#as far as i know it's primarily kids who are into it

[ordinaryschmuck]

Why I Love The Owl House: Part 5-The Themes

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Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.

Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…

With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:

(Also, prepare thyself. This one is twenty-five pages)

Honesty is the best policy 

I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.

Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.

Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?

All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.

But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.

Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…

We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…

Your actions can have unintended consequences

There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.

Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.

The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.

The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…

Your existence changes lives in unexpected ways

Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.

“She also caused Belos to—”

SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.

Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.

“But she still help free The Collector–”

Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.

“But she still helped Belos–”

OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.

…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.

Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.

Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.

There’s nothing wrong with who you are

In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.

Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.

Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.

Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.

We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…

Your pain matters too

Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.

Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.

That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.

Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.

People can always improve

The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.

Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.

The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.

Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.

People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…

Some people don’t deserve redemption/forgiveness

This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.

Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.

It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.

No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.

Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.

It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.

The ones who make the rules are sometimes the most dangerous

Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.

The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.

Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.

I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!

…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.

Parenting isn’t easy

There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.

Starting with the most forgiving, we have…Camila.

“LE GASP!”

DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.

If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.

Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.

It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…

Family is more than blood

Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.

Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King’s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.

I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.

I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.

Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:

You’ll find your people

This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.

Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.

After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.

Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.

Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.

Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.

Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.

Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.

Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.

It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!

Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.

And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.

Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…

Love heals all wounds 

On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.

“Us weirdos gotta stick together”

On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group. 

Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?

What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?

Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.

And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.

Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.

[red-dragon-archfiend]

Y'know I didn't know how we'd get a 2010s creepypasta resurgence but I wasn't expecting it to be in the form of Friday Night Funkin' mods

[ratcandy]

the three types of characters i am allowed make

bad mom

angry old man

lying liar who lies (about their identity) (can overlap with the other two)

[thebibliosphere]

I think sometimes it's hard to see my progress with my health because it so often feels like I take one step forward and then a hop, skip, and a jump back in some regards.

I'll improve one thing, and something else will pop up like a constant game of whack-a-mole with Symptoms. It's hard not to feel defeated, even though I know logically that progress is progress, but sometimes, progress doesn't feel much like progress and more like dragging yourself around by the scruff of the neck. It's tiring, in a 'slowly eats away at your soul and makes you increasingly mentally unwell' sort of way.

And then I'll see someone like Magic Dentist Man, who I haven't seen for a while, and the clarity of how far I've come hits me like a ton of bricks.

I've been through a lot since he first started treating me. I almost died, for one thing. He was there for the worst of it. Watched me slowly fade away to nothing until it was almost too late. But he hasn't seen much of me during my recovery. His daughter has primarily taken over my care -- the only person, he jokes, who he trusts with my 'complexities.' When he found the infection on the lower right side of my jaw during my checkup last week, however, he declared then and there he'd be the one to treat it.

"You've been hurt too much already, kiddo," was all he said, like if it was up to him, like if I was his kid, he'd beat the shit out of everyone who came before him. Like the fact that I was so badly brutalized by the medical system that I taught myself to breathe through the pain of root canals without anesthesia was a travesty he'll never forgive.

He's like that, Magic Dentist Man. He sees someone in pain and says, "Not today, not at my hands."

If he asked me to help hide a body, I'd ask how far away and how deep he wanted the hole.

Anyway. He's seen me through some of the worst moments of my life, and today, while he was holding the curing wand over my carefully reconstructed teeth, I caught him smiling upside down at me behind his mask.

"What?" I asked, though it came out more like, 'Hwhut?'

"Nothing," he said, still smiling. "I was just thinking you look alive."

And maybe now, a few hours after the painkillers are out of my system, maybe, yeah. Maybe that's hitting a little harder than I expected. Because he knows, y'see? He knows how far I've come. Even if I sometimes forget.

[hadesoftheladies]

This might be one of the most important posts I've ever made. (Please Read)

@bakerstreetdocter per this post where i responded to the sports poll i made

on the poll for why folks in radblr didn't watch women's sports, the overwhelming majority of you said it was because you just weren't interested. i needed to make a whole post to respond to this because let me tell y'all something:

WOMEN'S SPORTS IS A HUGELY IMPORTANT INSTITUTION FOR ADVANCING WOMEN'S RIGHTS AND DISMANTLING PATRIARCHY

Let me tell you why.

#1. Sports and Male Hegemony

Do you know what keeps patriarchy so strong? Male camaraderie. The reason rapists and paedophiles don't go to jail, the reason men are paid more, the reason patriarchy even fucking exists is because men invest primarily in men. Sports doesn't just reflect this, it PERPETUATES it more efficiently than most other institutions (like it's right up there with religion and porn). I'm not kidding. Male sports is where men go to bond over everything. They bond over beating up their wives (I've seen it in real time), they gather to celebrate male strength and achievement, and elevate male dominance. The reason sports is so important to the patriarchy is not just because it perpetuates, centralizes and publicizes male excellence, but because it nurtures male camaraderie. It gives them space to be openly "manly," because it is really a festival for male dominance in every way.

Not only that, but it RADICALIZES boys and men in male supremacist ideology. If male peerage is where boys and men slowly corrupt each other with misogyny, men's sports is where that sort of thing is concentrated to the MAX. I'm talking MASSES of men and boys. Uncles and fathers taking their sons to bond over men they believe represent them and their perceived superiority. This has also had consequences for women and girls. Domestic violence rates shoot up during different (men's) sports seasons. The demeaning and brutalization of women is common in these environments.

If you think porn is a huge industry that radicalizes boys and men into becoming rancid misogynists, sports is the next big thing you should worry about, because however effective porn is for dehumanizing women, men's sports is the one most effective for popularizing male dominance and supremacy on a global and generational scale. Forget music and movies, THIS is something feminists should be fucking worried about.

(Read more of this article here.)

#2. Women's Representation, Power & Social Influence

Compared to the crumbs of proper representation we have for women in music, movies and mainstream literature, women's sports centres and normalizes every kind of woman you can think of. Big women, small women, muscular women, single women, masculine women, feminine women, women with wives and husbands, mothers, tall women, unattractive women, cocky women, etc . . .

I have never encountered a visual franchise that humanizes women more than women's televised sports. Never. Not in movies, not on the internet, not in shows. The raw humanity and personhood of women is given centre stage in every angle. We see women sweat, we see women bleed, we see women bump each other in the chest, we see them fight and scrap, flaunt, beg, roar . . .

This humanization has affected not only women who finally feel represented by other women to the world, but even men. Many men and boys who watch sports have far more positive outlooks on women than their counterparts. They are forced to appreciate the skills, strength, intelligence, and personhood of women.

In sports psychology, there's the topic of how people tend to form identities around the athletes or teams they admire. They perceive themselves as an extension of those teams/athletes. This is a very powerful social phenomena, because it strengthens intra-community investment by giving the individual a personal stake and sense of belonging.

It is powerful when men view male athletes and men's teams as an extension of themselves. When mothers take their children to these games and kids identify with the male athletes on the pitch. It is very effective in re-enforcing male-as-default for everyone.

But it is also powerful when this happens for women. When men, women, children begin seeing female athletes and teams as extensions of themselves, it strengthens the perception of kinship with women of all kinds. It humanizes women in an intimate way. Where it's no longer about the "women's team" but about "US." When men and little boys identify with female athletes, point and say "US" instead of "THEM" it lays crucial ground for male allyship.

This is partly why many women's leagues across multiple sports got banned historically. It was because they completely overhauled the idea of women as other and that was a threat to the status quo, because if men started identifying themselves with women, started seeing women's victories as theirs, started seeing women as their heroes, it made male dominance unnecessary and obsolete. It made women heroes for men, women, boys and girls to believe in. It made them leaders and icons. Champions. It destroyed all the lies patriarchy lived off of.

#3. Female Centricity, Community and Consciousness-Raising

I've talked about what this does for men, but I want to zero in on what this does for women.

Right now, in society, men have multiple institutions and industries to boost their camaraderie and male supremacy, whether that be sports, religion, gaming or pornography.

Now, can one of you name a single institution or industry that brings women together to bond over womanhood? Can you name a bonding ritual for women that doesn't include femininity? Most of you will probably only have entities like certain female musicians (taylor swift, blackpink, etc) rather than industries. Currently, the biggest industry that women bond over (and even then, it's not really a social event) is make-up. We're mostly broken up into different fandoms, or maybe we find each other studying certain women-dominated degrees. In most other cases, we're with each other doing something domestic (baby showers, cooking/planning during family get-togethers, etc). (though based on trends, university campuses may soon become women-dominated spaces in totality XD). The domestic sphere is perhaps where most of the consciousness raising has occurred historically.

Unfortunately, the biggest contributor to women's consciousness raising with the most global reach is our shared trauma. That is the one thing that unilaterally unifies women and girls everywhere, and even then, not totally.

While our shared suffering has been a great tool in radicalizing us for change (though it's already an L that we're suffering in the first place), it isn't something that actually empowers the community of women. Radicalization does not equal empowerment. And women need hope and joy to have strength to fight. They need to identify with each other, not simply with each other's suffering. If anything, women are in desperate need of an industry/institution that isn't crippling them with enforced femininity and isn't centred on their misery, but rather, celebrates their womanhood and the joys of being a woman. Centres womanhood. Something that gives them space to celebrate themselves.

The things that do that are the ones fiercely under attack, e.g. women's sports, lesbian festivals, etc. You need to have a hard think at why that is to realize how vitally important things like this are. The difference between something like women's sports and lesbian festivals that gives women's sports an advantage in being the most socially influential, is that women's sports encourages the participation of everyone and posits itself as relevant to all people within the geographic location it is a part of. So it gets more eyes and has more sway.

I have been brought to tears seeing crowds of thousands scream to a deafening degree over a young woman scoring a goal. I'm talking men, women, children losing their fucking minds. Chanting a woman's name from the stands. Rushing to take pictures with her. Cheering for her to break another record. Women need to know there are alternatives to being hated by men. You guys need to know what it feels like to see entire cities show up and show out for women. Where women are glorified, practically worshipped, not for being sexually attractive, not for being the epitome of beauty, but for being skilled, for being amazing women. You need to see women horsing around, unrestrained and free to talk shit. You need to see them acting goofy, without makeup. You need to see them surrounded by love and support no matter who they are. You need to see them having the time of their lives with each other. Real women, doing real things. You need to know what it's like to see a woman do incredible physical feats. You need to see how powerful the female body is. You need to see this day in and day out. You need to know it like you know your name.

Because that's what men have every day. And when I tasted it, I couldn't get enough.

The next generation of girls and women need this so fucking bad. Now more than ever.

#4. The Destruction of Gender

(Portia Woodman-Wickliffe, rugby player for New Zealand)

Which leads me to my next and pretty much final point as to the necessity of women's support of women's sports. Whether or not you're willing to admit it, most of you aren't interested in women's sports because of your gendered socialization.

This could be subconscious resistance (e.g. you're so used to it being mocked you can't fathom getting into it), or it could be simply because of your upbringing and current social environment. I've noticed, that most people engage with sports based on a pre-existing culture concerning sports. Most sons are introduced to men's sports by their fathers, and, as established earlier, it becomes a bonding ritual. Many of us didn't have those experiences as girls, so we never saw the value.

But I think this is also a part of enforced femininity. Right now, some parents don't want their girls watching women's sports because of how unfeminine the women are (and this usually goes hand in hand with homophobia, since a fair share of athletes are lesbian/bi). We're taught to be ladylike. To be demure. Female athletes can rarely afford to be. Even if they wear lashes to the court XD. They have to body their way through. They have to work and scrap and fight for their victories.

It's even more sad to me, since I'm now a very active watcher of women's sports (which I decided to get into on a whim one night, no lie, like I didn't feel like it I just decided to Google random stuff and look at highlights and then I got invested) how crippling that feminine socialization has been to me. How much I've missed. Not only has watching women's sports increased my own pride and confidence in my body, given me a space to experience joy in being a woman (outside of femininity), but it has also made me feel far more connected to women in a predominantly positive way (rather than trauma-bonding). It has humanized women for me, too. Even as a feminist. It's really kicked the shit out of what internalized misogyny I had left.

This is the primary reason women's sports has been so vilified, as I have pointed out in my other post on this topic: it is the loudest anti-gender campaign in society. It destroys patriarchal myths about womanhood and makes femininity and masculinity obsolete. This is why its still resisted today, and this is why it's integral to the feminist fight. Not only does it empower the fight for women's liberation, but it also bolsters movements for things like LGB rights, another movement that seeks to demolish the institution of gender in society.

Conclusion: This Is Urgent

While women's sports is on the up-and-up, female athletes NEED predominantly female audiences to ensure the integrity of their leagues and to minimize exploitation. If men remain the predominant stakeholders in women's sports, they get to demean, belittle, objectify, starve, sabotage and command the female athletes. They get to use women's sports to perpetuate misogyny and the dehumanization of women. At a time where women's liberation is gaining global traction and is heading to a potential climax with patriarchal society, this is something that is vital to our fight. I'm dead fucking serious. It stands to be one of our best assets in the global fight to humanize women. It is one of the best anti-patriarchal propaganda machines we have. We must protect it via our support both financially and with our time. We cannot let men take control of one of the biggest weapons we have. Girls need this. Boys need this. Society needs this.

WE need this.

[lovebugism]

the combo "they have to work together and they hit a realization on how its not too bad" + "fuck you" "when" w eddie pleeeasseeee

ty for requesting :D — the kids hatch a plan to get their favorite arcade workers to stop hating each other. it works out a lot better than they thought (enemies to lovers, 1.5k)

You wipe down a few grimy tables — all of which seem to be perpetually sticky at The Palace Arcade — with nothing but a damp cloth and a stubborn determination. You’re interrupted by a finger poking you expectantly in the back. 

You look slowly over your shoulder to find Max Mayfield standing behind you. Her auburn hair is parted into two plaits, and her freckled arms are crossed firmly over her chest. She leads the pack of regular teenage boys that typically accompany her here, obviously meaning business.

“Street fighter?” she wonders vaguely, in the place of any actual greeting.

“Out of commission,” you answer in a monotone before turning back to the table in front of you. You keep scrubbing at the stubborn ring of dried soda until she taps you on the shoulder again. “What?” you say with a dramatic huff.

“I know you got it working again,” Max insists with an arched brow. “Just like I know Keith’s keeping it hostage in the back so no one else can play.”

Both statements are only partially true. 

Eddie Munson and his self-proclaimed magic fingers (which you’ve begged him to stop referring to) managed to bring the dead machine back to life. Mostly. It lives primarily in the back room now, because there’s no use in bringing it out if it’s hardly alive. Keeping it to yourself, and away from the sticky fingers of middle school kids, is just a bonus.

You blink at the kids with a deadpanned stare.

Dustin Henderson, getting the sense that you’re about to shut them down again, decides to blurt, “We’ll help you wipe down the tables!” You meet his offer with an unwavering squint, wondering how far you can push him. He caves immediately. “And… clean the bathrooms.”

Lucas whips his head to the side. “Dustin!” he shouts.

“What?” the curly-haired boy cowers.

“It’s a deal,” you hum with a proud grin. Abandoning your bleach-stained cloth on the wiped-down table, you walk through the group of teenagers and towards the back hallway. “Follow me,” you usher unenthusiastically.

You find that the dead machine is still, in fact, dead when you burst into the back room with a gaggle of high schoolers behind you. 

Eddie’s popped open the bottom compartment to try and bring it to life again. He lies on his back with the top half of his body swallowed in the machine, working on the inside wires with lanky, tattooed arms. The hem of his shirt rides slightly upward, revealing the softness of his stomach and the trail of hair sprinkled there.

With your senses partially delayed by the strangely pretty sight, you don’t catch the kids running out of the room until they slam the door in your face. You rattle the metal knob with an aggressive hand. It refuses to budge.

“Ugh— You little shits!” you shout at the closed door.

Eddie, startled by the sudden chaos, bangs his head on the machine when he sits up. “Shit,” he grimaces once he’s fully in view again. He rubs at the top of his skull and squints over at you. “What the hell’s going on?”

“They locked us in here,” you grouse.

“Who?” the boy wonders with his face twisted in confusion and very distant disgust. “Why?”

“You’re not coming out until you kiss and make up,” you hear Dustin Henderson instruct, though his lisp is mostly muffled through the shut door.

“When I get out of here, you guys are dead,” you threaten in a monotone to the out-of-sight teens. “You know that, right?”

“We’ll take that risk,” Lucas snickers.

You huff when you hear them shuffle down the hall again, leaning your weight on the locked door with your eyes fluttered shut. Eddie just watches you, still sitting in the same position on the vibrantly patterned carpet. “I’m confused…” he mumbles after a few seconds of heavy silence.

“Unsurprising,” you scoff.

Eddie laughs to himself. The boyish sound strikes nothing short of inhuman rage in your chest. An impossible fire to breathe through. “Well, you’re particularly bitchy this morning,” he lilts and rises from the ground.

“I’m supposed to be working, but instead, I’m stuck in here with you,” you deadpan. “So I think I’m allowed to be a little bitchy right now, Munson.”

“Well… I’m on break, so…” He flashes you a stupid pink grin as he reaches for the outdated Pacman machine, which has conveniently plated his PB&J. He plucks the sandwich from the napkin it sits on and takes a sloppy bite. Jelly smears along the corner of his mouth. Your face swirls with disgust at the sight.

You turn back around and bang at the door with a closed fist. “Alright! You can let us out now!” you yell, hoping someone can hear you. “This isn’t funny anymore!”

“Stop trying. It’s too late,” Eddie mumbles with his mouth full. “They’re long gone. Probably for the next several hours… Either until Dustin beats his Dragon’s Lair high score or until one of them gets home and thinks to themselves… ‘Wait. I feel like I forgot something…’”

He rambles mindlessly to himself while he tugs the brown crust off his sandwich. He pops the piece of bread into his mouth and flits his gaze back to you. He finds you swallowing down a smile. ‘Cause you refuse to let the freak make you laugh.

“Whatever. I’m not taking the fall for this,” you huff and shake your head. 

You sit on the cracked pleather stool across the room from Eddie, in front of a deconstructed machine. The boy scoffs at your dramatics. “Shut up. Keith loves you. We both know I’m gonna be the one getting blamed for this shit.”

“Good.”

“What’s that supposed to mean?”

“I don’t know,” you shrug. “This is your fault somehow.”

“Trust me, sweetheart. This isn’t any better for me than it is for you.”

You roll your eyes. “Shut up.”

Eddie downs the rest of his sandwich in another too big bite. “Getting locked in a room with the Princess of Hawkins High isn’t exactly a bucket list item for me,” he says through the mouthful, then licks peanut butter off the pad of his thumb. “It’s more of a waking nightmare, honestly.”

You try hard to stay composed. You know he’s just fishing for a response. He wants you to be angry, and the problem is it’s working. You break before you mean to. “Fuck you, Eddie,” you bite, eyes narrowed in a challenging squint.

The boy approaches you with a tightlipped smile. He peers at you beneath his lashes, half-hidden in his hair as he flashes you an innocent look. “When?” he quips.

He towers over you while you stay sitting, scowling up at him with an emotionless glare. “You’re insufferable,” you deadpan after a few long moments.

Eddie’s grin widens. “I know.”

“And I hate you,” you press, just to really drive it home. 

You might be overcompensating. Just a little. Almost like you’re prefacing what you know you’re about to do. ‘Cause he’s close enough to kiss and too pretty for his own good. The proximity is maddening.

“Wanna makeout about it?” Eddie smirks.

You don’t humor him with a response. You just grab him by the neck of his Palace Arcade tee and drag his mouth down to yours. The kiss is full of tongue and teeth, passionate with hate and a lingering fury. 

His lips are softer than flower petals and taste faintly of sweet jelly. He kisses you with his delicate mouth, hard enough to knock you into the broken machine behind you. He holds the wooden edge of it with one ringed hand and cradles the back of your neck with the other. The thing hits the wall every time his tongue swipes against your own. 

His touch is achingly loud. The rattling of the door knob across the room almost goes unheard. You hear the comically loud squeal of rusted hinges and push apart from each other like you’ve suddenly caught the plague. 

You swipe Eddie’s spit from your mouth with the back of your hand as Keith bursts into the room — with wide-eyed teenagers standing behind him.

“What the hell!” Eddie gapes, lips rosy and softly swollen.

“Sorry…” Lucas winces. “We thought we heard banging.”

“I told them not to bother you,” Max chirps knowingly from behind him.

“We were scared you guys we’re, like, actually fist fighting or something,” Mike confesses.

You rise from the stool, keeping several conspicuous inches between you and Eddie. You nod and pull your shirt down from where it had ridden up. “Well, we were actually, so…”

“Fist fighting?” Dustin echoes.

“Yep.”

“With… your mouths?”

You swallow hard. “…Uh-huh.”

Silence lulls over the tiny backroom, making it feel that much more suffocating. You decide to make your escape with a heavy sigh, shoving past the bodies in the doorway without so much as a look their way. 

Eddie follows behind you — not because he’s on the same mission, but because your ass looks really good in those jeans.

“God…” Keith grumbles behind him, in his signature slurred monotone. “This is so coming out of your paychecks.”

[theturtlelovers]

のﾚﾘﾶｱﾉᄃ 丂乇ﾒ 

Pairing: Leo/fem!Reader Rating: Explicit Contents: Leo gets injured during patrol and he gets in the mood for some love making time Warnings: 18+, mdni, brief mention of blood from a wound, hickeys, creampies, unprotected p in v (wrap it up peeps) Wordcount: 4,139 Sentence Prompt: # 14 + 67

𝕊𝕖𝕟𝕥𝕖𝕟𝕔𝕖 ℙ𝕣𝕠𝕞𝕡𝕥𝕤

Notes: Wow, this one actually took quite some time to finish, and I'm surprised by the word count. I believe this might be the post with the highest word count I have so far!

He didn't intend to get injured; it was purely accidental, or at least that's what Leo assured you. You had no reason to doubt him, aware that he prided himself on emerging from skirmishes unscathed. When you've inquired before, he likened the sensation of a human punch to a light slap. His tough, scaled skin rendered him relatively impervious to the average human's blows, which were what he typically faced on patrols during robberies, inmate escapes, and the like.

This time, the incident involved a random drunk man who had been ejected from a bar. The turtles happened to be passing by when they noticed the bar owner, looking quite irritated, forcibly escorting the inebriated individual outside. Sensing potential trouble as he observed the man stagger away, Leo dispatched Donnie and Raph to carry on with their patrol while he and Mikey hung back to ensure the drunk didn't cause any further disturbances.

Unfortunately, the drunk man did cause trouble, picking a fight with a teenager who accidentally bumped into him. Observing the youth's attire, Leo guessed aloud that the kid was likely on his way home from a late basketball game, given the sport's uniform he was wearing.

As was their nature, Leo and Mikey sprang into action without hesitation. The teenager took the opportunity to flee during the scuffle, which was for the best since he didn't need to be involved in the first place. Mikey initiated his peace-making efforts, his good-hearted nature leading him to let down his guard to appear friendlier. However, approachable as a mutant turtle might be, he was still an unusual sight for a drunk man grappling with the fear he was hallucinating. Blinded by alcohol-fueled rage, the man suddenly drew a Glock from his pants and pointed it at Mikey.

Fear and panic were emotions Leo found unfamiliar and unsettling. When moment April found them—though it was more of a rediscovery, considering she had known them prior to their mutation—he was primarily concerned with how she would react with the information of their existence, knowing she posed no physical threat to them. He hadn’t genuinely felt them until the Foot Clan blasted a hole in their sewer home, Shredder nearly beat their father to death, and he and the two youngest were captured like animals. Raph was missing, and in the midst of his concern for his siblings, Leo had little capacity to consider his whereabouts. Luckily, that situation was settled with Shredder's defeat and Sacks' arrest.

That heightened sense of awareness, once sparked, never truly faded for Leo. The persistent fear that someone could tear his family apart lingered constantly in the back of his mind. Your support during their moments of respite was invaluable; you had a gift for easing his anxieties, reassuring him of his strengths and the progress his brothers were making in self-defense. And even though you seldom mentioned it, understanding his mixed feelings on the matter, you once suggested that his brothers might eventually collaborate with the police force individually, rather than always as a team.

However, when Leo saw the gun aimed at Mikey, his youngest and sweetest brother, those feelings of fear and panic surged anew, compelling him to act instinctively. He positioned himself in front of Mikey, turning to shield them both with his shell. The sight of a second towering turtle startled the inebriated man into a frenzy, and in his alarm, he fired the Glock.

Mikey remained unharmed, but the bullet found its mark in Leo's thigh.

Just as quickly the situation happened, the man was apprehended and placed into police custody.

Ironically, Leo didn't even notice he'd been injured until Donnie brought it to his attention back at their lair. The wound appeared more severe than it actually was; it hadn't struck any vital arteries or tendons. Yet, as a surface wound, it bled profusely, likely exacerbated by adrenaline and his continued movement. Donnie easily fished out the bullet and stitched up the wound.

As Leo sat on the couch, he silently brooded, carefully masking his emotions while watching Raph and Mikey play video games. It was clear to anyone that Mikey felt guilty about the incident. Leo appreciated that Mikey was taking responsibility, acknowledging that his passive approach had escalated the situation, and offering a heartfelt apology. Despite this, a sting remained—not from the physical pain of the injury, which was linked to Mikey's inaction, but from the realization that Mikey was maturing. They were all growing up and evolving, a fact that brought both pride and a poignant sense of change.

Over the years, Raph had mellowed significantly. His anger became more focused during fights rather than exploding unpredictably like a tank's heat round. He even earned the trust to lead the team on some nights when the intensity was manageable. Leo vividly recalled the first time he challenged Raph to take the lead, fed up with his constant bickering. Raph, initially frozen with terror, was surprisingly humbled when the team returned more frazzled than when they had left. Although Splinter scolded Leo for his approach, there was a certain satisfaction in having Raph finally respect his leadership. Following the Kraang incident, Leo gradually began to relax, allowing Raph to take charge more frequently, initially with guidance. Over time, Leo found he needed to offer fewer and fewer pointers.

Donnie was still somewhat of a hermit, a trait that likely wouldn't change, which wasn't necessarily bad given his introverted nature. However, he was gradually coming out of his shell, engaging more with the world beyond his screens. Leo particularly appreciated Donnie's growing desire to improve his combat skills, as it provided a chance for the two brothers to spend one-on-one time together. Yet, as Donnie's skills sharpened, Leo found it increasingly challenging to best him in sparring matches. Even Raph, the physically strongest of them, was starting to struggle against Donnie.

Mikey was like experiencing whiplash with his dramatic transformations as he aged. The youngest was still brimming with energy, his jokes flowing as freely as candy from a pocket. Remarkably, he began taking accountability for his actions, cleaning up after his mistakes, and willingly taking on responsibilities without shirking them. However, Mikey's transition wasn't quiet. He often stonewalled during discussions about accountability and responsibility. His mood swings were abrupt, shifting from calm and content to inexplicably irritable when others presumed ignorance on his part. His bouts of anger, rivaling both Leo's and Raph’s combined, occasionally alarmed everyone, given that Mikey's default had always been to diffuse tension with humor. But almost as if it never happened, Mikey's emotional and mental state eventually stabilized into a more mature version of himself.

Everyone briefly wondered if Mikey was experiencing trauma, but the fact that he seemed more fulfilled with life after the tumultuous period reassured them and dispelled those concerns.

Then there was Leonardo, the leader in blue, currently wrestling with the idea that his brothers might no longer need him to look after their needs. He would always keep an eye on them, as neglecting to do so would contradict his nature as the eldest brother. However, the incident with the purple ooze, which caused a rift in his family, had truly opened his eyes. He never wanted to face your wrath again, having been viciously reminded that just because he wasn't used to the idea of his brothers possibly leaving to build their own lives—whether they remained turtles or mutated into humans—he needed to accept that they might not need him as much.

His thoughts were interrupted by the sudden warmth of your soft touch on his shoulders. How you managed to sneak up on him at times was beyond him. "Are you doing okay? Donnie told me what happened during patrol." Leo's insides melted as he looked into the gentle eyes you were giving him.

He nodded with a small smile, taking your hand in his and placing a chaste kiss on your knuckles. "I'll be fine. I'll be back to normal before you know it." The corner of your lips lifted into a smile. So pretty.

Mikey spun around. "Oh hey, (Y/n)! When did you get here?" Raph only turned his head to look.

"Not too long ago." Your focus turned on them. "Heard you ran into a bit of trouble."

The youngest grimaced at the reminder but managed to maintain a lopsided grin. "Yeah, it was kind of my fault. But hey! We kicked their butts before they could even say 'Pizza Hut'!"

Raph rolled his eyes. "There was no way he was thinking of pizza in that moment, you doofus."

"Okay, but I was! I was hungry!"

You perched on the arm of the chair where Leo was sitting, gently leaning against his side as you watched the two exchange playful banter and dive back into their video game. Leo quickly made you comfortable, wrapping his arm around your waist and drawing you closer against him.

This had become what he looked forward to at the end of each day: returning to you, waiting with open arms and a sweet smile. You were his constant. His slice of peace. Although the years and the pressures of their lives had subtly shaped your personality, at your core, you remained the same person he had first met. His thumb gently traced the curve of your hip as he rested his head against you, quietly inhaling deeply to savor your scent. If you noticed, you didn't mention it.

As the day drew to a close, Leo finally had you all to himself in his room. He didn't mind sharing your company with his family, as it always comforted him to know how well you got along with them.

You moved around his room with such ease, changing into pajamas you had stashed in one of his dressers. It pleased him every time he thought about how pieces of you were scattered throughout his space. A hairbrush, aligned neatly alongside some hair products, sat on the very dresser you were rummaging through. A few photos of the two of you, and some with everyone else, adorned the cement walls. You had even added string lights, choosing blue because they reminded you of Leo, and you just had to get them for him.

Without a second thought, he pressed himself against your partially clad back, where you were still wearing a bralette. You let out a soft sound of surprise when he placed a kiss on your shoulder.

"Leo," you warned, though there was no real malice in your voice.

"Hmm?" He feigned innocence, continuing to plant kisses up the side of your neck.

"What do you think you're doing? You're injured," you remarked, slowly turning around to face him. He let you turn, choosing instead to press his lips to the top of your head.

His mouth quirked up in a half-smile. "Tis but a scratch." That got a chuckle out of you.

“I’m serious, Leo. You really should be sitting down and resting,” you insisted, gently pushing him back toward his bed. While you both knew you couldn’t physically move Leo if he resisted, as he was a force of nature, he always allowed you to guide him where you wanted him to be.

Leo’s hands continued to roam freely over your body, tracing every dip and curve of your shape. Each contour was familiar to him, yet he remained tempted to explore it anew, regardless of how long you had been together. You followed his lead, your fingers tracing over his green scaled skin.

A brief, comfortable silence fell between you, unforced and easy. No words were necessary.

The tip of your nail lightly trailed over the raised scars lining his arms. "If I could, I would kiss away all of your scars." Your expression remained neutral as you observed him, but the waver in your voice betrayed your emotions. You empathized deeply with him, feeling the pain he must have endured as if it were your own.

There you go again, disarming him completely. In the past, he might have found this alarming, perhaps even considering you a threat to the defenses he'd built around his mind. But now, the idea of pushing you away was unimaginable. Your mind, body, and soul were too tantalizing and addictive for him to ever consider distancing himself.

Leo was at a loss for words as a small flush rose to his cheeks. Although he had never really viewed the scars he'd earned over the years as anything negative, it deeply touched him that you wished he had never had to endure the pain that caused them in the first place.

Since he couldn't find the words to express his feelings, Leo simply offered you a sweet smile and pressed his lips against yours. You sighed contently, naturally melting into his touch. The way your movements effortlessly synchronized always filled him with a sense of awe and satisfaction that no one else could provide.

The kiss deepened gradually, almost of its own accord, his tongue slipping between your plush lips in a practiced dance. His large hands encircled your waist, pulling you closer, your body significantly warmer than his turtle form could ever become.

With effortless strength, his hands moved to the underside of your thighs, lifting you up and gently setting you down on the bed beneath him. His breath was already heavy, despite having barely begun.

You squeaked in surprise, "Leo, you're going to hurt yourself." Your concern for him always came across as endearing.

"It’s sex, not an Olympic sport. I promise I can handle it," he chuckled, his voice rich with amusement. His mouth eagerly moved to the exposed skin of your chest, sucking gently. You let out a soft sigh, your eyelashes fluttering in response.

"Fine," you pouted cutely. "Just let me know if things start to get too much, okay?"

"Always." He murmurs against your skin.

Leo's fingers meticulously explored, slowly removing the remaining clothes you hadn't yet taken off. His lips seemed to move with a will of their own, seeking every curve and crevice to kiss and suckle on, leaving marks that were carefully placed where they wouldn't be visible to the outside world.

After what seemed like an eternity to you, Leo finally removed your bottoms, and his hands took their time exploring your most intimate area. You bit your bottom lip in anticipation, watching intently as Leo's movements brought his face closer to the space between your thighs.

His tongue eagerly reached out, tracing a long, wet line along your core. If his eyes had been open, you might have seen them roll back in sheer pleasure. You tasted musky and sweet, a flavor he yearned to savor more deeply. Firmly holding your thighs to prevent you from closing them, he suckled on the sensitive bundle of nerves that quivered with need. You let out a moan, your muscles tensing beneath him. As he continued, one of his hands gently caressed your breast, kneading the soft tissue and pinching your nipple. Unnoticed by him, his own arousal was evident, tightly confined within his shorts, but he had no intention of attending to himself just yet—you were his focus, far more important in this moment.

The sounds you made were music to his ears. He groaned deeply, a resonant churring emanating from his chest, as his hips pressed desperately into the mattress. Your hands, seeking something to grasp, found his arms draped over your torso and thighs, holding onto them tightly.

"Fuck, don't stop..." you whined, your voice a beautiful plea. It thrilled him to his core knowing he was succeeding in pleasing you so thoroughly.

Leo remained steadfast in guiding you to the precipice of ecstasy, unafraid of the fall, for he would be there to catch you, as he always had. His tongue shifted its focus to your clit, allowing him to slide his thick finger into your sopping depths. When he curled his finger in that perfect way he knew you loved, it sent you writhing, a choked moan escaping your lips.

This was a kind of torture he relished, with spikes of intense need coursing through his body as he ground his pelvis into the soft blankets spread across the bed, now creased and bunched from your combined movements. Leo felt no shame as he groaned against your cunt, having long moved past any reservations in your shared sexual exploits.

Leo could tell you were nearing the edge as your thighs began to twitch more erratically under his grip, and your moans grew louder and came in shorter bursts. Somehow, his efforts intensified, driven by the desire to bring you to climax around his finger.

"Oh, God! I'm gonna cum!" Your feet kicked slightly, a reaction that might have made Leo chuckle if he hadn't been so intently focused, his attention fully claimed by the task between your legs.

A sharp suck on your clit coupled with a final, deliberate curl of his finger sent you into a state of bliss, your voice stammering out his name as a flush spread across your skin. As you shuddered beautifully beneath him, Leo marveled at his fortune, wondering what he had done to deserve such a blessing as you. His tongue enthusiastically lapped at the juices pooling from your core, keenly aware of how your inner walls clenched around his tongue each time he dipped it inside you.

Once you began to whimper, he finally pulled away, his lips and chin glistening with your essence. Seeing him, usually so composed, in such a disheveled state was shockingly obscene. You were certain Leo would be mortified if anyone saw him like this—flushed with arousal and messy from your release.

The sight left you more turned on than ever before.

"Lee," you called out, but he didn't respond, busy licking your slick from his lips and staring at your pussy with a dazed expression. "Leo." This time, he looked up, and the intense heat in his eyes sent goosebumps spreading across your arms. "Baby, I need you inside me, please."

Your plea sounded like the answer to every prayer he had ever uttered. In his haste to remove his shorts and position himself between your legs once more, a searing pain suddenly shot through his leg, halting his frantic movements.

He hissed, uttering a few 'ow's, and froze in place while gripping your knees to keep them steady. Your eyes widened with concern as you looked up at him.

"Are you okay?" You asked.

"Shit, yeah. Just give me a moment. I got a little ahead of myself there," Leo admitted. He took a few deep breaths, waiting for the pain to subside.

Despite the inconvenience of the gunshot wound, it fortunately didn't dampen the mood. Especially for Leo, since you were so patient beneath him, waiting for him to recover. However, you couldn't help but smirk at him.

You must have noticed him questioning the expression on your face. "I told you, you were going to hurt yourself," you said with a knowing look.

"Shut up," he huffed, his voice tinged with embarrassment. You giggled and leaned up to press a kiss to his lips, tasting yourself on them.

The kiss served as a welcome distraction, helping him to ignore the flare-up of pain from his injury. He adjusted himself carefully, positioning the leg that would normally have pressed onto the injured one, onto his shoulder instead to keep you comfortable.

You quickly took his throbbing member in your hand, running the head along your soaked folds. Both of you moaned softly as the tip grazed the nerves that Leo had tenderly swollen with his mouth.

After a moment, you guided him inside you, and he sighed in relief as he felt your warm, wet walls envelop his cock. This sensation was familiar yet something Leo could never fully acclimate to, no matter how many times you welcomed him. You squeezed your eyes shut and let your head fall back with a soft whimper, feeling completely filled by him and still somewhat sensitive from your previous orgasm.

It was as if you encompassed Leo's entire sensory system. He could smell you, feel you, hear you—the aroma of your earlier climax permeating the room with the scent of sex. The way your inner walls fluttered around him, despite being nearly filled to the brink, was intoxicating. And the soft pants you took in an attempt to calm yourself only served to excite him further, making him even harder than before. Again, he wondered: What had he done to deserve you?

"Can I move?" Leo asked, aware that although you handled him wonderfully, he could still be a lot to adjust to, regardless of your experience with him.

You nodded and whimpered, "Yes, Lee, please..."

"Since you asked so nicely," Leo murmured, biting his lower lip to maintain some semblance of control over his voice. He began to slowly pull out, leaving just the tip inside, before pushing back in deeply.

The gentle pace was good initially, warming both of you up and allowing time to adjust to being so intimately connected. However, as Leo's desires grew more potent, it seemed you were also feeling the same urge for more. The way your brows began to knit together was a clear indication that you, too, were ready for him to intensify the rhythm.

Leo leaned down, adjusting the leg on his shoulder so it rested in the crook of his arm, allowing him to press his chest against yours to feel the intense heat radiating from you, a sensation he reveled in. His thrusts became sharper and quicker, eliciting gasps from your lips. The sweat accumulating on your skin deliciously rubbed against his plastron.

Despite the slight change in position reawakening the pain from his gunshot wound, Leo was too caught up in the addictive pleasure you provided to let it bother him significantly. The discomfort wasn't enough to stop him from continuing to drive himself between your legs, savoring everything you willingly offered to him alone.

With his face now close to yours, he captured your lips in a passionate kiss, both to swallow your moans and to muffle his own sounds of gratification. Your tongues sloppily intertwined, failing to effectively silence your noises, but neither of you cared, too absorbed in each other's pleasure to give it any thought.

Although your whimpers were smothered by the kiss, Leo could still hear them escalating in pitch. You were close to the edge again, and he would have the privilege of feeling you come undone around him.

Reluctantly breaking the kiss, Leo panted, "Are you going to cum around me?" His breath was heavy, tinged with both desire and anticipation.

His hand slipped down to rub your clit, eliciting a whine from you as your head lolled back, exposing your neck. Seizing the opportunity, Leo gently nipped at the tender flesh there.

"Oh fuck! Don't stop, please!" you cried out, gripping his biceps for support as Leo drove you over the edge.

Leo groaned loudly into the curve of your neck as he felt your insides clench around him, the sensation both painfully intense and blissfully satisfying. It was exactly what he needed to push him over the edge, leading him to release inside your welcoming embrace. He didn't get a chance to warn you, but he knew you wouldn't have minded anyway.

You gently guided Leo by the chin to place one more kiss on his kiss-swollen lips. He hummed gratefully, his eyelids fluttering shut to fully enjoy the moment.

After a few moments of heavy breathing and basking in the afterglow, Leo carefully pulled away, prompting a brief whine from you at the loss of his closeness. He walked over to one of the many organized shelves in his room, where he kept stacks of rags. Ready to return to your side and envelope himself in the warmth you brought to his bed, he didn't linger long. He gently used a rag on you first, tenderly cleaning away any traces of your intimate moments together before he considered cleaning himself.

You peered up at him with a soft smile, your eyes tracking his movements. A grin spread across your lips when he finally finished, and you stretched your arms out, inviting him to return to your side.

He returned your smile, charmed by your cuteness, as he slid both of you under the duvet's covers. You snuggled up against his plastron, and Leo, feeling content, kissed your hairline and let out a satisfied sigh.

"You still doing okay, champ?" you asked, your voice lifting slightly with concern.

"Never better."

Tagging: @whygz​, @coulrofilia-sexuell, @southernblossoms,, @peachesdabunny​

Interested in getting tagged? Come check it out!

Like what you read? Check out my masterlist to see if you find anything else!

[mothgardens]

@tired-dragon22 ask and you shall receive :)

If you know me, no you don’t (I’m looking at u, T)

This is probably going to be a little messy and silly, but defo worth it.

To the people who think that Logan is a dominant, angry top… YOU DO NOT UNDERSTAND HIM— this goes both ways because if you think that Wade is a submissive, whiny bottom you gotta be kidding.

These two characters are so complex and I am going to spend far to much time analyzing their psychosexual behavior, lets begin:

Logan, like most us know, is passed around like a blunt: Storm, Jean, Scott, Jean and Scott at the same time, Kurt, Storm, Kurt and Storm at the same time, Wade, some people ship him with Charles and Erik as well— point being, the man has some experience.

I know he wouldn’t run for one team (top or bottom), he is playing both fields. In my heart, he is a switch. But, that means he has multiple roles. To me, he is a power bottom MOST of the time, a service top, and on special occasions he can be a regular old bottom.

You have to really delve into the details of his character to see this how I do, and tbh idk if I will be able to explain it as well as I’d like.

Thinking about his character overall, he plays the “bad boy” who is mean and uncommitted, but that is not him. That is a mask to the world to hide his vulnerability.

This man is really just a soft, sad soldier. He has spent to much if his life grasping for stability and dignity. Everything he has ever done has been for some drop of control. But, he doesn’t like it.

He hates his anger, it’s exhausting. He hates fighting for everything he wants. He hates the constant tension and stress. He needs someone to take it away. Which leads me to our first role, Service Top.

He wants to serve. He wants to be told he is doing well (I will die on the hill of this mf having a praise kink). He doesn’t want to fight for control anymore. He hates having a constant guessing game; he would prefer to be told what to do. So, this is a perfect role for him. His partner has control, but he can still serve them. He can be their loyal dog. Do as they say, how they say it. He would get of to pleasing his partner. If they tell him “good job” then his heart is their’s.

I think the line between him being a power bottom or a traditional bottom is paper thin. He likes the lack of control, but he doesn’t like the guessing game. So, he gives suggestions, orders, or, primarily, bitches until his partner does what he wants. HE IS A BRAT, YOU CANNOT FIGHT ME ON THIS.

Simply, he needs to be taken care of. He takes care of so many people, he takes control of so many situations, he never catches a break. He just needs someone to gently lay him down and take the tension away.

I am foul, so one of my favorite traits about Logan is his animalistic tendencies. I believe they shine out during sex. Along the lines of him being a brat, sometimes he will just growl instead of actually bitching. Or he will whine instead of saying a word. I think he is incredibly verbal during sex, but his partner has to get him comfortable enough to quit biting back noises.

I’m not going to get into a lot of details, but just know: Logan is a bratty, feral power bottom who becomes a little mess OR he is a loyal dog service top who just wants to please.

That was my ted talk, amen.

PLEASE FEEL FREE TO ADD ON; im so happy i found the bottom logan community. He is so important to me.

(i can also make one of these about Wade)

[brucewaynehater101]

I have a vent fic wip that I may or may not finish so I just need to tell someone that I am...feeling so many things all the time about the consequences of the 16th birthday but...

primarily, right now, at this moment. without Robin/Bruce, Tim thought he would lose Dick and everyone else he knew through Robin. and then a little bit later when he quit for Jack, he got radio silence for Months until he became a potential victim, and even then it was just Cass stopping in to give the message and be like "I'll watch you to keep you safe 👁️👁️ ok bye" and he had actual Proof that without Robin, he would lose everyone.

and then. Dick "you're my equal (even tho I'm drastically changing your life without your knowledge or permission), you're my closest ally (even tho you don't even have a name to go out in the field to assist me as backup), I need you (even tho, as mentioned, I made a huge decision without your input because I didn't need it because I know best actually)" Grayson.

skipping over the fact that Dick didn't even have the time to say "you're fired" or anything resembling that, when Tim lost "Robin" to Damian, he felt like he lost everything else too. it didn't matter what Dick said about "equals" or "allies" or "needing". he already had Concrete Proof that it was all false. cheap words that are easily disproven do nothing in this situation, Dichard!

(disclaimer: I love and respect Dick Grayson, I just also think Dick Stopped Existing as soon as he made Damian his Robin for the most pathetic stupid illogical risky-ass excuse he could ever give for making anyone Robin (or a vigilante in general). "because he'll kill someone again". who the fuck says that?? who thinks "oh no oh god oh fuck this kid is gonna go off the rails he's gonna kill someone, I need to Put Him In A Place Of Power Over Oblivious Innocent Untrained People Who Are Expecting A Kind And Empathetic Hero To Save Them" hUH???? ok sorry, I just wanted to rant about what Tim "losing Robin" meant)

I agree with ya. Dick Grayson is fantastic, but it seems weird that he nuked his entire relationship with Tim (a very strong one that other fans have referred to them as "The Brothers") for the new kid.

Yes, Damian is a ten year old traumatized kid who just lost the dad he didn't really have the chance to get to know. Yes, Damian needed guidance, boundaries, and compassion.

But DC spent so much time and effort building up Tim and Dick's rapport only to obliterate it once the "blood son" came in (I also love Damian. This is not hate on the kid. This is confused commentary on DC's choices). It's just a strange idea, but that's also why it hurts so much when Dick does that to Tim.

Then you tie in Tim losing Robin by Dick to Tim's experiences before? Fuck. You are so right for that.

As far as the RR run, Dick could've handled Tim believing Bruce a bit better. I don't necessarily blame him for that one. I get why he wasn't supportive in the way Tim wanted, even though I would've chosen differently for my siblings.

Dick taking Robin, though? That was fucked up. I, honest to the gods, do not see how that was a justified course of action. I can understand his perspective, but it's still not okay. At all.

There's your very adequate analysis:

Robin, for Tim, is his tie to his loved ones. He has proof (twice) that without it, he does not have access to the people he cares about and his support system.

Dick said a lot of pretty words about "equals," but his actions were precisely contradictory to his "intentions."

Tim has had Robin taken from him before or had to give it up. He chose to go back despite this. He obviously feels strongly about being Robin

Damian has not proven, at this point, to be trustworthy as a vigilante (someone in power without oversight). He has instead shown use of excessive force

This isn't even going into the way he found out. That's just an extra layer.

The way Tim has repeated lost and regained Robin (even after RR) as well as his title as Red ROBIN are, to me, a sign that he's still trying to hold on. It's my belief that he would have moved onto a new title, like his predecessors, if it hadn't constantly been an unsure role.

His start was rocky as hell due to Bruce not initially wanting it. Tim had to prove himself and put himself into the costume.

He "quit" twice before it was taken from him in a traumatic way (nothing like being instilled with the fear that the position you've held for four years can suddenly be yanked out from under you without warning)

Damian and Jason both vehemently protested to him being Robin

It would make sense if all of these factors combined to Tim's unwillingness or inability to just let Robin go, especially when we factor in his reason to be Robin. Since Bruce never really gets "better" and continually falls back into bad habits, Tim needs to maintain his task of pulling Bruce back from the edge. We could also throw Jean Paul into this to further how Tim is forced to play as the barrier between a grown adult and their desire to harm others in the name of good.

So, Tim's time as Robin is marked by consistent instability while contrasted with his inherent position as Bruce's leash and the batfam fixer. While the other Robins did have times of doubt, the predecessors of Tim did not have the pervasive role insecurity with regards to Robin.

They had their big moment at the end and some smaller moments in-between, but not quite on the continous scale of Tim. Tim had three big moments and was still sucked back into Robin when Damian quit.

To be Robin is to earn Bruce's love and the ability to be part of the Wayne family. To lose Robin is the risk of losing that (at least to the perspectives of the Robins if not 100% the reality).

I'm not sure I'm articulating this accurately. Regardless, no wonder Tim clutches the title of Robin with bleeding hands no matter how much it cuts him and costs him.

[deadlyangelofpurity]

You know with how safe edgy Viv's shows I don't see why the setting is in Hell. I feel like Viv shot herself in the foot by doing this because it seems like Viv wants the praise of being considered edgy but she's too cowardly to follow through so we're trapped in this weird limbo where Viv wants to be edgy but is obviously putting on the brakes.

I think part of the problem Viv is quite immature.

Despite Viv being an adult, it is very evident in her writing style that she hasn't quite matured past the edgy teen phase and whilst her animation and drawing skills are good despite the questionable character designs, her writing is by far the weakest part of her skill set. It doesn't help Viv seems very impulsive and changes her mind on a whim and is willing to turn the story upside down at all costs as it's why Helluva Boss went from a dark comedy to Stolitz melodrama soap opera.

Not to mention Viv has amassed the wrong kind of audience for this show. Let's be honest with ourselves, despite Viv's show being rated adults, I am like 99% certain that at least a fairly large chunk of Viv's audience are teenagers and young adults at best who have been watching her since her channel got popular and most of these people primarily care about shipping and tend to be...immature and more volatile. I think that's partially why the writing is so juvenile because Viv is scared of alienating her audience. I think that's why she made Ozzie care for consent and Bee being concerned over people overindulging because Viv didn't want to make them unlikable at the cost of consistency. It's also probably why Lucifer's more evil pilot incarnation got changed into some wacky silly uwu depressed boy.

Viv seems to play favorites and she doesn't hide it. It's very obvious that when Viv favors a character, they become more likable almost instantly or at least she tries to make come off that way, though it's more noticeable with people like Stolas, Fizz and Lucifer. Compare their initial impressions in their debut episodes and you'll see a stark difference. I also think Viv is overall way too close to her fanbase because she takes ideas from them and she ain't subtle. Vaggie being a fallen angel was a fan theory that slipped into canon, Stolas and Blitzo meeting as kids was based off fan art and Hell, Chaggie wasn't even her idea(which probably explains how dull and unnecessary their relationship is) because a crew member made it and Viv being impulsive put it into canon despite Vaggie and Charlie acting more akin to best friends and honestly given how Vaggie's fallen angel backstory makes things so weird, I genuinely think she'd be better not existing in this series.

Honestly I'd at least respect Viv if she at least stuck with her guns here. Instead she's pretty much playing ping pong in terms of consistency because Viv's version of Hell is more or less Detroit but painted red.

[that-fruitier-emo]

Okay okay okay

So like

Thanks to @gayfandomnerd225 for pointing out the inconsistencies in the descendants universe.

So like

Main characters obviously Hook and Morgie cause

Gay pirate dad hype men

But so basically, it'll take place when Hook is around probably 19-20. In this, James Hook comes from this line of pirates. So this takes place when he gets his own ship and own crew. (Before the events of Peter Pan)

[There was this TikToker who analyzed Hook's outfit and said he's a modest rich kid so I'm rolling with that]

His probably father gives him an adequate amount of money to start off his journeys overseas, and the pre-established Hook legacy to count on. And during this he'll meet other Disney villains and whatnot.

[Ex. Ursula, an such.]

But then suddenly one day this boy {Morgie} appears in his cabin, sort of on the run. Like, bro straight up appears into the captains cabin.

Morgie being on the run from Merlin, because his mom is Merlin's sworn enemy that means he's bound to have all of Camelot up his ass. So he's laying low, but living up to his name, he's a very powerful sorcerer and offers to help Hook if Hook gives him his word he won't be turned over to Merlin.

And at first their relationship is purely platonic and transactional, they grow much closer to each other. Especially because Morgie can only talk to hook in secluded parts of the ship like his quarters, so Morgie primarily lives in the captains quarters with Hook.

[Morgie does test his limits and appear to hook in different spots around the ship, probably talks to him throw a puddle of water at some point]

Then for the big climax

💥BOOM💥

Merlin finds out what Morgie is doing, and comes after him. Hook doesn't like that because they both know they genuinely love each other. Then he helps Morgie out of that, probably by putting some sort of enchantment on Merlin. [To explain why he's so scatterbrained]

After dealing with Merlin the dudes are paranoid as fuck, and they're like, "We genuinely care about each other, were at least going to come out and state to the crew that we are dating" (courting I think it would be back then) but also informing the crew of the existence of Morgie.

They get this feral ship cat to catch mice, because Morgie originally just did a lot of that in one of his animal forms. And they take in this kid that was abandoned by their parents, this kid being Harry Hook when he was about 14. And Harry's parents abandoned him because he's AFAB and acted more masculine, and that was like really frowned upon back then.

But they take him in and are basically like, we're pirates, we don't give a fuck, what the fuck is gender anyway. So they technically adopt Harry.

And then I'll incorporate Peter Pan and like, other Disney characters somehow but this is all I got so far.

@rubeslovesthesmiths

Rubes,

Do you approve?

[televised-uhhh-nerdistry]

Cartoon rec of the week:

Craig of the Creek

I haven't seen enough people talking about the show, so I'm mentioning it here. Absolute 10/10 cartoon. Just three kids, running 'round, making friends, running their own semi-sustainable community in the forest (there are some concerns about how much trash they leave there but ultimately they're better than most adults). Literally such a dream. they encourage each other to be emotionally healthy and they protect each other from "danger". Like they'll help each other achieve their dreams as they come (and new dreams show up pretty often because they're young kids).

And they're so funny! Like genuinely these kids are so earnest and intelligent and incredibly humorous and full of heart! They have full lives and they live them to the fullest out in nature after school, on the weekends, and in the summer. It's one of the best representations of found family I have ever seen in a cartoon, and I absolutely love it.

Also several of the writers behind the show are POC and queer (I think the head writers are all Black but I could be wrong), so you know that it was written well and the representation is awesome like I know that it should absolutely go without saying, but representation is much more than just showing BIPOC people on screen, and in terms of cartoons I haven't seen that many shows understanding that fact except maybe the Proud Family, Fat Albert, and a few others whose names will return to me once I've taken my ADHD meds. But the point is that Craig of the Creek gets it right. Most of the characters throughout the show (from what I've seen) are BIPOC, and you can tell that there are caring nods to BIPOC communities (primarily Black American communities), and more than that, that the writers know what they're talking about and are deeply familiar with and are a part of those communities. Craig, the titular character, is a young Black boy, and his family are middle class and ultimately very successful Black people. Kelsey (one of the main characters) is Jewish and Polish, and written with more complexity than having a one and done Hanukah celebration. The Creek's main business, a trading post, is run by Kit, a young Black girl with a love for economy and business. And many other characters are racial or ethnic minorities as well, and it warms my heart to see these characters done justice time and time again.

There's great subtle queer rep too, and you can tell it wasn't written just for the sake of representation, like it was thought out and intentional, and it worked beautifully. There are queer witches, and there are no labels applied to them, they're just allowed to exist with no explanations, happily in love with one another. There's a non-binary character later in the series (I'm only like 10 episodes in so I haven't met them yet but I've read amazing things about them). Kelsey also apparently identifies as a lesbian later in the series (I say "apparently" because I haven't done much reading so as to avoid spoilers, not because I am discounting her identity). On top of that, JP (one of the main characters) has a sister who is dating another girl.

There's also a significant amount of body positivity in the show, at least far than I've seen elsewhere. Not only do they openly say "all bodies are beautiful" and follow up on that by defending one another, there's also very little need to defend one another, because there's a very unspoken and deep respect in the Creek for things like body type, skin colour, disabilities, and so on. The kids of the creek, and their grown ups, are all different body types, and given their penchant for community and uplifting one another, it's no wonder they all seem confident in their bodies.

Not to mention the disability representation. There is a character later on in the series who is Black and deaf, and he not only speaks in Sign Language, but in Black American Sign Language. In addition, though unconfirmed, many of the kids in the creek embody aspects of various neurotypes. For example, the three main characters, Craig, Kelsey, and JP all come across as neurodivergent, with special interests, neurodivergent ways of thinking, and so on. Some have speculated that JP has Ehlers Danlos Syndrome, which is a disability often comorbid with ADHD. Not to mention that all the kids in the creek embody different special interests, most of which would be considered weird or frowned upon in everyday society, but that are given the opportunity to shine and flourish in the Creek's accepting culture.

Take the Horse Girls for example, a small clique of girls who roleplay as horses in a pasture near the Creek, and of course many of their behaviours are played as jokes, but ultimately they are accepted and involved in many adventures because of their unique interests and abilities which are ultimately how they aid the rest of the Creek. Every kid is a useful and accepted part of the Creek, with the exception of the ranger scout kids, who are essentially the same as cops, who are often exploitative, rude, and disruptive to the community as a whole.

Ultimately, the show is one of love, friendship, community, and acknowledging differences as a natural and helpful part of life. On top of that, it's not copaganda! What more could you want?

[wonderfull-star]

Is it just me or do people just overestimate Peri in some aspects?

Especially people on reddit. I haven't watched the entire cartoon yet, but damn. Some people SERIOUSLY think Peri is a super caring perfect godparent and a really kind character. Like, the best version of Cosmo. Are you serious?? It feels like some people who think that haven't watched the original series. Because people there clearly overestimate Peri and underestimate Cosmo. Yes, Cosmo is far from a genius, but he's definitely not a complete idiot either. And he definitely has a lot more experience than his son. He's already thousands of years old, while his son is only in his 20s…

I feel sorry for Cosmo and Dev 😭

Well, yes, Dev is a spoiled kid. Yes, he used magic for bad purposes. However, he is still just a child who, despite everything, tries to become better. Even if he does such thoughtless and bad things. Well, what else can you expect if no one in particular was involved in his upbringing, and his father himself does not pay enough attention to him.

I am also sure that when Peri first met Dev, he was more worried about his job at first. Which is understandable. After all, it was his first time and he was afraid of making even the slightest mistake. Because of all these rules and his peculiarity of magic, he developed severe anxiety.

I think the idea of ​​creating Poof as an adult is to show through his character the real difficulties that people go through at this age and the pressure of society. And you know, it suits him so well. In the original series, he was always in the spotlight and everyone always had high expectations for him. It is clear that at an older age, this will not affect him in the best way.

Still, sometimes Peri didn't behave in the best way. He had just gotten his job at the first time. Even with all the education he had gone through, it wouldn't make him a good godparent right away, that's for sure. After all, what's important in this job is not the training but the experience itself, which he clearly doesn't have yet. People also forget that Peri initially wanted to be a tooth fairy not a fairy godparent. So I wonder: wasn't it primarily the influence of his parents and the fact that THEY wanted to see him in this job and not Peri himself? In real life, unfortunately, this often happens and all this later ends in a not very good way.

So even if Peri had Hazel as his godchild, it still wouldn't have solved the problem. And not because he's bad as a godparent, but because this job is simply not right for him. In some moments, he acted pretty disinterested even when Dev wasn't acting like an egoist. Yes, now people will throw various excuses at me about this, but still. However, it's even clear that Peri clearly doesn't enjoy this job. Seriously, if you remember Cosmo and Wanda from the original cartoon, they mostly enjoyed what they do (although they've been doing this for thousands of years). The thing is that they just get along well with children and find a common language with them. Perhaps I think the creators wanted to show the problem in choosing your profession and what you really like to do in life. And what difficulties you have to go through to find what you really like to do.

But some people just don't care about it, considering Peri the best in literally everything. In fact, they consider him as tumblr "star"man and Dev as a simple spoiled child. Crazy fans forget that almost every character has their own shortcomings and bad sides. Well, and also the opposite of all this. I consider Peri more as a neutral character with his good qualities and flaws. Still, it is impossible to deny that in some moments he really did not act in the best way.

Peri’s simps detected 📸(don’t take it seriously lol)

And this is a very common situation in fandoms…

[aphrogeneias]

it's been seven hours and fifteen days —

pairing: eddie munson x fem!reader (soulmate!au)

summary: five years ago you'd left your hometown in a hurry, trying to escape a heartbreak you thought was inevitable. now, you find out what's truly inevitable are lengths that fate will go to meet you.

word count: 1.3k

warnings: soulmate!au, angst, unrequited love (or is it?), eddie and reader are childhood friends but they're now in their 20s.

series masterlist

I. PROLOGUE (1991)

LOS ANGELES, CALIFORNIA, DECEMBER 1991

"He's here."

Your trembling hands grasp the telephone receiver a little too hard. Staring at the closed door of the back office and hoping that the "staff only" sign is respected, you wait for your friend at the other end of the line to answer after you completely ignored her cheery "Hello!" just seconds earlier.

If you strain your ears a little bit, you can hear the telltale sounds of instruments being dragged around the small stage at the other side of the bar, the voices of the men — both band and crew alike — checking the sound for later that night, distorted feedback echoing from the amps. His voice was the loudest, as it’s always been.

It all feels like a fever dream.

"Who is there?"

"Who have I been running from for the past five years?" You sighed tiredly, as if you'd just ran for miles. You hoped that from your desperate tone that Robin would have picked up on exactly who you were talking about.

"Oh… He's there?" Realization colors her voice. You heard steps on her end, the telephone cord being stretched, and waited with baited breath for her to return. For a moment, you can almost picture her clumsily moving around her small kitchen, trying not to break something in her haste. "He's there?"

The shock you hear in her voice can't be compared to the one you felt when you saw Eddie Munson — freak extraordinaire, professional small town delinquent, guitar wizard and your long lost best friend — walk into the bar you work at, equipment in hand, ready to settle in the stage for a busy Friday night at one of the more inconspicuous bars in Sunset Boulevard.

In all your naivety, you thought you'd never have to see him again. Once you left Hawkins, fresh out of High School and with a determination you only have when you're born in a town that is, in turn, equally determined to spit you out, you thought that was it. Destiny and fate and red strings didn't rule your life, you did.

Destiny was now laughing at your face, pointing at you with an accusing finger like a mother that says "I told you so" to a misbehaving child that has to face the consequences after tempting them for too long.

It looked like he didn't change a thing since you last saw him, from the shaggy brown hair down to the tattered black bandana in his pocket, at least from the quick look you took at him before bolting, which only hurt even more.

"When were you going to tell me he moved here? Didn't you know anything? Didn't Steve know? Dustin must have told him something, it's impossible…"

"Bold of you to assume I listen to every single thing that dingus tells me when he calls me, babe." Robin interrupts your increasingly rapid speech, filled with indignant rage. Her words seem harsh towards your mutual friend, but you know it's said with affection. "And also, I don't know, doesn't fate work in mysterious ways or whatever they used to tell us when we were kids?"

Your communication with your childhood friends was done primarily by phone, ever since you left for Los Angeles and Robin for Indianapolis with her girlfriend-slash-roommate (as far as both of their parents are concerned), Vickie. Steve had stayed behind, begrudgingly managing his dad's business, but you knew it was only a matter of time until he left too.

All of you do, eventually. Even Eddie did, much to your chagrin. It was bittersweet, actually. He'd achieved his lifelong dream of getting out, a dream you both shared, but now you hoped he had chosen somewhere else to run to instead of right into you.

If you weren’t too busy being desperate about your current situation, one you’d been trying to avoid for longer than you thought it was possible, you’d be happy for him. Truly. Once upon a time, it was all you ever wanted. All you could ever talk about. Sitting on his bedroom floor, lying together on your roof, staring at Lover’s Lake — about how you’d get out of there and conquer the world.

You didn’t get to do it together like you planned, like you were meant to, but, then again, life found a way.

"There's nothing mysterious about this, though. Every idiot with a band in this country moves to California sooner or later, it was just a matter of time until they did too."

"May I remind you that he's not just an idiot with a band but actually your soulmate?"

The word soulmate pierces your heart like an arrow anytime you hear it, especially when it's related to yours. It reminds you of a painful conversation, one that was hard to forget.

"Don't say that. You're making it difficult for me." You murmur, closing your eyes for a moment too long. Still staring at the door, scared of someone walking in catching you hanging on to the receiver for dear life, unshed tears glistening in your eyes.

"I'm just saying, and I know I've said this a million times before, but I don't know how you haven't caved to those doe eyes of his. Soulmate or not, I would have, and I don't even like men. Not even a little bit."

Glimpses of warm brown filled your mind, deep and all-knowing. It was getting harder to breathe in the stuffy backroom, the walls seeming to close in on you.

A rational part of your brain, deep inside, knew that you were likely exaggerating. It wasn't like Eddie meant to hurt you — he couldn't even if he tried, that boy didn't have a mean bone in his body. In your worst moments, you tried to convince yourself that you had hurt yourself. You broke your own heart before he could break it first.

That same rational part of your brain knew it was inevitable. The heartbreak. It was only a matter of time until it all shattered — so, you left. You stopped writing at some point near the six month mark after you moved, he stopped calling a little after that. Life went on.

"You're not being very helpful, you realize that? I nearly had a heart attack when I saw him. They're all here, all of the boys. They're here, at the bar, rehearsing." You told her. "When Linda said they had hired a new band I expected something like them but not them, literally." Recounting what happened a few minutes before, you left out the part where you may or may not have crouched behind the bar counter to avoid being seen by your former classmates.

The Deuce was your safe place, and that was a lot to say about a bar that housed a little under a hundred rowdy rock fans almost every night and had seen its fair share of fights and public indecency charges in the time you worked there, but you liked it. Maybe it had to do with the fact that it was one of those places where everything felt possible and every night was different, or with the woman who took you under her wing and made you feel at home in the most chaotic moment of your life.

You trusted Linda, but not enough to tell her about your “one who got away”. Even if you did tell her about what led you here, the real reason you were miles away from home, you don’t think it would have made a difference in this particular moment. You had a feeling no one could put a stop to the red string that was, little by little, shortening the distance between you and the one who’s always held the other side of it.

It frightened you to no end.

"You should just talk to him. Rip that band-aid off. What are you going to do? Leave your job?"

After a beat of silence on your end, Robin continued, and the soft kindness in her voice was enough to finish breaking you. You wish you could hold her through the line. "You can't keep running forever."

Was it stupid that you thought you could?

Your heart beat fast under the tight black shirt you used to work that day, and unconsciously, your hand reached for the necklace under it. An old red guitar pick sat there, right under your collarbone, held between your fingers.

The only thing of his you couldn't keep in that damn box.

[r-2-peepoo]

The Bad Batch 3x12 spoilers:

Hunter not getting mad at Crosshair is everything. I’m never letting anyone gaslight me into doubting him again. He has never been this hyper-masculine, toxic, overly aggressive person some of you want him to be so badly. He’s always been reasonable.

The fact that no one really got mad at all is so important because it shows the growth they’ve had as a team. Wrecker was the only one to express disbelief in what Crosshair did, and I’m so glad they gave him that moment, but Hunter not saying it shows the trust Crosshair has been able to rebuild with him.

Obviously he isn’t happy Omega is gone, but he doesn’t take it out on Crosshair, especially when he knows how awful it is when you feel like you were the one who lost her. There was a time when he wouldn’t have let Omega be left alone with him because no one could trust him (probably around the time Crosshair said “aim for the kid” lmao) and now he trusts him enough to allow her to make her own choices and go along with them. It also shows the faith they both have in Omega.

I don’t think it’s foreshadowing anything. Maybe it is, but I think it’s more important that it isn’t. This moment serves to show how far these two men have come with each other from the first season. Hunter is the leader for a reason, so the fact he is willing to just listen to Crosshair and go along with his ideas without question says so much about their progress because I think some of us are forgetting that this show has primarily been about Crosshair’s journey and redemption.

Redemption and trust have to be earned and I think this episode is the ultimate proof that he is doing it as perfectly as anyone could. Their relationship as a group is not the same as it was before Crosshair left, it’s much stronger now. I think this was the perfect way to handle this scene.

[tcfactory]

Good morning, I bring you another very nonsense SVSSS idea today.

Shen Yuan transmigrates as Shen Jiu's shizun. He has a System, but it really doesn't interfere with anything because what would it even do when Luo Binghe's parents haven't even met yet? Su Xiyan hasn't even been born yet.

So Shen Yuan has several really cool centuries to be the immortal master he really wants to be! Since nothing he has done affects the plot, he spends a lot of that time ignoring his disciples (he figures out in the first few decades that teaching is primarily the job of the hallmasters) and focusing on sightseeing and learning all about the flora and fauna of his least favorite webnovel world. He's considered a fine person, kind when he remembers to be present in the moment, but usually detached from worldly matters, which is not a bad thing for an immortal master pushing his fifteenth century to be, but it's to his detriment in some ways: he is both noble-born and beyond mortal weakness. Some of his modern sensibilities have definitely faded after such a long life in this world and by spending much of that time in the company of his nearly indestructible martial siblings. He's a master who does not wield the whip himself, but orders punishment with the ignorance of someone who has forgotten that to people who don't have more than a thousand years of cultivation, the whip does far more than 'sting a little'.

He still tries to speak up about that whole matter with the boy and the sword and the cave. He knows a plant that could help the boy without all this breaking-every-bone nonsense, but that's the first time his System intervenes and stops him. He assumes the kid would have been someone who could have opposed Luo Binghe eventually so he's fated to die instead and lets the matter go. If anything, he's more excited that the System finally made a move, because that means they are nearing the time when Luo Binghe will appear! He doesn't follow the incident and he's daydreaming about a rare beast he discovered on his latest trip when his shixiong announces the appointment of his succeeding disciple, so he completely misses that Yue Qingyuan survived the cave.

During the fated Immortal Alliance Conference he's too busy checking on his own disciples to be of any help in resolving the incident with Shen Jiu, so the sect leader (who is getting really tired of how unreliable his 'sect strategist' is) dumps the semi-feral orphan on his peak as punishment. Shidi likes wild creatures, right? Here's a wild creature for you, have fun making a man out of him.

Shen Yuan doesn't make the connection between Shen Jiu, prickly street kid, and Shen Qingqiu, peerless immortal with a rotten personality, because he falls into the group of readers who assumed Shen Qingqiu was a noble young master. Shen is a pretty common name, after all. He gives the kid some remedial lessons - in reading, writing, etiquette, the arts, etc. - gives him some encouraging words and then leaves the kid to his own devices once it's clear that he doesn't need coddling. He's a tough cookie who can handle himself and besides, the good-natured head disciple from Qiong Ding keeps coming over to check on him, so he already has other support! His shizun hovering over him and favoring him too much would just make him a target and this kid has gone too through much already for him to do that to him.

They hear the first rumors about Tianlang-jun around the time when his shixiong finally starts to bully him about picking a new head disciple, so Shen Yuan makes a timeline in his head: if Tianlang-jun is really doing the part of sightseeing young master in the human world (which Shen Yuan has personally confirmed) then it should take him a few decades to grow bored of it all, sour on the experience and then go and do the attempted world-conquering he gets mountained for. So he should have at least fifty more years before he has to worry about that nonsense, right?

There's still no sign of young master Shen on his peak (goddamn master Airplane, was Shen Qingqiu really so young during PIDW?! A cultivator under a hundred should not be given a position of authority like that, they are barely an adult! The other future peak lords keep popping up around the sect already, so no wonder he was so paranoid of his position, being decades younger than everyone!!) so he promotes his no-longer-openly-feral Shen Jiu as head disciple in the meantime, because that kid is an overachiever like no other and by far the most competent of his disciples.

Then, in the blink of an eye, he is prompted to give Shen Jiu a courtesy name as his succeeding disciple (how did this happen?! This much-abused feral cat is not the one who should be here, System!!).

And the System finally gives him an order he can't refuse: Shen Jiu is to be named Shen Qingqiu. It all starts to break apart at that moment, his leisure and detachment coming back to bite him where it hurts the most.

Shen Yuan announces the name and watches as his head disciple's eyes flash with hurt and betrayal before his mask slots back in place (he never bothered to investigate deeper into Shen Jiu's past than what the boy shared willingly, but now he goes digging. He traces Wu Yanzi's tracks, interviewing ghosts along the way until he reaches the ruins of the Qiu residence and learns of the horrors that went down there. Please forgive your master, A-Jiu! He did not mean to saddle you with the name of your abusers!).

He tries, in those last few, desperate years to be better for the future scum villain, but it feels like it's too late already (the immortal master came back to earth from his unreachable cloud, but it's too little too late). Shen Qingqiu doesn't trust him, he doesn't trust anyone except himself (Shen Yuan is the greatest expert of beasts in the world and he can see the marks of a cornered, crippled tiger in every move Shen Qingqiu makes. His head disciple is angry and terrified and it's his fault that he never helped to make it better.) his relationship with his martial siblings is horrible and he has learned all the wrong lessons from his time on the mountain (because Shen Yuan, spoiled and absent, failed to teach him better).

Shen Yuan watches helplessly as things spiral out of his control (he knows Tianlang-jun couldn't possibly have wanted to conquer anything yet, but his System shuts him up when he wants to speak. He's the one who creates the array, he's the one who puts the final nail in the coffin of a man and his beloved, all for the crime of loving the wrong person). His shixiong gets severely wounded in the fight and they arrange a very hasty ascension before he could perish from his injuries.

He hopes that ascension would make things easier to bear. He has waited for so long, planned to lean back and enjoy PIDW from a front row seat after a life spent playing his part to perfection.

It's so much worse than he could have ever imagined. The System plays one last joke on him and appoints him god of secrets, so he gets to see everything that goes on in the sect. He's already familiar with Luo Binghe's PoV from PIDW, but now he gets to see Yue Qingyuan (clutching his sword and drinking down potions to dull the pain of his ruined body with every meal, screaming himself hoarse for Shen Jiu every night in his nightmares) and Shang Qinghua (walking the high wire of terror and overwork, System window hovering over him with threats of death if he so much as twitches wrong) and Shen Qingqiu, always Shen Qingqiu who keeps spiraling into bitter cruelty with every mocking word he pretends to ignore, every impassable bottleneck and almost-fatal qi-deviation.

When Shen Qingqiu almost succumbs to one of his deviations that leaves him unconscious with a high fever for days he finally breaks and begs the System to let him do something. Shen Qingqiu has grown up to be exactly the kind of scum he was in the story, but for all that he wants to smack him every time he does something shitty, Shen Yuan has grown to care for his horrible, almost-feral tiger of a disciple. He doesn't want him to live the fate of the scum villain, but as a god he's not allowed to act. He will do anything, System! Anything!!!

The next thing he knows, he wakes up as Shen Qingqiu. It's his chance to change fate for the better, but if Shen Yuan is in the body, then where is Shen Jiu??? His soul is in storage and the System will magnanimously allow him to buy him back to life and give him a second chance for all the B-points he amassed over his long life. It's a choice between getting Shen Jiu back or keeping the points as an emergency save that would allow him to return to his previous role if things go wrong.

It's hardly a difficult choice, isn't it?