#calling it peace

[captainjonnitkessler]

Sometimes I wish we would start calling out the performative radicalism on this site for the poser bullshit it is. "Remember, it's always morally correct to kill a cop!" "Don't forget to firebomb your local government office!" "Wow, it sure would be a shame if these instructions on how to make a molotov cocktail got spread around!"

Okay. But you're not killing cops or firebombing government offices. You are posting on a dying microblogging website to a carefully-curated echo chamber that has radicalized itself into thinking that taking the absolute most extreme position on any subject is praxis but that anyone discussing the most practical way to effect actual change is your sworn enemy. You do not have the street cred OR the activist cred to be talking about killing cops, babe.

[srfiv]

did days always disappear so easily, chasing you down to the bottom?

[ryllen]

dilemma in zigvolt household today

[poorly-drawn-mdzs]

Horse Meshi. Delicious, in Horse.

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[hunrising]

all this blood is on the hands of everyone who decided to ‘stand with israel’ this week, knowingly or unknowingly, every single one of them

[toxooz]

i love a man who is the living embodiment of mnt Everest

[fernsnailz]

long overdue sona update/redesign

[light-cornflower-blue]

When you just want to eat your cookies but the boy who calls you an investment needs you to get a job done.

[remindertoclick]

This is your reminder to Click for Palestine today!

And donate directly to UNRWA you have the means!

[lividbrunette]

I am so sick and tired of seeing all these “I know biden is bad, I know biden has done some bad things but vote for biden because trump will destroy our democracy” posts bc a) clearly our democracy is a sham and b) STOP DEFENDING BIDEN, STOP DOWNPLAYING WHAT HE HAS DONE! you do not need to, nor should you, defend biden to any degree. you can say that we cannot let trump win without that other bullshit. biden is pure evil, he is scum. and part of what makes him so horrendous and disturbing is the charade he puts on like he’s the good guy and trump is the evil, the bad to his good. quite literally the only thing that he has going for him is that his opponent is somehow even worse than him. that his opponent has no pretense of even trying to act like he doesn’t want to fully be a dictator. stop fucking defending biden. stop fucking downplaying all the horrendous, despicable, evil things he has done and is continuing to do. he is fully funding and supporting and enabling a genocide. it helps no one.

and if/when biden loses, he only has himself to blame.

ideally we would all rally behind a third party candidate and the electoral college wouldn’t exist. ideally these wouldn’t be our “choices”. idfk what to do because trump cannot win but how can any of us in good conscience vote for biden’s evil, fascistic, decrepit ass ??

what makes biden so different from or better than trump? nothing!!

- he is unconditionally supporting netanyahu and his genocide of Palestinians

- democrats have done nothing to protect nor help us as roe v. wade was overturned, we still have student loan debt, the cost of living is unaffordable and the minimum wage remains unchanged, biden has increased police presence and funding for police (more so than in 2020, despite the eruption of BLM protests and the murder of George Floyd and his promise to George Floyd’s family that he wouldn’t let his murder become just another number, another hashtag), and so. much. more.

- biden is building off of trump’s policies - specifically and most recently, biden has just announced an executive order to deny asylum requests. the increase in police funding and the further militarization of police was also built off of trump’s policies

the u.s. is an evil sham of a country.

as ethel cain said …

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[bitwein]

I WANT TO FLY INTO YOUR HEART!

[dead-girl-tells-stories]

DP x DC prompt:

Daniel was seething. It's been a year since he left the league and they've already found him. Well, it was his mother who found him. Not that that was any better but at least it wasn't Grandfather.

It also shouldn't have taken him so long to dispose of those soldiers. They weren't even that capable. Far below his level and yet he struggled. He needed to resume his training soon or else he would become rusty.

He cursed himself for getting too comfortable with civilian life. Not that his life was comfortable, far from actually.

He had been adopted by a pair of mad scientist with no concept of lab safety; and for all the intelligence they had, they couldn't fathom how to properly take care of a child, leaving their daughter to take care of herself and now her newly adopted sibling!

He sighed. He was starting to get angry. He couldn't afford to get angry. Especially not at Jazz. She was only two years older than him and was doing her best. She's also the only good thing in his life right now meaning that he had to cherish her, not break her. (He wouldn't be like his brother)

His mind stayed on Jazz for a while before immediately increasing his speed. He really needed to resume his training. How could he be so slack to forget such a possibility! Daniel desperately hoped that his sister Jazz was okay and that they wouldn't dare.

Entering through his bedroom window he rushed straight to Jazz's bedroom. It was open. She wasn't there.

Daniel started to panic when he heard a muffed scream coming from downstairs. Adrenaline coursed through his veins as he rushed down the stairs and into the kitchen.

In all honesty Daniel expected the worse. To see his sister Jazz dead on the floor, thick red gushing from her neck, the scent of blood in the air. And there was blood, it just wasn't her's.

Daniel always prided himself on having a vivid imagination. It was a great way to escape after an especially hard training session with his brother. But he would have never imagined this.

In the small, laughably suburban kitchen of the Fenton household was a sight to behold. In the air were two mangled bodies, unidentifiable if not for the league's emblem still visible on one of them. And on the wall was a splatter, a rather big one. It wasn't blood. It was too dark to be. But whatever it was was very unlucky.

In the center of the kitchen was Jazz. Her arms were outstretched, burning sigils rotating at the end of each palm. Her eyes glowed a bright icy blue.

Upon noticing him everything stopped. She looked fearful. Tears threatening to come forth.

"Wait I can explain, just don't tell mom or dad! Please!"

Daniel, still a bit shocked but not as much, simply walked into the kitchen towards the cupboard. Taking out a clean towel he unsheathed he sword and began to clean it.

He looked over his shoulder towards Jazz. She didn't look as scared but her eyes still held some fear. So he spoke, making sure the still bloody sword was in veiw.

"I won't tell if you don't." He flashed a grin his tiny fangs peaking out.

Jazz sighed as in the weight of the world was lifted off of her. She looked at him and smiled.

"Mom and Dad aren't going to be back for a while. Wanna help me clean up?"

[postnuclearwar]

i do love the juxaposition of hades 1 having zagreus seeking meaning and purpose versus hades 2 where melinoe has essentially been groomed for one specific purpose only

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.