#Like I don't think people not from the US understand how fucking big it is

[tj-is-down]

Save a Horse, Ride a Cowboy (Tyler Owens x Reader)

Back again with another random fic for y'all. This is not proofread, so don't hate me!

Summary: Tyler and the reader have been on and off "together" for years now, keeping it secret. Until, suddenly, one of them decides they might want more.

Word count: ~2.1k

Warnings: None except some swearing, and reader is described femininely in this one.

Here’s the thing about Humble Creek: everybody knows everybody. A small town made up of just under five thousand, there was nothing that anybody could do in secret, because if one person knew, then it was just as if they’d taken a bullhorn and announced it to the entire town.

Which made Y/N’s life all the harder. See, she did have a secret, and although it hadn’t gotten out yet, its secrecy was held in the hands of a monster. A tyrant, a tool, a pain-in-the-ass douchebag with a cowboy hat and a Texas accent.

Tyler Owens.

Y/N had known he was trouble since they were kids. Growing up on rival ranches, they were destined to be enemies, and even more so, to blur the lines. Y/N had never trusted him. Not because their families were constantly fighting, as she believed everybody deserved their own chance to prove themself, but because he had fucked his up, royally. 

In elementary school, middle school, high school, Tyler was always the talk of the town. Always with a girl on his arm, Tyler was confident, and everybody else was just putty in his hands. Y/N told herself she didn’t understand what people saw in him. 

She lied.

It started in eighth grade, when Tyler showed up in a too-big tux and a bouquet of flowers he’d handpicked from his family’s garden.

“You wanna go to the dance?” He asked, grinning cockily. Even then he knew how to charm, before he even knew what charm was.

Y/N’s dad had said no, absolutely no way, but Y/N was in her rebellious phase and so this only pushed her to say yes. She went out right then, in her mud-stained t-shirt and jeans, and they’d walked to the school together at seven p.m. and walked home together at nine. He’d kissed her cheek goodnight and she’d wiped it off, embarrassed.

“You’re annoying, Owens.”

“And you’re pretty, L/N.”

On the next Monday he came to school with Cherry Lee.

Y/N tried to be mad. She tried to hate Tyler, to swear that she’d never talk to him or think about him or even look at him ever again. But two months later, when Tyler and Cherry broke up, he’d knocked on her door when he knew her parents weren’t home and, against her better judgment, she’d let him inside.

They’d been on-and-off “together” ever since.

Now, Tyler wasn’t single for long intervals, usually just a couple of weeks here and there, and he would never cheat, nor would Y/N let herself become a homewrecker (no matter how fragile the relationship), but when Tyler showed up on her doorstep, bouquet in hands and that look in his eyes, she knew she couldn’t say no. 

She was an adult now, but still, she couldn’t resist those eyes. Tyler had been single since before leaving for college, and when he came back it was like he’d never left. Sure, now he had a truck, a big name, a crew, and a YouTube channel, but he still had those eyes, and his family still had a garden with a never-ending supply of flowers.

He showed up on her door one morning, after her parents had left for church.

“Can I help you?” She asked, opening the door. As always, a t-shirt and jeans, dirty from the morning’s work on the farm.

“You’re not at church?”

“You knew I wouldn’t be.”

“Well, maybe the two and I can practice praying on our own? I think the first step is kneeling down; you wanna start?”

Y/N went to close the door, but Tyler’s hand reached out to prop it open.

“Come on, Darlin’,” he said, laying the accent on thick. “You want to go for a drive? I’ll buy you a coffee.”

“Hold the coffee,” she said, walking past him. “I’d rather not have anyone see us together.”

He grabbed her waist and stood behind her, kissing her neck. “We’ve been doing this for years, babe. No one’s gonna find out, I promise.”

She leaned her head towards him, breathing in the scent of firewood mixed with his cologne. He pressed a kiss to her forehead.

“You gettin’ sappy on me?” He asked. Though his voice was soft, she could feel his smirk.

“Nope.” She pulled out of his grasp and got into the passenger seat of his truck. “We going, or are you just gonna stand there looking all doe-eyed?”

“For you, I’d stand here all day, sweetheart.”

“Just get in the car, Romeo.”

“Yes, ma’am.”

*** 

They drove for a while, to the outskirts of town, when Tyler stopped the truck and leaned over. He kissed her lips, hard and slow, putting his hand on the back of her neck to pull her closer. She reciprocated, holding his bicep, moving her mouth in tandem with his and letting herself fall into him.

“Why are you being so love-y today?” She asked after they separated.

“I can’t show my girl some love?”

“Is that what I am? ‘Your girl’?”

He shrugged. “Is that so bad?”

“You’re annoying, Owens.” She pushed his shoulder.

He mock-pushed her back as he said, “You’re pretty, L/N.” He rubbed the back of his neck. “Seriously, though, there is something I wanted to talk to you about—”

Y/N scoffed. “Are you about to ask me out?”

“Well, no, but—”

“Okay, good.”

“Would that be so bad of me?”

“Kinda.” Y/N breathed a laugh, but when she saw Tyler’s face, serious and a little upset, she stopped. “I mean, it’s not like we have the best thing going on here anyways, and I just don’t want to be—” She paused, about to say heartbroken, or used, or a placeholder for when you find someone better, but Tyler cut her off.

“Yeah, you’re right.” He started the truck, engine roaring to life. “It was dumb, nevermind. I’ll take you home.”

“Tyler, you know what I meant—”

“Yeah, yeah. We’re just messing around, right? That’s all this is, just messing around.”

He didn’t say another word on the ride home. 

He dropped her off, barely waiting for her to shut the truck door before he drove away.

***

Tyler didn’t answer any of Y/N’s calls or texts for the next few days. Y/N was upset, barely leaving her room checking her phone obsessively for any sign of Tyler Owens. She even started watching his YouTube channel, but there hadn’t been any uploads for over a month. Nothing on Instagram or Facebook, either.

Her mother yelled up the stairs to her one night, calling her down.

“That’s what you’re wearing?” Her mom said upon seeing Y/N.

“This is what I always wear. Why?” Y/N was suddenly self conscious, confused as to why her parents cared what she wore in the house.

“Tonight’s the fair,” her mother responded, attempting to jog her memory.

“You’re helping us run our booth?” Her father tried.

“Ah, shit,” Y/N mumbled, remembering. “Do I have to go? I totally forgot.”

“Of course you have to go!” Her father said. “We need the three of us there; it’s a family ranch, remember?”

“Besides,” her mother added. “The Owens’s will be there. We can’t let them get a leg up on us! If you’re not there, Tyler will be running the show for sure.”

“Well, maybe not,” her father said. “He’s doing the kissing booth, remember?”

“The what?” Y/N said. “Tyler’s doing a kissing booth?”

Her father nodded. “To raise funds for his family’s ranch. He and his whole ‘team’ will be there, whatever they’re called.”

Y/N paused for a moment, trying to wrap her head around it all. Was that what Tyler was trying to talk to her about the other day? The kissing booth? But why would it matter what Y/N thought about it?

Her mother ushered her up the stairs. “For Pete’s sake, change into something nice, and quickly!”

Oh, shit.

***

The Humble Creek Fair was bustling with energy. People from nearby towns came to see what it was all about, and it was always the most popular time of year.

Y/N sat at her family’s booth, eyes peeled for Tyler. She kept checking her phone to see if he’d answered, but when she didn’t get any notifications she decided to take matters into her own hands.

“I’m going for a walk,” she said to her parents.

They both nodded, and her father added, “Make sure to see how the Owens’ booth is doing. I want to make sure we’ll still be in business next year.”

Y/N looked around for the kissing booth, and when she saw a long line of women, she followed it to the front. She walked around to the back of the attraction, but didn’t see Tyler anywhere. It wasn’t until she’d nearly given up entirely when she heard a voice behind her.

“What are you wearing?”

She whisked around, coming face-to-face with Tyler, who was holding some sort of weird meat on a stick.

“What are you eating?”

“Pork leg, fried and marinated in pickle juice,” he said, shrugging. “I’m hoping it’ll make my breath smell bad so less people come up. Now, back to you.”

“What about me?”

“You’re wearing a dress. You never wear dresses. ‘Jeans and a t-shirt, that’s me,’” he says, doing a poor impression of her.

“I don’t sound like that.”

“Yes you do, but that’s besides the point. What’s your deal?”

Y/N shrugged uncomfortably. “I wanted to, I guess.”

Tyler looked at her dead-on. “You look nice, Y/N.”

She rolled her eyes. “I’ve been texting you for days. No response. But now that I’m here, all I get is, ‘I look nice’?” 

“What else do you want from me?”

“An answer, Tyler. What’s your deal? Why didn’t you tell me about the kissing booth?”

“I tried to, but then you came at me with all that ‘this is a bad idea’ crap, and I figured you didn’t want me to tell you. Or you didn’t care if I told you or not.”

“Okay, so—”

“Wait.” He stops her. “Do you care?”

Y/N kicks the ground. “If I did?”

“If you did,” he said, stepping closer to her. “I’d drop the pork leg and kiss you.”

“And if I don’t?”

“I’d eat the pork leg, and I’d kiss a bunch of people who aren’t you, and I’d feel like shit about it.” He took another step closer to her, nearly closing the gap between them. “Please say you care.”

“Ugh,” she scoffed. “You’re gonna make me say it? You can’t just, like, infer from the situation?”

“I’m really bad at inferring things,” he said, a cocky grin on his face. “So, I’m gonna need to hear you say it.”

“You’re annoying, Owens.”

“You’re pretty, L/N. Like, so pretty. But I do need to hear you say it, and I’m also gonna need you to—”

“I care, Tyler. Now shut up and kiss me, or I’m gonna take it back.”

“Can’t take it back, babe. It’s set in stone.”

In one fluid motion, he dropped the pork leg, grabbed Y/N by the waist with his other hand, and pulled her into a kiss. It was deep and passionate, not like any of the other times they’ve kissed. They kept it going for as long as they can, holding their breath until they couldn’t anymore, and then they pulled apart, gasping for air with their foreheads touching.

“Will you go out with me?” He asked her, still struggling for air. “Like, on a real date, not just driving in the truck?”

“I guess,” Y/N said, teasingly. “If I have to.”

“I mean, you don’t have to. But if you do, I’m gonna need you to wear this again.” He grabbed her and pulled her closer to him, if that’s even possible. “Because, if I’m being honest, L/N, this is the hottest I’ve ever seen you. Like, I didn’t think you could get hotter, but here we are. Speaking of, can we go? I really want to go somewhere with you. Like, privately.” He winked at her, and she scoffed, rolling her eyes again.

“Don’t you need to raise money for your farm?” She asked him, gesturing to the booth behind them.

“Fuck the farm,” he said. “Save a horse, ride a cowboy, yeah?”

“Fuck off,” she said, pulling him into another kiss.

“Seriously though, can we go?”

[cinnamontoastcrunch-15]

Living in Secrecy

I couldn't stop thinking about this idea when I was in the middle of a uni class so ENJOY xoxo

"Hey, y'know Rose?" James starts speaking as soon as he's sat beside Sirius in the common room. He seems... antsy; Sirius watching his leg bounce, confused.

"Hufflepuff in our year, right?" He asks. He doesn't know her particularly well. Part of him thinks they were in the same charms class for a year, but he barely remembers fifth year charms. Too much was happening back then.

James nods emphatically, eyes brightening.

"Yeah! Her! I've heard she likes you. Wants you to ask her out."

"Oh, really?" Sirius asks. He tries to muster a sense of interest into his tone, but honestly? He couldn't care less. James, who unfortunately can read him like a book, picks up on this scarily quickly.

"I thought, maybe, it would be... good for you. Y'know, to go on a date." He's practically stumbling through it, but it's enough to make everything click.

Ah.

Right.

He's worried.

Sirius used to date around. He's not exactly proud of it, he spent a lot of time denying a very big part of himself, and he broke a lot of hearts in the process.

All of that ground to a halt when Remus kissed him on the astronomy tower.

He couldn't deny anything then. When Remus' lips met his, all he could think was that they'd wasted too much time not being together in this way. He's not quite there yet, but at least he knows that now. He knows he has a long way to go, but at least he has Remus. Even if he isn't ready to tell people yet, Remus understands.

That also meant no more girls.

He had gone from never being single in the eyes of the school to rejecting every advance thrown his way. He's been so wrapped up in the past few months with Remus, that he hadn't even thought about how confusing a switch that must have been for his friends.

"Prongs, I'm not really interested," Sirius says gently. He does want to tell James. It's pretty tempting, but he can't get the words past his mind and into his mouth. Not yet.

"How come?" James asks, confused. "I'm not saying you need to go back to the way you dated before!" He says quickly. "I'm glad you took a bit of a break, really I am. It's just... I don't know, I thought maybe you've had a bit of a confidence knock, or something. You've gone all quiet about your love life."

"Well, I mean, there's not much to tell," Sirius says with a shrug, panic creeping through him ever so slightly. James watches him carefully for a moment, before just nodding once.

"Okay."

"Yeah?"

"Yeah, just... think about it? Could get you back on your feet." Sirius nods dutifully.

Thank fuck that conversation's over.

He skips Divination. It doesn't matter either way, he'll pass that exam with flying colours.

Instead, he opts for laying on his bed in the dorm, lazily levitating shit with his wand. He's mostly just trying to whittle away the time, waiting for Remus.

The door clicks open, and Sirius can't help but smile before he even catches a glimpse of him.

Remus is humming Bohemian Rhapsody.

Christ, it's so bloody endearing, Sirius is grinning by the time he's stopped, noticing Sirius' presence. As he sits up, his eyes finally meeting Remus', he watches a slightly embarrassed blush spread across Remus' cheeks. He adjusts until his legs are over the end of his bed, revelling in the way his heart speeds up at the sight of Remus.

"Aren't you meant to be in Divination?" He recovers quickly, arching an eyebrow as he drops his books onto his bed.

"Mm, told Prongs to say I'd foreseen my own death and was feeling a little shaken," he answers with a shrug and a wry smile. Remus shakes his head, but Sirius can see the affection in it. He quickly gets close enough for Sirius to grab both of his hands and pull him close, before wrapping his arms around Remus' waist. He's rewarded with a hand in his hair and Merlin, he's never felt this way before. He relaxes into Remus, letting his eyes slide shut.

"You okay?" Remus asks gently. Sirius nods into him, letting him go long enough for him to sit on the bed next to Sirius. He doesn't waste a second in leaning in and connecting their lips.

He doesn't think he'll ever get over this. This feeling, this want that builds in his core whenever the two of them kiss.

How did he ever think he was straight?

"Oh," he starts, pulling away begrudgingly as the story comes to the front of his mind, "Prongs tried to get me a date, today."

"Really?" Sirius watches amusement cross Remus' face. He nods, squeezing Remus' hand once.

"Some Hufflepuff girl. I think he thinks I've lost my mojo, or something." As he talks, he watches thoughtfulness begin to flash in Remus' eyes.

"I mean... have you considered maybe telling him?"

Sirius doesn't mean to tense up; it's involuntary. The moment he does, he knows he needs to talk himself out of this. He promised Remus that they'd tell people eventually, but... no, not yet.

"Why? He'll drop it on his own, when he realises I'm not interested," he says, forcing his shoulders to relax and waving his hand a little dismissively.

"I know you don't... I'm not saying you have to tell everyone," Remus says gently, "but, I mean, it would make everything a lot easier, right? Prongs wouldn't be trying to set you up all the time." He smiles, and Sirius really wishes he could reciprocate it. His smile is just so lovely.

"I don't know. I don't think now's the right time, y'know? Quidditch has been stressing him out, NEWTs are getting closer, Lily's finally started looking his way, it's just- why dump one more thing on him?"

They both know that's not why.

"Sirius, it's okay. You don't have to tell him tomorrow, or anything, but... have you thought about it? You know he won't look at you any differently, it's Prongs."

He doesn't. Nobody knows that for sure.

Sirius doesn't really want to say that. He doesn't know what he wants to say, really.

"It's not the right time," he settles on, hurried. Honestly, he just wants this conversation to be over.

"Okay," Remus says tiredly, pulling his hand out of Sirius' to scrub over his face. "Do think about it though? Please? We can't stay a secret forever."

"Yeah, I know," Sirius says. "He doesn't need to know now, though. It's fine, it doesn't matter," he says quickly, waving off the conversation and turning back to Remus. "We've got half an hour..." Remus' face stops him in his tracks. He almost looks stricken. "Moony, what's wrong?"

"It doesn't matter?" He repeats, face going slightly dark. "What, us?"

"That's not what I meant. I just... we're not there, are we? There's no point right now." He's panicking a little, everything starting to come out wrong as the anxiety comes back in volumes.

"Right, yeah. No point. Haven't made up your mind about us yet."

"That's not what I meant," he says helplessly. He doesn't know how to tell Remus what he means, because he isn't even sure. He can't tell Remus why he's so scared, he just is. It's a little embarrassing, really.

"Mm. I don't think I want to talk about this anymore." Remus gets up, Sirius' heart sinking to his stomach.

Fuck.

God, he's really cocked this up.

"I'm going to the library."

Before Sirius can figure out how to make it better, Remus is already out the door. He drops his head into his hands and lets out a groan.

He's such a bloody idiot.

"Padfoot." James stumbles up to Sirius. He's leaning against the wall beside the portrait hole, watching the party go on and just trying to drink himself into oblivion. In his defence, he's in a foul mood, after what happened with Remus. He just needs to sulk and forget about it for a bit.

They can talk about it tomorrow.

It doesn't help that Remus is noticeably absent from a party that he helped organise. Sirius knows it's his fault. He knows that he shouldn't have said any of what he said. Sure, maybe Remus overreacted, but he knows how Remus' brain works, he should have been more careful.

So, yeah, he's feeling a bit shit.

"Wotcher, Prongs." He reaches a hand out to steady James a little as he settles beside Sirius.

"S'goin on? You're being all..."

"M'fine," he answers with a shrug, draining the rest of his drink. He can't exactly tell James why he's being such a moody git, can he? Instead, he opts for straightening up and staring at his empty goblet. "Need a refill."

With that, he heads over to the drinks table. He's starting to feel comfortably fuzzy, zoning out as he pours just a little too much firewhiskey into his goblet. Just for tonight. Tonight he can let himself go a little, and he can fix things with Remus once he's cooled off a little.

Things start to blur from there.

He's not drunk, per se, but he's getting there. He's tipsy enough that he doesn't question James talking to a girl who looks weirdly familiar.

He doesn't even question it when she walks over to him.

"Hi, Sirius!" She starts cheerily.

"Hey. Rose, right?"

-

Remus is sulking.

It's an embarrassing thing to admit, but he is. He's sitting on his bed, pretending to read as he listens to the party downstairs.

He also knows that he's not really in the right.

He told Sirius he'd give him time, and he knows that. The thing is, he's had two months of Sirius gently shutting the conversation down when it comes to telling people about them. Surely two months is enough time. Also, he did say there was 'no point' in telling James about them. Sirius' best friend, his brother, and there's no point?

Remus has a right to be upset about that.

The more he thinks about it, dwells on it, the more he realises that he needs to give Sirius some more credit. Yeah, he's not ready to tell James yet but, Merlin, Sirius is the best person Remus knows. He's scared. Of course he's bloody scared, with the upbringing he's had.

When they're alone, he takes every available opportunity to make Remus feel like the most important person in the world. He knows Sirius by now, he should know that Sirius needs real time to think on this. They need to have a real conversation about it.

That can wait, though. They shouldn't be ending the day like this.

Shit.

He needs to go and apologise.

Sirius needs to know that it's okay. That Remus really bloody likes him. It's okay if Sirius needs time, he just needs to tell him that. They just need to communicate.

Problem solved.

With that, he shuts his book, leaving it forgotten as he pulls the door to the dorm open. He feels lighter, somehow. Hopeful. They can work through this. That's what couples do, right?

He bounds down the stairs as quickly as his hip will let him, out into the thick of the party. His eyes scan the room, searching for Sirius.

It doesn't take long to spot him, talking to another seventh year. Remus recognises her, he's pretty sure she was in their charms class, a few years back. He's sure he can interrupt them, that's fine-

Until she leans in and kisses him.

Oh, fuck.

Just like that, Remus' heart stops.

For a moment, he just stares. He can't fucking look away. It's no more than a second or two, but it may as well have been hours.

God, he feels sick.

Finally, his brain decides to set him free. He manages to turn away as his soul fucking shatters. He loses all control of his breathing, going shallow as he's thrown into the depths of a panic attack he can't save himself from.

He's an idiot.

He's an idiot for thinking he would ever be enough, he's an idiot for letting himself get this far.

He's an idiot for falling in love with the prat.

The tears start before he has a chance to calm down, pulling the curtains shut around his bed. He cries until his throat is raw, until his head aches, until he exhausts himself. He only has one thought as he falls into a fitful sleep.

Stupid, stupid, stupid.

Remus wakes up as early as he can, the next day.

The others are probably sleeping off hangovers, anyway. It gives him the chance to slip into the bathroom, unnoticed.

As he turns the shower on, he tries to figure out how the hell he feels. It's like he's having an out of body experience. His body isn't letting him feel any of the night before.

He doesn't know how long he stays there, letting the water hit him, staring into space and trying to figure out how the fuck he's going to tell Sirius.

They were going to go to Hogsmeade, today. Slip away from James and Peter so that they could spend some time together. Instead, Remus has to relive what happened last night. It's not exactly a conversation he's excited to have.

Still, he can't avoid it any longer when someone starts knocking the door.

"Oi, Moony!" James' voice rings out. "I love you, mate, but you've been in there for years!"

"Sorry," he says back, trying to force some semblance of brightness into his tone.

It doesn't take him long to switch the shower off, wrapping a towel around his waist and emerging from the bathroom. James smiles at him, but it quickly gives way to concern. Remus must not be doing a very good job at being fine.

"You okay?"

He just nods once, a horrible lump forming in his throat that he knows will have him breaking down if he's not careful. Thankfully, James is slightly too hungover to ask, so he just squeezes Remus' shoulder once and disappears into the bathroom. The moment the door shuts, Remus realises.

Sirius is awake.

Awake, hungover, and watching him with concern.

"Hey," he starts at a whisper. Remus glances over to Pete's bed. The curtains are drawn tight.

There's no getting out of this.

"Can we talk today?" He asks softly.

For a moment, Remus just watches him. He hates the pang of worry that hits him when he notices the furrow in Sirius' brow, the way his teeth worry at his lower lip.

Well, until the night before comes screaming back to him.

He shakes his head, walking over to his bed.

"No, I don't think we can."

"Moony, what-? Are you alright?" He asks, and Merlin, he really thinks Remus doesn't know? He pulls his chest open, rooting through it for something to wear.

"I think you can answer that," he says blankly. When he doesn't get an answer, he turns to face Sirius. He just looks confused. "That Hufflepuff, from last night. She's the one James was trying to set you up with, right?" He watches as the realisation flits across Sirius' face. His eyes widen, Remus letting Sirius clear his throat a little in his shock, sitting up straight.

"Shit. Moony, you know that wasn't what-"

"What, wasn't what it looked like?" He asks. "I really don't want to hear it, Sirius. You said you weren't sure, then got with a girl. Message received." He shuts his chest a little too hard, wincing as the sound reverberates through his skull.

"Wait, Rem, please. Prongs was just-"

The curtains around Peter's bed slide open, and Sirius' mouth snaps shut. Remus turns and offers Pete a half-hearted smile, before climbing onto his bed and moving to close the curtains.

"Remus," Sirius whispers, eyes pleading.

For a moment, Remus wants to relent. He wants to pull Sirius into a hug and make everything okay. Forget that this happened and draw a line under it.

No.

Not this time.

"Leave me alone, Sirius."

With that, he shuts the curtains and bites back tears.

He almost misses breakfast, in the end. He sits and waits until he hears everyone else leave the dorm, not willing to face any of the marauders, really.

When he does eventually get to breakfast, he sits with the girls instead. Lily shoots him a concerned glance, a question in her eyes. He just shakes his head. No talking. Not right now.

He spares a glance in the direction of his usual spot. James and Peter are sat opposite one another, whispering with confused frowns. Sirius is nowhere to be seen, James throwing Remus a glance every few seconds. When he spots Remus watching him, face blank, he falters.

"You okay?" He mouths across the table.

No. He's really bloody not. He's actually a little worried that if he opens his mouth he'll burst into tears. Instead, he opts for a shrug, turning back to his food.

He feels a little like he's underwater, like nothing's real.

Breakfast is excruciatingly long, even though he's the first one finished. He needs to go. Get away from everybody. From everything.

Usually, he doesn't want to go to class around the full moon. His skin is too busy crawling, his head buzzing to the point that he can't focus. Right now, he'd fucking kill to go to class and distract himself. He stands quickly, desperate to leave. The moment he does, his heart rate spikes and he practically blacks out, stumbling a little over the bench.

Shit.

Yeah, he needs to sit down.

Lily's up in a flash, guiding Remus back onto the bench by the shoulders. She swings her legs over and stands in front of him.

"Slow down, take a breath," she says gently.

He watches James' walk over, before letting his eyes slide shut and forcing himself to breathe slowly. He just needs to hurry up and calm down. They're not going to let him leave if he doesn't.

“Come on, let’s go.” She offers him her hand, slowly helping him up.

“Go?” He asks with a frown. To be perfectly honest, he wants to go and lock himself in his bed, wallow for a little where nobody can bother him.

“The hospital wing,” she answers, James nodding like it should be obvious. Remus goes to protest. He’s not that unwell, this happens all the time around the full-

Hold on.

The hospital wing. Nobody can bother him there.

Lily’s just given him the solution.

With that decided, he lets her lead him out of the Great Hall, trying to ignore the eyes on him. James and Peter are close behind, as they walk together to the wing. Madame Pomfrey’s bound to give him something to let him sleep through the day, if he asks.

The moment he arrives, Madame Pomfrey’s sitting in front of him. He doesn’t say much, Lily explaining on his behalf. Poppy nods, listening carefully.

“I think I have just the thing. One moment, lovely.” She pats his knee, standing and walking away.

“D’you want us to stay?” James asks, offering Remus a small smile.

Thank fuck. He shakes his head, trying to mirror James’ smile.

“I’ll be fine. See you later?” They all start to leave, Lily squeezing his hand before she leaves.

It doesn’t take long for Madame Pomfrey to come back, potion in hand.

“It’ll slow your heart down a little,” she explains, as he pulls the cork off and drinks it dutifully. He can still feel her eyes on him, watching him carefully. “How are you feeling, Remus?”

“Oh, it’s nothing,” Remus says back with a shrug. “Freaked Lily out more than me.”

“Mm. How about in general? You seem a little dejected.”

He stiffens a little at that. Poppy’s scarily good at this stuff, but he was hoping that she’d think he was just stressed because the moon’s close. For a moment, he goes to say exactly that; he’s just feeling antsy, what with the moon being so close.

The moment he opens his mouth, a lump forms in his throat. He can’t form the word fine, it just won’t happen.

God, he’s actually going to cry.

The tears spill over before he has a chance to blink them back. Before he knows what he’s doing, he’s telling Poppy everything. He’s careful to leave Sirius’ name out of it, but that’s about as much control he’s capable of. Embarrassingly enough, Poppy hears everything. The conversations they’d had about secrecy, the argument, the fact that Remus wanted to tell him he loved him. Absolutely everything, through tears and a fair amount of hyperventilating.

To her credit, Poppy listens to it all. She sits and lets him vent everything, quietly empathetic right to the last word. Once he’s finished, he feels a bit stupid. The hospital wing isn’t meant for this. He’s taking up her time. He forces himself to take a deep breath, swiping the tears away quickly.

“Sorry.”

“Remus, dear, you have no reason to apologise.” She pulls her wand out, seamlessly bringing a bar of chocolate from her office. “Here. You can stay a while, if you want to.” He fiddles with the wrapper, nodding gratefully.

“Thanks, Madame Pomfrey.”

“Of course. Have a bit of a break.”

She leaves him alone, then. Standing and leaving with a reassuring smile. He practically exhausted himself with all of that. He doesn’t even realise that he’s about to fall asleep until he’s out.

When he wakes up hours later, James and Peter are talking next to his bed. He blinks harshly, sitting up. He didn't mean to sleep for that long, but at least it got rid of his headache.

"Hey," James says. "Feeling better?"

Remus nods once. He actually feels like he's a being a bit dramatic about everything, but it's not like James can hear that, can he?

"Yeah. Ready to go, actually." He swings his legs out of bed, quickly shooting Poppy a grateful glance.

They walk back to the common room slowly. Remus doesn't really speak much. He doesn't have anything to say.

"Padfoot's pissed at me," James says suddenly, scanning the map. "I'm pretty sure he's spent the whole day trying to avoid me. Look, he isn't even in the dorm!"

Remus wants to say something, then. Say that Sirius just feels awkward after what happened between them. Still, he bites his tongue.

"Well," Pete pipes up, "you did get a girl he didn't know go and kiss him."

Remus practically stops in his tracks, stunned. It takes way too much effort to keep his legs moving.

"I didn't know she was going to kiss him!" James protested. "All I told her to do was ask him out!"

"Yeah," Pete shrugs. "He doesn't know that though, does he?"

The realisation starts to dawn on Remus, like ice water running down his back.

"He stopped her in her tracks, anyway. I don't know, I feel like it should have blown over by now, y'know? Nothing even happened!" James says, frustrated, guilt laced through his voice.

"Oh, fuck," Remus groans to himself. He's really fucked up.

"Moony, you okay?" James asks.

"Yeah. No. I don't- I'll see you later," he says quickly, grabbing the map from James and practically running off. He doesn't even think about how confused his friends must be. He can't. His mind is stuck on Sirius.

Merlin, poor Sirius.

With a quick glance at the map, he runs across the castle. It's like his brain has woken up, adrenaline feeding him, letting him ignore his hip. Nothing feels as important as getting to Sirius right now. He's jumped to the worst conclusion of his life.

It doesn't take him long to get to the One Eyed Witch passage. Sirius hasn't moved, as Remus shuts the map, pulling the entrance open. He jumps a mile at Remus' arrival, and Remus catches him subtly wiping the tears from his cheeks. His heart tugs painfully, guilt following along with it.

"M- Remus, sorry, I-"

"I, er..." Remus starts quickly, cheeks pinking a little. "I actually came to find you."

Sirius' eyes widen, and Remus steps inside, shutting the passage behind him.

"I- Padfoot, I'm so sorry."

"You're..."

"I should have let you explain. I shouldn't have just... assumed that you'd do something like that." He says gently, sitting opposite Sirius in the small passage.

"Moony, I didn't- she- I promise-" Sirius' face twists awkwardly as he stumbles for the words.

"I know," Remus answers, reaching out and grabbing Sirius' hands in his. "James said. Honestly? I should have known. It was awful of me, not letting you explain. I'm so sorry."

"No, I get it. Really, Moony, I do," Sirius says hurriedly, squeezing Remus' hands once. "After what I said, I get it. I'm- Christ, I was an idiot saying any of that." Remus tries to wave him off, but Sirius doesn't stop. "No, really. I don't think any of what I said. I'm sure, Remus. I really am sure. I just- I don't know, I freaked out. I was still thinking about Prongs not finding out, but I also wanted to tell you I love you, and I didn't-" He cuts himself off, and Remus can see the shock ripple through him.

Sirius loves him?

"Shit. Bugger. I didn't mean to-" He buries his face into his hands, groaning. "Sorry."

There's already a smile growing on Remus' face, though. This is the last thing he expected.

"Sirius," he says gently, reaching up and pulling Sirius' hands from his face. "I love you."

Sirius' breath catches in his throat, eyes darting over Remus' face.

"You- Merlin, Remus, I love you so much. I'm so in love with you," he says quickly, and Remus just can't take it anymore. He leans in and connects their lips without a second thought. Sirius lets out a muffled noise of surprise, hands moving to cup Remus' face.

It dawns on Remus, in this moment, that nobody else needs to know. He's been so worried about how Sirius felt, that he'd essentially taken the fact that Sirius isn't ready to tell people as a sign that he didn't like Remus.

Who else needs to know? This is theirs.

They can stay secret for a little longer.

[imbecominggayer]

How To Write Characters With Addiction

From @differentnighttale: "I am curious if you give advice about writing people with addictions for example substance. I have reasons my male MC does it. But how can I describe the addictions the MC has correctly."

In this post we are going to be talking about addiction! From alcoholism, substance abuse, nymphomania, to everything else that can be a possible addiction. This post will be all about making this realistic and complex :)

A) What Are The Benefits?, Make It Convincing

Grab a fucking piece of paper or whatever you have and just write a paragraph from your addict's perspective on the situation. Omit the bad stuff. Make it highly convincing. if you aren't thinking "hmm, understandable" after you've written and read it, you did it wrong.

What do they get out of it?

Why did they like it at first?

Are they calmer, more intensely concentrated, does it take the edge off?

Are they more confident?

Does it ease the sense of being fundamentally wrong or dull some other pain?

Is it fun to do something rebellious?

What made them like this thing so much they tried it again, and again, and again?

B) Think About The Consequences, And Ignore It

Oftentime, at least in my experience, people will continue with a bad habit if it means they don't have to be the one to think about the consequences.

The Consequences For Addiction Include:

Financial. Depending on what your character uses to get their fix and how much they use, they might be spending hundreds a week if they are a particularly aggressive user. People often steal money from their loved ones. Addiction also tends to get people fired. Write a scene where your drunk character gets fired for operating machinery. Have them be a burdenous sponge.

Social. It's common for addicts to lose their loved ones since it often gets to a point where it's impossible to care about these people despite how much you love them. Make love ones leave your character! And don't blame them

Physical. STDs, Overdose, Liver Failure, and a shit ton of other issues from the chronic to the fatal either cause, exacerbate, or are linked with addiction. Recovery can't automatically save your character so don't write that story.

Psychological. Being an addict isn't fun since you get to struggle with points 1, 2, and 3 all at the same time! Write about your character issues. Their lack of control. Their spiralling life.

Write all about your character's suffering. And then have them justify it. Make it convincing.

They need it. It's not their fault that this is the only that helps them! Everyone just doesn't get it. I'm trying to work on it, OK?! It'll all work out! They know that it's wrong but...

My most hated shit is when a character's arc is easy. They struggle with some things like a big dramatic argument with their wife, they cry a bit, and then they learn that "drugs are bad" so everything is fine :D

NO!!! Why don't you write about a friendship that doesn't get mended? A chronic illness they now have to pay huge medicine bills for? A fucked-up rap sheet that they can't escape?

And it's not because we want to punich addicts. It's because it doesn't matter if you care about addicts if you don't care about the messy shit!

It's easy to sympathize with an addict if you make them the most innocent victim who never hurts someone intentionally and who gets rid of the addiction in a second and never struggles with it ever again!

Do the hard shit. Make your readers sympathize with the unsympathetic asshole addict! Addicts aren't always good people! They can be dickbags. And they still deserve resources. Life isn't some kind of karma game where dickbags suffer and good people rise! Everyone deserves to not suffer!

Addiction is ultimately a disease. But it's a disease that can make someone you love into an absolutely unlikeable person. And this is coming from someone with an alcoholic dad <3 He does good things and bad things. I can sympathise with my dad and not let him walk all over me.

C) Withdrawal Is Leaving An Ex, Relapse Is Returning

Addiction is a motherfucker trying to leave. It's basically the equivalent of a clingy ex who keeps contacting you, asking for just one conversation, and the moment you so much as acknowledge them you are fucked.

And suffering the brunt of a clingy ex who won't take the hint tends to cause the same symptoms as withdrawal!

Obviously, withdrawal symptoms depend on what type of ex you have and what age you are and yada yada yada. Research for specificity :)

Withdrawal symptoms can include:

Headaches

Insomnia

Fatigue

Hallucinations

Seizures

Tremors

Cravings

etc.

BE AWARE: Relapses are when someone returns back to their drug if they were going cold turkey or going back to their original dose. Relapses can sometimes result in an overdose due to the fact that the brain has been weened off the substance and is now overwhelmed by the high dose.

Relapses often happen when a person makes the deliberate choice in order to stop these fucking nightmarish symptoms. To use the analogy of a clingy ex, you start talking to them in order to tell them to stop contacting.

Relapses can also happen through being in a setting where the behaviors associated with the addiction such as sex, gambling, drinking, substance use, and all manner of things are normalized.

This setting could be a party, a bar, or even a friend group.

Relapse is made more likely if someone is self-detoxing away from a support group or a doctor.

Writing about withdrawal and relapses are an important part in making a story feel more authentic. Just like with mental illness, people rarely learn the lesson and follow it perfectly. They make mistakes. Slip back into old habits. Do shitty things.

We aren't writing their suffering to punish them. We are doing it because you can't say you care if all you are willing to do is look at the easy parts.

D) Little Tidbits To Keep Track Off

This is the miscellanious things that didn't fit into their own boxes.

Friends!

Do they have friends who also have their addiction? How do they hang out? What are they like? How are their substance using friends different from their non-addict ones?

Slang!

Don't just look up slang for your substance of choice. You'll need to look at some first-hand accounts of addiction. Find an influence who has struggled with substance abuse in the past and see how they talk about it!

Variables!

Remember to keep their geographical location, socioeconomic status, time, and a host of other factors. If your character is a penniless alcoholic then it's unlikely they'll get their hands on some type of expensive gin. They'll probably use rubbing alcohol. Keep the price of your drug in mind.

A character's status will also impact their slang. No one unironically says doobie anymore.

A character's location will also impact how they get their shit and how other characters will react to that addiction.

A character's financial status also impacts how the consequences of their actions impact them. A low-income character wont be able to afford the same medication as a rich addict. They also won't have the same luxury for quality therapy, rehab, programs, time, anything really.

Look At The Addict And The Loved Ones

Try not the skew the reality of addiction to paint the addict as the victim and the loved ones as evil for not being forgiving and tolerant enough.

Keep sympathy for both the addict and the loved ones. Or drop sympathy for both of those characters.

E) RESOURCES

FDA and DEA online databases and drug resources

Social Networking Groups

Medical Journals

Local medical professionals, police, and medical examiners

The US national poison center

[the-final-sif]

There's a post from someone outside of the US about how people in the US don't put their country down and just put down their state and something about US people being US centric, and part of it has always kind of bothered me because I think that people outside of the US don't really understand how states work for us or why people think their state should be enough. Some of it is being US centric for sure, but I honestly don't think that's the main reason.

It's because the US is a bunch of countries in a trench coat. I've compared it before to the EU, and I really do think that's accurate. It's literally a union of states. Each state has it's own government and laws and we have the federal government too but day to day a lot more of your life comes down to the state laws. Your driver's license, license plate, wage and a lot of employment protect (and enforcement), vast majority of court experiences, etc all go through the state. Moving to different states can mean being subject to wildly different laws, tax rates/methods, and forms of discrimination (ie florida trying to ban queer people while other states are explicitly adding protections for them).

Like, you'll notice that streamers often tend to be clustered in certain states in the US, and a lot of that has to do with certain states not having an income tax. Depending on what state they're registered in, companies can be subject to wildly different laws. Hence why Delaware is so popular for businesses. Bankruptcy law works differently in every state.

Lawyers are licensed to practice by state, and while they can move to different states, it's difficult and depending on their area of law they may be totally out of their field. Even small states like Delaware have totally different laws from a place 15 minutes to the left like New Jersey.

The largest single state by population is California which has nearly 40 million people. That is more than the entire population of Canada. It's roughly on par with Poland. Give or take a million people.

Ohio has about 11 million people, about 1 million more than Sweden. Florida has 22 million, over double Greece's population. New York and Romania both come out to about 19 million each.

Our smallest state by population, Wyoming, which has about 500k people, still has about 200k more people than Iceland.

Fucking Russia literally does not have half the population of the US. It sits at 144 million while we're at 333 million.

To give a sense of landmass/scale, France is the largest EU state by landmass with 630k square km. Texas alone is 695k. Alaska is 1.7 million square km. The US in total is 11.3 million square km. The entire EU has 4.2 million square km.

The US is 1) fucking huge and 2) so much less cohesive than a lot of non-Americans assume.

So why would someone from the US just put down their state? For the same reason that most people from the EU don't write down "Germany in the EU". Your state is where you're actually from, the USA is the weird umbrella you live under.

[daxite]

ok after watching oppenheimer i can safely say with confidence that 90% of people here clearly did not watch the fucking movie and those massive posts going around with thousands of notes are for the most part complete horsehshit lol 💀

[throwing-roses-into-the-abyss]

how to show you have no clue what grunge is: make a high fashion grunge design for a fashion show

[astrxealis]

i really want to make gifs of fuuta's 2nd trial mv while it's still really new. idk if i should post them if ever though... <- has never posted any of my edits of any sort and gifs. even icons

[why-animals-do-the-thing]

If there was one animal literacy thing I could change with a wave of a wand, it would be increasing people's understanding of how dangerous megafauna are. I think that in the US (and probably other Western countries too), we're so removed from wildlife and even large domesticated animals that people really have no perspective on how much a big animal can fuck you up. Even if they're "gentle."

This is a discussion going on on Twitter, too, the last few days: there was a thing where an Iditarod musher shot a moose to protect their team, and a lot of people are confused as to why that needed to happen. Apparently this moose had been hanging around the course for quite a while and was becoming quite dangerous to the sled dog teams. Moose are territorial and not to be fucked with. Everyone from Alaska or areas with moose are like "yup, that's just reality."

Same thing with the bison birth I watched last year. Folk really thought the staff should be in the habitat on the ground with the bison herd, helping with the birth. Sure, that's what we do with cows if we have to, but... bison are definitely not cows and, again, will squish you.

People tend to get it more with the predators. Few people will argue that a cougar or an alligator or a bear isn't dangerous. I think people kinda go both ways on wild pigs / boars depending on their experience. But herbivores or things that don't look traditionally pointy... it just kinda doesn't click.

Any large animal is probably stronger than you think and more likely to hurt you than you realize. Be it a dolphin, an elk, a sea lion, or even an emperor penguin... just don't go near them, buds.

[inkskinned]

the other day we were talking about balance beams because you said that your family had one of those cool winch ones that wrap around trees to make a high wire. even though i was pretty good i had to quit gymnastics at 12 because we couldn't afford dance and gymnastics but. i had something-other.

and i got excited because i think it's a funny story. i didn't have a door for about 4 years. 13-17, or there about. i only got it back because i replaced it myself.

i think my dad took it off the hinges just because his very-macho friend david had said - i do this to punish my kids. and then about a week later it was down on the ground and then eventually rotting in a shed. i used to visit it on occasion and tilt it between two boxes so i could try to walk across the side of it. i have a scar on my foot from attempting the act of balance-beam fancy dancing. it's shaped like a crescent moon. a hinge sliced into my skin when the whole thing slipped out from underneath me.

and you looked at me and you said - what the fuck?

and i said, do you want to see? because i thought the thing you were replying to was the injury. i was already undoing my shoelaces.

you're supposed to have a door, you said slowly. you were a teenager. you - i've seen your house. you lived at the end of the hall.

i didn't understand the problem. so? i wriggled out of my shoe and then my sock.

so, you said it gently, which made me slow down. you said it in the way people tell me that i experienced something bad and i have no idea that it was supposed to be something-else instead. anyone coming down the stairs or in the hallway could see directly into your room. you were in a fishbowl for four years, am i understanding that correctly?

i stared at you, and then said the other things: well, it wasn't so bad. i just wore a towel and tucked myself into a corner to change. i could always just change in the bathroom. privacy didn't really exist for any of us. i wasn't allowed to decorate so it wasn't really my room anyway. i didn't have a lot of things growing up; so it's not like i minded having a semi-public space. my siblings left me alone if i needed them to. what's the big deal anyway.

this is accidentally what emotional vampires incorrectly label as a "trauma dump". this is accidentally how you learn that my house was actually unsafe. i don't even consider this a problem, because everything else was so much worse, in a way. i didn't know it was supposed to be different. at the time, i didn't know what privacy was. i just lied about most stuff and got good at hiding in public. i haven't ever lied about this because i didn't know it was supposed to be different. i am 31.

you looked pale and ready to throw up. you had a right to a door for your room. you were a kid. someone should have helped you.

i was busy examining the sole of my foot. the scar really does look like the moon.

[in-class-daydreams]

Note: Gojo & the reader are ~40 in this, Sen is 18, and the guy you're seeing (if you don't already know who it is) is aged up accordingly (~30)

Imagine your and ex-husband Gojo's son Sen finding out you're seeing someone.

"You're going on a date?!" Sen asks in disbelief. "With who?"

You smooth out your outfit and check yourself out in the mirror. This look is one of your best, if you do say so yourself.

"Does it matter?" you ask neutrally. Sen is just mature enough to not blatantly freak out at this revelation, but only just. The less he knows, the better.

"Of course, it matters! I need to know who to hunt down if you disappear!" he replies, hands flying up to fist in his hair. "I need to vet this guy!"

Your ex-husband appears in your bedroom doorway. "Who are we vetting?"

Clenching your prospective clothing in your hands, you grumble, "Doesn't anyone knock any more?"

Satoru leans against the door frame like he's someone's booktok boyfriend (he used to be your booktok husband but that's beside the point). He takes in how you've cleaned up and instantly recognizes your date look. Of course, he's only seen it a million times.

"Oh, the kid didn't know you had boyfriend?" he asks.

"Boyfriend?!" Sen cries. Your temple throbs. "Who is he?"

Satoru shrugs. "I dunno, I just know he exists and his one move is sending flowers because he's basic."

"He's not basic and he is not my boyfriend!" you shout, throwing your hands in the air. "We go on dates, yes. We're seeing each other. 'Boyfriend' implies exclusivity, and none of the people I'm seeing are my boyfriend."

Your son and ex-husband stare at you wide-eyed. As Sen gets older, the black roots of his hair have become his last line of defense against looking like a carbon copy of his dad, and having both a young and old(er) Satoru look at you with their stupid big blue eyes is unsettling. Someone hurry up and blink.

"What?" you ask tiredly.

This time it's Satoru that has something irritating to say. "'People?' As in plural?"

"Satoru, don't start."

Sen raises his hand. "I'm with dad on this one. I don't trust anyone with you, not even dad--"

"Thanks, kid."

"--much less strangers."

Part of you understands that your son and ex-husband are the two people in the world that love you the most. Growing up as isolated as you did, your younger self would never have imagined having the both of them in your life. They're just trying to protect you.

The other part of you is on the verge of telling them both to step the fuck off.

You're all saved by the doorbell ringing and before you can even react, both of them are at the door interrogating whoever's on your porch. But you always met up with your dates instead of them picking you up in case of this exact scenario. There was no way he came to the door without your permission.

Sprinting to the door, you find your son, your ex, and a terrified-looking deliveryman holding a bouquet of flowers. You shoo the boys away from him and accept the flowers with thanks and a generous tip for dealing with them.

There's a handwritten note attached. It reads:

You didn't think I'd let you walk out the house without a present, right? Pretty girls need pretty flowers.

You can't hold in a grin. He always found ways to go above and beyond even without an official label.

"Well, at least he's a sorcerer," Sen says. He gestures to the note, "There's a teeny bit of residual CE on there. Not enough for me to recognize, though."

You try not to make your sigh of relief obvious. Sen was still in training and Sukuna said his ability to recognize specific cursed energy needed some work. Getting advice from his dad would help, but your son got his stubborn streak from you.

"Well, good. I don't need you tracking him down." Handing the flowers to Sen, you ask, "Put these in a vase for mama, please?"

Sen, ever the obedient son, runs off to do so immediately. You fondly watch him round the corner into the kitchen, then double back to grab you and place a kiss on your cheek.

"I don't like this, but please be safe, mama! Call me any time, I'll be there," he says, then returns to his task.

Once he's out of sight, you slip your shoes on, holding Satoru by the shoulder to stabilize yourself.

"I'll be back before 11. There's pasta in the fridge and I just washed the sheets in the guest room if you want to stay over," you tell him. Pulling up the back of your shoe, you look up at Satoru to find him stock still looking past you. You can't see his eyes, but you can tell they're fixed on the card you received.

That's when you remember that while your son may not yet be at full potential, veteran sorcerer, strongest in history Gojo Satoru knows damn well who sent you those flowers.

Shit.

Click [here] for more of Sen being mean to his dad | Ask stuff about Sen and the fam [here]

[steddie-as-they-come]

everybody talks

i could not tell you what this is. i wrote it all in one sitting. enjoy or whatever

It starts with the graffiti.

Scribbled in thick, permanent marker across the boys' gym lockers.

STEVE HARRINGTON FUCKS EDDIE MUNSON

The custodian tries half-heartedly to scrub it off, but he only manages to get about a letter and a half off the locker before his shift is over. It's back up by the next day anyway.

Half the school is walking on tiptoes around Steve, waiting for him to blow up and demand a manhunt for the culprit.

The other half is snickering and laughing as he walks by in the halls.

Steve doesn't give two shits. He holds his head up high and walks onwards, ignoring the laughs and the kissy noises. He needs to graduate. He needs to not get eaten by a terrifying monster from an alternate reality. More pressing things happen to Steve Harrington than grade school graffiti.

Until he turns the corner and sees Eddie Munson glaring furiously at his closed locker.

He doesn't speak to him. Even if the graffiti isn't a big deal, there's no need to add any fuel to the fire.

Eddie finally steps forward and wrenches open his locker door. The crowd milling in the halls begins to laugh.

Papers spill out, dozens of them, cascading over the floor and burying Eddie's shoes. One slides all the way to Steve's feet.

He looks down automatically.

There's an atrocious drawing of two stick figures bent over each other. The one on the bottom has two lines of curly hair, while the one on the top has a singular swooping line of graphite.

Great.

Steve swiftly scoops it up and crumples it in his fist, shoving it in his pocket. He'll toss it out later.

As he hustles past Eddie, steadfastly not looking in his direction, he thinks he hears Eddie mutter, "Every class period."

Steve turns a corner, and the train wreck that is Eddie's locker is gone.

He slides into his seat, knowing the band girls who sit in the back corner of the classroom are whispering about him, but finding he couldn't care less.

The teacher starts class.

He reaches into his pocket and slides the crumpled paper between his fingers, over and over.

Steve raises his hand. "Can I go to the bathroom?"

The teacher nods and waves him away, and Steve scrambles out the door, rounding the corner.

Eddie's still there, kneeling by his locker, trying to scoop up papers.

Steve kneels next to him. "Hey."

Eddie jumps like an alley cat that's been spooked. Steve could swear his hair starts bristling, puffing up.

"Your majesty," Eddie finally says, glaring back at the pile of paper like Steve'll disappear if he doesn't look at him. "To what do I owe the pleasure."

It's not really a question.

Steve answers it anyway. "Came to help," he says simply, picking up a piece of paper that has EDDIE MUNSON X STEVE HARRINGTON written on it in bold letters, surrounded by stupid little hearts. "After all, my name's on half this stuff."

"How kind," Eddie said. "Keeping me distracted while your buddies key my van or something?"

Steve reels back. "Huh?"

"I'm not dumb, Harrington," Eddie says, crumpling up another sheet of paper. Steve can barely catch EDDIE HARRINGTON on it before it's balled in Eddie's fist. "I get this is a prank or whatever. I just can't understand why you'd involve yourself with me. The King and the Freak."

"'Cause I'm not the King anymore." Steve says, standing to drag a nearby garbage can closer. It's already half-full of papers. "You sure don't listen to gossip, Munson. Billy beat my ass and I lost every friend I had. So. I think it's a prank on both of us."

"Oh."

Eddie, wonder of wonders, miracle of miracles, shuts the fuck up. Steve had seen people lose their meals to his impassioned school cafeteria rants, but it only takes Steve Harrington to shut Munson's infamous mouth.

Wait, that sounds wrong.

They keep cleaning in silence - relatively. Steve starts balling up the papers and tossing them at the trash can, unable to stop himself from hissing out a yes! if he makes the throw.

"Impressive," Eddie says dryly. "Can you do this?" He raises one hand in the air like he's about to take a pledge, and in the other he folds and rolls a slip of paper until it's shaped like a joint.

Steve chuckles. "Nope." He takes the fake joint, and it comes undone in his palm, revealing the same crude stick figure couple from earlier.

Right.

Steve had forgotten what they were doing here.

Evidently, Eddie had too. He looks down at the drawing, then snatches the paper from Steve, tossing it in the trash, two spots of pink high on his cheeks.

He scoops the last of the papers into his arms, dumping them in the trash can. "You can go back to class," he tells Steve, settling down with his back against the locker.

"What are you doing?" Steve says, slightly caught off-guard by the dismissal.

"Seeing if those pricks will try to do it again." Eddie says, folding his knees up to his chest. "They do it all the time. I think there's a jungle's worth of trees just being used to make shit for my locker."

"You're just gonna guard it?" Steve asks.

"Sure," Eddie says, picking at a piece of lint on his shirt. "What else have I got to do?"

Steve plops himself down next to Eddie. "I'll guard with you," he says stubbornly.

"Seriously?" Eddie asks, like Steve's particularly slow. Steve's gotten that tone of voice a lot in his life.

"Yeah." Steve says. He parrots, "What else have I got to do?"

"You're just gonna fuel the rumors, dude." Eddie says. "My name's mud around here. You know that damn well."

"Sure," Steve shrugs. "But it hasn't been half-bad hanging out with you, and I don't care what these jackasses think of me anymore. Bigger things to worry about."

They settle into a comfortable silence, watching the students pass by, their whispered comments and curious glances bouncing off the duo. Eddie taps his fingers rhythmically on the ground, humming a tune Steve doesn't recognize but finds oddly comforting.

He reaches into his pocket to feel the small paper, then tugs it out. Is it dumb that a stupid drawing is making him think about himself this much?

"Hey, Eddie," Steve starts, hesitating. "Can I ask you something?"

"Shoot," Eddie says idly.

"How do you... I mean, when did you know you were gay?" Steve asks, his voice barely above a whisper.

Eddie's expression turns to one of suspicion, but he answers anyway. "I guess I always knew, deep down. But I really figured it out in middle school." He looks at Steve out of the corner of his eye. "Why?"

Steve bites his lip, considering his next words carefully. "I think I might be... different too. I mean, I've only ever dated girls, but lately, I don't know. I feel... something."

Something means he worried for weeks when Billy beat the shit out of him because suddenly all these feelings were tugging at his brain. Feelings for people like Eddie Munson.

Eddie's eyes widen slightly, a smile tugging at the corners of his lips. (What? Steve's not looking at his lips. Huh?) "Steve Harrington, the former King of Hawkins High, might not be straight? Now that's some gossip I'd actually pay attention to."

"Shut up," Steve mutters, but he's smiling too. "I'm serious."

"Well..." Eddie trails off. "We can try it out?"

Steve's heart skips a beat. "Huh?"

"We can try it out." Eddie repeats. "But, uh," he leans close, his breath ghosting over the shell of Steve's ear. "Just so you know, I prefer to be the one on top."

Weeks later, the school is overtaken by a new kind of graffiti. Papers plastered to every surface, a spiky handwriting (usually used to write setlists and D&D character sheets) adorning each and every one of them.

EDDIE MUNSON FUCKS STEVE HARRINGTON

[ms-demeanor]

You posted about adhd and I was hoping to follow up to clarify something. I’ve explained to my partner a million times about how the borderline-hoarding mess of his space is very mentally draining to me, and he understands but we’ve both essentially accepted he won’t clean his mess because he can’t because of his adhd. You’re saying he’s actually being a shit head?

This isn't necessarily an issue of him being a shithead, but it also isn't a sustainable situation. It's not good for you and there's a level of clutter that's probably not good for him either.

Large bastard is a lot more clutter-y than I am. The solution we've come to is trying to keep our messes at least isolated from one another; he can have his messes and I can have mine, but he can have those messes in his spaces, not all over the place. Sometimes those messes migrate, and that's when it's important for him to make the effort to rein them in rather than trying and failing to make a daily effort to keep our entire shared space tidy.

I think when you say "we've both essentially accepted he won't clean his mess" what I'm hearing is resignation; you're not happy about this but you don't know what to do so you've thrown up your hands and he feels helpless and unsure of what to do to improve the situation. This is the kind of "it's fine" that isn't really fine.

I think it would be worthwhile for you to each separately think about the mess and talk about it together. Are there areas that YOU *need* to have not-messy? Both for utility and your mental health? Are there areas where you can tolerate more mess than otherwise? Are there areas that are going to be harder for him to keep the mess out of than others? Are there things he doesn't *know* about cleaning up the mess?

I'm obviously a big "communication communication communication" person so I'm going to recommend a lot of talking about stuff, which is probably going to mean a lot of thinking about and interrogating stuff. I'm going to say "talk to him about why the mess bothers you" which means you also have to really articulate to yourself why the mess bothers you (for instance I'm not actually *bothered* by a messy kitchen, but I know it's going to reflect badly on us - and me specifically b/c of presumed gender roles - if someone pops by and the kitchen is a disaster, AND a messy kitchen is going to be harder to use). Genuinely, sometimes knowing *why* something is a problem might make it easier for someone with ADHD to do something. And it's not that he doesn't care that it upsets you, it's just that "Oh if I don't wash my breakfast dishes Anon won't have clear counterspace to make lunch" might be stickier in his brain (and less hard to look at emotionally) than "this thing I forget to do upsets my partner so I should do it."

For the record, I think that people with ADHD should read up on Demand Avoidance and see if it might explain some of the issues that they have in their day-to-day life; I've seen some really unfortunate situations with friends where trying to do things that their partner needed became the subject of demand avoidance. *I* have experienced negative outcomes of demand avoidance. The solution to that, however, isn't to stop making attempts to do the thing OR to simply try harder to do as they're asked/told (which reinforces the demand), it's to work on setting up a situation where the partners' needs are not interpreted as a demand. This is fuck-off difficult and requires a lot of patience and care and many attempts to succeed and will be different for each person and relationship.

(Also for the record demand avoidance isn't *super* strongly linked to ADHD and it's not a definitive symptom; like Rejection Sensitive Dysphoria, it is something that occurs in some number of people with ADHD and can be a useful lens through which to examine various behaviors; you don't need to have DA or RSD to have ADHD, and having DA or RSD also doesn't invalidate your diagnosis; they're symptoms. For me, DA often feels like "if I don't look at it, it can't get me" - If I ignore all the messages I've got they aren't real and don't have real consequences so I'll just ignore my texts. If I don't look at the vendor email about the order, the problem with the order isn't real and it won't get added to my task list. If I don't look at the requests in my inbox I can't let people down when I don't do them. It's a self-protective coping mechanism but it's *maladaptive* and I can't just ignore the vendor email or all my texts. I need to work on a way of doing the stuff that I'm avoiding in a way that makes it less stressful and doesn't hurt the people relying on me. That takes a lot of effort, personal insight, trial and error, and )

But before I dive into specifics I want to be really really clear about one thing: sometimes people are simply incompatible. Sometimes one person has such a low tolerance for "mess" and the other person has such a high threshold for "mess" that it can't be reconciled. It sucks that this can end up being a thing that people break up over, but it is MUCH better to acknowledge incompatibility as early as possible instead of spending years and years building resentment.

There used to be a great forum called MiL's Anonymous that I spent a lot of time on. It had a lot of people in a lot of difficult situations struggling to get by and hold their relationships together. The question that was used as a litmus test to approach each situation was simple: If you knew today that everything about living with this person would be the same in five years, would you stay?

Because you can't control your partner. You can't control the future. You can only control yourself and your proximity to situations that are harmful to you. If you knew, 100%, that things wouldn't get better in five years, would you be okay with staying in this relationship? If the answer is "no," then that's that. Don't worry about questions of whether or not your boyfriend is a shithead, start the process of ending the relationship because there's a good chance the situation is going to be exactly the same in five years.

If the answer is "yes," and you'd stay in the relationship regardless of whether or not things changed, then it's time to take actions to improve your life within the context of the relationship.

(No judgement on that yes or no, btw. If you would hate living like this for another five years, and you would feel like you'd wasted your time and hadn't done the things you wanted to with your life, get out. Bail. Go. It will be better for you and better for your partner if you split instead of spending half a decade building resentments and and problems that you'll have to spend another half a decade healing from.)

Also, a note: you describe your boyfriend's mess as borderline hoarding - is the issue *mess* or is the issue *clutter*? I have friends who are very tidy, but whose homes are very cluttered. They like things, they have many things, they keep many things around, but their houses are always clean and well-dusted and orderly, just with a tremendous amount of *stuff.* I am addressing all of this as though the issue is mess, not clutter. If your boyfriend's situation is clutter (the space is busy and packed with things but it is functional and clean) and your issue isn't with *mess* (things out of place, things not having a place, things that need to be cleaned up gathering in stacks, falling behind on regular chores like laundry and dishes and taking out the trash) then you definitely need to assess whether or not you are compatible.

For instance here's a room that is messy but not cluttered compared to a room that is cluttered but not messy:

That first room is a *mess* but it would be very easy to clean up in under an hour. The second room is fairly tidy, but would take significant effort to pare down and declutter. BOTH of these can be difficult to live with but the second one is not dangerous or threatening to anyone's health. (The second one is QUITE cluttered and if every room in a house looks like this it can be overwhelming to live with; this is actually harder to deal with in a relationship than the first one in a lot of ways. I don't have a lot of advice for what to do if your partner is a high degree of tidy-but-cluttered because I don't actually think it's a problem or wrong to have thousands of books or bins full of lego or a million kitchen appliances as long as you have the space and can keep it safe and well-maintained; this is a really significant compatibility issue)

Okay, all that out of the way, here's the hard work.

Talk about this shit

Talk to your partner and define "mess." Make sure you are on the same page about what you mean when you're talking about what a messy room looks like versus what a tidy room looks like. Gather reference pictures. DRAW reference pictures.

Explain not just that the mess upsets you, but *why* and *how* it upsets you. In this context don't think of it as your boyfriend's mess, think of it as an unpleasant roommate. Discuss this using "I-statements". "When I have to pick up laundry all over the apartment, I feel like a parent more than a partner." "When there are piles of miniatures all over the table, I feel like I don't have anywhere to do things I'm interested in." "When there are dishes in the sink, I feel frustrated because I have to clean before I can feed myself."

Discuss, frankly and openly, whether he knows how to clean. I'm not trying to make excuses for him here but a lot of people with ADHD have a lot of stress and avoidance around cleaning because they spent a lot of time getting yelled at for not knowing how to clean properly.

Discuss your needs, be firm about what you require but willing to compromise. You *need* some spaces to be clean, and some spaces may be harder for him to keep clean than others. It may be MUCH harder for him to keep a bedroom tidy than it is to keep a kitchen tidy; if you need a clean and empty bedroom with everything put away and he simply cannot do that, that is a compatibility issue. But perhaps you need *your* side of the bedroom to be very orderly and can tolerate a moderate level of mess and clutter on his side. Maybe you're really really bothered by a messy kitchen, but it doesn't bug you if the dining table is covered with projects and papers. Figure out something more workable than "his mess goes everywhere and i live with it because he's incapable of cleaning" because he probably is not incapable of cleaning and you deserve to have places in your home that are comfortable for you.

Reduce friction for cleaning

Sometimes the problem isn't cleaning, the problem is the many many steps before cleaning, or not knowing where something should go when you are done cleaning. One of the absolute best things I've done for myself for cleaning my space is getting a broom holder and mounting the broom to the wall. Sweeping is now essentially thoughtless. I don't have to find the broom or pull it out from a pile of fans or go scrounging around for a dustpan it's right there on the wall, frictionless. So here are some ways to reduce the barriers to cleaning:

Make sure you and your partner both know how to use your cleaning supplies and know where those supplies are. When I switched dishwasher soap I had to re-show Large Bastard where I was storing it and how it was used, because to him what happened was the dishwasher tabs just vanished one day and he didn't know what I was putting in the machine or the process I used. He sometimes puts tools away in places that I can't see (he's more than a foot taller than me) so sometimes I can't get started on a maintenance project until he shows me where he put the battery pack for the drill.

Consider making a how-to chart to or having him make a how-to chart to keep someplace accessible so he can reference it while cleaning. Goblin.Tools Magic ToDo is great for this. Basically a lot of the time people with ADHD have trouble knowing what to do from step to step even if they've done something before, so having a step by step guide can make it easier (I have notebooks full of step-by-step guides for everything from paying for my tuition to removing licenses for my customers to weeding my yard)

Remove obstacles; don't keep cleaning chemicals in the garage in a box that's behind a stack of parts, keep them in the room you'll be cleaning. Don't keep the cleaning supplies that you use to clean the bathroom in the kitchen. Sometimes this means buying two bottles of bleach solution and two scrubbers and two sets of cleaning gloves but having fewer steps (fetch the windex, fetch the paper towels, fetch the gloves) is often the key to getting things done (open under-sink cabinet and grab windex, gloves, and paper towels that are there instead of in the kitchen).

This sort of overlaps with the next category, which is:

Create Dump Zones

One thing that I've found that seems very different between people with ADHD cleaning and neurotypical people cleaning is that neurotypical people are good at getting to a point where the cleaning is "done." They have checked off their tasks and they have finished and it is over. There are *SOME* chores that are like this (taking out the trash is a binary state, the trash has been taken out or it has not) and some chores are perpetual (horrid cursed dishes) but I think with people with ADHD, some chores that are binary for neurotypicals are actually perpetual chores. For instance "clean off the counter" is not a one and done for me. "Clean off the counter" may involve a three day reorganization project. "Clean off the counter" does not mean "wipe down the tile and put dishes away" it means assessing whether or not I need to make vegetable stock and bleaching three tea containers and reconsidering whether or not the sharps container should live somewhere else and going through the mail and figuring out what needs to be responded to and taking out the recycling and on and on and on.

We have had company at the house for the last two weeks, so I asked large bastard to clean off the dining room table, which is largely a project zone for him. Cleaning off the dining room table meant putting away his meds (and since he's a transplant patient that involves a 30 gallon rubbermade tote), throwing away some trash, and totally reorganizing his workshop. It also incidentally involved picking up a table from facebook marketplace and moving my plants, which has now involved moving my former plant rack outside (moving buckets, finding and organizing planters and gardening tools) and taking the former table to the thrift store (not done yet) and cleaning the rug that was under the former table. So "either the table is clean, or it isn't" isn't really true for us.

HOWEVER "hang on we can't eat until the table is clear so let's drive to Pico Rivera to get that console table right now" isn't a workable plan, so you create dumpzones as areas of holding between the start and the finish of the chore.

A dump zone can be a laundry basket. It can be a craft bin. It can be a back room or under your bed. It is a place to put things that you are going to deal with later because if you deal with them now it is going to derail the thing you are actually trying to do, which is set the table for dinner.

Dump zones are vital to cleaning with ADHD and I recommend them for day-to-day cleaning as well. The day-to-day dump zones might be more for you than for your boyfriend. For instance, Large Bastard works with bullets and he sheds bullets all over the house. I used to get stressed when I found bullets when I was cleaning because are these work bullets? Are these recreational bullets? Are they in testing? Do they need to be pulled? Do they go in the workshop or the office or the garage or does he need these today so they have to stay on the counter? And the answer now is "that's not my problem naughty bullets go in the jar." Which is perfectly sensible because he gets to say "mystery yarn goes in the bin" and "art supplies go in the bucket."

I feel helpless when cleaning a lot of the time. I'm frustrated and lost and I don't know where stuff goes and everything I pick up spins off into three projects in my head and every step feels like a wall to scale. Dump zones help me with that when there's pressure or a reason for cleaning beyond day to day home maintenance. People are coming over? The bedroom is a dump zone, I'll deal with that later. I'm just cleaning up because I need to? Okay I can find a permanent home for this new dish soap.

AS A VERY IMPORTANT COROLLARY TO THIS:

Active projects do not go in dump zones while you or your partner are cleaning. This may mean designating a project sanctuary area like a corner of the table or one particular chair in your main room where a project can be placed so as not to be disturbed. (if my current crochet project ends up in the yarn bin, that may mean that I don't pick the project up for another three months, it lives on the windowsill behind the couch because that's where it'll get worked on)

Do not put things away for your partner, put them in the dump zone for your partner. Your partner has to be the one to put their own stuff away in a way that works for them. I tend to find that this naturally puts a limit on the time stuff sits in the dump zone, because eventually you'll go "hey where's my thing?" and will put stuff away. If that doesn't happen, it's still generally better to have stuff in a dump zone than all over the home.

Do not decide you know what things go together from your partner's stuff and try to "put like things together." The neurotypical urge to put like things together is the mindkiller(j/k). You do not know which things are "similar" in your partner's organization schema and attempting to organize things on your own is going to end up with all of the things "organized" being functionally lost forever from your partner's perspective. Large Bastard's mom would do this and it was infuriating, she'd say "oh I put all the electronics stuff in one box" and she would mean soldering irons, transistors, ham radios, HDMI cables, and cellphone chargers. We are *still* going through boxes of stuff that she "tidied up" when he was hospitalized in 2020 and 2021.

To prevent the need for quite so many dump zones over time, you can work on setting up landing zones and "homes" for projects and tools.

Landing Zones

Landing zones are places where things go when you come inside from doing various things. Sometimes your landing zone only needs to be a tray for your wallet and keys, sometimes your landing zone needs to be a place to take off muddy boots and put a trowel and gloves down before you shower.

To make an effective landing zone, consider what behaviors you're trying to minimize and whether the people using it are ACTUALLY going to use it. For instance I was tired of the corner of my hearth getting cluttered with random junk so I hung up some hooks and put a shelf and a basket there and it became a really effective landing zone for my bag and keys and the mail, but it was VERY ineffective for Large Bastard because it's by a door that isn't the primary door he uses to enter the house. As a result I always know where my keys and bag are but he has trouble finding his keys and wallet. He tends to enter the house through our bedroom and has an overloaded valet next to the door and that's usually where his wallet ends up. Mounting a shelf to the wall above the valet and putting a basket and a hook on it will be a better place for his stuff to land. It's not that he's not using the first zone because he doesn't know that it's there, or because he doesn't care about lost time when I'm searching for my car keys after he borrows them, he's not using it because it's not by the door he uses. That's all.

I have a landing space for when I come in for gardening that's different than the one when I come in from grocery shopping. I have a landing space for when I walk into the dining room instead of the kitchen when I get home.

Landing spaces prevent stuff from piling up all over the place because they are a limited functional space that should be used frequently. Mail ONLY goes in the landing zone. If you have mystery mail or if you're not sure it's safe to toss, you put it in the landing zone. You can't let the mail get piled up too high or you won't have a space for your keys. You can't let the change in your wallet tray get too deep or your wallet is going to slide off, etc., but you also don't just put change on the coffee table or your nightstand because the landing zone is right there.

Homes for items are just what they sound like. They're the place the item goes. It lives there. My meds live on my nightstand. You would not believe how poorly I did with taking my meds on my vacation because they weren't on my nightstand. A while back large bastard lost one of his sets of sorted meds and we tore the house up looking for them because he couldn't find them in his nightstand, which is where they live. *I* found them in his nightstand because I emptied out the entire top drawer (he had only looked on the top layer) and found them underneath a radio and a hammock. Even though they were *hidden* they were in their home, so they were findable. I recently needed ink for an art class. Art supplies live in a dresser by my desk. Ink lives in the art bin or the top left drawer. The ink was not in either of these places (it was on a cabinet in the dining room behind a teacup) so it took me weeks to find it.

Sometimes the reason that ADHD spaces are so messy is because objects have been assigned homes in places that are visible and if they get moved they get lost. This is a genuinely difficult problem that requires a lot of effort to solve and can involve a lot of trial and error for creating a tidy living space. For some people, open shelving and visible storage might be a good solution. For some people, assigning a VERY clear home and inculcating that location by habit is the only way to clean up a space. For some people one very cluttered corner to at least isolate the chaos does the trick (for me and large bastard open shelving doesn't work because anything in one place for too long becomes invisible; that means that I rely on assigning things homes and large bastard relies on having contained chaos and a general idea of where to search but what that DOES NOT mean is that he is clean or tidy. His spaces look like an explosion. But he can mostly find his stuff and do what he needs to do and as long as that's limited to specific places in shared spaces I can live with it; the dining room table can be a disaster, the kitchen cannot).

People organize things differently. It often takes a while for neurotypical adults to settle into an organizational style that works for them and ADHD adults may need to settle into a new system every few months for it to continue working. The cleanup and declutter is most likely going to be a permanent project that is always going to demand some level of attention from everyone in a shared space, but "my ADHD means I can't do it" is not really going to fly. Maybe his ADHD means that he can't keep his space tidy, but it doesn't mean you can't move stuff from shared spaces into dump zones or that he can't do stuff around the house.

If he's insisting that his ADHD means that he can't clean it is possible that he's not being a shithead, he just feels helpless and doesn't know where to start and has adopted the belief that he's a useless piece of shit who can't even keep a tidy space like a grownup because he's internalized a lot of shitty attitudes (hello, my internal monologue about keeping a clean house). But it's also possible that he's just being a shithead.

It's something that's worthwhile to investigate with him. If he's unwilling to make an attempt, then he's being a shithead.

It is also not your responsibility to rehabilitate another person. If he wants to clean and it's something he feels bad about and needs some help and support with the way that someone might need help or support for learning to use a mobility aid, that is fine but you don't have to be the one who gives him that support if it's detrimental to your health, and you don't have to be the one to teach him that stuff if it's not something you're capable of. And if he is NOT interested in working on making your shared living space more accessible for you, that is not your suitcase to unpack and you just have to ask yourself the question from the start: would I stay with this person if I knew the situation was never going to change?

IDK, I'm sure a lot of this reads like "anon you must take on the emotional labor of training your partner to be an adult" but it's really meant to be more of a way of assessing yourself and your relationship. If you created landing zones do you think he'd use them? Would he get angry if you assigned a laundry basket as a dump zone for his stuff while you tidy the living room? Is living with him long-term going to be comfortable for you if nothing changes? Do you have enough of a shared definition of "mess" that you're at least in the ballpark for what counts as a clean house?

anyway good luck, and a reminder to folks that I'm compiling a bunch of adhd resources and other information on my personal website, ms-demeanor.com. It's coming along slowly but it will eventually include stuff like ADHD cleaning tips and how to tackle a hoard, so maybe keep your eye on that space.

[evilminji]

Actually? You know what would be darkly hilarious?

If, when the GIW can't get ghosts declared both malicious AND non-sapient/sentient? They push for "dumb animals" instead.

Which is accepted. Ghosts are animals. Checks out, says scientists everywhere.

HOW "dumb"?

What? Says the GIW, mid-victory high fives. They did not expect a follow up question. They SHOULD have, as this is the SCIENTIFIC community and that is literally their job, but here we are.

How. "Dumb"? The scientists repeate slower. What methodology did you use? What is your sample size? Are their different sub-species? Is this dimension like ours? Is Ghost the equivalent to Mammal? It says here their are humanoid ones.

What IQ are we talking about here and HOW DID YOU TEST??

A goldfish, parrot, and dolphin are all animals. WILDLY different levels of intelligence. You can't treat them the same. Technically speaking, WE are animals.

The GIW does not like where this conversation is going. Tries to shut it down.

.......well NOW the scientists are both offended AND invested. How DARE you try to push faulty science and hide the Truth from them! They're gonna do their OWN studies! *picks up the phone and dials that one embarrassing spiritualist friend they had in college* Hey! You still think you can summon ghosts? I'll pay you to try it for Science!

And like? As a Ghost? It's degrading as hell. But ALSO these fuckos just Whoopsie'd you into having both protections under the law, since animal abuse IS illegal, AND just put the ENTIRE planets scientific community on their asses.... by accident.

So you take a deeeeeeep breath you don't even need. Remember you're doing this for the little ghost babies and fluffy ghost animals. And show up at a research facility like "yes, hello, I am Ghost. Here for you to poke and prod at. Please ask me to name the object on the flash card or whatever IQ tests do these days."

Should you HAVE to prove your own fucking sentience? No. But? You do it. You're even polite about it. Ask for a copy of the study they plan to publish so you can BEAT some mother fuckers with it. The scientists nod in understanding and use the BIG font for your copy so it'll hurt more.

They've been there.

And just? Shitty people getting what they wanted only to have it blow up in their faces?? I see all these angst "but what if they were declared ANIMALS" prompts and I just?? Are we talking PARROT or goldfish!? One has the average intelligence of about a human 4yr old and the other is a FISH! People get RIGHTFULLY furious when you treat INTELLIGENT animals badly.

And would, in fact, adapt pretty easy to discovering one of said animal has become HUMAN lvl intelligent. It's easy to grasp the idea of human intelligence lvl dolphin or monkeys. Maybe there was some mutated strain, maybe in uetro tampering. Who knows. But if I tried to sell you a human intelligent housefly? Gold fish? Lizard?

You wouldn't believe me. There is some kind of trick at play.

So if GHOSTS are seen as animals? Everyone nods and then later? Someone comes in TV and very excitedly informs you "we found INTELLIGENT LIFE amongst the ghosts!" You'd believe it. Probably be really excited by your conversation starter for the day. Get a taco and move on with your life.

But? Having to willing sit for a barrage of testing? Is going to suuuuuuck so bad. Poor Danny. SATs all over again. For HOURS. At multiple facilities, just to be CERTAIN it's not a one off. All because he not certain he can insure good behavior from other ghosts and This Is IMPORTANT. He ALSO can't be certain it's even SAFE.

Might be a trap.

But if he has to do it again and again and again? Mexico to Bavaria to China to the Maldives? If this is what it takes for the scientific community to bitchslap the GIW into ORBIT before the UN? Hand him that pencil.

He has no where more important to be.

@hdgnj @nerdpoe @mutable-manifestation @ailithnight @the-witchhunter

[all-purpose-dish-soap]

I don't think you understand

The mer price fic is absolute perfection.

Like I'm talking a literal masterpiece

This fic will stay engraved in my brain forever. You're an absolutely amazing writer. Thank you ♥️♥️♥️♥️♥️

anon, THANK you. i am actually thrilled to see other people enjoying mer Price and remora reader as much as i do. please please please let me brain dump more about Price taking remora reader back to his home reef to meet the rest of shark mer 141:

SOAP is enamored instantly because you're so fucking grabbable.

within moments of seeing you peek out from behind Price's tail, he darts around and snatches you up with greedy hands. you're so small!! so tiny and cute when you squirm. and you make noises. 

he handles you like a toy until Price barks at him to cut it out. he does (and Price makes him promise not to be so rough with you; you're fragile, he claims) but Soap is incorrigible.

he follows you for days afterward. just obsessed. he loves chasing your silver tail as you dart around the reef, trying to hide from him. when he catches up to you, you have little choice but to give in and let him manhandle you. he certainly toes the line of whatever Price meant when he said no rough play, you little shit, i mean it.

he pushes the limits of your docile nature. when you do eventually reach the end of your patience and dart out of his hands just to get a break from his grabby claws, guess what? you've triggered his prey drive and he gives chase. he catches you, of course, and then before he can stop himself, he bites you.

your squeal brings Price out into the open instantly and Soap gets an earful again. he grins at you the whole time as you hide over Price's shoulder.

after that, Soap gets a little craftier about it. he eases up just enough to figure out exactly how playful (rough) he can be before you can't take any more. he learns how to stop just shy of making you shriek again. Price is aware, but he's a little too indulgent to stop it. he's happy to let Soap have his fun as long as he doesn't break you. you just have to suck it up. that indulgent nature is how you ended up with Price in the first place, after all.

goes without saying, but Soap is the first one to use you as a sex toy.

GHOST seems to take zero interest in you at first. you're not the sharpest urchin in the tide pool, are you? you can't be if you're here willingly. he figures you won't stick around long, and if you do, you won't stay intact.

you attempt to take up grooming his skin and tail and teeth as you do with the others. he moves away from you without a word, lashing his scarred tail to re-settle himself several feet away.

if you follow and try to groom him again, you earn a deep growl.

you dart off the moment he voices that rumbling displeasure. he notes your skittishness around him and uses it to make you leave him alone.

you, however, have a job to do. you won't be scared off that easily.

after he chases you off that way a few times, you begin to find him and simply sit near him. mirroring him. no big deal. instead of grooming him, you use the time to groom yourself. can't keep everyone else clean if you're grimy, after all.

he notices you and growls to warn you off again. you pretend not to hear.

he flicks his tail in irritation, considers cuffing you over the head to teach you a lesson, but you're too far away to reach without kicking his whole big self up into the water to move several feet. so he elects instead to turn over and ignore you. you keep this up for several days. you sit a little closer every time.

one day, you finish cleaning your own tail fin and casually begin to clean his. he growls. you pause. when he stops and does nothing further, you resume your work. he growls again, and you continue grooming him as if you don't hear him. he keeps growling, but once you begin to run your claws over a stubborn patch of skin to dislodge some stuck grit that's been bothering him, his growling fades into grumbling. and then silence. he lets you keep at it. victory.

this becomes a habit. you seek him out (never the other way around) and typically find him lazing on the floor of some cave or sunning in the reef's shallows. you set to work grooming him thoroughly. all business. he grumbles and growls occasionally when you move his arm or tug your fingers through his hair, but he never stops you.

one day, Soap comes looking for you and finds you in the middle of this little cleaning ritual. Soap nudges you away, insisting you instead let him chase you around the reef. but the moment your hands leave Ghost's rough skin and he hears you protest, he opens his eyes and snaps his teeth at Soap.

Soap pulls back (and so do you) until Ghost grasps your lil wrist and drags you back down wordlessly to where you were sitting and cleaning his shoulder.

Soap smirks at him. Ghost glares back.

"you got something to say, then say it."

"here i thought you were toleratin' it for her sake. seems i misjudged the situation."

"there is no situation."

"whatever you say."

Soap leaves with a flick of his tail. you're so pleased that, when you're finished grooming Ghost, you burrow yourself between his arms as he lays on his side. you nuzzle into his neck and bunt your head up against him, practically purring now that you know you've apparently won him over.

he grabs you, pretending to be disgruntled, but then instead of releasing you he crushes you against his chest again and settles in for a nap. no, you don't get to leave.

GAZ wonders what exactly is going on inside your head. it doesn't escape his notice that your """instincts""" seem to have you by the throat in this situation. but he suspects you're leaning a bit more into that whole brainless servant thing than you're letting on.

he's perfectly happy to let you groom him, flatter him, fetch him whatever baubles or snacks he'd like at the moment; he's perfectly polite to you, too. really likes it when you butter him up. tell him he's got the sharpest teeth and the strongest muscles and the fastest tail in the reef and he'll listen to you for hours, preening in the sunlight as you clean the grime off his fins.

plus, he praises you too, and you love that. that's why it takes you so long to notice he's watching you much more closely than anyone else is.

see, you've already disarmed Price. Soap sees you as a toy more than a fellow mer. Ghost cares more about finding the best places to lurk around than understanding the little mer that shares their reef now. it's fascinating--how you've successfully passed yourself off as a silly, stupid little fish. the more he watches you, analyzes you, the more he wonders what exactly you're getting out of this.

when you groom him each day, he asks you questions. casual ones. are you enjoying the reef? what games do you like to play? how fast can you swim? how many other mer have you met? are you eating enough? what's your favorite food?

it's enough to make you wary, but then, he seems harmless. you're honest with him. it pays off, because when you tell him how much you like the taste of those little brown seabirds that dip into the reef from time to time, you're shocked the next day to find one of those very seabirds sitting dead--neck cleanly snapped--just for you in the shallow alcove next to where Price sleeps (and you by extension).

you find Gaz that instant and insist it's too kind a gift; you can't accept it. what you can't tell him is that it's not a good idea for you to eat in front of them. you eat scraps, and you eat them where of them can see. that's the deal--obviously you do what you do for these four sharks in exchange for protection and ostensibly for food, but you need to avoid looking like you're taking more than your fair share. and to sharks, a species that is notoriously food-aggressive, your fair share must be vanishingly small.

he just smiles at you--so disarmingly that you flounder for a moment. somehow he convinces you to keep the kill.

he begins to turn up--looking amused but not surprised--when you steal scraps of food after the group has had its fill of a fresh kill. it makes you nervous for him to see you with food in hand (much less to watch you eat) but he scoffs at the idea of holding it against you. 

at some point, he begins to bring you fresh meat himself. this is-- it's unacceptable. you're supposed to be the one working while he rests. he's not allowed to give you that kind of comfort. if you're not earning your keep, after all, you don't have a place here. you push his gifts away, busying yourself with some other task. he insists. you decline.

"you're refusing me?" he asks, feigning surprise. "i thought that went against your instincts."

you fluster, ruffling up in what he assumes is a pout. he's trapped you in a catch-22. ultimately, you have to accept the stupid meat-gift because it's what he wants. you find this makes you more irritable than it should. he smirks at you, which serves to irritate you more.

he pulls you into his lap as you eat. and he thinks it's so cute the way you scowl the whole time.

from then on, whenever you act a little too stupid for his liking, he pries and pokes and prods until he draws out that other, haughtier side of you. he has a knack for frustrating you. he loves to sass you, and when you finally drop the act and sass him back, he falls a little bit more in love with you every time.

...

more mer au / masterlist tag

[dysthoepiadaily]

Personally, I think people miss out on why exactly Dan is popular, lol. It's not because he's funny, it's not because he's pretty, and it's not because he's shippable (although, all those things do actually help). He's popular because he's a really skilled and passionate storyteller, and because his emotional delivery is extremely on point. His humour isn't the main point, it just exists to smooth out the intensity of the storytelling.

And, he is an intense storyteller. His best videos aren't really funny, and his humour is a sense of self awareness of that intensity. It's interesting, but I feel like this is something people don't fully understand about his work. His best videos are the ones about how he fucked up at his job, and how his hamster escaped, and how harrowing that felt for him. All extremely emotionally intense stories from his life!

They make the viewer feel attached to him, they make us feel like we know him, like he's our close friend. His appeal is the fact that he's so open that he can get people to feel for him. It's not an easy thing to cultivate, and it is the reason he's as popular as he is. And, one of the biggest reasons that this isn't a part of the conversation is because he hasn't done anything like that for YEARS since BIG, his magnum opus. He doesn't want to do content like that, anymore, and that's also fine, ig (I'm crying about the loss of DINOF in my life, btw)

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.