#because I could just give up

[bpdohwhatajoy]

Thank you for being so open and honest about your experiences. It's easy to forget that such bravery is not easy and that the ability to keep moving forward and constantly processing all these things is not something anyone can do. Positivity-focused blogs have their places, but documented rawness like this is inspirational in its own right. I can tell you've fought hard, and that you are still fighting. I really enjoy reading your experiences, because I find myself in many of them and I find it beautiful that you're still growing and learning. I don't wish to offer my sympathies; more simply a thank you for being here, and for what you do. My best wishes.

❤️❤️❤️❤️❤️

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is pretty much essential prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[jade-len]

i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

[starry-bi-sky]

I am procrastinating homework and finals studying so I'm making another DPxDC au -- or more accurately, I am making an au of an au. or combining two aus to make a third one, because I am Procastinating And thinking about it.

(the part two for my Danny is Jason Todd au is like,,, half-made and I will get around to finishing it, promiiissse)

So the two aus I had in mind were combining, of course, the two clone aus - the Danny Clone and the Damian Clone au. For folks who haven't seen either posts (or saw one but not the other) here are summaries of both:

Damian Clone Au: The LoA make a clone of Damian Wayne specifically to either kill Damian Wayne and have the clone take his place as the heir to the LoA, or to bring him back. At 6 years old though and through magical teleportation mishaps, Baby Damian ends up in the warehouse district of Amity Park and picked up (and later adopted) by Danny Fenton. They develop a brotherly dynamic with one another.

Danny Clone Au: Danny is straight up a clone of Bruce Wayne, doesn't find out until a year after he has his accident. And, for the fun of it, is also mostly-powerless (he retains his ghost sense and a semblance of a ghost core and signature, but no ghost form). His reasoning for becoming Phantom is because he has walked into the lab watching his parents dissecting ghosts post-portal working more times than he can count. And due to this, changes his beliefs from "ghosts are evil" to "ghosts are sentient and sapient beings who don't deserve this treatment". (masterpost pinned on my blog, its currently incomplete) He is also a little GNC, as a treat. Long-haired Danny ftw. Ellie is a halfa because of the ectoplasm that Vlad used, and also the same age as Danny. They call each other twins and she is viciously protective of him. He uses a baseball bat and brass knuckles that I call 'jawbreakers' to fight ghosts.

Now admittedly, not much probably changes with the combination of these aus other than the potential parallels between Damian and Danny, and Bruce and Damian - and of course, I am always a sucker for parallels. Plus Damian's running off would take Danny finding him much longer, since he can no longer fly, but all the more meaningful because he still took so much time to find him.

(It probably also makes their first meeting different as well - Danny wears a ROTTMNT Casey Jones Jr. esq. mask when he goes out, but Damian would recognize lazarus green anywhere. He'd probably try harder to kill him though once he sees his face, since he knows that its not his father but an imposter.)

It also includes what I consider a hilarious conversation: "Since I'm a clone of Bruce Wayne, does this make me your dad or your brother?" "Don't be an idiot, laeazir." "You didn't answer my question."

The biggest change that comes from this is, of course, the fact that Danny now no longer has a leg to stand on with the "you're a human, I am a ghost" excuse in order to prevent Damian to help him with ghost-fighting, because now Danny is also a squishy, fleshy and fragile human just like Damian. And a human who, arguably, has less combat training than Damian and no powers to make up for it.

Now, Danny in both aus are about 16-17-ish in age, so they've had time to adapt to their new vigilante-hero lifestyle, but its still not the same as Damian's training as an assassin. Damian, unlike in the original clone au, remains insistent on his want to help Danny.

And,,, eventually wears him down after weeks or months of sneaking out after him, helping in fights, interfering, arguing, etc. Danny eventually agrees, exhausted, but he makes Damian promise, promise, that he will be careful and to focus on dodging and distraction. At least until Danny can figure out a safer alternative. He wants him as far removed from the fight as he can, he's a child for ancient's sake, after all.

Which is another issue too - if we follow Damian Clone timeline, then Damian is six years old when this happens. I'll be point blank, I do not see Danny ever actually agreeing to let a literal 6 year old go with him. SO, solution, I bump Damian's age to 7 when he arrives in the Fenton Family, and make him freshly eight years old when he finally gets Danny to agree.

It still SUCKS. He is still very much an itty bitty child, but as someone who has seen the difference between a six year old and an eight year old due to working at a daycare, an eight year old is still... slightly feasible. And an 8 year old assassin even more so (even if he hasn't trained properly in nearly a year or so)

So Danny, reluctantly, agrees to let Damian come with him on patrols.

He ghost-proofs Damian's sword (as he has since learned to do with his bat and jawbreakers), makes him a grappling hook and a Fenton thermos, and reluctantly lets Damian come with in his old LoA uniform that he appeared in (with some tailoring and ghost-proofing, because he has since begun to grow out of the uniform).

(and Danny himself also finally starts looking into alternatives to improve his own "suit" - which is all but a hoodie and reinforced jeans and a hockey mask. He needs to set an example to his little brother, goddammit.)

Then, as they're planning for Damian's eventual (dreaded on Danny's part) debut, they sit in their shared room and brainstorm for what to call Damian. "Ellie already uses the name Spirit." Danny says, sitting criss-cross at his desk with the eraser nub of a pencil chewed between his teeth.

(Behind him he has an investigative corkboard set up -- his accident left him with the ability to see ghosts not capable of being seen on the visible plane. 'Stereotypical' ghosts. Between school work, his social life, and ghost fighting, some of his downtime is spent figuring out ways to help them move on. His most recent is a cold case.)

(Bc with Danny, I loove to have him have some sort of trait that ties him in with his original counterpart. Nature vs Nurture and all that. Investigative work can be part of that.)

"What about Wraith?" Damian suggests from the floor, leaning against the bed frame while he goes over one of his english books. They've been practicing his reading and writing.

Danny furrows his brows. "A ghost seen typically shortly after or before someone's death?"

Damian nods. "Yes, it's of a similar cadence to 'Batman and Robin'."

"What's with you and your thing with Batman and Robin?" Danny asks with a playful half-smile, Damian shrugs and looks at his books. Danny sticks the eraser back between his incisors. "Phantom and Wraith... that works, though."

The first night out together, Danny fusses over Damian, making sure every bit of uniform was secured and in place -- something Damian took mild offense over. His outfit was far more reinforced than the juvenile get-up that his older brother wore.

But he let him fuss anyways. It made him loved.

"Now remember, Wraith--"

Damian interrupts him: "Yes, I know, Dany. Avoid and distract. Stay situationally aware. I fear that is something I should be telling you, however. Mother would have your head if she ever saw what your training was like."

(It was, not for the first time, that Damian wondered how his,,, "mother",,, would react if she ever met Danyal. Not good, he knows.)

Danny's shoulders sag, and he sighs. "I believe that, what with that super-secret spy--"

"Assassin."

Danny sends him a half-hearted chagrined look, "Assassin," he corrects, "organization that made you. I'm sure I'd give your mother an aneurysm." When he's finally okay with whatever make-believe issues he found with his suit, Danny reaches for the nearby side table and carefully slips on a black domino mask over Damian's eyes. It was thin, flexible, and made with some kind of material that Danny reassured was environmentally safe.

("Some kind of matieral that Wayne Industries invented awhile ago, Sam bought it for me." Danny told him when he first showed it to him.)

It was also cold. But the chill was made up for, slightly, with Danny's warmer hands smoothing it out over his skin, and ridding of any ridges that could form. Damian isn't sure entirely what Danyal did to keep it stuck onto his face, but when he touches it with his fingers he feels a very faint seam at the edge, and it doesn't budge against his hands. It felt like a second skin.

"There we go." Danny smiles, pulling his hands back. He still looks nervous. "It's not the same as my hockey mask," which sat atop his head, ready to be pulled down, "but I think a domino mask will work better for you considering your background."

He was right, a hockey mask would only hurt Damian's peripheral vision. This mask was thin enough that it didn't.

"Ready to go, Wraith?"

"After you, Phantom."

+++

Damian has much issue with Danny's suit. He can think of a million ways to make it better. It is one of the things he and Samantha Manson can get along with, and the few times they have spent time together they have brainstormed suit ideas. He knows that since Danny took him on as Wraith, he has started to look into better suit alternatives.

However. They are both aware of the same thing:

Danny is not Batman, nor Superman, nor Wonder Woman, nor Aquaman, or the Flash, or Green Arrow, or Nightwing, or any single hero on the public roster. He is also not rich like Lex Luthor or Vlad Masters or Bruce Wayne himself.

He has no money and no contacts, and thus, no way of properly improving his suit to be something even half as safe as the other supers.

And he refuses to let Samantha Manson help him find a way to fix that - even with all that money, Samantha Manson is on an allowance from her parents, and also, despite her other range of abilities, not capable of getting those materials without putting herself on a list of some sort. They are at a standstill.

Damian knows this, because he has asked.

Until one day when Danny is talking about a case he is working on and telling Damian about old adventures he had in the Ghost Zone, does he see his brother get hit with a lightbulb.

He slaps a hand against his forehead and straightens up from his swivel seat. He huffs a laugh, "Of course! Why didn't I think of it sooner?" And he turns on his heel and hurries to his bookshelf, pulling down a notebook and flipping open to an empty page.

Damian frowns, "Laeazir?"

"I know you don't like my suit, Damian," Danny says, striding over to his desk and snatching a pencil out of a cup. He begins jotting something down on the notebook. "And there's nothing I can really do about it because, well, I'm poor in comparison to my facesake, and I don't have the resources to get my hands on someone who would make me a new suit."

"Yes, we have talked about this..." Damian nods slowly, still frowning, and trying to follow his brother's line of reasoning.

Danny shoots him a megawatt, half-tilt smile, his hair tied up into a half-bun. "But! I was thinking about it from the wrong angle. I don't have the living resources to help me get a suit, but..." he trails off, staring at Damian intently.

It dinged in Damian's brain to where he was going, "But you have the undead resources instead." He says, his eyes widening slowly. Of course, of course! Danyal was ridiculously charismatic by accident, and Damian has seen plenty of times where his heart-of-gold had one or two non-hostile ghosts be incredibly grateful to him.

His brother makes a loud, 'ding-ding-ding!' sound, pointing his pencil at Damian as his smile stretches further across his face. In a few quick strides, he was sat down next to Damian and showing him his notebook. "Correct! When I first started out as Phantom a few years ago, I managed to help a ghost who called herself Taylor, and apparently she was a seamstress both in and out of life."

Damian watches as Danny writes the name at the top of the paper, and creates bullet-points down the page. "She said that in return for saving her, I should come find her in the Ghost Zone if I ever need clothes made for me. It's a one-time thing, but I was thinking that she could perhaps help make me a new suit."

Danny turns a bit pink at the ears, and rubs his neck, "I never thought much of it because I didn't think I'd ever go into the Ghost Zone, or ever need ghost clothes, so I forgot about it up until now."

A scoff forces itself out of Damian's mouth, but he is smiling. "Danyal, you are the smartest idiot I have ever met."

For the next hour, both he and Danny make a bullet point list of what both of their suits would need. Reinforcement in certain areas, gauntlets with reinforced knuckles to replace Danyal's jawbreakers. A different weapon than a bat.... a utility belt, reinforced boots. Anything they could think of.

It was Damian's idea to add a cloak to both of their suits, asymmetrical and torn at the edges for a more 'ghostly' look. They have a theme, after all. It's quite fun.

Then Danyal calls up Sam for help in drafting up design ideas. And while Danyal steps mostly to the side when it comes to the design itself, Damian and Sam fill pages with designs until coming up with one they both agreed on and like.

"What about a lightning bolt on the chest?" "Why are we using my traumatic accident as a symbol of my identity?" "Ghosts do it all the time, Danny. Ember sings about her death." "I'm not dead?" "No that won't work, Manson. Shazam already has a giant lighting bolt emblem." "Okay, but I still want to use it somewhere." "How about this?" "...That could work. Okay, now onto your emblem--"

Last was the hard part: getting into the Ghost Zone without the Fenton parents noticing the disappearance of their precious Fenton Specter Speeder. They employed Jazz's help with that. She would get the Fentons out of the house long enough for him and Danny to get into the ghost zone, hopefully find the seamstress, and cash in that favor.

They went through with their plan that following weekend. Danny tossed Damian a small jumpsuit as they both climbed into the specter speeder, but did not grab his own. He had a small duffle bag on him that he threw under the seat.

"What is this?" Damian asks, nose scrunching up at the gaudy picture of Jack Fenton's face square at the center of the chest. He held it far away from it, as if it had a disease.

"Your hazmat suit." Danny replies, settling himself into the driver's seat as the door hissed shut and he began turning it on. He had some sort of gas mask on in his lap, too small to fit Danny's head, but certainly the right size to fit Damian's. "Normally you wouldn't need it since you'd stay in the speeder, but we're both getting out once we find Taylor. It's to protect you from the ectoplasm."

A scowl forces itself across Damian's face, "You don't have one." He points out, finding seat in the passenger chair next to Danny. His arms cross over his chest, and he was not pouting.

Danny looks at him amusedly, "I have enough ectoplasm in my body that I don't need one, you however, do not." He retorts, poking a finger into Damian's ribcage pointedly. "If you don't put it on now, you'll put it on when we find Taylor."

Damian's scowl deepens, feeling petulant as he sunk into his chair. Danny turns back to the console and flips a few more switches. "I will not, it looks ridiculous." He turns it around to show Danny the Jack Fenton Face.

The Specter Speeder hums to life, and there's a moment of turbulence as it lifts off the ground. While it does, Danny turns back to him blankly, stares at the emblem, and then reaches forward and yanks it off with a scriiiiich of the emblem. He crumples it up with one hand, and throws it into a small bin at his feet.

"There, fixed." He smiles. Then turns back to the controls, taking the yoke with both hands. "And I'm calling Dad Rights; you will put it on when we find Taylor or you'll stay in the speeder."

Damian sputters, sitting up incredulously. "You are not my father." He argues.

"Teeechnically, I am." Danny says, "I'm a clone of your father, and since I am fully his clone, that makes you my son by a technicality." He says cheerfully, pushing the specter speeder forward and into the swirling green portal.

Before Damian can retort, they're passing through the portal. This was his first time going into the Ghost Zone, and for a few seconds there was nothing but bright, swirling green filling his vision. His body felt like it was being twisted and pulled, his up and down reversing and returning. It was painless, but dizzying.

It only lasts for a few seconds, but it feels like a minute, and when they exit out the other side, Damian is holding his head while his vision spots and swims. Internally, he felt like those cartoon characters when their eyeballs rolled around in their head.

The dizziness fades away slowly, and as Damian regains his sight, he notices Danny's hand splayed over his sternum, gently keeping him pressed against his seat. It fell away when Danny saw that he was alright.

"Put your seatbelt on," Danny orders, nodding to his chair. Damian listens absently, before remembering their conversation before they went through the portal.

"That is not how it works." He scowls, and, annoyingly, only gets a challenged eyebrow raise from Danny. He could see the words written on his face without Danyal ever having to say it.

Because, dangit, he was technically right. Damian refuses to say this aloud. He screws his jaw shut, and crosses his arms back across his chest.

Danny chuckles under his breath, and turns his eyes back to the ghost zone. "My point still stands, either you wear the suit, or you don't leave the speeder."

"Fine."

+++

They eventually find where the seamstress is. Through quite a lot of Danny stopping to ask questions with any friendly ghost he came across, they eventually locate an island with a strange, urban city bustling with life on it. Massive, rocky stalagmites grew from the ground, and buildings were built on top of it or around it, with strange, warping architecture.

It was oddly beautiful.

Danny parked the speeder on the side of the street with a two hour parking sign on a nearby post. As he turned off the engine, he flipped a switch on the console that darkened the windows. He unbuckles his seat, and stood up, stretching out his back with a deep groan.

"Alright, put your suit on. The windows are tinted, so nobody should be able to see into the speeder." He orders, pulling out the duffle he brought in earlier and unzipping it. He pulls out his hockey mask and the hoodie he wore out for patrol, and the notebook they'd been using to jot down ideas for their suit.

Danny even had the hindsight to write in their respective heights, and with Tucker's help, some of their measurements. While he did that, Damian sourly pulled on his hazmat suit, irritated by the need to wear it.

Unfortunately, he also had to wear the boots and gloves for 'extra precaution'. Damian nearly bites out a grumpy 'you're as paranoid as father', but holds his tongue. He wasn't going to tell Danyal that secret.

Once he was done and Danny has his hockey mask and hoodie on, Danny grabs the gas mask and helps fit it over Damian's face. It was a sleek, simple design, shaped similarly to a regular face mask, with little filters on both sides of the mouth and a clear, protective covering around the eyes and forehead. Danyal improved it from the original his parents made.

He was smarter than he gave himself credit for.

Danny checks, then double checks that it the mask is tight, then smiles. Patting Damian's shoulders before standing up fully. "Taylor's shop should be somewhere nearby." He says, grabbing the notebook and tucking it under his arm.

Damian nods, and follows him out the door and onto the busy streets.

Finding Taylor becomes remarkably quick now that they were inside her city - something that Damian silently wondered was based loosely off NYC. Danny kept a firm arm around Damian's shoulders the entire time they walked down the street, keeping the both of them on the inside sidewalk.

Barely anyone passed them a second glance, spare the few odd looks shot at Damian. Danny whispers to him the first time it happens that it's because he has no ghost core, those more attune to their signatures might've been picking up on it.

They didn't notice Danny, because he had one, albeit a weak one.

Taylor's shop has a big sign on it in logographic writing that Damian has no idea how to read. The text shifts slowly, a jambled squiggle of lines, dots, and connected curves that look like a mix of messy cursive, gibberish, and logographic alphabets. He only knows its Taylor's shop because Danny pulls them towards it, stating that it was the place.

"You can read that?" He asks, incredulous as they draw closer to the door. Danny moves his arm off his shoulder, and wraps his fingers around Damian's instead.

"Yep," He replies, then scrunches his nose up, "sort of. It's - uh--" he stumbles over a word that Damian's ears cannot comprehend, but fills his head with slight static regardless. Danny winces. "It's the written form of ghostspeak, but since I'm not a ghost, I can only read some of it. Like uh, dyslexia."

"...I see." Damian says after a moment of silence, trying to replay the word in his head. His mind can't grasp the sound.

When they enter, the door doesn't ding with the sound of a bell, but rather it makes a low scream. Nobody bats an eye to the sound, keeping to their slow search through the racks of clothes.

At the counter was a woman talking quietly to another woman, one of whom Danny recognizes, as he walks over to her.

He doesn't need to say anything, because the woman behind the counter sees him coming, and her face positively lights up with delight. "Phantom!" She cries, and gestures to come over. "I was wondering when in the high ancients you were going to come see me!"

Danny's face is obscured by his mask, but Damian knows he's smiling sheepishly with the way he tilts his head and the way he tenses his shoulders. "My bad, Miss Taylor," he says, reaching the counter and standing beside the woman she was talking to, "It kinda... slipped my mind."

Taylor waves her hand dismissively, "Well you are here now!" She replies, grinning wide. Then her eyes pop open - literally - and she puts a hand over her chest. "Oh, how rude of me!" She turns and gestures between Phantom and the lady next to him, "Miss Mabam, this is Phantom. I told you about him a couple of years ago. He saved me from humans. Phantom, this is Gigi Mabam, she funds my shop. In return I make clothes for her and her staff."

The 'Gigi' woman turns just as Danny does, and smiles wide at him. Damian narrows his eyes at her, shuffling behind Danny legs as he looked her up and down. She had silvery-white hair and purple skin, and wore a darker purple business suit, a red gem cravat at her collar, and teal cat-eye glasses.

There was a lot of purple.

"So this is the ghost-touched you were telling me about, dear!" The woman, Mabam, said. Her voice was rich and low but she spoke in a whimsical cadence. It made Damian's skin crawl, and his narrowed eyes turned into a glare. "I must thank you for saving my seamstress, it would've been quite a fizzy-wink if she had been lost to those ghosty hunters."

What were those nonsense words? Damian hated it.

"Miss Mabam here runs a five-star hotel nearby," Taylor explains, her body turned to Danny, "she also is in charge of the city's Battle Nexus."

Danny is silent for a moment, and his free hand lifts and places itself on the back of Damian's head, keeping him close. "Battle Nexus...?"

Mabam claps cheerfully, laughing low, "Oh yes! Ghosts from all around the zone come to attend and watch as their fellow haunties are ripped from limbity-limb in a blood-curdling battle!"

Danny is still as stone. "I see." He says, careful. Damian wraps his fingers around his pant leg. "Well, I hate to interrupt your conversation, but I was hoping to cash in that favor, Miss Taylor?"

"Of course! What do you need?"

Danny looks down at Damian, and he looks up at him, locking eyes with the ominous green glowing from the eyeslits of his mask. He nods, and Danny looks back up. "Do you know how to make suits? Of the protective kind?"

+++

The seamstress it turns out, is capable of such a thing. And she ushers the both of them into one of the backrooms, sending off Mabam with a farewell and a promise to continue their conversation soon.

She flips through their design book, and immediately gets to work making their suits. In the end, with the help of her powers, she gets both done over the span of four hours. It's longer than both Danny and Damian want, but neither rush her.

Damian just hopes that Jasmine can keep the Fenton parents distracted for that long. She will have to.

The suits are better in real life than on paper, and Damian preens from the side in his own custom suit as Danny examines his own in front of the three mirrors. They were both dressed in all black, but whatever fabric Taylor used was of a blackest-black, turning Danyal - and Damian's - bodies into a black hole to look at. Both of them were fitted for agility, with reinforced padding around their shoulders and chests, as well as around the joints of their legs. Their boots were reinforced as well.

("It was hard to make your boots shock absorbent," Taylor explains, "since we all fly, but I applied similar stuff to what I did with your shoulders and chestplate.")

On the side of Danyal's legs were raised, black, lichtenberg-like figures that were contained to the seams and disappeared under his boots. There were similar designs going up his sleeves, with spiked gauntlets wrapped around his lower arm and hands. The knuckles were reinforced, just like he wanted.

Damian's favorite parts were their capes, however. Black like the rest of the outfit, but "wrapped" around their shoulders like an apocalyptic shawl with a back that went down to their knees, and at the hems the capes were torn and ripped like a wraith. Danyal's mask had gone through very little change. It was made of a stronger material, and Taylor had gone and made it more skull-like in its shape, with three large grills at the front, and the sides curving inward below the 'cheekbones' of the skull to better fit his face. It was still shock white, the only white part of Danyal's entire costume.

Damian's suit was almost identical. However, rather than having the seams of his suit resemble lichtenberg figures, the seams of his sleeves and upper torso were that of a black skeleton, with bone-y designs over his gauntlets and the fingers an ombre of dark red-to-black. And around his torso were raised lines that looked similar to a ribcage. The edge of his cloak was splatter a dark red as well. And he had a new domino mask that looked similar to the upper half of Danyal's mask, with the outer edges curved downward over his cheekbones. He was briefly allowed to take off the upper part of his gas mask to try on the mask.

The best part however, was that since the suits were made of material native to the ghost zone, they could also be taken off quickly and hidden in a small artifact. It was magic, is what it was. Danyal chose earrings, and Damian chose a ring.

When they got back to the Fenton house, Jazz demands a box of chocolate for her hard work. Damian thinks that's only fair as Danny takes them both out to get candy for Jazz.

+++

But other than vigilante stuff, not else much changes. Danny gets to pull a "Dad By Technicality Rule" card over Damian when he's being a brat. Danny doesn't have his run in with Rift (a ghost who portals him into Gotham) until after he meets Damian/lets Damian join him on patrol and when they get new suits.

My reason? Because I want it to happen after that point in time lol. It also makes the eventual "heyyyyy you have a clone" @ bruce much funnier to me because not only does he have a clone of HIMSELF but also THAT clone has a clone of Damian living with him.

Also when Danny destabilizes for the first time Damian is terrified for his safety. The fentons are surprisingly good at cloning, Danny hasn't had any issues up until this point in time, and that's only because he got hit with a new gun from Skulker that messed up the ectoplasm he had in his dna, which in term fucked with his own DNA.

Danny's destabilization, imo, is not "I cast you with Melt" he's not Ellie, he's not made of 50% ectoplasm. His parents surprisingly knew what they were doing, and he was human. So his destabilization should be unique to himself and different. Thus his destabilization is "I cast you with Compromised Immune System" his body slowly weakens over time as his cells destabilize. He becomes unnaturally frail and sick. Damian calls Ellie for help when Danny doesn't get up after being hit in a fight that he normally, and Ellie helps figure out that he's destabilizing. This is whats gonna happen in OG clone au too, but Ellie is going to be there rather than Damian.

It makes going to Wayne Manor after that slightly more interesting,,,

[hellspawnmotel]

“caroline, please kill me” by coma cinema

[stardink]

"Loop. The tax benefits if we get bonded. Think about it, Loop pleASE-"

Ref:

[faithblob-says-things]

Dp x Dc prompt 2

Danny gets punted into the Dc universe somehow and loses his memories along the way. Team Phantom and maybe some of his rouge gallery are currently scrambling to find him.

Meanwhile Ma and Pa Kent are very happy to have another son that fell from the sky.

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((

[naffeclipse]

What if Eclipse from AP was a naga? And this took place in the deep jungle of the amazon, where photographer y/n is trying to take pictures of the wildlife?

I'm vibrating at the speed of sound over this ask while also nudging my naga au

Naga Eclipse from AP would have the tail of a Green Anaconda, with an olive green scaly color dotted with black, framed by burning-like flares of orange along the length of his slithery body. He's also decorated with orange-yellow striping on either side of his long, slipper form. His upper half is scaley with a lithe deadliness to his musculature and decorated by frills surrounding his head with brighter orange-yellow colors, almost hypnotic in their gradient hues. One eye is deep emerald green, and one is midnight blue.

Lucky you—you're out on a once-in-a-lifetime expedition to explore a jungle closed off to the public, funded by Fazco, and occupied by two researchers who will be your bunkmates for the next few weeks. You're itching to take photos of the large river, including swamps, marshes and streams, and whatever wildlife is out there.

The few locals you did meet before you left to hike the rest of the way to what would be your new, isolated home warned you of a dangerous snake—a large, mythical beast. You take note of the local folklore. You understand the truth is hidden in there somewhere, and you are well aware of the dangers and diseases you could be met with in such a harsh environment, but you're determined.

It doesn't take long for you to feel eyes watching you when you first venture out by yourself. You take beautiful pictures of freshwater fish, big and beautiful, unlike any you have ever seen. Of course, you have hundreds of snapshots of the local flora, the trees, the floating meadows, the thick vines that drape each branch and hang thickly about the ground. You almost forget that you eerily don't feel alone.

But you swear something moves in the water—the ripples stop as soon as you look. The stillness is suddenly stiff, lifeless. Even the birds have stopped chirping.

You lower your camera and carefully put it away. A trickle of fear slips into your heart. You turn away from the river's edge only to be met by a low hiss and a creature, unlike anything you witnessed in your travels, spooling itself neatly out of the water, blocking your path to the base. An incredible creature with long arms and a great, serpentine tail that seems to stretch for yards and yards. You can hardly breathe in his presence—he's otherworldly with his frills and scales and fangs.

His eyes contain a mesmerizing shine as if staring into a fire as it burns or watching the ocean as it laps up against the beach, drawing your attention, demanding you don't look away. You couldn't anyway. Half-frozen, you struggle to keep from collapsing. He beckons with a sharp talon. He hisses softly for you to come closer, mouse. He wants to see you. You try to beg no without revealing how terribly you tremble. He doesn't let you go. He insists. His eyes flash with an allure. You almost step close when he murmurs that you need to be good.

But then your sense of survival kicks adrenaline into your heart, and you turn to run—

He strikes faster than your eyes can follow. Two loops of his green and orange tail surrounded you in an instant. You're dragged to the ground, your arms pinned under his mass, and the back of your head cradled by his large palm as powerful muscles squeeze you in the slightest—a gentle rebuke for thinking you could get away. You're hyper-aware of the terrifying bulk of muscles as you lie trapped in his coils. One strong twist and your eyes could pop out of your skull, and every bone protecting your heart and lungs would crumble to shards. You gasp. An urge to kick your legs and struggle erupts in your panic; a sinking feeling tells you it would only make things worse.

He coos over you, hissing and humming in an ancient song of the jungle you have no name for. When you whimper, he shushes you and strokes your cheek. He tells you how lovely you'll be. When you talk back to him, somehow finding your tongue amid your horror, you find out his name. Eclipse. He moves you more upright, resting you on his tail so you're not petrified by how vulnerable you feel lying down, but he never loosens his scaly bindings. He hovers over you. You gaze into his stunning frills of yellow-orange and wonder how a being like him came to exist. He studies you as you study him. He grins at how you shiver when he traces your collarbone with a sharp fingertip.

You remind yourself that you can still breathe. He hasn't crushed you—yet—but you don't like how wide his smile is. Sometimes, his jaw stretches a little too long as if dislocating from his skull, ready to devour you. His eyes gleam with a ravenousness as scales twist around you, holding you close enough to smell the slick green water he had been in and deep musk.

He tells you that he'll see you again very soon—away from other humans, lest you bring him a fine gift for a meal. You can only flex your fingers, silently pleading in your heart that he won't unhook his jaw and eat you alive.

Then, he unravels himself from your limbs. But before he lets you go entirely, he leans in close, his serpentine tongue flickering close to your neck and by your hair, tasting the air around you as you muster all your strength to not scream. He inhales deeply, pleased, before he murmurs, "Sweet mouse. You are mine. Say it."

You don't understand, but you echo his command, and when he taps your chin once in what might have been a loving gesture, you force your jelly legs to solidify before you run and run, all the way back to base. You slam the door to your room behind you. You touch your ribs, your arms, still caught in the heavy sensation of his loops as if he were upon you right now.

The stories are true—there is a giant snake in this jungle, and he wants you. You're afraid to discover if Eclipse's intrigue with you is only an exotic way to satisfy his hunger.

[poorly-drawn-mdzs]

There's nothing he can't do. Yet.

(Thank you to everyone who participated in the poll!)