#also I just really like the writing

[straight-to-the-pain]

I don't know if anyone else in the whump community has read 'A Constellation of Vital Phenomena' by Anthony Marra but it is genuinely a really good book and also has some of the best depictions of torture and its aftermath that I have read in fiction.

I wanted to share some of my favourite quotes, hopefully without too many spoilers as it is out of context, but maybe skip this post if you don't want to know anything at all going in.

To give a brief summary, the book centres around the lives of people in Chechnya during the first and second war between the Russian government (Feds) and the separatist rebels. The main story focuses on a man (Akhmed) who is trying to save his neighbour's daughter from being killed by the Feds after her father is taken away in the middle of the night. He does this by taking her to a hospital where he then volunteers. One of the people in his village (Ramzan) becomes an informer for the Feds after being tortured, and this is explored in the excerpts below.

‘Information the Feds would torture them for was written here on the walls for all to see. It was well understood among the men that the Feds had as much sense as two bricks smashed together. It was also understood that pain, rather than information, was the true purpose of interrogation.'

'During his first detention in the landfill, in 1995, in the first war, he had refused to inform. They had wrestled down his trousers, shown him the bolt cutters, and still he had said no. Screaming, thrashing, with his manhood half severed, he had said no. He had done that, and now he was ready to start saying yes.'

'He would have confessed everything, but they didn't ask, weren't interested, threatened to cut out his tongue and put pliers to his teeth if he spoke one more fucking word. Electric wires were wound around his fingers. A car battery was drained into his bones. God might have been watching, but it wasn't God's finger on the battery switch. The interrogating officers didn't speak. Instead he was an instrument they played, performing a duet, and in their own way they conversed through his sobs. They both wore very shiny shoes. That was all he would remember.'

'He had trouble walking, He had forgotten torture could be so exhausting. The new interrogator, the one with less shiny shoes, held him upright, using his whole body as a crutch, and helped him walk. He carefully wiped Ramzan's forehead with a handkerchief before opening the door to the next room.'

'The interrogator with less shiny shoes crouched behind him. His hands were wet. Ramzan promised everything, and the interrogator, like the parent of a child too old to believe in ghosts, watched him with disappointment, his clear eyes saddened by Ramzan's sincerity. The interrogator took off his jacket, rolled up his sleeves, laid the live wires on Ramzan's chest and mapped the border of their shared humanity. Ramzan offered his soul. He begged to be enslaved. The known universe contracted to the limits of the cement floor, and on it, the interrogator was both man and deity, prophet and god. By ten o'clock the interrogator with less shiny shoes asked his first question. By eleven the electrical wires were unwound from Ramzan's fingers. By noon he was allowed to dress. By one he was on the FSB payroll. He kept thanking the interrogator with less shiny shoes.'

‘Greed didn’t motivate his informing, at least not primarily; primarily he informed by necessity, to survive, for his love and hate and above all awe of the power wielded by the interrogating officer with less shiny shoes.'

'That was his greatest fear. Could he stay silent? Could he withstand what awaited him? He told himself that his love for the girl should fortify him against any torture, but this, like so much of what he told himself, was a lie. After all, he was squeamish at the sight of blood, what would he say when lying in a puddle of his own? But he saw no other way. He would pray for the strength to stay silent, for a quick heart attack, and leave the rest to God.' (This is Akhmed POV)

'When they threatened to beat me, I said nothing, Akhmed. When they threatened to beat me, I said nothing. When they threatened to electrocute me, I said nothing. When they threatened to castrate me, I said nothing. I said nothing, Akhmed. Whatever you think of me, you remember that once I said nothing when a wiser man would have sung. And the interrogators, they couldn't believe it. They called in others to examine me. I was there on the floor, and above their faces were dark ovals silhouetted by the ceiling lights. They had beaten me hard and I couldn't hear right, but I kept saying no, with every breath I had. The main reason they let me go, the only reason they didn't shoot me right there was out of perverse respect, some sort of professional courtesy. But I wish they had shot me, Akhmed, because the good part of me died there, and all this, everything since, has been an afterlife I'm trying to escape.'

‘I knew what was coming. I knew it never stops. They put a shame inside you that goes on like a bridge with no end, the humiliation, the fucking humiliation of knowing that you are not a human being but a bundle of screaming nerve endings, that the torture goes on even when the physical hurt quietens. People treated me differently when I came back the first time.'

[beepboopappreciation]

Is this anything

[inbabylontheywept]

bad dating stories time: the shoe incident

so in highschool, my best friend wasnt allowed to go on dates unless there was another couple there to keep an eye on him. part of this was his parents being insane, but also, part of it was him being insane. in a problem with no reasonable parties, there are no reasonable solutions.

at some point in my junior year, my sorta-gf broke up with me, and i just wasnt feeling dating, which was bad for my friend, because he had a good thing going with a girl he met in court.

he kind of hounded me about it. kept pushing me to just put me feet back in the dating pool and i wasnt real thrilled about it, because i knew he was pushing me for his own benefit, not mine, so i kept telling him to fuck off, and after a few weeks of being told that i would date when i was damn well ready, he eventually said: okay. what if i paid for the date AND found you a blind date AND all you had to do was show up?

and i shouldve said no, i know, but i let him wear me down, and i will own my fault in that. a date starting on such a stupid premise could never have gone well.

but he still managed to find a way to make it worse.

i dont know how long he tried to set a blind date up. it couldve been multiple attempts. he couldve stooped to this immediately. but what happened in the end was that he called a girl from the ward he attended - a girl that he knew had a giant, mushy crush on him - and he said: hey! how would you feel about going on a date this weekend?

(you know, implying it was with him, but never actually saying it.)

and she said YES WOW I WOULD LOVE TO and he said great! and then he called me up and said he found me a date.

i did not learn about his crimes until several weeks later. i will die swearing before god almighty that i would never have allowed this travesty to happen if i had known.

that was on a monday. the date of the date rolled around that friday evening, and im sorry to confess, i really phoned the whole thing in. i showed up in my favorite comfy outfit, which was also a fashion crime: basketball shorts and flipflops and a baja hoodie. it was super comfy but it made me look kind of crazy. i picked him up first, and then i picked up his date next, and then we went to pick up my date, and thats where you're gonna get the play by play.

i arrived, walked across the yard, and knocked on the front door. she opened it almost immediately, like shed been waiting right by it, and i could see her expression go from OMG IM SO EXCITED to super disappointed, then disgusted and finally pissed. and because i didn't know about my friends sins, i thought it was from my outfit. which seemed... harsh. like, hey, im allowed to be quirky, fuck you. also its a blind date, i thought the deal was that we were both going to be sad broken sacks of mortality.

anyway, we looked at each other for several seconds before she slammed the door in my face.

i looked back at my friend. he was sweating bullets. i dont know what he expected from this, but there was this big long pause where we both tried to figure out what to do, and then the door opened up, and her dad invited me in, and he said she was gonna need a few minutes to finish getting ready, and that in the meantime we could sit and talk.

we did not talk. we did sit. i sat down on the couch, and he sat down in a chair across the couch, and then instead of talking he cleaned his pistol on the coffee table. i wasnt actually sure if it was a threat, or if it was just a fidget thing for 40+ year old republican men, but when i tried to help he got snappy so i just watched him put a pistol back together.

he was okay at it.

eventually my date came downstairs, still mad as hell for reasons beyond my ken, and i felt pretty guilty for being such a mess because i thought that was why she was so angry. i tried to make up for by walking her to the car and getting the door for her, just generally trying to be extra polite, but before i could make it back to the drivers side, her dad called me back to the door. so i flipped around, went to the door, and immediately regreted my decision.

soon as i was within range, her dad got waaaay too close to me, leaned in, and said "whatever you do to her, i will do to you," and my brain went into overdrive making three consecutive realizations.

realization one was, damn, the pistol thing was a threat. that sucks. what an asshole. realization two was, wait, im autistic and even i know theres a 0% chance me and my date even hold hands, least of all boink. does this guy actually think there's even a 1% chance of anyone in that car getting laid tonight? is he an idiot? and then realization three went through, which was wait, is this guy threatening to fuck me? and unfortunately, with my brain doing so much processing, my mouth was left to run amok, so somewhere between realization 2 and 3, i said:

"i can't get pregnant"

which, i swear, wasn't actually me trying to be a smartass, it was just me pointing out that he couldn't actually follow up on that threat. it just wasn't possible. we do not live in the omegaverse and im not scared of you.

still, it was an insanely catastrophic thing to say, and the moment we both heard it, we bluescreened. that single sentence obliterated both of our momentary streams of consciousness like a saltine in front of a sand blaster. problem was, he'd probably gone his whole life not even realizing someone could say something that stupid, and making that realization was going to cost him a lot of thinking time. me though? i had been saying shit like that for 17 years, i didnt have to rewrite my expectations of human nature, i just had to plan an exit and start striding. so i was already halfway back to the car before i heard "hey. hey come back. Hey. Hey. HEY. HEY WAIT. HEY GET BACK HERE. HEY-"

and then i was in my car, and i drove away.

if this happened today, he'd have called her, and the whole thing wouldve imploded then and there, but back then, there were still a decent number of teenagers without cell phones. especially the teenagers of insane, gun toting parents. so she just said: whoa what was that all about? and i said: dont worry about it, he'll tell you about it when you get home.

and she said: ok and went back to staring daggers at me and my friend.

WHICH SURPRISINGLY isnt even how the story ends.

we went to an improv comedy show, and it was a disaster. it shouldve been like, 7/10 tops, but between my date being mad, and my friend having a good time, and me having the existential terror of knowing that a guy with a pistol was probably waiting outside his house for me to come back, it was easily 11/10. i laughed way too hard at everything. especially the jokes that flopped. id sit there in this mostly silent room and laugh until i dry heaved a little, and my date was absolutely disgusted, and even my friend was a little embarrassed, which would just make me laugh harder. i laughed so hard that night i could barely talk the next day. and then the show ended, and my friend said, you know, that was a good time, but i think we should maybe do something a little chiller? who wants to walk around the park? and his date said yeah, and my date said no, and i finally had mercy on the poor woman so i said, look, im gonna drop you off. and i am so, so sorry about this, but im dropping you off like a block away. super duper sorry.

do talk to your dad about the pistols thing if you dont want this happening more in the future tho.

and she said: okay. so i dropped her off, and she walked a block down, and that was that.

then i drove my friend and his date to a park that was good for wandering. i figured they wanted something more private, so instead of following them around point blank, i chose a park with this 30 foot rope tower, and i climbed to the top and i said: hey i can see you anywhere from up here, you are officially chaperoned from a distance. get panopticoned idiot. except my friend really is an idiot, and he didnt really get the whole 'now i dont have to third wheel so insanely hard with you guys' thing so he climbed up the tower too, and then his date followed behind him, so there are three people basically sitting together on top of a telephone pole.

and then they started making out.

i was close enough to hear it.

i didnt really know what to do so i was just kind of sitting there, dissociating, when some college kids came around and started shaking the tower. my friend's date went aaaaaaaaaa im afraid of heights :( and my friend went oh, dont worry, ill hold you tight ;) and i went hey, im gonna climb down and ask them to stop.

so i did climb down, and i did ask them to stop, and they flipped me off, which i wasnt even mad about. at that point i was i was like yeah, it would be weirder if this wasnt a mess. gods plan has been to fly this day like a 747 into my metaphorical twin towers and brother he is close enough for me to see him grinning through the cockpit window. still, eventually the college students got bored, so they climbed up the tower, which gave my friend and his date a window to climb down, and together we walked back to my car.

now, i cant explain why this is, but sitting back in the drivers seat was my carriage-back-into-a-pumpkin moment. i'd been chill about all the chaos, just rolling with the punches, but sitting down made me realize how much of a shitshow the day had been, and while i couldnt go back and fix all of it, i could go back and fix one thing.

so i told my friend and his date, hey, you two, stay here and don't do anything weird. don't. then i walked back to the rope tower, and i started picking up the shoes the college students had left at the base in order to climb.

about halfway through this, i realized that if i took all their shoes, they might think i was in it for the money, and i actually wanted them to know i was in it specifically to spite them. fuck those guys. so i put all the right shoes back, gave myself a 100 foot headstart, yelled "nice shoes, assholes", did a little jig, and started running.

my advice to everyone is that college students are faster than you think. even with the headstart, and the whole climb down the tower thing, i was still only fivish seconds ahead of them by the time i got to my car. i flung the door open, looked in the backseat, didnt see anyone, flung the stolen shoes in the backseat, heard two "ow"s, took that as proof of presence, jumped in and pealed out of the lot.

my friend and his date popped up a few seconds later. they were, uh, doing something weird in the back seat. my one request - obliterated.

they climbed up to ask where the hell all the shoes had come from, and i was like yeah i stole them from the college students, and they were like oh. cool. hope you had fun. and i was like, i did. i did. but speaking of fun, what were you doing back there?

and for the first time in my buddies life, i think he was actually embarassed.

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[poorly-drawn-mdzs]

I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.

You have bestowed the greatest honour upon me.

[catgrandpa]

Gotham has always been weird, so when the groundskeeper at the cemetery noticed the Wayne kid’s plot was disturbed, he just chalked it up to more of the same ol’. Alright, so ‘disturbed’ may be a tad too light of a word, but what’s an empty grave in the grand scheme of Gotham? God knows in a city like this one, they could use all the burial room they could get. He figured he’d just jot it down on the website and hope nobody noticed for a while.

Too bad he didn’t account for the 13 year old boy in Bristol who periodically checks the cemetery’s website when he’s feeling particularly lonely.

Plot Removed.

Tim Drake stared at the two words under the heading for Jason Todd’s plot number. Removed? What do they mean ‘removed’? They can’t just remove a plot? That’s a person down there! That’s Robin down there! You can’t Remove Robin!

Calm down. Deep breaths. Assess the situation.

Robin has been dead for 5 months and 14 days. There is no reason for a grave to be removed that early, especially one of a member of such an affluential family. Chances are likely it’s a simple clerical issue. He can call first thing in the morning and make them aware of the mistake. He can have it all fixed in 5 hours.

Just a phone call.

In 5 hours.

…

Tim hates talking on the phone almost as much as he hates waiting.

Well it won’t be the first time he’s snuck out to head to Gotham proper at 1am. It can’t even really be considered sneaking out if there’s no one home to catch you.

Buses stop running at 2, so he layers a couple sweaters under his coat and grabs his best running sneakers so he can comfortably make the trek back.

Just a quick trip to settle his nerves. Maybe get a few shots in if he spots Batman, but really he just wants to see with his own two eyes that things are okay and Jason can rest.

It’s 1:37 by the time he gets to the headstone reading ‘Here Lies Jason Todd’ and the gaping, muddy pit in front of it.

This- This doesn’t make any sense. This is not removal. This is destruction. Desecration. Somebody did this. Somebody-

Assess the situation.

A hole in the ground, approximately 1.5 feet in diameter.

Mud and grass flung outward but with little force.

Large chunks of earth turned over and shoved away.

No signs of tool marks or clean lines of entry into the dirt.

Dragging claw marks.

Staggering, shuffled pairs of foot prints in the mud.

A trail of dirt.

Something… Something large clawed its way out of the ground here. Something large and bipedal and- and humanoid.

Tim refuses to jump to any conclusions he can see all the facts laid in front of him. He’s going to cautiously follow the trail and simply hope to any god listening that he isn’t the world’s first line of defense against the zombie apocalypse.

He’s been walking for 23 minutes and there’s good news and undecided news. Good news: he’s closing in on the target and the trail isn’t taking him out of the way so his trip home won’t be prolonged. Undecided news: The potential Zombie Robin is heading directly for Wayne Manor.

As zombie apocalypse news, this is very bad. From Tim’s collected observational evidence, his not-so-professional opinion is that Batman, faced with a horror movie level zombie of his dead son, would not respond well, and would likely not fight back.

In Batman and Robin news? Tim’s unsure. If Jason is simply back? What could that mean for them? Batman can have his Robin. He wouldn’t have to continue nearly killing others and himself every night in his grief. Jason could-

No. Stop. Do not jump to conclusions.

Hope only brings heartbreak.

What would Batman do? Get close and see if the target is a threat.

Target is male. Mid-teens. Dark hair. Pale skin. Leaning against surfaces as he walks. Appears injured and disoriented.

Minimal risk assessed. Approaching and attempting contact.

Target identity confirmed: Jason Todd.

“J-Jason?” It comes out as a croaked whisper. Jason shows no sign of acknowledgment.

Tim clears his throat, steps right in front of his path, and tries again.

“Jason. Jason, stop I want to help you.” Still nothing.

“Please, Jason. I can help, I promise I can help!”

Why isn’t this working?! Why can’t he just do something right for once?! He wants this to work, he wants to help Bruce, he wants to fix Batman, he wants to not be alone, he wants-

“Robin!”

Robin jerks to a stop.

Tim reached out his hand.

“Robin. Robin please, I’m sorry you’re going through this, it’s really scary, I’m really scared. But I just want to help you. Help you find Batman. Help you get home.”

Jason just stares at him. Of course he does. Of course it’s not going to work. Why did he even bother hoping he could help?

Hope only brings heartbreak.

His sight blurs as his eyes fill with tears and he starts to lower his outstretched hand.

His arm is slowed as a cold hand weakly grasps his own.

“Don’t… scared… Bat… help… Dad… help.”

A relieved sob tears out from Tim’s chest and he gathers himself together. He yanks his extra sweater off and gently pulls it over Jason’s cold shoulders. Jason lets Tim drag his arm over his shoulders to try and carry some of his weight.

“Okay, Robin. Yeah. Your dad will help us.”

Batman will solve everything once Tim gets Robin home.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[nibbelraz]

A writer and His number one fan hater

[remxedmoon]

NILLE BLAST

aaaa worked on these a while ago but!! i’ve got a pétronille design finally!! and it was nowhere near as daunting as i expected to be!!!! this was really fun to work on actually. don’t look at that leftmost doodle btw. it’s. Not Great (by my standards for myself at least).

aaaanyways. design notes and greyscale versions below!! most of this isn’t. super set in stone or anything? just Night Ramblings

in terms of colors she’s mostly just a Slightly Edited version of bonnie’s palette. the only noteworthy addition here is the blue (or. well. more like grey actually) i added to her shirt, hat, and waist wrap. no real reason here, i just thought it’d contrast well with her colors!!

i also kept her outfit pretty similar to bonnie’s! bonnie’s official ref mentions that their shirt is too big for them so! i think it’d be cute for all of their clothes to be hand-me-downs from nille🩶. i imagine she cares more about practicality than fashion, so her outfit’s pretty simple! breathable clothes she can move around in, a bag to hold her stuff, and a hat to keep the sun out her eyes.

generally went for more. blocky??? shapes here? i wanted to set her apart from bonnie! idk. not much to say here!

this didn’t affect her design That Much outside of the bandages on her hands, but she’s rock type here! it just Made Sense with her hammer. in hindsight i wonder if that influenced her design being more Square…

aaa you can probably tell i’m writing these while tired. sorry if these are even more disjointed than usual (somehow). here’s the greyscale versions!! thanks for reading and stuff!!

[karalovesallthegirls]

Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.

The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.

Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.

She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.

But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.

[ryllen]

and some extra unused stuff while they are in affectionate mood

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[wombrion]

1) your art is phenomenal and marshmallowy it makes my day when you post!

2) I’m unsure if you are still taking request but if you are in a dilly dallying mood I would <3 to see some of the Chainsaw man characters in your style? I feel like your shape language would translate onto their design really well🤎🤎

you fool............i drew em a zillion years ago

[strangerhawke]

i love love love love seeing tma/malevolent crossovers but i personally think arthur lester and jonathan sims would Dislike each other. there are so many things they COULD bond over but i genuinely think they'd just find the other petulant. they'd be pleasant enough at first but if they had to solve a problem together it would be mayhem. theyre both stubborn and strong willed and make mistakes like breathing.

arthur: we can't just sit on our fucking thumbs and wait for the opportunity to pop up jon: so we should just stride in with no information whatsoever, should we? i thought you were a private investigator arthur: if our only chance for getting more information is going there, what choice do we have? jon: there has to be something else we can find on it first - arthur: right. well you do that, and I'll go find out for myself. jon: oh for - fine. lets just walk straight into a trap, shall we? should i inform you of any holes in the floor as we go? arthur: how did you fucking know about that jon: .....what? arthur: about. about falling into - never mind jon: ....... jon: you've had 8 falls. are you clumsy or do you have no spatial awareness arthur: i'm pretty sure those are the same thing. jon: stop avoiding the question