the problem with reading and writing leading to a strong vocabulary is that you tend to know the vibe of words instead of their meanings.
if I used this word in a sentence, would it make sense? absolutely. if you asked me what it meant, could I tell you? absolutely not.
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a well-rehearsed scene, often found plastered all over greyish static-full tv screens in shady motels all over the east coast. soap-opera actors trying to babble their way through the script, but it's a poor example of a thriller & they're not paid enough to make it believable. hence why there is no flirting with danger, no lethal charisma, only flat deliveries. all too similar to the unimpressed man standing in front of her, enumerating rights she gave up on by sitting in this room & idly smiling at the tainted glass behind which she imagines the whole team to be sitting, discussing and watching. like vultures on their branch, waiting for the lamb to fall to its dehydrated death. in the movie the list does not go on & on in the form of an insufferable enumeration, yet in reality ssa aaron hotchner seems very intent on losing precious time by standing there, a small folder in his hands.
his monotone voice only seems to falter (for a millisecond) when she leans slightly forward, perhaps because the girl's grin grows wilder. and that, of course, was not the desired effect. of course, ssa hotchner presence was meant to insufflate fear in her poor corpse, like an inflated doll. the problem with that scenario, though, is that they have nothing. if the fbi had enough to keep her from walking away freely, the scene would not be happening in an interrogation room but outside. camera, quick! focus on the police car driving away! in the backseat, hot breath on the glass window so that one finger can trace a little shaky heart in the condensation.
the issue with ishtar is that she always knows which script most people are playing, and she takes perverse pleasure in ruining it for everyone involved. hence the smile, how she is man-spreading on the metallic chair like she has power over whatever is happening there. not an ounce of fear in those baby blue eyes. fear has another name & she cut it out of her life with her teeth. kissed her goodbye with bloody lips. fear won't rise from the dead, and she certainly does not wear a fbi vest.
the silence stretches unevenly, until hotchner decides to simply leave the room. there is something amusing about it, of course, and if she were interested in the proceedings she would most certainly point out, outloud, his uneven stride (meaning: he got hurt not too long ago. or he is not as powerful and enigmatic as he thinks himself to be. or, who hurt ya, hotch? who lived to tell the tale, uh?) she would map out his body for places to strike, the way an artist watches a canva for the drawing to reveal itself to them. she would taunt him, one small fact at a time, until he is sitting back in that goddamn chair and staring down her soul, desperate to understand what makes her tick. sadly, ssa aaron hotchner is not ishtar's snack for the night & so she lets him go. she waves a little at him, saying goodbye in the most aggravating way, before going back to her initial position : before he stopped monologuing about the law & her supposed rights, she was already staring at the black tainted glass, a teasing smile upon cherry-pink lips.
"agent suarez", she singsongs once he has vacuated the room for too long, "you gonna watch all night? or yer plannin on joinin'?" a moment, just one, before her smile turns devilish and she's spreading her legs just a little wilder, "cause if yer just fixin' to watch, i can give ya a good show. free of charge."
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Shout out to the fic writers who write in English even though it's not their native language. Whether you just started and are using Google Translate more often than not, or you've been doing it for years and still translating sayings from your native tongue word for word that don't make much sense in English.
Your addition to the fandom is important and unique purple prose would be missed without your input. Don't give up even if you're unhappy with your progression. Remember that your writing is better today than it was yesterday, and that it'll be better tomorrow than it was today.
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ALPHA KIDS: Draw your best friends!
DIRK: I'd say I'm better at one on one character interaction work of the more intimate variety, but I think this piece came together nicely.
DIRK: Fun for the whole family style wholesomeness, any motherfucker in the radius of a screen displaying this image will instantly get hit with a sore case of heartburn and their tear ducts will clock in overtime at the weeping factory.
ROXY: im so proud of these i think these are my best designs yet :3 but omg dirk callie and jake were SOOO peculiar about their damn designs over my shoulder. jake wanted me to clarify that even in pink pen form his little guy is BLUE. so there. sigh this is the one occasion they could take notes from janey.. JUST LET LE ARTIST WORK!
JANE: Boy! I don't draw often but I always was fond of calligraphy growing up. I was kind of inspired by all of the other's works, but especially Calliope's swirls she puts in her art. It's very fun to add!
JAKE: Im not quite the best with posing, but i find the head very fun to study! Especially skulls.. so good ole calliope makes for the perfect muse! (hehe)
CALLIOPE: i realized i hadn't ever made a piece with Us in the same place at once. u_u
CALLIOPE: bUt since it's reality now here's all of Us together, United at last! ^u^
==->
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𝐀𝐧𝐧𝐞𝐚𝐥
uh-NEEL
1. To set on fire, kindle, inflame, lit. and fig.
2. To subject to the action of fire; to alter in any way with heat; as, to ‘fire’ or bake earthenware, fure ores, vitrify or glaze a surface
3. To burn in colours upon glass, earthenware, or metal, to enamel by encaustic process. arch.
4. a. To toughen anything, made brittle from the action of fire, by exposure to continuous and slowly diminished heat, or by other equivalent process
b. loosely, To cool down from a great heat
c. transf. Applied to the action of frost. rare.
5. fig. To toughen, temper
6. Microbiology. To combine to form double-stranded nucleic acid
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