so many tips for budgeting/being frugal are just twice as hard when you have a disability
"meal plan!" idk if i'll be feeling well enough to cook every day so it's hard to plan for what to eat
"cook in advance!" i can't cook meals for a whole week at once and plus i can't count on that because again idk if ill feel okay to cook at the same time every week
"use cloth napkins and towels!" those need to be washed and folded, i already have trouble doing my laundry
"delivery is expensive, always shop in person!" going to the grocery store can wipe me out for the day.
"base your food shopping on whats on sale that week!" one, allergies are a thing and some people don't have that luxury, two, that's a lot that you have to prep for and that takes energy.
"DIY!" takes time and energy. maybe i could do it by myself but would it be worth all the time i need to take to recover?
i mean none of these are bad ideas or trying to exclude people. most of it is cutting out conveniences. but for disabled people, something that's a convenience for someone can be a necessity to others
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if you are someone who struggles with motivating yourself to attend to your chores, take care of yourself, or feel drained by the thought of hoarding so much responsibilities, i want to share a tip.
if you happen to be standing for some reason, try to complete all tasks that you usually do up standing. so for me, once i am on my feet, i do a sequence of activities like brushing my teeth, washing my face, ironing my clothes, brushing my hair, organizing my stuff for college, making my bed etc. without taking any break and i am able stack around 5 tasks comfortably. also, once the momentum is built, it gets easier!
similarly, if i am at my desk, sitting, i usually have my laptop there and always some work that needs to get done for college, admin or miscellaneous purposes. i try to do as much as i can.
this is particularly helpful for me because i am a big bedrot. especially when i am in pain or uncomfortable in general.
i just thought maybe it will help someone out there. this same hack might go in vain for me in a few weeks lol and i am just always figuring it out to push myself to be a functioning adult.
anyways, i hope u r taking care ♡
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Very much love your take on the new looks for Orym and Ashton! I saw a bit of your post about how Liam and Tal give feedback... would you be willing to share any information about how the back-and-forth process works between you and the actors as you work on their stuff? (I just love hearing HOW the awesome happens, not just the end results.)
Yeah okay. Lemme think, here. Alright let's so this as a numbered list-
1- Actor sends description of character. This is pretty broadly interpreted, in my experience. It's something between a brief paragraph, an annotated pdf, and multiple pinterest boards.
2- I send back a Pitch. This has taken multiple forms in the past, but it's generally settled into a few pages, that kinda go-
a- Poses and Vibe Sketches- This includes little portraits, attitude poses, a couple sketches showing extreme dynamism or movement. I try to suggest outfits and weapons or accessories, here, but I don't spend a lot of time fleshing it out.
b- Outfit Poses- usually on a turnaround or one fairly lowkey pose. I try to include 3 or 4 serious attempts at outfits and maybe a couple of backs, if it's important.
c- Color- I usually just pick an outfit at random and try to give it a few different palettes. If the actor is absolutely sure what the palette is, or if it's a character I've worked with before, I might just make one palette and briefly color each of the outfit sketches from b in that palette
d- Accessories, Weapons, Other Important Stuff- if the character is carrying around like a book or a bird or a really specific weapon, I try to address that in its own space, though sketches for all of those things may exist on other pages. This has been known to be very pretty or a bit boring.
3- There is some form of back and forth between me and the actors (and a producer, who are all lovely and don't step in on creative things but are always working against a schedule and need to know how things are going. I just want to be clear that every producer at CR is a secret angel who eats deadlines and shits magic and every one of them totally Gets It. They are all One Of Us). The back and forth is always individual and based on the actor but it can be-
a- Actor picks from menu, usually via complex "circling" system (also all sketches are numbered, so they can just ref numbers).
b- Actor sort of picks from menu, while moderating and adding further references.
c- Actor just sends a bunch more shit and I narrow stuff down based upon what they seem to be getting at.
4- There's this bit of finding what the pose is gonna be, marking in all the necessary accessories, getting that last email about adding a scar, can we add a necklace? etc. What you are left with is something that the Producers call "pre-final." If it hasn't already been with the modelers and painters this whole time, this is when the modelers and painters get the design and start their magic.
5- I go away into a cave for a time period of quiet reflection with my Gods. I refer to this period as "rendering." I cannot be reached by the reason of man and spend a lot of time bitching to my friends while I try to figure out why shading a cape is suddenly the most difficult thing I've ever dealt with in my life.
6- Done!
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Things I wanna do today and tomorrow.
Go to the supermarket
Load of washing
Clean kitchen
Bake a cake
Apply for a job
Figure out how to get a broker
Write a chapter of my story
See my aunt for dinner
I am struggling to get moving, so we're doing tumblr chore list!
Optional extras are
Make a lasagne
Clean my room
Clear the floor in my study
Buy planter boxes and dirt for the balcony
Practice driving my friend's car
Apply for a second job
Actually engage a broker
Some of these are okay to push further back into the week, but a lot do need to be done before I'm back at work on Thursday. Like the washing and the supermarket trip need doing no matter what
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You know looking back, the pornstache on Haru was so traumatizing that I don't even remember anything he said or did after the Invasion. My brain low-key repressing the trauma😔
I choose to believe that his moustache was a blight to the animation team and they refused to draw him, that’s why we barely see him after DoBS 😭
actually, in the same way that I love the Zutara headcanon that Zuko helps Katara with chores after joining the Gaang, I headcanon that Haru does all the babysitting at the Western Air Temple. When they arrive, he runs off with Teo and The Duke, and I choose to interpret it as his way of trying to be helpful by keeping them out of the way. Katara and Haru also must have had a moment of “both our dads are in prison, that sucks.” It would be wildly out of character if they didn’t. (I also like the Zutara trope that Zuko is super jealous of Haru because he has great hair and Katara didn’t threaten to kill him.)
Idk what this says about me or the show, but my Katara harem fantasy is just boys doing chores for her lmao
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If it's not too much work, could you share what your outlining process is like? I always feel a little lost when I try outlining my fics and I know the process is different for everyone but I feel like it would help to know what others do. Every time I try to google help I get processes for original novel writing, and it doesn't feel as applicable to writing a short fanfic.
I would love to :3
There are actually a few different ways I outline, and sometimes it depends on the length of the fic and how complex the plot is.
I'll use one of my saved radiostatic prompts as an example (it also gives me an excuse to sit down and actually outline it hehe)
So, sometimes just the prompt itself is a good enough outline for me (this is dependent on how long I think the fic is going to be. If it's short, sometimes the prompt itself works and I don't need to go in-depth. I say "prompt" but that also can mean a specific scene in your head that you want to write, or a concept, or even a piece of fan-art that inspired you).
Here's the paragraph prompt I wrote for this radiostatic one-shot/short fic (spoilers, I guess):
So sometimes, just this is enough for me to start writing the fic (my prompts do tend to get a little big because I like to add a lot of detail - about the scene or concept that grabbed my attention - so that I capture all the vibes and emotions that I want to incorporate.
But sometimes, it helps to go more in-depth so I'm not overwhelmed trying to get to the part of the fic that I want to write (NOTE: It is totally fine if you write out the scene/parts that you want to write the most, even if it's in the middle or the end. You can always fill in the blanks after. Or you can just post the scene you wanted to write without adding more. It's up to you).
I like to figure out what scenes happen that lead up to the parts I want to write, so sometimes, I'll make a bullet-point list of chronological scenes, plot-points, and details. For example:
And etc... you continue on until you've hashed out the sequence of events that take place in the story. This doesn't have to be super detailed (it can be really brief and to the point) and doesn't it have to be super clinical either. Just have fun and write down whatever silly thoughts you have in your head.
You bullet-point list can be as simple as:
Alastor goes downstairs to do exercise.
Vox shows up to do the exercise as well (invited by Charlie)
They get into an argument about modern technology.
Vox leaves.
It's really just about putting down the sequence of events starting from the very beginning to the very end. You can keep it simple like the above example
OR
You can make it even more detailed by doing an in-depth summary of the fic, scene by scene, plot point by plot point, until you get to the end (this is what I usually do because it gets everything planned out and on the page, down to the smallest details). For example:
And then it goes on like this until I've outlined the entire fic. You can be silly with this. Just have fun. Let yourself ramble and get all you're ideas out. Don't try to stick to a rigid plan, let the story flow naturally.
Then, once I've finished my outline, I use it as a guide as I write the rough draft. The thing about outlines is that you don't have to follow exactly what you planned. It's okay to diverge or adds things or cut things out. It really is just a loose guide to help you through the events of the story and get your thoughts on paper.
Additionally: You don't even have to fully finish the outline if you don't want to. Sometimes you get half of it done before you want to start writing, and that's fine. The rest of the story will reveal itself as you go.
If I'm doing a multi-chaptered fic, sometimes I'll break the overall idea of the story into pre-determined chapters and summarize it section by section. Or, I'll just be a maniac and summarize the entire fic in one big, super long, super detailed block of text. Another staticradio fic I'm currently outlining is 16,152 words long and I'm not even close to being done. I expected this fic to get super long and complex, so writing it out in a very chronological and detailed manner helps it feel less daunting. AND now I have every plot point, twist, emotional scene, and bit foreshadowing planned out and already placed where I want it to show up in the fic. It's great. It makes me life easier when I actually buckle down and write the rough draft.
Just as a final note, I want to say that everyone's process is different. This is how I outline, but I know it won't work for everyone. It's all about finding what method works for you.
I'll say that one of the most important to do while outlining is simply having fun with it. Make it your hype list. Make every scene you jot down a scene you're excited to write. Make yourself want to write it so it doesn't feel like a chore to slog through.
Best advice I've ever recieved: If you're bored writing a scene, the audience will be bored reading it.
Have fun and write the story you wanna write 👉👉
Hope this helped!
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