#dang i need to experiment more often

[concert-bflat]

tomorrow isn’t anywhere.

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[coralinnii]

Congrats on 2.7k followers!! You deserve it! :D For the event, may I request Malleus, Azul, Jade and Floyd with a gentle giant S/O? As you can already guess, S/O is super tall (you can change this detail if you’d like, but perhaps they’d even be noticeably taller than Malleus?) and maybe even kind of intimidating because of it, but they’re very friendly, quiet, and gentle. 

Again, congratulations on your achievements!! Keep up the great work you’re doing 🥳

‧₊˚✧ My Statuesque Sweetheart ‧₊˚✧

↳ Tall Gentle Giant/Reader

feat: Malleus ❋ Azul ❋ Jade ❋ Floyd genre: fluff note: no pronouns were used with the reader, I love beluga whales (it’ll make sense in Jade’s ver.),

Sooo…being someone that can’t relate to being tall :I, I went around to ask some of my taller friends to know what’s that like, so this took longer cuz of research. I also got into Genshin to prep for another prompt someone asked me and dang, do I gotta research on that too.

Similar prompt: Tall!reader who loves hugs

2.7K Followers Writing Event 2023

You were certainly a surprise to him. In his long years, rarely does he find people where he doesn’t have to tilt his head down for once.

Despite your height, you were as cute and friendly as a woodland creature, a contrast to Malleus who exudes regal power without much effort. He’s fascinated by you as your stature can command the room yet your energy has a rather soothing effect on him and those around you. 

Man is saying you have zero scary dog energy, and that is adorable to him.

If you’re the affectionate type, congratulations! You’d be one of the few to be able (and allowed) to reach his horns. What started as curiosity soon became a habit as you made it your love language to care and clean Malleus’ iconic features. As a bonus, everytime you are done it’s fun to lay your head gently upon Malleus’, between his horns which catches him off guard no matter how often it happens. 

Having a tall man with money certainly has privileges as you now have access to his personal tailor as well. Was there a pair of pants you really like but it only reached your ankles? Not anymore, let the royal tailor deal with that and add some matching accessories to that. 

However you feel about your height, you are a sublime creature of beauty to Malleus. When he looks up to you smiling at him with the shining moon behind you highlighting your tall outline, he hasn’t seen anyone more otherworldly than you. 

You stand out amongst every human I have encountered. Hm? Ah, I do not refer to your stature but rather… the way you effortlessly capture my attention and ensnare my thoughts with visions of you.

Azul being around an incredibly tall person? What else is new? Azul doesn’t feel all that insecure about his height, before or after meeting you.

Well, you’re definitely the most pleasant person he knows that towers over him, at least. He knows that many, him included, would use your sort of stature as an advantage over others. Instead, he likes your rather sweet nature and way of conduct. 

If you have stretch marks due to your rapid growth spurts, Azul would feel absolutely touched if you trusted him enough to show it. Azul would genuinely praise your resilience to may have been an aching and painful experience to go through. If you let him, he could create a potion to get rid of the marks if it truly makes you insecure, but he finds you beautiful no matter what. 

Watch him flinch and get flustered anytime you wrap your arms around him, smothering him with your taller form. You would laugh to see him so easily out of sorts if you press your weight onto him. He can handle it of course, but the heat of your all-encompassing hugs is vastly different from his time in the cold sea. 

Azul would provide certain things that would suit your needs that others may overlook. Suddenly, you would find blankets that can cover you entirely, or you were gifted a coat that is actually a long coat that doesn’t awkwardly cut off at a weird length on you. Mirrors in Azul’s private room are always suspiciously up to your eye-level whenever you visit. 

He’s happy to know that you see him as someone reliable regardless of that. He has an interesting way of showing his appreciation

Do you like the new decor of the Mostro Lounge? The new additions are quite beautiful and eye-catching. The tall but dazzling designs were inspired by you, after all.

Oh my. What a sight to behold, you are. 

Jade doesn’t seem like the type to brag about his advantageous height, but he is aware that not many can reach his stature and even fewer actually pass him in that regard. 

He still treats you as courteously as he always does, even more so as the two of you start to grow closer. 

A nice bonus about having a tall boyfriend is that most of the things in his room are perfect for you! Beds you can fully stretch out in, actual full-length mirrors that don’t make you bend down, and furniture that doesn’t require you to squish yourself into. Jade’s (and Floyd’s) has become one of your favorite places to visit.

He does find it amusing that some people may find you intimidating because of your height as he knows that you were far from any definition of that word. Jade would chuckle to himself whenever he sees you getting happy or excited, like watching a playful beluga whale squeaking in joy. Your gentle features and bright smile shines through any misconceptions of your intimidating form. 

Though not quite used to it, Jade doesn’t mind having to crane his neck to meet your gaze. Especially not when he could watch your adorable quizzical expression as he asked you to lower your head to him, only to whisper teasing words into your ear. He especially finds it fun to watch you jump to your full height in flustered surprise, even occasionally bumping your head on a hanging decoration. 

Really, how could he resist you? 

Do you need rest, my love? Perhaps a cup of tea can soothe your aches and joints while you sit.

Oh, Floyd would have no issues with you being taller than him. Probably the opposite, really.

Don’t @ me but I fully believe Floyd has a thing for legs, be it his own or others. He’s so fascinated by these human features that you may even catch him blatantly staring appreciatively at your legs. 

“What’s the big deal? They’re right there, who can blame me?”

He will however, with full confidence, laugh his lungs out if you hit your head on the door frame or trip on an ottoman seat you didn’t notice. Maybe he’ll rub the ouchie away but he’ll be laughing while he does.

Be prepared for impromptu fashion shows with custom made shoes to show off your gorgeous mile-long legs. Floyd could spend hours looking through online shopping with you, showing you websites that specifically cater to tall drinks of water like yourself.

This man will be floored by the experience of being the little spoon of a hug. To be able to lean into your arms and rest his head on your chest, listening to your heartbeat while you  lovingly pat his hair? You can be unknowingly smothering him and he’ll be loving every moment of it. 

Regardless if you’re confident or not, Floyd loves to take you dancing. If you’re not confident in your dancing, Floyd is more than happy to lead you with every beat until you have fun. The man just loves to see the flashing lights paint your body, with your smile being the brightest of them all.

Did you get taller, Shrimpy? Aha ha, just pulling your leg there! Though, wouldn’t make a difference to me. You’re still a hottie even if you, hehe!

[vimeddiart]

I DREW MY OC TOAST AAAAAA

The folks at XPPen sent me the XPPen Deco Pro (Gen 2):

XPPen is having its 18th anniversary, and is celebrating with sales and product promos, so it's worth checking those out.

My thoughts on the tablet (and purchase links) under the cut!

⭐ Review ⭐

First impressions: After unboxing the tablet, I thought it sleek and professional-looking, especially after setting it up with my PC.

The remote I LOVED right out of the box because I enjoy fiddling with buttons and wheels. The keys are super satisfying to press.

The pen and storage case are nicely complete, lots of spare nibs to switch out (though I mainly stuck to the default nib while drawing, the textured ones have a nice gritty feel similar to paper).

I had some troubleshooting when I started, as connecting to Bluetooth wasn't happening with either the tablet or the remote. I tested the Bluetooth connection with a different device and my phone successfully, but couldn't with my work PC. I was promptly helped by XPPen Support, and it turned out to be a Windows update messing things up, so I uninstalled it and Boom; I could connect both the tablet and remote, no problem. Up until then, I used both via cable, which was a convenient option!

The tablet: The XL model at 15 x 9 inches, with plenty of space to work (although you'll need space to put it, luckily I have a lot of desk to spare), and can connect via cable or Bluetooth. It also looks so dang pretty.

The tablet was so smooth, and the pressure (16k pressure levels) felt amazing to draw with. After fiddling around with the pen settings, I barely had to press down to get a nice flowy line.

I usually work on a screen tablet, so it took some getting used to returning to a pen tablet and looking at my PC screen again, but it came back to me quickly. It actually helped my posture, as I tend to shrimp-curl over my screen tablet while working.

As lovely as it was to work on, I feel this size may be too large for me, despite it being perfectly proportional to my PC screen. I like to draw quickly, and I noticed myself making more effort to travel over the surface of the tablet and tiring my arm out faster than usual. I needed to take more breaks and stretch often, although I could classify that as positive. That said, this tablet has a sloped resting area that helped. All my drawing tablets have been medium-sized, so I'm probably just conditioned to that surface area.

The battery lasted as long as it took to draw this piece and more! I didn't need to charge it the entire time.

The remote: I love this thing so much. It has ten shortcut keys and a wheel you can configure to your heart's desire. Five sets of key functions!!! That's fifty shortcuts!! I only configured four sets and struggle to memorise them, but it's very convenient. I have my keyboard right next to the tablet and would bang out shortcuts there, but this remote changed my life.

I've been using it for a month now, and it still hasn't needed charging!

The pen: Comfy to use, with a design I was already accustomed to, and one thing I noticed was that the nib wasn't scratching the heck out of the tablet. After all the drawing I did with it, not a single mark.

I LOVE popping the case open to retrieve or store the pen, and it's one of those physical things that I find satisfying and so rare with digital products. I thought it would be nice to have a pen stand too, but I have pet birds that will (and have) run away with my tablet pens, so a storage case is a strong solution.

Final thoughts: This is a solid tablet with the potential to become an essential tool for industry professionals and freelancers. I didn't think I could be convinced out of a screen tablet, but I was offered a super strong contender. I can confidently recommend it, plus my experience with support was a positive one that boosted my trust in the brand. Overall, I had a great time using this tablet and really appreciate the opportunity I've been given to try it out!

⭐ Purchase links ⭐

US Walmart Store

CA official store

[astroariska]

ASTROLOGY OBSERVATION [Chapter 5] ✨ - The South Node Version

Libra South Node = The urges to seek justice in this world forever.

Also i always see how Libra South Node move from one pain to another pain. They keep picking the decision that require them to hurt themselves.

Leo South Node need to burst their own bubble. They tend to live with all the privileges but doesn't realize what does their privilege means. I need to say that they have no play time in this world because they used to play so much in their past life. Remember, privilege = power.

I swear the Leo South Node is the most problematic south node ever. Because often, Leo South Node people has tendency to BLOCK other people's growth and development for the sake of themselves.

Also, the amount of too-kind parents that have Leo South Node people like, Leo South Node people will act crazy and their parents always "giving them the second chance because we are family".

Gemini South Node. Please. No matter how desperate are you, DON'T. BROKE. THE. RULES. You can outsmart it but you can't broke it. Law (Sagittarius) will beat your ass down if you misbehaving.

Gemini South Node and thinking "There's nothing i could think of this anymore" and running around from things they need to face.

Cancer South Node and the tendency to keep yourself in the shell. Remember, the more you put your shell on, the more universe break it until it hurt you.

Also the crab mentality of Cancer South Node is unbeatable. It's "If i can't get it NOBODY CAN"

Taurus South Node has the tendency to work around the love they try to earn. How about realizing that it's not what you earn and more about what you get?

Whenever Taurus South Node people thinks they need money, it's somehow always "I need more money to be STACKED" not "I need because i have none."

Taurus South Node and the urge to keep budgeting shit to the pennies. They are like, "No, i have money but not for drinking. This is the food money, this is the laundry money, this is for the coccaine, skincare, etc" like DANG WHY YOU ARE SO PARALYZED BABE?

Aquarius South Node experience a time when they are burdened by the responsibility and the duty. Many people claims that Aquarius south node are detached and cold. But it just their coping mechanism so they could keep going and not breaking down 😭

Aquarius South Node people and being the forever kid in their adult. They gonna be like "Okay, i'm adult now so i will BUY ANYTHING that i want in my childhood and i would do EVERYTHING that i want to do as a child."

Capricorn South Node HATES working hard. THEY HATE IT. Stop assuming they love what they did. THEY DON'T. THEY FEEL TORTURED. THEY ARE SO TIRED ALL THE TIME.

Also, i had no idea why Capricorn South Node ladies are always the alpha one in relationship??? They'd be all damn intimidating and would let the people take the control of relationship.

Pisces South Node, why did y'all love to be a troublemaker? I mean. Sometimes i found this placement feel like they creating a problem when they are bored or lonely.

Pisces South Node also have several addiction that prevent them to grow up as healthy person. This has to do with longing things that too good to be true.

Aries south node and the urge to fight all the people that wronged you in the past 😭

Aries south node and the rushed feeling that boils the blood. They feel their own bloodrush when they got angry so they need to be careful to pick the food for the sake of their own health.

It's the Sagittarius South Node that have the "I am BETTER than thou" behaviour.

Sagittarius South Node need to understand that diversity and the dynamics of community. What you think of truth doesn't work as truth to other people because social conditioning, privilege and poverty.

Scorpio South Node and the "It's all or nothing" mentality. How about acceptance for the sake of your dignity?

Also, i had no idea why Scorpio South Node people are SO CUTE and adorable? Like ... They are so LOVABLE.

Virgo south node and the family pressure of having WORK.

"I am the unpaid maid of my family" and proceeds to poison the whole house is a typical Virgo South Node villain story jk.

[annymation]

The voices in my Wish Rewrite

I haven’t talked much about it, but in my Wish rewrite some characters would be recasted. I wanted to make this post just to show which actors I’d replace… And it’s pretty much everyone except Magnifico, cause ya know, Chris Pine is Magnifico, and Magnifico is Chris Pine, it’s just how it is.

So let’s get this started!

Asha- Denée Benton

Im absolutely OBSESSED with this woman’s voice, she sounds like an angel and carries so much personality in her performance, she sounds pure, youthful, hopeful but also strong, everything I imagine Asha as. THIS is what I imagine the 100th anniversary Disney princess sounding like. Not that I didn’t like Ariana DeBose’s singing tho, but I just love Denee Benton more, and hey, it’s my rewrite, so I get to imagine Asha’s voice how I please. Also I can totally see Asha and Aster singing this song.

Aster- Jordan Fisher

Oooooh this man, I love him so much. His voice has the perfect energy for Aster, sounding youthful and melodic like a prince, it had to be a literally other worldly voice, and I think Jordan’s voice is PRETTY DANG other worldly, like, this example I found on Spotify doesn’t even do him justice, go listen to his other singing chops on YouTube.

If you look up Jordan Fisher you’ll see the guy is DEEPLY connected with Disney in his career, from singing the song “Happily Ever After” 6 years ago, which is the theme song for the Magic Kingdom, to now being the main singer of 4-town in the movie Turning Red. And of course this one time he made a cover of “You’re Welcome”, the guy just lives and breaths Disney so WHY NOT have him as a wishing star? It just makes sense. But besides working with Disney he also has experience in a musicals such as Hamilton, Dear Evan Hansen, Sweeney Todd and more recently he became the new Orpheus in Hadestown… And by god I need a good quality audio of him singing “Wait For Me” more than I need air because that song fits Aster’s character SO WELL.

Magnifico- Chris Pine

Yeah no surprises here, you can’t have Magnifico without Chris Pine… But HIS SINGING VOICE IN THIS SONG THOUGH??? ITS SO GOOD!!! I listened to “Any Moment” ONCE and now I constantly go back to listen to it over and over and imagine young Magnus and Amaya meeting in the woods. I still haven’t posted about Amaya’s backstory BECAUSE IM TOO LAZY TO FINISH THE DRAFT I HAVE EXPLAINING IT- But let me just say her hesitating to start a relationship with him is VERY accurate to her character. And Magnus being like “May I kiss you” out of nowhere because he: 1- Sees himself as irresistible so he thinks she’d fall for him with just that and 2- he had 0 social skills before he met Amaya.

And then there’s the line “Life is often so unpleasant, you must know that as a peasant” ARE YOU KIDDING ME?! This is LITERALLY something my Magnifico would say, I’m so freakin lucky!

My point is, my rewrite’s Magnifico sounds like THIS when he sings, with a deep, smooth and honeyed voice that makes you want to trust him… Take that high pitched voice Chris Pine did in “This Is The Thanks I Get” and throw it out the window. Disney wasted the man’s talent. I’m so mad.

Amaya- Emily Blunt

Do you guys see my vision? Do I even have to say anything? Like really, go watch a scene of the Mary Poppins remake, any scene with her at all, that woman has a voice that DEMANDS respect, while also being motherly, it’s practically perfect in every way. I’m using “Open Up Your Eyes” here as an example though because… Well, it fits her backstory… Ya know, the backstory I’m stalling to talk about 👉👈… But it also just simply fits her personality in general!

And no disrespect for her voice in the movie, Angelique Cabral… BUT ITS EMILY BLUNT AS AN EVIL QUEEN!!! Come ooooon! It’s just meant to be!!!

Also side note, since we’re talking about Queen Amable, THIS design that came from an deleted scene is how I’ve imagined her the whole time:

Like, I could not STAND her hairstyle in the movie, it simply didn’t fit my vision for her character, see, Amaya is sophisticated but she’s also… Practical and likes to feel comfortable, hence why in my rewrite her dress has no sleeves, she values her own comfort more than conforming to the social norms… AND THAT HAIR LOOKING LIKE HEADPHONES WITH THAT CROWN THAT MADE HER FOREHEAD LOOK LIKE A SQUARE DROVE ME NUTS!

So yeah, this is our Queen Amable, voiced by Emily Blunt, with a British accent, in all her glory, we’re moving on.

Valentino- Gregory Mann

This is just a bonus mention, since Valentino doesn’t even sing in my rewrite, he just speaks in like 3 scenes… And you guys have only seen one of them so far. But either way, let it be known he sounds like Gregory Mann, because Gregory Mann sounds adorable. That is all.

Thank You For Reading!

[devsgames]

Open-World AI Design: On The Conflict Between Systemic and Scripted Behaviours

I've been playing Skyrim recently, and having not played it for over a decade one thing that has really been standing out to me is how painfully stilted the scripted NPC interactions are in the game. Seeing just how rough these sequences are reminded me of my own experiences designing non-systemic moments in primarily systemic-open world games, and I wanted to reflect on that.

Disclaimer: I recognize that "Why does the AI in this open world game suck?!" is a common complaint The Gamers have and that it's not a new observation by any stretch, and please don't misconstrue me as bashing A Thing You Like. You can still like it. It's fine. I just think it's interesting how the needs and philosophy of open-world AI often encroach upon and affect the execution of highly scripted sequences in open-world games like these.

THE PROBLEM: SCRIPTED INTERACTIONS

Here's a clip of a sequence from my playthrough of Skyrim that illustrates part of the problem. For context, this sequence occurs at the end of a quest chain wherein you help an old and sick alchemist and his apprentice create an ancient artifact he's been trying to make for his entire life:

I think there's a lot of things that are incredibly lifeless (haha!) in the execution here:

The apprentice is standing at the foot of the bed and not next to it, while the mentor is sleeping on his side and not even looking at him.

The transition from Sleeping -> Ragdoll death when the mentor dies looks REALLY goofy.

The phial the apprentice explicitly mentioned as 'filling up' isn't visible anywhere in the scene at all.

The sudden transition from death -> NPC approach -> conversation leaves no room to organically breathe.

The narrative feels incredibly serious and sombre, but the execution is so hard to take seriously.

The ambient music is jaunty and heroic, when tonally the interaction is very sad.

The player doesn't really have much to do here, aside from stare in the corner while waiting for two AI to talk.

The narrative feels incredibly serious and sombre, but the execution is so whiplash-y and abrupt it's hard to take the outcome seriously.

Now first I want to preface that there's a few obvious causes for some of the awkward 'genericness' of this scene, much of which is rooted in more standard production/resources issues with any AAA open-world game. For example, creating an animation of someone holding the phial in question while it fills up would be too expensive to justify creating for just one side quest, only for it to never be used again. While it certainly doesn't help the sequence, I think there's always varying degrees of 'eh whatever it's a video game' plausible deniability that happen here among players too, and it's always understandable that elements like these might fall absent from this scene as a result. It's also a dang video game from 2011, so that certainly doesn't help.

Aside from that, I think a big issue in realizing scripted sequences in open world games like this stems primarily from open-world AI and interactions are often fundamentally at odds with these types of scripted scenes, which in turn reflect poorly on the implementation of the latter.

WHY SYSTEMIC AI?

To understand why scripted sequences can easily feel stunted it's helpful to look at what an AI in an open world context is most frequently expected to do, because it's the baseline of how an AI performs in an open-world game.

In a traditional game a "bandit" AI might only really need to do basic behaviours that have concrete and easily-defined outcomes, such as search for a player and attack them until they die.

In an open-world game like Skyrim an AI primarily has to act believably in an open world where almost anything is liable to happen. A "bandit" in an open-world context would need to keep a running track who is hostile and who is friendly (based on a variety of different changing parameters), pick and choose different locations to travel from organically, travel to potentially unknown locations across a persistent world, use modular systemic behaviours in a way that still appear organic and unique, remember which points it needs to be travelling to and from, what areas it can and cannot go, flee from combat, understand what objects in the world it can and can't interact with, and a lot lot more on top of that. What's more is every AI in the game have to run these same calculations themselves at all time about everything around them - there's a ton of moving parts and AI with different objectives and executions operating at the same time. This is also why systemic AI in open-world games tend to suck - because an open world is inevitably going to write realism cheques that no AI can feasibly cash because there's so much going on in an open-world game.

However there's also good reason why all this complexity is necessary! Killing a bandit who is stationed idly at a guard post in his camp is passable encounter, but killing a bandit who accidentally draws aggression from a patrolling sabre cat from the forest nearby his guard post creates a story out of what was otherwise just an okay encounter. These systemic behaviours are often what people like and expect to see in open-world games to give the world flavour.

On Far Cry there was a name for this sort of concept: the "anecdote factory" - the idea that any sort of emergent experience should make up a fun 'anecdote' for people to talk about and reflect on afterwards, and this approach to AI design is usually built to supports those systemic and organic narratives. This systemic-first AI design is a large draw of what makes open-world games what they are - without this the whole world easily can feel rigid, predictable, and lifeless.

Now this is all well and good, I hear you say, but weren't you just complaining about scripted sequences? Why are you talking about systemic AI? How are these two even related to each other?

Well herein lies the issue: what happens when your immensely systems-based AI needs to do one hyper-specific thing exactly as you planned?

THE FRICTION: SYSTEMIC VS. SCRIPTED

Scripted AI design is often a philosophical counter to systems-driven AI - while a systemic open-world AI needs to calculate many different elements and act out generic AI behaviours on the fly, scripted AI often needs to successfully do a sequence of bespoke behaviours the same way every single time, usually in relation to a larger narrative or sequence.

This causes friction - potentially a lot of friction, depending on the implementation.

The initial assumption most people would have is that if a designer really needs an AI to do one thing perfectly, then they should just force the AI to do it! After all, if it's that important, then why not make absolutely sure it gets done? However, the problem with this approach is that forcing an open-world AI to do just one thing actually makes the AI less realistic in context of an open world game.

In the above scene lets say the player hates the apprentice and decides to blast the apprentice with a fireball while he was speaking to his master. They'd then logically expect the apprentice to react to being hurt by the player and become hostile (as anyone would be, if hit with a fireball). This would be expected to break the sequence as combat would ensue as the apprentice tries to get revenge. This is believable, as it would make the apprentice feel more like an actual human being with the desire to not die. If by contrast the apprentice was forcibly scripted to perform his lines and execute the behaviour like nothing happened, it would feel even worse! This is why most open-world games will actually almost never force AI to perform scripted behaviours if they can help it, because it usually reflects poorly on the intelligence of your AI should anything else happen during the execution of the event.

Unfortunately, the tradeoff to ensuring scripted AI still abide by systemic rules is it means that scripted AI are now expected to perform actions are now operating at the whim of systems, which may choose to override it at any time. For example, if the systemic AI overrides the scripted component of the AI, the apprentice may get distracted by something (a passing enemy, a wandering animal, a stray arrow from nearby combat, etc.) and not complete the sequence as it was intended. This might not seem like a major issue, but keep in mind that a scripted AI failing to perform a task usually results in a sequence break - which in terms of scripted sequences can break a player's entire playthrough. It also reflects poorly on narrative, when scenes of narrative importance might be undermined by systemic nonsense that may happen.

Whenever mission designers witnessed these sort of behaviours on Far Cry the inside joke was that we were just abiding by the "anecdote factory" philosophy. After all, the AI was acting systemically by-design - it just so happened that the anecdote was that a systemic behaviour distracted them. :)

In fact on the production of Far Cry 6 I spent actual months troubleshooting and wrangling AI that just would not adhere to scripted sequences due to the overriding of systemic AI behaviours. For every minute you spend in a scripted sequence you can bet there was hours and hours and hours of unseen troubleshooting behind it!

Now what does any of this have to do with how awkward this conversation looks?

The philosophy of your game design extends downward, and systems-driven is no exception. Instead of using special, bespoke behaviours in quests it becomes cheaper and safer to bank on existing systemic that are widely tested instead of trying to push the limits of what an AI can do. Remember that a sequence failing to execute can block a player's progression entirely, or alternatively result in a ton of work or additional bugs for a level designer putting them together. Safe execution is usually the #1 priority, and that's a tough thing when lots of your scripted implementation is relying on the tech equivalent of shoestring and bubblegum holding it all together.

Even this small scene reflects the drawbacks of a systems-driven philosophy. A good example here is when the mentor dies - he doesn't smoothly transition into a 'death' state, or lie still with his eyes closed, or something more appropriate. Instead, he pops into a ragdoll and plays his generic death sound effect, because his AI is adopting the same generic systemic 'death' actions any AI in the game would. It's how an AI was designed to die from the ground up across the board, so this AI has to die like that for the rest of the game's systems to properly work around it. It could look cleaner, it could look nicer, but for a scripted sequence in a system-driven game it just needs to work.

You'll also notice the apprentice doesn't have any particular uniqueness to his behaviours around the master. He doesn't kneel next to the bed, or do much else for that matter - he just plays his idle on a point until the scripted sequence tells him not to. In fact outside of combat in Skyrim you'll notice that most NPCs use these generic animations because they're built into the AI and are the most likely animation to work in the widest number of cases. In fact, I could probably list the most commonly used animations in Skyrim based on how many times I saw them while playing. A Quest Designer could try to spice a scene up or add variety, but most of the time that would create unnecessary risk around these sequences, so in most instances safe and universal generics are the way to go - which unfortunately limits visual interest because they don't adapt well to unique contexts (like the death of a loved one).

Even something seemingly small like changing music - if we ignore the cost of creating new songs - can bring unnecessary risk. Music is also handled systemically by the game's systems, transitioning based on environment and combat with different enemy factions, so overriding that to play unique songs brings even further risk on a scripted setup - what if combat breaks out during the sequence? Or if the overridden music isn't correctly reverted back by the system? The safer option is to work closer to the bare minimum (i.e. leave the music as-is) than it is to actually push the envelop a bit and bring on further risk.

Conclusion

Thanks for reading! Hopefully this sheds a bit of light on how scripted interactions are uniquely affected by systemic design philosophy and some of the drawbacks surrounding it. I feel fairly confident that any open-world game has had to deal with the friction between these two approaches and needed to meet an awkward middle ground as a result. After all, it's sorta an inevitability when you're making massive games intended to mimic a believable world.

[fae-morrigan]

I Read Bendis So You Don't Have To: The Famed Jon Kent Age Up

Hi! I'm Milas. I've read more Bendis Superman than is probably healthy.

No matter if you liked the age up or not, most fans are in agreement: this run was bad. Pretty dang bad. And I agree- this run is often hard to parse through all the... er, bendisisms, and often mangles what little themes it has through poor storytelling and lackluster use of page real estate. However, I unfortunately have become an expert on this particular story due to how many times I reference it in analysis, and I do not wish my suffering upon anyone else. So, to spare us all from said suffering while writing meta, I encourage Jon fans, from whichever corner of his fandom you come from, to use and link to this series as shorthand if you so need to.

This installment will be going, objectively as possible, beat by beat through the actual events of the famed 2019 Jon Kent age up.

Issues covered are Superman (2018) issues 7-10, as well as briefly covering the events of Super-Sons of Tomorrow (all issues) and The Man of Steel (issue 6).

Before we can get to the actual mainline Superman run where this event occurred, we should real quick go through the events leading up to this.

In Super-Sons of Tomorrow, Jon is confronted by Savior, an evil version of Tim Drake from a future where Jon accidentally causes a massive loss of civilian life via an explosion of his powers. Savior is travelling from back in time to try and prevent this from occurring by killing Jon, therefore stopping the catastrophe. This causes infighting amongst the Teen Titans, even more fighting with people from this alternate future timeline, and concludes with a vote being held to decide if Jon is welcome amongst the Teen Titans. The vote decides no, Jon will not be admitted onto the team.

Though the Teen Titans tell Jon that this is because the events of the book gave them a lot to think about and work out, this is not what Jon takes away from it.

In Man of Steel, Jor-El shows up and invites Jon out to space with him. This is meant to be a journey where Jon will be able to learn things that Clark has "neglected" to teach him, as well as connecting with his Kryptonian heritage.

Clark and Lois are vehemently against this at first. Clark, especially, does not change his mind on this being a bad idea, even after Jon leaves.

However, the reason Jon goes is because, in his own words, he feels like there is something wrong with him.

This is a feeling, that, in text, Jon feels specifically sparked on by the events of Super Sons of Tomorrow. Feeling lost, and like he needs to explore himself, Jon (and Lois, who does not want to leave her son unattended, and intends to write a book about the experience) join Jor El in space.

(I highly do recommend you all read Man of Steel, because it's about as close as Bendis gets to writing genuinely well in this whole collection of books, and I can only screencap so much of the sheer amount of discussion that happens between the three Kents about Jon going on spacecation. Trust me, they didn't just shoo Jon off! They talked about it for what in comic time was AGES.)

This is where we get to issue 7 of Superman, where Jon returns from his vacation... as a seventeen year old.

As Jon himself says, he didn't get aged up magically- He lived those years. So, what actually did happen to him while he was out there? What happened during those six-to-seven years (depending on who you ask)?

First: What happens to make Lois leave?

The House of El suit Clark lends her to keep her safe makes her a target, a target that puts her in active danger (in exact opposition to what Clark intended), and so for her own safety she departs.

Leaving Jon alone with his grandfather. Who, as Jon says, has gone completely insane.

The nature of Jor El's insanity is revealed in the next issue, issue eight, as we reach what I and friends call the Jor El Nihilism Speech:

Jon follows Jor El's line of thinking for most of the conversation- He understands what it feels like to not belong in the story, because that fear of being somehow wrong was what brought him out here in the first place. Jor El, Jon Kent, both men outside of time, outside of belonging. Neither should exist. But Jor El takes it to a conclusion Jon doesn't accept: That it's a hopeless existence.

This makes Jon want to go home. Concluding Jor El has utterly lost it, he decides he needs to make a break for it somehow. Because of how far from Earth they are, he can't just fly off, so he attempts to get some help from some Green Lanterns:

It doesn't go well. At this point, Jor El stops speaking to Jon for awhile, and they spend... an indeterminate amount of time fighting through the galaxy, trying to solve people's problems. While not talking to each other. At all.

But when Jor El finally does try and talk to Jon....

Well. Here's the part you're probably reading this post for:

Yay! Its volcano time! An unexpected black hole throws Jon (and Jor, but we'll get to him later) through dimensions, landing him on Earth-3. At the feet of the Crime Syndicate.

If you're going to read ANY issue for yourself, I recommend it to be this one. The Ultraman stuff is not only perpetually relevant to Jon's story, its LIKELY going to be relevant again when Absolute Power: Super Son releases. Ultraman is the one member of the Syndicate who claims Jon as 'his':

And proceeds to imprison Jon in a volcano. As I am sure all of you know by now. The Volcano.

Ultraman and Jon trade some conversation back and forth, establish who each of them are, before Ultraman tells Jon he is never going home, and that this is home now:

It becomes quickly apparent that due to the lack of sun, Jon has no protection, no way of escape. He tries to fly out, but no dice:

And so stuck he is. For multiple years. With nothing but pigs to feed on, stuck with a monster who intends to 'train' him to his full potential:

But eventually, Jon escapes. He takes a rock, bangs a hole in the side of the Volcano, and gets himself out, relying on what little he has left of his invulnerability.

Now is a good time to mention a small misconception I see peddled around a lot: There is actually significant evidence pointing to the idea that Jon did NOT spend all six years in the volcano. After wandering Earth 3 for an indeterminate awhile, going from city to city and stopping to help people along the way, there is a strong suggestion by the way Bendis frames it that this was also years. I'd personally estimate Jon's time on Earth 3 was about half and half- Three ish years of the volcano, three ish years of surviving out in the wild. Anyways, Jon finds his way to the Syndicate's headquarters, encountering an evil version of Lois who tries to attack him. But surprise! Onto issue 9, we finally get to Jon's rescue!

Jor El was also displaced in the multiverse, of course- But we have no idea for how long, where, and what he did during this time. All we know is this: Jon wasn't just thrown across space and time, he was thrown backwards.

I think this is where the source of the most misconceptions come from: Its complicated to grasp! But very simply, the reason why Jon was able to live six years while everyone else stayed the same age was because he wasn't just thrown TO Earth-3, he was thrown backwards as well. Here's a chart I made about a year ago to try and visualize it:

If you're wondering how Jor El found him... we actually don't know. All we know is Jor El apparently made some fucked up arrangements in order to accomplish it.

And that kind of brings us back to the beginning, where Clark and Jon reunite. There are still a lot of unanswered questions, namely how Jor El managed to get Jon back in the first place, but this is essentially the rundown of the age up. So to recap very quickly: 1. No, Jon was not magically aged up. He lived those years. Its spacetime travel, not just space travel. He is mentally 17-18. 2. No, Clois didn't just 'let him go' with no conflict. It was actually a huge argument that ended up also really mentally fucking with Clark in later arcs. He goes to therapy with Khalid Nassour about it! 3. Jor El has a lot more to do with all this than he reasonably should. I could explain why he's alive but it would give us both an aneurysm- Just know in this story, he kind of serves as a foil to Jon.

Now, why did Bendis write the age up? Here's a post by a friend that gets into the metatextual reasons why this was a thing.

[lovelyyandereaddictionpoint]

Vice form leaders and others discovered yuu is a girl?

Discovering That Your a Girl | Yandere Twisted Wonderland

Trey Clover

“Oh well that’s nice.”

He doesn’t mind all that much 

With everyone taking your attention he’s often left out

But guess who is the prefect’s best buddy when you get the munchies

You’ll probably think this is just an older brother habit

And if you ever question it him and everyone else will say the same

So don’t worry about it when he gives you a whole pie but demands he spoon feed you the whole thing

Or when he punishes you by forcing you to eating the whole batch of donut holes while on his lap

If you do ever decide to struggle he pulls the big-brother card

Even if just a few minutes ago he was shoving his tongue down your throat

“No need to cry (Y/n), big brother will take care of you…Now little sis, open for me.”

Ruggie Bucci

“Dang, that's an…interesting development?”

He’s surprised, confused

A bit intimidated

After all male hyena’s are meant to respect fear their female counterparts

But during his observations he’ll realize your not like females of his kind

And in a way he feels empowered by that

Even if he witnesses an extreme sense of power from you

It all just boils down to a line of obsessive respect…that he can be casual about

Like Leona you can command a room, command him 

But your also soft when someone’s hounding him for stealing your immediate thought isn’t to beat him up

And he thinks your so cute with your weak little mouth and your reliance on him

So excuse him when he swipes your money for him to swoop in offering an extra sandwich ‘he was going to eat himself’ 

Or shopping with you to make sure you get all the best ingredients

“Isn’t it just easier that you do this with me, (Y/n)? You’d just get taken advantage of otherwise.”

Jade Leech

“This is…a delightful surprise!”

He finds your situation entertaining enough 

And you were already an enigma anyway

He loves causing hijinx and watching you struggle for order

But he also likes when your emotionally more intuitive 

Or when you speak your mind clearly to him

He…likes it?

I mean Azul knows him but he also isn’t one to excite along with him in his hobby for nature and hiking

He isn’t someone whose going to share his amazement to land things because they’re new to you too

You’re just a mystery that he wants to unravel and keep 

It isn’t bizarre to him that he begins focusing so much time and energy into you

He can play with you in so many different ways!!!

The possibilities are endless

“Will you care to spend the hike with me? I’m not smiling deviously, this is a friendly request.”

Lilia Vanrouge

“About time you revealed yourself…though I’m a little hurt I’m not the only witness to your adorableness.”

Of course he knew 

He has to know the state of the environment his prince is in anyway

But he’s very honest about how he was already keeping extra attention on you because of it

So many possibilities it's like his own personal series of a Highschool drama

But this old-fae will quickly find he doesn’t like just being an onlooker

And seeing your expressions and to hear your voice being directed at him

He really likes it

And it’d be good lesson for all the young-ins how to properly woo a woman

And wouldn’t it be a great lesson for you to see how great of a partner he is with all the great advice

“My dearest human, if you're looking for experience I’m your only option.”

[fluffer5]

Humans and childrearing

My 3rd entry to humans are space orcs and dang am I seeing our species as the odd one out with all our quirks.

Again, my basis for this would be the movies and stories I've watched or read. So, most information I've got on alien child rearing center on quirks that can be considered as the constant for their entire specie. Like, a new behavior exhibited by the parent towards their young that doesn't conform to the norm is absolutely rare to the point that other parents or those who are old enough to care for a child would immediately go to rescue the youngling who seems to be in danger or in pain. Some who couldn't afford to keep the child would at least have this decency to put the child in foster care where someone could raise and shelter them till they're strong enough to leave or go on an adventure on their own.

Humans though? We're absurdly complex creatures with a malfunctioning sense of familial love on our youngs. We love them one moment, and hate them next. We'd be filled with adoration for this new life in our arms, then feel disgusted and annoyed at them for making too much noise, taking up too much time, taking up so, so much of us until this supposed guardian spirals down into the neglectful, angry person some kids know.

Of course, not everyone reacts that way. But it happens often enough that we have medical interventions, guidelines, and even agencies or social groups that deals with that particular problem.

There are parents or guardians who would hate this unknowing baby for killing their wife, sister, daughter, or mother in the process of their birth. There are mothers who would neglect and feel resentful of the precious bundle they gave birth to for taking up the attention of HER husband, HER family, even though she knows that it's wrong to feel that way with her baby. There are siblings who feel the ugly crawl of jealousy up their stomach, heart, and lungs to the point that they work towards sabotaging the growth and milestones of this new child they see as competition. Heck! There are parents who would continue to give birth even though they KNOW that they're not financially secure and their children might suffer from starvation or a sickness that they can't afford to pay off medicine.

The children? We grow up carrying the scars of survival. Be it visible or not, we have it.

Hearing this information upon opening the topic on how each race care for their young (each one giving the usual rearing they have in a clan and how they always pull out younglings who are more sickly and fragile to be given thorough love and care but never one that is nagging or suffocating because instincts and talent needs to be given time to develop), the Unified Intergalactic Council, one made up of elders, warriors, healers, historians, builders, star-readers, and other reknowned professions would stare baffled at the human representative with horror and worry.

"You say that your kind treasures your young but punishes you for the smallest mistake?" a healer asked looking confused and displaying anger through the minute movement of his brightly colored frills. "Punishment for not finishing food when the hatchling has declared that they are full?! And they had the gall to be offended for this young one for wasting precious resources?!"

"I was too young to question it," the human representative, Kara, relayed the information, not seeing the practice as… punishment, but more of an experience that most kids her age shared. "When I got old enough… Well, I never thought to revisit the wrongness of such practice again since I moved out of our house."

"Well, I, for one, am far concerned when you said some of your wars were fought by children? Did your leaders lose a part of their heads to think that children could fight for their battles? And you said some of those children were trained with the bares of skill and would learn most of it on actual live-combat?!" a veteran General was left in confusing garble and grumbles that is most probably a jumble of curses and profanities if she reads right into the indignant face of said General's wife, a War Strategist.

"I'm concerned for you, child," an old star-reader (their version of a prophet) gently laid their hand on her arm, eyes swirling with the birth of new stars and the death of others, their voice fluctuating from masculine to feminine, pitch becoming a scramble of highs and lows. "You have told us of the joys in your planet. How happy it is to be a Terran. How you love this deathworld even with its harsh seasons and mighty predators and lurking sickness. Yet now that we are speaking of caring for your young, you've been growing more upset, distant."

"Children are considered as gifts to all species," Kara would bitterly remark to them star-reader. "That's what you told me… That's what I've been told by the adult Terrans."

"What do you think then, child?" the star-reader asked even though they already know the sad truth of this youngling's life. And she is a youngling. Kara is 20 cycles old. Still so young since Terrans do not stop their brain development between their 30th or 40th life cycle. They shouldn't have pushed their children to this. Terran young should've been learning new skills and not rushing at that age… and yet….

"I think… I'm tired of working so hard for others and not living for myself. I'm tired of being not enough. I'm tired of having to give a piece of myself to everyone who needed me. I'm tired of being the eldest sibling, Myrtzhg. I'm tired of giving up a lot of opportunities I want because my mother, my bearer, would tell me to give these opportunities to my younger siblings! It's never me, Myrtzhg! And I'm so tired of thinking it never will!"

That was the exact same day the UIC panicked, trying to sooth the Terran youngling from their pent up emotions. Even the strictest of the council members had a mild panic attack when Kara full out wailed and didn't seem to be consoled by their usual Terran sweets and treats. They later learned that Kara got a message from her own bearer to hurry up and give them money because Kara's siblings need it for a celebration, even reprimanding Kara how should stop being such a greedy, ungrateful child.

Earth was but one intergalactic missile away from destruction if not for the swift swat to the head by a fuming Matron saying they should kidnap all the children and good parents first before blowing up the planet… Kara, of course the sweetheart that she is, disagreed to the plan.

[hybbart]

*Discreetly slides this fan letter into your mailbox* 

From: Anonymous Fan, 

Address: Ask Box, Tumblr, somewhere on Planet Earth

To: Hybbart

Address: Hybbart's Blog, Tumblr, somewhere on Planet Earth

Date: Today, 

Dear Hybbart,

Hi! I'm just a little anon writing to say thank you so much for your amazing Ranchers Apocalypse AU. I've binged it several times and I plan on doing it again and again. It's given me so much hope for life. I have never experienced anything like it before. Your art is incredible and I could stare at it all day.��

I don't comment on things often, I'm usually one of the silent spectators but I really felt like I needed to give you a thank you.

 I have hated and avoided apocalypse stories because they always felt so hopeless and scary to me but yours is the first I've seen that's not hopeless. Thank you so much for the new perspective of an apocalypse story. Now I love them. If an actual apocalypse happened I hope I am one of the ones, like the Ranchers, that don't give up and keep pressing on even in the hard and seemingly dark times. Not only to just survive but to thrive. To keep holding on to hope for a better tomorrow. Rain or shine, bring it on. It's almost like the Ranchers are giving life a middle finger lol. Like, Gosh dang it life, you want us dead, oh heck no we will live and not only will we live but to really add insult to injury we are choosing to thrive.

I love how the story is almost like Polaroid photos with little notes at the bottom of each; it feels a bit like a scrapbook documenting important moments in the story which is cool. It's so unique and it's nothing like I've ever seen before. It's incredible.

My goodness, the way that you draw characters so expressive and dynamic with their poses and the amount of details in the background. It's absolutely captivating. I love studying and admiring each picture.

Your art and stories are inspiring and healing. I fully believe that people's worlds will be flipped on their heads for the better when they experience the stories and art that you create. You flipped my world. Please don't stop creating. The world needs what you have to give. 

Once more thank you for the incredible story, I can't imagine how much time you spent on it. The love you have for the AU really shines through your work. You are an inspiration. 

I look forward to what comes next in the RAAU, rain or shine, bring it on.

Sincerely,

- Anonymous Fan <3 <3 <3

P.S Also a song rec that I think is really neat and hope you think is neat too: 

Owl City's Bird with a Broken Wing.

It makes me think of Jimmy after the apocalypse started but before Tango found him. 

P.P.S if you are reading this, thanks so much for reading this long letter. Lol.

Thank you very much! I think you might enjoy two series, called yokohama shopping log and Zom 100: bucketlist of the dead. Yokohama shopping log is a very lovely slice of life healing series about the twilight of the world and the people who've accepted it and decided to live the best they can, including robots. Zom 100 is about a man so beaten down by modern work culture the apocalypse sets him free and gives him and everyone around him the opportunity to be human and enjoy life again. They're both series about human compassion and small joys in the end times, and big influences on raau.

And that reminds me! I've been work on raau for over a full year now! It's crazy to me, I hope to work on it again soon.

[strayheartless]

To your Mountain Kid/Jungle Kid HC, I bet Zack and Cloud bond over not being such nErDs as AGS (affectionately).

Genesis' parents probably raised him on the classics, emphasizing education and achievement over everything.

Gillian was a whole Shinra scientist, and probably raised Angeal with all the knowledge she could provide, because education is often vital to escaping poverty. And because she's a nerd.

Sephiroth "Lab Experiment" Crescent...no further commentary needed.

Any funny scenes of ZC vs the AGS nerds?

❤️

Cloud and Zack Bond over superstitions that are somewhat similar between Gongaga and Nibelhiem. They find out that both Villiages have similar superstitions surrounding Shoes. In Gongaga its bad luck to put new Shoes on the table; while in Nibelhiem its Bad luck to leave shoe's on the table and extra bad luck if one of them falls off the table.

They also bond over the Cryptids that live in their respective woods, and AGS are forever horrified when Cloud goes into great detail about the Nibelhiem not-possom, which is infinatly more fucked up than anything they have ever heard. Zack then tells them about the Gongaga Frog man and its game over, no one can sleep.

Cloud once cussed Angeal out for stiring a pot anti clockwise. He then proceeded to tap every potato against the side board until Angeal saked him why and Cloud looked at him like he'd lost dang his mind as he replied "does Banora not have Potato mites??"... Angeal then goes on a three day Moogle rabbit hole to find out what the hell potato mites are and why Nibelhiem is effected by them so badly.

Cloud and Zack once had a fight with Sephiroth over the scientific likelyhood of world events being predicted by sparrow/parrot bones. It got so heated Zack (not Cloud) threw a lightning spell at his head. They are no longer allowed to apply science to country boy religious practices.

Cloud once slapped Genesis square in the face for rocking an empty rocking chair.

While on mission in Modaohiem during their first few weeks as mentor and student, Angeal started whistling in the dark, and Zack nearl had ten blue fits on him.

Angeal grew up never wasting food, but he has to sit and marvel at how far Cloud takes 'waste not, want not' as a mantra. It's round about the time that Cloud not only makes soup, but also makes fertiliser for Angeals plants that Angeal realises he knows nothing.

Sephiroth nearly lost his mind when he found out that both Zack and Cloud take their paychecks in hard cash and don't trust the banks. Like he legitimately couldn't fathom why they wouldn't have bank accounts, or debit cards.

Genesis thought he knew everything there was to know about ancient literature, But Cloud and Zack both know word of mouth Stories that he has NEVER heard before and has been told on pain of death that if he writes them down, no one will ever find his body.

Sephiroth is pretty no nonsense about most of the boys superstitions, but even he has to admit that when it comes to weather prediction on missions, Cloud is usually right.

There was one very memorable time in Nibelhiem, when They all got sent out for mushrooms for dinner, and Angeal 'plant expert' Hewely swore blind he knew the differences between mushrooms, only to have Cloud save him three seperate times from eating death caps.

Cloud once threw Salt in Sephiroths face after he heared he'd been down to the old train yard (you know the one with the ghosts).

Genesis met Claudia strife while on mission in Nibelhiem once and she thought he was a Cryptid trying to lure her into the woods. she slapped him. why do people keep slapping him?!

[scribefindegil]

Howdy, I think you might be making an ekurei shipper out of me XD I never really thought about them much but I'm really resonating with these posts. Not only that but I'm realizing that its so up my alley because I love love love like, unusual fantasy situations where characters experience intamacy in unconventional ways, something I feel like I don'tfind very often outside of my own and my friends' writing in our own lil corner. Like woah...the romantic potential of possession, being closer to your partner than humanley possible...imagine how humbling it would be to realized you are loved and trusted enough to be invited to share your partner's mind and body as an act of love instead just using that ability against strangers to your own ends...[cries a little] Who even needs that dang guard. Maybe I'm so enraptured with this stuff cause I'm ace, lol

Yeah yeah yeah that's it exactly!! The potential for sff to create types of intimacy that wouldn't be possible in real life is a huge part of its appeal! I've seen people compare Dimple possessing Reigen to Steven Universe fusion and I've compared it to drift compatibility myself and both of these things are very tasty, but for me it hits even harder because for them the intimacy is a choice, not a natural byproduct or an intentional prerequisite. Like, it's one thing for a sff setting to make an unconventional form of intimacy part of its worldbuilding like SU and PacRim do, but it's another thing entirely when it isn't an established part of the worldbuilding but something that the characters figure out on their own!

Like you said, for most of his existence Dimple has used possession as a tactic of violation and control. That's what you do when you're an evil spirit! It represents where he is at the beginning of the series; his view is that relationships are about who has the most power and who has the least, and if you have more you're going to use it to manipulate and subsume anyone less powerful than you. And then he starts changing! And by Season 2 he's using possession as a form of protection, not for himself but for Mob. Even when he possesses people without permission (Shinra and that one bully), he's not doing it to help himself! He does it to Shinra to get him out of danger (and says, notably, that if he let Shinra die then Mob would never trust him again), and he does it to the bully to protect Mob (and he stops when Mob says to!). And then in Mogami Arc we get the first instance of Dimple possessing someone because they explicitly asked him to, where he protects Mob's body while his soul isn't in it. Possession not only as protection but as trust! And you can tell from his reaction that this is something that Dimple has never considered before! And you can tell from how shocked he is during World Domination (manga) when he's able to possess an unconscious Mob that he especially never considered that trust like that could be an ongoing thing!

The point is, by the time Dimple meets Reigen in the middle of a psychic tornado, his concept of what possession can be has already undergone some major changes due to his friendship with Mob. But there's never been anything like what he and Reigen are able to do. There's been trust, there's been protection, but there's only ever been one consciousness in a body at a time. There's been vulnerability of body but not vulnerability of mind.

And it would have been easy for Dimple to push Reigen's consciousness down until they got to Shigeo. That's another thing that gets me; there's no reason that they had to both be awake on a technical level. But on a thematic level it is Everything to me that they're able to achieve a state that we've never seen before, that I bet if you'd asked them before this happened they both would have said was impossible, that is dependent on complete vulnerability and openness from two characters who will fight tooth and nail to prevent anyone else from seeing who they really are. It's about their shared familial love for their boy and it's about how much they understand each other in that moment.

And, like, I'm also ace, and generally not much of a shipper, and I tend to care a lot about group dynamics and platonic bonds, and I think that part of the appeal of ekurei bodysharing stuff is that even if you write about it in the most romantic way, you have to remember that the first time they did this it happened because of their shared platonic love for their kid so to me it feels just. Infused with all the different types of love and connection that the show is built on. Sometimes when someone focuses on a romantic relationship it gets deified in a way that undersells all the other bonds the character has, but for me at least romantic ekurei only works because of their other connections.

[spilledmilkfkdies]

Hi :D

i suddenly hyperfixated heavily on wizards of the black circle, and there's absolutely no content(like there's maybe like a few fics and their tumblr tag is just full of posts by the same three people)

what would the wizards do or how would they like rest, cause we see that they clearly get exhausted and worn down a little by the fighting and using their magic

like would duman need to rest longer cause we see him using his powers like constantly(i personally think he takes a lot of naps, actually most of them would consider how old they could just taking group grandpa naps lol)

Am I not one of those three people anymore- Gotta step up my game fr dang

I think generally resting is a pretty straightforward thing. We even see Gantlos taking a nap, which I personally find absolutely delightful. It's very important to me. Get those hours in grandpa!! They're clearly not above sleeping and GOOD, they shouldn't be.

But depending on the point in time, the way they went about things probably did change over time? To me there's like 3 major points for them: Their start -> prime -> downfall.

Like in the early days it was probably a rare sight for them to all sleep at the same time, same goes during their downfall. Plus depending on their personal experience and skill levels they may all have needed a different amount of rest after using their magic excessively or even recklessly, so yeah. As a whole they kinda had this BOOM ATTACK lay low and don't use your magic, then ATTACK AGAIN and hide- Repeat cycle, something like that going on.

Then their prime rolled around and they just. Didn't really need to lay low between attacks anymore. They still slept! Sort of! But when they started feeling low on magical energy they could tap into the Black Circle (the object), which now stored a bunch of absorbed magic, take a quick sniff and be replenished. At most it'd take a meditation maybe, but it wasn't something they needed to take a big break for anymore. Imagine being a Terrestrial fairy. You've gotten used to the wizards disappearing after bigger attacks and suddenly those breaks get shorter and shorter until eventually there no longer are breaks. Me personally, I would give up.

Eventually their downfall rolls around, which brought back both the sleeping in shifts, as mentioned, as well as the ATTACK and lay low approach. But now it's embarrassing because they're cocky and supposed to be above that at their grown, experienced age. They're not stupid enough to inhale their whole magic supply in a panic, but that doesn't leave them with a lot of different options beside the reliable breaks.

HOWEVER!! Back in the day they somewhat had the advantage of going from minor inconvenience to genuine threat, right- Meanwhile during S4 they already ARE a threat, just disappearing like they used to doesn't quite work the same anymore. They don't have the energy to sustain their reputation, and the reputation is too much for their enemy to let their guard down while the wizards try to lay low. Just things to think about. I know I think.

Something else I think about!! Is Duman specifically!! And nobody was surprised sksjdhfj. I'd like to think his magic is on the majority of the time, that's just how he works. His transformations are quick and frequent, as we know, having it on just helps that work properly. Now I have considered!! Hibernation. At times. At least a form of it.

Back in the day there were genuine times he was out of the running for a while just not to strain his magic more than it could handle. Of course he wasn't as GREEDY with it as modern day Duman, so it didn't happen often, but it did happen. Very inconvenient!! Ogron despised his ass frfr. Jk but. It stopped being a necessary thing during their prime too, because of their shared supply- Probably should've returned during their downfall though. But it didn't. So.

I could really yap on about the hibernation thing tbh, I keep breakdancing on the fence whether I really wanna use it, but the concept has given me THOUGHTS and the wizard server refuses to humor me!!!!! No they do just the last time I brought it up with them I didn't have a lot to say yet jdkdj- Either way I could probably just. Use it sometimes, depending on what I'm doing. What else is new right.

[theminecraftbee]

What's Vault Hunters like? I've only really watched Hermitcraft. :'3c

alright! so, vault hunters! this is the modpack/unique mod that goes with the pack that iskall and his dev team are developing! the game is designed to be somewhat like an RPG level progression system and skill tree has been added to minecraft, as well as a roguelike dungeon system.

at the beginning, it's basically just regular minecraft with a few extra skills you've chosen and weaker armor. however, after you beat the ender dragon and get access to end materials, you can build your vault altar and vault portal, and visit the vaults, and start vault hunters proper! you "win" vault hunters, progression-wise, once you collect all 25 artifacts from the vaults and complete the "final vault" at the end of the modpack.

the vault is basically a roguelike dungeon. you cannot heal without using healing potions in the vault, and your goal is to get as much loot from the vault as you can, as well as find the obelisks and beat the boss to escape. (you can also choose to bail a vault if you don't think you can beat the boss, which is often what happens instead if the vault isn't locked. however, you need to defeat the boss to gain experience and get a chance at getting an artifact.) the vault is full of special vault gems, vault gear (which is funky armor with lots of different bonus effects), unique loot, the things you need to get points to unlock mods, and more. as you finish vaults, you'll gain items to help you level up, be able to get new skills, eventually start unlocking mods, etc.

there's also some like, background lore about the existence of the four vault gods, which i often rotate in my head, but also which is mostly background details to make the world of the modpack more interesting. the 'vault gods' refers interchangeably to the four characters who you gain favor with - idonna, wendarr, tenos, and velara - and to the devs of the modpack. (this puts iskall in an interesting position, given that he both plays the modpack and is in charge of dev. also, douwsky specifically is normally referred to as the janitor instead of a vault god.)

the vault hunters smp is a related thing. we're about to get season 3. it serves both as the beta testing ground for the vault hunters modpack and as a fun smp to watch some creators play on! i do not know exactly what set of people will be in S3; presumably hbomb, iskall, and captain sparklez will be there, as they all played on the original server pretty religiously. i would be surprised if pete isn't around again, stressmonster is doing a whole bootcamp series so she's definitely going to be around again, and tubbo is apparently the one who leaked the date (lol) so he may be trying to be more active in S3 than he was in S2. i'd be surprised if antonioash wasn't there as well he was also pretty dang active. uh. i'm not good at names so i'm DEFINITELY forgetting people who may be around in S3 but we will find out for sure when it comes out.

S3 will be the 1.18 version of vault hunters, which will be fun! additionally, it, like the previous two seasons, will presumably contain the twitch integration that went with progression in the SMP version of the modpack. (the public release does not have this integration.) it allowed viewers to end up involved in how things worked, and personally i thought it was pretty fun. stuff like "people who sub/gift subs getting statues" or sub fighters or basically anywhere there are skins present in the public release, there was some twitch integration element in the private, SMP version.

it's worth noting that S3/the 1.18 version of vault hunters is expected to have some pretty major changes from S2/the current public modpack in 1.16, as it's somewhat more of a 'sequel' than something you're expected to update your current worlds to. so i'm excited to see that!

the fastest way to figure it out if this doesn't explain it well for you would probably be to watch someone play in singleplayer, although that won't have the twitch integration stuff, so if you want to watch someone, here is iskall doing a playthrough (he knows what he's doing very well), here is welsknight doing a playthrough (he does NOT know what he's doing and it's relatable), and here's stressmonster doing a playthrough (somewhere between those two poles)!

[cookierunauprompts]

dang it the link didn't go in gah i'll just repaste it here

-

Void Dough Cookie

Rarity: Beast

“In the end…this is for the best.”

Once, there was a Cookie. Her name was Dough Cookie. Nothing specific, just…Dough Cookie.

This tied into what she was. In a sense, she was a ‘prototype Cookie’ - one made both as a typical assistant, but also a vessel for their more…experimental ideas. Such as the first true Soul Jam, one with no focus except the idea of Virtue as a whole - a hexagonal gemstone with a spiral in the very center.

Dough Cookie was not the first Cookie, but she was one of them…and she often aided the witches with their research. Until one day…the Witches decided to try something. A new experiment - and of course, they ended up putting that creation into Dough Cookie.

That is when the ‘instability’ began. Dough Cookie began seeing things - things that did not exist, yet showed her nonexistent ideas beyond the bounds of reality.

Paradoxes. Impossibilities.

Pain.

…and then. She discovered something.

Perhaps…the first night of the witches. Where her creators…indulged.

In the end, Virtue ceased to be. In the face of pain and evil, it shattered and sunk into her dough.

And all that was left in its place was a profound, numb…

Emptiness.

The Witches, when they discovered the void that had overtaken their creation, panicked and sealed her below the earth. She did not resist. She would have plenty of time to seek what she needed.

To bring the mercy of nothing to all that existed.

Void Dough Cookie would slumber, even as the Beasts rampaged.

Ooooh! Void Dough sounds rather interesting! Especially the part about her being one of the witches experiments!! I wonder what will happen when she eventually wakes up, at least, i think that's a possibility.