beri down the drain? Your laughter subsided as you got lost in thought once more. You seemed like you were debating saying something and when you seemed to have made up your mind, he found himself sitting up straighter as you turned to look at him.

"You're a lot smarter than people give you credit for," you said, a small smile on your face and a playful admiration in your eyes.

He's not quite sure what to say to that. He's always been called stupid and to everyone's credit, he is. He doesn't think very often, preferring to act on instinct and figure out the rest of the plan later. He's been known to not read the room, to zone out during important world lessons, and to shout out the first thing that comes to mind. He doesn't think anyone has ever called him smart and for the first time in maybe his whole life, he's speechless.

"I guess that's probably not what you were expecting me to say, huh?" you teased, a light smile making its way onto your face.

He collects himself and asks, slightly incredulously, the question that's first in his mind. "Why do you think that?"

"Well, you just told me you did all that stuff to cheer Nami up, right? Someone stupid wouldn't be able to put together why she was upset and what would make her feel better. You pay attention when it counts and you're a lot more emotionally intelligent than people realize," you explain, relaxing slightly as you look out at the ocean once more. "Today it was Nami, but I've watched you help lots of people like that. Vivi, Robin, Sanji, even me. Maybe you don't say it out loud, but you pick up on people's emotions and what they need the most in that moment."

He listens as you talk and slowly realizes that you're right. He's always had a way of reading people and knowing what they really want or need, but he's never really connected it to intelligence. He always thought it was just his own special kind of stupid.

"I guess that makes me a genius!" he exclaimed, laughing heartily as your eyes widened in shock before laughing along with him.

"Maybe you are stupid after all," you say, but there's no malice in the words as you keep laughing at him.

Finally, your watch shift is over and the sun peeks up over the horizon. He'd stayed with you the entire time, just talking and goofing around until he realized how much time had passed and how tired he was. His dreams that night are filled with you and when he wakes up, your words are still floating around in his mind. Knowing that you think he's smart makes him feel funny and he thinks that maybe he should finally turn his ability to recognize people's feelings inward.

Zoro doesn't throw out compliments or encouragement left and right, he only says something if he really means it.

I think he's received his fair share of compliments, although I doubt he puts much stock in them unless they come from someone he respects. If he doesn't think there's any stock in the compliment, or on that same token an insult, why bother giving it attention? For this reason, I think getting a compliment or reassurance from you would rattle him a little and cause him to have an aha moment.

The town that the Sunny docked in isn't too interesting to Zoro, aside from the bar he's nestled into for the past few hours. He has a few empty glasses in front of him and he's almost done with his current one when he sees the door open.

He's not surprised when he sees multiple of the crew walk in, quickly noticing him in the corner and making their way to him. You're among them, talking to Robin about something that elicits a small laugh out of her. Begrudgingly, he scoots over and makes room for everyone in his booth as they smoosh in.

"I knew we'd find you here!" you say, the last to slide in so you're right across from him. "Already deep into your drinks, as expected."

"Shut it, woman," he grumbles, his brows furrowing as he finishes his drink and sets the cup down on the table. You laugh, looking at Robin as Usopp reluctantly hands Nami some beri. He feels his eye twitch in irritation as he notices the exchange. "Are you betting on me?"

Usopp gulps at the glare he sends his way and Nami simply smiles, dollar signs practically lighting up in her eyes as she answers, "Yep! I bet that you were already 3 drinks deep and I was right."

"We've barely even arrived! I thought-" Usopp protests, attempting to explain himself.

"You both are insufferable!"

His exclamation elicits another laugh out of you as Robin simply lifts a hand to her mouth to hide the amusement that is no doubt there. He wants to be annoyed, and he is, but he's been traveling with the lot of you for long enough that he can't really be upset, at least that genuinely. He simply huffs, waving down a server to ask for another glass.

The rest leap over each other to order their own drinks, some alcoholic, some not, and fall into easy chatter with each other. Periodically, he catches your eyes and you send him a smile, but he doesn't insert himself in the conversations, much preferring to listen. Eventually, Nami gets tired of just sitting in the bar and decides to go shopping. Usopp and Robin decide to accompany her, but you decide to stay behind. You wave, watching them go as he takes his previous spot in the booth back.

"Not in the shopping mood?" he asks, glancing at you out of the corner of his eye.

"No, I'd much rather stay here with my favorite swordsman," you tease. He bristles, knowing that you're just poking him for fun, but he can't stop himself from blushing, taking a long sip from his glass to hide the blush he can feel on his cheeks.

"You're worse than that damn cook," he mumbles, his glass now sufficiently empty.

You laugh at that.

"Now that's just a lie."

He can't deny that, the corner of his lips twisting up into a smile. He's spent enough time traveling with you to know that you don't act like that with everyone, just him. The notion that you reserve this behavior for just him is both agitating and yet satisfying. He feels something possessive lick at his heart but ignores it, waving at the server for yet another drink.

He asks you about what you've been up to on the island since they docked and you happily tell him all about it. It hasn't been long so you don't have much to say and it isn't long before the two of you fall into a comfortable silence. After a while, you finally talk again and it's not what he's expecting.

"I know you'll become the greatest swordsman, Zoro."

He sputters, the sip he was taking spilling all over himself as he coughs, trying to catch his breath. He can feel his ears heating up with embarrassment and sputters, "Where the hell did that come from?"

When you look at him, your face is set in firm determination, but your eyes are soft, filled with a fondness he wishes you would direct at him more often.

"Those pirates we fought yesterday," you explain.

He thinks for a moment before he's reminded of what you're referring to. On their way to this island, they had run into a rival ship following the same course. While they hadn't intended to battle them, the ship fired at them as soon as they were in range, so they had no other choice. He remembers the fight being fairly easy, each member of the crew handling their fair share of pirates.

He also remembers one of their crew having some rather nasty words to say to him.

"You're delusional if you think you can become the greatest swordsman," he had spat, struggling to breathe. "You'll see it eventually. Even if you won this battle, you'll never achieve your dream."

He hadn't paid much attention to the words. He was confident in his own abilities and his opponent had been defeated easily, so there wasn't any point in taking his words to heart. He hadn't thought anyone was close enough to hear it and he certainly hadn't brought it up, quickly forgetting about it.

He smirked then, letting the full force of his pride show in the grin as he said, "That loser wouldn't know what it takes to be the greatest swordsman even if it smacked him in the face."

"That doesn't make any sense," you say, your face wrinkling as you giggle at his statement.

He takes another sip as your laughter dies out.

"I'm not worried about what a crap swordsman has to say about me and my dream," he says, his voice a lot more serious now as he thinks about the promise he made all those years ago. "I will become the world's greatest swordsman or die trying."

"You'll do it. I know you will."

You don't say anything after that, seemingly having said everything you intended to, but your words linger with him. The thought that you had heard the man's words and felt it was important enough to dispute them made his heart feel weird. He had never doubted himself, even when he maybe should have. He'd always been sure that his will, determination, and hard work would take him to exactly where he was supposed to be. Still, hearing your words of encouragement, hearing your genuine belief in his ability, it affected him in a way he wasn't expecting.

"You will too," he says, his voice barely above a murmur.

A few seconds go by where you don't say anything and he wonders if you'd even heard him, but one glance at you tells him that you had. You're not looking at him, your eyes averted as if you're embarrassed and your lips are curved into a small, satisfied smile. The sight makes his heart stop and he almost goes to clutch his chest before the feeling quickly passes.

Before the moment can linger, you're shooting back into conversation with him. Despite his best efforts to pay attention, he finds that his attention is drawn back again and again to your words. He knows that the crew believes in his dreams just as much as he believes in theirs. It's part of why he's so willing to protect their dreams just as fiercely as his own, but for some reason knowing that you believe in him so much really sticks with him.

He thinks about it for the rest of the day as well as late into the night when they're all back on the Sunny and setting off for the next island. He doesn't like being distracted, so he mulls over why your compliment holds so much weight for him. He values your opinion, but you're also not a swordsman, so theoretically there shouldn't be that much weight to your words. When he finally realizes, it feels like everything clicks into place and so many things start to make sense.

He acts like nothing has changed, wanting time to sit with the feelings before he decides what to do about them, but he finds it hard now that he understands the full weight of his regard for you.

Law rarely ever gives out compliments, rather preferring to show how he feels with his actions.

I think he receives a few compliments here and there, but he's built an intimidating presence and image, so I think they're far and few between. However, I think if you took him off guard with a meaningful compliment, especially if its one that he hasn't heard before, it would make him start to think about his feelings towards you.

"Captain, we have a problem."

Law sighs, all of the worst-case scenarios running through his mind as he turns to face Sachi. They're docked at a port town so that they can restock the Polar Tang, preparing for another few weeks underwater. It's familiar and something that the crew should be familiar with by this point. They have a routine, a schedule that rarely changes, that details who goes with who to go get what. In theory, it should go perfectly smoothly.

It never does.

"What is it, Sachi?" he asks, his grip on Kikoku tightening slightly as Sachi walks up to him with the list of crewmates and jobs in hand.

"Well, you said that nobody is allowed to go alone into town right? For safety?" he asks, only resuming once Law has hummed in agreement. "Right, well uh, unfortunately, Penguin is sick today which means his partner doesn't have anyone to go with, which wouldn't be an issue since usually we have at least one group of three but, well, they're also sick so-"

Law grumbles under his breath about getting to the damn point, grabbing the sheet from Sachi's hands to just look at the issue himself. Sachi gulps, sensing his irritation, and nervously rubs the back of his neck. The problem becomes clear very easily. His beloved crew had partied a little too hard the last few nights and now two of them were sick, leaving no group of three to split up and someone unaccompanied. He looks for Penguin's name to see who's alone and feels his heart flutter slightly when he sees your name scrawled out next to it.

"Our only two options are to either make one group get two things, which would set us back at least an hour, or...," Sachi says, trailing off slightly. The unspoken second option is clear. Law always spend their restock days on the ship. The higher his bounty gets, the higher the chance that he gets recognized, so he always finds it easier and safer for him to stay behind.

"I'll go," he relents, watching as the tension in Sachi's shoulders dissipates.

"Great. Thanks, Captain!"

Sachi disappears before he can change his mind. He sighs, looking around the collection of his crew until he finally finds you in the mix. He makes his way over, watching as you converse with Bepo, catching the very end of your sentence.

"-seems like I'll be alone today. Sachi said he would look into it, but everyone already has their pairs so I don't know who could take his place."

"That would be me," he answers, watching as both Bepo and you finally notice his approach.

"Oh! Uh, are you sure? Don't you usually spend the day on the Tang doing research?" you ask.

He ignores your improper name for the Polar Tang as he explains the situation to you. You nod, smiling as you say, "I see. Well, I'm glad to have your company then, Captain!"

He's taken aback by your words but decides to just move forward instead of dwelling on them, so he turns around and shouts, "Let's go."

"Shouldn't you probably change?"

He stops, looking down at his attire as you add, "As much as it suits you, it doesn't really hide the fact that you're a pirate, let alone our Captain."

He can't really argue with that. The Heart Pirates logo is front and center on his shirt and Kikaku is certainly not doing him any favors either. He tells you to wait and then quickly shambles himself into his room to change. He has to dig really deep in his closet before he finds a shirt that doesn't have his symbol front and center, but once he does he leaves Kikaku leaning against his wall and shambles back up to you.

By the time he's changed and came back, most of his crew is gone. You're quicker to notice him this time as a result and the two of you finally head into town.

"What are we in charge of?" he asks, stuffing his hands into his pockets now that they're not holding his sword.

"We're in charge of the medicinal herbs, Captain," you answer.

"Just Law is fine," he says, his hand fidgeting slightly as he adds, "No use in me changing if you're just going to use my title."

He sees you smile softly out of the corner of his eyes. "Right. Law it is, then."

His ears burn slightly as you say his name so effortlessly, but he brushes it off quickly and continues into town. It's not hard to find the store you're looking for and he lets you take the lead as you begin listing off the various herbs you need. It's not long before the two of you are walking through town once more, heading towards the submarine.

"Oh, look! That art is gorgeous."

He stops walking as he turns to look at what you're pointing at. There's a small stall in the marketplace's square that's selling paintings of all different sizes and mediums. He sees your eyes light up as you look at them and isn't surprised when you say, "Wait here, I'm going to go buy one."

He huffs, leaning against the wall of a nearby building where he can see the stall. He'd like to pretend that today had purely been an inconvenience, but he can't find it in himself to be that upset. While it was inconvenient that he wasn't able to spend the time studying the most recent medical book he had been interested in, the day had been pleasant. You'd made pleasant conversation with him while walking in town and your bright demeanor always seems to calm him down.

He looks back over to the stall, curious about what painting had caught your eyes, but feels his heart jolt when he doesn't see any sign of you. He stands up to his full height, hoping to catch any glimpse of you, but he still doesn't see anything. He curses to himself for letting his guard down and allowing you to somehow slip away and starts searching for you with his observation haki.

He picks up your signature in an alleyway and feels his gut churning. Not wanting to draw attention to himself by using his devil fruit powers, he quickly makes his way to where you are. As he gets closer, he hears you pleading with someone.

"Look, I'm really not interested and I have someone waiting for me, so-"

"Surely I can show you a better time than them, hm?"

He doesn't recognize the second voice but he doesn't need to to know what's going on. He feels anger burn in him as he finally turns a corner and sees a guy caging your body against the wall with both of his arms.

"I already told you, I'm not looking for that. Please let me go," you say, your hands clutching the bag of herbs you'd bought earlier as well as what looks to be whatever painting you had bought at the stall. He also sees the man take a step closer and open his mouth to talk, so he takes the opportunity to interrupt.

"You heard them," he says, his voice like venom as he enunciates, "Let them go."

The man looks at him, sizing him up as he takes a step back and lets his arms drop. "What are you, a good samaritan? Buzz off," he scoffs, turning his head back to you, clearly intending to ignore him.

He doesn't know what comes over him as he finds himself stepping closer and punching the man square on the side of his face. The man, clearly caught off guard, stumbles slightly. He doesn't give him any time to recover as he steps forward, putting himself in between you and the man whose face was now swelling up.

"What the hell?" he shouts, cradling his face as he finally catches his balance.

He can see the punch coming but knows that you're standing right behind him, so he only shifts slightly so that the punch only hits him in the shoulder. A moment afterward, it dawns on him that he can just get rid of the man, so he does.

"You're lucky I don't have my sword, or you'd be getting much worse than this," he seethes, holding his hand out as he says his classic phrase and sends the man shambling into the ocean. In his place, a mossy stone drops to the ground, echoing in the now almost empty alleyway.

When he turns around, you're staring at him speechless. He frowns slightly as he gives you a once over, checking for any visible signs of harm.

"I'm ok," you finally say, your voice shaky before you cough slightly and repeat, voice calm, "I'm ok. Just unnerved."

He doesn't take his chances and calls another room, switching you both closer to the Polar Tang. His guilt at letting you out of his sight and allowing this guy to drag you off eats at him as the two of you approach the ship. Once inside, he shambles the two of you to his examination room, pointing to the table and saying, "Sit. I want to check for injuries with the proper equipment."

You don't fight him as you make your way towards the table. You're still holding the bag and the painting until he gently takes them from you, placing them next to you on the table.

"I'm really ok La- I mean Captain," you begin, correcting yourself back to his title now that it's just the two of you.

He finds himself missing his name from you but keeps the comment to himself. He's supposed to be checking you for injuries. He's supposed to be assessing your well-being, which is only in question because of his own negligence. He frowns to himself and continues to check you for injuries without answering.

You let him, still assuring him that you're fine, that he only grabbed your arm for a moment at the stall, but he doesn't stop until he's sure that there's nothing wrong.

He sighs, finally stepping back from the table. His guilt still eats at him regardless as he goes over everything he did wrong. "I'm sorry, I should have been watching more carefully. No, I should have just come with you."

You simply smile at him in response and say, "It's my fault. I was the one who stepped away."

He doesn't have anything to say to that. He knows it's true, you did step away despite it being an explicit rule not to, but he can't deny his part in it as well. He curls his fists as the silence continues.

"Why didn't you dodge his punch?" you ask, your voice quiet.

He's surprised by the question, but also by how quickly his cheeks warm up at his answer. He looks off to the side, hiding behind his hat as he says, "You were right behind me. If I moved, he would have just punched you."

You have the audacity to laugh, loud and full as if he had just told you the funniest joke you'd ever heard and he can't help but scowl.

"You know," you start, laughter still floating in your voice, "For someone with such a cold exterior, you sure are kind."

The compliment catches him off guard. His face whips towards you as his eyes open in shock, the faint blush now burning bright red across his whole face. He meets your eyes and he doesn't see any hint of a joke.

He's heard himself called a lot of things. Scary, cold, bitter, even downright malicious, but never kind. It sends shivers up his spine as the word settles somewhere under his skin. You think he's kind. Kind.

"You're my subordinate. I'm not being kind, I'm just doing my job as your Captain," he corrects, not wanting you to misunderstand his intentions.

Your laugh this time is softer, more full of fondness, but it rustles him all the same. "You really are kind though," you insist. He's not ready for you to continue, barely able to handle the few words you've said, but that's never stopped you before. "I think you care a lot more than you want us to think. You wouldn't worry so much otherwise. Besides, you're always going out of your way to protect us. I think that makes you kind."

He doesn't know what to say, so he tries to navigate back into familiar territory. He takes a deep breath and calms his nerves, grabbing the bag of medical herbs from your side and turning around to begin putting them away. "Well, since I've checked and you don't have any injuries, there's no reason for you to stay."

He hears you shuffling around as he begins unpacking the herbs from the bag and chances a glance over at you one more time. He regrets it immediately.

You're looking at him like you can see right through him. You have your painting tucked under your arm as you look over your shoulder at him in the doorway and you're still smiling at him as if he didn't just ignore your comment and dismiss you rather rudely. It makes his heart ache, wanting to prove you right. To prove that he is kind, that he's worthy of your opinion of him, that he's worthy of your praise.

"Thank you, Captain. I enjoyed your company today."

With that, you disappear down the hallway, presumably back to your shared room to hang up your new picture. He stares at the spot you left long after you've gone, your words echoing in his mind. They rattle around in his heart until they finally settle, leaving a warm comfort he didn't know he craved.

You think he's kind.

That thought plagues his mind for the rest of the day. His guilt is completely forgotten, his mind too consumed by your compliment to make any room for it. He finds himself unable to even focus on reading the medical book that night that he missed out on reading earlier. Your words and the simple fact that you truly believed them chip away at his resolve until he finally has to come to terms with why it affects him so much. He mumbles your name, his hand clutching his heart as it beats, solidifying what he'd been ignoring for a long, long time now.

ღ radishaur — i do not own any of these characters. do not plagiarize. please enjoy and remember to be respectful!

#luffy x reader #monkey d. luffy x reader #zoro x reader #roronoa zoro x reader #law x reader #trafalgar law x reader #one piece x reader #radishaur writes

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dazaiandhislovelybandages · 3 days

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hi! what about jjk characters (or any characters) squeezing yn to tight in their sleep and yn wakes up. it can maybe be because of a nightmare and yn comforts them 🫠🫠

Tight Hugs with Nanami and Gojo

Gojo Satoru

Gojo doesn't usually have nightmares. Hell, that man is so tired that he barely gets to dream at all. But what Gojo usually does and by usually I mean all the time, is that he hugs you. He is a huge cuddler and loves to be both the big spoon and the little spoon, depending on his mood. Due to his height and overall physique, it isn't really uncommon for him to be the big spoon, with your back pressed against his chest while the two of you are laying on your sides.

But Gojo sometimes doesn't really control himself. He is not really at fault because, in his defense, you make him relax and subsequently let his guard down. And usually his body is tense, yes using his Limitless technique has become a second nature to him but that doesn't really mean that he doesn't get tired from time to time. That being said, his muscles tend to get tense a lot.

"Satoru..." you groaned and turned around, making an effort to push him away from you.

"I said I am sorry." He let out a chuckle that came out ruspier than he intended since he had just woken up. It wasn't the first time Gojo had decided to stretch his arms while having them wrapped around you. He never meant any harm, he would just genuinely forget and squeeze you a little too tight for your comfort.

Rolling your eyes, you wrapped your arms around him this time, effectively making him the little spoon since the only way to save yourself from this man and his strange sleeping habits would only be if you were in control.

Nanami Kento

Nanami comes home from work completely exhausted. There's not a single part of him that doesn't need to relax. While you often help him with providing him with a nice massage during which he gets to talk about his day, it's not like you can do much about the mental part.

He doesn't get nightmares often but when he does, they can be pretty intense, fully inspired by all the horrors he daily deals with at work. Since most of the time the two of you sleep while cuddling each other, you can't help but find yourself to be a 'victim' of his nightmares.

"Nanami..." You gently shake his shoulders and this time he does wake up. His forehead is covered in sweat, the only sign that showed he had just had a nightmare. That and the fact that he had squeezed you to tight.

Nanami, on his side, knew exactly why you woke him up. It wasn't the first time he had done it and it bothered him a little because he had promised himself that he would try to control it even though it wasn't something one cannot control. "Sorry, my love. It was just a nightmare, hm?" He leaned in and placed a soft kiss on your forehead before covering you up with the blanket once more. "Let's go back to sleep, I defeated the curse in my dream anyways."

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anniflamma · 2 days

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This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3

#asks #bible #ancient queer history

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lovecoredeity · 2 days

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what’s up I’m Fae, [redacted], and I never fucking learned how to make a promo post <3

I typically gravitate towards cute and whimsical things so that’s mostly what I end up drawing! Things like magical girls, dnd, faeries and the likes inspire me the most so you can expect to see a lot of shoujo fantasy nonsense on my blog. Most of what I end up posting here are tends to be character designs, art of mine and my friends original characters as well as the occasional art trade and commission post! Please consider checking out my blog if any of that is up your alley!

❥ As of right now commissions aren’t opened but I plan to open them sometime in the future

❥ I don’t have a set posting schedule

❥ art trades are opened to mutuals and friends (depending on if I have the energy to do so)!

reblogs are greatly appreciated!!

#deity’s doodles #my art #artists on tumblr #character design #d&d #dnd #dungeons & dragons #dungeons and dragons #tiefling #tieflings #tiefling oc #tiefling ocs #promo post #artist promotion #artist promo #why. is making promo posts so hard I feel like I can’t talk like a human person my god #the besties said my promo post looks good so here we go #idk how else to tag this but pls reblog it thanks ily mwah

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arkadijxpancakes · 14 hours

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Yes. The Weasleys had too many kids. An analysis. (Part 1 of 2)

Everyone who read Harry Potter read about the prejudices regarding the Weasleys: They all have red hair, are poor and have more kids than they can afford. Insert a sneering Malfoy here.

The books were adamant that that was not the case. The Weasleys are depicted as the best family in the books. (Just look at the others. The Dursleys were narrow-minded, bigoted and abusive. The Malfoys were bigoted terrorists. The Lovegoods were weird. Let’s not even start about Merope and Riddle.)

However, if you look closer, the prejudices have some truth to them: They had more kids than they could afford. However, money isn’t the issue here, not really.

Yes, the Weasleys are clearly depicted as members of the working class. They don’t have much money and fall back on second-hand stuff a lot of the time. Ron in particular is shown to be using hand-me-downs in book one.

However, they don’t live in abject poverty. The family owns their own home on their own land. They have a garden to grow their own vegetables and they have chickens. This means that food scarcity shouldn’t be a big issue for them, because they can produce a lot of it on their own. (Magic should make this even easier, because they can use it for the gardening stuff. And if we assume that you can duplicate food, this should keep everyone well-fed.)

The main issue when it comes to money isn’t that they don’t have anything. They have clearly enough money to stay comfortably over water. They just don’t have enough money to buy all the fancy shit the wizarding world uses as status symbols. (Like racing brooms and dress robes.)

Could things be better, money-wise? Sure. But one can have a loving, comfortable childhood, even with second-hand clothes and working class food. So no. It’s not about the money.

It’s about time.

And it's also about how the parents divide that time (and the work that comes along with it.)

The Weasleys follow a family structure one would expect from a muggle family of their time (the second half of the 20th century): Arthur is the one who goes out to work and earns money, while his wife Molly is a stay-at-home-mother who takes care of their home and kids. It’s also just their nuclear family that lives in the burrow. There are no other relatives (no grandparents and no aunts or uncles, either) living there.

I find this a little bit weird, tbh. The nuclear family (parents and kids) living alone, without any other relatives and with the father as the sole breadwinner, is a pretty new development. The practice only really established itself after the Statute of Secrecy went into effect. It developed first in the upper classes (who used this to flaunt their wealth) and in urban centers (where there was no space to live together with your extended family.) Before this, living with one's extended family was very common, especially in rural areas, where it was beneficial to stick together. The Weasley’s don’t really have a reason to live as a nuclear family. There is no need for wizards to follow the Muggle trend, and things were different before the statute. Living with other, adult family members would also be beneficial, especially for Molly. And the books do suggest that the extended family is quite large, so “They don’t live with other relatives, because they don’t have any” doesn’t fit their situation either.

This is a common theme for Rowling, by the way. She tends to ignore the extended families of her characters, whenever it is possible. The numbers of grandparents, aunts, uncles and cousins that get mentioned in the book is incredibly low. (The only character who seems to have close connections to his extended family is Neville – and that’s because the other members of his nuclear family are completely absent because of health reasons.)

Anyway. When we look back at the Weasleys, this leaves Molly basically as a tradwife. (Minus the religious baggage.) But let's start at the beginning.

(Note: I will focus on the books in this. I don’t consider the games canon and will not use them as a source.) Arthur and Molly were born around 1950. We know that he went to Hogwarts from 1961 to 1968. They were close enough in age to start a relationship while still at Hogwarts, and they married shortly after graduating. For this to work, she must have been in his year or maybe the year below or above.

Bill was born in 1970 and was followed by six siblings, the last who was born in 1981. So from the age of ca. 20 to the age of ca. 33 Molly was either pregnant or nursing at least one baby at any given time. (There might have been a short break in that pattern between Charlie and Percy, but it only got worse after that.)

As I said before, Molly and Arthur seem to have a very traditional division of labor between them: He works at the ministry and earns money, she takes care of their home and kids. This means that Molly has drawn the short end of the stick.

While Arthur is working one job 9-5, Molly has to work three jobs and at least one of them is 24/7. Let’s pick them apart:

Her first job is to take care of the home. Molly cleans the house and does the laundry. It is also very likely that she is not only responsible for cooking, but for food production in general. This means that she takes care of the garden and chickens. This would be pretty exhausting, if not for her magic. She can likely cut down on time and effort by using magic for most of those tasks.

On top of this, she is also producing at least some of the clothing her family wears. We don't see her sewing, but she knits a lot. She is using magic for that, too.

Her second job is to raise their kids. Molly is their primary caregiver and does most of the parenting. This is a difficult job to begin with, but there are seven of them. This is where her workload starts to stretch her thin. It can’t be easy to do the laundry, while Ginny needs to be fed, Bill and Charlie are arguing in the backyard, and the twins have just vanished. Magic is less helpful here, because a lot of the work requires her to interact with her kids. She can’t really flick her wand to speed that up.

On top of that - and this is where things get even worse - there doesn't seem to be any kind of elementary school in Wizarding Great Britain. At the very least, the books do not mention any form of primary education and Hogwarts seems to be Ron’s first school. But Hogwarts still requires its students to be able to read, write and do math. Having some education about the Wizarding World couldn’t hurt, either.

However, someone has to teach the kids. And this someone is probably Molly, because Arthur is at work, and they don’t have the money for a private tutor. They cant sent their kids to an elementary school, because there is none. (And they obviously did not send them to a muggle school.)

So this is her third job. This is another job she can’t really speed up with magic, because she can’t hex the knowledge into her kids’ brains. (Or at least I hope she can’t, because everything else would be disturbing.)

This means Molly has to take care of their home, produce their food, take care of their kids and teach them elementary school-stuff. All while being pregnant and/or nursing for circa 13 years straight.

Her workload just isn’t doable for a single person. It might have started off okay, when she only had Bill and Charlie, and it probably got better once most kids had left the house to study at Hogwarts. But the years in between must have been hell. And she did not really have any help to do it.

Arthur was off to work most days and seems to spend quite a lot of time on his hobby. Additionally, he just doesn’t seem to be all that involved as a father and seems to take care mostly of the fun stuff.

His parenting style is much more relaxed than Molly’s, too. He’s probably the parent the kids go to when they want to do something their mother would say no to. This, of course, makes parenting even harder for her, because she doesn’t just have to deal with the kids, but also with Arthur’s parenting decisions. There are no other adult family members around to help her, either. They also don’t have the money to hire help. (No wonder Molly dreamed of having her own slave house elf. It would have allowed her to drastically reduce her workload. It’s a really disgusting wish, but I understand where it comes from.)

This is where the family dynamics probably took their first severe hit: It’s very likely that Molly’s workload left her with more work than she was able to do consistently. Whether Arthur pulled his weight in that regard is questionable (and he was at work for most of the day anyway.) She also had no other adults to help her, so she probably offloaded her workload elsewhere: her kids.

Yes. I think it is very likely that the Weasleys parentified their kids, especially Bill, Charlie and Percy. We don’t see it with Bill and Charlie, probably because they had already left the house when Harry meets the family. Still, it’s a little weird that both of them went to live so far away from home. Yes, sure, exploring tombs in Egypt and taming dragons in Romania is fun and exciting in and off itself – but being so far away from home that mom can’t rope you into household chores and babysitting duty is probably a really nice bonus. It would also relax their familial relationships quite a bit, because moving away gives them control over when and how they want to engage. (And it’s probably easier to be the fun big brother to your younger siblings when you aren’t required to watch and control them every day.)

We do see it with Percy, however. He looks after and take responsibility for his younger siblings a lot, especially at Hogwarts. You can see it in the way he looks after Ginny and how he’s constantly at odds with Fred and George because they refuse to follow any rules.

Fuck, he still does this after the big row with his father. Yes, the letter he sends to Ron is pretty obnoxious, but he still wrote it. He did not need to. At that point he had cut all contact, after all. He clearly cared for his younger brother and wanted to look out for him, even if he did it in the most annoying way possible. It would be interesting to know whether he also wrote to Ginny or the twins or not.

Also, did I mention that the Weasleys have too many kids?

They have too many kids.

It’s a numbers game, really. The more kids you have, the more time you have to use for household chores (you need to clean more, wash more, cook more, etc.) You also have less time to spend time with each kid individually. This is especially true for quality time – so time that isn’t spent on chores or education. Time that is spent playing and talking with each other, just to enjoy each other's company.

Molly is already working three jobs. She doesn’t really have any opportunity to spend time with her kids equally. She’s too busy looking after the home and teaching the older ones, while watching the younger ones and making sure the twins don’t burn the house down.

I just don’t see her spending quality time with her kids regularly, because of this. It’s just difficult to talk with Charlie about his favorite dragons or read something to Percy or to play with Ron, when there is always someone else who needs her more. Full diapers. Empty stomachs. Unyielding stains of unknown origin on Arthur's work robes. A sudden explosion on the second floor. And probably everything at the same time and all the time.

So yeah. Chances are that her attention and her affection can be pretty hard to come by at times. (To a certain degree, this also applies to Arthur, because he is away from home so much.)

Let’s look at the timeline.

It probably starts pretty harmless:

1970 - Bill is born, and he’s the only kid for two years. Yeah, it’s Molly’s first child, and she is a really young mother, but she is a stay-at-home-mum, and it’s just one kid. It’s mostly her and Bill who are at home, and her workload isn’t all that big, because she can use magic for most stuff. The war has started, but it probably hasn’t kicked into overdrive just yet, so this shouldn’t affect her too much either.

1972 – Charlie is born. Molly’s workload is expanding, but things should still be pretty manageable. Also, they don’t have another kid for almost four years. This allows Molly to adjust to caring for two kids. She can also relax from both pregnancies and births. If it wasn’t for the war, this might be her favorite years as a mother.

When Arthur is involved in parenting Bill and Charlie, it’s probably on the weekends. I can imagine him taking them out to do fun stuff, so their mother can get some rest. It’s probably a great time for him, because he can bond with his boys. I can’t see him do much more than that, though. Molly has a handle on things, and interfering could be seen as overstepping.

1976 – Percy is born. This is probably the moment, where the attention-distribution in the family gets a little bit wonky. Molly has three kids now, and it’s the middle of the war. Bill is almost six, which means that she has to start teaching him, while simultaneously nursing Percy and keeping Charlie entertained/away from trouble. This is probably still manageable. She can wait a little longer with teaching Bill, so she can teach him and Charlie together. She can also hand him (and maybe Charlie) over to Arthur, so he can teach him/them on weekends.

Additionally, Arthur is probably still taking Bill and Charlie out for some bonding-fun-time. However, the war is in full swing now, so leaving the house gets increasingly dangerous. Their trips will get shorter and stay closer to home. They will happen less frequently, too. He will also end up working more because of the war, doing overtime much more frequently. When he is home, he is going to be exhausted, as a result.

1978 – Fred and George are born. The attention-distribution in the family falls off a cliff.

This is when Molly's workload starts to become overwhelming. Charlie will be 6 at the end of the year, Bill will be 8. She has to start teaching them, if she hasn’t already. Otherwise, Bill will not be ready when he starts Hogwarts.

And on top of everything, Molly has to take care of the twins. She has to do everything that needs to be done for a newborn – times two.

So her workload explodes. Molly is raising five kids, now. She needs to educate Bill and Charlie, nurse Fred and George, and has to make sure Percy doesn’t fall to the wayside completely. She also has her household chores that aren’t related to her kids. The war is still raging on. Arthur is probably tied up at work most of the time, and when he is home, he’s exhausted. And Molly will be pregnant again in a year. (Really, why do they have so many kids during a war? One or two, I would understand, but this is getting irresponsible.)

This is probably the time when Bill has to take over at least some chores, not just to learn how to do them, but to take some pressure off of his mother. This might not be parentification yet, but it will get worse over time. I assume he has to look after his younger brothers a lot.

On top of all that, it is increasingly hard to shield the kids from the war. At least Bill and Charlie are old enough to understand that things are really, really wrong and scary. And there is not much Molly can do about it.

1980 - Ron is born. The twins are already old enough to open cupboards. Molly is not having a great time. She probably hands over Percy to Bill and Charlie (“Go, play with your little brother!”), so she can take care of baby Ron while keeping an eye on the twin shaped chaos that is growing by the day. She will be pregnant again in a couple of months.

Bill (who will be 10 at the end of the year) and Charlie (8) still require teaching. Percy (4) isn’t old enough just yet, but he will be, soon. (And, let’s face it: It’s Percy. Chances are that he wants to learn, even now.)

The war is still in full swing. Arthur is still overworked and underpaid. Everyone is tired and scared. This also affects the kids. There is probably a lot of pressure on Bill as the oldest brother to watch over his younger siblings, to make sure all of them stay safe. They don’t spend much time outside their home, because it’s just too dangerous to do so.

Around 1980/81 is also the time when Molly’s brothers Fabian and Gideon die. (Gideon can be seen in the photograph that was taken of the Order before James and Lily went into hiding, so he was still alive back then. But we know that he dies soon after the photograph was taken.) Molly never talks about her brothers in canon, but this must have been horrible for her.

1981 – Ginny is born. They are seven kids now. Fabian and Gideon will be dead by the end of the year (if they aren’t already.) Molly’s workload is at its peak, while her ability to pay equal amounts of attention to her kids is at an all-time low. She’s grieving, the rest of her family is in danger, and Arthur is stuck at the ministry. This means that she will likely lean on Bill’s support even more. As Charlie is 8 now (and will be 9 at the end of the year), Molly might consider him old enough to help, so he might see an increase in responsibility, too. At this point, we are in parentification-territory.

With each day, the twins grow more into the troublemakers we see in canon. This sucks away attention and affection from their siblings (simply because they need to be watched and disciplined).

I think the following years are very formative for the family dynamics between the kids. It’s probably less pronounced for Bill and Charlie (who are stuck with chores and babysitting-duty and will leave for Hogwarts soon-ish) and Ginny (who gets more attention because she is the youngest child and only girl). It’s worse for the others. Percy, Fred, George and Ron are basically in direct competition for their mother's attention. I think the dynamic develops as follows:

Fred and George are active and pretty extroverted. They explore a lot and start to play pranks on their family members. This is overall harmless, but Molly has to pay attention to them, to make sure that no one accidentally gets hurt. From this, the twins learn that they can get Molly’s attention by causing trouble, so they will lean into it even more.

This sucks away attention from Percy and Ron. It causes Percy to veer hard into the opposite direction: He tries to gain Molly’s attention by following all her rules and fulfilling her wishes. This earns him her affection and will turn him into her golden child in the long run. It will also put a strain on his relationship with the twins, because Molly compares them a lot, especially when angry. This will cause Percy to perform the “Good boy”-role even harder (because he doesn’t want to be treated like the twins), while they start to resent him on some level.

Ron on the other hand is still too young to affect the family dynamic on his own. He internalizes that his mother cares more about his siblings and that there is nothing he can do about it.

The only good news: At the end of the year, the war ends. This will bring a lot of relief. (It’s short term relief for now, things will need some time to go back to normal.)

However, the end of the war also means, that Percy gets a pet. Either late in 1981 or early in 1982 he (or another member of the family) finds a rat that is missing a finger on its front paw. Percy keeps him and calls him Scabbers.

We all know who Scabbers is, of course. I just want to highlight how fucked up this situation is. Percy is 5, when he adopts him. Because he was a little kid, he probably took him everywhere without a second thought – into the bathroom, into his bed, you know, everywhere. There is probably no part of Percy’s body Scabbers hasn’t seen. Percy probably told him everything, too, all his worries, all of his fears. It’s just creepy.

And keep in mind, Scabbers – Peter – is not just a random wizard. He is a Death Eater and mass murderer. We don’t know if he ever hurt Percy (there are fanfics that do explore that possibility). He probably didn’t, but the idea alone is nightmare fuel.

To get this back on track: This could have impacted the sibling-relationship, too. It depends on whether the other kids were allowed to keep pets.

With that, we are done with the war and with Molly’s time being pregnant. The family dynamic is already fucked up – and it will get worse, as the kids get older. However, this post is long enough, already. So we’ll take a break here. Next time, we will look at how the dynamics shift, once the kids start to go to Hogwarts. See ya!

#harry potter #hp #hp-meta #weasley-meta #anti jkr #weasley family #the weasleys #molly weasley #arthur weasley #bill weasley #charlie weasley #percy weasley #fred weasley #george weasley #ron weasley #ginny weasley #weasley family critical #family dynamics #fandom meta

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connorsnothereeither · 2 days

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How do you make Virgils boards, is there a system or do you just like go ham? I find them very neat and am curious

(idk if this has been asked before but if it has i couldn't find it so-)

I don’t think it’s been asked but I would LOVE to ramble about it omg for sure-

It’s sort of a mix of both! I have the advantage of like,,, Virgil canonically thinks the way I think, when it comes to connecting dots, so it’s sort of just a visual representation of my brain and how I picture the lore, lol. In terms of a “process” though:

I tend to start with a list of important plot points, bits of information, and character details Virgil does know. And obviously most of the time, it’s a a bunch of questions that he’s asking, which I’ve woven those into

From there, I make a list of assumptions Virgil makes based off those facts. Sometimes those are correct assumptions that I know are right because they’re planned lore. Sometimes they’re things that I’m spitballing because we haven’t landed on an actual answer, and it’s sort of like,,, testing the waters with an idea I think is fun, but that might not be canon. Sometimes, my favourite, they’re just completely bullshit assumptions that make sense but are so wild and silly, either for the comedic effect or as a red herring.

Once I’ve got all of those, I do just sort of go ham sketching them out! I tend to cluster them based on vibe and theme, so it looks like an evolution of thought. Here is this idea, here is this idea that relates to it, kinda thing. I also try to make sure that there’s a drawing or diagram per cluster of information, to add more visual interest! I tend to shuffle things around once they're drawn out, trying to see what fits best where, the sizing of things, and whats like, an appropriate connection/space for things to go! (for example in the upcoming draft of the board, I had to decide if i put the section on Luxtant near Avianism, near the Avicane, near the Sorcerers, or near Vast and Rune!)

Also before I do the line art, I tend to add the strings on a seperate layer to test the placement! actually connecting things with the red string is less important to me then how it looks visually. I want “main things,” whether it’s drawings or notes, to be visible. Like I try my best to not have string lines being directly over the top of people, or important concepts! You can for example in the current board in Virgil’s office that like,,, the note about Kalia isn’t covered, or the pictures of Vast and Pietro, but things like random questions about Viviana are covered by strings, because they’re less important to notice upon first glance. It’s a lot of finding a way to use the strings to draw the eyes in places I want them to go.

Then the last step of the process is line art and colouring and finalising placement :D

That all makes it sound like it’s a properly like, thought out process but honestly it’s a big mess of back and forth editing and scribbling and deciding last minute to add things to fill up space and just hope things turn out looking okay lol! But I have a lot of fun with it, Virgil and his investigations and investigative process (especially upcoming with things like Void Sickness) are very fun to play out 🫶

#bound smp #skybound smp #bound smp virgil

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farshootergotme · 9 hours

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Imagining an AU where Bruce died instead of Jason...

Yeah, I know Death in the Family movie did it, but I kinda want more of Dick...

Imagining Dick moving back to Gotham, taking over as Batman, inheriting Wayne Industries as well as the guardianship of his little brother whom he barely knows...

Kinda like the Canon version with Damian, but here Dick is much younger, nineteen or twenty, and there are way less Bats to rely on or wrangle. Dunno if even Babs was there.

It's Dick, Alfred and Jason, all of them mourning, trying to get through it ...

Dick trying to deal with having Jason as his Robin, Jason hating himself for what happened and reacting by lashing out at everyone, especially Dick, Alfred overwhelmed by the mess... Dick working himself practically to death trying to handle Gotham's surge of Rogues...

Barbara was introduced as a character way before Jason, but their relationship wasn't as close as it is now, so I don't know how willing would be Dick to rely on her.

That aside, I love the idea. But Dick sure wouldn't. So young yet so old at the same time with all these responsibilities on his back... Since during this time he was part of the Titans, I feel he could lean on them from time to time, but I know Dick tends to try to shoulder everything on his own when things get tough.

Jason would definitely grow to be more angsty and closed off after Bruce's death, specially if he considers it being his fault if Bruce dies for the same reason he did originally.

Dick and Alfred would have to work pretty hard to get Jason to open up again and feel happier despite the situation. Everyone would be so stressed...

But I think with time things would get better. Alfred, with Dick and Jason's company, would feel less lonely, even though his son is gone. Dick would get used to the weight of the cowl, but I don't know if he'd ever grow to be fond of it, since being Batman was the last thing he wanted, specially during his early years as Nightwing. Jason... He'd have the hardest time accepting what happened. There'd be a lot of denial and anger, I think. But with the support of his brother and the reassurance of Alfred, he'd learn to accept it.

And back to the Titans, at first maybe they'd have a hard time getting Dick to let them help, but after a while Dick would welcome them and allow them to support him during all this. They won't leave their leader alone, and they will make sure to show him he isn't alone.

I don't know if Dick would forever be Batman or if at some point he'd be able to move back to being Nightwing, but would love to see how that'd play out.

Also, I wonder how that'd change the family? Since now most of them would probably join in different circumstances, and some might not join at all.

A lot to think and a lot to consider.

Thanks for the ask, anon!

#dick grayson #nightwing #bruce wayne #batman #jason todd #robin #alfred pennyworth #teen titans #dc comics #dc #anon ask

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neonfretra · 2 days

Text

does anyone want to discuss hrpf outside of shipping + written fic context . because i think about where what i do sits in relation to it all

for brevity i will be referring to the real person as the player and the fictionalized interpretation of the player as the character

to get things outta the way, i dont think theres very much you can say about real life people before you start crossin into real person fiction (rpf) territory LOL

transformative art is rpf. speculation is rpf. narratives is rpf. the second you start steppin away from a direct relay of the facts as is, we gettin in ficticious waters IMO. its really a neutral thing to me and my ethics begin and end at "dont show people who dont wanna see"

and its real funny to think about how i do art just because it feels like i set up way less barriers compared to people who DO write fic . i see all this talk about making sure you make your stuff login exclusive, about not sharin it to the people involved, disclaimers about how its in fact NOT a reflection of reality that your favorite athlete is mpregnant and YOU are are mfather.

and i just hit post and call it a day LOL

TO BE CLEAR there is definitely layers to it in the sense that i see similar amounts of caution with say ship art or certain degrees of raunch.

shipping in the rpf scene is funny to me in the sense of the tendency to treat shipping as THE exclusive rpf thing. like no i dont think my tomas tatar fanart is 1:1 on the reality front either. for example, nj devils hairline is not that far back and thags the only inaccuracy.

heres the kicker: mmy foot.

most of my doodles tend to evoke a degree of characterization or narrative. yeag maybe its a little less 30k slowburn and a little more fabian zetterlund shot putting a man but. that is fictional, that is a character

im not saying that rpf defines players more than the reality of them does but i do believe it does enforce certain views

in the spaces i hang around ive noticed the narrativization around certain characters being part fueled by the information that is filtered by reporters and part interpretations bounced back and forth by fandom . and when you have eyes on a story, its easy to pick out information solely as it agrees with you

maybe the most prominent narrative ive seen for the sharks has been macklin celebrini having a jock dad -> therefore he got daddy issues, joe thornton houses him -> therefore mentor and father figure joe thornton? where even though i havent seen any direct relay of information from any players (though ivent been looking LOL) a lot of the discussion around it revolves around this common understanding that it just is (the funnier part is arguably that will smith hockey has been doing more for this narrative for patrick marleau BUT NEITHER HERE NOR THERE.)

and its really interesting to note HOW fandom warps or weaves the story by going off common tropes or dynamics to make sense of the public facing parts we do see, which is what i think is magnified through the lens of fanworks but not (necessarily) CREATED by fanworks

which is where i feel my work is part of the. ecosystem??? life cycle??? and then we all return to the dirt and the worms eat us???

how much or how little we define the gap between player and character changes from person to person. i simply do not have that goin on here. devin cooley eats joey daccords hair take it or leave it. annnnd main tag that

other times i feel we wear the divide thin are when there is headcanon that uses facts about the player (ie a lot of ship talk) or when the character becomes the kneejerk understanding of the player (ie liveblogs. very fun way to get a read of a communitys feelings on something because of how immediate the reactions on it are)

the point of this post isnt to shame or interrogate people about participating in rpf, im not looking for those sort of feelings, im fascinated by fandom culture as a twig off the old branch and i would love to hear other perspectives on the same topic (and different communities! i dont have much involvement in fic. which is. a massive hole in my perspective on this probably)

is it possible to cross the line from rpf to plain old original content LOL (the answer is intent i know but. walk with me here its fun to think about)

naturally theres a degree of "original character" to every depiction . you gotta make up some amount of it. theres no clear separation OF rpf and original content because everything is about borrowing. you make characters with inspiration from other things. its near enough universal for someone who deals with characters to have at some point lifted a character directly out of their original context and made them their own.

its not just their face or name or some other physical attribute that makes it rpf id also argue because i have seen people using attributes of real people as "claims" for origubal characters (like a "faceclaim" to say "this is how i imagine my character to look")

on top of that there is fluctuating interest on actually depicting the player, with approaches that i have heard of ranging from "character that shares the quantitative aspects of the player and thats IT" to "character that was made heavily referencing to things the player has said/done"

its interesting when certain players in rpf have a consistent character! which trends to be in teams with a more active rpf oriented fanbase (vs interest mainly in the real life hockey played), comparing the fandom of kraken to the golden knights on tumblr for instance. its also interesting to note that more popular teams just have more rpf centric leans. because there are more people to write rpf. i mean also we are on a fandom centric site and rpf bridges that gap from narrative/character fueled media and sportsball more LOL

(if you like sports from a purely sports oriented angle do you enjoy watching it? genuine question. because at what point is it "i could just be doing this myself" because ive hit that point with other things before LMAO)

i do call the difference being more "fandom" oriented but IDK if thats correctly using the word or just less syllables. and on top of that i cant exactly tell you if its popularity or stand out personality that holds more sway. though then again i guess those two traits arent separate from each other necessarily. or even that those are the only two factors to broad appeal (probably popularity with another player is up there. but im not trying to find a formula for most attractive to make rpf of)

to return to the kraken because that is the most rpf oriented team i follow, i do notice when players portrayed consistently. i can definitely tell you like. one or two character traits about players i do not follow the media of solely from liveblogs and art. complexity of the character varies by a lot, though i do think its interesting to consider the hows and whys.

a trait or interest being highlighted by media (i tend to see this in offical media coverage that gets spread by jokes) -> the character heavily revolves around this feature in jokes or casual reference, with heavy personal interpretation

media pushing a narrative by following a more cohesive timeline or story structure (i usually see this in fanworks. easier to identify the influence of IMO) -> fairly consistent character backstory or , at least in the broad strokes of it

just general agreements about tropes that are appealing with little basis on the player -> this is usually the more relationship focused character interpretation

there isnt usually just one factor (and this isnt an exhaustive list of factors) to one characters history. unless its a super new player on the radar.

its definitely a character that belongs to the fandom! as in the unique character to the unique community! its actually really funny how they evolve. you could probably fingerprint someones influences if you tried hard enough. with how new the kraken is (and the fact the fandom leans more towards being united as one body than any other team ive seen so far) it does get pretty easy to get it down to the post but. do your own treasure search. I wont deprive you!

(also its EMBARASSING... what if the people i mention SEE... im SHY...)

harder with an older fandom like the sharks there are so many dead and defunct sources or jokes so widely spread that it gets hard to locate the origin . because dead and defunct sources. though i think its growing a new ring around the fandom tree because of the newer players! so its a thought. to think about how different events influence the size and activity of a fanbase and to ask how different fans from different. eras? of a fanbase interact (or dont).

again i notice this in the sharks fandoms by comparing fans from the playoff contending sharks era (last playoff season was 18-19? start is a little murky but ill toss out that 2012 was the year tomas hertl was drafted because tomas hertl was an era of the sharks LOL a whole 12 years! i know people younger than his professional career and those people are catching up to me in height. humbling!) and fans from when the sharks were very much not playoff contending (quite an amount of the current active fans LOL). not sure if theres much to say without looking stupid. different jokes, notable players, friend groups, feelings towards other teams. all still feel very strongly about general manager mike grier scattering players like dandellion seeds to the wind.

(AGAIN. HOPING NO SHARKS FANS NOTICE THIS. IM SHY)

how many sharks fans havent seen logan couture on ice

again i am saying all this as someone who ACTIVELY participates in this BTW!!! does anyone notice that players i dont know definitely have a flatter "whatever is the funniest thing to say" angle . or that characters of players i know a few things about have like one punchline . or even that certain characters are consistent and not just bound by direct interpretations of one moment (which i do a lot of when im liveblogging) (dont get your hopes up for anything new here, the character usually is "pathetic and a little bit of a bastard")

i keep writing these disclaimers like. if someone disagreed this strongly they would not be reading this far. hi! is anyone still here. is someone still reading.

i have created life and i dont know to kill it.

i talk about one of my depictions of a player as a separate character (that is to say, a SEPARATE character from the character intended to represent the player) and i have NO idea if this is like. an OC? a defamation case in waiting? my spawn? do i have to pay childcare. does anyone know who or what im talking about or has the character been festering in my mind like an infection.

is it just me???

my advice to you: if you dont want somethin to come back dont give it a name.

consider dissecting your personal and the more widespread fandoms take on players and characters! its fun for me but i also just like taking things apart ^_^ i fear i may not be as analytical as this post demands i do a lot of restating information and thats it

#neon etcetra #sorry if this is wildly disconnected or repetitive #im like writing a few sentences every few days LMAO #hello! i am about to post this! i think this was over the course of over a week #i chip very slowly at my thoughts that cannot be summed up in one joke

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jolapeno · 3 days

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I’m embarrassed to ask but so many fav’s are going there so how do you use ao3?

hello hello!

do not be embarrassed at all! and hopefully, i can try and help.

now, i wish to preface this by saying there's likely guides already on tumblr and i don't mean to be rehashings what they might already say/have shared, but I'm going to try and give a run down of things that might help. now, I've done this as if you're a reader, but if you're a writer and want help, pop back in!

I asked my good friend @toomanytookas for help with this one so I knew we was covering off a lot and she lovingly helped me with finding some additional resources to support my bits!

searching for your people

there are a few different search options available on AO3 to find the things you want. if you know the name of the user, you can use the search bar (as seen below).

or if you're after a certain pairing, you can use the search option.

you can then search from: works, bookmarks, tags or people.

i tend to use "works" but, others may have their own preferences. but i find this is the easiest way for me to find the things i'm after.

i don't tend to fill in every bit of info, but the ones i do are in 'work tags':

fandoms

relationships

additional tags

i might check 'single chapter' (in work info) if i just want to read a one shot, but most of the time i just see what spits up. for me, additional tags is what makes navigating AO3 so much easier because I can filter by a trope (friends to lovers, colleagues, second chances) or i can filter by a "mood" (smut, fluff etc.). when you've filled in your desired bits you can click search and then your results will show.

ANOTHER great way to search is if you already know the pairing you're after. so say you're reading a Francisco morales x reader and you want MORE of that, click that tag on a piece of work and a new search will show up of all the works with that pairing.

you then have a new filter choice on the right where you can 'exclude' tags or characters too.

there's also this guide i found from 2020!

there’s also this way of searching too! with an addition from @burntheedges

another cool resource on excluding too

2. supporting your people

so, you've found yourself a writer you adore, and you've read a piece of their work. if this is a one shot, you can:

drop a kudos (like a like, but you can only ever give it once)

leave a comment (even writing "love it" or an emoji makes a day)

bookmark (this is more for you if you loved it, you can bookmark things and they save to YOUR bookmarks and you can read again without searching for it - like a lil library)

now, say that piece is a multi-chap/collection, and you want to subscribe and be notified, you can 'subscribe' at the top of the fic

bookmarks do not notify you of a new chapter, but a subscribe will.

if you love the writer and want to know as soon as they drop anything, you can click their name, go to their profile and click 'subscribe' just under their name in the top right.

here’s a resource too!!

here’s a resource on why bookmarks/comments are cool

3. going back in time... the AO3 way

okay, we've all been there when you're engrossed in something and then life happens and you close a tab or your phone crashes (tumblr app, grr) and then the work is lost. on AO3, if you're logged in, you have a thing called 'my history' and in this is every work you've clicked on. wahay! this has saved me so often because i flick between phone and laptop a lot.

4. a final thing to be aware of...

warnings - a writer can choose to give a warning to the piece. many will use 'creator chose not to use archive warnings' or 'no archive warnings apply', but there are a few to keep an eye out for, such as:

graphics depiction of violence

major character death

rape/non-con

underage

'choose not to use warnings' is a read at your own risk, and i always recommend checking out the additional tags for the piece just so you know if there's any trigger warnings.

a resource on excluding (mentioned above too)

this is just a top level thought process of what i thought might help, but if there's any specific questions i will deffo try to help. this resource has a ton of helpful things too. there's also AO3 FAQs which might be able to help if i didn't actually help. and this absolutely brilliant guide created too!

thank you for the ask, and happy AO3'ing 🧡

#asked and answered #anon #jo: is not studying

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tom-is-online · 2 days

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not to be rude but ena and akito are. completely different in terms of personality and overall character😭 maybe someone likes akito but doesn’t fw ena’s personality or whatever. it’s fine

reacting to THIS POST

I don't know what you're reading, but I would never describe them as completely different. Sure, they ARE different characters, but if anything is similar about them, it is their personalities and the role they play in the story.

They are both very dedicated and passionate about their corresponding passions despite neither of them having "natural talent." Instead of giving up, they keep working hard to show themselves that they can follow the path they want to despite what others (Vivid Street (Arata) in Akitos's case and their dad in Ena's) around them have to say about it.

They're both very blunt whether they mean to be rude or not, but they both also care a lot about the people around them, especially their units and each other even if they don't show it in normal ways.

Their inferiority in their talents also brings the fact that both of them experience jealousy for people who show they have more talent which is shown in both of their focus events a lot

Neither of them is very academically gifted mostly through a lack of interest

And theres a lot more which im sure someone less tired than me would love to tell me in the notes :)

the 4komas even riff on them often acting very similar

+ Their BNW quotes literally mean the same thing

the whole thing with them both really like cheesecake and pancakes but hate carrots is also meant to be a nod to their similarities

people have a tendency to demonise Ena for being mean or violent or whatever people want to call her. but what Ena is usually criticised for Akito typically isn't (cough cough this fanbase has a history of being very male-biased which I hate)

Akito is also mean, he was a dick to everyone in his unit in the main story at some point and he often pulls pranks on the people in his school (Tsukasa) just to highlight a few easy things

AND FOR THE VIOLENT THING.

People have a tendency to highlight Ena scratching Akito when she was stressed out in middle school. and not to generalise. but. i am convinced you people are only children AND did not read the VBS main story

siblings fight, it's normal, especially in a household like the Shinonomes with the whole emotionally neglectful dad thing they got going on, i fought with my brother a lot as a kid and it happens. I'm not saying it's great and everyone should be attacking their siblings but the people who focus on Ena scratching Akito seem to magically forget.

AKITO PUNCHED TOYA HARD ENOUGH FOR HIM TO BE BRUISED IN THE MAIN STORY.

I've seen people make the argument that Akito can be excused cuz of the circumstances it happened being stressful and made him angry. But that clearly ignores what Ena was going through in middle school.

saying "Ena scratching Akito was a common occurrence but Akito only punched someone once" just does not feel like a good enough argument at all.

the last post gave a good argument on it so just go read that to lmao

I'll say it again. stop babying the male characters. if you're gonna excuse Akito punching Toya in the head and not excuse Ena when she was in MIDDLE SCHOOL then I don't know what to tell you

anyway.

i think a large part of their dynamic is carried by their similarities - they share a lot of the same key traits and they tend to but heads due to it but they do care about each other a lot in their own sibling way. I also just relate to them both a lot lmao

if someone wants to make a legitimate argument for how the Shinonomes are very different in personality, be my guest feel free to rb with what you think

but in my opinion at the VERY LEAST they share so much of their personalities and with how much Ena is demonised by some of this fandom it's a red flag to me to like Akito and hate Ena.

but yeah please rb with anything else u wanna add cuz I've definitely missed some stuff

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jacarandaaaas · 3 days

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What you hate about each Encanto character and what you love about each Encanto character?

oh this is such a fun ask! a hard question as I love all the madrigals and the fact they’re so flawed makes them more fun to follow!

alma: i love her commitment, how she vowed to protect all these people even sacrificing her own needs to provide for others, how she promised these people a place of refudge and was always there to provide.

dislike: An obvious one here but I dislike how controlling alma can be, how her need for perfection can blind her and lead her to disregarding her own families feelings as well as her own! Her generally dismissing a lot of the problems of her family like telling pepa to control her emotions or not realizing how hurtful her comments are to mirabel.

pepa: i love how emotional she is! when pepa loves she loves with her entire heart she pours her all into every interaction and she wears her heart on her sleeve! she’s so compassionate! pepa truly is an open book and I love her for it!

dislike: i would probably say how she can get irrational very quickly and cause situations to elevate fast! Although I really can’t blame her for this based on the circumstances!

julieta: i always describe julieta as warm and i feel like no other word can capture her comforting nature and gentleness. I just love her warmth and her soothing energy!

dislike: I would say how she tends to coddle mirabel a lot. I know it comes from a place of love but you can see it doesn’t help mirabel and only makes her feel more insecure because julieta doesn’t understand her.

bruno: for bruno I would say I love how selfless he is. It’s a big thing to sacrifice your own sanity like that for someone else and it’s touching how much he truly cares about mirabel to want to protect her like that.

dislike: i would have to say how he’s timid a lot of the time. It’s sad to see him become so resigned and almost accept his fate and stay in the walls possibly forever. He had no fight left in him.

felix: I adore how felix is just the epitome of life of the party! he’s so uplifting and I love how he never gives out to pepa for her emotions. He’s the best at cheering people up and a sunshine in everyone’s lives!

dislike: about felix? that’s hard to say I feel like we don’t see enough of him for me to really base my answer on anything so I’m just gonna say how he told pepa about the vision at dinner😭 dude that was the worst idea!!

agustín: i love how supportive he is! He continuously supports julieta he runs after luisa when she’s upset and he promises mirabel he would hide the vision to protect her! the fact both he and julieta tried to go after her when she ran for the candle too! He also fiercely stands up for mirabel in such an iconic way and he doesn’t back down!

dislike: I would have to say how he can often hammer in the fact he is also unexceptional to try relate to mirabel but it makes the situation worse.

isabela: I love how loyal isa is. She was doing everything for the sake of the family and was willing to sign her entire life away just to keep them happy. Her loyalty knows no limits and I just feel it’s such a defining trait for her.

dislike: probably how smug she can be at times a key example being the apologize scene! it is funny but it’s also infuriating how smug she was making mirabel apologize for something she didn’t even do. Also how she tells mirabel to shut up and her general rude remarks to her!

dolores: for dolores I would say I love how attentive she is! small scene but how she immediately notices alma needs help and goes to offer her support! She notices the small details even without her super hearing! Like how she points out how mariano talks loud even though she hears everyone’s voice his always stuck out to her <3

dislike: probably how she blurts stuff out without thinking it through! like we know she was trying to be helpful when she told the kids mirabel doesn’t have a gift but she didn’t consider how mirabel would feel about that.

luisa: I love how kind luisa is! she was always willing to lend a hand to the people who need her even when they absolutely could deal with a lot of issues themselves! She’s also very sensitive and soft and I love when she allows herself to be vulnerable!

dislike: this might be unexpected but for dislike i would have to say how she kept ignoring mirabel when she wanted to talk. I understand she was stressed and mirabels being irritating but she could atleast look at her, mirabels already ignored a lot already and all she wanted was to talk to her sister about an issue.

camilo: like how mirabel says in the opening song I love how camilo won’t stop until he makes people smile! whether it be through his humor or his compassion I get the impression he would always be there for people. the scene where he comforts pepa is such a key example of this!

dislike: he can be a bit too blunt at times where it’s definitely not called for! he also has a tendency to exaggerate the truth for dramatic effect!

mirabel: have always said this and always will mirabels core trait is her empathy! Her ability to see others perspectives and empathize with them is so important! I always think of the “I need you” scene as a key example of this. She put aside her own feelings and focused on supporting antonio making sure he’s ok! how when she learns of the other madrigals struggles she tries her best to help them or comfort them! empathy is such a strong defining trait for her!

dislike: when it comes to mirabels negative traits I would have to say her stubbornness is the most prominent. the entire scene in isabelas room is proof of this she would have rathered let that house collapse than apologize or even listen to isabelas struggles the fact she was supportive and empathic to everyone’s issues but isas (at first) she was too stubborn to put aside her issues with isa! but also her recklessness and impulsiveness tie into this as well.

antonio: I love everything about him he’s so sweet and caring and I love how he returns the support mirabel gave to him! he always believed in her and was her biggest supporter and best friend! also how offered his plushie to comfort bruno when he was nervous! antonio is just such a caring kid!

dislike: nothing literally nothing how can u dislike this baby?

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