#did i have other tags for this

[celticrune]

Very tempted to copypaste the entire ask list as revenge but I'll behave. 🌌✂️👑📎 for Temperance, 🚆☁️ for Tanwen and ☄️❇️🌈❤️ for Keiji! And maybe even 💚🎡🪤 for Val.

:3 reblog an ask meme with many questions, get punished with curiousity. and starting with temperance, smh, i see you like the evil ones

also yeah uh. long. good luck. plus the usual warnings that temperance is Not A Good Person

Temperance

🌌 MILKY WAY - what was the inspiration behind your oc? what was the first thing you decided about them?

I made Temperance in concert with Val, so you're going to get a double whammy on this one haha. Val came to be because I was talking with friends about evil DnD campaigns and we ended up making a trio of evil characters, who grew into their own setting with a main city where they do their evil. I really like characters who are living weapons of a sort and I love playing with identity, so I quickly settled on the idea of a conman with a thousand faces, who ends up disappearing behind the masks. Who has no name, is nobody noteworthy, someone you would never spare a second glance if you saw them on the street, but who because of that can steal any face and fit in anywhere. That's still a core part of Val and what makes them scary, though actually writing it and exploring it can be a bit of a pain. But! We're here to talk about the queen bitch herself. IIRC, what first gave me the idea of Temperance was a specific suggesting in the Player Handbook entry about the Conman background. Correction: It was the Charlatan background. "I owe everything to my mentor - A horrible person who's probably rotting in jail somewhere". A living weapon style conman who struggles with identity and an awful teacher who made them into what they are and who they equally resent and thank for that?? listen this is catnip to me. how could you expect me to resist. So this is where Temperance came into being. I quickly ditched the idea of the mentor being in jail, because I wanted the option of her being an active threat. Then as time went on and the other two characters in the evil trio got more fleshed out, I wanted someone more... "actively evil" to match those two. Val is a follower, and I needed a leader. Temperance, then, is everything I love to hate. She is all about facades and pretense, about fitting into society and using their prejudices against them to get ahead. She sees pawns, rather than people, and only truly respects two (2) total people. also she's a hot dangerous lady who doesn't usually do her dirty work herself, now that she is rich and established enough she doesn't have to, but she still would poison you and watch with a pleasant smile as you choke on your own vomit so. like. i'm gay i'm not blind. hope you're not regretting your questions yet as i am incapable of being concise and it will probably not get better :D

✂️ SCISSORS - what is the “last straw” for them to cut someone out of their life? how easily do they let go of people?

Haha. "How easily do they let go of people" extremely easily. Val was her most succesful project and arguably someone close to her and now that they've ran, she would still kill them without a second's thought for betraying her. If you want to be in Temperance's life on her terms, there are two rules: Adore her, and obey her. She tolerates no less, and she will not hesitate to drop you for a more willing toy if you don't have a secondary use for her. There are some rare exceptions, mainly Chal (one of the two OCs in the original evil campaign trio), but baseline? As much as lovebombing is a major facet of her emotional abuse, Temperance only cares about one person and it is herself. Anyone else is simply a means to an end and will be treated as such.

👑 CROWN - what does your oc want to be remembered as? why?

A queen. She is aware that will not happen and has settled for being a shadow queen, pulling her strings behind the scenes and watching everyone who thinks they're in control dance to her tune, but what she wants deep down is for everyone to know. To see her and see power, see influence, see control, see someone who will never ever be disrespected or fucked with.

📎 PAPERCLIP - a random fact.

I get to use a basic fact about her as a random fact cause you don't know her that well yet, score. Temperance is an albino (in her native setting, an albino tiefling), usually with a light pastel pink hair. She is also the reason Val still panics when they see someone with pink hair in a crowd or from a distance.

Tanwen

On a much nicer note! My darling ray of sunshine.

🚆 TRAIN - what is their answer to the trolley problem?

Pixel you are cruel. First answer and the aftermath: Cry, feel immensely guilty, panic, feel more guilty. She would choose to save more people but it would absolutely gut her and she would feel deeply personally responsible. Depending on the exact situation and the aftermath this is something that could break her as a character, or at least ruin her very very badly and take a long time and the right support to recover from In a philosophical classroom context: She honestly wouldn't be able to answer. Would be deeply uncomfortable with having to consider it too, and she would have to be very hard pressed to stop dodging it and actually pick one.

☁️ CLOUD - a soft headcanon

she fucking deserves one after that

As a child she made a lot of bead bracelets and she would gift them to anyone nice. The town she’s from isn’t that big, so at one point almost everyone walked around with a colourful, Tanwen-made bead bracelet.

Keiji

☄️ COMET - what do people assume about them? are they right?

When he’s lucky: Exactly what he wants them to.  That he’s annoying, that he’s an idiot, that he’s a little shit and he knows it. That he’s down to fuck, when they’re hot. 

Keiji tries very hard to give off an air that he’s untouchable, and he does that by leaning hard into being a bit of an asshole. He likes riling people up, likes getting a rise out of them, loves making fun of people who actually have morals and ideals. So he comes off as all those things, and he comes off as a guy who’s fun to get drunk with but not much else.

If you have an experienced eye you might spot how easily he keeps his balance even when wasted, or how alert he is to exits and entrances and anyone close to him, or how his slight build doesn’t quite hide the lean muscle, but to most folks he looks like nothing more than a small guy with a big attitude and a bigger mouth. He’s very happy to keep it that way right up until he kicks out their kneecaps.

❇️ SPARKLE - what is their most prized possession? what do they value?

okay now, see. i hate you. Keiji doesn’t really have material attachments. He likes stuff, he likes nice things, when he has the time and space to stay in one place for longer he immediately fills his whole bed with pillows. But in terms of a prized possession? There’s one thing that I suppose does count, and that’s from his native DnD verse. It’s an amulet with a symbol of Pelor,  the sun god the monastery is devoted to. He claims he still carries it so he can scam believers into giving him free stuff, but a part of him can’t bear to toss it. It holds the weight of a home he loved, once, where he thought he belonged and where he thought he had value, and even though all that is now ruined and broken and he should know better and he should just fucking toss the thing, he can never bring himself to.

Oh! And bonus round for GW2, in the main verse where Tahir is the commander and Keiji is his right hand (and eventually husband): When they were newly dating Tahir gave him one of his own leaves, encased in amber. Keiji wears it as an amulet and was wearing it when he was killed by Balthazar. It came with him into the realm of the Lost, and it is what reminded him of his name and his memories. In the physical world it split down the middle when Balthazar stabbed him, but when he comes back the amulet heals over too, and it now glows a faint blue to match his scar.

In general: Keiji doesn’t really value possessions. He tends to live lives where he can pick up and move at any moment. When he gets attached it’s to people

🌈 RAINBOW - what advice would they give to their younger self?

“Don’t be a fucking idiot. Don’t believe a word they say.”

❤️ RED HEART - their love language(s)?

Words of affirmation and physical touch. The former to receive, the first to give. When Keiji falls he falls hard, but it’s hard for him to show it and harder to say it. It's easier to watch what he does. See where he stands in a room, see how he'll keep finding excuses to totally casually touch the person he likes, how he can't sit on a couch next to them without laying his feet in their lap or how he can't make a joke without looking to them first to see if they laughed.

Receiving physical touch is good for him too, but words are what makes him melt. Tell him what he means to you, tell him you care and he matters and he just fucking dies. It feels surreal and impossible and he can't bring himself to really believe it and that's what makes it all the more powerful to hear. Contrary to that, though, is that the immensity of it also makes him really likely to try and squirrel out of it. Deflecting compliments, sassing to distract attention away from the sweet thing they said, anything he can manage.

When it's deep enough in the relationship he can actually be made to sit down and listen and accept it without running, but that takes time. Before that, it takes some mild force or finagling. Am I talking about literally tying him up and distracting him with sex until he's soft and floaty enough to let his guard down and you can swoop in with the praise? Maybe. It's not an underhanded tactic if it works.

Val

💚 GREEN HEART - what things make your oc feel comforted? hugs, kisses, food?

The best thing you can do for Val is be there. Be close but don't crowd them, don't touch them unless they ask or initiate it, and always leave them an open room to escape. Talk, give them something to listen to and quietly chime in with when they start to feel better. Physical contact sometimes helps, but they'll ask for it if they want it and then it's usually sitting with their shoulder pressed against yours, or resting their head on you.

The one exception re: touch is their dog, Kaylie, who is very good at grounding them when they dissociate or start to. Do they sometimes also hug Kaylie pretending she's the human and wishing they could just be normal and hug the person they care about without feeling trapped? maybe.

If we're talking self-soothing, or things they do for comfort, there's baking. When they were still with Temperance, on very rare days where they had time off and there were ingredients to spare they would make cookies for the younger girls and those are some of the rare actually treasured memories they have. They still like baking cookies, and it's both a ritual and a comfort thing for them and what they tend to when someone they like is going through a tough time and they're not sure what they can do to help. When in doubt, make friend's favourite cookies and gift those.

🎡 FERRIS WHEEL - are they someone who wants to kiss at the top of the ferris wheel?

there may in fact be a fic about that wait shit no it's N that gets the kiss at the top of the ferris wheel and not F. also this means nothing to you because it's Wayhaven related and not gw2 but shhh.

Actual answer: Yes, they'd find it charming and romantic.

🪤 MOUSE TRAP - what will always lure them into certain danger? a loved one in danger? a promise of something they are always searching for?

A loved one in danger, absolutely. They try not to but they can have a bit of a self-sacrificial streak because, well, they can handle pain better than most people and if someone needs to suffer, it is better it's them than the people they love. Children being in danger or being mistreated too, there's no way they can stand by and watch that happen without trying to interfere.

[rustybutterknife]

Microdosing polyamory by dating a system

[uncharted-constellations]

It’s been a minute, (both post wise and design wise) so decided to update the fam + a couple additions compared to last time

[vagueconfusion]

Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now

[gay-otlc]

Actually I think we should talk about how incredibly fucked up it is for sapphic women to say shit like "I'm no better than a straight man 😔" when attracted to a woman in a way that isn't 100% pure and wholesome, or act like men's attraction to women is inherently dirty, predatory, or objectifying.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[math-memes]

[amphibianaday]

day 1421

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[journey-to-the-attic]

one thing about ik is that she will always reach out

[poorly-drawn-mdzs]

While you were fighting in the war, I was falling in a pit.

[First] Prev <–-> Next

[onesidedradiostatic]

concept of katie killjoy having sold her soul to vox because she thought he was an honourable Straight Man and low-key had a thing for him but then later found out he was one of the QUEERS but it was already too late by then

she thinks valentino turned him gay (only because he's more openly queer and it was more obvious with him than vox)

[anastacialy]

tracked down this clip just because of this post! have jokes from skizz and scar

[katabay]

Robin Hood and Little John walkin' through the forest--

alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.

this is some kind of introduction scene after they fight and climb out of the river!

Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)

[asbealthgn]

(i am not immune to peer pressure so here's a continuation. part one here)

It’s so rare that Steve meets anyone nice anymore.

It’s just hard to find people. Dating apps suck, and ever since Robin and Nancy got together, they hardly ever want to go to bars together. And what’s he supposed to do, just drink alone and hope he stumbles across someone? 

Well, that’s exactly what happened today, sans drinking. He was heading for the bus stop, a tiny bit lost but he had a map and was pretty sure he could figure it out. He realizes he’s a tiny bit directionally challenged, and he’s still relatively new in town, and Robin and Nancy just moved to a new place, so it all came together to mean that getting there would take some puzzling out. All the same, he was prepared to figure it out on his own right up until he saw the super hot guy sitting at the bus stop and figured a little help couldn’t hurt.

And that’s how Steve ended up with an unexpected date (sort of) to Robin and Nancy’s baby shower (not a real baby shower).

Robin answers the door and smiles, then does a double take when she sees Eddie. Whoops, Steve probably should have texted her that he was bringing someone. He’d gotten a little caught up in the moment.

“Hey, hope you don’t mind I brought a plus one,” Steve says, hugging her before walking inside. Eddie follows him.

“No, no, that’s fine,” Robin says, voice a little strange as they take their shoes off and she shuts the door. “We’re all in the living room.”

They follow her through the kitchen and into the living room where half a dozen calico kittens and several adults are on the floor.

“Oh my God, they’re adorable,” Eddie says, leaving Steve’s side to get down next to the kittens. Steve gets a huge smile watching him. Fuck, he’s super hot and he’s now holding a tiny kitten, cooing at it? Steve might just get on one knee right now. Or both knees. Honestly, either one works.

If he were paying more attention to literally anything other than Eddie, Steve would notice that nearly everyone else in the room is also staring at Eddie. The only exception to that is El, who’s sitting cross-legged on the floor with the mama cat in her lap, both watching the kittens with the same wide-eyed intensity.

There’s a tap on Steve’s shoulder, and he turns to look at Robin. “Can we talk for a sec?” she asks, voice still odd.

“Yeah,” he says and follows her back into the kitchen.

She crosses her arms and leans back against the counter. “So are you gonna tell me what Eddie Munson is doing in our living room?”

“Oh, have you already met him?” Steve asks.

Her eyes widen. “Are you being serious right now?”

“Uh. Yes?”

“Steve, that’s Eddie Munson,” she says, “From Corroded Coffin?”

“From what?” he asks, though as she says, it does sound a tiny bit familiar. 

“Corroded Coffin?” she says, “It’s that band the kids love. Along with like half of America if they’re not completely scandalized by them.”

“So what, you’re trying to tell me Eddie’s famous?” Steve asks. Robin nods. “Hold on, this isn’t like Paul all over again, is it?” Paul was a guy Steve briefly dated a few years ago, and Robin had somehow convinced Steve that he was an Olympic athlete. In his defense, she had mocked up some seriously convincing news articles.

But Robin is shaking her head. “No, I’m serious this time,” she says. She reaches into her pocket and pulls out her phone. After a second she turns it around to show him the Google results for Eddie Munson. There are a lot of red carpets and pictures of him onstage. And damn, Eddie seriously is so hot.

“Alright, well, you definitely didn’t have time to photoshop these,” Steve mutters. Robin nods, patting him on the shoulder. How did he accidentally bring a famous guy over?

Just then, Eddie comes into the kitchen, a kitten in his hands. 

“Stevie, look at her,” he says, holding the kitten up.

Stevie? Robin mouths. Steve kicks her as he reaches out to scratch under the kitten’s chin. It mews at him.

“I asked Nancy—she’s terrifying, by the way,” Eddie adds to Robin, “And she said I can keep her.” He lifts the kitten to his face and it purrs as it rubs its cheek against Eddie’s. Steve is actually going to combust.

“Alright, well, I’m heading back in,” Robin says, voice back to that strained quality as she escapes the kitchen. Eddie doesn’t seem to notice, too busy whispering praise to the kitten.

Steve scratches under its chin again and it purrs at him. “What’re you gonna name her?” he asks.

“Don’t know yet,” Eddie says, “Isn’t she per—oh, hold on.” His phone is ringing, so he moves the kitten to one hand as he reaches into his pocket and pulls it out. “Hey Gar….Yeah, ‘cause you abandoned me….No, I’m in Japantown getting a kitten….No, that’s not a euphemism….Listen, I’m kinda busy, I’ll call you later, alright?…Yeah, see you, man.”

While he was talking, the kitten clawed its way up Eddie’s shirt and into his hair. “What’re you doing in there, sweet girl?” he asks, tucking his phone back into his pocket and reaching for the kitten. It’s gotten very tangled in his curls, though, and apparently really likes being there. 

“Lemme help you,” Steve says, stepping closer to Eddie and extricating the kitten. Eddie’s hair is very soft. Good to know. “Here you go,” he says, holding the kitten out for him.

“One sec,” Eddie says. He ties his hair up quickly (also hot, fuck) before taking the kitten back. He boops noses with it. “Such a mischievous little girl.” 

“Well, can you blame her?” Steve asks. He brushes a loose curl behind Eddie’s ear. “Your hair seems like a nice place to be.”

Eddie smiles at him, a dimple appearing on his cheek. “I’ll be honest, Stevie,” he says, voice getting a little lower as he moves closer, boxing Steve against the counter. “At first I just came along because you’re gorgeous, but I think I’ve fallen in love.” He holds up the kitten in one hand.

“You think I’m gorgeous?” Steve asks, feeling his face heat. 

“‘Course I do, big boy,” Eddie says, leaning closer and putting his free hand on the counter by Steve’s hip.

Maybe this is stupid and way too forward, but Eddie is so dreamy with his eyes and his dimple and his hair and the kitten in his hand, so Steve leans in and kisses him. It’s a little relieving when Eddie kisses him back, free hand lifting to his hair while Steve wraps his arms around his waist.

Steve doesn’t notice the front door opening or a new group of people that includes Dustin Henderson coming inside. He doesn’t notice them entering the kitchen and freezing as they take in the scene.

That is, not until Dustin shouts, “Holy shit, is that Eddie Munson?”

tagging a few people who asked for a continuation/asked to be tagged (sorry if i missed anyone!): @nburkhardt @stargyles @csinnamon-fox @manda-panda-monium @silly-jellyghoty @lifeisnotsobadonceyoustopcaring @starquirk

edit to add that this ficlet is complete and the last part is here

[keferon]

…..I genuinely can’t remember the exact size difference between Rodimus and Thunderclash hahaha. And I’m too lazy to search for a panel with them standing next to each other👍

Anyway.

@lush-specimen and their Over My Dead Body fic made me love this giant metal teddy bear. I couldn’t help but draw him:>