Batfam’s handwriting headcanons!!
Alfred (right handed): cursive, normally neat and kind of flowery calligraphic(?) (he usually write the gala, party invitations for worthy guests himself), his notes are written just as neat but the letters are more narrow and tilted to the right.
Brucie (left handed): writes in cursive, bubbly letters, flowery, extravagant with endless numbers of loops and stems, big flourishes (picture light yagami writing) watching him write is a performance itself (near impossible to read, looks like an art piece from afar)
Bruce (self-trained ambidextrous, favors his left though is equally efficient with both hands): rounded print (for notes in reports), and cursive (for personal writings), he’d had some influence from alfred so theres a little extra in his writing like an extra curve, stem (ie: his i’s & t’s got lil hooks, his v as a downward stem at the end), but its overall quite minimalistic and tidy, there’s sufficient force on the paper.
Batman: doesn’t write >:( computer <- duh (if he really has to like idk the riddler forces him to write sth he would in caps block letters very strong straight lines, almost like excessively forced and he also place his pinkie on the pen/pencil to further deter identification, he switches hands every time to keep people off-track)
Dick (trained ambidextrous, favors his right, naturally right-handed until robin): cursive quick and kind of messy but still eligible writing, he’s used to taking quick notes (cop job), his letters are jaded, pointed (ie: his b’s are written like music notes, not rounded). he uses average force when writing (dents the paper but not through multiple pages), his letters’ spacing are nonexistent they overlap a bit, his words narrowly apart.
Jason (circumstantial ambidextrous, favors his right, his left handwriting is still neat, not as pretty as his right’s): cursive, his handwriting experienced several metamorphosis, he was left handed by birth & mother’s teachings, then at school he was taught write right-handedly. His writing was somewhat neat minimally scratchy, letters joined with loops, generous spacing. during his time with bruce he copies writing styles from his favorite authors (look up Jane Austen), Alfred and ends up with a very distinct, tilted to the right, beautiful scripture, some loops (Mary Shelly), long y’s and consonants. Post-death, he still got a nice handwriting, just less of the pizazz, the flare of personality bleeding through ink, its more tamed, still slanted, he doesn’t take as much care to force distribution (calligraphic way) but it just became more subtle, not completely gone.
Cass (ambidextrous, writes left handed): print, when first asked which hand she’d like to learn to write with she chose left, she didn’t learn to write ambidextrously. clean yet a bit weirdly spaced, she dots her i’s and cross her t’s after whole sentences. She likes making capital first letters of her text flowery like brucie’s, its amusing how out of place it looks.
Tim (self-trained ambidextrous, born left handed, writes with both hands interchangeably): cursive, young tim researched on lots of encryption, alternative writing systems. he take notes in shorthand’s, his handwriting is fairly eligible but frequently misses letters from words (ie: handwriting -> hdwritig). his lines are slanted downwards, narrow spacing overall.
Steph (trained ambidextrous, writes right handed, batman’s ambidexterity training for her hadn’t reached handwritings): mixed, her handwriting alternates between really messy and scratchy and more eligible curvy with sharp ends to her words (when writing lift pen up fast, bigger hand movement, picture a tame and hinged light yagami). Her lines tilt upwards from left to right. her writing’s eligibility depends on her mood, what she is writing.
Duke (right handed, trained ambidexterity but opted out of handwriting training): mixed, his letters are rounded and evenly spaced, fairly neat but scrawls when he’s in a rush (makes more sharp loops, longer curls at the ends, more connected words). his letter have thin loops, sometimes subconsciously dots his i’s with crescents. his lines tilt upwards slightly in the middle (he prefer to keep his lines straight so he take notice and fixes them).
Damian (natural ambidextrous, favors his left for arabic and his right for english): cursive, strong neat strokes, clean writing, clear appropriate spacing. its almost a font, print-like from how consistently he writes. His signature on his arts is more rounded with a bit of lilts and curves (the end of his m curve like the symbol for scorpio zodiac sign). His personal diary/journal writing is softer, his paragraphs more densely packed, the first letter of each entry are more ornate than the rest (loops, curves, tiny doodles)
note: handwriting style main variety are these
these headcanons are based on handwritings of people in my life & myself :)! not based on graphology (during my search for specific adjectives and vocabularies i came across some graphology & writing analysis articles and found them to be kind of mean & biased, rude etc so just clarifying im basing these hcs on my friends and family’s)
102 notes
·
View notes
Mortal Kombat 1 Behind the Scenes AU: Good at multitasking
Author Note: Continuation to “Get. Lost.”, “Dating”, “Permission”, “Why date a punk like him”, “Panic (Mom is visiting)”, “Deep in trouble (Mom is visiting #2)”, “Why date a punk like him… (Lin Kuei Mom)”, “Why date a punk like him… (General Shao)”, “There is never a god around when you need one”, “ A mother knows best, p.1” &“ A mother knows best, p.1”
[Cage’s Mansion] [Waiting for Liu Kang] [Special Bonus] [Grandmaster’s commentary] [Climbing scene] [Madam Bo’s Inn] [Cage’s Mansion 2 (fire extinguisher)] [Medic] [Shang Tsung’s sad face] [Smoke’s Fall] [Scenography (1)] [Scenography (2)] [Show off!] [Favorite brother] [Climbing on the wall (nonsense)] [Tomas’ commentary] [Perfectly fine] [Sexy, sexy man~♪] [Brothers between filming - Scenography(3)] [Wrong team!] [Since when you two are friends?!] [I like being evil sorcerer more] [I forgot my line, sorry!] [Read the script Kuai!] [Get. Lost.] [Dating] [Permission] [Why date a punk like him…] [Panic (Mom is visiting)] [Decapitation then] [Deep in trouble (Mom is visiting #2)] [Cultural differences (paid leave)] [Why date a punk like him… (Lin Kuei Mom)] [Why date a punk like him… (General Shao)] [Stop closing your eyes!] [There is never a god around when you need one] [(Over)protective brothers, p. 1 - upset Tomas] [(Over)protective brothers, p. 2 - Control your anger] [(Over)protective brothers, p. 3 - the perfect solution] [A mother knows best, p.1] [A mother knows best, p.2]
42 notes
·
View notes
college prompt for anhane week had me wanting to share this SO college anhane au where they are bad at communicating and break up and go their separate ways after the events of vbs. BUT then they reunite in college and go on their exes to lovers journey with a lot of bitter feelings and fear of abandonment and admiration intertwined with jealousy and inadequacy.
I think it's one of those cases where kohane leaves after they "over rad" to pursue a career in singing (the same way nagi left an. the same way everyone will part and an will be alone again.) an is unable to articulate how much she'll miss kohane and how she fears she'll never be on the same path as her bc kohane is the brilliant star and an still doesn't have a name for herself outside of her relation to talent lionized by the public (at least that's what she thinks). kohane knows something is wrong with her an but can't get her to tell anything, and she feels hurt that an isn't supportive of her, even after trying so hard to prove herself to the girl who found her in the first place.
their partnership that used to taste like bright, sweet fruit and smell like the blossoming of trees has rotted and decayed and the grime still clings to them after all this time apart.
years later, an and kohane meet again in college (maybe the singing career didn't work out for kohane or she's taking a break). they can't help but be drawn into each other's orbit again, yearning for the moments of hopeful words and warm touch in the quiet glow of sunset. it takes a lot of inner reflection and help from exhausted friends to rediscover that passion from their youth and encourage them to not give up on their dreams, or each other.
8 notes
·
View notes
After very little research into the other writings of Laura Ingalls Wilder and Rose Wilder Lane, my hypothesis about the Little House authorship question is that the writing is mostly Rose's, but the heart is Laura's.
In Laura's newspaper columns, the parts that sound most like Little House mostly come from the extracts she shares from Rose's letters (incidentally, it's kind of adorable how proud she is of Rose: "My daughter's in France!", "My daughter's in Albania!", etc.) The prose of Old Home Town, Rose's inspired-by-my-childhood-home novel, has some of the same concise descriptive prose that I've come to associate with the Little House style (I could hear passages in the voice of the Little House audiobook narrator).
Yet the Little House soul is all over Laura's columns. She's fascinated by the simple tasks of life, believes in home and family and hard work, believes in holding onto the goodness of childhood and looking forward with hope toward the future. There's an optimism, almost a romanticism, about life. The children's series that bears her name clearly comes from the same woman.
Rose, by contrast, is much more pessimistic. When writing about childhood, she's almost cynical about the life of a small town. She highlights the dark stories underlying the wholesome exterior, is extremely sensitive to the pitfalls of the social scene around her. Part of the difference is that Rose is writing for adults, but there does seem to be an essential difference in the personality behind the pen, despite the stylistic similarities to Little House.
(At the risk of pop psychoanalyzing people long dead, Rose seems much more neurotic and introverted and sensitive than her mother. In her writings and in the books about her childhood in Missouri, she comes across as child of a fairly comfortable modern life, with all the modern anxieties, in contrast to a woman who grew up starving on the prairie and knows that there are much worse things to endure than small-town gossip).
It's not much of a thesis, but I'm just fascinated by the fact that the Little House series can share so many stylistic similarities with Rose's writings, yet feel so much more like Laura.
23 notes
·
View notes