#Meta ability

[genius11rare]

i am the danger

You’re a regular office worker born with the ability to “see” how dangerous a person is with a number scale of 1-10 above their heads. A toddler would be a 1, while a skilled soldier with a firearm may score a 7. Today, you notice the reserved new guy at the office measures a 10.

[ktkat99]

What if living and working as vigilantes in Gotham has gradually turned all of the batkids into metas one by one, except due to the 'no metas in Gotham' rule, they all go out of their ways to hide the changes, believing themselves to be the only one.

Nightwing gets thrown from a roof during a fight and flies safely down to the ground, acting like he'd caught himself with his grappling line.

Red Hood insists that he's fine, despite those around him clearly hearing his bones snap and seeing his limbs get bent and twisted in ways that would one hundred percent cause serious injuries to anyone else. Strangely enough, x rays and other tests always show that he's fully healed, no matter how bad the initial injury was.

Cass slips into and out of shadows, blending in eerily well. People think that it's just training and talent, but others swear she's appeared in fully locked and sealed rooms, vanished without any available escape route, and snuck up on powerful metas despite their extremely heightened senses.

Damian has an unnatural ability to connect with animals, to the point that even the most abused or neglected critters will trust him in a matter of minutes. He says it's just about being calm and going slow, but when he thinks he's alone or accidentally leaves his bedroom door open they can sometimes hear what sounds like a conversation between Damian and whatever latest animal he's snuck into the manor.

[veveisveryuncool]

EXAM SEASON IS OVER BABEY‼️‼️‼️ had to bring back burnt out ap student kirby to celebrate

[gnomewithalaptop]

Thinking about Tim and Cassie as narrative reflections of each other -- about how they both started out as normal kids with no obligation to their mentors, good kids who just wanted to help, and how gradually, bit by bit, that choice they made as thirteen-year-olds lowkey ruined any chance they had for a normal life

[the-hopeful-squid]

Real talk: I would love if In-ho's whole dramatic "Big Reveal" that Young-il was really the Front Man manipulating Gi-hun the whole time blew up in his face so badly that it wound up being what gives Gi-hun his hope back instead of breaking him further like In-ho expects.

For Gi-hun to learn how hard this particular game was rigged against him from the start and be inspired instead of destroyed-

Because the Front Man wouldn't have put that much effort into fucking Gi-hun over in secret, if he didn't believe there was at least some chance that Gi-hun could win in a fair game against him.

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[starflungwaddledee]

a star system is a small number of stars that orbit each other, bound by gravitational attraction. a larger group of stars is generally called a star cluster or a galaxy, although broadly speaking these are still star systems. at the centre of galaxies, one can commonly find supermassive black holes.

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ ⋆ ┊ ★⋆ ┊ ◦ kirbytober 2024 #05 ★⋆ galaxy // mirror

[secriden]

One of my favourite things about the way Fadel's plan (to "make them [Style] fall in love with us [me]") plays out is that when he dials up his affection and goes all out on the sweet flirtation and tenderness, Style immediately finds it weird and strange and suspicious and off-putting. Fadel pretending to be #whipped actually makes Style pull away like none of Fadel's aggression and violence and outright rejection did -- because it wasn't sincere, and Style could sense that.

When Fadel first drags Style out and starts peppering kisses on his face, Style turns away from his kisses and pulls back/pushes Fadel away from him to start questioning why Fadel is acting so strange. This is the same person who later propositions Fadel in a public bathroom whilst knowing one of the stalls is currently occupied by a stranger, so whilst I fully acknowledge Style probably genuinely did not want his dad to see them necking in his place of work, I'm also convinced it wasn't the only reason.

Because when Fadel allows some honesty to slip out, when he says "Don't you ever think that I'm only like this because of you?", Style actually softens and turns into Fadel's kiss for the first time in the scene. His hands go from pushing upwards at Fadel's neck to clenching softly against his shoulder and upper arm, like he's finally able to relax and hold Fadel closer (you can actually see the difference in these screenshots compared to the ones above). Style stops resisting and sinks into the kiss, lets his eyes almost slip close because something in him recognises that Fadel spoke true.

The same thing happens in Style's bedroom when Fadel continues his charade: Style is smiling, but there's a distinctly uncomfortable and awkward air about it, and he actually pulls away when Fadel continues to sniff-kiss him while going on and on about loving the way Style smells like gasoline. Fadel tries to be clingy again and Style outright calls him out on how weird he's being, so Fadel is forced to backtrack into sincerity:

Suddenly, Style's wariness turns to excitement and interest; he happily agrees to come along and asks what he should get Bison as a gift. Fadel is literally torturing himself to keep up this excessive affection and tenderness (the away Fadel's softness and sweetness just drops once Style goes to take that shower. Ugh. T_T) and gets nothing from Style until he offers something genuine -- a request for time to celebrate someone Fadel truly loves.

In fact, it's the pieces of honesty (or at least I'm assuming that this is also true since he was honest about Bison's birthday), and only those, that Style responds positively to. We have seen Style flirting constantly in previous episodes but he literally has not said anything scandalous or suggestive so far, nor has he initiated any affection even once until this moment.

And the reason why I love all this SO MUCH is because it really shows the evidence of Style's words before he even says them. In the midst of all the secrets and lies between them, ever since he found out about Fadel's secret and decided he was going to keep pursing him anyway, Style has been chasing and chasing Fadel's sincerity. And each precious revelation that Fadel gave him -- his parents' murder, his inability to trust, his desire for something genuine from Style -- has been carefully stored away in Style's heart like nuggets of gold. Which is why Fadel's performance was doomed from the start; because Style was moved by the true things and not the lies, and Fadel's pretensions can have no effect when Style's heart now has the ability to recognise that which he has already grown to love.

[jetlaggingbehind]

thinking about the way that we LITERALLY SEE dylan try to get another job and actually charm his way into almost getting hired— but the thing that kneecaps him is no fault of his own, it's the boss realizing he's severed and immediately shutting the whole interview down on the basis that he finds severance barbaric. the irony of it all, refusing to hire a worker who was severed and ending up leading him right back into lumons arms, because society at large is so completely inhospitable that they fail to practice the values they preach by not giving him the chance to atone or any other option other than to go back to the company they hate??? a lil look into the modern justice system/prison industrial complex and how it fails inmates who get out if u ask me

[burst-of-iridescent]

katara becoming “the greatest healer in the world” will never be a satisfactory ending for her character. not only because we never actually saw her heal, not only because of the gendered implications of healing, not only because she said herself that she wanted to be a fighter, but because katara’s arc in atla is about earning her own empowerment.

she fought tooth and nail to develop her waterbending skills even when she had no one to teach her, even when it put her in danger, even when she was straight up forbidden to learn. of course she had raw talent, but that would have gotten her nowhere without her own resourcefulness, creativity and willingness to learn and work hard. that’s what differentiates her from azula, her foil, and leads to her triumph over azula in the end. nothing was ever just given to her… nothing, that is, except her healing.

the moment katara discovers her healing abilities is in the aftermath of her own victimization, when her narrative is subjugated to serve her male love interest’s. her healing, like her accident at aang’s hands, is something that happens to her rather than something she actively does — and this narrative will continue to repeat itself throughout the story. katara never has to work at, develop, or fight for her healing abilities, a jarring contradiction in a show that always stresses the importance of discipline and effort to becoming a master.

nothing worth having ever comes easy, as it goes… and yet healing comes nothing but easy to katara. what, then, is the audience meant to infer about the value of healing as a skill within the narrative?

katara’s empowerment arc in atla is one catalyzed by her own agency, driven from beginning to end by her actions and choices. she fights for every bit of power she has, fails, learns, fails again, picks herself back up, and repeats the cycle over and over. the struggle is what makes her growth meaningful, just as the fight is what makes her victory worthwhile. that is what makes katara a hero, and makes her so inspiring to the many girls who saw themselves in her.

for all that resilience and hardship and strength and growth to be stripped away in the legend of korra in favour of defining katara by some underdeveloped, unexplained ability she just intrinsically has not only devalues her as a character, but also undercuts the significance and impact of her character arc in atla. and that will never, ever sit right with me.

[rainbow-sunshine-unicorn]

Thinking about Simone Ashley saying that she’s lost out on roles due to colourism, because producers don’t believe that a woman who looks like her can pull audiences and bring in money, only for Picture This to go #1 on Prime for an entire week

[randomness-is-my-order]

something about wei wuxian and wen qing’s relationship is so profoundly heartening and i think it’s because, in that first life, they were each other’s confidants in the sense that they voluntarily allowed the other person to see them at their most vulnerable and trust the other to take care of them. wei wuxian trusted wen qing to carry out the golden core transfer and trusted her when he was helpless on that bed, his core cut out from him. and wen qing could think of no one else but wei wuxian to help her when she was in her most dire circumstances, trusting him to help her and her family out when no one else would.

“all that pride–all gone.”

at her lowest, wen qing went to wei wuxian and allowed him to see her that way. partly because her family was so much more important than a game of saving face and partly because if there was someone who would see her in such a state and not think ill of her and continue to respect her, it was wei wuxian. because he’s also been at his worst, circumstantially, and it was exactly in those days that their initial bond/friendship was forged.

there is alot of talk about debts when wwx and the wens are concerned but i think the way they helped each other transcends the obligation of debts. of course, you simply cannot overlook who was owed what, given the setting but it’s interesting that we have this passage to make us reflect on the true nature of wei wuxian and wen qing helping each other:

when wei wuxian had bid her farewell, carrying jiang cheng on his back, wen qing had told him this: “no matter how this war ends, we do not owe each other anything from now on. our debts are cleared.” her haughtiness was clear as day in his memory. but last night, she had clutched his hand in a death grip and almost dropped to her knees as she pleaded.

“wei wuxian…wei wuxian…wei-gongzi. please help me. i have no one else to turn to. you have to help me save a-ning! i really have no one else, i can only come to you!”

it’s the way that following wen qing’s refuge of wei wuxian and jiang cheng, there was a sentiment of: oh the wens did this to you and now we, also wens, have helped you just to compensate a little. let’s settle these debts and leave them behind. and this is despite wen qing clearly stating that the wen clan’s actions do NOT reflect her own and that she’s only ever saved lives, not taken any. and yet she declares “our” debts as cleared as if she had taken some accountability anyway. it’s part that and part her attempt to obscure what her actions towards wwx and jc truly were: an unconditional show of support and help. and wei wuxian knows this and it is only reasonable and honorable to still see the help as a debt owed later down the line.

and the same thing repeats itself when wen qing comes to wei wuxian and explicitly asks for help. there is a sense that this isn’t about some give-and-take or reciprocation of prior debts. it is simply a person reaching out to someone in their most desparate times, hoping their hand will be held. and wei wuxian does hold her hand and they remain each other’s staunch supporters through the rescue and the hellish survival in the burial mounds that follows.

wei wuxian trusts wen qing with his wounds and wen qing opens up her most loved ones to wei wuxian’s care. for two people who spent their lives looking after their loved ones, shouldering massive burdens and going through the destruction of their respective clans, their intrinsic understanding of each other makes their bond so special, so grounded. they both took massive risks to help each other out and they both did what was right over what was easy to extend that help to each other.

despite my fair share of problems with the cql, i appreciated that scene with wq and jc where wen qing made it clear that she couldn’t pursue anything with jiang cheng because he wouldn’t stand by her. he simply didn’t have the guts. and this is reflected in the novel canon, in the sense, that if debts owed are the metric to measure who could have helped wen qing, jiang cheng was also on the list and he was obligated to aid her as much as, if not more than wei wuxian (and i say this because the whole reason wwx ended up staying under wen qing’s extended care was because jc was injured. he would’ve left as soon as he was discovered had he been alone). and yet wen qing doesn’t ever approach jiang cheng. her only option is wei wuxian because she knows, deep down, that he would truly help her and go to greater lengths for her than any debts would warrant. that he would understand.

and thing is, despite being the outliers of their clans, they both (+wen ning) embodied their mottos. “attempt the impossible”/“knowingly do what you know you cannot do” for the jiangs and “every kindness should be returned” for the wens (very hilarious ik) and that is just one amongst the hundreds of commonalities they shared.

and all of this doesn’t even account for the fact that they basically died for each other. if this isn’t platonic love at its best, most brutal, most beautiful, then what is?

[linddzz]

nothing is prompting this post at all I just wanna say that Viktor is also possessive about Jayce, if they actually did get together his version of possessiveness would start circling around to borderline exhibitionism. He loves that Jayce's face is slapped on stupid blimps and mugs. He's so into the fact that this city that disrespects him, his people, and disrespected Jayce until he became useful them...he LOVES that that city wants his man so bad. It always looks like he tolerates how tactile Jayce is but Viktor is basking in it.

Viktor thinks everyone should get a chance to see Jayce when he's sweaty and shirtless and breathing hard at the forge. He enjoys seeing people fawn and get giggly when Jayce smiles at them.

His form of possessiveness is going "Yes take a good look. Really drink it in. Enjoy that he flirts with everything that smiles at him, he really is a charmer. You noticed the shoulder to hip ratio there I'm sure. Sure, give him your address I don't blame you. Now then. Guess who has him wrapped around my pinky finger and die mad about it"

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Franky Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie! I know I can't live without help from a lot of people!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[starrynightarchive]

i think it's fucked up and foul that during situations he feels trapped or unsafe, oikawa doesn't have a fight or flight or freeze reflex. to be specific, he does have a fight reflex, but it doesn't involve fighting by himself. if he thinks he's unsafe or trapped or in danger, he turns to iwaizumi.

during the last set of the second seijoh v karasuno official match, you can see oikawa beginning to crack when karasuno bridges the gap and makes the score 16-16. his next toss goes to iwaizumi, because he knows his iwa-chan will be there. he knows his palm will connect with the ball. when he loses his footing, he reaches out his hand, blindly trusting iwaizumi will pick him up. and he does. everytime, he does.

kageyama mentions once that iwaizumi and oikawa are always in sync, both by body and mind. and it's true because even when they're on the court, they're not the ace and the setter. they are iwaizumi and oikawa. iwa-chan and shittykawa. oikawa knows iwaizumi's favorite beetle and the flex of his wrist when he spikes. iwaizumi knows oikawa's real smile from his fake one and he knows the number of milk bread packets he eats per week (too many) and that's just the thing, isn't it? even in court, they're not just players. this is a dance that only they know the steps to, a kingdom that has always been theirs to rule. how beautiful it is, to know the sound of his footfalls without looking, to know the exact place he's going to set to in a court of 6 players without hesitation, with full certainty.

during the final point, oikawa sets the ball to iwaizumi. he could've chosen the person closest to him. he could've crafted his toss so masterfully that no one can see whats coming. but he chose to get it to iwaizumi at the other end of the court. it doesn't matter if his set isn't perfect or clean. it doesn't matter, because it's set to iwaizumi and that's enough. he knows he will take care if the rest.

and the thing is, the thing is, right, i firmly believe that in that moment if he chose to set to someone else, it wouldn't have been as beautiful and perfect as it was when he set to iwaizumi. there's something about knowing someone like the back of your hand and being aware of the beat of their heart more than your own that brings that kind of perfection. when oikawa reaches out, iwaizumi always reaches back. he knows iwaizumi will do everything he can to spike the ball.

and just like that he is 7 again with a scratched knee crying for iwa-chan to carry him even when he's not by his side. but he screams for him because he knows with absolute certainty that he will come. he will help. he is not alone.

the final set of his official high school career goes to iwaizumi, loud and proud. he points to him before he sets. he tells the court to watch. watch me. because he is certain that when it's him and iwaizumi, they're invincible. he wants the world to know of his worthless pride. he wants the world to know who he is proud of.

and just like that he is 7 again, screaming "iwa-chan!" in hopes his best friend will find him.

and he does. he does.