#consider this: they do not want to do it

[certified-anakinfucker]

boundaries, folks :]

let’s learn to respect those :]

(you’ll feel way better, i promise :] !!!)

[castielfucks]

theres actually no rules to transitioning and youre allowed to want contradictory things for your transition. it's fine if you only want some of the changes that come with hrt and take preventative measures for the rest (like wanting bottom growth but not body hair or vice versa). you can want to have vagina AND a dick. you can be a woman and want top surgery, or wear a packer. you can be a man and want to have a pussy. you can change your transition goals one or a million times or not have any goals at all and just take things as they come or as they feel right.

there are no rules.

[idliketobeatree]

i'll give you a boop, anywhere you wanna go.

[yuwigqi]

HC an actual real forensic psychologist interviews Joker, and realizes he does not meet the legal requirements for being mentally unfit to stand trial (TRUE), and the jury finds he does not meet the requirements for criminal insanity (TRUE) and he is sentenced to death and just like actually successfully executed by Belle Reve Penitentiary.

Batman's official statement "I do not kill. However, I do not give formal statements in political issues, such as the death penalty. If Joker escapes, I will send him back to Belle Reve, regardless of whatever sentencing he receives. I am a Vanguard. I am not a New Jersey Apex Court Justice. Sentencing is outside my jurisdiction or personal interests. Thank you."

Orphan's statement is "I believe wholeheartedly in the sanctity of life. However, I am not opposed to euthanasia."

Red Hood gets hired as a literal Seasonal Summer Worker for Belle Reve, and stands guard.

Barbara Gordon gets hired as Belle Reve Archivist.

Duke Thomas speaks publicly about the Justice System's constant ignorance of the realities of Mental Illness, and the pathologization of acts of violence as mental illness, as well as how white men are frequently given passes for violence by the justice system.

The Joker is executed on April 1st. He is cremated, and his ashes are used in compost alongside goat and pig manure.

Dr. Harleen Quinzel is tried as well, and actually found criminally insane, and after 1 year in psychiatric hospital, and triweekly therapy, she has shown proof of improvement and rehabilitation, 2 years after that, her licensure is reinstated. Instead of going into patient practice, she does psychiatric research, and publishes several papers on the interactions of PTSD and psychotic disorders, as well as developing counseling treatments for domestic abuse and cult survivors.

"Jokes on You Day" becomes a national holiday.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[fonulyn]

since I've seen it talked about in several places recently:

if you are going to do a whump- or kink- or ANY-tober or other similar challenges please please please don't post them as one fic with 31 chapters unless it actually is one coherent fic. if they're 31 completely separate fics or ficlets then please just make a collection for them or just post them as separate fics. it doesn't matter if they're only 100 words or if you think they're too small or insignificant to post alone, they're not.

and why this?

because if you post all 31 of them in one fic the tagging is absolutely useless. if I look for things to read on ao3 I'm gonna look at the tags, and if the tags include something that's a dealbreaker for me, i won't even click on the fic. I might not even SEE the fic because I've filtered out the nope-tag! so I'm gonna lose out on reading 30 perfectly nice fics because of one fic that my nope-tag applied to.

ao3 is about archiving. it's about clear tagging and being informative. there is nothing informative about it if the tags in the fic apply to random chapters while others have nothing to do with it. it makes so much more sense to have each work as an individual fic with its own individual tags and warnings, so readers can make informed choices.

of course, you do you. I can't police what other people decide to do. but personally, I find it incredibly frustrating to weed through 31 chapters to find the ones I actually want to read. so I don't. I automatically scroll past all works posted like that. and I know some others do, too.

there is absolutely no shame in posting short things on ao3. there is no minimum word count. no one is going to look at you funny if you post a small ficlet on its own, I promise. it's just going to make some readers very happy when they can actually find the things they want to read.

so, please. at least consider the upsides of posting each work as their own fic.

signed, one very frustrated fandom grandma.

[egophiliac]

figured I'd do Azul for his birthday(ish), and did the twins too while I was at it!

Azul gets Octillery and Tentacruel, Jade has Gorebyss, and Floyd has Huntail. all pretty obvious choices, but sometimes it is just obvious!

[lesbiandardevil]

story in two parts but im posting them again together cause its funnier

my commissions are open btw hii

[carnivalcarriondiscarded]

a couple scribbles i cleaned up. also i think i like drawing him in varying states of distress

[aulerean]

gem's angler fish? pretty cool.

[valiantvillain]

You can't convince me Gale wasn't totally advertising himself as marriage material throughout the entirety of his romance. He's got a tower. It's got a great kitchen and a wine cellar. He can cook. He'll formally introduce you to Tara over a nice dinner. His mother will love you. And after so many years of the bar being in the pits of hell for irl men I fell for that shit hook, line, and sinker. Feel his shirt that smells like a library. It's husband material.

[starry-bi-sky]

There are two things that Damian knows that he knows Father doesn’t.

He has an older brother

He was dead

(And a secret third thing: Damian was glad he was dead. They did not get along.)

Well. No, correction, they were two things that Damian knew that Father didn't. Past tense. Strange magic swirled through the air and created a mirage before his eyes, and immediately a scowl forms across his face.

The mirage shifts and shimmers like the light hitting a slowly turning prism, and then it settles into a memory. One that Damian does not recall. Like looking into a tv screen, it shows, faintly, a room, with most of the magic going into the image of a crib.

His mother was standing on one side, and next to her, standing on his tiptoes was a small five year old boy looking up at her. With dark hair and skin that was only few shades lighter brown than Damian's, the little boy's resemblance to Damian was undeniable.

However, his eyes were blue. Not green. Damian's scowl deepens, and he sinks back. "Danyal." He mutters, and feels eyes turn on to him.

Danyal Al Ghul. Damian's older brother. A prodigal swordsman like Damian, and five years his senior. He'd be fifteen if he was still alive. His memory of the last time he saw his brother was still clear in his mind.

(A sword to Danyal's neck. Stars were glittering through his window. Damian was five, Danyal ten. He is not sure why Danyal had snuck into his room, all he remembers is hearing a sound and on instinct reaching for his sword.)

(His brother had intercepted easily. But had not shoved the sword away. Moonlight hit his blue eyes, and Damian remembers seeing the pupils shrink to let the light in. His eyes looked almost silver.)

(His brother bares his teeth at him. Damian wants to slice his neck more than anything, and he bares his teeth back. "Good." Danyal says, his voice low in a hiss, "Your reflexes are good, little brother.")

("Of course they are," Damian remembers snarling, and presses the sword closer. But it does not budge. "I am an Al Ghul.")

(Something unrecognizable passes through his brother's eyes, and his mouth twists into something like a smile. "I know." He says, and tilts his head downwards at him. "And you will be great.")

(His brother shoves the sword back, causing Damian to stumble. And like the wind, he is gone.)

(The next morning, he goes on a mission with mother and a few others. Mother is the only one to return with Danyal's sword, and a red-eyed look in her eyes. Damian does not mourn. Now there's only one of them.)

"Momma." The little Danyal-mirage speaks, a furrow between his childlike brows as mother lowers a bundle into the crib. His blue eyes watch her, and lifts onto his toes to peer into the crib as she sets the baby down. "Who is this?"

Their mother's hand comes to rest along his back. "This is Damian, my son." She murmurs, voice low. "He is your little brother. Protect him well."

Damian scoffs internally -- not likely. He remembers every spar he ever had with Danyal, every harsh word and insult. His pushing, pushing, pushing for Damian to get up. To try again. Do it again. The only kindness he ever showed him was when his fingers bled. And even that was harsh, firm. Rolling gauze around his wrist and scolding him, telling him how to wield his weapon better.

(It was the same as everyone else, but somehow it hurt worse coming from his own brother.)

But he watches his older brother's youngest self tilt his head to the side, and then reach his chubby hand through the crib's bars. He runs small, blunt fingers over the baby's arm, and the baby jerks. Through the crib's bars, Damian sees himself grab Danyal's fingers.

And he scowls even deeper.

And Danyal's eyes... widen. He lets out a little gasp, and a small smile Damian's never seen him wear tilts at the corner of his mouth as he looks up at their mother. "Mother," he whispers, "he grabbed me!"

Damian... his scowl falters, for a moment.

He doesn't wait for a response, he looks back to the baby with sparking eyes. His expression melts like sugar as he bounces the finger being gripped tight by the small hand. "Hello, little brother." His brother says, voice its of usual firmness, but there's more fondness underlying it than Damian's ever heard. "My name is Danyal."

The mirage shifts before Damian can comprehend his older brother's voice. It shows the crib again, appearing as if a few days had passed. There is night lilting through the nearby window, and a creek of the door. The baby doesn't stir.

Danyal sneaks in, still wearing his training clothes and a sword strapped to his side. Damian's scowl returns, watching him creep over to the crib. Of course -- the last night he saw his brother wasn't the only time he'd snuck into his room.

Would he go so low as to attack an infant? Damian wonders, watching his brother cross the room to his crib. But while his fingers rest against the hilt, they never curl to unsheathe.

His brother peers into the crib again, and there it is again, that smile wider in the corner of his mouth. It's not a full one, but its as uninhibited as it gets. Dripping honey-sweet with awe. "You are so tiny." Danyal whispers, and pokes a finger back through the crib. It wriggles, then pokes Damian's cheek gently. "Was I as small as you when mother gave birth to me?"

There is no response from the baby. Not a coherent one anyways, the little thing snuffles and turns his head, mouth open to latch. Danyal stills, his eyes grow ever wider again.

Danyal says nothing else, just rests his cheek against the crib and watches the baby sleep in silence. The affection never leaves his young face.

Damian feels unsettled. Off-foot. This Danyal is foreign to him... He wonders what happened to have changed his brother's mind on him.

There's a scuffle, quiet, but there. Danyal picks up on it just as Damian does, and his head pricks up like a deer, head already turning away from the crib. The affection leaves his face, falling away like water into something serious. His blade is already slightly unsheathed.

Two assassins, belonging to grandfather, burst out of the shadows. Their swords swinging into the air and ready to strike.

Danyal kills them both, his back to the crib. It's not without struggle, and when the two assassins lay dead on the floor, the baby is wailing at the top of his lungs. Danyal has a laceration cleaving down diagonal of his cheek. It's close to his eye, just barely missed blinding him.

Damian never knew how he got that scar. He does now. (He doesn't know how to feel about it.)

His brother clutches his bleeding face, sheathing his sword as tears well up onto his face. But he turns towards the crib, and hurries over. "You're okay, you're okay, you're okay." He hushes rapidly, the League-drilled seriousness fallen away to reveal a panic-stricken five year old. He sticks one hand into the crib, the one not clutching anything, and grabs little Damian's hand.

Their mother comes bursting in that moment, and Danyal turns his head towards her. "Mother." He says, his voice cracks un-wantingly. Their mother steps over the bodies of the assassins easily. "They tried to kill Damian."

"But they did not." Talias says, kneeling down next to the crib to inspect Danyal's face and Damian's well-being. When she finds nothing of concern beyond the injury, she continues. "You killed them before they could, Danyal. Well done."

The mirage of his brother nods, his eyes teary and red.

Damian... is discomfited. he never thought Danyal would kill assassins for him. He would have thought his brother would sooner look the other way. The mirage shifts again, and it quickly shows time passing.

Danyal sits in Damian's nursery every night, after that. He lays at the foot of the crib with his sword, a pillow and a blanket with him. Some nights there is nothing but peace -- or as close to peace as a baby could achieve -- and some days assassins break in.

Danyal kills each one.

The mirage shifts again, and it shows more memories of Danyal interacting with Damian during his youth too young for him to remember. His first steps, his first words.

"Danya." The small toddler of Damian says, arms reaching for Danyal.

A frown curls across Danyal's face, and pulls Damian into his lap. "No, no, little brother." He scolds, voice firm but.. softer. "It is Danyal, Damian. Danyal."

"Danya!"

Damian's brother sighs, but there is that same-small tilt at the corner of his mouth. A glimmer in his eyes. A glimmer... that Damian is finding he recognizes.

(He always thought his brother got that look in his eyes when he was mocking him. Was he wrong?)

The mirage shifts again, and this time it shows only mother and Danyal, alone. Danyal is older, taller. Seven, if Damian had to guess. Mother has a stern look on her face, her hands tight on his shoulders. "Damian will be starting training soon, my son."

Ah, then close to eight then. Training starts, always, at three years old. He watches Danyal nod, his expression mimicking their mother's. His arms are folded, always folded, behind his back, always neat.

"You can no longer have the relationship with your brother as you did before." Mother says.

Danyal's expression... falters. It shifts, it fluctuates. He looks surprised, thrown off. Like he isn't quite sure he heard what mother just said. His brows furrow. "What... do you mean, mother?"

"I mean what I said, Danyal." Mother says, stern, "Ra's will be keeping a closer eye on Damian now that he is of age to begin his training. He will not like if he sees you both getting along."

"I am sorry, my child. But your relationship with Damian ends here. You are rivals now, not brothers." In a cruel form a gentleness, mother raises her hand and tucks a stray curl out of Danyal's face.

Of course. Damian never had a relationship with his brother because of Grandfather. Of course. No, he's not feeling a little bitter. No. There's not an inner child that still, like a candleflame, wishes that he'd had a bond with his only flesh and blood.

Danyal is dead now. So it's not like it matters. He's happy about this.

Danyal frowns, and he steps back. He looks lost in thought. "We are still brothers, mother," he says, argues, and looks up to meet mother's eyes. "Let me train him, I will make sure he gets the skill he needs. If we must be rivals, then I will teach him how to defeat me. If he can defeat me, he can defeat anybody."

Their mother, and Damian, both blink in unison. Then mother smiles something sharp, calculated. She folds her hands behind her back. "Then do it. But you will make him hate you."

"...So be it."

Damian.... Damian is silent. His world axis has been tilted on its head. He is sliding, and sliding, and sliding down. Spinning. Many things click into place at once.

More memories from the mirage show. It shows Danyal training Damian. It shows their arguing, their bickering. It shows Danyal going to their mother to praise Damian and his skills, how fast he is picking up on the sword. How one day he will surpass even him.

It shows Danyal sitting outside Damian's bedroom door every night, listening in for anyone who dares to break in. His knees drawn to his chest, his sword at his side. Sometimes he sneaks in, sword drawn, when he hears a sound.

Some nights, Damian wakes up. He remembers those nights. Danyal standing over his bed with his sword unsheathed and tight at his side. He remembers the instant terror as he immediately reached for his own weapon.

His brother always scolded him for his lack of vigilance. That had he been anyone else, Damian would have had his neck cut. He would've been dead already. It only made Damian's hatred of him grow.

But he understands now. Because there were assassins in the room that Damian, four years old, three, did not notice. Not until later. He always assumed the attacks on him after Danyal's death had been because now there was a new heir to target.

It had been the only lesson he'd been even somewhat grateful for.

Then finally the mirage shimmers, and it shows Danyal, ten years old, in one of the training rooms, mid-spar with Mother. It's fast, sharp, impressive and like a blur. Damian is unsure if at ten which one of them was the better swordsman. Some of the assassins who have never met Danyal said Damian was, but the ones who had said it was Danyal. He'll never know.

In a lull in the fight, when their swords are crossed, mother speaks. "Ra's wants you and Damian to fight." She says, teeth grit into a deep scowl. The cross breaks and Danyal jumps back, he frowns.

"We have fought, mother." He says, and dives in first, swinging for mother's feet. Mother dodges, and slices at his arm. He swerves out of the way, twisting on his feet like a dance. "We are always fighting, doesn't he see our spars?"

"Not a spar like that, my son." Mother says, a snarl in her voice. She lunges, and Danyal blocks her blade. "A fight to the death. Father has grown tired of having two heirs."

That gets Danyal's attention -- or, more accurately, it distracts it. His eyes widen, and his sword lowers for a single moment. A mistake. "What?" Is all he gets out before mother has him on his back, her blade pressed to his throat.

He freezes. As does Damian. Danyal's brows furrow, then unfurrow, only to knot up again. "Mother, what do you mean a fight to the death?" He flips to his feet when mother removes the sword. She walks over to grab her water.

"Must I repeat myself, Danyal?" Mother snaps, rubbing her forehead before swigging from her canteen. "Father wants to find out which one of you is the stronger heir, and so you will fight to the death after your training in a few days."

Danyal's tan face loses a shade of color, he looks ashy. "There must be some mistake!" He exclaims, his arms gesturing out as he peers around mother. "There is a five year disparity between us, Damian has only just started training two years ago. It would be an unfair fight!"

"Do you think me unaware?" Mother whirls on him, and there is a grief-stricken look on her face. Like she is already mourning Damian's death. Damian feels ill. "Your skill is far beyond what Damian can accomplish right now, and there is nothing that I say that can convince Father otherwise."

Danyal wears an expression like he is scrambling for answers. A white knuckle grip on his weapon. There is a long silence, and his lower lip curls up. His throat bobs, he swallows. "Is there really nothing we can do?"

Mother makes a frustrated sound, pushing her loose hairs out of her face. "Not unless Father changes his mind, or I send one of you away. But Father would surely send someone to look for you or Damian."

"What if one of us faked our death?"

Mother stills. As does Damian. No, he thinks, stiff as a rod, no way. These mirages were lying, nothing but figments of an imagination. Of some quiet what-if that Damian had not yet stomped out.

Mother's expression shifts, and then turns contemplative. Danyal notices, and keeps pushing, he looks as hopeful as he could get beyond his usual unwavering, stone-like expression. "One of us could go to father--"

"No." Mother cuts off, voice sharp. Danyal wilts, confusion flittering across his face. Damian, from the corner of his eye, sees Father tense as stone. His white-slit eyes have not left the mirage. Nobody's has.

"Father will undoubtedly check there first, it would not be a good idea. You or Damian will have to go somewhere where he would not think to look. Someone unaffiliated with the League."

Danyal's face falls, shutters, and then closes up again into stone. Mother begins to pace, and Danyal's blue eyes follow her. "So a stranger?" He asks, and there is disgust lilting into his voice.

Mother nods, and she looks just as offput as Danyal.

The mirage of Damian's brother rolls his shoulders back. "Then I will do it, mother." He says, voice unwavering. There is a stubborn note behind it all, one that Damian recognizes. "I will fake my death, and Damian will stay here."

Mother's eyes turn sharp on him, and she stops in her spot. She pivots. "Are you sure?" She asks, eyebrow raising, "There is a chance you will never meet your Father if you leave. Nor will you see I or Damian again, if you do this."

Something like fear flickers across Danyal's face, eyes widening momentarily -- as if that very thought had not crossed his mind. But then it smooths over to sharp determination. He nods. "It would be the same for Damian if it was him instead. I will do it, Mother."

Damian feels ill again. Father has a strong set in his jaw, his teeth grinding.

Mother stares at Danyal, and then her expression softens. And like before, it is grieving. "In a few days time, I and another member of the League will be going on a mission to the American States. I will tell Father that you will accompany me, once there we will dispose of the other member and then orchestrate your death."

The American States. Danyal was here, in the country. He was out there somewhere -- but no this was fake. It had to be. Danyal was dead. A fool who got himself killed on a mission with mother and left the title of Heir to Damian.

Or maybe it had been his plan all along. His and mother's both.

...Was mother ever going to tell him?

The mirage of Danyal nods, sharp. Understanding. There is a gleam in his eyes that is not pride, it is tears. And when Mother leaves the room and leaves him alone, the stone-like expression on his face crumbles and falls.

His brother, ten years old, curls up his lip in an ugly way. It wobbles as the tears in his eyes do, and he brings up his hand to slam it over his mouth. And sinks to his knees, a yell-like sob muffled behind the skin.

His brother, ten years old, looks smaller than Damian remembers him being, and cries.

Damian has never seen Danyal cry. Not once in the mirage of memories, nor in his own.

The memory holds for a minute, and then disappears. And no new one shows up. The magic is gone, and it leaves a silence in its wake. Heavy, staticky, and full of revelations.

So there are two things that Damian knows that his Father now knows too.

He has an older brother

His older brother is alive.

(And a new secret third thing: Damian wasn't sure how to feel about it.)

[treasureplcnet]

anime-only fans please please please consider reading dungeon meshi because once you hit ch76 your life begins anew

[tyxaar]

A compiled list of various severe crimes committed by one Mr Scar of the Good Times, exact counts pending. Cannibalism (Multiple counts) War profiteering Trading of Souls Grave robbing Fraud of multiple varieties Racketeering Arson (Like a lot of it) Unethical experimentation Acts of Terror Spiritual possession Contract killing Sale of human remains Ritual sacrifice Oathbreaking Violation of the real life Geneva Convention Deceptive marketing Kidnapping Desecration of a sacred place Whatever tf Area 77 had going on Insider trading Extortion Patricide Matricide Unsafe building practices Holy war Desecration of corpses Market manipulation Treason Tax evasion Murder (Lots and lots) Large-scale extreme vandalism Mass enviromental destruction Political corruption Identity fraud

[wardingshout]

I'm also having a lot of fun with this game!!

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.