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#definitely a way to just write it out
frokoyami · 9 months
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coming home after another day of plan making
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blueskittlesart · 18 days
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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gingermintpepper · 12 days
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There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.
One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.
It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.
Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.
Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?
He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.
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#ginger writes#hello and welcome to my 'ares is doing his best' corner#I can't overstate enough how alike Artemis and Apollo are as young gods physically#literally identical twin status which only begins to change as they acquire different domains#I was really happy with the font I got because it very closely resembles what I imagine Ares' handwriting to be like#But I'll gladly add an image description if it's too illegible#That said Ares has an interesting dynamic with the twins#In a lot of ways there's a sense of guilt/wariness surrounding him for Apollo and Artemis#because he knows how much they stress his mother out and he also knows how much Hera doesn't like Leto#But there's also a bit of fascination because Artemis is extremely strong#(in a way that's markedly different from Athena's strength)#while Apollo has all of these crazy stories attached to him from killing Python + his work while exiled#but when he returns he's very placid and calm and almost?? too nice? Definitely nothing like Artemis#in terms of personality#Ares doesn't really trust it until he learns that straight up that's just What Apollo Is Like#That too will change eventually but for now Ares just doesn't want to approach Artemis the way he'd approach Apollo#because he'd get his head caved in with the curved side of a bow#There are precious few encounters Ares has had with Artemis where he hasn't walked away with#at least a few arrow wounds LMAO#He'll eventually be forced to accept that it's Artemis' love language#ares#artemis#apollo#pursuing daybreak posting#writing
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front-facing-pokemon · 8 months
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breadandblankets · 7 months
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ya know the thing is Bruce could try and pull his patented "in worried about you and instead of expressing that I'm going to pull you off of vigilante work" on Duke and it Would Not Work.
Bruce could pull him off the outsiders sure but 100% Bruce could not make Duke stop patrolling
Duke, staring Bruce's lil bat peepers down, with the power of gd and anime on his side: you could call Superman to sit on me and it Still wouldn't keep me from going out
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skyloftian-nutcase · 4 months
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Four was honestly surprised how many people were here. It was his first big trip, and it was definitely overwhelming. He was usually a loner, but he had to admit… he was thankful he’d asked a friend to come along.
Legend laughed as he texted someone, face glowing with glee. He elbowed Four mischievously. “We should definitely send pictures to Wars.”
“Is that who you’re texting?” Four asked with a smile, enjoying the cheer from his usually grumpier friend. Legend adored education conferences - his friend was nothing if not a lover of learning and exploring new things.
“Oh absolutely,” Legend replied, showing his phone. “He’s upset because I went to the emergency medicine conference and then went to this one. Personally, I think he’s just jealous because I have a cert he doesn’t.”
“Wait, Wars doesn’t have his CCRN?” Four questioned, confused. He figured Warriors, who had everything in his life in order, would have his critical care nursing certification. It was fairly common for nurses in ICU and ED settings.
“Nope!” Legend quipped with delight, obviously ecstatic that he had something over the military nurse.
“Okay, but important question: where are we going to get dinner?”
“Somewhere it doesn’t cost half our paycheck.”
Four glanced around at the skyscrapers. “Uh… not sure we’re going to manage that. I didn’t think the Hebra Mountains had cities like this.”
“Well, then we can contemplate Brugada Syndrome and complicated EKG rhythms while we starve,” Legend supposed.
“Oh, don’t be like that,” Four laughed. “This is a trip, we shouldn’t worry about the cost too much.”
”We don’t make Time’s salary.”
“But we make decent salary.”
Legend bit his lips, stubborn. Four narrowed his eyes analytically. “This isn’t about how much the food costs; it’s because you’ve blown your budget on coffee, isn’t it?”
His friend immediately flushed, guilty as charged. “They charge ten rupees for coffee! Ten!! This place is ridiculous!”
“I told you your caffeine addiction would come back to bite you someday,” Four smiled. “Or, well, more so than it already has.”
“I swear, if you bring up the SVT episode one more time—”
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akelafang · 2 months
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Camelot is hosting a feast! Food, music and dancing are in abundance. As are the amount of visiting nobles.
One of the noblewomen has taken a particular liking to dear Sir Leon and is heavily flirting with him. He's deeply uncomfortable but too polite to outright reject her and she's too persistent to notice his disinterest. Gwaine notices though. His eyes always tend to wander back to Leon at events like these. And during training. And the rare nights Leon joins them all at the tavern. And- anyway, the point is he's the most likely person to look over at Leon and notice his distress. Naturally, being the chivalrous knight Gwaine is, he decides to swoop in and rescue the knight in distress.
He makes his way across the hall to them, wraps his arm around Leon's waist and says "There you are darling, I've been looking everywhere! You promised me a dance before the night is over."
Leon jumps a bit having not expected the touch but relaxes when he recognizes Gwaine's voice. When his words register Leon looks at him confused for a second before he catches on. "Oh, ah, so I did. I'm sorry my Lady but a knight can't be seen breaking a promise."
The two leave the noblewomen stunned and sputtering. As soon as they're out of her sight Leon goes to move away but Gwaine tightens his hold on his waist for a second.
"And where do you think you're going? You promised me a dance."
"That was just a ruse to get me away from her, and thank you for that by the way."
"Ruse or not as soon as she stops doing her best impersonation of a floundering fish she'll be watching for you, as will anyone who overheard. A knight can't be seen breaking a promise now can he?" Gwaine sent him a playful smirk "And I certainly wouldn't mind dancing with the second most handsome knight in the kingdom."
Leon looked at him in disbelief with what Gwaine thought might be a small glimmer of hope. Though he worries he might be projecting his own feelings into the situation
Little does he know Leon is having the same worry. "You truly want to dance with me?"
Gwaine smiled at him. Not one of his goofy smiles like when he makes a joke or his flirty smirk he uses to try and get his way. A genuine smile full of fondness and it's own spark of hope. "I do. Look, I'll even let you lead."
Gwaine moves his hand from Leon's waist to his shoulder, giving Leon enough time to step away if he wanted to. But Leon doesn't want to. Instead of stepping away he steps closer and places his hand on Gwaine's waist, taking the lead position for a walts.
"Fair warning, I'm out of practice. It's difficult to do so without a partner you truly want to be dancing with."
A little of Gwaine's flirty smirk creeps into his expression but his eyes still hold nothing but adoration for the man before him. "Then I guess I'll have to make sure you get plenty of practice in the future."
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blackhholes · 2 months
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teen wolf meme: [3/5] motifs -> resurrection
It's different now. I think dying did something to him. It did something to me, too. But none of it was good.
#teen wolf#lydia martin#kate argent#tracy stewart#scott mccall#peter hale#jackson whittemore#derek hale#hayden romero#twedit#twgifs#mine#my gifs#twmeme#yes i'm aware that it can definitely be argued whether resurrection is a motif in teen wolf or just a recurring plot device#and while it's certainly not a symbolic motif like fire and water was previously#the way it's utilized within the show does make me read it moreso as a motif than just plot#like water it's used to communicate an internal change but the ways it differs from water is that it usually occurs at the end of a#narrative arc whereas water typically appears at the beginnings#water is used to signify a character's beginning descent into something new and the resurrection is once that change is completed#jackson's arc in season two is started with his submersion in water and it's ended with his resurrection#and lydia's arc in eichen house in 5b is much the same with her in the river in her mind at the beginning and then her dying and coming bac#at the animal clinic#even lydia's arc in season two can be read within these parameters#it begins with her in the hospital shower as she digs hair out of the water and ends when she resurrects peter#so while yes there is a reversal there and lydia isn't the subject of the resurrection she is the agent of it#which honestly the same can be said for theo in 5a#basically what i'm getting at here is that my reading of the resurrections in teen wolf as a motif is very valid and you should all agree#also i completely forgot about jackson's resurrection until i was literally writing these tags so i had to go back and make a gif for that
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izel-scribbles · 1 month
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just finished malevolent relisten. needless to say the obsession has been rekindled tenfold its previous magnitude
#im so fucking isnane about this podcast#ok notable reactions:#john.. Oh my god. It’s so insane to go back and hear how much he’s changed in the way he talks and reasons and treats arthur#i love you john doe malevolent#fav trans allegory ever!!!!!#definitely relate to him a normal amount (liar voice)#and then. S2. I really need to make that animatic with lonesome dreams#godddd i forgot how painful the ep18 divorce was#and then!!!! the canna mentions helping noel escape!!! completely forgot about that part#s3. oh my god. absolute fav season. soooo many crazy moments.#like coda??? “You want him back.” “I want him safe.” You want him baaack.” “I want him back”#KAYNE I FUCKING HATE THAT RAT BASTARD.NEED TO BASH HIS HEAD IN WITH A ROCK BUT HES A FREAK AND HED ENJOY IT SO I CANT#piece od shit#and then 23/24??????? arthur’s happy cry-laugh???? dead#part 25. “I killed myself. For a voice in my head. Do you know how mad that sounds?” what if IIII killed myself#26. god. Then 27. And 28. Literally my fav season ever#followed closely by s4#ohhhh my god i forgot how hot the butcher is like genuinely#i completely forgot prelude somehow???? giggling kicking my feet twirling my hair the whole time#i need to be this homicidal gay irishman hes so hot oh my god#the 29 divorce. with the movie lmaoo#i need to draw them going on a night out and seeing a movie and getting dinner and drinks and dancing and (gets shot)#gooddddd i remember listening to 31 for the first time and being so fucking confused#PART 33. HIT ME RIGHT IN THE EMOTIONS. OH MY GOD. BELLA SALTZMAN I COULD’VE TREATED YOU SO MUCH BETTER#34….. i can’t speak about 34 without barking and howling like a rabid dog#dog. Is that a butcher refere(gets shot for the third time)#NOELLLLLL MY DARLING WIFE I LOVE HIM SO MUCH#this has just inspired me to keep writing hofth with ella tbh#lowkey don’t even get the obsession with oscar tho i can’t be talking#to each their own or whatever
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jerreeeeeee · 14 days
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
#mine#taz balance#taz lup#lup#like idk i think lup’s down to kick necromancer ass but when it comes to being like. WARDENS of a PRISON. would that not be uncomfortable??#but like taking the job is the only way to avoid HER being thrown in prison??#idk the raven queen being a cool & chill goddess boss is definitely fun but when you actually think abt it#i don’t think i’d agree with her. i think if i lived in that world i’d think she were sort of evil#which like also to get into the hunger vs authority its not very explored because its not at all the point#the hunger is meant to be nihilism and despair and dissatisfaction its at its core an emotional story about joy & love#but like john starts out rebelling against laws. laws of the universe; except that it turns out a being wrote those laws (jeffandrew)#so the hunger is also sort of a force of rebelling against unjust constraints in the pursuit of freedom?#and the heroes end up preserving the status quo and saying you just have to find joy within those unjust limitations#which again. like. the point is that life is unfair and you can find joy and meaning despite it. which is true to real life.#i’m not saying the hunger was right or that despair is the only way or w/e like#yk like taz balance is not a story about society its more about. philosophy i guess#the point is that life’s really hard and you find meaning anyway and that’s preferable to despair and death#thematically for the audience we understand these are standins for ways of viewing reality#and in the real world reality is what it is. its just the world. there’s no authority that writes the laws of nature#like its not a ‘man vs authority’ story its a ‘man vs nature’ story#but IN UNIVERSE nature IS an authority. jeffandrew and the gods. regardless of how much joy you can find in an unjust world#if i lived in it i’d want to make it more just! but anyway like yeah barry & lup working for the raven queen#is kinda an extension on that idea of preserving the status quo#although i guess you could say gods are just forces of nature. theyre not PEOPLE theyre just personifications of existent natural laws#and it ties in w istus and fate as well#although fate is like a comforting guiding force rather than restricting & horrifying#^ pay no attention to any of this i don’t think it really means anything i’m just like. writing thoughts as i have them#not like a hard stance i’m taking just exploring some ideas#any ways#THERES A TAG LIMIT??
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storm-driver · 1 year
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from here
#this is so fucking important to me#im... so happy about how the manga tackled THIS scene#kingdom hearts#this part of kh3 always felt odd to me tbh#it felt like the writers wanted to do something and just. didnt go all the way#there were ideas and they just didnt fully write them down and put the same amount of effort into them as they did in other places#THIS feels so fucking... emotional. and for what reason?#it's just. sora cares about roxas.#it's just true. he cares about roxas and feels bad about the situation that him and roxas both were put in.#he never found it fair that he got to exist while roxas was told to unalive.#and while the sora writing in khDDD and kh3 definitely told us that#definitely told us that sora DOES NOT like this situation and he would be willing to do anything to bring roxas back#it wasn't this.#this feels like a friend you barely got to know. realising that you had it so rough.#and desperately trying to break down any barriers between you two and grab your wrist#to hold onto you tight and refuse to give up on searching for you and trying to help you out of your darkest places.#sora is so fucking insistent on proving that roxas is not just his nobody.#roxas is roxas.#donald being sorta confused makes complete sense#because he didnt see how roxas fought with every fibre of his being against sora to just try and beat him and prove his right to live#he didnt see sora bearing the weight of roxas' life and feel the betrayals and lies and deception that he barely understood as it was.#to anyone else. roxas probably is just sora's nobody.#sora may very well be the one person who knows that isn't true.
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itsdefinitely · 9 months
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i wanna know more about the jerries/jeris
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
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corvid-ghost · 18 days
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How did they let Lila and Diego go from her risking it all to have him by her side even though they only knew each other for a couple months and him hiding her away from danger to keep her and their baby safe, to her and HIS BROTHER having an affair
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kangaracha · 5 months
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CATSKIN for @feelbokkie
prompt felix + twisted fairytale (catskin)
TW for blood, minor character death, mentions of sexual assault, medieval type violence
word count 4444
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I.
When first you meet, it is like two stars colliding - like the sun and the moon dancing around each other in the sky, and love at first sight is a dream for foolish, insipid children and you know that to be true, but...
Maybe in this moment, you forget. Maybe you see his face, warm against the cold ice of the cape that falls over his shoulder, or maybe you watch the soft curve of his mouth as he laughs at something his brother says, standing so subtly apart from the crowd that no one notices they are there. Maybe your eyes meet across the room, sun-warmed brown to striking blue, and time stills and the dance stops and your heart thinks that here and now, nothing else could matter but the taste of his name on your tongue and knowing what his hand would feel like in yours.
But this isn't real. The ballroom is crowded, and he is a familiar face you have never met, and you are a stranger with the moon draped over your shoulders for the night. The band strikes up a dance, a lively rhythm that swings fast and slow, and you are swept into the rush of the current, your feet moving in a pattern that they know from heart. Your hands are still stained with coal; you take every suitor's hand palm-down, hiding the black stains that won't quite scrub from already-dark skin, and you waltz without meaning until pale, slender fingers take yours and hold them tight, tugging you from the dance before you can be passed on to the next partner in line.
"Wha-" you begin, and then you look up into the eyes you've dreamed of for days and months and years and forget what you were going to say at all.
"Sorry," he says, and drops your hand with all the haste you'd expect someone like him to once he looked close enough to see the lie shivering beneath your skin. "I just wanted to know your name, before I lost you in the crowd."
Love at first sight is a story mothers tell to put their children to sleep at night, and you have lost all your senses because in that moment, your mouth opens as if to answer him.
"There you are," a voice says behind you, too sweet to be any you know; and an arm loops through yours, and here is Hyunjin suddenly, jewels dripping from his brow and a fire burning in the back of his eye where only you know what it is for. "It's so like you to wander off. Come on; our friends are looking for us."
"Before you go-" says the mouth you'd seen laughing from across the hall, the prince it belongs to reaching out a hand - but you are already gone sliding away through the crowd that fills his ballroom from wall to wall with more dazzling finery than you've ever seen in your life.
"That was close," Hyunjin breathes in your ear, and there is the voice that you recognise, liquid fire and undertones of dark shadow. "You're supposed to avoid him, you know."
"I know," you mutter and allow yourself to be swept away, all thoughts of love and the sun and the electric feeling that had jumped from his hand to yours swept to the side.
II.
The king likes the ballroom to be full and the people to be colourful, and he likes the crowd to be lively.
The wine flows freely for the last day of the summer, the lords and ladies stripped of their cautious humours and careful tongues. Their laughter is raucous as you slip out into the garden, the sun pulled over your shoulders in lengths of fine silk that cut away the cold wind that bites at your exposed skin. Already, the trees have begun to turn and the grass is wet with the season's rain; you stand in the centre of an autumn scene and watch the leaves flutter and fall, the light of the lanterns glittering from your skirts and the swirl of beading across your breast, woven from the finest gold.
"It's you," says the man beneath the tree; and when he steps out into the light, dressed again in pure white, you forget to pretend that you hadn't seen him, or that you'd simply come out here to breathe in air that wasn't stifled by the laughs of a thousand other people. "I was looking for you, you know."
"Were you?" you ask with the curve of a smile, your tongue loosened by the quiet of the cooling night and the seclusion of the garden. "Or could you just not find someone to dance with?"
You'd seen him earlier, standing at the edge of that floor. Gently turning away the hands of countless maidens in gowns that dripped in jewels under the guise of speaking to his brothers, searching the crowd with his eyes at every moment he thought that eyes weren't watching him. The guilty smile that plays on his face says that he knows exactly what you are thinking of; the step that he takes within your reach says that he isn't going to hide it. "Maybe I was waiting for the right person," he says, and then his cheeks turn pink in embarrassment, his eyes sliding momentarily away from yours.
"You'll waste your entire night if you think like that," you tell him lightly, and then you glance over your shoulder at the doors to the ballroom - to give him a moment to himself, you tell yourself, and pretend that it wasn't because you thought you felt the creep of Hyunjin's watchful gaze over the back of your neck. There is no one at the door though, no one watching through the backs that are turned to the glass. Only he can see you here, the sun standing in the middle of the night's darkness.
"I never got to ask your name the last time I saw you," he says; and with a start that jolts up your spine like electricity, you turn back to him. 
"I never got to ask yours either," you say, in lieu of the answer that you cannot give him. Never mind the danger of him recognising you too closely after this night - if he mentioned to Hyunjin the name of a girl he'd met in the garden, if Hyunjin knew what you were doing between the tasks you'd been given...
"Everyone knows mine," he scoffs; not because he thinks so highly of himself, but in the reluctant acceptance of someone who had never known a moment of privacy. "You can't have come to the woodlands knowing so little."
"And what if I didn't?" you question, playing along on this string of a conversation rather than letting him turn it back around to the question he'd really tried to ask. "What if I'd simply come here to enjoy the night, and seen a man across the room that I thought I'd like to know?"
His smile grows wider, his eyes softening. You like the way that smile looks on him. "Then I'd tell you my name is Felix," he tells you. "And I'd probably ask you to dance before we met like this, out here in the garden where no one is looking. And it probably wouldn't be such a scandal if we were seen either."
"That doesn't sound like as much fun though," you say. "Isn't it much more interesting to meet like this, than to have it all planned out?"
"Are you someone that likes trouble?" he asks, head tilted to the side in question; and the words seem cautious, probing, but he draws in closer again anyway, enough that his hand can brush yours in the folds of your dress.
"Maybe I am," you tease, your heart fluttering and jumping around in your chest like a nervous rabbit. "Aren't you?"
"I think I could be," he says, and his hand brushing your chin is followed by his lips brushing yours; and it is only a question, a stepping across boundaries that promises to rescind immediately if you push him away, but love at first sight is a dream and you think maybe, in another life, you might have been a terribly indulgent dreamer.
You kiss him with all the certainty that had driven you to this point, this garden and this night and this man, and his lips are soft and he smiles too much, and his hands are hesitant to wander, but you've already tried hot, heady passion and men who take what they want. Soft is new, and questioning sends a shiver down your spine, and you think this is a better man. 
And then you stop because you remember, but you play it off as the toll of the bell startling you from a daydream. "I have to go," you say, which is true, and then, "I hope you find someone to dance with tonight," which is not.
"Will I see you again?" he asks; and it's notable, you think, that he doesn't reach out of try to stop you. That he accepts on face value that you are telling the truth and that, even though his eyes say they want you to stay, his mouth would be rude to ask.
"Maybe," you say, the word drawn out like honey dripping long and slow from your tongue. "If you have another ball."
He laughs, his eyes squeezing closed with the pain of it. When they open again, you make sure you are gone from his sight.
You're pretty sure you dropped something like your heart there in the courtyard, but you don't dare to go and get it back. Not yet.
III.
You're cutting through fine hallways of tapestry and stone from the garden, your basket filled with vegetables and your face streaked in dirt. You aren't supposed to be here - a scullery maid shhould be in the dark spaces between the walls, scurrying up and down steep and spiralling stairs, but you're late and the cook is a stone-faced woman with a tongue made for lashing, and you hadn't thought-
The prince stops to look at you, confusion furrowing in his brow as he stares at your face. Recognition; except that today you are hiding under the brown of the dirt and the mantle of wild fur, cobbled together from the backs of many animals but none so fine as te ermine that lines his coat. 
Your heart sinks even as it pounds in alarm at the thought of him finding out what you are and where you've come from. It is a disaster if it happens, surely, but at the same time - maybe you'd tricked yourself into thinking that he remembered you the same way you did him. Or maybe he had tricked you, with the way he'd so quietly given you his name in the garden, the earnesty with which he'd nearly asked you to stay.
"Your highness?" Hyunjin asks at his shoulder, dressed all in his own princely regalia, and Felix turns away. And for a moment you hate Hyunjin, as you slip to the side of the hall where your feet should be, out of the way; because how could he be so beautiful, and so detached and so true to his beliefs that he could play the prince, and you are so suited to fur and treachery that you stand here a maid?
"Sorry," Felix says, to Hyunjin and not to you, and pretends to move on. You can see his eyes flick back again as he leaves though, trying one last time to see past the furs and the dirt, to place where he has seen you before.
You can see Hyunjin's too, piercing when they look directly at you. Warning, that you are overcomplicating things. That this is all about to be a mess, and you are no longer prepared for it. 
Your ire rises again. You know what has to happen, and what he will do to facilitate it, and you know your own roll. You know it all has to end. Who is he, to think you can't carry through on a promise? Who is he to doubt you?
IV.
The final coat is made of feathers plucked from the birds of the sea cliffs, tawny brown and ochre and cream. Hidden in the tunnels of the castle, Hyunjin tucks a sprig of samphire into the curl of your hair, picked from the edge of the world before you had left and wrapped carefully in paper made for preserving these kinds of things. A piece of home, brushing up against your ear every time you turn; a signal to those that you have let in the back door that you are a friend, in case you are caught in the havoc.
"What happened to your hands?" he asks as he steps back to look at you, his own lifting your wrists so that he can see the black marks on your fingers.
"There was grease on the gate lock, to stop it sticking," you reply. "It doesn't wash off like blood does."
He drops your hands just as fast as he'd picked them up, his eyes scanning the feathers again. As if it was this coat that you'd worn when you'd taken a knife to the man at the gate, as if he would find evidence of the blood on your hands smeared across the vanes if he only turns you this way and that. Silly of him, really - the edge of the fur coat was the one that bared the stains. The fur was made for the work of the hands. The feathers were only sent as a signal, a draw of the eyes, dropping in the path of your feet as you walk towards the ballroom.
"Stay away from the prince," Hyunjin warns you, his attention turning in the direction of his own path to the party. "He's looking for a particular girl that he saw last time. He'll have eyes everywhere."
"Not on the ground though," you answer, shaking out the coat and watching a feather of mottled brown drift to the floor. You ignore the way that your stomach dips at the mention of a girl. You neglect to mention that the girl he's looking for might be you, and the rouge brushed across your cheeks and the glitter of gold on your eyelids will only draw his eyes. 
You should have worn the dirt and hidden in the shadows, but that's not how they had prophesised it. The witches had whispered of a feather coat and a dress made of the sun and a moonlight shawl, and you'd been the one foolish enough to wear them, and no one in those rooms had been able to resist the magic of them, least of all the prince.
"Time to go," Hyunjin says as the bell tolls seven, and with one last look between you, you turn your seperate ways. 
You don't know where his heart resides, but you know that yours is in your throat. You hope that he survives the night. You hope that whatever he came here for is worth what it is going to cost.
V.
At the moment the ballroom bursts open, the black soldiers streaming in from every entrance, you are looking at the prince.
You hadn't meant to. You had taken Hyunjin's advice, as much as it grated at you to do it, and you had avoided him, skirting around the edges of the room while he searched in all the wrong places for you, dropping your feathers where the feathers wanted to fall and hiding in crowds of garish colour that sniffed and sneered at your coat of soft brown; but even though you don't wear the sun or the moon, you still orbit around him and him around you when you are in this room, and to stay away from him was-
Impossible, in the moment when you turn and there he is, right on your tail like the hunters following the birds to their nests in the cliffs, willing to jump from the rocks just to collect the eggs that might hide below. Except that he wasn't here to steal from you, or to catch you in his hands and tame you - he only thinks that you are beautiful, or that he could love you if only you gave him a chance.
And then the feathers ruffle and shift in the breeze, and the doors open, and the room fills with the men of the sea, axes and knives glinting in their hands and white teeth snarling within their faces.
Eerie silence falls as the room stutters to a halt, the shiny, red-faced aristocrats turning to stare at the army that have entered their sanctuary. The first one falls by the main entrance, his wine arcing through the air as he tumbles to the ground under the sharp blade of an axe; and then they scream, and they move in every direction, and in the maelstrom of silk and chiffon and eyes of horror you lose sight of the prince.
Slipping across the room is like fighting upstream against a raging river, ducking between bodies and around blades that don't have time to see the samphire behind your ear. You fade away into the one hallway you hadn't marked with a feather, disappearing into the black of the walls and the twisting tunnel down to the kitchens where just moments ago maids had scurried out to deliver the feast, and your heart breaks at the red-suited body that tumbles in on your heels, the eyes of a man in armour of beaten iron that take in your feathers and your face and turn away, back to the bloodbath, but you can't go back. You can't save him. 
And then a gutteral cry echoes down the tunnel, and a body blocks the light that flickers from its entrance, and there he is, your prince. His eyes are scared and his mouth open as he gasps for breath, the little knife he'd used on your countryman held in a white-knuckle grip in front of him as if he thinks he might need it again at any time. Blood splatters the front of his snow-white coat, tarnishing the pearls and sinking into every fibre of the cotton and wool that holds it together.
"It's you," he gasps between breaths, the words reverberating from the stone walls. "I found you."
"You-" you begin to say, but the words are lost in the storm of thoughts that cloud your mind, the race of scenarios that you can imagine coming from this unfateful meeting, this turn in the story that was never anticipated. Every step has been told to you up until now - the coats, and the feathers, and the rush of men into the ballroom that leads to the fall of a kingdom - but no one said a word about this. About him, the prince, the hands that now cup your heart to their chest, and the knives at his back as he stands there, just one step shallow of safety.
You think too much about what has happened and what could happen next, but you don't think at all when you reach out and grab him, dragging him down the tunnel and into the darkness, where only sporadic lanterns burn to guide the way. Around this corner and then that, down a staircase so steep that countless girls have broken their necks tripping on its uneven stones, into the warmth and light of the kitchen, where the smell of the pig roasting over the fire fills the air and the stack of pots waiting for you to wash them later in the night teeters towards the ceiling, stacked in one corner by several pairs of careless hands.
No one is here. They'd timed it deliberately for the arrival of the feast, when the attendants of the ball would all reconvene from the corners of the palace to the ballroom to fill their already ample stomachs. Incidentally, this meant that the kitchen staff were all in attendance too, arranging dishes under the watchful eye of the cook, which meant that when you tried to hide a prince in the kitchen-
"Wait," he says, dragging back against your hold on his arm. "Wait, I know a way out of the castle. I can take you where it's-"
"No," you cut across him before he can finish, and you tug at him again, dragging him step by step towards the maid's quarters. "They're in the hidden tunnels too. There's no way out."
He's so surprised that he forgets to resist you, his body going slack with his jaw and his feet following you across the room. "How do you know that?" he asks.
You don't dare to look back at him as you enter the room you share with the other girls, as you open the little chest-of-drawers that holds everything you brought with you (but not everything you own) and you pull out the clothes you wear day-to-day - grey trousers and a cream shirt slowly staining brown, and the coat of a thousand furs, its edges stained with fresh blood. "Put these on," you order him, shoving them into his arms without looking him in the eye, and then you turn your back.
"I wouldn't punish you for pretending to be from the court," he says to your back as he changes, the white jacket thrown to the dusty floor and then his shirt and breeches. "Or for knowing whatever you know. You saved my life." His boots are too nice to be a servant's, but yours won't fit him; you reach for Alice's old pair while he is busy, set neatly at the foot of her bed, and hand them to him when he is done, picking up the clothes he has discarded instead.
You saved my life too, you should say of the man he had killed, to keep up the illusion, but the lie seems wan in the face of the truth you are going to have to admit to him by the end of the night. You stalk past him instead, headed to the fire with the truth and the lies still sitting sour on your tongue.
The shirt and pants burn easily, the leather of the boots slow to sink between the logs that fuel the flame. You hesitate a moment before throwing the coat in after them, eyeing its precious pearls and hand-woven patterns of leaves and swirls. A silver brooch pinned to the lapel catches your eye; your thumb runs over it, feeling the careful details its maker has pressed together and the chips of diamond that embed its surface.
"That was my mother's," Felix says behind you, a certain grief hidden in the stiffness of his voice. "But you can burn it if you have to."
"I don't have to," you reply, and you work it free of the fabric with delicate and practised fingers. The coat feeds the flame; the brooch pins onto your dress, just above your heart.
 "Pretend to be a servant," you say as you turn to look at him. Your hands reach out to fix his coat, to smear the soot from the fireplace into his golden curls and down his cheeks. "I can't keep you alive if you're a prince, but if you're just a boy from the kitchens-"
His hands catch yours as they slip from his face, the ash that clings to your skin staining his as he grips them tight. "Who are you?" he questions. "What have you done?"
Tight-lipped, ashen-faced, you look up into his eyes - pale blue to forest brown, liar to honest truth. "I'm the feathercoat," you say, as if he will understand the words of a fable that people only whisper over the sea cliffs and the raging storms of the ocean. "I'm the one that brings the woodlands to their knees. I'm-"
Your voice chokes in your throat, your fingers growing numb from the force of his grip on your hands. There's a knife still tucked into his waistband - there's a knife behind him, stuck by its tip into the surface of the cutting board. You only have your feathers, and the excuses that stack up in the back of your throat; that the witches told us it would be so, or your land is the only gift my father will accept in place of a marriage to that man, or haven't you seen the way your father encroaches on our cliffs? Haven't you seen the way your farms destroy our hills and valleys and pollute our river? But those are all reasons that blame someone else, and you are the one that stands here, and the grease from the gate stains your fingers, not theirs-
"I loved you," he says, and he lets go of you like he has been burned. "I saw you across the room, and I thought no one could be so beautiful, and you can't even tell me the truth when-"
A shout echoes down the hall you'd escaped from, the rattle of armour and the thunder of heavy boots against the floor. "Wait," you say to him, a hand suspended in the air between you. You're afraid to touch him, when he could reach for that knife - when he deserves to see your blood run, for what you have done - but you can't let him run to his death all the same. "Wait until we live, and then I'll tell you, and then you can kill me. But wait. Take my hand and wait."
He hesitates, his eyes wary like he doesn't believe you, but the man on the stairs shouts again, calling for someone to follow him, and the fear shoots right into his heart and his hand slides into yours, his pulse fast but his fingers cold. 
"I don't want to kill you," he says, like a promise you can't believe he will keep. "Just keep me alive, and when the sun comes up, tell me everything. Please. I don't have any reason to kill you if everyone here is already dead."
"I will," you reply, and this is a promise that will be kept, whether or not he reaches for the knife when the light of the dawn comes. "I love you too, you know. I didn't mean to hurt you."
And yet, you have. And yet, the guilt and the feathers eat you alive.
---
PERMANANT TAGLIST
@amyyscorner @kokinu09 @rainfallingfromthesky @keepswingin @rylea08 @puppysmileseungmin @thatonedemigodfromseoul
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cluescorner · 7 months
Text
I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
#uhhh what am I calling this??#randomizedrobinsau#stephanie brown#oh my god I am so excited to figure out how tf to write this.#because she's my favorite of these characters and having HER be the first sidekick + the one who has a mentor/older sister relationship#with the others?? kickass. though I'll probably keep her and Tim's relationship as 'dating-then-exes' because I think it's funny#and then SHE can be the Robin who Tim got fixated on + figured out her identity?? holy fuck and then the angst of Tim later dying#Tim Drake#tbh I kinda wish he'd gotten a different position because 'sidekick who dies' Tim has kinda been done a lot with the standard#reverse robin aus. But it'll still be fun to write. Definitely going the Joker Junior route with this because Batman Beyond kicks ass#Dick Grayson#He'll honestly probably be the easiest. Like...his role has not changed much outside of being younger/not the one who defines this#But I still think it'll be good to see how well I know Dick beyond his eldest brother thing (which is my best way of relating to him)#Damian al ghul#damian wayne#oh this is gonna kick ass#Bruce does not want his son to be a sidekick but Damian just kinda forces his way into that role#and everybody doubts him because of his history with the league but he later proves himself more than capable#to the point that he can set out mostly on his own and still thrive#Jason Todd#Jason being the baby of the family is also something I have never thought about but holy shit it could kick ass#I really hope that I don't roll 'Jason must die' or 'Robin 5 must die' on the randomizer. I just kinda want Jason to live this time#But unfortunately I double-screwed him because he's on the 'must happen' wheel twice now. I did not think these prompts through#TBH I am so happy that none of them rolled their OG roles. because that would have been so fucking boring
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theminecraftbee · 1 year
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Normally, traitors aren’t frog-marched to the Emperors themselves, regardless of what rank of information they had. These aren’t normal circumstances, though, Techno bemoans to himself. For one, the man is refusing to speak anything but French and a tiny amount of broken Bayesh. For another, on being made, he immediately handed over about three folders of classified information then loudly waited for handcuffs to be put on him.
Phil is lounging in his throne; he’d never been one for propriety. This leaves Techno to be, uh, the actually serious one. The one adorned in uniform, sitting and glowering down. It’s lucky that the traitor isn’t a pigman, because Techno isn’t actually great at glowering, but humans are weird about pigman facial expressions so he should be fine?
The traitor stands before them and grins. In perfect Bayesh, he says: “Finally. It took way too long for you to catch me, bitch.”
Techno pauses. He stares. In Piglish, he barks to his guards: “Everyone out. It’s Leader business.”
They file out. They’ll be waiting outside. Phil straightens in his seat and reaches for his own sword.
Techno, laboriously, drags his hand across his face. He switches back to Bayesh. God, does he regret being fluent in multiple languages sometimes. “What are you doing here, Tommy.”
“Showing you your intelligence weak points, fucker. Do you know how easy it is to slip Bayesh spies in here? I was smooth. A smooth customer. I was hearing classified milkitary secrets—”
“You were caught within two hours,” Techno says.
“That’s—that’s just what you think, innit?” Tommy says. Phil laughs. He’s the real traitor here.
“Tommy. I don’t wanna have to cause an international incident, but I’ve had a really long day, so if you just tell me who hired you to run a spy op, and why you decided it was a good idea to run it yourself, instead of sending one of your experts…”
“No one,” Tommy says.
“Hey, don’t lie you little shit. Techno might not want to start an incident but I don’t care,” Phil says. He grins and holds up his sword. “You wanna wake up in a jail cell and reveal some secrets? We may all be Leaders but it won’t stop torture from hurting.”
“What the fuck, Phil,” Tommy says.
“No one’s torturing anyone. We’ll just bomb them later if we must,” Techno says.
“And I wasn’t lying. It’s—can I take the wig off by the way? It fucking itches.”
“I despise you.”
Tommy takes off the black wig, revealing his blonde hair. “Anyway, I don’t want to work with you guys either, so I figured I’d get your attention by like, acting like we’re enemies and stuff. Got hired for espionage enough back in the day to pick up that much.”
“Who the fuck wanted you as a spy?” Phil asks.
“Fuck you,” Tommy says and doesn’t elaborate.
“Please just tell us what you want,” Techno says. “Please. I can’t handle this much you at any given time.”
“This needs to be Leader to Leader,” Tommy says, and something heavy laces his words. The hairs on Techno’s arms stand up.
“You coulda asked,” he says, in one final desperate bid for normality.
“No, I couldn’t have,” Tommy says. “I think Chip’s dead.”
Techno doesn’t notice that he’s standing until he is.
“What?”
“Yeah,” Tommy says. “Yeah. And, uh, I fucking. Need your help to figure out what happened. Before we get blamed. And I know, politically, you’ve got no reason, but if we don’t figure out—”
Techno sits back down, heavy.
“I know you understand Piglish. Let me talk in my native language. Phil.”
“Yeah, mate?”
“Go get the stuff.”
Phil’s eyes darken. “Right. That. Well, I’ll be back.”
Tommy’s voice, for the first time since Techno met him as a newly-minted Leader, standing on a wooden bench and yelling about executions, is small.
“You believe me?” he says.
“Why else would you come here?” Techno asks. “Not like we like you.”
“Good, because I’m shit at infiltrations. Would have been embarrassing if you, like, didn’t know your enemy well enough to know that,” Tommy says. He’s saying something else underneath it. Techno is neither good enough at Bayesh or at Tommy to guess what.
“Let’s work out an excuse to make a treaty. And you tell me everything.”
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