#bbc critical

[mywingsareonwheels]

Oh for fuck’s sake.

I went to the official UK govt petition site to sign a petition to increase the funding to Pakistan to help with the horrific floods and their after-effects. (Still frankly to an inadequate sum, but, you know. It would help.)

But all the petitions are closed for two weeks as part of the mourning for the queen. So I can’t.

I’m just... I’m neither mourning nor celebrating the death of the queen. I know and love people doing each, but neither is really my style. But this? This complete freezing of *anything* happening in the UK right now, this sudden cutting off of democracy? This makes me so fucking furious.

People in Pakistan are dying right now. It’s a former part of the British Empire and got thoroughly asset-stripped during that time of colonialist horror, and that gives the UK now a massive responsibility towards it, even beyond that we all owe to everyone everywhere. Whatever any of our attitudes to the queen are, priorities are a fucking thing you would fucking think.

I can probably afford a small donation myself to one of the appeals, and will, but just... I hate this. The UK is in crisis. The world is in crisis. People are suffering and dying *RIGHT NOW*. Just pausing our entire country’s everything for two weeks, while spending so much damn money on the mourning and then the celebration of one family, encapsulates everything I hate about Britain.

Meanwhile the BBC is barely reporting on anything non-monarchy-related. FFS.

[thebeedleboat]

"I know Pâté can read, but... can he read?"

[lisbeth-kk]

Sherlock fandom

I Can’t Stand It

Rosie’s tantrum in the park, reminds Sherlock of his own childhood. It’s strange that so much of what the little girl says and does resonates with him.

“She’s not yours,” several voices inside his head tells him.

Still, he can’t shake off the feeling of being something more to her than just…what is he exactly to her? She calls him Lock; he calls her Watson. He desperately wants her to call him something else, which he only allows himself to think about when he’s alone.

“I can’t stand it, daddy!” Rosie exclaims and stomps her feet.

“But, sweetheart,” John tries to reason with his four-year-old daughter. “You were perfectly fine eating this last week.”

Rosie rolls her eyes and throws her arms in the air. Sherlock can see that John’s mouth twitches slightly as he’s supressing a smile. Sherlock hears his mother’s voice filled with delight in his mind.

“She’s so much like you sometimes, darling.”

“There are big pieces in it,” Rosie explains to John. “I want smooth ice cream.”

John looks over at Sherlock for help, but Sherlock has long ago decided to never lie to John again. He shrugs apologetically at mutters something under his breath.

“What was that, Sherlock?” John inquires, his tone exasperated now.

“It’s quite normal for children her age to change tastes and react to new textures. I was the same.”

“Yeah, well, she’s not…”

“I know, John!” Sherlock snaps. “You and everyone we know keeps telling me that.”

He turns on his heel and walks briskly out of the park. Behind him the two Watsons call after him, begging him to come back but he can’t. Sherlock can live with everyone else claiming that he’s not Rosie’s father, but it hurts when John joins the choir. Of course, Sherlock knows he has no biological connection to her, but he’s raising her together with John, isn’t he? She comes just as willingly to him as to John. 

“Protect your heart, brother mine,” Mycroft told him after John and Rosie moved to Baker Street, and not for the first time. His brother knew that Sherlock’s heart belonged to John and had for a very long time.

***

Where are you? I’m sorry, Sherlock. We need to talk. Are you coming home soon?

Sherlock’s heart races in his chest when he reads John’s text. He barely registers the apology. All his brain is capable of is trying to deduce what John wants to talk about.

Are they moving out? Does John want him to spend less time with Rosie? Won’t he be allowed to do children safe experiments with her anymore?

He pulls his hair in frustration. Why is it so hard to figure out what John wants? Sherlock’s able to read anyone but John. Why?

“Hi, Sherlock. I didn’t know you were here,” Molly says when she walks into the lab at Barts.

“I’m leaving,” Sherlock tells her and walks rapidly out of the room.

***

Sherlock stands and watches the Thames float by. The London Eye is coloured in pink in the far distance. It’s getting dark and he’s got no recollection of the last hours. His phone buzzes in his pocket and he suddenly remembers that he’s forgotten to answer John’s text.

“A bit not good, Sherlock,” John’s voice scolds him.

Can I call you? Rosie wants to say goodnight.

Sherlock feels his face soften. The Watsons are probably still at Baker Street then. He doesn’t hesitate but calls John’s number.

John’s voice sounds relieved when he picks up, but it’s tinted with worry.

“Hi. You alright?” he asks.

“Fine,” Sherlock says, and it comes out more clipped than he intended.

John sighs and apparently gives the phone to Rosie.

“Lock!” the little girl exclaims.

“Hello, Watson. Ready for bed?” Sherlock inquires softly.

“Yes. Tired,” she tells him and yawns.

Sherlock feels his throat thicken, and he must swallow hard and close his eyes to keep his tears at bay. Without thinking he uses the endearment only Rosie has heard.

“Goodnight, my heart.”

“Night, Lock. See you tomorrow,” Rosie slurs, clearly almost asleep.

Sherlock ends the call before John gets a chance to ask him humiliating questions. The sharp intake of breath from John when Sherlock bid Rosie goodnight didn’t go unnoticed.

“You’ve ruined it now, Holmes,” he tells himself.

***

Aldi is still open, and Sherlock buys two boxes of ice cream for Rosie without any pieces of fruit, berries, crunch, chocolate or other abominations.

He takes a deep breath before locking himself into Baker Street, and he ascends the stairs silently. John sits in his chair, reading one of his medical journals. Sherlock just nods and walks to the kitchen with his purchases. He places the boxes in the freezer before walking to the bathroom.

“Sherlock?” John calls after him.

“Shower,” Sherlock answers.

The shower does wonders, and Sherlock feels quite refreshed and relaxed when he puts on a t-shirt, pyjamas bottoms and his maroon dressing gown. John stands just outside Sherlock’s bedroom and Sherlock startles a bit.

“Everything alright?” he asks. “Watson?”

“She’s fine, Sherlock. Soundly asleep. I just want to apologise properly to you. I was way out of line earlier. No, Sherlock, listen. I need to say this. Please.”

John’s expression is pained, and Sherlock doesn’t know what’s to come next. Nothing could have prepared him for this.

“I know it’s no excuse that I was exhausted and sleep deprived, but that’s the defence I have, and it’s appalling to say the least. Rosie…she is…just as much yours as she is mine. You care for her just like any parent. She loves you, we both do, and…”

“John?” 

Sherlock’s voice is trembling, and he feels his balance is about to fail him. Warm and steady hands are placed on his upper arms and when John speaks again, his voice is warm with affection.

“Forgive me. Please?”

Sherlock just nods and lets himself melt in John’s embrace.

@flashfictionfridayofficial @totallysilvergirl @keirgreeneyes @calaisreno @a-victorian-girl @phoenix27884 @helloliriels @safedistancefrombeingsmart @gregorovitch-adler @raina-at @peanitbear @topsyturvy-turtely @7-percent @ninasnakie

[echoesofcamelot]

Hear me out I enjoy this 'Gwaine calls Arthur princess and is loyal to Merlin first' fanfic thing just as much as everyone else but please can we not forget what canon Gwaine is really like?

Let me elaborate.

Gwaine does call Arthur princess once and likes to tease him but that is before he becomes his knight. His attitude towards him changes radically from this moment on:

As Arthur knights him, his carefree demeanour shifts abruptly. Look how serious he is, how solemn. He even closes his eyes, barely containing his emotions. This is Gwaine accepting the knighthood he had never wanted because it was being given to him by a man who didn't know he was actually a noble. With this gesture Arthur was giving him something he had always been looking for: a purpose, a meaning to his life. And he finally finds it in serving and protecting that man who believed in equality above all things and who had found Gwaine, a supposedly nobody, worthy of bestowing upon him the greatest honour he was capable of.

In that moment Arthur gave him a home, a family and something to fight for.

And in exchange Gwaine took his oath of allegiance to heart and became fiercely loyal and protective of Arthur.

This is his reaction when Dragoon threatens his king's life:

This is how he responds when Merlin asks him to look after Arthur because he fears that he may be in danger:

In the Disir's cave, of all the people present, it is Gwaine who gets super angry and jumps in front of Arthur the moment the Disir start attackig him.

And when Arthur is poisoned and Gaius tells them that it's deadly, there he is, on the front line, clutching his chest, utterly devastated.

So, yes, of course Merlin was Gwaine's first friend, of course he'd always remain loyal to him no matter what. But he loved and respected Arthur just the same.

And the fact that he dies thinking he has failed him will haunt me until the day I die.

[sneakyboymerlin]

Magic did not “kill Gwen’s father.” Uther killed Gwen’s father. There was a whole episode about this. Tom had no involvement with sorcery, but worked with a man who was wanted for it, and then imprisoned for consorting with a sorcerer. Uther killed him during his escape attempt without a fair trial. Magic did not kill Gwen’s father. Uther did.

So, when we’re writing fics, let’s remember how Gwen explicitly says “Uther killed my father” in 3x13. She blamed Uther for it when it happened in 1x12, and called him a murderer. Gwen is the most evidently pro-magic character who is from Camelot and doesn’t have magic themself (aside from Lancelot of course). Having Gwen blame magic for her father’s death is inconsistent with her onscreen characterization. Not only that, but it completely rewrites the event to make Uther’s crime look “complicated” and ease his culpability.

Yes, there is a deleted scene where Gwen’s established characterization is erased so she can serve as a static brick wall for Arthur to bounce ideas off of, in which she makes implications against magic. But have we considered that:

It is full of apparent retcons.

We watched 1x12 and there’s no way Gwen left that episode believing Uther, not magic, to have killed her father, and then just… forgot what happened?

This scene can rot in Hell for debasing Gwen’s character just to boost Arthur’s.

Case in point: it doesn’t “add depth” to ignore Gwen’s canon issues with Uther. Tom was killed by Uther’s genocidal regime, not by the group on defense. If Gwen isn’t “complex enough” of a character for you without making her inexplicably pro-Uther, or if the portrayal of the unfair criminalization of magic isn’t “complex enough” for you, then maybe you’re just not that creative without having to rely on “what if the victims deserve it though?” as a source of tension.

[aprill-99]

The best fictional friend groups are at their core comprised of:

1. A determined trauma bunny surviving on an unknowably proportioned mixture of heart eyes and denial/repressed trauma.

2. An unquestionable ride or die bestie operating on a never ending rollercoaster of total fear and unfounded optimism.

3. One anxiety riddled sarcasm wielding third party the other two tricked into holding the brain cell.

*****Optional Bonus Content******

4. A beam of sunshine who doesn’t know any better whom friend #3 is trying to lure in so they can catch a five minute break.

5. A streetwise genius bestie who should have known better. (Who followed one of the others with only mild, though constant, complaining).

6. A part-time/former antagonist who swears they are there against their will.

****LAST ADD ON*****

7. A side character with immense cosmic power and knowledge (who is not present for at least 40% of the plot because Reasons Tm).

8. A guy who can drive.

Sometimes some combination ends up dating each other. A lot of the time, it looks like a questionably platonic polycule

[occidentaltourist]

bbc: Some sweet #Silvacre content for your FYP ❤️

[castielsprostate]

ugh i love fictional middle aged men that are emotionally unavailable, have a functioning drinking problem, harbour evil inside of them and have a crush on their male best friend

[fluffypotatey]

I find it deeply aesthetically pleasing, character-wise, that Arthur and Merlin are both very much like their mothers, which is especially meaningful in Arthur's case since he's never known his mother beyond a single painfully brief meeting in "Sins of the Father."

Not only does Arthur look like Ygraine (which adds several layers to the clusterfuck of his and Uther's relationship) but it's clear that he takes after her temperament, too. Yes, he sometimes shows his father's temper, and yes, he does stupid things when he's in a temper, but unlike Uther, who literally took his prejudices to his grave and beyond, Arthur never stays mad at people, and he's overall a far more caring and kind person than his father, which is an interesting case of nature vs nurture.

And then on the other hand, we have Hunith, who told a mounted, armed brigand to go fuck himself, later fought another (also armed) brigand with a twig broom, harboured fugitives on multiple occasions, and raised an illegal magic child out of wedlock, and Merlin "Fuck the Police" Ambrosius, who got in a fistfight, got thrown in jail for the fistfight, called the prince a bitch to his face in a public market square, got in a second, armed fight all within his first 48 hours in Camelot, and then committed treason on a daily basis for the next 10+ years, compared to Balinor, who became a weird antisocial hermit that lived in a cave for twenty years.

couldn't have said it better myself bestie

also, there's a reason hunith and ygraine never met in the show. their dynamic duo would outshine everyone, they'd be unstoppable, untouchable, I FEEL ROBBED

[heartyargybargy]

love when the brainrot hits in the early hours of the morning and I have the Urge to reblog 932867 things to make sure people know I like this particular piece of media

[regulusrules]

Ranking the best 10 Merlin episodes + a fic rec based on each one:

(absolutely not based on how gay they were) ((no order for the eps; they're all chef's kiss)) (((last two fics have a hold on me that levels the show itself; worth scrolling for)))

1. The Poisoned Chalice

Look. There is something just absolutely entrancing about introducing this episode in the first five of the entire show. Like, this hands-on was the sole reason everyone fell for those two idiots. It beautifully captured how the saving each other thing is reciprocal, because the first three episodes you just have to watch Merlin run around saving Arthur, never the reverse. Producing it early on in the show was the decision that, in my opinion, held everyone in their chokehold for eternity.

Fic rec: you are my favorite mistake (it can only be fate) by @multifandom-jess.

2. The Death Song of Uther Pendragon

I could go on and on for how this episode singlehandedly carried s5 on its shoulder. Like, okay I unfortunately love s5 with all my fucking heart, but this episode was perfect. Ghosts? Check. Banter? Check. POETRY?? Check check. A slap to Uther's face? Oh how beautifully checked.

It's so easy to recall how Arthur truly loved his father, but in this episode, the turmoil you see in his eyes from the actions of his father and how he resorts to saving the ones he loves (Merlin) over his father, is just too beautiful to be overlooked. Ever since Arthur became king, we see him struggle from his father's legacy. But in this episode, he begins to detach both consciously and subconsciously from him. Whether it's in his decision to save the old sorceress in the beginning, or to shun Uther's ghost, both the literal and the figurative, from his life any longer. This was one of the episodes that captured the true essence of King Arthur.

+1: the innuendos of this episode were 🤌. They knew what they were doing, you can't convince me otherwise. (are you threatening me with a spoon? / I'm teaching him some poetry.. he can't get enough of it! / what was that? h-horseplay. why don't I show you?)

Fic rec: My heart is readily yours by @regulusrules. (absolutely love how after all this introspection, i decided to throw it all away and made uther stab merlin in the fucking heart instead. but still it was my honourable attempt to shit on the finale and give them the happy ending everyone deserved).

3. The Sword in the Stone pt. 2

OKAY. This episode! Aside from how badass Merlin was in both pt.1&2, but here, especially in the part where us audience were impatiently waiting for the revival of the sword in the stone, there could've been nothing more perfect. Just like their adaptation of the round table scene, this was perfect in its own way for how different it was. They didn't make it so that people will finally find a king; they made it so that the people believe in their king. And more than that, for Arthur to believe in himself. With the estrangement and losing his crown, the writers gave him the best way to re-establish his inner glory. And Merlin being this guide; what more perfect culmination to their relationship?

You have to believe, Arthur.

Iconic.

Fic rec: Couldn't choose between Only Friend by @captain-ozone, and Fathom Me Out by @supercalvin. Brilliance ahead in both of them, I tell you.

4. The Eye of the Phoenix

Magic. Gwaine. Quests. Need I say more to explain that this was the show's holy trinity?

Fic rec: From Past to Present by flowersheep. (Prince Merlin. Archer Merlin. Perfection my friends).

5. A Servant of Two Masters

Look look; if there's an honourary wall of opinions for all the people who've watched Merlin, I DARE you to find just one who disliked this episode. Like, the series was so full of BS sometimes, but this episode was above all. The level of brilliance in this episode; showing Dark!Merlin, who's at the same time hilariously funny, and seeing him BAMF his way with Morgana, even when he's chained and tortured.. oh dear holy Lord. His "do me a favour, could you? let Arthur know." was able to steal all breath from my lungs the first time I saw it (and until now).

And don't get me started on the Protective!Arthur we got. Caring for Merlin, screaming for him when the rocks fell between them, silencing Agravaine immediately when he told him he's sorry for losing such a loyal servant because bullshit if he doesn't reign down hell before he loses Merlin. And ofc, Courage and Strength on their way to find Magic, which just filled my heart with an 'aaahhh!' moment, because we didn't get enough Gwaine-Arthur-Merlin shenanigans. And at last, the Hug™. Fucking screamed let me tell you.

It is an episode that truly showed everything; from comic elements to fluff and angst and everything. The only thing it lacked was, as always, giving Arthur the space to know. Because ffs what would they have lost if they made Arthur understand that Merlin's under Morgana's control? It wouldn't have exposed shit. It would've just been a plus to us to see Arthur caring for Merlin even more. They tried so hard that it completely backfired sometimes.

Fic rec: Still I Surface in Morning Light by @queerofthedagger. (I swear to you, anything written by this author, I readily throw whatever in hand to read it).

6. The Dragon's Call

Let thy gif caption speak.

No but really, that first episode was the stuff of legends. I could list down tens of tropes they did in just that episode alone. Honestly, no "family" show I've ever seen had started this powerfully. Just the music alone, the beauty of beginnings, not the CGI, was truly so gripping. Also bonus points for just Colin Morgan's sass abilities. None can compare.

Fic rec: This Time Around... series (incomplete) by Oneiric (lkdaswani). (this is a time travel AU, but the way the writer rewrote this episode was one of the best deviations I've read for an episode I already find near faultless).

7. The Sins of the Father

I might be subjecting myself to true wrath with my upcoming statement, but here we go:

S2 sucked.

From the beginning of the season, Arthur's shift in characterization from the honourable lovable prat of s1 to a letting Merlin act as a horse stool got me going wtf? It was like they deliberately ruined everything in their relationship and started out fresh just to force the Arthurian narrative of Arwen. And it's fine by me, truly, even if I'll never ship them, but they could've developed Arthur's character SO MUCH in that season beyond comic relief and romantic rendezvous.

Anyway so that I don't stray so much from the topic; this episode was, by fair comparison, the best in the entire season. By now it's pretty obvious that I gravitate towards all the episodes that give Arthur a semblance of agency. Him going against Uther and his maniac murderous agenda was the start of actually seeing King Arthur in front of us. Also, him listening to Merlin when he was on the verge of committing patricide was one of the things that gave me hope in how there's still hope in them. Even if they ruined it with making Merlin lie to Arthur, but the writers practically ruined every good episode with this.

+1: Morgause's intro was badass.

Fic rec: The Sins of the Father (and how to right them) by @cupcakezys. (what we deserved. to see arthur with agency, with an ability to decide for his future without being lied and deceived to).

8. Diamond of the Fucking Day

No matter how much I hate this episode, I can't, in good conscience, deny its hold on my heart. As I wrote before, there could've been no better magic reveal than this. And for all of my bitterness over their decision to kill Arthur, I sanely admit how it was a decision that insured the immortality of this fandom. It's been ten years since that episode aired, and I bet my ass off that it will still feel the same even after countless more decades.

Fic rec: literally the entirety of the fandom's fix-it fics. We all started from there, didn't we? Choosing only one would be so undervaluing to all the brilliance I've seen. However, my tags filter for it usually include: fix-it, angst with a happy ending, court sorcerer merlin, shitting on bbc writers 101, canon era, not canon compliant, everybody lives especially king arthur you mfs.

9. The Wicked Day

Throw me from the highest tower there is because every time I remember this scene, I just want to fade into the light. The sheer level of love and understanding shimmering between those two. Sometimes I marvel at the choice of bringing Colin and Bradley together, because no two could have achieved such chemistry, platonic or not, as those two did. This whole episode of showing Arthur's grief, and Merlin's desperation to heal it, was truly unforgettable. I try not to linger on its ending, Arthur denouncing magic for the millionth of time, but other than that it was a gem served to us on a silver platter.

Also seeing Uther finally die was a plus.

Fic rec: As much as I'd love to recommend my own fic for this, but honestly, whenever I get the chance, I will always take it to scream and wail about one of my absolute favourite fics of all time, which really isn't given ANY of the goddamn credit or attention or kudos it deserves. Beauty in the Ashes of Our Lives by Fulgance. I swear to you, you will never read something as beautifully heartbreaking as this. This fic resides in my mind rent-free. Basically any work by Fulgance is amazing, but this fic— oh God, my heart cannot take it sometimes.

10. Arthur's Bane pt. 1

Fuck, that episode was a masterpiece. You know, if it was all in my hands, I would've magic revealed at this particular episode. It was just.. the perfect opportunity. King Arthur in his glory, beginning of the season, enough time for Arthur to fully understand the depth of what Merlin did for him. Also, the range Arthur was given starting from here; God it's what we deserved. I always blame the writers for being inconsistent with his characterization (s2 and all), but they beautifully crafted it in the end, and it was their perfect chance to even explore the whole extent if only they made the magic reveal earlier.

Fic rec: Our broken pieces by @aramblingjay. Okay so this fic rec isn't necessarily linked at all to the episode, but I can't, in good conscience, recommend fics and not include it. Technically context wise it fits s5, for in it you see Arthur in his grandeur as king. This shall be my only exception because it's the only fic that was able to make me cry. Truly, I never shed tears, but in this, my heart stuttered. The fact that it is so unnoticed makes my blood boil because of how much praise it deserves. I can never recommend it enough.

To conclude, BBC Merlin has a powerful hold on everyone because of the fact that they knew how to eternalise it. It is significantly unique in its interpretation of legendary figures. I think I watched nearly all adaptations of King Arthur throughout the years, but even with how great some really are, to me none compare with this sword-swishing, banter-driven, CGI-messing, emotionally-killing 2008 show.

Honorary mentions:

| The Labyrinth of Gedref | Gwaine | Le Morte D'Arthur | Lancelot | The Coming of Arthur | The Moment of Truth | The Hunter's Heart | His Father's Son | The Darkest Hour |

[Short fic recs]

[Long fic recs]

[fictionadventurer]

The BBC lady blowing my mind by pointing out the parallels between the endings of North and South and Jane Eyre (man brought low after losing his fortune, woman has gained wealth and comes to his rescue so they're now on equal footing).

She also pointed out that North and South is a continuation of issues Bronte explored in Shirley (to the point that Helstone is named after a character there), so I guess I may have to read that book one day.

[sundaynightlive]

Paramour (Merthur)

In which Merlin's having issues with an entitled noble and Arthur comes up with a... creative way of fixing it.

(TW: Unconsensual sexual advances, mentions of murder and violence, and some sexual content, although explicit body parts are not mentioned and it's kind of like a TV cut-away, the scenes are not prolonged.)

Protective!Arthur, 5.4k words, Uther being dumb, per usual, and Arthur knows Merlin is a magic user! Please enjoy!

Merlin is seething and Arthur can see it. He may play dumb when it comes to many of Merlin’s emotions, refusing to be caught caring unless in the most dire of circumstances, but this is a new kind of anger entirely. Merlin’s prone to annoyance (both attracting it and being it), but this is far from something like that—this is genuine rage. Arthur’s not sure he’s ever seen him like this, flushed and eerily quiet, his fingers undoing Arthur’s cloak rather harshly, which he would comment about if he were not so concerned.

In Merlin’s defense, he seems to be making an attempt at feigning calm, but it does not fool Arthur in the slightest. He knows everything about Merlin, from his favorite meal to the boundless power that rests in his hands—Merlin’s a weapon, truly. A weapon who’s fingertips brush idly over his skin as he lifts the tunic over Arthur’s head, throwing that over his arm with the festival attire.

“What is it?” Merlin had turned, presumably to toss the clothes in the wash-bin that Merlin would undoubtedly take back to his chambers tonight, despite Arthur’s insistence that he needn’t complete tasks like that this late. The manservant stops, though, cold.

“Sire?”

Usually dripping in sarcasm, Arthur swallows hard at the unfamiliar, honest use of his title. 

“You are clearly furious. Have I done something?” 

Merlin is quiet for a moment, which leaves Arthur in embarrassingly tense anticipation. His last wish—and oh, if Merlin ever found out about this, he’d simply die—is to ever anger, disappoint, or even go so far as to irk his warlock companion. He may not act it, but having Merlin upset with him is truly disturbing. Sure, they bicker, and they pick meaningless fights, but that’s more just them than an actual distaste for each other’s company. 

It’s partially what makes each other’s company so tasteful, at least, as far as Arthur is concerned.

“No,” comes the reply, which is a relief, but also further troubling—if Arthur had not bothered Merlin, then what had? The night had been wonderful, golden fire-light licking through the hall as lords and ladies and rich-folk from kingdoms both near and far socialized, drank, and celebrated the sweet ending of a particularly harsh winter. Every time Arthur had caught Merlin in his gaze, he had been mingling with the knights, brilliant smile, unearthly gorgeous, gold glinting in his eyes, the laces of his tunic undone and revealing strong, pale chest, dark hair just a tad too long, dripping over his brow—

Christ—focus, Arthur. 

“Then what?” Arthur pries when no explanation comes. Merlin’s head tips back, and part of Arthur is disappointed, the other part grateful he does not see the delicious expanse of skin that motion exposes. Merlin heaves a deep sigh, and turns.

“Lord Edmond,” he says, fingers curling into expensive fabrics, cheeks flushed, “Refuses to leave me alone.” 

Edmond—some noble from the north Arthur was not particularly fond of, but had never caused much of an issue as far as Arthur had been aware. Kind of an inconsequential, irrelevant man. Handsome, sure, but old now—maybe fourty? Fifty? Ten years older than Arthur at least, and complacent. Not a hunter, not a soldier—

“I don’t remember him being too insufferably-friendly,” Arthur muses.

“This,” Merlin snaps, “Is beyond friendly.”

Oh. Oh no.

Fury sears through him like a fire-poker to the ribs, and he sets his jaw, unable to speak for a full, agonizing moment as he struggles not to fly out of his chambers to slaughter the man himself. He clears his throat, tearing his gaze from Merlin’s.

“Were these… welcome advances?” His heart leaps into his throat—

“Absolutely not,” Merlin says, “And if he continues, I’ll have to smite him where he stands, your father’s ridiculous laws be damned.” 

Arthur’s eyes widen. He looks back at Merlin.

“Can you smite people?!”

“No, but I could try.” 

Arthur wants nothing more than to reach out and soothe Merlin’s anger, and that ache is embarrassing, but not near as embarrassing as the idea tickling the back of his skull, quietly petitioning to be shared. Merlin narrows his eyes in Arthur’s direction—

“What?”

“I have… quite the solution.” 

Merlin scoffs, and turns back around to finally toss Arthur’s clothes. Arthur stretches his limbs a little bit, moving to sit down on the end of his bed and feeling his exhaustion wash over him. A few nights of this festival shit has him poorly-rested and sore in places he’s not used to being sore—he misses sparring, training, riding. If it were not already the early hours of the morning, he’d consider getting up at a decent hour to accomplish one of these.

He’ll be lucky to be up any time before noon.

“You couldn’t,” Merlin says, folding the clothes instead of tossing them—quite responsible of him, though Arthur’s sure the sheer cost of the clothing has Merlin a little more careful.

Or his rage is making him forget he’s usually negligent, as backwards as that seems.

“Gwaine and Percival have already warned him, and he does not seem to care one way or another,” Merlin rants, throwing the folded tunic down into the wash bin (there’s the Merlin he knows well) and whipping around, “And for the last three nights, it’s one uncomfortable, disgusting, completely inappropriate—”

“This has been going on for three nights?!” Arthur asks, incredulous and a little hurt. If Merlin was being made uncomfortable by a noble, Arthur should have been the first one to hear of it, and Merlin should know that by now. Additionally, Arthur knows Merlin quite enjoys this festival each year, and he’s decently agitated at the notion that some horny prick is ruining his manservant’s time.

The agitation is certainly not because Arthur would give any amount of money or body parts or perhaps his entire station if it meant he could be closer to Merlin than he already is—much closer. Infinitely closer.

God, how has this happened to him?

“He is absolutely unavoidable. He gets one chalice of wine in him and he’s touching me and saying insufferable things and—”

“He’s laid hands on you?”

Merlin quiets abruptly, his passionate distaste dying in his throat and on his face, and Arthur is certainly to blame. He couldn’t help himself—his tone had gone from disbelief and general annoyance to something much colder, much more serious. Unwelcome flirtation is one thing, but touching Merlin when Arthur himself hasn’t even been afforded the chance is absolutely unacceptable, and especially when the contact is uninvited and uncomfortable for the receiving party.

And that receiving party is Merlin.

Arthur feels murder sitting heavy on his chest.

“Arthur—”

“Here’s what’s going to happen, now,” Arthur interrupts, tone like ice. Merlin looks like he wants to argue, probably to reassure Arthur he’s fine and he doesn’t need to intervene, but he doesn’t try. He’s quite adept at figuring out now when his snide remarks are appropriate and when they are incredibly not. “Tomorrow night, when he begins to bother you, you’ll do that brain talking thing—”

“Gaius calls it Sending.”

“Right, Sending, and alert me. Then I will take care of the situation how I see fit.”

“But Gwaine and Percival already—”

“I am the crown prince of Camelot and if he’d like to maintain his title, he will listen to me. Should he disobey, I will fucking gut him.” Right, so, that second part wasn’t supposed to come out, but the already defeated look on Merlin’s face had pulled it forcibly from his tongue. Merlin does not look like he believes him in any way, shape, or form, but Arthur hardly cares. He’s too angry, murder on his mind, and Merlin will know this tomorrow night.

“It’s really—I shouldn’t have brought it up,” Merlin says with a sigh, crossing his arms over his chest, shifting from foot to foot like he’s suddenly very uncomfortable. Arthur doesn’t like that. Did he do that? “It’s not a big deal—”

“Merlin,” Arthur says firmly, “I should be the first to know when someone abuses their title to try and get away with matters such as this. Especially when it’s happening to you.”

Arthur thinks he must imagine the pink flooding Merlin’s cheeks, or maybe his anger is coming back. Merlin shifts awkwardly some more, and looks down at his shoes, shuffling them a little against the floor.

“Sire…”

“Yes?”

“I would… prefer you enjoy your holiday. Worrying for me is—”

“Merlin, go to bed,” Arthur says, “Because you are sounding more and more like I should beat you over the head with a club.” 

The grin on Merlin’s face seems to brighten the room, and the eyeroll is like a hundred worms wriggling around in Arthur’s stomach. Merlin turns and picks up the wash-bin with what sounds to be a scoff, but Arthur is almost certain is some sort of breathy giggle—

“Do not do that tonight. Go to sleep.”

“Don’t tell me how to do my job.”

“That is quite literally the entire point of your job!”

“Huh? What was that? I’m sorry, I don’t speak insufferable prat.”

“Merlin—!”

“Goodnight, Arthur!”

—

Arthur takes it lightly on the wine, and stays what he believes to be a safe distance away from Merlin at all times. He has a sort-of picture of Lord Edmond in his mind, but as he surveys the crowd, no-one seems to fit the image just right. It seems Arthur remembers him but not altogether too clearly, and the anticipation is starting to get to him.

Nobles keep trying to strike up conversations with him, but he can hardly pay attention. Morgana approaches him to see if he’s alright, but he’s lost sight of Merlin and he can’t answer her because he’s too busy scanning the room, so she gives up. Then, Gwen approaches to tell him of some business with one guest or another, but half way through, Merlin’s voice whispers through his mind, sending a shudder down his spine he can’t ignore.

It’s happening. I’d appreciate it if you could refrain from killing him. I’m not fond of washing blood off your clothes. 

Arthur stands.

“---and then she—Arthur?”

“Excuse me a moment,” he says to her, and perhaps someone else near him, but he’s not entirely sure. The lady to his left looks particularly disappointed, but swiftly turns to Gwen to try and trick her into divulging the latest gossip from the kitchens. 

Gwen seems less than enthused.

Lord Edmund is not particularly tall, but not particularly short. Merlin stands a few inches over him but he and Arthur are both considerably tall. He looks to be older, as Arthur had thought, probably early-fifties at the youngest, and despite how it hurts Arthur’s very soul to admit it, not terribly hard on the eyes. However, what is extremely off-putting (and particularly rage-inducing) is the way he has Merlin trapped between a table and a group of snickering lackeys, who occasionally glance over at the situation, amused.

A posse. This insolent Lord brought an entourage and is using it to try and scare Merlin into sleeping with him.

Arthur sees red.

“What do you think you are doing?”

Merlin starts, and Edmond jumps, stumbling backwards and away from Merlin just a bit, looking surprised, but not like he thinks he’s done anything wrong. Arthur is brimming, perhaps spilling, with rage, Edmond fixed in his stare like an enemy’s chest which his blade is sure to rupture. If Arthur had his sword, it would be lying against Edmond’s throat.

“Your highness—”

Arthur remembers himself. He had had a plan, hadn’t he? 

If Arthur were to tell this man off, it might work to dissuade him, sure, but it would teach him nothing. The festival was to last nearly the entire month, and a simple reprimand from a man so much younger than him—prince or not—would not hold to that length in time, Arthur was sure of it. Edmond would figure out a way to get around Arthur’s consequences or out of his sight, and then Merlin would be back at square one, and based on how Arthur had had to be the one to ask, he’s sure Merlin would not bring it up a second time.

Therefore, it would take more than harsh words to keep Edmond in line.

He turns, grabs Merlin by the side of his tunic, and yanks him forward into his embrace. He can only imagine the look of shock, but if this is to work, he cannot make his own nervousness known. He tilts his head and blows breath against Merlin’s ear as he speaks—

“It is my last intention to embarrass you, but there are few ways to make a man like this listen, and I am not interested in anyone’s hands on you but mine. I’ll meet you in my chambers when I have finished here.”

Once again, Arthur has said something he hadn’t meant to say, but now is not exactly the time to try and cover up for himself. He said what he said, and Merlin is ducking into the crowd, and there is a much more important matter at hand. He turns to Edmond.

“You would dare insult the crown prince in such a way?” 

This gets the attention of the lackeys, and many party-goers nearby. Arthur steels himself for the show he is about to perform, the backlash he will undoubtedly receive from his father, and Morgana’s incessant teasing until the end of time. This, and the rumors that will spread once these nobles are made aware—

“I’m sure I know what you mean,” Edmond answers, genuinely sounding clueless, but also completely calm, unphased by Arthur’s anger. Does this sort of stupidity come with age? Arthur must start reading more, if this is the case.

“You would shamelessly attempt to bed my paramour?” 

Arthur watches all the color drain from Edmond’s face, and feels a swelling of pride in his chest at the sight. He opens his mouth to say something, and then closes it, and repeats the motion, clearly at a loss. The lackeys scatter comically, and those in attendance of the show begin to mutter. He’s grateful he’s only captivated a small portion of the great hall, and not the entire thing, and his father is many, many crowds away.

“I—he—”

“I would throw my glove at your feet if I had a glove to throw,” Arthur spits, “And should you bother him again, or god forbid, lay a filthy hand on him, I will gut you without honor.” And so with that, Arthur turns on his heel and storms away, followed by murmurs and whispers, feeling somewhat relieved and incredibly satisfied, despite now having to explain himself to Merlin.

Right. Merlin.

—

“What did you do?” Merlin asks, all to accusing. 

“Promise not to smite me.”

“No.”

“I told them—“ 

“Ah,” Merlin interrupts, raising a hand. He stands up and off Arthur’s bed, and moves closer, much to Arthur’s dismay. “Actually, I don’t care.” 

Arthur blinks.

“But—“

“Did you mean it?” 

Arthur’s brain short circuits as he finds himself gazing into storms of gray, Merlin coming much closer than he’d expected. He mimicked Edmond, opening his mouth and then closing it again, swallowing hard. Merlin is watching him expectantly and Arthur is using all the strength he has not to glance down at Merlin’s lips and give himself away completely.

“Did you mean it?” Merlin asks again.

Did he—oh.

I am not interested in anyone’s hands on you but mine.

In all the chaos, he had half-forgotten. He had meant to turn and tell Merlin to go, to apologize for what he had decided to say next, but he had lost himself in the moment of being so close. He had invested himself too much in the “performance,” even in those few, short moments, and revealed himself. 

And now he would face Merlin’s reaction, whatever it may be.

“Yes,” he says, though it doesn’t come out as confident as he would have liked. Merlin searches his eyes for the lie—he dreads what could happen when the warlock finds none.

Merlin’s eyes flick downwards. Arthur’s stomach drops as he realizes Merlin’s eyeing his lips, the very same impulse he’d been begging himself not to give in to, and Merlin’s done it so close to him, so outright—

“You were jealous,” Merlin continues, and at this, Arthur scoffs. No, he was not jealous in the slightest of Lord Edmond because Edmond was a sad, elderly husk of a man who thought he could take what he wanted whenever he wanted, and Arthur is a young, handsome crown-prince who has waited over a year for any indication Merlin might feel the same as him. 

He would not dare use his position of power to press Merlin to him, not when Arthur loved him, and not when Merlin had spent his time here unknowingly teaching Arthur what that really meant. His parents had not done it, fleeting teenage flings had not done it—Merlin had. Undoubtedly.

“I would not be jealous of a man you didn’t actually want,” Arthur says, which he realizes then is insinuating he would be jealous of a man Merlin did want, so he tries to back track, “And regardless—!” He exclaims quickly, and Merlin’s responding smile digs up those worms.

“You’re obviously allowed to do whatever you want with whoever you want,” Arthur finishes, swallowing hard.

“Obviously,” Merlin repeats, lifting his hands to start undoing the clasps on Arthur’s robes. 

If Arthur wanted—no, not if wanted, because he does want, he’s just not sure what Merlin wants—he could tilt his head just so, lean in an inch, maybe two, and kiss him. They’re that close, and they’ve been this close before, sure, but Merlin’s acting different and his fingers work the clasps much slower and his face is absolutely unreadable to the point where Arthur is starting to panic. He prides himself on knowing Merlin very well, but right now—

“Even if it’s you?”

Merlin might as well have punched him in the throat. All the breath flees from his lungs as though it were never there in the first place, and his hands—he loses all command over them as he has his breath—reach up and grab Merlin by the waist of his tunic, the very same way he had done before, except this time when he pulls them together there is not crowd to convince or entertain.

He’s not sure how he manages to speak when he’s forgotten how to breathe, but—

“Especially if it’s me.”

When they kiss, finally, after the decade that seems to pass between their admissions and their lips meeting, Arthur loses his decorum entirely. Entirely. It’s like any restraint he’d had stored away left with his breath, and he is half-guiding, half-pushing Merlin, kissing him senseless until Merlin’s back hits Arthur’s bed and he’s wedged between Merlin’s thighs and it’s like this is where he’s meant to be, staring down at wet lips and heaving chest and—

“I heard what you said. About us,” Merlin manages between breaths, “I heard what you called me.”

Paramour. 

“I—“

“If you would have me, sire.”

If you would have me, sire.

The double meaning all but knocks him out.

“I will have you,” Arthur, “Over and over and over again until no one can distinguish one of us from the other.” You’re a piece of me, a second more brilliant half. I need you, I have needed you since I met you in the market that day, even when I treated you so harshly, and have been so—

Merlin tips his head back and laughs and Arthur’s maudlin inner-monologue fades away, mind wholly devoted to the sound and the man it’s coming from beneath him.

“Arthur—“ his name, god, his name, “—that is already impossible to do.”

—

Merlin turns out to be marvelous in bed, and not at all like Arthur had suspected he’d be (timid, hesitant). Instead, he’s incredibly, almost obnoxiously vocal, and not abashed in the slightest.

To be fair, though, Merlin never knew when to shut his goddamn mouth any other time, so perhaps Arthur had been foolish to think this sort of affair would be any different. 

When he wakes up to the knock on his door, it doesn’t occur to him to try and hide Merlin, or even wake him. He’d announced to a quarter of the party last night that they were sleeping together, and word-of-mouth in a castle filled with visiting nobles and their attendants is far worse than wild-fire. 

“Yes?” he calls, sitting up despite his nakedness, absently stroking Merlin’s dark hair. The messenger—a woman Arthur recognizes to usually be either in the kitchens or the wash rooms—shyly steps in, flushing deeply when she notices that Arthur is not alone.

“You’ve been summoned. By your father.”

Now this Arthur and not been expecting. To be reprimanded at brunch for making a scene, sure, but to be summoned is an entirely different issue. 

“Thank you,” Arthur says, tipping  his head, “You may go.”

She hurries out, and Arthur looks down, considering for a moment waking Merlin to dress him, and then upon seeing how peacefully his paramour—paramour, how lovely—is sleeping, opts against it. 

He can dress himself, surely.

—

“Brilliant,” Uther muses as Arthur enters, “We were starting to worry you had gotten lost.”

No, Arthur just couldn’t figure out which was the front and which was the back of his trousers for upwards of ten minutes.

“We” must refer to he and Edmond, Uther who is seated stiffly upon his throne, as usual, and Edmond who is standing quite relaxed beneath his gaze, which is Arthur’s first indication something here is clearly off.

“What do you want?” Arthur snaps. Uther does not falter, but Edmond looks over, clearly baffled by Arthur’s tone, and perhaps even the fact that Uther does not ask him to check it.

“Would you please explain to me,” Uther begins, “How you thought it appropriate not only to publicly humiliate a noble, threaten him, but also to treat your manservant as though he were property, and not a man of his own decisions.”

He cannot be serious. Arthur turns to Edmond, seething.

“You are far duller than you look.”

“Arthur!” Uther exclaims, sharp. Arthur crosses his arms over his chest, glowering at his father, terribly angry for what feels like the hundredth time in the past two days.

“I only acted in the interest of Merlin’s honor,” Arthur snaps, “He came to me accusing this feeble, brainless—”

“Are the insults truly necessary, your majesty?” Edmond asks his father, but Arthur continues, unperturbed.

“—wilddeoren of making unwanted advances.” 

Uther frowns, and Edmond shakes his head, a completely unwarranted smile gracing his features. Arthur is certain this man is in need of several kicks to the groin and then some. Uther sighs.

“I told you, your majesty, he would come bearing all sorts of lies.”

“Lies!?” Arthur exclaims incredulously.

“You very publicly referred to Merlin as your paramour instead of your manservant,” Uther says, “In order to embarrass Lord Edmond into obeying your will.” Arthur’s jaw drops. Edmond does nothing to hide the triumph he is feeling, and all of this is making Arthur’s blood boil hotter and hotter. 

That’s… technically true, but as far as last night is concerned—

“Merlin is my paramour,” Arthur argues, causing a raise of his father’s brow, and the shake of Edmond’s head, “And if you do not believe me, summon Merlin, then. Although, that seems a spectacular waste of our time, because he should have been here to explain his side of the story in the first place, and if I would have known this insolent pig—”

“Arthur,” Uther chides.

“—was going to spin such an elaborate fairy-tale, I would have roused him and brought him myself, as he happened to be, conveniently, very close by, namely, right god-damned next to me.”

Uther heaves a sigh. Edmond doesn’t look convinced.

“Arthur—”

“Father,” Arthur says, very seriously, sensing the king’s exasperation and unwillingness to argue or reprimand a noble of his own age, and such a nonchalant demeanor, begging no guilt. What his father fails to see is that this is not because Edmond is not guilty, but because he’s certain there will be no consequences for his actions—and really, unless Arthur kills him in his sleep, or challenges him to a duel, there won’t be. Nothing but a childish slap on the wrist.

“Arthur,” Uther says again, firmly, “I would like you, before dinner tonight, to apologize to Lord Edmond—”

“Absolutely not!” Arthur cries.

“You will,” Uther says, firmness growing into a slight aggression Uther believes he will listen to, “Or you will not attend.”

“Then consider this the last time you see me today, your majesty,” Arthur snaps, turning to leave, “And if you are so opposed to taking the word of your own son over some half-wit jester, ask the servant who summoned me how she found me this morning, and who she found me with.”

He turns, just before the door, glaring back at both men—his father who looks vaguely disappointed, and Edmond who’s now red in the face, seemingly having realized what an impartial third-party’s account may do to his story.

“Or better yet,” Arthur muses, “Ask the knights who attempted to deter Lord Testicle—“

“Arthur!”

“—before I was forced to step in. And please,” Arthur says, finally wrapping this up into a neat little bow, “Do not send for me again. I have a long day and night planned bending my manservant over every flat surface in my chambers.”

“Christ, Arthur—“

“Good. Fucking. Day.”

And if the doors were small enough to be slammed, Arthur would have done exactly that.

—

“What is your name?”

“Oh—er, Katherine, your majesty. I work in the—“

“I know. I just have a question regarding the manner in which you found my son this morning.”

“Ah! Oh—umm… well… I’m not entirely comfortable… saying, my king.”

Uther sighs deeply, and waves his hand to dismiss her.

“That will be all.”

—

“You shouldn’t fight with your father on my behalf,” Merlin soothes, and Arthur would attest to enjoying baths much more when Merlin’s in the water with him. “It’s not worth the drama. And you should be enjoying the—“

“As you should have been, and as we should be, if it weren’t for Lord shit-pants—“

“Your insults are getting less and less clever,” Merlin teases, moving forward through the water to press his lips to Arthur’s throat, as if that’s supposed to make it better. Is this them now? Bickering like usual and then kissing it away? 

He could get used to that, yeah.

Arthur pinches Merlin’s thigh beneath the water in retaliation, so Merlin pokes him hard in the ribs.

“Ow!” Arthur exclaims, seizing Merlin’s wrist and yanking him forward, sending the boy effectively into his embrace, although Arthur is framing it as a restraint, tugging Merlin’s wrists behind his back and pressing his own teasing kiss to the man’s shoulder.

“Gotcha.” 

Merlin laughs.

“What I lack in glorious, sexy, beefy—“ he’s still teasing Arthur, that bastard, “—muscle, I make up for in wit.”

“And how is wit going to—?”

Arthur learns when Merlin uses the height at which his wrists are currently held much to his advantage, and grunts.

“Yes, I suppose that’ll do it.”

—

The next morning they are both summoned, Merlin teaches Arthur about his pants, and they make their way to Uther, chatting aimlessly, bickering uselessly. 

Arthur feels incredible. Wonderful, even. To be with Merlin and to not ache to be nearer, because he has been near and can be near, is like a breath of fresh air. His best friend is now his lover, and he could not have asked fate for anything more.

“Father,” Arthur greets.

“Your majesty,” Merlin says, but does not bow, because Merlin thinks bowing is ridiculous and now that he thinks about it, Arthur kind of agrees.

“I have,” Uther says, sounding wildly uncomfortable, which is the consequence of his own inability to take anything Arthur says seriously, “Confirmed with Katherine, the chambermaid, that you two are, in fact…” 

Arthur grins.

“Copulating?” He suggests.

“Fucking?” Merlin adds plainly.

“Fraternizing?”

“Fucking,” Merlin repeats.

“Lovers,” Arthur suggests, taking Merlin’s hand. They haven’t talked about that part of it yet, although he’s certain it had been implied. Merlin’s grasp tightens around his own, and their shoulders bump together softly.

“Yeah, probably that one,” he agrees. 

Uther is so red in the face he’d make a stunning rendition of Camelot’s flag had he painted a giant gold dragon over his features.

“Right, well,” Uther says, clearing his throat, “I assume you are both aware though… fraternization is certainly allowed, I cannot in good faith—“

“Paramour, father,” Arthur interrupts, because he doesn’t need to hear another word of “produce an heir” or “take a wife.” He’s highly aware of his duty, and if he weren’t, he would’ve dragged Merlin down to Gaius hours ago and demanded to be wed (or whatever version of wed can be done without the church). This way, the next time Lord Edmond or any other ridiculous noble tried to lay hands on his manservant, Arthur would have probably cause to shove his spear through their throat. “I know what can be done and what cannot.”

Uther nods, as if he had suspected this.

“Good. Then all we have to the discuss is the matter of Merlin’s new title—“

“Having sex with your son gives me a title?!” Merlin interrupts incredulously, and Uther goes red again, much to Arthur’s delight. He tips his head back and laughs because oh, how he loves this man.

Uther clears his throat, “Paramour is the title, and while not all of the Five Kingdoms make space for such a thing, I and the court of Camelot do entertain the notion that political marriages should not fall in the way of an actual connection. Therefore, you will be alleviated of your position as Arthur’s manservant—“

“I’d actually like to keep that, if I may,” Merlin interrupts again, and really, where does Merlin get off having the gall to keep cutting off the king. 

Probably somewhere in all those titles Uther doesn’t know Merlin already has—The Last Dragonlord, The Most Powerful Sorcerer to Ever Walk the Earth, Emrys, etc. Really, now that Arthur thinks about it, Merlin could cast his father out of the throne with the flick of his wrist, and assume Camelot under his rule, destroying those who dare defy him with little more than a thought and a spoken word.

But he doesn’t. Because of Arthur.

It is beginning to feel incredibly stupid that Arthur couldn’t tell if Merlin loved him back. Perhaps he really will have to start reading more.

“You would continue to work?” Uther asks, eyebrows raised.

“I would feel useless if I were not serving Camelot, and my prince,” Merlin says, “It’s kind of what I’m meant to do, regardless of what “title” I hold here.”

Uther nods as if he understands, which he couldn’t possibly, because where he technically assumes a mantle of service to Camelot, he was birthed to it. Merlin chooses his place here.

Merlin chooses Arthur.

He swears, every minute he spends with the man just sinks him further and further, lost to the warlock entirely, even though Arthur had been certain he was at the bottom before any of this even occurred.

“I will be honest,” Uther muses, “I am starting to see why my son likes you.”

Merlin, to Arthur’s surprise, bows his head to hide his pink cheeks, playing it off like a polite and silent “thank you.” Arthur removes his hand from Merlin’s and slips an arm around his waist. Leave it to Merlin to stand firm in the line of a King’s judgment, and buckle under half-baked praise.

Duly noted.

“Is that all?”

“Actually,” Uther says, “I’m sure you’ll pleased to hear I’ve tossed Edmond in a cell until tomorrow morning, because you and I both know—“

“There are few ways to make a man like that listen,” they chorus, and Arthur smiles, incredibly pleased at the idea of Edmond all wrapped up in silk and fine fabrics, cold and damp in a dirty old cell.  “Thank you, father.”

Uther waves his hand dismissively, but cannot help a slight smile at his son’s glowing approval.

“Away with you both. I will see you tonight.”

And Uther does, sitting with their chairs and knees touching, speaking in soft voices and drinking far too much wine, pink cheeks and bright smiles and a love like he remembers. Uther does not wholly understand his son’s affinity for his manservant, but he can understand being young, reckless, and excited to share breath with someone excited to share breath with you.

Yes, Uther, like Arthur, is quite pleased with this paramour. Quite pleased.

[Bonus Content]

Same Universe, Sillier Plot!

[weaponizedducks]

the land of stories/a tale of magic 🤝 bbc merlin = magic as an allegory for queerness

[sneakyboymerlin]

*Gaius voice* Violence is bad, that’s why you shouldn’t kill Uther or even passively let him die! You should kill a bunch of people to protect Uther, though, that’s different, their lives don’t mean anything if they’re not kings. Now, Uther is going to perform horrible acts of violence such as drowning children as long as he lives but you have to understand, his wife died :( it was his fault but it still happened :( and he needed someone to blame! Hence the genocide. Just remember that Uther is justified because magic corrupts even though I’m harboring a sorcerer who is not corrupted by it. Uther thinks someone is stealing his boots but I actually keep swallowing them by accident during my lick breaks. Love the taste

[arguablysomaya]

please, elaborate on merlin bbc propaganda and stuff

okay basically:

bbc merlin is a show taking place during a genocide

camelot for 20 years has been genociding and ethnically cleansing everyone who can use magic, including magical creatures. They were all either exiled, fled, live in refugee camps or in hiding, and a great many were executed and slaughtered. Generally speaking, life is inhospitable in camelot for magic users.

And the show makes no attempt to hide this fact, either. We see multiple times over the death and destruction this genocide has wraught, and how radicalized most of the remaining magic population is because of it. For the past few decades, camelot has essentially been doing 2 things: persecuting magic users, and defending itself from vengeful/liberationist magic users

the king (uther) believes that magic users are (stop me if you've heard this one) corruptive, shifty, and evil. he's always paranoid that a magic user will take their revenge on him. and in a way, he's right: there are in fact a lot of magic users eager to kill him, but given the whole Great Purge and literally drowning children thing, you'd thing the show would be a bit more sympathetic to their plight. Nope.

in come merlin and gaius, our two main magic users. merlin is the protagonist, and gaius his benevolent mentor, so the audience is primed to be on their side. only one problem: from bascially the beginning of the series, these two are nothing more than agents for the very state carrying out the genocide. they devote their time to wholeheartedly defending camelot, especially from magic users, something they are rightfully called traitors for. they actively intervene to prolong the lives (and therefore regimes) of both arthur and uther, despite neither king showing any real interest in freeing their people. gauis represents the "diversity" of a genocidaire state; as someone uther only keeps around so long as he shuns any involvement with magic except what helps uther carry put his genocide, gaius hides and rejects every marginalized part of himself that threatens his access to power. even as a member of the oppressed class, he aids and abets the oppressors every step of the way. merlin, as an extremely powerful agic user in hiding, follows suit. the thing is, like so many other minority collaborators, this doesn't actually buy them safety, since they are Other, they still have to walk around on eggshells knowing one wrong move could get their heads chopped off. but this action of defending a regime that would kill you without a second's hesitation is presented as noble and heroic in the show, when in reality it's stupid at best and evil at worst. merlin and gaius might save a token kid from being brutally murdered, but they will never let anyone take action, let alone take action themselves, to proactively stop the brutality.

merlin is literally the most powerful sorcerer alive. if he wanted to, he could create a more fair, more just, better world in a blink. instead, he spends his time pretending to be a hapless servent, messing around with his war criminal friends, and killing any freedom fighter who dares to even look at the prince or king. why? well, he believes in the institutions (and a prophecy that never comes true... lol). ultimately, merlin and gauis hold the same prejudices and stereotypes about magic users that uther does: that they're untrustworthy, dangerous, and that it would be better for everyone if all but themselves (the good ones) just died or left.

and all the people they're defending the empire against... are other oppressed magic users. the VAST majority of antagonists are either magicians or magic sympathizers. even in the context of a genocide, the show takes the firm stance that the architects of genocide (the literal kings who order it to happen) are just flawed human beings who still don't deserve to be killed, while when the people they seek to wipe out fight back, our protagonists will happily mow them down. the show has no problem with killing people,and even killing innocents is only worthy of a fingerwag. it's fighting for liberation that the show makes the real problem. even when uther finally dies the show plays it like something sad, as if anyone is supposed to feel anything but joy that this old tyrant genocidaire finally kicked the bucket after having been saved a million times over from getting his comeuppance. Every magic user that has genuinely good reasons to want to tear down the kingdom are all painted with the "crazy evil person" brush.

another thing is that this show likes to get ~quirky~ with their agents of the state. along with arthur and merlin come a colorful cast of characters like the knights that you can laugh and cry with. the only problem is that despite how lovable these people are, they're still actively carrying out and enforcing a genocide. it's a bit like those tiktoks of IDF soldiers dancing or proposing. i can't feel for these people because despite seeming like relatable people, they're still engaging in something horrific. you can't escape the fact that these people can only exist in the relatively easy capacity that they do because the empire they work for is brutally repressing and eliminating entire cultures.

but the thing is, this strategy actually works. the fandom is often so taken in by fun character interactions and shipping moments that you can often witness people literally look past, or even praise their acts of genocide. these characters are so charming with each other that you can look past how awfully they treat oppressed people. yay! the prevalence of merthur brings up too many idf pinkwashing parallels it's actually insufferable. i had hoped we left oppressor/oppressed person ships behind in the 2010s but guess it's still around

by the time he takes over as king, the "great, kind" arthur is essentially an IDF soldier who only realized that Killing Is Bad Actually when he's got crosshairs on a random kid. now Reformed (TM), he takes the brave stance that he should only kill the angry bad magic users who try to exact their revenge for the whole genocide thing on him, and the peaceful (more often than not, harmless) magic users should accept the merciful counterplan of ethnically cleansing themselves from the region, or continuing to live in refugee camps, but this time with less threat of massacre. in this show, the only acceptable answer to being genocided is to either lay down and die, hide forever, or displace yourself hoping the empire doesn't come and kill you anyway. fighting back, getting revenge, defending oneself, trying to change things: these are all reserved only for the genocidal state.

in other words, bbc merlin is the exact type of genocide obfuscation that most modern genocides engage in. the suffering of oppressed peoples, even innocents, is a footnote. when they suffer, sometimes it's presented as sad, and other times it's presented as deserved. meanwhile, the suffering of the oppressors, no matter how justifyable, is always landmark and deserves our full attention and sympathies, because the thing about the oppressors is that it's always their story.

(the last thing is a common fantasy problem, which is that when you create stories where different classes have actual, material, biological distinctions, it can end up justifying the oppression. in the real world, there is a very limited range of innate human abilities, and people from across the world are largely evenly matched. but in merlin, a sorcerer actually does pose an increased threat to those around them. in terms of allegory... kinda not the best thing to so without any real refutation to the idea that magic corrupts)

so yeah. that's why i don't fuck with this show even though it's enjoyable to watch.