DP x DC prompt [11]
Vlad is planning something big, something powerful and he’s using his wealth and connections to make it happen.
Danny realizes that his parents' tech and his friend's aid isn’t going to cut it, and brute forcing the matter as Phantom is just going to ruin his reputation permanently.
What he needs is another different fruitloop, and thankfully for him the world is pretty damn full of them.
but he needs a very specific fruitloop, the one with a big company, advanced high end tech, so much money they don’t really know what to do with it and preferably they gotta be an absent figure, because Danny is on a mission, he’s not looking to get a new parent (he has his own)
and after some searching he finds his guy
Oliver Queen
Now he just needs to get in on that, and he decides to do that by using what little he managed to remember from Vlad’s “you will be the heir of Dalv,co” rants and Sam’s ideas on environmentalism. cause Queen apparently cares a lot about giving back to the little guy.
Which is great! very important, even if his business kinda suffers from how he goes about it (but Danny can help with that! somehow! he’ll figure it out, can’t be that hard)
We can’t all be Brucie Wayne, but we certainly can try.
So anyway, shouldn’t be too hard, he’s got some history in the field of environment stuff what with the whole purple back gorilla thing.
and Ollie takes one good look at this smart enthusiastic black haired blue eyed teen and is like, “oh neat! my very own Tim Drake Wayne” and he just goes with it.
Danny’s hidden power of drawing in rich people is truly something to behold…
Oliver is more than happy to just let Danny do whatever he wants as long as it doesn’t break the law or look bad on him, and no drugs, he was very clear on that.
and Danny is like great, I can now work on undermining Vlad and ruin his plans!
but then… Dinah…
“Oliver Jonas Queen!”
oh shit, full named…
“You are not going to do a repeat of Roy!”
Dinah is very effective, and the whole thing starts small enough.
Oliver personally shows him around in the company, makes sure to introduce him to the important folks.
that evolves into occasionally checking up on him, making sure he takes the appropriate amount of breaks.
then he takes him to a baseball match, he had multiple tickets… would have been a waste to refuse.
Then Dinah insists he tags along for dinner in a restaurant (there were some others, it was actually not awkward at all somehow, quite nice really), this grows into dinner at the penthouse.
It's when Oliver expresses the desire to teach Danny archery, telling him there are a lot of things in the sport that are also applicable to business stuff that Danny comes to a sudden and violent realization.
He's being parented!
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AO3 Ship Stats: Year In Bad Data
You may have seen this AO3 Year In Review.
It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!
Except this data is GARBAGE and belongs in the TRASH.
I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.
Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.
Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:
Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.
The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:
Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?
Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?
Off by a hundred or so but the values are much closer at least!
If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.
At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.
The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.
Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).
Ship A: 50,000 x 4% = 2,000 removed works
Ship B: 5,000 x 4% = 200 removed works
Ship A: 3,000 - 2,000 = 1,000 "new" works
Ship B: 3,000 - 200 = 2,800 "new" works
This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.
How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.
With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.
And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):
The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.
Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.
To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.
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