#at least I'm 90% its all the same person

[dirtytransmasc]

just got an influx of straight up wild asks in my inbox and like... they're giving me a run for my money, not cause they hold any substance but cause they're just so out there I don't even know what I'm supposed to say.

send help.

[doctorweebmd]

afa;ldf;lakdflk;asdf urgh sorry i've been MIA i unexpectedly got super busy with the grant and my grand rounds and having to pick up shifts for people with emergencies/illnesses/moving PLUS my 'graduation' is tomorrow so i'm all over the place AHHHHH

[parfaitblogs]

peace ❀ s. reid x reader

in which you self isolate, and spencer knows better than to let it get too bad. 

pairing: spencer reid x reader genre: hurt/comfort tags: established relationship. suicide ideation? ("i want it to end"). depression. lots of stuff that coincides with that. brief mention of reader not eating/having no food. please be aware of your triggers. i think i mention reader as a girl somewhere? word count: 1.9k a/n: i finished this then relistened to peace (taylor swift) which was the og inspo for this, and added a section in the middle so if it feels weird its because i failed at integrating it! this was supposed to be out two days ago. all my relationship insecurities in a fic. lol how embarrassing here's my heart tumblr dot com!! anyways enjoy ily all

also posted here on my ao3 !

Three consistent raps against your front door was the only sound that got you up that day, pyjamas that you had not shed from your body in a week hanging off a frame that could probably be described as lifeless — with the nearly dead-looking face to match.

In fact, the only thing to prove you were still a living human being aside from your movement, was the pink hue around your eyes, on your nose, and above your lips, indicating how much you had cried recently. 

Usually, it isn't this bad. You just need a day or two of rotting in your apartment and doing nothing but scrolling on your phone until it died, staring at the wall, or — on the better days — watching reruns of a 90s sitcom that you don't really watch. 

But it was exceptionally bad this time around, for some odd reason, and not one part of you actually wanted to get up and out of bed for long enough to be productive about your day. Your phone had died again, after charging it two days ago, which meant you were on day six of no communication with anybody. Which might partly be why it was so bad now. 

You had a blanket wrapped around your body, dragging against the floor as you wiped your eyes and let out a small sigh, unlocking your front door and opening it, completely unsurprised by the person standing on the other side. 

He was the only one who ever paid enough attention to your disappearing act when you were like this. 

His eyes softened at the sight of you — which is kind of amusing, considering you thought you looked like death reincarnate currently. 

Neither of you said anything as you stepped aside to allow him in, the door clicking shut behind him as he placed down the leather bag he had slung over his body, turning back to you as he finally allowed the frown to appear — one you knew he would've had the entire way here.

"Have you eaten today?" was the first thing to break the silence — the question coming out so gentle you were sure you'd break down again at some point in the next few seconds. 

You wordlessly shook your head, and he nodded his own, saying nothing else as he walked into your kitchen, knowing you'd trail behind him no matter what. 

He opened your fridge first, before closing it when he was greeted with the alarming sight of nothing. Doing the same with your pantry, at which he turned around to look at you.

"Angel, you have no food," he said. And while it held no malice in the tone of his voice, you could tell he was slightly annoyed at the fact. Your heart ached. 

"I know. I'm sorry," you mumbled, and his eyebrows creased inwards. 

He didn't mention your apology — arguing with you about your vast use of 'sorry's' is futile. "Do you want a pizza?" he asked instead, and even though you, mentally, did not, you knew he wasn't actually asking. So you only nodded your head, and found a place at your countertop, the blanket falling from your body and pooling to the ground in a heap.

He ordered a pizza, and then he was nudging your knees apart, standing between them while you stayed sat on a stool, his chin atop your head, that was buried into his chest. 

And he said nothing, as he held you like that until the pizza arrived. And then he ensured you had at least eaten two slices, the remainders going in your fridge for the next meal you needed to eat. 

He was so kind to you, with his every movement, as he dragged you into the bathroom to help you shower. 

It was heartbreaking, the love you could see in his eyes. The tenderness in every stroke of his fingers against your scalp as he washed your hair, the softness in his touch as he did the same to your body. He gently dried you, told you to stay there, disappeared, and returned with one of his many t-shirts left in your apartment drawers. 

That was when you cracked. When he pulled the shirt over your head, that smelled so painfully Spencer and you. The mix of his clean scent and your own laundry detergent that you were so accustomed to, triggering something in you.

So, you crumpled to the floor of your bathroom, and he followed soon after, his arms wrapped around your body once more, firm enough to keep you still as you sobbed into his chest. 

You weren't sure how long you stayed like that for. Long enough for your head to hurt, and your eyes to sting, and hideous snot bubbles to stain his cardigan. 

When your sobs subsided, he spoke. 

"You wanna talk about it?" he said, quietly, and you shook your head. 

"Don't know what to talk about," you mumbled, and he knew that all too well.

He nodded his own head. "Did something happen?"

"Lots of little things."

"Yeah? You wanna tell me about them?"

You hesitated, because you didn't know where to begin. But then you nodded your head wordlessly, swallowing the lump — and, by extension, the sob — in your throat. "I fell down on the stairs at the train station in front of everybody. And then I missed my stop, and I was late to work. And I had a huge project due, but I didn't finish it, and I forgot I hadn't finished it, and I was anxious about it all day. And I think my friends are just pretending to be my friends, because I keep trying to make plans with one of them, and she keeps blowing me off for her boyfriend. And I'm just really sick of being sad all the time, Spencer. I want it to end."

With the onslaught of your bad vignettes throughout the past month coming back up, you broke down, again. Another sob escaping your lips as you pushed your fists down into the tops of his thighs.

If it hurt, he didn't say anything; simply continued to hold you against his chest, on the floor of your bathroom, that, if it were any other time, he would be having a field day rambling about the germs you both were currently sitting on. 

He also didn't say anything for a while as you sobbed, instead his fingers entangled gently in your hair, and he peppered kisses along the top of your head. 

"I don't want it to end for you," he finally said. His hands slid down from your scalp to your face, holding your cheeks with such tender, pulling you back so he could look at you. 

You sniffled. "I'm so exhausted."

"I know, my love. I know," he sighed, thumbs caressing over your cheekbones. "Ending it won't fix that. You know, logically, however you die is the state you'll be in, in the afterlife. So if you die while you're exhausted..."

"You don't believe in the afterlife," you answer, but his words still cracked through your tearful expression, and your lips twitched with a small smile. 

He returned the small smile, nodding his head. "That's true. But I also don't know anything about post-death. I could be wrong."

"How terrible," you mutter, and he laughed, quietly. 

"I know," he mused, falling silent for a few moments longer, with only both of your quiet breathing to break the silence. 

His fingers ran through your hair once more, and you sniffled audibly, your brain wandering away from the small content you had felt in that exchange, and back to one of the many reasons why you had isolated in the first place. 

"Why are you still with me?" you said, slicing through the silence all at once. 

You watched the smile fall, and his eyebrows furrowed, and his lips part as he went — and hesitated — to say something. "What do you mean?"

"I'm difficult." Your voice is impossibly small, and it breaks a crack in his heart as his eyes soften. 

"No. You're not," he reassured. 

"Yes I am," you breathed out — and then the tears came back. "I get sad and then I stop responding and stop seeing you, and you don't get any warning even though I know you should, and I feel so awful every time but then that makes me feel worse. And I'm sad all the fucking time, Spencer. I mean, I get upset when you aren't at home and you have to deal with all those messages and calls even though you hate texting, but then you get home and I'm isolating myself because I'm sad, on top of all the other things that make me sad, and you deserve better. You deserve someone who can give you their all and—and—"

"Hey," he cut you off, as did the sob that was ripped from your throat. "No. That's not what we're going to do. Do not sit there and tell me what I do and don't deserve." 

"But you do deserve better."

"No," he sighed, resting his forehead on your own, warm breath fanning across your face that usually made you scrunch your face up and pull away, now comforting you. "Do you love me?"

"What? Yes, of course I do. Why would you even—"

"—That is the only requirement I have for you," he said, oh so simply. When you didn't reply, he pressed, "Okay?"

"Okay," you murmured, and he relaxes a little.

More silence fell between you, your tears subsiding and your shaking body relaxing a little more. 

Then, "Did you hurt yourself when you fell down?"

You nodded your head, reluctantly pulling back from him so you could show him. You pointed to a yellowing bruise just below your knee, and the grazes on the bottom halves of your palms. 

"Oh, wow. Look at these," Spencer said, running a thumb gently over the grazes on your hands. "You're braver than me. These would've taken me out."

You laughed, and you saw his face light up at the progress he was making with you, and your mood. 

He then pulled you back into his chest. More silence, but less anxiety, and you sat comfortably in his arms for a few moments longer. 

"Did I worry you?" you say. "Not responding?"

You were so close to him you could hear his breath hitch, and you prepared yourself for a lie about how he wasn't worried at all. Except; "Honestly? Yes."

"Oh."

He exhaled, shakily, and you were kind of glad he couldn't see your sadder expression, half-buried into his chest. 

"You've never gone that long without checking in," he then explained. "The first two days I got what was going on. By the fourth I figured you still needed space. Today I just had a gut feeling."

"Just a gut feeling?" you echoed, and you felt his head nod against your own. 

"Thought you might need someone."

You sighed. "I hate that you're a genius."

"No you don't."

"No, I don't."

His fingers entangled in your hair again. "I also didn't figure you needed me here because I'm a genius."

"No? Then how?" you asked.

"It's simple," he murmured, tugging your head back oh so gently so he could look at you again — puffy eyed, and tear-stained cheeks and all. "I just know."

"That's the most illogical sentence I've ever heard leave your mouth."

He laughed, and you smiled again.

"Come on," he then said, untangling your limbs and pulling the both of you up to your feet, hands ghosting your waist to hold you steady. "I am willing to sit through whatever awful movie you want me to watch."

your reblogs and replies are always appreciated dearly ♡

[olderthannetfic]

hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused

--

A big factor in LJ's greatness is timing and nostalgia.

It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.

LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.

I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.

People often remember this phase but not the early days of suckitude.

This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.

There are people who talk about Tumblr the way my cohort talks about LJ...

And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.

Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.

What life phase you hit a site at matters.

--

With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.

The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)

Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.

Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.

But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.

--

The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.

On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.

--

But could we use Tumblr pretty much how we used LJ?

We could.

I do.

--

The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:

Heavily text-based

It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.

You could follow the discussion

Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.

The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"

All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.

On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.

(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)

It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.

--

These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.

For me... yeah, Tumblr functions almost exactly like LJ.

Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.

People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.

--

So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.

Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.

We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.

--

Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.

The missing piece is people.

When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.

--

Threaded comments are different and better.

LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.

A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.

--

So by all means, people, weigh in about what made LJ great or how the culture felt at the time...

But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.

[weirdly-specific-but-ok]

Why the fight for queer rights isn't over (it should be obvious, but to some people it isn't)

TW: transphobia and homophobia

Hi, Tumblr, this is Asmi. If you know me, it's probably as the Good Omens Mascot, which is flattering. I've found so much love and queer positivity in the good omens fandom, and the beautiful thing is how it's canon. Many people outside the queer community don't realise how crucial media and communities like this are. Right now since I'm on break from education, I'm on tumblr for most of the time I'm awake (which is not a lot, I nap more than Crowley). It's wild how different it is from the real world, that I live in at least.

I'm sure a lot of you might have had a similar experience to this: Basically, two people in my life, my bio father and my ex, both told me to my face that queer people needed to stop calling themselves oppressed and how now it's queer people who hold all the power and are oppressing other people. With all due respect, what the fuck.

I live in India, and being a trans guy who is bi and aspec, it's a cesspit. While I'm gendered correctly on Tumblr, and people are so loving and supportive, in real life even my friends who say they support me misgender me 90% of the time. Same with my family. In my previous college which I had to leave because of bullying by both the students and admin, even the queer students would misgender me (I told them I used they/them pronouns, because he/him would have been too unsafe, but even that they didn't manage). In the college I'll join next, it won't be safe for me to be out at all, at risk of losing opportunities and safety. Gay marriage is still illegal. Homophobia and transphobia is the norm. This doesn't even cover all the daily indignities like queerphobic jokes, casual discourse on whether or not we deserve rights, etc. Discrimination against aroace-spec people is rampant even within the queer community, worldwide.

And I live in an urban area, one of the largest cities in India known for its progressiveness and for being relatively safe for queer people. I am privileged compared to other queer people here. The story in other cities, in rural areas which make up most of the country, is far more horrifying. I'm unqualified to speak about anything other than my own experience, but if you can (if you are in a stable and calm enough mental state to handle the information, please put your mental health first) I'm sure there are first person accounts on the many forums.

The fight for equality is not over. It doesn't end with laws riddled with loopholes, it doesn't end even with laws that genuinely help the queer community. Aside from the huge problems of living safely and with access to equal opportunities and resources for people, we deserve dignity, peace, and the right to feel accepted and that we're not an abnormality. And so much more.

I haven't said anything that hasn't been said before, but it can't be said enough. To the queer people reading this, take all my love. We need to stand together, eliminate discourse over who is queer enough to be queer, and be the safe space that the world will not provide for us.

It's not over, and it hasn't been won by a long shot, but what matters is that we're fighting. Even existing as ourselves in a world that tells us it is a crime, is defiance and a step towards making this right.

[weirdmageddon]

ok. let's finally talk about this thing i've been wanting to go public with for ages

so i am not a fan of needing THC to help me curb the embarrassment i have in being happy talking about my real realll special interests, because perceived rejection of my interests feels like rejection of myself since i put so much of myself (my time) into them. i anticipate rejection from others because the stuff i find myself occupied with is detached, abstract, highly technical, or niche, and i'm aware of the surrounding cultural assumptions. some of them, and the level at which i am in involved in understanding them, are really specialized or esoteric, so even opening up about them is like "fuuuck im gonna be made fun of or it’s gonna be too technical that they zone out and dont understand why this is so meaningful to me" ive even posted about that feeling before.

see if i start accumulating too much self-context made in my own mind without sharing it i start to feel more and more isolated from other people around me, that they’re not seeing the full extent of what im seeing myself. i don’t share it, because i fear rejection or superficial judgments in other people’s eyes (probably because it’s happened to me and i’ve seen it happen to others). but at the same time it has to be shared with more people around me or else i feel like i have an intestinal blockage in my mind. what happens is my mental colon explodes from all the shit accumulated over time and vou get a post like this. i’m sorry for that mental image btw. anyway back the point of this post

anything where i can systematize archetypes in real, everyday situations has always been my strong suit. so when people ask me my hobbies im like ... uhhh what am i supposed to say? i analyze stuff about the world and rotate it in my mind. when carl jung wrote there are “as many archetypes as there are typical situations in life” i know exactly what he was talking about.

i’ve been toeing the line to really talk about this thing for two years, so let me tell you about socionics. if you already know what im talking about i love you. if you don’t (or even if you do, keep reading there’s probably stuff you don’t know in here), it is part abstract cybernetic model, part jungian concepts, part philosophy of information exchange. it classifies how people communicate and exchange information. it was created in eastern europe in the late 70s, developed primarily in the 80s-90s by other authors and it’s been an endlessly fascinating, elegant, and reliable tool for me.

usually people dismiss personality typology systems because the mbti became so watered down and pop-culturally saturated that people seemed to collectively take a stance of not taking anyone that genuinely cares about it seriously, or at least that’s the impression i got.

(btw — i need to go on this brief rant — i will never forgive 16personalities for being the big five rebranded and people thinking it's mbti. 16personalities gives you your big five type. they explicitly state on their website that they don’t borrow any concepts from jung. -A and -T don’t exist in the mbti and correspond directly to low and high neuroticism respectively. i figured out myself they mapped each letter dichotomy to the other four measures on the big five: extraversion (I/E), conscientiousness (P/J), agreeableness (T/F), openness to experience (S/N). which is stupid and it’s false advertising. take 16p and a big five test see for yourself how they match up. your personal mbti type can be different from its correlated big five type. the actual mbti using jungian concepts as a base is alright though. oh, and the best neo-jungian mbti stuff is by far michael pierce’d takes on it. if you actually fw that heres a carrd i created a few years ago about the cognitive function axes.)

but i always end up going to the bottom of the iceberg in anything i get really into, and i basically integrate it into my own understanding of the world around me for a while. maybe it was because i had a bad experience genuinely talking about it a few years ago from some people who made superficial judgments about it that made me sort of quiet about my interest in typology systems. i assume it’s because myers and briggs used the tool towards racist ends; it acquired negative connotations, bullshit intuition supremacy, and left the study of psychological types tainted in the united states. even if the individual’s study of the system is neutral, unbiased, out of pure curiosity as a way to classify and relate different personality structures to each other, as was the case with me. in addition to 16personalities being an invalid “mbti” test that bought their way to the front page of google, and rampant superficial information at all levels of study, finding anyone who was into it like me was basically impossible. the reason i have a preferred interpretation of jungian + mbti concepts is because i’ve tried different ones on and sensed how well they conform to reality as a way of describing phenomenon, ditching old ones that werent as clear. michael pierce’s i’ve found are the closest to what i sense jung's intentions were. (actually quite likely this is something i would attribute to being because all three of us are types LIl (and also all infj too, how about that?) brain-to-brain communication LII (carl jung) to LII (michael pierce) to LII (me)). so i felt like michael pierce kept the things that worked in real life and ditched the things that didn’t, leaving behind his elegant integration of the concepts.

anyway, i was under the assumption that anything that could be mistaken for it—which socionics often is at a glance—would be dismissed out of hand, even though it’s entirely different. plus, there’s all the context i’d need to clarify about how “it’s different from the “fun” unserious pop-psych mbti and also absurdly more technical” and what's the point in doing that if they don't respect you enough to hear you out anyway? so it just made me closed off.

they share a common ancestor though. the concepts are still based on carl jung’s book ‘psychological types’ which is why there is some shallow overlap, but the scope, structure, and application of it is different. i feel like this system is a lot more “living” and relevant to real interactions and communication between people in our everyday lives. i am always seeing specific examples of these concepts in play in real life and in characters depicted in media. it’s also been more empirically studied and successfully implemented over in eastern europe, and has gone under constant development and contribution. while since the 50s, mbti had crystalized and become stagnant with diverging interpretations to the point where it’s become basically meaningless to try to talk about because nobody can agree on concepts or semantics; there are virtually no distinctions between “schools” or “models” to differentiate interpretations — (although i have my preference for what i think are the most meaningful and reasonable one; as i said, that goes to michael pierce.) eastern (not so much western) socionics is incredibly more well put-together than mbti or kiersey for squeezing the potential from jung’s original ideas, and goes much deeper. that said, i will ALWAYS advise self-studying typlogy concepts over taking a test. the algorithm of a test can never possibly know you and your individual biases in interpreting the meaning of the words better than the knowledge you just have about yourself. if you learn the theory underlying it you will actually learn about yourself and others and it will actually mean something to you instead of a being an empty decoration for your profile.

here is a comparison chart i translated into english so you can get some idea of where these systems actually differ.

Букалов, А. (2019). On the advantages of socionics over other post-Jungian typologies. Socionics, Mentology and Personality Psychology, (6), 5–7. Retrieved from https://publishing.socionic.info/index.php/socionics/article/view/2603

for me it’s been super insightful applied to real life. it is like a toolkit for interpreting why some people just rub me the wrong way and our communication feels disjointed. or why some people pass my vibe check to enter my personal inner circle and i feel like talking with them is easier and not an uphill battle. who i feel drawn to and want to get to know better. to deconstruct why i and other people interpret information in the world the way they do, and how that explains the kind of people i end up curating in my life. it has put into words the concepts i haven’t been able to find the words for beforehand, and thus enables me to retrospectively pinpoint exactly what unconsciously makes people feel more at ease or why communication is just easier with some and why it’s harder with others, regardless of any other factors. there are other factors of course, that are the result of unique circumstances—nurture, culture, and upbringing—and i of course account for those, it’s not as pertinent to me as the framework that provides the skeletal structure regardless of those individual variations that are simply already a given for me. that was actually the whole point of its creation.

the system gives me a common language to communicate these ideas with, at least to the few people i talk to who have learned it, but i can adapt the concepts in how they relate to specific circumstances and convey it to a lay audience. i’ve been doing just that to explain why, of the people who have been made aware of the hs rarepair john-aradia, i have seen no one object to it, and instead, everyone i saw found it intriguing the more they thought about it, even when they initally thought was “so random”. and i realized, “hey wait! i know how to explain that!”, but that's in another post i've been working on.

[i was actually originally writing this post in the middle of said aradia and john analysis but i felt like there was way too much i wanted to talk about as its own thing. i figured people are going to be reading that post for john-aradia explanation, not public updates about my mind. i just didn’t want to rewrite this to account for the context because the point i made was still relevant]:

but now i’m thinking okay… i’m talking to a bunch of homestucks. why am i prostrating myself here? why am i so defensive? they’re probably creaming their pants at the idea of another symmetrically divisible system of classification to get their hands on. homestuck itself is founded upon a bunch of ideas with symmetrical divisions and classifications (divisible products of 2). aspect dichotomies, quadrants, cards, black-white, yin/yang and literally countless other abstract systems. if there is a common word to refer to these sorts of things, please let me know.

but in socionics terms, all of this sort of stuff i’m refering to would be within the domain of extraverted/black intuition (Ne) information, and classifying or positioning someone within those frameworks would be introverted/white logic (Ti). you can read more about these “elements” here. homestuck has familiarized you with notionally irreducible aspects present in everything, dual yin/yang forces permeating everything, so if you understand all of the sorts of abstract classification systems in homestuck you’re basically already 75% the way to fundamentally grasping model A socionics. it is way more structured and stable than the typologies in homestuck though. but you will perceive there to be similarities in the need for archetypal/thematic sense skills.

if you want to learn socionics, for the love of god start here. there are many weak places out there to start out with that will set you up with a faulty and loose understanding, but school of classic socionics is the best foundation to start with. i saw it emerge from the beginning when it was founded, having been part of it since late 2022.

this is an introduction to SCS, what makes it special, and and how differs from other socionics schools. i find SCS to be the most comprehensive, and i’m active within a side discord to discuss theoretical constructs related to model A. i’ve helped find the links between some concepts in model A that weren’t fully substantiated in augusta’s original works, specifically the importance of the asking/declaring reinin dichotomy, how it fits with regard to the rest of model A’s structure, how it underpins the ring of social benefit (which was missing from her writing), and how it can be used as an information element charge just like positivist/negativist can (i.e. all process types have positive asking Ne (+Ne? and all result types have negative declaring Ne (-Ne!). i’m still working on transfering my essay on that to a document.)

i know the intricacies of this system like the back of my hand but yeah i never post much about it because it’s so niche and i dont know who would even want to hear it besides people who i already know would, like in that small specialist group, but they actually been quiet lately even though i’m still active in there sharing things i realized. and i even feel alienated in most casual socionics discussion groups, especially larger ones. i need people who can match my freak about it.

because i have nowhere else to talk about it i’m starting to feel guilty yapping my friends’ ears off about it when i deconstruct everything i come across in light of this system like i’m being annoying about it. but at the same time when im doing that i am constantly reinforcing the merit of the system in successfully finding some dynamic i see in the drama of real life in connection to some idea from the model. i can immediately lock on to the core principles that are at play in any situation, validating the patterns that have been observed by others. by what measure do these people / characters / groups relate to each other, how do we define the specific “feeling” of the energy between them together? i could do a socionical analysis for anything that captures my interest.

it’s also been incredible for self-insight. i can now accurately explain my thought process.

i can change my perspective of the scope of my thinking on different levels. depending on the urgency of a situation developing around me and my respect for other people’s time, i can expand my reasoning from splitting hairs at the smallest pedantic specifics—although i prefer not to, to the most holistic global hard binary 0/1 (no/yes) judgment.

it’s fractal-like; once i know how to classify and compare the features of something to another, everything else with overlapping logical relationships instantly rises up in the same way, which of course is what leads to me having insights that reinforce the potential inherent in the things around me, because my way of thinking is isomorphic. i also experience strong animated mental imagery accompanying my conscious thoughts about these systems, minimalist shapes or lines of the barebones motion happening. i feel like my mental activity and what i actually write down is trying to capture what im seeing in my head.

i prefer to be brief, but that requires sharing contexts with someone. once i've established similar ways of talking about the same thing with someone so that we’re on the same page, our messages basically become exchanging code words with each other. all of the potential densely packed into these efficient little terms.

the effect is that i am reducing the amount of time and energy i have to spend trying to explain things to someone. i just want to communicate easily and be understood by the people i talk to so that i can enjoy my time with them. this is why i felt like such a long, clarifying, in-depth post was necessary, which would rip the bandaid off and pull it all up at once, instead of on a private, individual-to-individual level. i had to have it engraved somewhere i could just point someone to instead of repeatedly having to explain the same thing over and over cause that’s a waste of time and energy.

in fact, that revelation i had about myself just now can be explained by model A too! my own type is LIl and this type’s id block houses the information elements +Te! → +Ni?, which aushra describes as “The quality of deeds and actions and the efficient expenditure of energy in work—only performing for what is truly necessary—leads to peace of mind in the future.”

or, for example, coming at it from another angle, here is an older post i made before i was even aware of socionics. i was already talking about my experiences, patterns of thinking and self-awareness in a way that was so on the nose for a socionics analysis.

is that not the clearest example of phase 2’s sensitivity (for me it is information about sensorics)? -Fi? → -Se! superego block, anyone? and did you see how much i gave attention to the time i spend working; +Te! -> +Ni? id block? [information element descriptions here]. you could also derive the progression of the information metabolism stages in my own psyche (phase 1: Ethics -> phase 2: Sensorics -> phase 3: Logic -> phase 4: Intuition).

(from The Characteristic of SLI)

so through socionics it’s like i can find an explanation for just about everything i observe in others and myself just because i’ve extrapolated the logical relationships from that system and can isomorphically apply them to anything.

and i don't say that lightly! i'm not saying anything in this post lightly. like i have a degree in biopsychology from an honors college (ncf; yes, the liberal arts college desantis got his soulless hands on because it was “too woke"). having taken courses in statistics, research methods in psychology, and others, i know all about proper research design (and designing them myself). and of course i ended my four years there with my undergrad thesis, examining temporoparietal synchrony in autistic individuals when working alone and together, where for months on end i was doing nothing but reading and interpreting the validity of research papers. i even deconstructed poorly designed psychological constructs commonly used in autistic research in mine.

i also took personality psychology as a course during my time there. i got a birds eye view of most of the popular paradigms and still felt like i was more knowledgeable in the discourse behind some of the topics we glossed over since the course material was more of a broad comprehensive thing than an in-depth one for anything specific. in totality, all of the models i read about in relation to each other seemed so fragmented into different cuts and perspectives in trying to understand and find the patterns in people’s mental life. and yet none of the models i read about hold as as great of an everyday explanatory power as socionics does for explaining ways of thinking, people's proneness to certain tendencies, and the energetic tension that happens between certain people.

people can say otherwise that it’s pseudoscience. even though there are numerous studies built on real-world observations, the large-scale statistical data like from victor talanov. there's school of system socionics who emphasize its practice. it would be impossible to add all the evidence i can to support my claims to this post but you can see for youself - there are still countless new articles being published from different authors. regardless of that, even if it isn't accepted within the rigors of “scientific canon” i really dont give a fuck since it absolutely does indeed have explanatory and predictive power, and that’s all i care about. i’m confident in this not only through firsthand experience, the ability to frame what i know to be true about the real world within it and have it successfully describe those things, as well as talking to other people about my observations.

additionally, i see people make conclusions about interpersonal dynamics where they unknowingly repeat information that can be derived from socionics concepts.

something i noticed a LOT and ive repeatedly thought about and come to the same conclusion multiple times is that i think i naturally might "embody" the most optimal ways of interacting with other people for myself. it gives me insight into the nature of the personal relationships that i already procure in my life, but it’s not really a self-fulfilling prophecy because i dont use socionics to prescribe who i "should" be friends with. that's silly. thats a silly thing to do because people do have idiosyncracies that don't perfectly align with a system if you rigidly adhere to it, so you're bound to be set up for failure if you try to force that and you will be disappointed. it's better to let these feelings happen naturally without pretense, because that's where the observations that fuel my insight comes from.

i have a subconscious sense for who i will be able to get along with in the long term almost instantly without the need for any kind of system, just based on their actual mannerisms and “vibes”, but that alone is not good enough for me, i want to know why. socionics just gives me tools to figure out why so that i know what im dealing with and its not just ineffable energies, but i can put a name to those energies to think and talk about it and compare and discover patterns in what ive curated in my inner circle over my life, what i feel drawn towards. and indeed i do find plentiful amounts of recurring patterns. the simplification and abstraction is not to destroy the soul and expression of individuals but to wrap my head around them and understand them deeper in relation to everything else, including myself.

i am aware it can be confusing for many people which turns them away. but if theres any questions you have or youre confused about any concepts i can answer them

but yeah um, i’ve really only scratched the surface of this cognitive cybernetic tool. if you are genuinely interested in what i have to say and want me to talk more about it please openly tell me since i’m not a mind reader! i assume disinterest by default.

anyway if you got to this point thanks for reading. i wanted to just put it out there for context about any posts i make in the future. just stating my honest thoughts and whats been occupying my mind for the past two years.

be on the lookout for the john and aradia analysis soon where i’ll use it in practice to deconstruct some things about those characters. and if you’re coming to this post from that analysis after ive posted it, i’m sorry this post is so long in the middle of an already long-ish post. i just thought the context was important.

[stxrr-strxckk]

Something I noticed about I Saw the TV Glow that I haven't seen anybody mention yet

I saw this movie in theaters back in early may when it was released (Twice!), and it's been lingering in my head ever since then. Something I noticed on my second watch through: When Owen (and the audience) first see the Pink Opaque, we see Tara and Isabel in this sort of 90s nostalgia light, and I always thought they looked quite similar to Maddy and Owen. For example: Here is Owen and Isabel next to each other for reference.

While it's not entirely the same (Owen has softer features and is warmer toned, Isabel is more sharp and cool toned), they do look like they'd at least be related, cousins at least?

Same with Maddy and Tara, though not as much. (They looked more similar after Maddy's haircut, but I'm too lazy to change the photo)

But then, at the end when Owen is rewatching Pink Opaque? It's completely different. That nostalgic effect is gone and all of a sudden Tara is nowhere to be seen (Since Maddy left the world they were trapped in), and Isabel is completely different. Instead of being the confident, strong, WOC we see her as originally, she's just the same boring white protagonist of every little girl's show we grew up on.

And of course Owen is panicking, realizing that he lost his chance: He buried Isabel; she's dead underground, without her heart and instead of being who he truly is where he truly belongs, he's just... Owen. Stuck in suburbia, living the hell of being a queer kid growing up in the suburbs. Except now, he's an adult living a lie, knowing what he could have had is gone and he's stuck.

And another thing: I think the choice of the fun zone being where Owen works is deliberate. Sure, they could have kept him at the theater, but the theater shutting down is not only accurate (sad but true- please support your local movie theaters!) but shows how everyone is moving on from that experience of going to see a movie in person- choosing streaming instead.

And we also notice this change in the Pink Opaque when Owen is watching it streaming. This is a reflection of how media felt more special growing up when it was in a physical form. Cds, vinyl, Dvds, casettes, film reels, even game cartridges, we've always had some physical object that bonds us to the worlds of creativity in which artists express themselves. And whether you've noticed or not, it's a special sort of feeling that just... Dies with streaming. Its like you own a piece of the media. Like saying: "This is mine, it's my personal piece of media that belongs to me and only me." and that's always made it feel special. Sure, there may be multiple copies, but this one belongs just to you. Not to mention the ritual of actually putting in cds, dvds, casettes into a player, or playing vinyl on a record player. There's this action you have to take to consume this media that's familiar and sort of gets you to anticipate what you're about to watch (much like Owen and Maddy's ritual of Maddy taping the show then leaving them around school for Owen to find) whereas now, you're just on a streaming service that lots of people own, and you're just mindlessly scrolling through hundreds of options.

Another thing: What do we see when Owen cuts his chest open in the final few minutes? TV static. Like when a tape finishes and you don't take it out of the player. Now with streaming, you don't get that static. His connection with the Pink Opaque stems from his friendship with Maddy, the nostalgia of his favorite childhood show, and of course: his own queerness.

It's no secret this movie is about growing up queer and feeling like something is wrong. Like some part of you missing, the part that makes you normal. I've seen many reviews on IMDB that clearly missed the point, so I really want to spell it out here: THIS IS A MOVIE ABOUT QUEER PEOPLE FOR QUEER PEOPLE. And I've never seen a movie so perfectly encapsulate that feeling more than this one.

From my experience as a queer POC growing up with little to no representation I know this feeling all too well of seeing someone and realizing: "Wow, that's me." And projecting who I wanted to be onto that person. Then, later revisiting that media to realize that a: you've become them, your true self, or b, in Owen's case: that you've buried that person alive and barely recognize yourself.

It's really such a unique experience that I've never been able to put into words before. These scenes gave me such a visceral feeling and I almost cried in the theater. The scene of Owen in Isabel's dress is just the cherry on top. I myself am lucky enough to not need to transition and growing up I didn't feel as much dysphoria as my other trans friends, but this reminds me of a good friend of mine who used to dress in heels, makeup, skirts, and dresses to try and lessen the dysphoria she felt growing up in the wrong body.

I also love how the movie shows being queer in school.

Like how Maddy asks Owen if he likes girls or boys, and he replies with: "I think I like TV shows."

Avoiding the question because you either don't know the answer, or are so afraid you're gonna get bullied even more for being who you are.

Growing up, there weren't many queer kids in my school. So when we found each other, we stuck together. But for most of school, we were alone. No groups, not many friends, no space at the lunch table for us.

And seeing Owen, I just felt this connection to him almost immediately. Alone, not part of any group, until he finally finds Maddy. They don't have anything in common except the show, which is really the only reason they're friends, but it keeps them together, They're bonded.

For me, I see this as finding another queer kid in a mostly straight school. You may not have much in common, but that identity means you two will stick together, no matter what.

TLDR: I love isttvg, it makes me cry, everyone in gay and fuck imdb.

[tyrantisterror]

A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

[nica-my-beloved]

Things I Love and Dislove About Ikemen Games

These are my opinions!

CONTAINS ADULT CHARACTERS

You don't know how much this means to me because most of the time I try finding shoujo mangas I end up with stories that involve high school kids.

I'm a die heart fan of demon romance but majority of the shoujo manga that explores supernatural beings involves a 1000 year old demon king falling in love with a 16 year old high school girl. This sickens me not only because of the age gap but one of the party is a freaking minor.

As an adult, I'm so happy the Ikemen Games doesn't involve younger characters or at least characters that are 'minor' as a romantic partner.

MC's ONLY JOB IS TO SIMPLYFY THE STORY

I have said this before, MCs are just props to simplify the story and characters to us because the writers think we're too dumb to understand what the character is saying. They're like Paimon so that we don't use our braincells to understand the characters better.

I wish they didn't do that and have MCs backstories that describes their personality. I mean, all the MCs want to 'prove' to the male leads that they wanna be 'strong' but I'm tired of this trope.

Why does MCs have to always be innocent and prove themselves? Why does she always want to 'understand' the male leads? Can't we...for once have a romance that doesn't involve MCs teaching male leads true love?

Also STOP give MCs odd jobs! Book stall employee...letter carrier? I mean who is happy and satisfied doing this? How about giving the high-paying jobs like Auditor or Businesswoman or Scientist or etc etc...I know Mai is a fashion designer and businesswoman and Mitsuki is a travel agent turned maid. Alice is a baker and Yoshino is a pharmacist. The only MCs that continues to follow the path of their dreams is Mai and Yoshino.

MATURE ROMANCE

I enjoy seeing two adults slowly fall in love.

There is something different about teenagers falling in love vs adults falling in love. The romance is more realistic. They don't talk about how they're gonna plan their future together or which college they're going to go instead their chat is much more deep and that's refreshing.

NO BAD ENDINGS

Happy endings are nice. Everyone deserves one! But when there are no bad endings, the story won't have stakes.....and when there are no stakes, I can't take any gunshot sounds, blank screen and MCs saying 'Is this the end?' seriously.

Just stop being cowards writers! Put some bad endings!!

FAIR SHARE OF ROMANCE

Although I have played my fair share of Maiden games, majority of them are not that romantic.

I love cute romance moments to lighten up the mood and I really need them. Ikemen games delivers that too well....way too well...

I do have some criticism for random steamy scenes, I don't mind as long as they have context and mood.

The story is not so story focused all the time and also has time for mischievous romance which I like! It helps in calming me down and enjoy at the same time.

BULLSHIT GACHA SYSTEM AND NON-EXISTING GRINDING SYSTEM (Not very F2P friendly)

Even though Genshin's gacha system is shit (you need mf 90 wishes to get a guaranteed 5 star and 180 wishes to get the limited 5 star you want!) I still think it's ways better than the gacha system of these Ikemen Games.

Yes I agree that both the games are different in genre, one is an open world anime rpg and other is a maiden game with gacha mechanics. But that doesn't mean that I have to always pay to buy limited gacha tickets!! At least genshin gives us an open world to explore and grind primos (even though its time consuming)

Yes they do give limited tickets when you enter an event or complete the mission board but that's only ONE TICKET and you need 50 LIMITED TICKETS to get your guaranteed limited 5 star card. On the other hand, they give out many standard tickets but what am I gonna do with it if they aren't gonna update the standard banner?

These games are NOT F2P friendly and if you wanna...like say, want rank no.1 in an event you'd have to save a lot of items.

Ofc I know about the subscription thing and you do indeed get a lot of items, but the most essential thing for me is limited gacha tickets and diamonds because I wanna collect as many beautiful cards as possible and you don't get them from these monthly subscriptions. It's a waste of $5 very month. I'd rather buy a nice hair care or skin care items from that.

INTERESTING SETTINGS

I have my criticism in some of their stories but I can't deny that I LOVEE their story settings. Their premise for each game is solid to the point it makes me wanna actually try it.

This is something I find very rare in 'shoujo' genre.

For example, I don't like Vampire themed games because they suck! (both figuratively and literally) but Ikemen Vampire interests me because they take real historical figures and makes them vampire, which is a really cool idea! You don't know but I'd die to get myself in situation like that because it would be an honor to meet some great historical figures, chat with them and make them lose all their brain cells just like me. I would die to meet especially Isaac Newton and grill him for making those torturous physics theories that gave me brain tumors in my school.

Very cool setting! I can't wait to see what's in store for us in the future!!!

EVENTS ARE INSANELY BORING

I've never enjoyed a single story event from Ikemen Villains. They are boring and makes me fall asleep immediately at chapter 1. I think that kinda spread to Ikemen Prince because I barely open Ikemen Prince app now.

I honestly don't find the stories of these events interesting at all. It always feels like 'I have seen this before' maybe in some other game or some other manga.

And the Collections events.....yeah, I hate them! I wish they never existed!!! They keep the fan-loved characters at the butt-end of the list where 90% of the players don't even make it unless they burn their whole month's salary. I know that's why they do these anniversary elections because I bet if Sariel was the most voted character, his story would have been the most expensive one to get.

VERY LIKEABLE MALE LEADS

This is a personal thing but I love charismatic male leads a lot! Male leads with a lot of suave and beauty! Yes I care about these things when I play gacha games okay! I play gacha games to look at hot guys (because I know I'm never gonna get one in real life!)

But I also love that the devs puts an effort to make them feel good too. So I wanna give a shoutout to them!!! 'KEEP GOING!!! JUST DON'T MAKE TRIGGERING MEN WHO SAYS 'I'LL KILL YOU'!!!

[moongothic]

This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit

Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".

Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.

But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?

Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.

But that does bring up an important thing to considder.

If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?

Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.

So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?

Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.

Regardless, let's be real.

It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.

Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.

(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)

All of this to say, again.

The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)

Whatever the case, I'm sure Oda knows the truth.

And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.

[terramythos]

Anyway here's my breakdown of the ffxiv jobs, my opinions on playing each, and the tier rank of how good their story was

TANKS

WARRIOR - warrior is so fucking funny why did they make it able to solo heal itself and the entire party in 90% of the content in the game. Raw Intuition/Bloodwhetting is so broken in dungeons its hilarious. And then they have like 3 additional healing skills on top of that. And they kept buffing it throughout Endwalker. So it is currently the easiest to play, does the most damage (i think...?), and has the best healing of any of the Tank jobs. 2nd fave probably.

Story Tier: C, it's ok, Curious Gorge is a good name. i have like nothing to say about it it's a generic AF story

PALADIN - I used to hate PLD but I think the partial rework they got halfway through Endwalker helped it a lot. It's much less clunky now. Probably still my least favorite Tank though Hallowed Ground is fun and it's pretty close to Gunbreaker for me.

Story Tier: F, this is the worst class storyline in the entire game. It's so stupid. The writing is so bad the writers acknowledge it makes no sense at all and I'm like. Yeah, thanks, I am experiencing this shit. Perhaps write a story that makes sense next time instead of pointing that out.

DARK KNIGHT - Unfortunately this is my favorite Tank 🫡 which is rough since it has the worst survivability out of any of them. But I love how you use MP and the silly number of OGCDs. The Blackest Night is such a fun ability and it's a crime that it's not a baseline skill you get from the start. Why do they have so many DRs that only cover magic damage. I must ask.

Story Tier: S, there's a reason it's the most popular and well regarded class storyline. It's really good, also the only questline I know of that uses the quest log text as part of the narrative. Outside maybe a few of the very late Endwalker quests. And, well... same writer lmao

GUNBREAKER: I think GNB looks cool as fuck and I like that it has 2 DPS rotations. The Gnashing Fang combo is so fun. Superbolide memes are always fun. My main issue with it is a skill issue because I am just constantly misaligning its burst windows.

Story Tier: C. It has some interesting lore but I found it pretty forgettable as a story.

HEALERS

WHITE MAGE: I hated White Mage for a while but something clicked and now I totally get it. I find it fun in dungeons cause you get to Holy spam and stun lock everything. As uh. The healer. That's fun. Once you get Afflatus heals (and then Afflatus Misery) it clicks. It's fun maximizing damage and playing chicken with the tank's HP.

Story Tier: B, you get a lot of lore around the Padjal, and I think the Stormblood story where you find a padjal living in hiding with her mother is pretty good! Also it's not technically the job storyline but there's a WHM side quest to get a unicorn mount? i guess it's technically a CNJ quest but same diff. no one else gets that shit. so that's cool

SCHOLAR: probably my least favorite of the healers... it just feels super clunky. You can tell a bunch of different design philosophies went into it over the years and none of them mesh very well. They've made it so the Fairy Gauge controls literally one spell. Why have the gauge at all? It's also a huge missed opportunity that there's no tie in or interaction with the fae in Shadowbringers. I love the idea of a battle tactician healer but I think it needs a rework.

Story Tier: B+, I liked the characters and its the main way to get backstory and lore on what happened with Nym.

ASTROLOGIAN: While I think AST has a similar issue to SCH (lots of different design philosophies over the years) I find it way more fun to play. I like the card mechanic and how it interacts with the rest of the party. AST is basically the only job that has its own like. Minigame? As part of its rotation. And I know a lot of people don't like the RNG for it but personally I find it fun. I know AST is getting a redesign in Dawntrail so hope it's good.

Story Tier: C? I think? I'll be honest I don't remember it super well but I didn't find anything objectionable about it. And I like the tarot aesthetic and lore and how it's healing based on manipulating luck.

SAGE: I think SGE is tons of fun, I'm not sure if I like it or WHM more. I love all the skills SGE has for preventing damage and the gimmick where your DPS heals someone in the party. Visually the hi-tech laser shooting healer is a lot of fun. IT HAS A GAP CLOSER. The only thing i wish was it wasn't so MP negative and that it did more damage. It's a little sad its DPS output is so low compared to the other healers (even AST when you factor in how it buffs the party). Since SGE is supposed to be a healer that heals through damage it's silly its damage kinda sucks.

Story Tier: A, I loved this storyline. Both the Endwalker job stories are very self contained and interesting. While the twist is pretty obvious it's still an interesting exploration of uh. Scientific ethics. Yeah

PHYSICAL MELEE DPS

MONK: I've probably played MNK the least of the phys melee but I like the whole adaptable combo thing. Not much else to say since I have played it so little. Might bring it back out and try again. It DID have the funniest guide in the Balance discord for a while.

Story Tier: D. I think? I remember thinking it was dumb, lmao. Sorry.

DRAGOON: MAN I wished I liked DRG more. It looks so fucking cool and I like how it interacts with the dragon lore. But I find it very punishing to play. To do good damage you have to align so many different cooldowns... and snapshot your DOT correctly... and screwing one thing up just fucks your DPS output forever. Like AST I believe this is being reworked in Dawntrail so I hope it feels better to play.

Story Tier: C+. I think it starts strong since you get to meet Estinien pre-Heavensward and it melds nicely with that story. But I found it pretty directionless post-HW which is a shame.

NINJA: I remember finding this one fun. I like that there are different combos you do that have varied finishers depending on the situation. I am just... bad at remembering which combo to use to get which finisher, lol. So I haven't played it as much. NIN gets a lot of flavor other jobs don't get with their unique run and jump animations. And you get a Bunny of Shame on your head if you fuck up a combo, which is incredible.

Story Tier: A. The Rogue story is probably the most memorable of the basic class quests. Ninja just has great characters and a fun story. What is with that one guy. Karasu? If you know you know. I also like how the Rogue characters show up later in the Ninja story. That's fun.

SAMURAI: I had a similar experience to WHM here because I initially hated it then really came around once it clicked. SAM seems very complex, it has a ton of buttons and different combos. But it is actually quite intuitive once you figure out the general pattern. And it does INSANE damage. I think it's the highest DPS output in the game? I love building the combos and then doing a huge finisher for a bajillion damage. The guaranteed crits and constant OGCD weaves make me feel unstoppable. I think this is tied with RPR for me.

Story Tier: B+. I found the exiled samurai character and his journey toward redemption very compelling. I won't spoil beyond that. However it does fall apart a little in the second half. Still fun but not as good.

REAPER: I love RPR, the teleportation is a lot of fun, and I love finally unleashing the demon form and going ham on the enemy. The weapons are the coolest looking in the game. Every scythe design hits. I probably played this the most in Endwalker. My main critique is the Death's Design mechanic. I hate having to keep a stupid debuff on the target to do damage. It's like a dot but without the optimized snapshotting. If they want to keep this idea i think it would feel better to change it into something like SGE's Kardia where you apply it to one enemy to do increased damage to it without having to worry about reapplying it. not sure how they would balance this for aoe but that's not my job. But even with that caveat I still really enjoy the job.

Story Tier: A+. While it doesn't reach the highs of DRK's story it comes close. I love the badass old lady main character. Her hunting a voidsent that possessed her grandfather would be cool enough but making her a Garlean exile in hiding who grudgingly agrees to train you just adds an extra cool factor. I really enjoyed this story. As a bonus theres a lot of incidental dialogue in the post-6.0 Endwalker story if you completed the RPR story because it ties in a lot.

PHYSICAL RANGED DPS

BARD: It's a bit clunky, its got some outdated design elements, it has one of the lowest damage outputs in the game... and i LOVE IT. this was technically the first job I ever played? totally different character like 8 years ago. and i was so so bad. I think i am actually pretty good at current BRD. the animations look cool. i like that it's a class you really need to work for and optimize to eke out that last bit of damage. and boosting everyone else's damage by existing is kinda neat.

Story Tier: B. I'll be real I barely remember this but I do remember it was gay as fuck so immediately gets an extra tier for that.

MACHINIST: MCH is really funny right now because like. It's phys ranged, right. The design behind phys ranged is you have 100% uptime cause you can freely move around and not have to worry about cast timers or melee range or anything. So the trade off is that they do less damage than other classes. Endwalker MCH did not get the memo and does insane damage anyway. My controversial opinion is that it has similar burst DPS to RPR. No i will not elaborate. I'm also bad at doing good damage on MCH which is impressive since it is easy.

Story Tier: B+. Some Ishgard noble's gay son wants to build machines instead of killing dragons the good old fashioned way and has to prove himself to get taken seriously. A tale as old as time. See I haven't done this quest in like years but I still remember it. He is a memorable character. It's just not like. knockout wowza compared to the A tier stories.

DANCER: Dancer is the second easiest DPS job in the game behind SMN. So if i am sleepy it's the one I like playing. You play simon says. you do a lot of damage when you play simon says then do almost no fucking damage otherwise. I think it's the lowest direct damage in the game? for a dps i mean. You have high stakes sexual tension with a DPS of your choice via Dance Partner. I wish other DNC players knew how Dance Partner works. YOU CAN DANCE PARTNER ANOTHER DANCER. THE BUFF STACKS. BUT YOU CANNOT DANCE PARTNER THE SAME PLAYER AS ANOTHER DANCER. THOSE BUFFS DO NOT STACK. ok i'm good. anyway

Story Tier: C. there's some shit about negative emotions and purging them? in theory i think this has some interesting implications with Endwalker lore considering Dynamis and its role in the story. Very similar mechanically to what's going on with the DNC story. but i really don't think the writers made the connection so it's like pure speculation and not the actual story. It's meh. fine i guess. i did like all the flashy dancing sequences.

MAGICAL RANGED DPS

BLACK MAGE: I am so so so so so so so bad at BLM. i pull up the guide. i read the guide. it all makes perfect sense. i go into a dungeon or trial or something. somehow i always get like Zeromus or some shit. and i drop Enochian or something and everything goes to shit and i'm yelling and i'm not even like slide casting or teleporting or anything i just run around crying. then i remember i have like 10 more buttons i haven't been pressing and oh god the dot fell off. people play this? for fun? i admire it. apparently they do a ton of damage if you can play it. could not be me.

Story Tier: B? There's some voidsent and Thirteenth lore. all the black mage characters are Lalafell because it's funny i guess. OH YEAH it has like the one named male Keeper of the Moon Miqo'te NPC in the entire game and he's fun. look at this twink:

sorry i don't have anything to say about BLM i am bad at it

SUMMONER: easiest DPS job in the entire game. they redesigned it for Endwalker so it is practically a new job. i have no idea how it played before. but it is super streamlined. maybe too streamlined? it's another one to play if you want to turn your brain off. i like that at 90 you summon The Actual Primals instead of little representations of them. and i like the way your burst phase switches between Bahamut and Phoenix. it all looks very cool. they should add Leviathan as a summon in Dawntrail.

Story Tier: C.. i don't remember a single thing about this questline except you interact with Y'shtola's half sister. i think you go to Cartenau at some point. idk

RED MAGE: RDM is one of those jobs that looks really complicated when you start then you actually play it and it is just super super easy. that being said i think it's really fun. I like balancing the white and black magic gauges. Dualcast is a great gimmick and it feels cool to lob two big spells in a row at something. Dualcast Verraising a chain of dead players is so fucking funny. it's a shame that the existence of Verraise means RDM does shit damage to compensate for its utility. It and DNC just sit at the bottom with BRD barely scratching ahead of them. i think? i don't remember LOL

Story Tier: A, I really like the story and characters. I like that you have a middle-age world weary catboy (catman) as your mentor. and i like that he canonically trained Alisaie too and you chat a little about that. it's a fun story!

BLUE MAGE: what the fuck is a blue mage

Story Tier: ???

[madfantasy]

New 3 things that happened:

*I got my new ID, my id expired and to renew it I had to get photographed, and since I just opened my bank account a year ago it depends on it so already I was giving up on the idea to keep the account but by miracle a photographer agreed to picture us at home, and it turned to us cuz I wanted all my sibs to have theirs taken with me too and because I had to argue first time to get my ID forever, so i didn't have the energy to keep doing it for the rest of my sibs so now it was the chance. The day of the photographer coming I was shaking with fear and I thought I would never leave the bathroom gotten ill. I fear seeing people more than dyin so I don't know how I held it together, I literally don't remember how it went or how I did, but I recall my sibs looking the same as I felt but it was finally done. parents too taken their shoots and because one needed their passport renewed to renew their id, them alone costing 1k$ and the appointment was set 6 months ahead, we R now close to it anyway, and the thought of how we have to pay to exist some more costly made me think of my worthlessness and helplessness even more, making me ashamed of still living.

The thing that blinded me, me the first to be tested on lo

*my eye is better, I still see a dark spot looking in a certain direction, getting an eye mask surprisingly helped keeping my eyes less dry cuz they be the most when I wake up and I had the driest time before it got infected and swelled, and already I'm used to the spot and can ignore it..

*I'm still drawing, literally it's making me live love and laugh, I don't care about improving or drawing my best constantly, ai can get poisoned for all I care as it continues to dehumanise the whole point of art-- keeping humanity alive ( btw use glazing ❤️🖤)

I realised that I don't have any physical collection of my art & since I can't look at the screens forever just to browse, nd printing all my stuff isn't feasible, then I came across those mini albums Nd I got the idea to just print one sheet = 9 pics! They look good too for trashy quality, I love it 8' and yes, purple and silver is the 10% obsession to my 90% red and black pallets, thanks to remembering Freeza c'x

But as usual posting my drawings never cease to eat me alive with anxiety, but I think I'm slowly becoming indifferent to it, even if the thought of that no one actually sees my art but me, which is the main case cuz I am living in isolation and being drawing in secret till few recent years because of my conservative surroundings, I feel much calmer when I'm not seen and maybe it's self destructive in a way cuz to stay posting I need to be commissioned cuz net bill, but it became irrelevant cuz I accepted that i can't have the mental capacity to be a social media person or chase anything that I already knew I can't maintain, I had an art block for a year I almost believed that was it for my art drive and me cuz it my sanity— cuz burning out so bad. If my post has a description it was in my drafts for months cuz I plan for every piece I share, but if can't form words I allow myself to let it be captionless, I draw faster than I form words and that's why art is important to me on a personal level, it's my first way of express even if its indirect, the only bit of human Mani left to live in me to put through lines and paint splodges. Even if no one sees it, and to be honest with myself, have very weak chances of being seen on a level that benefits me financially, I'm on the other side of the world, never seen the sky beyond my schooling days, nonverbal irl and know that I can get taken advantage of easily in social manner because it either I don't get the social cues or can't say no..

I'm grateful that at least I got the chance to experience being in a loving nurturing fandom like Sev's that made me experience genuine human goodness and care I never thought possible, made me have some self worth, personality beyond a made for marriage caretaker, and allowed me to get art tools and clothing that I was never allowed or could afford, and many first time small life pleasures like perfumes, food and toys, even if I only recognise 5 or 10 of you dears now, by DP liking my posts- (I suck at remembering names sorry)

I'm also grateful to have a room after endless years of couch and house movings, I have a safe space to still be able to draw and be cool under an AC in this 50° weather..

I think realistically that's the best it can get having spent all my life trying to get anywhere but isolated, and nothing working. At least I'm indifferent and fine of being the caretaker of my disabled guardians and siblings, I need them as much as they need me, even if it caused me the same cycle of mental anguish and earth leavings hehe

Wish U all the ease and peace and yummy peas 🫶🏽

4 am, sleep deprived

[olderthannetfic]

You recently mentioned that you've been out since your teens. As a person who managed to overlook a shitton of signs and only realized she was bi in her early 20s, I am wondering how you realized you were bi and also how you found out bisexuality exists?

Sorry if the phrasing sounds weird, I only noticed I was bi because I stumbled over the term on tumblr in 2016 and was like "oh, that's possible??" and then my earlier identity crises during my teens due to feeling attracted to multiple genders and being like "I'm crushing on [female person]. Am I lesbian? Nah, I've also felt attracted to [male person]. But I can't be straight either because this attraction feels the exact same. Am I broken?" were suddenly resolved with the realization that bi is also an option and that I'm not broken due to zigzagging between heterosexuality and homosexuality, but rather just bisexual. In retrospect, it's absolutely ridiculous that it took me so long, considering that as a kid I had crushes on Anna and Carter and Doctor from Harvest Moon: Friends of Mineral Town, and Vitani from Lion King 2, and back in primary school, I used to go to the kids' section in the library and look at the first pages of a sci-fi comic which had one or two women get out of a lab or space station thingy and go bathe in the nude in the first few pages. I don't remember what it was called or what it was about, but tbh I'd love to find it and actually read it properly this time lol.

--

Horniness. The hornier you are, the easier it is to notice.

But also... well...

The 80s were all about combating the AIDS crisis and trying to get basic recognition of the humanity of gay people (at least in the US circles I was familiar with). The 90s saw the rise of a much more organized bi rights movement.

And then we backslid.

In the 2000s and 2010s, interest in bisexuality as a distinct thing fell off a cliff as far as I can tell. The "hey, it's not just cis gays and lesbians" energy moved first to trans topics and then to asexuality but without bisexuality joining the stodgy old guard.

The 90s were different. I was hitting my teens just as Anything That Moves hit its stride. I bought that shit at the bookstore. Yeah, this was the Bay Area, but they carried it at all the regular bookstores, not just the gay ones.

On Usenet where I spent a lot of my tween years, one of the big groups was soc.bi. I even spotted them having an in-person meetup in a restaurant in Berkeley where I happened to be having dinner with my parents. I didn't go say hi because I was like 14.

My big eureka moment, though, was on alt.tv.x-files when two groups were having a satirical argument about who enjoyed The X-Files more: people who got to lust over David Duchovny or people who got to lust over Gillian Anderson. Someone showed up and was like "Hah! I get to enjoy it twice as much as all of you! I'm bi!"

I was like "That's a thing????" I'd grown up with very liberal parents and lesbian neighbors, but like a lot of boomers, my mom was pro-gay and deeply clueless about all other queerness.

--

So the answer is unsupervised internet access in an age with no algorithms plus things like bisexual magazines actually existing.

RIP Anything That Moves.

[redwoodcolony]

ive never heard of a clerc before, first thing that comes to mind is a store clerk lmao

Also you're lucky people for some reason arent getting mad at the leader and deputy age gap whenever I play clangen and get an age gap like that I'm yelled at by others to forcibly break them up or change their age in the code ☹️ wish I had your freedom lmaoooo

English isn't my first language so I thought clerc and cleric were basically the same thing because of DnD 😔

Also warning, big block of text incoming, I hope my English is good enough so you can understand everything !!

TW for talking about age gaps

I am very sorry you had such experiences. :( I am actually very anxious whenever I post as I fear I might get yelled at. Actually, posting this very post makes me anxious because I know talking about this subject can be very difficult. I actually rewrote his post like three times already😭

For now thankfully, everyone commenting on this blog has been very nice and kind :)

If it helps here is how I treat age gaps, maybe it can help you solve some of your issues with your public ?

I try my best to have the age gaps as small as possible, I only allow larger age gaps if the cats both meet as full grown adults (which is the case for Silversight and Spectralstar ! I actually have a little backstory post for the founders in preparation !)

I usually let the game do its own thing when it comes to couples, I mainly use my mediators to strenghten family bonds (mainly with adopted kits, because the game doesn't automatically strenghten these relationships)

If the cats are both colony-born, I will break the couple up if the age gap is equal or superior to 6 moons and the younger party is less than 30 moons old. Otherwise it makes me feel uncomfortable

I can make an exception for colony-born cats, as an example if the two cats only start being attracted to each other when the oldest is 90 moons old, and the youngest is 80 moons old ? It feels less weird to me, like they had time to experiment around with their feelings and everything before settling together you know ?

For a colony-born cat and an outsider, I can allow larger age gaps as long as the outsider joined when the colony-cat was already a full grown adult. I usually allow the game to make them an official couple when the younger party is at least 30 moons old. This means that Valleyfall x Oddspots is forbidden !!! It's just a one-sided crush on Oddspots side !

Generally I will ignore a lot of the romantic feelings the cats have for each others in-game if it makes me uncomfortable lol. You don't have to make everything that happens in-game canon in your comic if it makes you feel queasy !

These are just personal rules I give myself, otherwise I feel uncomfortable when playing and drawing my cats !

(The following part is just me rambling about canon Warrior Cats issues and how it influences Clangen and therefore most playthroughs of the game)

I think the age gap issue is due to the general canon Warrior Cats Clan setting, because if you do follow the classic Warrior Code™, you aren't allowed to take in domestic cats and loners; which means you can't add new blood, but it also means that all your cats know each other since birth. :((

In the canon books, it leads to weird ahh relationships like Thornclaw and Blossomfall, Onestar and Whitetail, Ashfur x Squirrelflight or even Brambleclaw x Squirrelflight (we often forget that both Ash and Bramble were warriors when Squirrel was born lol)

The one way the canon books found to remedy to this issue was to add a lot of useless background characters, so that they could reproduce more and regularly, giving a steady flow of new kittens of similar ages to ship with the main characters. This isn't really a good solution in the long run, seeing how incredibly big ThunderClan has become, but it's also not solving the big "everyone is related to each other" issue. :(((

That's why I decided to create the Colony instead of a Clan, so that I can change the rules, so I can integrate outsiders and domestic cats with no issue, introducing both new blood and characters who don't know everyone since they were born :)

I hope this helps you a bit ! :)

[pinksatinsashes]

The end of the year is the best time of year for us self improvement obsessed girlies because the planners are out, everyone's making vision boards and its finally time to write a nice long list of New Years Resolutions and achieve precisely nothing! Nothing!

Then the end of that year comes and we start the cycle again, making lists, checking them twice, achieving absolutely nothing, staying exactly the same and sometimes worse! How exciting! :)

When I was 16 I thought I'd have my life together at 18...lol! When I was 18 I figured I'd be totally together when I was 20. I'm 20 now...I think I've genuinely gotten worse.

But this year I am determined! I have said absolutely no more, absolutely no way is another year going to pass me by and I'm going to be stuck here in the exact same place. I NEED change.

Your 20's are meant to be the 'best years of your life'!

This is probably the easiest I'm ever going to have it! I have no children, no husband and I don't pay rent yet, if I don't do it now I will never do it..I don't want this to be my life forever.

Want to know how I'm going to make this year my year? Keep reading.

About two weeks ago I coined 2024 as the year of the Glow Up and started to meticulously plan out exactly what I wanted out of it.

My main goals for 2024 are:

To Hit My Goal Weight.

To Save Up Enough Money to Move to London.

To Be 75% of my Dream Girl

There are tons of other things I want to achieve of course, but If I don't achieve those three 2024 would genuinely have been a waste of time for me.

Now a couple years ago I would've just written those two goals down, put them on a vision board and went about my business...but Oh No, not this time.

I had a nice long think about the person I wanted to be at the end of 2024, financially stable, clear skin, goal weight, ready to move in spring 2025, closer to God, found her signature scent.

Each of these goals had a wider theme:

Routine

Fitness and Body

Food

Skincare and Hygiene

Beauty & Makeup

Hair

Clothes

God

Books & Brains

Music

Budget

I fired up Notion, created a home page that had a sub page for every month and then finally I created the Overall page, which has a sub page for every Goal Category and then I broke down each goal into lots of SMART goals. (Specific Measurable Achievable Realistic Time-Based)

So my 'get down to my goal weight' goal became:

Fitness and Body:

[ ] Size 10 clothes or under and 140 lbs (I'm 5'9 with naturally big boobs so this is my ideal weight)

[ ] Hour Glass Figure, building up glutes and upper body

[ ] Maintain Goal Weight for at least 3 months

[ ] Able to Stair Machine for 10 minutes

[ ] Able to go on a full Run

[ ] Do at least one form of Excerise a day

[ ] At least one form of Excerise a day

[ ] Take the Dog on Daily Walks

Food:

[ ] Try 12 New Recipes

[ ] Learn How To Cook 4 Different Nigerian Recipes

[ ] Form Consistent Eating Routines

[ ] Eat out twice a month or less

[ ] Stay in a Caloric deficit until I reach my Goal Weight

See how much more specific this is?

Having my goals listed like this makes everything so much easier because I'm tackling multiple things at once. First I'm changing the majority of my goals to habits or tasks (things I can control) from outcomes (things I may not be able to control).

Now I know that if I do all of these things written out, staying in a caloric deficit and excising daily there's a 90% chance I'll reach my goal.

This is much more effective than writing an outcome with no plan on how to achieve it.

From here, I'll break the Goal Down Even Further, into monthly goals.

For example, to reach the goal weight Goal by the end of December, January may look like this:

Eat at 1500 calories a day or 10,500 calories a week (to allow for the high calorie company lunches I often attend as part of my work, I'll simply eat less on the other days

Go to the gym 4 times week,

Complete X Fitness plan

Go on one Dog walk a week

Meal Prep ever week.

Lose 10lbs

To Save enough Money to Move to London by the end of the year, January might look like this:

Prep for no Spend Months in Feb and March (stock up on skincare, budywash etc)

Meal plan every week

Sell £200 worth of clothes on Vinted to spend on Spring Wardrobe (I'm not buying any clothes unless I use the money I get from selling my current clothes)

Stick to Budget

My Goal to get Smarter and Stop Mindless Scrolling may look like this in January:

Read at least 1 book

Listen to 4 Podcast Episodes

Limit Social Media use to 1 hour a day

Write 6 Blog Posts

Watch one Documentary

Setting the tasks in this way also allows me to feel a sense of achievement, every month I'm able to tick off my goals which can increase my motivation, instead of writing down a list of things to do and forgetting about it until the end of the year. It also allows me to recognise when I'm going off track faster and adjust for the next month.

You see how this is better?

I was strategic in using notion because I knew that I could then use it not only to set out my goals, but as a home base, a setting point to house all the things I could use to achieve them.

Under each section I've also included a bunch of things to help me, the Food section for example has a list of my go to recipes, so that when I can't think of anything to eat and want to run over to the closest KFC I have something to choose from. The Hair section has a list of hairstyles I've done and the Pro's and Cons, the Skincare section has a list of the products I've tried, if I liked them and If they worked for me.

Each month has its own page with a section for each wider goal and a spot for me to have a monthly write up, detailing what works and what didn't work so I can change and approve the following month and prevent falling behind.

I'm determined to make this year my year so let me know if you'd like me to keep you updated, feel free to ask any questions or send them to my asks. Also let me know if you want my notion template, here's a little peak-

Till we speak again!

-hannah🤍

[okkos-ferrum]

Unorganized helluva boss apology tour rant cuz I think I'm going crazy

Disclaimer, cuz I know helluva fans can get defensive: A lot of this is probably my subjective opinion. I'll state my tldr as my actual objective piece of criticism, but otherwise my gripes throughout this could be based on my tastes and expectations. I genuinely don't want to take away anyone's enjoyment of this show nor hate on anyone involved, so if u just want to enjoy helluva, totally skip this :]

I think I'll actually have to give my hot take here and criticize this episode, because everyone has given way too much praise for an episode I think - in the long run - hurts the show

Im not gonna even bother organizing my thoughts I'm just gonna rant, but to start, i think the decision to start the ep right after full moon chronologically wasn't the best move. The full moon episode cliffhanger was an impactful scene and a dramatic way to start the rift between stolas and blitzo. It's where the dam of two-ish seasons finally breaks, where to me, stolas and blitzo have already said everything needed to be said, at least at the emotional maturity they currently are at. Any changes in said conversation about their relationship would require growth from both separately in order to foster a healthy discussion.

So to undercut that tension by IMMIEDTLY having blitzo somehow wiggle his way back into stolas's private property to have both double down on their stance diminishes the weight new moon's finale had. The conversation, while it does add further clarity, feels repetitive and emotionally taxing to watch, because the show has literally zero scenes of either of them reflecting on the previous night. So it's just them starting up the same fight with the same talking points we already know.

Yeah, maybe it is in character for blitzo to demand a conversation after new moon, but it shouldn't have been the path the show took. It should've allowed the story to stew in the feelings brought out in new moon, both in a narrative and meta sense by taking a break from stolatiz.

Cuz honestly I'm a bit drained of it atm. The show sells itself on the premise of blitzo being a "boss" (a hell of a bos-) and him working with imp. But all of s2 has had this obsession with stolatiz ever since the popularity of ozzie's (for good reason that episode was amazing and one of my personal favs still).

Just abt half the eps in s2 carry an emotional weight around the stolitz relationship. (where s1 has stolitz is make out sessions and the occasional threat to their life, s2 takes it up to actual life or death situations and full backstories) . This increased tension and focus draws away from the intial episodic format to become a more serialized (and imo) melodrama abt the status of the stolitz relationship. Rather than concern itself over any of the imp characters and their emotions, helluva has made all of its emotional beats and stakes throughtout the whole season relate to stoltiz in some way (or it's parallel with fizz and Ozzie in ep 7).

To return back to the ep, I also take issue with its writing of verosika. I will admit that this could be subjective, as my partner, who loves verosika and was worried abt her writing going into the ep, enjoyed how the ep integrated her. But idk, I think it is so lame that an ep like full moon, which is marketed to be abt stolitz, is fine wasting its time writing the cherubs for 90% of the episode, while can't bother making verosika a larger character in her own ep.

Like she's a SINGER, but no she's back up for STOLAS'S SONG this ep. And it's not stolas's hasn't had the chance to sing love ballads before, he's got plenty. But no, the host of the party can't even be a duet to stolas, she's gotta be back up. Like it couldve been a way stronger connection between these two if they sang a duet, rather than the show AGAIN prioritizing verbalizing stolas's emotions again.

We get a full flashback to blitzo's relationship with both fizz and stolas, but nothing on his other significant relationship??? Just a line or two of how it went down and that's it??

Side tangent: It gets on my nerves how so many people are realizing now that verosika is not a bad person. Like it's clear from even in her intro ep in s1 ep 3 she's angry rightfully for how blitzo screwed her over. But now that she actually is being nice and forgiving to stolas and blitzo respectively, now she has earned the fandom's respect??? Like the amt of comments of "Oh wow, verosika isn't a villain, she's an anatognist" drives me insane

Like to me, this ep should've stepped away from stolas directly, and focus on blitzo and verosika. Have blitzo go back to ignoring his feelings by jumping back head first into business, now with the asmodeous crystal. Then bump into verosika somehow. However it may happen, verosika and blitzo, either angrily or calmly, reflect on their own past relationship at the end, which might have blitzo making a realization of how he is repeating his past mistakes. Use the episodic format to slowly allow blitzo to mature so the next time he meets stolas, he won't just double down like he did in the beginning of the ep.

I think, personally, the decision to have verosika host the anti blitzo party diminishes her as a character. It chooses to again define her by how blitzo hurt her, rather than touching on the other underdeveloped parts of her character. She has shown to be very petty yes, but to go through all this effort seems too much, since she is a pop star and should have better things to do.

Maybe explore how she, a succubus, who is meant to have primarily sexual relationships, goes abt on her day to day as a celebrity who went to rehab. Or her relationship with maybe knowing barbie. Or the other ways to explore the set ups for her in ep 3. But no, she plays second fiddle to her second focus ep for the stoltiz drama. But yeah sure, let's have full moon be abt the cherubs.

On a final and likely my most pettiest point, this ep made me cringe a lot. I'm sorry, this is very subjective of me, but I need to say it. So much of this ep felt like fanfic. Always hammering in how "he's a prince and you're an imp" kind of deal. Stolas getting overly drunk after taking a swig of one drink to have blitzo handle him being drunk. The million puppy dog eyes by blitzo, like it felt too pitying. The rushed pacing felt like a result of this indulgent kind of writing, where it priotizes creating the cute shipping scenes before thinking about the actual plot and its effect later on. Again, just my taste tho

Alright I think I ranted enough but ...

Tl;dr: Apology tour messes up the pacing and focus of the show by continously centering itself around the stolitz drama rather than allowing time to reflect by themselves