#can you tell i like this movie

[ghostpebble]

TELL ME WHY I ONLY JUST REALIZED THE PARALLEL IN BH6 WHERE HIRO LOOKS AT HIS OWN REFLECTION. ITS GLORIOUS

In this scene, when Hiro and Tadashi are midair, Hiro looks at his reflection. On a base level, he's experiencing the joy of weightlessness and catching air time on a red vehicle. But, he's also excited and still in the mindset that this is one of the most exciting thing he's ever done. He hasn't developed resolve as a character, and hasn't found anything concrete in his life. This moment where he whoops just from the air time shows his innocence.

And then, after Tadashi's death and the formation of Big Hero 6, he finds himself here again: experiencing the same joy of flying and weightlessness (and he's riding a red vehicle, LOL). It's different, though, because now he's grown. He's not relying on Tadashi, he's relying on himself. He's grown as not just a character, but a teenager who's understanding how life doesn't always go the way that you plan. He's still excited, but it's more internal here, because he's gained more deep thoughts and feelings from the experiences he's gained from his friends, Callaghan, and the loss of his brother.

It's such a great parallel that's so easy to miss. It's not long, not thrown in your face quite so much, but it's just a moment almost for Hiro himself, not the audience. It's just a moment for him to see how far he's come and for him to be proud of it.

[justacasualidiot]

AAAAAAAA I JUST WATCHED SUZUME AND IT WAS SO GOOD IT MADE ME CRY SO MUCH AND IT WAS SO BEAUTIFUL I LOVED THE STORY AND HOW IT FELT LIKE A MYTH OR LEGEND AND IT WAS SO AMAZING I LOVED IT SO MUCH LIKE ACTUALLY THAT WAS SO AMAZING AND THE SOUNDTRACK WAS REALLY GOOD TOO JUST AAAAAAAAAAAAAAAA (ugly crying rn)

(shhhh in this household we pretend Souta is only like 18 or 19 instead of 21 bc that age gap is a little… like yeah it’s four years but she’s 17. not yet an adult. I’m just going to remain in my fantasy world where Souta is actually 18 or 19 so it’s less… yeah. let me be delusional.)

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[chloesimaginationthings]

The moment FNAF movie Vanessa knew she fucked up

[hellspawnmotel]

intimacy between an evil spiteful building-sized supercomputer and the lone scientist left behind after everyone else ditched and forgot about her (in which computer wants to kill scientist really bad but her programming wont let her so she just attempts to make her as miserable as possible instead, which also doesn't work because scientist is a freak)

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[knifearo]

this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[hannaxjo]

Alan Rickman, David Thewlis, Gary Oldman and all those are iconic in their roles in Harry Potter, but I’ll always be a bit sad about that casting, because having that ‘Marauders era’ cast be age appropriate would’ve just been so much better for the story.

Sirius wasn’t this old man who spent 12 years in Azkaban, no he got locked up at 21. He spent almost third of his life in a cell. He wasn’t this wise father figure to Harry, he was a reckless thirty-something who never really got the chance to mature past 21.

Remus was an exhausted, bone deep tired man carrying both physical and mental scars from the suffering he went through. Because he’s a werewolf, because of the war, because he lost all of his friends. And he’s only 33 when first introduced.

And Snape. Snape wasn’t an old bitter man who just hated everyone and enjoyed being antagonistic. He was 31 in Harry’s first year. He began to work for Voldemort as a teen, and as a double agent at 20. He’s a thirty-something bitter man, who never got to really live or make real connections. From Harry’s perspective he’s scary and intimidating, but really he’s just kinda…sad and pathetic. And then especially that scene where Snape is begging Dumbledore to help save Lily, and promising anything in return. (Because apparently Dumbledore needs something in return…for saving people.) He’s twenty. Barely out of his teens. Rickman was good in that scene, but having someone who actually looks twenty, would better show how scared, young, guilty and just desperate he was. That might not put Dumbledore in such a good light, though.

And then, the characters I think would’ve been the most important to cast age appropriately. And most people probably already agree and know who I’m talking about. James and Lily. They were 21 when they died. When Harry sees them in the mirror of Erised, they’re 10 years older than him. That’s the age difference Ron has with Bill. In that scene I might understand somewhat them being in their thirties, because that’s what Harry wants. He wants his life with his parents, he wants to have been raised by them. Though, I don’t know if the mirror could know what they might’ve looked like in their thirties, since they didn’t live that long. But then, in the cemetery when Voldemort’s wand spits the last spells cast, we see Lily and James as they were. 21. They’re telling their son to hold on just a moment longer. And they are 7 years older than him. In Deathly Hallows, Harry sees Voldemort kill them. They’re not this happy couple who’s got to love each other for a long time, only to have that happiness torn from them, no they started at Hogwarts ten years ago. They’re 21, and they’ve barely tasted that happiness. At the end of the book Harry talks to his parents. They comfort him and promise to stay with him, as he goes to die. Harry’s seventeen. James and Lily are four years older than him.

It wouldn’t have felt as nice. Harry being comforted by someone who looks almost his age. But it wasn’t nice. It was pretty tragic. Casting people who look 21, would’ve really made it land on the audience. It was a tragedy. They were barely adults.

[slymanner]

God dude these two scenes and how roxie moves hurt my heart so so bad 🥹

it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.

it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.

roxie baby ur gonna be okay u deserve better :[

[buckleydiazmp4]

the reason poolverine is so appealing is also because in all of his two-decade run in the xmcu they have given logan some of the most boring and rushed relationships with women (because it was the 2000s and the mold that they followed for rugged manly protagonists meant an astounding lack of chemistry between them and their love interests in favor of giving them the "dead wife who has a montage at the beginning of the movie" treatment etc etc) and then they put him on a 2 hour long film with a guy even more insane and fucked up than him and they matched each other beat for beat. say what you want about the mcu but they achieved a level of chemistry between logan and wade that fox couldn't reach in 20 years with like four different love interests. which is also a petition for them to either go the gay route or finally let logan find a woman he has good chemistry with and who can pass the bechdel test

[bertoyana]

erik thinking about charles the same way he thinks about magda in x-men apocalypse (2016)

[luxtoony]

Post movie hugs! 🙃 Part 2

You know that feeling you got like two months ago, where you craved hugs for all the possible combinations of the babies so you draw portal duo and suddenly everything gests angsty and oh God are those tears in my eyes?!

No text bubbles under the cut

[steviesbicrisis]

Steve’s best relationship wasn’t even a relationship. He could barely call it a fling, a flirt. They never even went on a date. They never kissed.

Steve still thinks of it as the best whatever-it-is he has ever had with someone.

At the beginning it was mostly infuriating, how quickly Eddie managed to win the kids over, compared to Steve’s months of work as babysitter/nailbat swinger/monster fighter. Steve had to literally bleed multiple times to get an ounce of respect, Eddie only had to run a nerdy club about fictional bleeding and monster-fighting.

Then somehow, and Steve still has trouble pinpointing when and how it happened, everything changed.

Taking the kids back home from hellfire became something he impatiently waited for.

He and Eddie would barely talk for a few minutes and he would find himself replaying the conversation in his head for days. Anything he could say to get a reaction out of Eddie became fundamental, and if he started by picking subjects to piss him off, he ended learning about Eddie’s favorites, because few minutes after hellfire were never enough and Steve needed Eddie to talk as much as possible, until the kids were begging to drop it and go home.

Steve never questioned the change, most likely out of fear. He doesn’t think he ever was clueless, just really scared about what would potentially mean to be staring at another dude’s eyelashes as he goes on a rant about why Ozzy Osbourne is the best artist of his generation. Or blush whenever said dude would call him “baby”, or “sweetheart”.

Steve convinced himself that the thing he and Eddie were having was as good as it was going to get, nothing more.

Then Chrissy Cunningham died, Eddie ran, and Steve realized that the thing will never be enough for him.

He couldn’t not have Eddie. Not watch him as he entertains a bunch of freshmen, as he stomps with his worn out sneakers on top of forniture, as he puts his terrible music on to push away anyone who doesn’t care enough about him to stay.

Steve needed to see Eddie being alive, doing what his heart desires, and he needed to be next to him when he does.

Obviously, this realization came at the worst possible time.

Steve tried to tell him so many times: when they found him at the boathouse, when he was hiding at refer Rick’s house, when they were taking a stroll in the upside down, and even when they were driving a stolen trailer to a gunshop.

But, it seemed, Eddie had come to a realization just as important and he tried his best to avoid Steve at every given chance.

Steve tried to initiate the conversation as Eddie did his best to run away from it. And he ran until Steve had no chances left to tell him how he actually felt.

———

Steve doesn’t know if he’s allowed to say he lost something he never had. To mourn a relationship he never began. A partner that, technically, never became a partner.

After Eddie dies, Steve has no one to be next to but he can’t say he ever did.

Steve just exists waiting. He can’t tell if he’s waiting for the pain to go away or for Eddie to jump out of a bush and yell “ah! I got you sucker!! By the way, I’m in love with you too.”

For obvious reasons, that never happens.

What does happen, is a call.

It’s a normal Tuesday, as normal as you could define it after Hawkins almost collapsed into the upside down. Steve got into a routine, between checking on the ones at the hospital, helping out at the shelter, allowing Robin to check on him to see if he’s still alive.

The call happens while Robin is doing her kitchen check up - aka making sure he has food and that he’s eating it-, so she picks the phone like she did a million times before.

“Harrington residence, this is Robin” she says, cheerfully.

Steve doesn’t pay much attention to it as he’s folding his dad’s old clothes that intends to donate to the shelter, until he hears Robin’s loud gasp.

“What is it? Is it the hospital? Is it Max?” He rushes to the other room where Robin is.

She doesn’t answer but she gives him a look as she passes him the receiver.

Steve goes quiet, a million thoughts going through his head as he takes the phone from Robin.

He’s still unprepared when he hears that unmistakable voice “Baby”.

Steve gasps for breath “Eddie?”

Is that really you? What happened? Are you hurt? Isn’t this impossible? Is what goes on in Steve’s head, but he ends up just asking “are you okay?”

He can hear a chuckle, Eddie’s wicked chuckle, a further confirmation that it is him, “I’m- hanging in there… are you okay?”

Steve finds the question absurd. He isn’t the one who got left in the upside down, the one that got eaten by demonic bats, the one who died before Steve had the chance to tell him how he felt.

He answers truthfully nonetheless, “I’m… I’m not okay.”

“I’ll be there soon, I promise.”

“Please Eddie, come quick.”

“I’ll break the sound barrier for you.”

[chloesimaginationthings]

Those were Vanessa's friends too in the FNAF movie

[mynameis-veryfuckingconfused]

Happy Passenger Release Day Anniversary !!!