#and it all just came out wrong

[lakemichigans]

[nikoisme]

I started listening to malevolent not long ago and wanted to draw out this bit rq haha

[bunnieswithknives]

AU based off Nature except I kept thinking about it too hard. Dales not a good dad, but its such an easy problem for him to throw money at, and what do you do when a part is damaged? Well, you replace it.

Basically an AU where Dev gets to experience medical trauma and realizes much sooner how much his dad doesn't love him

[too0bsessedformyowngood]

Okay so I’ve been reading a lot of reverse robin AUs recently and I have a hot take. Duke Thomas should be the Dick Grayson parallel instead of Damian.

Hear me out. So bare bones Duke was the last to join in cannon, so he should be the first to join for reverse robins. But to get deeper into it Duke lost both of his parents at the same time setting him down a path of becoming a vigilante. He becomes Bruce’s ward instead of being adopted because he already was raised with two good parents and doesn’t want them to be replaced. He also created his own mantle that was the opposite to Batman, the light to Batman’s dark, inspiring hope against Batman’s fear. He’s friendly and works well and inspires others, but also extremely sharp and smart which people often forget.

Damian would work well as a batgirl parallel more. He would join after Duke but be a few years older, got there already trained and immediately jumping into crime fighting. Covering the areas that Bruce and Duke don’t fill. While Duke takes up his own name Damian would use a name more inspired by Batman himself.

I just think this dynamic of Bruce and Duke being the first dynamic duo would fit so well (also get to spotlight Duke who so often gets overlooked).

[currentlyonstandbi]

thinking about that article where Aidan talks about Five being lost this season, about how he doesn't know what his place is in the universe. thinking about how it might be because there's no longer any apocalypse to stop, no world to save, and comparing it to similar circumstances in season 3. thinking about the fact Five's response to having fulfilled his purpose in that situation is not to despair but to celebrate. you could argue that maybe it's because the reality of it hasn't set in, that he's essentially in the honeymoon phase of no longer having a place in the world, but I'd argue there's another consideration - his family. Five in S3 is content, happy even, despite no longer having a purpose because at least he still knows his place. and that's amongst the people he's dedicated decades of his life to saving. thinking about how, by the end of the season, Five was ready to finally put an end to it all - no more stopping the apocalypse. because at least he'd get to go out surrounded by the people he loved. but S4 sees them all split up. and now Five's without a purpose and without his family. and there's no end of the world to save them from; they won, timeline fixed, universe restored. his family is finally safe. and Five is still alone.

the unbearable tragedy of getting what you want.

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[yesokayiknow]

human au. some of these guys spend too much time on here and it shows

[hilacopter]

if I see you saying stuff like "jews please call me out and correct me if I ever post something antisemitic!" you better be willing to actually listen and take to heart stuff you might not like hearing

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[s0fter-sin]

prince!ghost and lord in waiting!soap

ghost is a warrior prince, next in line after king price and it’s always been accepted he would be the lone ruler; never one for entertaining the courts or indulging foreign rulers trying to consolidate their power. he hardly acts like a prince at all, in name only when he spends more time as a pseudo captain of the guard. price has never begrudged him that, not when he himself has been a lone king since his inauguration

though he’s a warrior prince, he’s never lost the favour of the people; many see him as a guardian even if he doesn’t interact with the people as much as benevolent and stalwart king price. who he does interact with is the kingdom’s children; always ready to bend a knee and listen to bright voices, to praise stick swords and shields or hear the plight of a struggling family. it was a common belief that if he wasn’t out protecting, then he was with the protected; face covered, blonde curls shining in the sun

soap’s always loved ghost. as his lord in waiting, it’s been his job to attend him since they were young and even as a child, he’d idolised him; his skills in battle, his surety. he thought his life would be nothing but service, clothing a brat prince and making sure his shoes shined. but ghost has proven more than that; he treats him as an equal, consults him on strategy and court politics and over time that idolisation turned into love

and ghost has always felt the same. he’d begrudged the idea of a lord in waiting, not wanting someone always in his business but then came this spitfire who never missed an opportunity to push back on him; to make him dig deeper. johnny is more than some mere servant; he’s his confidant, his best friend, his… everything. he could be simon with him, not prince ghost

but simon figures that out too late

king price gets word from king shepherd, a kingdom they’ve only recently stopped feuding with and he’s offering up his son, prince graves, as a way to bond their kingdoms together and firmly put war behind them. price is ready to deny him, he doesn’t fear war from shepherd, when he sends some ancient laws that leave him unable to refuse. he hates it, hates that he’s ruining ghost’s happiness and feels like he’s betraying his adopted son but there’s nothing he can do

graves comes to their kingdom within the month and it’s clear from the moment he walks through their gates that he’s the opposite of ghost; arrogant and conceited, his ceremonial armour glossy and untouched by battle. he’s dismissive of their servants, of their ways, of their people and ghost hates him

graves insists that the wedding happen as soon as possible, pushing the craftsmen and cooks beyond their limits to prepare and every moment ghost spends with him, the more he dreads his wedding day. every evening he retreats to his room, exhausted, and it’s all johnny can do to keep him afloat; trying to keep him positive as ghost falls away and simon breaks in his arms. he wants to whisk him away like the old tales, the pain his oldest friend and love is in making his heart ache but all he can do is promise to be there with him

but it seems graves wants to take even him away

“soap’s been my lord in waiting since we were children,” ghost protests, voice barely clinging to civility. “i wouldn’t want to lose such a valuable worker.”

“there are plenty of decent servants in our kingdom; you’ll forget this one soon enough,” graves waves away, carding a possessive hand over his curls and it’s only bc he’s looking for it that soap sees ghost’s jaw twitch beneath his neck gaiter. “it’s custom for one marrying into our kingdom to embrace all that it has to offer, leaving who they were behind to become someone better. you’re entering a new life with me; you don’t need the baggage of this dreary place.”

soap feels sick as he walks behind them, his blank expression hiding all sign of his breaking heart.

“soap is beholden to me,” ghost declares. “we were sworn together by the old laws. i’m afraid a custom isn’t enough for me to break a vow to the gods.”

graves lets out a disgruntled noise, tugging harshly at one of ghost’s curls with only a thin veil of fondness; his conceding smile not reaching his eyes.

“i never made a vow to the gods,” johnny points out later. “price gave me to you because he was sick of me setting fire to the kitchens.”

simon hums and sets his freshly cleaned armour aside, turning to him with a twinkle in his eyes he’s barely seen since sheperd’s missive. “you pinkie swore that you would never leave me; that’s more powerful than any promise to the gods,” he says and soap’s thrown back fifteen years, to a willow tree big enough to touch the sky; to two boys from different stations who didn’t care that one was dressed in silk and the other in scraps.

johnny feels a lightness he hasn’t in a month as simon winks at him. “besides, do you really think graves is smart enough to figure it out?”

the days pass quickly, graves’ veneer of affection growing ever thinner, and before either of them are ready, it’s the eve of ghost’s wedding.

he’s said nothing, done nothing but stare at the wedding robes graves had tailored for him in the fashion of his kingdom and johnny doesn’t know how to break the silence. he draws out each second as he fusses with the cape piece and ensures the shoes shine in the fire light until he has no more excuses.

he sighs as he straightens up, brushing off polish onto his pants. “i suppose this is where i leave you,” he says with a weak smile but it quickly dies when simon still doesn’t look at him. “i’ll be here in the morning to help you get ready… good night, simon.”

johnny bows and makes for the door, trying to convince himself he didn’t just say goodbye.

but he’s stopped by simon’s hand loosely wrapping around his wrist.

he looks back as simon finally tears his eyes away from the robes, looking at him with such clear longing it almost brings him to his knees.

“i don’t want graves to be the first man to touch me, johnny,” he confesses and johnny’s breath hitches. “i don’t want to be married to another… not when the one i’m set to wed isn’t you. but if i have to do this… please let me feel loved one final time.”

simon’s thumb brushes the back of his hand; their kingdom’s greatest warrior caressing him with a touch light as silk. he doesn’t pull johnny in, doesn’t need to; johnny’s already sinking into his touch.

desperation and love tinge every movement; johnny dancing his fingers over simon’s neck gaiter until he all too happily removes it, baring his scarred cheeks and lips. johnny kisses each one, willing his love and his touch to linger above all others as they move together; sharing breath, sharing body, sharing soul the way they wish they always have.

when ghost makes his way down the aisle, it’s not in the fine embroidered robes graves had laid out for him. he’s in his battle armour; dark and weathered, the sign of the ghost, the warrior prince, going to battle. the only thing missing is his helm, tucked under his arm.

showing his hair; curls gone and shaved tight to his skin.

a thing done only in a time of great mourning.

graves looks irate and it’s the only spark of joy ghost feels as he stops before the altar; set beneath the willow tree where johnny promised himself to him. one final insult.

ghost is silent throughout the ceremony and in spirit and in grief, so is the entire gathered kingdom until the priestess reaches the final vows and suddenly, a great roar rises above the crowd as seemingly every child in the kingdom swarms the altar.

ghost is too shocked to do anything but let them push him away from graves, bullying their way between them like they’re preparing to protect him just as he’s always protected them.

graves is furious but the children stand firm in the face of his threats until he moves to strike one-

and freezes as soap’s blade finds his throat.

“you would dare hurt these children?” he growls, sword following graves as he stumbles back. “you’ve kept up your charade the entire time and here is where you show your true colours. i think it’s time i show mine.”

graves splutters as johnny turns to the priestess and king price, falling to one knee and offering up his blade. “your grace, i wish to challenge prince graves for the hand of prince simon!”

his voice rings clear and he feels the eyes of every person in the kingdom.

but he only cares for one man.

who is watching him with more love than he’s ever felt.

“who are you to challenge me?” graves sneers. “you’re nothing more than a servant; no better than the dirt on my boots.”

johnny doesn’t bother to look at him, too caught in the love in simon’s eyes and the grateful look on king price’s face. “then you should have nothing to worry about. you’ve been crowing your accolades from the rooftops since you got here; let’s see if you live up to the hype.”

because simon only ever introduced him as his lord in waiting.

never as sir soap- his second in command and one of the greatest swordsmen their kingdom has ever seen.

[huitandahalf]

I know that we got plenty of options as to how everything with the Ender King is going to go down, but a thought that has not left my mind was the idea of the Ender King downing qPhil in some way and taking him away. Which means there would be a chat message for all to see :)

For example :)

[meowzet]

shout out to the asexuals who aren’t aromantic, but don’t desire a romantic relationship!

shout out to the aromantics who aren’t asexual, but don’t desire a sexual relationship!

shout out to the aspecs who feel like they have to ‘make up’ for their lack of attraction!

you don’t have to give anyone shit. keep being cool like that! i’m cheering you on!

[iceclew]

I watched you fall apart and chased you to the end I'm left with emptiness that words cannot defend You'll never know what I became because of you Ten thousand promises, ten thousand ways to lose

And you held it all But you were careless to let it fall You held it all And I was by your side, powerless

---------

Whaddaya mean you didn't order a truck load of grieve, sadness and melancholy? *scans clipboard and adjusts cap*

That's what's on my list pal, sorry.. now where would you like us to put this?

oh, you and I we're in this together and we're gonna share the pain, hunny...

haha, so today I'm dead inside.

[bromcommie]

If you are alone, that is the quietest, most personal hell. And James, it is very hard to escape.

(an oldie but a goodie, for the most part.)

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[anghraine]

I've been moving and navigating further departmental nonsense etc (my pseudo-dissertation got approved for defending, though! l o l). But it was interesting to see the Worst P&P Takes poll I reblogged accumulating more results and the general tenor of responses in the notes.

I mean, the results are definitely to be expected if you're familiar with the side of Austen fandom doing a lot of the reblogging etc. But still, interesting!

Many Tumblr polls specify that they're asking about personal preferences that may be irrational—favorite/least favorite, coolest/most annoying, or something like that. This one, though, asked for the worst interpretation of P&P, not the most annoying one—and the current leader is "Darcy is never really proud, he's just shy and probably has anxiety" against some very steep competition on the Bad Takes front.

I was thinking about why that seemed a kind of tediously predictable choice even though I agree that the take is wrong, and realized that while I do disagree with the shy Darcy interpretation and I particularly disagree with the specific formulation where he is never proud at all, it ultimately feels to me like a failure of nuance rather than just completely wrongheaded like some of the others. And this is probably my fundamental difference with a lot of Darcy takes I see!

In my opinion, a character who is introverted and who feels awkward in various social situations and who doesn't like common social activities and who has to work himself up to talking to his crush and who is repeatedly suggested to behave very differently in contexts where he's more comfortable being interpreted as shy and anxious is not that big of a leap.

Yes, it's important that he is actually fundamentally confident and haughty, that he makes his personal feelings of discomfort other people's problem, and that he thinks he's such a unique and special butterfly that he doesn't need to even put in an effort outside his personal social circle. But it's a misreading that is easy to follow (and long predates the 2005 P&P, as I've mentioned before!).

The additional misreading that a shy and anxious Darcy is also never proud at all is a much more drastic leap, and in my experience, condemnations of shy Darcy interpretations rarely differentiate between "Darcy is shy as well as arrogant" and "Darcy is shy rather than arrogant" as interpretations (although their basic arguments are quite different). But even that as the worst possible misreading of P&P when Darcy is not even the main character is ?????????

I mean, for one alternative (not even the one I voted for!), the idea that Elizabeth is an author avatar Mary Sue seems a far worse misreading of P&P than basically anything to do with Darcy at all. The center piece of the entire novel is Elizabeth's epiphany of self-knowledge about her own shortcomings that do not particularly resemble Austen's at all, but were ethically a concern for her, and she's a complex, interesting character in general whom Austen correctly regarded as a major achievement. Inverting that into Elizabeth as an improbably perfect, reality-warping self-insert is deeply wrong and frankly pretty misogynistic as well.

(ngl though, it's a little funny to see such a blatantly terrible reading of Elizabeth rank so far behind the shy Darcy votes. I've gotten "does anyone actually think/say that?" so many times on my posts about Austen fandom's prioritization of Darcy's character development over Elizabeth's and yet...)

And even just going with the Darcy-centric misreadings, the idea of Darcy as a "bad boy" seems easily the most absolutely wrong take on him. His pride is at least complicated and the finer points can be fairly debated and it's a quality that actually changes somewhat throughout the novel, and you can have discussion over what happened when, whose testimonies should be weighted more, etc. But there is no point at which "bad boy" isn't utterly wrong for him. However, there's definitely a tendency in some wings of the fandom to find the idea of Darcy being misread too favorably more objectionable than him being read too unfavorably, regardless of the particulars, so it's not a surprise.

I suppose you could argue about what "worst" means in the context of variously bad interpretations. Like, is an interpretation that is about a fairly trivial aspect of the book but extremely wrong about it "worse" than an interpretation that is pretty bad but at least comprehensibly so about something very important?