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#True Decadence
catmask · 11 months
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with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
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drawnfamiliarfaces · 6 months
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me, hearing that we are getting two new seasons of PnF almost a year late:
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Interview with the Vampire 1.05 A Vile Hunger For Your Hammering Heart || Interview with the Vampire Season 2 Official Trailer
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confessedlyfannish · 6 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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macdenlover · 4 months
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i really can not stand the “fandom is so fun we’re all just projecting and making shit up” thing. because no i actually deeply admire the canon of my favorite media and all the intention and care and craft put into it. we are not the same.
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skunkes · 2 months
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#a doodley#i had to make this blue so tumblr would stop hiding it from the dash#anyway no caption this happened 2 hrs ago#im happy abt my surgery but it and other things this year keep beinging conversations like these up#and i cant handle it at all.#everything my dad tells me just makes me feel worse and not bc its anything bad but bc I Feel Bad#like the conversation then continued to him being like no dont cry im just saying i wpuld have wanted to#quit my job decades ago and set aside money so I wouldnt be struggling as much now but that didnt happen#and i just dont want that to happen to you guys :)#so we have to support u so that your life is what u want it to be#and i cried even more bc what do u mean. thats so sad. ur a person and u were a child and baby once and ur gonna die#and you always almost cry when u talk about your mom who passed away decades ago#and your brothers that passed away#recently and im going to be your age and still sobbing bc i miss my dad. just like i have been prematurely crying about since i was 7#the other day my dad asked my mom if i cried a lot when i was a baby/kid and my mom said no and then my dad#said that when i Did cry it was so severe he thought i would ''drown in my own tears''#bc i could never stop. like. thats still true today. ive been crying on and off since then#i think i mentioned he's just been telling me stories about his life lately and it further fuels this. i get so sad. im sorry your life was#like this. i dont want to die i dont want you to die im sad im sorry im sorry#im scared. im never going to see you again. how horrible. how horrible#i cant enjoy my day today bc every day is a day closer and i get sad
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lunarharp · 4 months
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orufrey collab with @perplexingly, i did the lines and she the colour & composition guidance 🖤🤍 i was so grateful for the chance!
the lyrics are translated from الكون جنة معاك - an arabic cover song by palestinian singer elyanna.
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eddiediaaz · 1 year
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poorly-drawn-mdzs · 11 months
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Been thinking about the X-Files recently. A show I have a hazy, but fond memory of.
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littlefankingdom · 5 months
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Me to myself: Don't send murder threats to DC comics writers, don't send murder threats to DC comics writers, don't send murder threats to DC comics writers...
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bietrofastimoff23 · 5 months
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Tai Lung is the GOAT cause it was only because of his dramatic ass running over to Shen and Kai from his seat that we got the big three on the same screen.
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so that you understand, initially he was with these guys.
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raevulsix · 1 year
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Y’all don’t understand how important this discovery is cause Thrawn knew Anakin Skywalker before he became Darth Vader.
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He was left with the impression of how greatly the Jedi’s abilities were, using that to his knowledge to also mention Anakin Skywalker in front of The Emperor upon his capture and pledge allegiance to the Empire.
Panels from the Comics when Thrawn mentions Anakin Skywalker:
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Also, Thrawn was the only one to uncover the true identity of Darth Vader, mocking him over the fact his people had a nickname of “Skywalker” for force sensitive navigators who were young girls of his kind. This encounter’s mention during their mission was random.
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Also, Darth Vader was known to kill anyone who dared referenced or mentioned his past self to him, so lemme just say make it sink in that Thrawn dodged yet another bullet to the head that one time.
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icebluecyanide · 5 months
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I saw people talking about that scene where Yassen shot Max as a huge betrayal of Alex and it's kinda funny to me like yeah he involved Alex in a murder but also I cannot emphasise enough that Alex decided to join a criminal organisation. People have been telling him he'll need to kill for days now, Alex has watched them kill multiple people already, I get that it sucks for him but you cannot team up with a known killer and be that shocked when actually his secret extra mission was to kill
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eggy-tea · 3 months
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the thing that is SO WILD to me watching usamericans on the internet talk about their upcoming elections is that this is one of those incredibly rare occasions where you are choosing between two guys who have ALREADY DONE THE JOB.
look, i’m canadian. we have a first past the post parliamentary system and i don’t even get to vote directly for the person who will lead the country because i don’t live in any of the leaders’ ridings. i don’t live in any of the big important cities or even the big important provinces. i know ALL ABOUT “it feels like my vote doesn’t matter.” and all the same, i’m incredibly worried that a lot of people will vote conservative because they don’t like trudeau (fair! he sucks!) and hey, who knows, poilievre might be better. let’s give him a chance. time for a change etc. etc. (and of course there are a bunch of people who want what he’s selling and that’s depressing as hell too but they’re not the swing voters who will make a difference here.) never mind that the dude seems very happy to cozy up to our own local fascists. we don’t know for a fact what he’ll be like as pm, because he hasn’t been pm yet, and we DO know what trudeau is like, and we don’t like him.
the argument for change because it might be good is very compelling to our little animal brains when the status quo is BAD. poilievre is even banking on this! he’s been keeping his promises and stances deliberately vague so people can fill in the blanks with whatever they hope will happen.
and what’s so absolutely mind-breakingly incomprehensible to me is that THIS IS NOT THE CASE IN THE US but so many americans KEEP TALKING LIKE IT IS. each of these dudes has already done the job. they are known quantities. and you (realistically) only get to choose between the two of them. the political machine is going to go through with all of the usual debates and campaigning and thinkpieces and op-eds and rallies and whatever else pageantry, but biden and trump have told you who they are. they’ve SHOWN you who they are. it’s not often you get such a clear-cut choice with so much solid information behind it. you either vote for one of them and live with your choice or you hide your head in the sand and pretend that if you don’t vote one of them won’t win. and then you live with your cowardice because when the time came to choose you couldn’t bear to look.
(which is guess is also why so much effort is going into convincing people to just fucking vote oh my god i get it if you can’t because so many people have been deliberately disenfranchised in the us but if you can and you just don’t so help me…)
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darklight-owl · 8 months
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You will never understand the irreparable damage Yomiel Ghost Trick inflicted on my psyche you can never understand the irreparable damage Yomiel Ghost Trick inflicted on my psyche. Play Ghost Trick.
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edwinisms · 3 months
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seriously wondering why WW1 was never brought up at all throughout the show in regards to edwin and the life he was living before hell. I mean fuck we get a WW1 ghost in the FIRST EPISODE but edwin doesn’t say a single thing about his familiarity with the soldier’s garments and circumstances. you’d think that would come in handy in some way, or at least be an interesting thing to reference to emphasize edwin’s age (for lack of a better word) considering this was all during the expository section of the first episode.
1916 is directly in the middle of the Great War, and depending on how long edwin had been 16 by the time he died, he would’ve been somewhere between 1-2 years off from being conscripted and sent off to the trenches– ie; really not far, so it inevitably would be a huge weight on his mind at the time. since it was the middle of the war, he would’ve known decently well the horrors being faced out there– the mustard gas, the widespread illness, the shellshock– from newspapers and such, and I have to think that he’d feel like there was a clock ticking, counting down the days until he’d be sent to his inevitable death (considering he’s not the most athletic and physically resilient boy to say the least). and if he was exempted from conscription? it could very well be for “mental illness” and/or “moral indecency” if he didn’t hide his “effeminate” behavior well enough. all-around, it’d have to be an incredibly stressful time period for more reasons than just being bullied, alienated, and repressed at school– and yet we never hear about the elephant in the room. will they do something with it later? will it play into his family background in some way? for gods sake I need to KNOW
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