#and it literally details that one character's arc

[pxper-cranes]

"Fuck you my child is completely fine." Your child is currently crying about how song lyrics perfectly embody the traumas and experiences of fictional characters that they themselves created.

[half-empty-cup]

`One Piece Odyssey DLC Spoilers for those that haven't played it yet`

I'm (finally) playing the extra chapters and have reached Dressrosa V.3. And. Just, I can't stop laughing.

I reached the scene revelation that it's Law that possesses the Black Cube, and naturally my reaction was, "Law?? I Don't Want To Fight Law.😱" And it's like the developers predicted that response and therefore, the circumvent-

Me (the fan): I don't want to fight Law.

Luffy (angry): I don't want to fight Torao.

Law, himself (practical): I don't want to fight anybody.

The Developers, Dark Lim: Yeah, we know. 😈 But Free Will Doesn't Exist.

[breezy-cheezy]

Who are Rook and Trey (if you don’t mind my asking)? (Love your art btw)

*Takes a DEEP breath* How much time you got- /half joking

Aight so. Rook Hunt and Trey Clover are two characters from a phone game I've been into recently, Twisted Wonderland. Yes. The. The Disney one. Written and Drawn by Yana Toboso (the artist/writer behind Black Butler. No I'm not kidding.) HEAR ME OUT kjhsdjkgdf

It's one of those gacha/visual novel-like games that gets marketed as like a dating sim, but has some of the most. Un-romantic settings/characters I've EVER seen. As an aro/ace, I applaud this lmao. Also amazing character and story writing like what the heck.

Very....boys will be boys energy but not the mean way, more of a “y’all are so stupid and ridiculous” in a fond way??

Actual answer under read more because I'm insane:

So every character is like. They aren't the Disney characters themselves but more like BASED on them? Sometimes several. I'm making a powerpoint on this to connect all the dots, here's Trey's lmao

Heartslabyul house! Based on: Mad Hatter, 3 of Clubs, King of Hearts, etc. Generally chill. You think he's the normal one, then he turns around and gives you an hour lecture on how to brush your teeth properly. Ok mom.

He also reminds me along of Ignis from Final Fantasy 15. He's. That type. But also not?? Still instant attachment that way LOL

Thing is he's VERY devoted to his childhood friend/Dorm leader, Riddle. But he will never admit this, not even to himself. (due to Trauma and also being totally completely normal. Uh-huh.)

SO IN WE BRING....ROOK HUNT (who is already on that slide HAHA)

Different house (it's a school setting, like Hogwarts but more Themed Houses based around. Different Disney villains) and SO. How do you explain Rook. Well he's based off the Huntsman from Snow White, mainly.

Gives these vibes. Incoming. Smiley. Will give affection. Somewhat of a threat.

Theater kid set loose. French. Loves beauty in all its forms. Drama, sparkles, has SO much love (platonic, I must preface, every time I use that, I mean in an unromantic manner) to give and is VERY vocal about it. Compliments you constantly and finds uplifting things to say even when you did horribly on something. You fell on your face? He will tell you you fell with magnificence or something idk he's just LIKE THIS ALL THE TIME, he means EVERY WORD TOO-

This dude will not lie. His eyes are too good, he is too perceptive. Oh also he hunts some students for sport, there's that little detail (HE NEVER HURTS ANYONE as far as I know he just. Watches. Love this lil weirdo. Some of his lines are "let's play tag!" and I'm like oh NO LMAO) so like I laugh at him but he's also MILDLY TERRIFYING AND CAPABLE LIKE DUDE-

Anyway, TREY you meet early since he's in the first house you deal with, Heartslabyul. But my first exposure to ROOK was through Trey's Lab Card story, which is honestly a fun time on its own. They are science club buddies!!

So right off the bat you have a very :D :D vs calm =w=;;; dynamic, which I love. But then we have....Trey, who denies how much he cares for people, for Riddle. Who shows care through his actions, baking, Due to Reasons, words of affirmation might murder him on the spot. And then we have Rook, who is a font of flowery warm appreciative words who loves and loves loudly, watching this like 👀 I see you. (incoming shots of Halloween Event part 2)

The guy calls him Chevalier des Roses to his face. Constantly. Rook has little nicknames for alot of people (most dorm leaders he calls "King of Roses" (Riddle), "King of Lions" (Leona) etc.) but he calls Trey a Knight. Of Roses. He's calling Trey Riddle's Knight. And it's very cute.

(Halloween event tossed them together and it was WONDERFUL)

But yeah Trey has his own reasons for shying away from the title. He's a baker's boy, he has no sword or armor or anything, also it's embarrassing as heck-

But Rook still sees how he treats people. He calls a knight for what it is. Rook himself ADORES his dorm Leader, Vil, and sees Trey trying to hide this same devotion and just goes "you are like me!!!" Trey: oh please no I could never-

Also they're SUCH. PARENTS.

It's just. A really good dynamic I'd LOVE to see more of, y'know? An understanding, somehow being understood by someone more than you know yourself. Rook is also weird as HECK sometimes (what do you mean you can see how Leona is yawning ALL THE WAY ACCROSS THE FEILD) and Trey nearby is. His friend. He's just like "I'm so sorry he's just like this" and it's VERY funny akjshdjksdhfs he may have to hold Rook back from blowing up the labs again, dude gets carried away.

I do love this very CUTE fan art here.

Twisted Wonderland has some lovely character dynamics. Also no one is "normal", but Rook is just another level of w h a t.

It feels like alot of interactions were just "hm spin a wheel, see who we get, slap them together" and it WORKS. SOMEHOW. Platonic Rook Trey is just one I've become extremely fond of and it's a rarer one....

You probably weren't expecting that much but it was a fun thing to answer. And THANK YOU About the art!! I wish to post more!! After school ends....soon.

[insertcoolnameherethanks]

My one fear is that ST5 does go back in time and no one remembers, therefore Steve is still King Steve and loses the friendships he's made with the kids and Robin

[arcadeghozt]

trying soo hard to shut up abt the way barry’s character was handled in the post-coma seasons but the more i think abt it the more pissed off i get what in gods name were they thinkingggg

[corvidshipping]

every time i watch m.onsters i.nc i get the urge to bring back the weirdly detailed fucking 1000 page fanfiction i spent months carefully building when i was like. eleven years old

[uraniumglassgirl]

yesterday i found volume 16 of jjk at walmart and dear lord that was so engaging to read even though ive seen it before physical manga is fucking awesome

EDIT: the geto on the cover is also very sexy and i want to fuck him.

[dizzybevvie]

in an emotional HTTYD mood

[masonsystem]

seto................

[teapartyprincess4two]

omg can you make a chris version to the talkative fic? my english isn’t very good i apology if this doesn’t make sense!

Talkative- C. Sturniolo

pairing: Yapper!reader x Boyfriend!Chris

classification: SFW & NSFW headcannons

inspiration: request^^

warnings: some 18+ content, use of y/n, established relationship

summary: head cannons of Chris with a talkative, yapper girlfriend!

Talkative- M. Sturniolo (Matt’s Version)

Talkative- N. Sturniolo (Nick’s Version)

—

☆ SFW

You love to talk and that’s something Chris has loved about you from the moment he met you. He, much like you, is extremely extroverted, but every girl he’s talked to in the past has always found him to be too much. You’re his perfect match and although he also likes to talk, he loves to listen too.

☆ Chris never gets tired of hearing you talk, “Babe tell me the story about the teddy bear again.”

☆ You retell stories in such a detailed way that he can’t help but burst into laughter even if he’s heard it before.

☆ When you talk about your friends, it’s like you’re explaining their lore in full detail each time.

☆ “No, babe, that was Savannah. I’m talking about Teala,” or “Dude, I’m telling you that’s why they fired that bitch.”

☆ He has all the characters memorized, even categorizing their lives into arcs, episodes, and seasons.

☆ “Wow Teala is in her villain arc,” and “On this weeks episode of, Who the Fuck is Getting Fired!”

☆ He loves asking you questions because you somehow know the answer to everything.

☆ You’ll be eating dinner and suddenly a random question will pop into his mind, “Y/n, what does litigate mean? I heard someone use it today, sounded fancy.”

☆ You look up at him mid bite, slightly confused but also intrigued at a new topic of conversation.

☆ “I think it has something to do with the law, I don’t know, babe. But one time I heard someone say that on one of those court shows…” you drone on for a while.

☆ Chris always Googles the answers afterwards, not because he doesn’t believe you, but because he truly thinks you’re the smartest person on this planet and you haven’t been wrong yet.

☆ You’re both equally insane, you’ll laugh like crazy people no matter where you are.

☆ You tell the best jokes too, your mind works so fast that you’re able to create comebacks and quick, witty remarks to everything he says.

☆ Sometimes you’ll join him and his brothers on grocery trips, and the both of you wander off just completely in your own world.

☆ You’re the only person who can catch Chris off guard.

☆ You’ll say something completely unexpected and outlandish, causing him to pause whatever he’s doing and stare at you in shock.

☆ “Babe! No way you just said that.”

☆ “I said it, and I’ll say it again.”

☆ When you’re with friends, you tend to talk over each other and your friends almost break their necks switching their attention between you and Chris.

☆ To other people it might seem like you’re fighting each other for the spotlight, but in reality you’re able to bounce off each other’s energy and add on to whatever the other says.

☆ He knows what it’s like to be called annoying, so if anyone ever makes you feel uncomfortable for being talkative he defends you without hesitation.

☆ “Watch your fucking mouth. Don’t say shit like that about her.”

☆ Every conversation you have is full of inside jokes that no one else can keep up with, and it’s literally something new every week.

☆ Although other people are confused by the jokes, you and Chris understand each other fully, almost like you speak your own made up language.

☆ You make each other laugh so hard that your cheeks and ribs will start hurting.

☆ “Chris stop! I’m gonna pee,” you wheeze, rolling over on your side as you try to catch your breath.

☆ He keeps going though, making you laugh harder by making silly faces and funny voices through his story.

☆ After long days of filming and being away from you, he’ll cuddle up next to you in bed and murmur through the drowsiness, “Talk to me baby.”

☆ You know he’s tired so you don’t talk his ear off at a high energy, you just retell your day and play with his hair, kissing his face between sentences.

☆ He loves the sound of your voice, each word as sweet as honey, instantly lulling him into a peaceful sleep.

☆ You’re very opinionated and sometimes you say something he disagrees with, instantly creating a debate between the two of you.

☆ The debates always start off innocent, just you two going back and forth with opinions and the occasional fact.

☆ It’s not until it gets personal that Chris gets upset, giving you the silent treatment until you’re begging for him to talk to you again.

☆ “Chris, I’m sorry! Just talk to me, I’m so bored without you!” He tries putting on a tough guy act, but it never lasts long so he’s forgiving you within seconds.

☆ When you’re around older people, they always comment on what a nice, kind couple you two are because you engage in conversation with everyone.

☆ “What a nice old lady,” Chris says, slinging an arm around you as you both walk away.

☆ “Such wisdom,” you chime in, both of you falling into a fit of laughter. You could never take anything serious.

☆ NSFW

☆ Chris knows not to look too into your conversations with other guys, but sometimes he can’t help but get jealous.

☆ He’ll lose you at a party and find you talking to a stranger, an excited aura surrounding you as you jump from topic to topic.

☆ When he sees the guy becoming too comfortable and touchy, he makes his way over to you and inserts himself in the conversation.

☆ Later, he’s fucking you to teach you a lesson and clamping a strong hand over your mouth to keep you quiet, “This dirty little mouth of yours got you in trouble, Princess.”

☆ Other times he just gets turned on by your voice.

☆ He wants you to talk him through the sex and guide him on what positions you want.

☆ “C’mon baby, tell me how bad you want it.”

☆ Despite you both being talkative, there’s times when you’re so fucked out you’re speechless.

☆ The only sound that fills the room is skin slapping and Chris’s animalistic grunts, followed by your whimpers and small squeaks.

☆ He relishes in it, “This dick has you speechless, huh?”

☆ All he gets in response is a whimper, as you claw at his back for support.

☆ Chris loves when you dirty talk him, using your words to say filthy things to him.

☆ It riles him up beyond belief, and if you keep it going he’s lasting at least 3 rounds.

☆ Afterwards, he loves cuddling or spooning, both of you talking for hours about your future together.

—

MASTERLIST

A/n:

Happy birthday to me! (It was yesterday at this point)

Thank you for this request and NEVER apologize for your English/ grammar. I’m a bilingual education major and I firmly believe you don’t need to apologize for that EVER. I luv u!

Also I’m bilingual (English & Spanish) If any of yall ever want to send in a request in Spanish, go ahead bbys! LOS AMO 💋💋💋

Lastly, I’ll admit that this was harder to write than Matt’s version idky

- L.A.M.B👼🏻💗

—

taglist: @nicksmainbitch @sturniololovers @mayhem-72 @worldlxvlys @gnxosblog @meg-sturniolo @creamoncreamoncream2 @mattnchrisworld @sanyi5 @lustfulslxt @whicked-hazlatwhore @tworosesblackthorn @mxqdii @fawned01 @junnniiieee07

note: if you want to be tagged in my fanfic related posts, you can access my TAGLIST and comment 💐

[byoldervine]

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

[spectralreplica]

Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.

Drawing with anti-aliasing off really brings me back...

Classpect thoughts under the cut if you really want:

Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.

So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.

Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.

Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)

So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).

Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.

I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)

Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 

I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.

Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.

Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.

Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".

[ecoamerica]

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[cryptocism]

Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.

Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.

Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.

But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.

For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.

Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.

So Thad's motivation seems pretty simple: Thawne Supremacy™.

But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.

If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.

Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.

He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.

Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.

Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.

The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.

Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.

Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.

Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)

Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.

All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 

Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.

Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.

And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.

Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.

And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.

It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.

Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.

(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)

While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.

[bidisasterevankinard]

What is your opinion about the vertigo poster that Tim posted? People are saying that is a confirmation of Buck being in love with Eddie…

Im really tired about all the “will they, won’t they” and I love Lou and Tommy/Buck relationship, do you think Lou will come back for season 8 or are you of the opinion that they’ll break up on the finale?

Idk the meaning of Vertigo(tell me). But the things I know:

People was talking about "this detail"(I can name like 5 right now without thinking much) says what buddie will happen. But it never happened

Ryan literally called Eddie HETEROSEXUAL. which means now no one sees him as queer and nothing like that will happen. Especially while he still deals with Shannon and her ghost, if ever. All the talks "but Tommy/Eddie was in plan means Eddie is queer" miss the point it was on the same stage of planning as Maddie/Eddie before 2x1. They had idea, they looked at their story, talked with actors and said "no, It's not what we will do" and dropped it. So now people need to understand that in canon creators see Eddie as hetero. Ryan sees him as hetero and Tim really respects and listens to opinion of his actors about their characters (I still hc Eddie demi btw, but people need to understand hc and canon is different things and I respect Ryan's opinion)

Ryan also said it was important for him and Oliver to play how queer man comes out to his straight friend and nothing between them change. It was important for him to play it to the situation he had with his close friend to show that men can stay close as before even if one of them comes out

Lou said bucktommy are thriving during what seem like 7x9/10 shooting

Tim called bucktommy rom-com and rom-com couple stays happy together in finale

Oliver is excited about exploring bucktommy's relationship and said it exciting to work with Lou and he hopes to get to know him

Both Ryan and Oliver told that they want to show that men can be close and vulnerable how buddie are without any feelings involved

Oliver said he doesn't want the situation where queer guy comes out and it means he's in love with his best friend

Lou till yesterday was not active in cameo which means he more likely was shooting and they kept it secret bc it can be spoiling. I can't see Buck's good and exciting coming out story, when he's so smitten, end with break up in the finale

Also, bucktommy kissed right after Bobby's wedding speech, right after madney's kiss with the love song which soooooo deep connected to madney's love story still playing. They could drop the music, not show the kiss, but they did. To show the point that Buck and Tommy are falling for each other step by step. And Tommy is the one calling Buck 'Evan' and it was confirmed important(and that Lou was instructed not to call him Buck) in they way that Buck loves how Tommy calls him that and to point out how different Tommy is. Which means that they plan to leave Tommy as long term. At least try to and gather reaction from ALL the fans, not just buddie fans

Also. It's season 7. And all the seasons Buck tries to find stability in love life, settle down. And it starts to get boring and painful to see how 911 use him to bad love stories and arcs. The last season started with him trying to prove he can be good captain eventually and Bobby tells him he needs to gather some more experience and settle down at ease, before he will be ready. And it's actually time for Buck to settle down. And Tommy can be it. Person who likes him, who respects him, who runs to him, who chooses him. Buck can settle down with Tommy and be finally at ease with love and look at what else life has for him. New hobbies, new possibilities in job(not even become a captain, but for example lieutenant as somehow our show doesn't have it, they might think about adding it. Or become mechanic. Or something), new friends even

So, I'm pretty positive this poster means nothing more than Tim appreciated the, as I know fan's work(correct me if I'm wrong), and Bucktommy and Lou are here to stay and people should get use to it

[imviotrash]

🗡️Edward Midford and Autism coding 🗡️

During my Hiatus from the Kuroshitsuji fandom, I got diagnosed with autism. It took me some time to come to terms with that and to figure myself out.

I returned to the Kuro fandom last summer, due to (what I now come to recognize as) my longtime special Interest finally getting an anime adaptation and upon rereading some of my favourite arcs, I came to the realisation that I see a lot of my (and my peers) autistic traits in Edward. What's interesting about this character is that he has a lot of autistic traits, that are not really touched upon in media. So lets get into it!

The gentleman extreme (and how everything is taken a bit too literal/seriously):

In his introduction in chapter 52 he is shown to uphold the same beliefs as his mother, scolding his sister for behaving in an unbecoming manner. He's shown to be very close to his family and strictly upholds their values of protection. At first one may assume he is just like his mother, but it is quickly revealed that he is far more ridiculous. His upholding of his gentleman status is often paired with anger, such as in chapter 58, where he scolds other men for not letting women and children go on the lifeboats first (king behaviour) and also being the one to later recommend to look for more survivors. He has a strong code of ethics and upholds it, even if it is seen as ridiculous or even dangerous.

When it comes to clothing, he also upholds strict values and instantly gets flustered and afraid when that standard is not upheld, to the point where he needs physical distance and shields his eyes.

From these tidbits already we can observe that he is ridiculously formal, upholding the social decorum to the very extreme. While autistic individuals are known for their non-conformity, they are also known to accidentally not conform by confirming too much and following instructions to every detail. I fall into both extremes, but I definitely stick to the latter when it comes to social interactions.

I think Edward definitely falls into that category, because he represents how ridiculous the Victorian code of ethics and etiquette can be if upheld at all times. I may dabble into headcannon territory again, but I strongly believe that knighthood and the chivalry connected to it is something like a special interest for him, which contributes to the way he acts.

Aggression and volume:

In his introduction he yells at his future brother in law. A complete overreaction and incredibly ironic considering his previous scolding regarding etiquette. This happens multiple times, especially when confronted with Ciel his gentlemanly behaviour suddenly turns into childish banter. He is usually soft spoken but can be louder if he is simply commanded to do so.

Volume control is something a lot of autistic people struggle with. For me it's especially when talking about special interests or talking to a person who interrupts me A LOT. I am quiet and do not speak often, so when I do I must make the most of it.

Based on cannon evidence, I believe that Edward may struggle with this too. He's loud to get his point across, because he believes that loudness will make others listen to him.

Spiky hair, in this economy?

So we all know Frances and her strict rules regarding men's hair, right? Everything has to be slicked back and she thinks Sebastians hair is atrocious (so do I). So why is it that her son is the only one allowed to run around with this type of hairstyle? Alexis has very nicely brushed back hair, Elizabeths is also nicely done. Isn't it strange that she makes an exception for ONE family member?

So here is where I dabble into headcannons, because I think the exception was made because he has sensory issues regarding his hair. He doesn't like it slicked back in any way and feels uncomfortable with any product in his hair.

Once again, heavily falling into headcannons, so take this one with a grain of salt.

Elizabeth and her influence:

Edward is incredibly attached to her sister. Mainly being protective of her and not trusting other men (especially his brother in law) to treat her with the respect she deserves. He knows and appreciates her skill and knows she's incredibly capable. So...why is he so attached?

Elizabeth is an important catalyst for his behaviour, because it shows the extremes of his gentleman code. His good manners instantly turn into ridiculous aggression as soon as he sees something that he views as a threat to her. Despite his behaviour towards Ciel, he does care about him, because he realises how important he is to his sister. Elizabeth is a person of comfort for Edward. He admires her talent and sees her as a valuable family member who has been through a lot of hurt.

Autistic individuals often have trouble with boundaries and attach themselves onto others quickly, which leads to them unintentionally treating them incorrectly. This is definitely the case here, since he gives little (social) agency to Elizabeth for the sake of her protection. He genuinely cares about her but is unable to set healthy boundaries, because his way of emphaphy differs from the social norm.

Masking and copying behaviour:

What is interesting about Edward is how he copies the behaviour of others. He has a role model and copies their behaviour because he desires to master it. So why does he do that?

My answer is masking. Edward genuinely admires these people, but is unsure of how to adapt their skills in his own way, so he copies them. This is something we can often see in masking. Behaviour that is seen as acceptable by society is often copied by autistic individuals to blend into society. I think for Edward it's a combination of masking and admiration. His strong upholding of the Gentleman code also fits well into this category.

Beyond that, the Blue cult arc also proves that he able to severely alter the way he behaves, if needed. Does he feel comfortable with that? Absolutely not. But he does have the great ability to do so if instructed, which proves to yet be another factor for him masking his behaviour.

Mediocrity in a Neurotypical society:

So Edward had this nice monologue about him being mediocre compared to his prodigy sister and I think it is exactly this scene, which makes me headcannon him as autistic. Because this is the exact trait I do not see often.

In media, many autistic individuals are represented as prodigies and amazingly intelligent and I can't help but hate that stereotype, because it puts unrealistic expectations on disabled individuals. I have prodigy friends who are autistic and I truly admire them, but I need people to understand that autism is a disability and not just "socially incompetent person who is going to revolutionise the world". As soon as one's interest is not deemed useful by society (which mainly includes "feminine" interests), they are not validated. Autism is only accepted by society if it proves to be impressive or useful. It is not seen as a disability, but as something to exploit.

I like Edwards monologue, because I relate and it rounds out his character really well. He accepts that he is not a prodigy, that he sucks in many regards, but that he still looks up to those who fit into the standard. His monologue is something that I've truly taken into heart, because you do not need to be a prodigy to be valid, you should not need to be extraordinary to be accepted as you are. You are allowed to be mediocre. You are allowed to treat your disability as a disability, because that's what it is.

Lastly:

Please remember that most of this is based on my personal expenses with autism. It is an incredibly diverse neuro divergency and manifests itself differently in all sorts of ways. Many of these traits may not apply to you or to anyone you know. This is just a personal observation based on my own and my companions experiences.

[weeb-polls-with-pip]

Autistic Anime Girls Finale

SUBMISSION PROPAGANDA:

Asa -

"one of the first things that shows up when you search up 'asa mitaka' on google is 'autistic' which is a good start.

some notable traits is applying herself to rules when it's not needed, when she waited to walk the street at a red light even when there was absolutely no cars, she doesn't fit in well with her peers, notoriously awkward (and a bit of a klutz), she doesn't seem to have an acknowledgment of her own tone or volume when talking to people (she feels okay just yelling out loud to her devil hallucination in public..), and of course.. her idea of a date is setting up a timed-out plan, with her telling many sea creature facts without pause. she does NOT wanna deviate from this plan. She very much bores her date, but she thought it would win him over instantly.

all in all Asa is a very relatable character to a lot of autistic people, especially autistic girls and autistic teenagers. a lot of her character and arc is centered around social isolation and trying to connect with people, and how that also interacts with self worth. personally i think she should win."

Izutsumi -

"Izutsumi is a picky eater and she has sensory touch issues as well plus as a catgirl she automatically gets autism because all cats have autism by human standards."

Richeh -

"her life's purpose is to live her life according to her own rules, regardless of society's rules that don't make sense to her. and she does that by wholeheartedly embracing her special interests of making delicate magic of crystally stuff and shiny ribbons! she's also prone to making lil puns with her name and the names of the other witches in her atelier, and nobody really gets them aside from the people in her found family <3

also (CONTAINS SPOILERS) her brother once told her that he loved her magic just as it was and that he hoped she never stopped making it and being herself (paraphrased cuz i don't remember the actual quote!) and she took that literally to mean that she shouldn't make magic that wasn't the kind of magic that was hers- i.e. shiny, small, ornate, and detailed magic. Being forced to change how she made her magic in order to "do things the proper way" during her original apprenticeship caused her intense distress, and she'd often refuse to do so and would instead think up her own magic to solve problems instead of doing things by the book. Doing that subjected her to harassment and abuse from her original professor, leading to her eventually needing to leave her 'traditional' witch apprenticeship and get her apprenticeship done at Qifrey's atelier, a place far removed from the main witch cities that accommodates her and allows her to grow the way she wants to."

[ecoamerica]

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!