#i have a very specific protag in mind

[on-leatheredwings]

oh............ oh nooooooo

[new-hyperfixation-every-month]

started listening to jar of rebuke today. im somehow 14 eps in already and im OBSESSED with jared. ive said "hes just like me fr" at least 5 times per ep

[multi-lefaiye]

okay later today i wanna talk more about the isekai story b/c redesigning dante has me thinking

so uhhh keep an eye out for that 😎

[feline-insolitum]

i was gonna put this on a reblog to this post but i decided it needed to be its own post so here we go

LOOK AT HIM!!!

most other trainers will be super badass or cool whenever theyre terastallizing their pokemon. but kieran just kinda stands there devoid of life. he looks like hes not even there. almost like he's just... dissociating through the whole thing

you can also see eyebags that his teal mask model didn't have. he's been working himself to the absolute bone to get stronger. another character (i forget who) even says hes been sacrificing sleep just to get stronger. its very obviously been taking a toll on him

but looking back on the battle as a whole, this wasnt even the only time where he looked dull and lifeless. for the entire battle, when hes not being dramatic on purpose, he just looks so out of it

you cant look at these pictures and tell me hes mentally present. the left picture isnt even timed to make him look like that. his expression is like that the entire time hes giving that line of dialogue.

and again, you can see visible eyebags!!!

i think part of it is that hes imagined the battle against the protagonist so many times since getting back from kitakami that it's feels like it's already happened to him, and he's just reliving a memory.

maybe another part is since hes gotten back, hes just been battling non stop when he has the chance. to him its just another battle. initiate, defeat, get stronger. rinse and repeat. its so repetitive that half the time he doesnt even know who hes battling. i feel like thats the case here, maybe sometimes he forgets hes even battling the person that he became this strong to defeat in the first place

i think why he did this to himself is because of more than "just getting stronger". after everything that happened in kitakami: gaining a friend, only for them to lie to and betray him about the thing he loves most, then for them to get closer with his sister, who would consistently shut him down, then on top of it all, ogerpon chose us, and even in trying to battle us for her, we beat him.

that is a lot to have happen to you in just a couple days, so i think part of the non stop training is him trying to cope. in trying to make up for "being too weak", hes also trying to escape reality and forget that those things even happened. he looks so out of it for the entire battle because he is. thats why he has such a reaction when we use ogerpon against him in battle. because by doing that, were reminding him

this is all part of why he freaks out so hard when we beat him. aside from his whole complex of getting stronger specifically to beat us, its because hes already imagined beating us so many times that to him, it already kinda happened in his sleep deprived mind. its because hes won battle after battle since getting back from kitakami, so after being in this rinse and repeat cycle of battling and winning, us losing causes him to finally snap out of it.

after the protag wins, hes genuinely confused that he lost. but he knew how strong the protag was going into this. i think its because, for the majority of the battle, due to not being mentally present, he forgot he was battling us.

this, as well as how often he wouldve imagined him beating us, explains very well how surprised and shocked and panicked he is that he lost. "this wasnt supposed to happen" because it was just another battle, and he wins battles. "this wasnt supposed to happen" because he already imagined him beating us so many times that it had to have been real, right?

and because this monotonous cycle he was in that was actively draining him of energy was broken by us beating him, everything that he hadnt had the energy to process since training is hitting him like a truck now. ogerpon, the betrayal, how he kept losing to us, how he just lost to us right this moment, its all too much and he cant handle it. and so he crumples to the ground and has a mental breakdown

i didnt mean to turn this into a whole character analysis on kieran but i have a LOT of thoughts on his character and how hes written

[the-modern-typewriter]

Hello, love your work so much!! Could you do one where the antagonist has betrayed the protagonist (their lover) and their friends but instead of handing protag off to whoever like the friends, they’ve been allowed to keep them to do whatever because they’re very very off the rails obsessed with them and very possessive of them too? Sorry if it’s specific and thank you!! Have a lovely day :)

"You can't be angry with me forever, love," the antagonist said, from the doorway. "Would you rather have been taken away with them?"

The protagonist said nothing. They seethed with everything they wanted to scream, with the accusations ready to be hurled like missiles to end the world. Too much.

"I told you I'd protect you," the antagonist continued. "That I'd always protect you."

"This is protection?" It spat out before the protagonist could stop it. They gave the chain around their ankle a rough shake.

"From yourself."

The protagonist barked a bitter laugh. They clamped their jaw shut again.

"From the world," the antagonist continued. They moved further into the room. "There are many people out there who would hurt you, take you away from me."

"Seems like a blessing to be taken away from you!"

"You don't mean that."

"Oh, I do. Come closer and I'll show you just how sincere I am."

The antagonist stopped just out of arm's reach.

It reminded the protagonist of the handover. Their friends bundled bound and thrashing into the backs of vans, still reeling from the anti-magic pulse and the betrayal of it all, until the protagonist was the only one left.

The governor had turned towards them, had started to move forward with all of his goons, before he'd seen the look on the antagonist's face and the way their body wrapped around the protagonist. Gravital orbit. A warped black hole of a love.

"Try," the antagonist had said, almost pleasantly. Almost.

The governor had not tried.

The governor had flinched.

"I understand that you feel betrayed now, you loved your friends," the antagonist pressed. "You're good like that. But you'll come to see that separation from them was for the best."

The protagonist squeezed their eyes shut and wished they could block the poisonous words so easily.

How could they have been so wrong about their lover?

"They were a bad influence," the antagonist said.

"You mean they weren't you."

The antagonist paused.

When the protagonist looked at them again, the antagonist's head had tilted, curiously. They didn't seem offended.

Bile burned in the protagonist's throat at the truth of it. "They're not a bad influence, they never were, you just don't want me to have anyone who isn't you. I was getting too into the resistance. Too into something that wasn't you. You, you, you!"

A mask had fallen away from the antagonist's face. They'd always been attentive, but the betrayal had stripped the lies of normality away. There was only obsession left in their eyes. Raw and burning. A supernova of love, taking out everything in its path.

The protagonist swallowed and faltered. For the first time, fear crept past the fury, cold and slithering.

"And now," the antagonist closed the gap between them, "I'm all you have." They captured the protagonist's face in their hands, anticipating the protagonist's attempt to lunge in one devastating move. They leaned down, looming, to press a claiming kiss to the protagonist's mouth. "I win."

It was like being winded. Like being stabbed. Like being run through entirely. The protagonist made a soft, pained sound.

The antagonist smiled, thumb caressing their cheek. "Love hurts."

"I don't love you. I will never love you after what you did."

"You will."

"If you truly loved me, you wouldn't do this. If you truly loved me-"

"-I said you can't be angry," the antagonist said, after a beat, "but honestly I don't really mind. It just felt like something I should say." Their whole posture relaxed, alarmingly away from whatever front of concern and regret they had been putting up. "Your anger is mine too. So is your hate. So is everything you are. It's interesting seeing this side of you."

The protagonist stared up at them.

"That is true love," the antagonist said. "I love everything about you. I will take it all for my own. To have, to hold and cherish, until death do us part."

"You're crazy," the protagonist whispered.

"Crazy in love."

The antagonist leaned down and kissed them again soundly.

They really wished they'd been handed over with their friends.

[lampochkaart]

Kokichi is asexual and you can't change my mind (and Kaito is an ace too 'cause i said so)

Here is why i think that way

Disclaimer! This post is not created to judge or shame anyone. I created it to explain why i think about them in that way and maybe try to make this headcanon to be more popular. I might sound kinda salty at times here but in general I don't mean to hurt anybody.

It kinda confuses me why so often Kokichi portrayed a little bit too intrested in making sexual comments and jokes. I probably shouldn't be surprised, because I know that we live in a sex obsessed world. I'm kinda used to it at this point. But I think people kinda exaggerate it.

In actual game he doesn't make sexual comments and jokes THAT often and 90% of the time they are directed at Miu who is the MAIN sourse of them in game. I even think that he would not say so many of those things if Miu wouldn't be starting it first.

He even get's confused for a second when Gonta tells him he couldn't catch Miu for Insect Meet and Greet because his "face got hot".

And in bonus mode Dangan Salmon Team he isn't particularly intrested in that either. In most cases when the player chooses sexual option even though the game states that it was a good option Kokichi will often just change the coversation to a different topic. Yeah, they had fun, but they didn't really talk that much about initial chosen option.

"Let's read a dirty book."

"How about joining my organization instead?" *starts rambling about his organization*

And yes, I REFUSE to call this protag Shuichi. This is NOT my favorite protagonist. He would not fucking say this.

Look how they massacred my boy *cries*

One thing Kokichi also does very often is being sarcastic. I really like this scene. But surprisingly I've seen people taking his excitement as genuine and was like ??? How? Have you gone so crazy after you've seen his first phrase that you blacked out and missed part when he went "nope :)". He literally was like "Is that what you wanted me to say? You wish😊🖕"

I also like how sometimes when the protagonist say something sexual Ouma redirects topic from himself. And he often suggests Tenko as alternative. For a long time I couldn't understand why it was her specifically. And then I realised. It's because Tenko will beat up any man who says something like that to her. He literally indirectly tells player to fuck off.

I can't belive how often those moments are overlooked.

I think that's all my main points regarding Kokichi. Everything else is not very convincing and can be dismissed. But I just want to point out that his color palette basically resembles asexual flag, because I think that's a neat detail.

Now Kaito. I'm gonna be honest. The main reason I headcanon him as ace is because I headcanon all my favorite characters as asexual. But there is a reason I fully accepted him as ace.

The scene in Talent Development Plan where he's discussing "man's passion" with Leon and Teruteru. While they were talking about girls it turned out Kaito this whole time was talking about chasing passion in more philosophical sense. And by exploring "unknown worlds" he probably meant space (they really should've seen that coming).

That's pretty much it. I just saw 1 (one) reason to make it canon for me and immediatly jumped on it.

I think that's it for both of them. They're not the only characters i headcanon to be on the ace spectrum (and i also have some on the aro spectrum too!) but they're the ones I think about the most, so I thought I'd explain it.

[galedekarios]

"i'm strong enough. i'll carry on alone."

i've already made a more detailed post about the loss scene that was part of act i and gale's romance in early access.

the scene held a lot of weight and was a turning point in the relationship between gale and the protag, while also highlighting just how far gale has fallen, in terms of social standing and in terms of power:

Gale: Khat-Tsjin Deth-Thra! Player: You don't sound very happy there, Gale. Gale: Happiness is like a stray cat: sometimes it seeks you out, sometimes it ignores you. Tonight, I'm ignored. It's getting alte. I think I'll turn in. Perhaps some sleep will do me good. Player: They say you should never go to bed angry. Gale: Isn't that advice for couples? The only one I'm angry with is myself. Please - just let it rest. Player: [Insight Success] We shared the WEave the other night. Now share what's on your mind. Gale: Very well. Just now, I was trying to cast a spell I once cast with ease, but I failed. You see, this fire - there was a time that I could make it come alive. That it would take the shape of a dragon and roar in delight. There was atime I could silence a Beholder with a word, and lift a tower from its foundations with a flourish. There was a time I was all but one with the Weave. But no more - a mere shadow of the wizard I used to be. Why? Because I've lost. Player: I don't understand. What is it that you've lost? Gale: I've lost... Player: [Insight Success] Go on. Every burden is easier to carry when shared. Gale: An apt enough observation. I've lost Mystra. I sought to impress her personally. To turn the eyes of my muse upon me. To win the favour of a goddess. But I failed, and all I invoked was death and dismissal. My death. Her dismissal. Player: I don't know what to make of what you've told me, but I sympathise. Gale: Thank you. You're a good friend. I often think of that moment we shared together - one under the Weave. I hope you think about it too.

it's a wonderful scene that offers a lot of insight into gale's character as well as his past, but what i haven't focused on in the original post is the dialogue the player would get from gale if the protag failed the check to convince him to open up and share the burden that was making him visibly upset:

[the banter is identical with the one above up to this point] Gale: I've lost... Player: [Insight Failure] Go on. Every burden is easier to carry when shared. Gale: I'm strong enough. I'll carry on alone. Gale: With that I bid you an evening better than my own.

i think this shows a very interesting side of gale and one that we both don't get to see often and / or press him on: the side of gale that masks his worries, his fears, his insecurities and his pain to soldier on and do what he feels needs to be done.

we catch glimpses of it in the full release as well, specifically during and after elminster does his duty as mystra's chosen and informs gale of her demands of him:

Weary Traveller: You must find the Heart of the Absolute, whatever that may be, and use yourself as the catalyst that will burn it from this world. Player: We'll be rid of both the Absolute and Gale in one fell swoop. Win-win. Weary Traveller: I may be slow to anger, but I will not have you sully this moment of most sorrowful import with ill-considered levity! Gale: It's all right, Elminster. If ever gallows humour were appropriate, this is its grim-smiling hour. Weary Traveller: It brings me no pleasure saying this, my friend, but such is Mystra's will. Yours must be the sacrifice that will undo the Absolute. And for your sacrifice, you will be redeemed - such is Mystra's promise. Weary Traveller: With that, I've said my sorry piece, and need only bestow unto thee the charm I was bid.

it's elminster who is upset on gale's behalf, not gale himself. he treats it as 'gallow's humour' - whether or not it's meant like that by the protag.

the same view he takes on shortly after, once the protag asks him how he is feeling:

Player: How are you feeling? It can't be easy, facing the possibility of death... Gale: Oh, you know me - ever the optimist. I'm trying to focus on the positives. devnote: Gallows humour Gale: The truth is, I was living on borrowed time already. Consuming those items would only have kept the orb sated for so long. Gale: If anything, I feel more at peace than I have in months. At least now I know my death will have purpose. It won't be a distant 'bang' in the footnotes of history.

Player: You're seriously considering doing what Elminster said? Gale: Of course - he offered the clearest solution to our problem. All I have to do is find the right place and time, close my eyes, and let go… devnote: Trying to sound upbeat, not fully engaging with what he’s saying (that he’s going to kill himself). Gale: Then the slate will be clean, wrongs will be righted, the Absolute will be gone… devnote: Trying to sound upbeat, not fully engaging with what he’s saying (that he’s going to kill himself). Gale: …and I along with it. devnote: Still trying to sound upbeat, though this time the reality that this means he will die weighs a bit heavier

the game gives you no option to press him on any of this. on this front of maintaining optimism, of gallows humour, clinging tightly to the idea of there being purpose in his own death, yet not fully engaging with what that actually means.

until he can't avoid it anymore, and even then, he carries on. we know it's already of limited comfort to him by the time the last night alive scene / act 2 romance scene takes place:

Gale: I am terrified - I will not claim otherwise. My face could scarcely conceal it even if my words sought to deny it. nodecontext: Hushed, vulnerable Gale: There is no point in running from the inevitable. Better to meet it, on my own terms. nodecontext: Resigned

and it's echoed later too, in act 3, when he offers himself up as an out, a failsafe, for the protag and the companions:

and it of course culminates in the scene - if you chose to take that route - which gale ascends to the elder brain alone, spelling his friends and companions away to safety.

he says he is strong enough to carry on alone, to do what he believes must be done, what's been ordained to him, by fate or by mystra, and he is. despite being terrified. despite wishing he didn't have to be.

it's an interesting aspect of gale - but his relief is all the sweeter for it when he realises that he doesn't have to be strong enough and that he doesn't have to carry on alone.

he's found friends and possibly love.

every burden is easier to carry when shared indeed.

[cloudyskiiees]

with the rest of wrong try again plotted out in full, i’ve started plotting out an idea for my next possible long fic. and it’s not a mystery so i can post about it now in case i don’t end up writing it in full!!! yippie!! so here’s my alenoah based superhero au :)

(under the cut cuz it’s a massive post)

i’ve been working on this idea slowly over the last threeish months!!! im happy with the ideas so far and wanna share what’s up to see if ppl are interested :)

the fic would be called “The Masked Mentalist,” in reference to our protag, Noah! he’s considered a villain in this au by society. alejandro is considered a hero.

here’s the characters and their powers i’ve got so far! still subject to change if needed :)

Noah: Villain. “The Masked Mentalist” is his given name by the city, although he doesn’t actually wear a mask. Noah has the powers of “mental manipulation,” stretching to about four different tiers that take more energy depending on how much effort it takes to manipulate the brain.

1: Audio hallucinations. He has a “trademark” of making the world go completely silent for his victim before he attacks. He frequently drops random noises or screams into his opponent’s head to throw them off. It harder to mimic specific voices, which is why he opts to throw ppl off rather than emotionally attack them. Easiest of his powers.

2: Visual hallucinations are harder, but it’s the one noah is the best at. He’s great as messing with people’s appearances, making them see him and other people who may be around as others or sometimes just in horrifying situations. It’s also very simple for him to make someone think they’re trapped in walls or things like that, easy to create objects. He still struggles to completely change the look of an entire location however, which is why he opts to fight in open areas where fake visuals are easier to conjure.

3: Emotions are harder as well, and it can be tricky. he’s very good at pulling emotions from others such as rage or grief, as they’re very easily overpowering emotions. It’s simpler when his opponent is a more emotional/vulnerable person, so he shys away from emotional manipulation in fights usually, especially when he doesn’t know an opponent very well.

4: Memories are hardest, especially if they’re more recent. It’s fairly easy for noah to go and change someone perception on a childhood memory, as it was likely distorted already anyways. The clearer the memory the harder it is to manipulate.

As you can see, all four of these powers have to do with the mind. The way people see or hear things, as well as feel and remember. Noah’s powers allow him to attack any of those in a person.

There’s also technically a fifth one, which Noah figured out to do by himself.

5: The way he figures out how to hypnotize people is through memory AND emotional manipulation. Altering memories and then yanking on certain emotions to pull through, can help him get people to think and even partially act the way he desires. It’s exhausting, and incredibly rare for him to use.

Noah is able to keep his identity hidden by simply altering his appearance to whoever he is fighting. He usually seeks out people when alone, and does his best to not hurt innocents, despite what the public thinks. Everyone who’s fought him/seen him in action describes him differently. Most people aren’t even sure if he even is a “he,” because he makes himself look so drastic sometimes.

He occasionally works with a partner, although they don’t consider themselves to be aligned in general when it comes to crime.

Kaleidoscope is notoriously known for her random crimes and activities. No one can quite figure out her goal or intentions, and so she’s dubbed a vigilante by most.

This of course, being Izzy! When Noah fights with her, he occasionally helps mask her identity from others. She’s a bit reckless, but the two have a history together. A traumatic one at that!

Izzy’s powers are deterioration. She’s able to break/take things apart/crumble things with her mind. Her powers can be as simple or as drastic as she desires.

(She met Noah by saving him from someone attempting to hurt him. By completely destroying their bones from inside their body. Noah was both horrified and grateful.)

Moving on! Alejandro, a “superhero” in our story.

Alejandro doenst have superpowers. At least not in the way our other characters do! Everyone simply assumes he does.

Alejandro is clairvoyant, which is considered a gift, rather than a superpower. His family exploited his talents as a child, so when he was old enough, he fled to be on his own. Nowadays he uses his predictions to help others, being able to foresee certain disasters and small issues. His powers waver depending on their severity, and he has a habit of undoing a certain villains work without even knowing.

He’s dubbed “The Good Samaritan,” when first seen saving people. Over time, the city began to think he had superpowers, and his name changed to “The Physic Samaritan.” Alejandro avoids media and press as much as possible, seeing as it was all he was used to as a child, so no one knows any different. This does not serve him well when real super-powered folk begin to see him as a threat.

Onto our two real superheroes! (so far!!)

Lashawna is the cities main superhero. She’s been protecting citizens for about two years before Noah makes his debut as a villain. She has very standard telekinesis, and is about the most hero looking and sounding hero out there. Her name is “The Golden Hero,” later changed to “The Golden Woman” when she gains a sidekick. Everyone adores her!

Courtney is Lashawna’s sidekick, appearing with her mentor only a few months before Noah shows up. “The Golden Girl,” her powers being one of information absorbing. She’s able to quickly learn anything she needs, simply by skimming words or touching an object… or person.

There’s a bit of a roadrunner scenario for a while between her and Noah, where she’s simply trying to grab him in someway or another, as the action would reveal his real identity to her. Of course, Noah is able to easily evade her, as her powers have little to do with physical superiority. (She’s still incredibly strong and fast. It’s Courtney we’re talking about here.)

Before I talk about our real villain of the story, I’m gonna discuss some plot points!

-Courtney feels incredibly undervalued and overlooked. She thinks if she can manage to reveal the Masked Mentalist’s identity, people would finally start to give her more credit. Lashawna tries to help her calm down, but she’s very fixated on her mission.

-Noah wants control. Deep down he has good intentions, as he’s attempting to dismantle the upcoming “Heroes Program,” starting up in his city, but he loses sight of it for a while. Alejandro becomes a bit of an obsession for him, as he somehow has the entire cities trust while barely being in the public’s eye. It drives him crazy.

-Izzy has so much depth, but acts insane as a defense. She and Noah had very similar upbringings due to their powers, and a fuckton of issues that now stem from it. She hides her pain by acting as though she’s invincible.

-Noah and Izzy have a very deep bond. They truly trust each other more than anyone else, even their civilian friends.

-Team e-scope is very much present! Owen and Eva are humans, and are still best friends with Noah and Izzy. Neither have any clue their two best friends are well known criminals.

Alright actual plot time. And backstory for our super-powered characters!

As usual when it comes to superhuman realities, the powers come from genetic mutations. No one is too sure how it started, but superpowered people have been showing up around the world for the last twenty-ish years.

Children found out to have powers were, of course, taken by the government. At first it was out of fear, but after a few years, the public began retaliating. “Programs,” were then opened, and while it was presented as a choice for parents, it simply was not. If your child had powers and was found out, they would be forced into a program.

Lashawna and Courtney were both placed into a program as young children. Both were released after a number of years to become superheroes. Most children taken are not released.

Both Lashawna and Courtney lack memories from their time in the program. They are conditioned to be perfect superheroes, deemed “safe” for society, due to their powers.

Again, as expected, these “programs” are just ways for scientists to study the mutations in the children. At first there was an attempt to stop it, but nowadays, there’s more of a goal to simply replicate it. Children are treated like animals.

Based on your power, and your behavior, there’s a chance to be released as a hero, such as Lashawna and Courtney, as an example that these programs are a good thing. It’s a way to keep people happy, and keep the more dangerous powers under wraps, at least until they can find a “cure,” or a way to create the gene themselves.

Because each person is different, each mutation acts differently in a person, explaining all the different powers seen. Super powers are still incredibly rare, although they’re widely accepted as a truth nowadays. Two powers acting exactly the same has never been recorded.

Noah and Izzy were never put in a program.

They were smart kids. Noah realized his powers early on in his childhood, and was terrified. Stories of powers had been shown in the news by now, and he wanted nothing to do with it.

His mother discovers it on accident after a year or two of Noah being aware. He panics and attempts to erase her memories of it, failing miserably and only hurting himself in the process.

She promises to keep him safe, just as horrified as he is at the idea of losing her only son. It’s a terrifying childhood for Noah, constantly having to be on the lookout, never being able to openly use his powers, something that so quickly became such a huge part of his identity. He turns to subtly using his powers in public, able to help bring more money and such home for his family. He becomes incredibly talented with his powers as just a teenager.

Izzy never told a soul. She’s had more accidents with her powers than she cares to speak about. She learns of her powers a bit later in childhood, but still before becoming a teenager.

A ten year old accidentally dissolving someone’s skin from their hand when being picked on is a traumatic experience for anyone, but even more so when she kills the other child out of fear. She flees the scene, and loses her shit. She quickly figures out she has a dangerous power, and being just as smart as Noah at such a young age, hides it completely.

She had much less control over her powers for a number of years, being scared of herself.

It isn’t until she sees a man pressing someone clearly struggling to a wall in a dark alley she truly uses her powers for the first time, and makes her first friend. (This friend being Noah, of course.)

Yes very dark backstories for the sillies! They have an insane trauma bond.

With their backstories, you can kinda gather why Noah wants to take down the programs starting up again. They’re much more public this time, and that worries him. He knows nothing good can come from children being forced into such a program, even if he was never in one himself. Izzy is more than willing to help him out for the most part.

The actual plot of the story, of course, is alenoah. This being said, let’s talk about that!

Noah wants Alejandro’s influence on others. Wants the social power the “superhero” holds.

He and Izzy devise a plan to get that influence on their side.

To keep things relatively brief, they corner him, and Noah is able to successfully uses his created hypnosis power on Alejandro, simply getting him to trust Noah, as a civilian.

As soon as the deed is done, he and Izzy pose as his worried friends, claiming he’d fallen and hit his head. When Alejandro questions who they are, Izzy immediately pipes up with “He’s your boyfriend silly!” and Noah. Just. Has to roll with it. He can’t risk changing the narrative so quickly for the boy with the currently muddled memories, and he also can’t berate Izzy right in front of Alejandro. So he agrees.

The two discover after a little bit that he actually is not a superhero, and lacks powers in general. This pisses Noah off greatly, thinking his work was all for nothing. He continues with his plan nonetheless, seeing as no one else knew Alejandro didn’t have powers. That could be an advantage.

Alejandro gradually puts the pieces together over time, never fully recovering his memories, but being able to see through the fog Noah placed over them.

Everything is going pretty well, even with the residual feelings both boy are gaining as they pose as a couple. That is until the real villain of the story shows up.

Duncan! His powers are the ability to create weapons out of thin air, his trademark one being flying knives. The weapons disappear as soon as they hit a target, only being created by his mind, and usually shown as a faint green color. (this is a working idea! still not 100% on it, but i definitely want him to have a weapon related power.)

He was in a program as well, ironically, the same one as Courtney. He was not released, he escaped.

Being dubbed a “dangerous power,” Duncan was set to live the rest of his life out as a lab rat. Of course, being Duncan, he did not like this fate! He’s one of the few children to ever escape, and the only one know to come back as a supervillain.

He’s angry. He’s angry about everything, and with everyone. He’s especially pissed off with Courtney, who he believes simply abandoned him. Courtney doesn’t remember who he is.

No more details for now! (Both because I haven’t planned out enough 100% to post about, and some of it is just for the story!) But I hoped you guys like my silly AU ramblings! I’m having a good time with this idea, so lmk if it’s something you’d like to see more of in the future :)

[smugpugchimera]

God damn I just woke up from dreaming about a non existant piece of media that I wish was real.

I even tried to look it up In My Dream cause it was bonkers, but alas, it's but a figment of my mind

I dreamed of watching a small portion of it, so I don't know (or understand?) the plot necessary, but it's style and surrealism blew me the fuck away. We follow some kind of girl-entety protagonist, and the entire environment is an abstract mesh of 80s-style abstract geometric surrealism, old math book covers, and encyclopedia illustrations. The places are disjointed in space and get simplified in a single void of color when far away. Everything has a vibe of living on a microscopic level. While at it, there're were also kinda, gruesome scenes with other characters that don't quite make sense but left a very visceral impression, the way gore felt in that environment (and how weird and nonsensical it was) is very striking. For a bit, we follow a sentient cat-like entity that has some trouble delivering its kitts. They meet with the protag and hide together from some sort of a giant fish predator. I won't describe any of the strange gore things cause I honestly don't know what that was, necessary, but the situation ends in the protagonist having to take care if the kitts of the cat-adjacent being. prologue is spent in a kind of a primordial space that also distinctively feels like the periphery of the local society. I think I'd also draw a similar vibe comparison to Samurai Jack environments. Though, again, more abstract, but also more well-rendered? It's as if it's an older film that uses mixed media animation, paintsprayed backgrounds, and early 3D to achieve this very particular type of uncanny. Later in the plot, our protag has to move into a different place, that is like, an industrial core of the area. Even compared to the previous location It's a blight of abstract geometry. It has this unnatural, AI generated polish and artifacting. Things are less cluttered, more spread out, and have a strange regularity. There're products and brand names all around, all scrambled to the point of being unrecoverable. And the empty spaces, softly lit, as if, non tangible voids of color that surround everything. It's mostly bright, synthetic green. The skybox but a gradient of a few colors, no clouds or celestial objects to be seen. The plot didn't progress much further than that, but despite the very strange cover, the core of it felt like a Don Bluth film in a sense, specifically "All the dogs go to heaven", kinda? Again, just a vibe.

I tried to search for some visual aid and surreal 2000s encyclopedia art I'm referring to is Impossible to find, but I tried to find some other things in the similar vein. First area was very organic on a macro scale, but did manifest strange regularities too.

All "land"scapes featured both ringgit geometry and lava lamp like formations

The spacing of things in the second location reminds me also of this old puzzele game "Balance", tho that has to do with the feeling of the gameplay too :0

I'd say the disjointed-ness and unrecognizability of the familiar also gives me the work of Ivan Seal

Idk I'm just saving this for later inspiration, I lament many imaginary media my brain comes up with aren't real :(

[beloved-cat-gremlin]

To all of us hoping that Gregory will be the protag of HW2, I have found a bit of info that might help fasten that theory.

I'm not sure if anyone else has pointed these things out before. So keep that in mind when reading.

Theory rambling incoming from here on out.

So a few weeks ago I got myself this lovely book here.

And while it is just a general cookbook with some fancy recipes in it, we all know that in true FNaF fashion there is more going on here than it seems.

And boy there sure is, even if some of these are rather obvious. Because throughout the entire book there are added pieces of paper with small notes that contain info on them.

And these little straps of notes are written by none other than Gregory himself. With the notes themselves indicating that these are post Security Breach as evident by these specific notes right here:

These are very clearly written by Gregory and all tie into the events of Security Breach.

(There are a few more notes mentioning how you should always keep your eyes on the Endos, grab an Ultimate Pass from Bonnie Bowl, Chica eating from the garbage, that you should grab a Party Pass for Fazerblast and use the blaster to stun animatronics, how Moon is and I quote "a nightmare animatronic" and to keep away from the Staffbot flashlights)

But there are even more notes in the book that do not follow the events of the game but rather talk about older versions of all the characters we all know and love. And not just that but Gregory is flat out describing mechanisms from previous games. Like this note:

Not to mention the note itself is attached to an image with the FNaF 1 office.

There is also notes on how you should watch Bonnie's every move, to never take your eyes off from Foxy's hook and how Foxy's eyepatch doesn't seem to stop him from hunting intruders.

But the most fascinating, and most random note to me, has to be this one:

A note from Gregory describing Ballora. I could kinda understand that Gregory might have gotten info on the classic four animatronics via searching stuff up, but the fact that Ballora is mentioned here, and only her from SL, makes me think that this is way more important than a random little easter egg.

Because let's take a look at the HW2 trailers again? We know for a fact that the three main games featured in this new one will be Security Breach, Pizza Sim and Sister Location.

And that is the important part, because Ballora was only and only in SL and nowhere else. Heck she was even the first animatronic teased in the first HW2 trailer.

Some people theorize that Cassie could be the one we play as in HW2 because of the Foxy ride shown in the second trailer, and with Cassie mentioning that she had been on this ride before, but here we have a game that includes Ballora and could be a potential GGY prequel where we play as Gregory.

Now we have a book with notes written by Gregory, mentioning Ballora. And not just that but HW2 could be where Gregory got all the info for the older animatronics from.

We do see that the new Foxy ride attraction includes the FNaF 1 office, which could be how Gregory knows Chica's specific attack pattern and also knows more about Bonnie and especially Foxy. Because outside of cutouts and references and images in SB and RUIN there is no way that any of these kids should really know much about Foxy.

Sure Cassie might know stuff from her dad but Gregory? There is no way he could have known most of this stuff. Unless he played a game prior to SB where he did get to know about the old animatronics.

And all of this isn't even me mentioning how Gregory, somehow, managed to dig up the old news paper articles from FNaF 1, 2 and 3 and put them into the cookbook.

Heck the first note you see from him is of the first location threatened to be shutdown because of the weird odor and mucus from the OG animatronics after the first MCI! Followed by the MCI report itself:

Other articles that were included are of the original help wanted ad in the paper where they are looking for a night guard. The article about the OG pizzaria closing down. The second help wanted poster from FNaF 2 which talks about the grand reopening in 1987. And the two news articles about Fazbear's Fright opening and then eventually burning to the ground.

Not sure how or why Gregory managed to get a hold on all of these and why he decided to include them in the cookbook. But they are there.

And that's kinda all the info I found myself. I'm not the best at doing these theory things but I'm trying.

Am I maybe digging for hints where there might not be any? Possibly.

Do I however feel that this could be important clues to figuring out more about Gregory? Oh absolutely.

[sugarglider-s]

cannot stop thinking about ur posts about pokespe red they love rent free in my mind (specifically the one about his role of being The Fighter and his relationship w deoxys) that being said can I ask about ur favorite things about Red or general headcanons :-D

THANK YOU SO MUCHHHH I love him so dearly... pokespe red my adored...

[ID: a screenshot from the pokespe manga of red holding out pika, who is holding a master ball. End ID]

I love love LOVEEE his entire deal tbh. how by proxy to every other protag in pokespe he seems 'normal' despite being absolutely BONKERS. how he casually says shit like this because, frankly, he's oblivious to a lot of social cues and doesn't want to be alone!

[ID: a screenshot from the pokespe manga of red saying "Why don't we just join the contest together?" while every dex holder up to the emerald arc looks shocked and says "Wha?" in the background. End ID]

He's very much Autistic to me and i love how his narrative in fire red is genuinely extremely existential and questioning why he does... anything! why is he the way he is? What motivates him? And he can't come up with anything! And that's AMAZING to me.

I love when characters seem like they have a clear path of Purpose but it's not quite by their own volition. Sure, he attained his goal of being champion! But once you accomplish your dream, what do you even do after that? Well. That's what he has to figure out.

PLUS! he has another of one of my favorite things: accepting his own death and HAVING TO CONTINUE TO LIVE ANYWAY. YOURE NOT GETTING OUT THAT EASILY IDIOT!!!!!!!! Just because you have accepted yourself as the martyr doesn't mean that act will be fulfilled!!!! Dying's easy, living's the hard part!!!!!!!! Idk. I'm extremely fond of Red and believe he needs so many mobility aids for his chronic pain (in my mind the ice shackles gave him nerve damage) thank you for coming to my ted talk

[ID: a screenshot of red in the firered chapters in which he is screaming about being unworthy of owning a Pokédex with text edited over to say “men will literally have a breakdown on the beach about not being able to beat dexoys and therefore deem themselves worthless instead of getting a mobility aid.” End ID]

[pidgefudge]

SO. i have listened to @gooboogy 's wonderful green album. and i wrote down my thoughts on each song. and now i am putting them here!!

"thoughts" being actually somewhat coherent comments that devolve into What Would This Be In A Video Game because this is me we're working with after all

and you reading this. yes you. go listen to it

verdant: oooough blorpy,,,, very cool i like. good beat it's quite foot tappable. also the name itself might be a new vocal stim. verdant. vvvverrrrrdant.

halls: much noises!! the instrumence in this scratch my brain in a good way. feels a bit like im 7 years old watchinf my brother play 2d mario stages and reimagining the music

agua: oooohh arpeggio action and a SICK beat. once again the Noises are lovely. big fan of all 3 so far but this one in particular methinks. however i have many more songs to go (!!)

doot doot: very fun i also like this one a lot :3 and coming to you from my one-track autistic mind: this album would be a fantastic game soundtrack

side note i know im writing less for some of these but thats bc im experiencing them in shapes and colors more than expressable words. trust me they're stirring the brain stew

going for a walk: i know the title is about a walk but im envisioning this as the soundtrack to a sort of road trip montage animation thing. specifically my road trip with family from san francisco to la. oh yes this ending is us finally getting to the hotel and me flopping onto the bed

forward: im liking the melody here a lot <33 this album is making me want to boot up lmms again and try my hand at original music,,, ive only ever attempted remixes (i tried to do aquarium park from sonic colors a few years ago and gave up but now i kinda wanna go back to it,,, i wonder if i was cooking) ok yes back to the actual song whoops this one is soo cool one of my faves so far

snag: i like these opening chords!! i dont know what you actually call them but the like. buildup parts?? you know?? those bits??? big fan OOH and a uh. build down (lol) bit too! also liking the sparkly chimey instrumence

blazen: OHHH YESSS this would be the theme for my favorite antagonist in the hypothetical game that i am apparently going to be referencing multiple times (dimentio and mr L came to mind immediately) absolutely jamming

beep boop: fuck yeah man it sure does OH SPOOKY NOTES OH OH COOL BEAT ASWELL i am in for a fun time this is. also the theme of my favorite antagonist. but the battle theme i think. oh hell yeah the orchestra hits. yes yes definitely battle theme. sorry for putting all these in a vgm context shfjdkfkssghf i just listen to a lot of it so thats how my brain parses instrumentals

hunt: strimgs :3 wohhh this is so cool. buzzy in a good way. golden brown triangles and other spiky shapes. that's kinda meaningless to anyone but me but. oh nice more Noises always love the Noises

overwhelm: theme for when i have a project due the next day and am swamped with other homework shdjdksfjdh

VERDANT!: once more with gusto!! loving the faster tempo. constellationy crystally instrument is particularly pleasing. oooughh so gooddddd

creepin': spacey!! im watching a crew set out in their little shuttle, oblivious to the horrors awaiting them on their station

envy: this is a boss fight that's emotionally heavy for the protagonists. perhaps fighting a former friend or mentor or team member

whomp whomp: quite a tricksy track!! some sort of haunted place,,,, maybe the place where the previous battle takes place. maybe it's actually a ghost (especially if the protagonist had some role in their death and feels crushing guilt) (bonus points if the ghost openly expresses resentment for the protag)

gromulous: the word ever. final boss' lair for sureee. yeah this song sure is gromulous. idk how else to describe it you hit the nail on the head

largemouth: oooh a bit silly but also cool guy. im thinking some sort of underground secret society/lab thing they have to infiltrate that's hiding a Sinister Secret (the big plot twist of the game) doesn't even have to physically be underground it could be a moon base situation. maybe i should just make this whole thing into a scifi space rpg

a way out: i can see this as the final boss music and as you get further in the fight it ramps up. i know i already assigned songs to the main antagonist but shhhhh. (or i can always pull a super paper mario in terms of antagonists)

under over: oh!! i love this one!! hometown theme. chill and familiar but still upbeat rather than sleepy. and it has a very strong nostalgia factor,,,,, in love with this song it might be my favorite. but there are still 3 more so!

float: this beginning is very cool im loving the vibe. dire dire docks but make it just after sunset and watch the ocean come alive with bioluminescent lights and fish raves. i guess it isnt a space game anymore. or maybe dream sequence beach episode?? WOAHHH OCEAN MAGICANT i might be cooking with this one Hold On. yesyesyes ok some sort of trip/dream where theyre shrunk down marinauts (whatever ocean prefix) as opposed to astronauts and exploring a cool coral reef/ocean floor area and talking to the sea life and woahhhhhh this would look gorgeous in pixel art. tbh this one could be in its own game considering how vivid the imagery is

outside: post-final-boss world returning to normal/person being rescued or uncorrupted/whatever magical thing happening. very fond of the bird chirps too <33 OH MUSIC BOX SOUNDS i also adore this one. i think the ending of this game is kinda bittersweet. we saved the world/person/whatever but At A Cost. this is sooooo pretty. would also transition well into credits

Green: and roll credits!! this would be the kind of credits theme i sway in my seat and contemplate the game to. the entire album is fantastic and these last few especially have been so lovely

[allthingswhumpyandangsty]

Playing with this idea for a one-shot, so it's not fully developed yet.

Whumpee protag is a young successful businessman, real alpha personality, comes across as cold and cruel. But as a minor he was sexually abused by his adopted father. When the father killed himself, whumpee took over his company as just a teenager and ran the company even better, but gets tricked, betrayed and abused by his first new business partner. As a young adult he approaches his bodyguard, his right-hand man, who's much older than him, to abuse him in very specific ways (all the ways that he was abused before). Even if he frames it as kink, it's still very uncomfortable stuff. Bodyguard is terrified and has no idea how to answer; he doesn't want to see him hurt and has been protecting him since the abusive father died. He's also afraid that if this is what the whumpee has his mind set on, he will find a way to get it, one way or another, and isn't it safer for the whumpee if the bodyguard agrees instead of him finding someone else? Bodyguard doesn't know about any of the previous abuse, but once he agrees to participate, he starts to realize what must have happened to whumpee with the business partner—under his watch. He wants revenge, he wants to apologize for his failure, he wants the whumpee to feel loved, but he rejects everything gentle and kind. Whumpee thinks the cycle is doomed to repeat, so he thinks he's taken control of the cycle.

Not sure if it should end there with the realization of why, or if they deserve some kind of happy ending. Any thoughts?

tw: mention of childhood sexual assault.

this actually reminds me a little of my own blorbo — not every single detail is similar, of course, but maybe because it reminds me of my blorbo, I’m a little biased, so the more I read your ask, the more my mind goes “oh yes, yes, this is a brilliant and fascinating trope! I love this and I wish the trope got more recognition!”

(I mean your character and my blorbo share the same childhood trauma inflicted by their adoptive fathers who are now dead. and my blorbo also turned out an asshole with money and power who’s actually very abused and traumatized, but since no one knows about what he went through as a child, they simply see him as an asshole with money and power; it’s complicated, but this isn’t about my blorbo, so I’ll just stop right here.)

as for whether your story should end with your character acknowledging his trauma or if he should get a happy ending moving forward, I’m afraid I can’t offer a precise answer to that, since I don’t have enough knowledge/information about all the little details in your story, if that makes sense? and I believe every little detail does matter when it comes to how a story should end, which direction it should go. and only the author knows that.

could he eventually heal, move on and grow from his trauma, or should his story end with him realizing he’s traumatized and is haunted by his own past?

I really believe the answer depends on how you write him. there’s no right or wrong path for your story to take, since either of these can make for a perfect ending of the story. it can also kind of… be a mixture of both? but obviously, these are just my thoughts without having enough knowledge about his character.

that being said, the advice I can give you from firsthand experience is that you don’t have to make that decision — about how your story should end — right now. more often than not, I couldn’t make a decision about which direction my story should go until I was writing it and it just felt right for my story to head towards this direction instead of the other one. so as long as you write what feels right for you and your character, you’re doing it right and are giving your character the respect and conclusion arc he deserves.

[garfeildfanpage]

What is your opinion on teru minamoto and how he is as a character :3 I find him and akane’s (boy) interactions very interesting tbh

Woah an ask! And as of the recent chapter(s) I think they help confirm a few things I had already thought, but I’d love to go in depth!

Overall, Teru is probably my favorite. He’s different from the rest of the cast in the sense that he’s not a “hero” nor a “villain”. To me he, Akane, and Aoi all sit right in the gray moral area rather than characters like Kou, Nene, and the members of the broadcasting club, who play the direct roles of protag and antag. But he’s always held my attention over any of the other characters because everything around him is just as morally gray, from childhood to now his values never changed as his view on the world is just as strict, though with a few exceptions (which are pretty important).

His interactions with other characters show his views in the most obvious way. He acts charming and aloof around Nene, but he’s never really paying direct attention to her (ex: the mokke of the dead arc and the current trial arc).

When with Kou his actual softer side is shown a little bit more, acting as normal as he possibly can be; save for the times when Kou goes against Teru’s moral code (Young exorcist, Bound for the far-shore) and he goes on the defensive, when Kou’s view on supernaturals rival his he immediately goes from being on his side to disregarding him and acting on his own judgment full throttle. Which shows how he ignores their differences instead of actually addressing them, since he wants Kou to not only NOT be an exorcist but also to not get in his way. And to him pretending Kou isn’t doing exactly what he doesn’t want him to do, keeps the positive dynamic alive and well in his mind.

Now, Akane specifically is where it gets a bit confusing. I’ll take it chapter by chapter (or arc by arc whatever)

Clock-Keeper (technically the chapter after but I’m not super technical about this and it’s close enough)

Where it gets silly! Their dynamic of not only Spirit v Human but also President and Vice-President is established. Teru’s bias towards Akane compared to other supernaturals is from the beginning pretty obvious (he didn’t kill him so that’s a good start) while he isn’t exactly nice to him, he does value Akane in some way or another. It also shows that Teru knows a lot more than he lets on, and that he doesn’t tell people what he does either (which foreshadows some stuff later) also the glasses stuff is kinda tease-y flirty if you ignore the getting attacked by mokke part. What can I say he’s just so charming!!!

(Finals)

Where the care is more obvious. Showing off the more playful side of their dynamic, along with Akane’s view on Teru, which as of now isn’t very positive. At the end, Teru asks Akane for a favor, showing again that he’s psychic or something. But his cruelty here can mostly be seen as him making sure he gets Akane’s help, so the immoral part of it is debatable, he just seems to go about things the wrong way most of the time. could also be seen as him giving an insensitive to Akane to help up his grades for the final, since his grades for the previous semester are comparatively not as good.

Severance

Oh great heavens. Teru’s continued disregard of other peoples values comes to a head here, where this time he’s shown how the person feels when not told important information. But I understand why he did it. If he had told Akane that Aoi wouldn’t have returned to the near-shore, he wouldn’t have returned either, and there’s no way Teru could’ve dragged him out. But would that have been an issue? If Akane was left in the boundary? He could’ve died, he was kindof already doing that anyway, but was that the reason? Or did Teru do it out of selfishness? Did he want Akane to stay? Maybe he wanted to kick some sense into him, maybe he just didn’t want him to leave? Could be a lot of things, Teru isn’t dumb, and typically he’s pretty rational, but he never said why so everything is always up for interpretation.

Day-Off

To regain lost trust. Hanging out, it isn’t obvious why exactly Teru wanted Nene and Akane to tag along, maybe he and his apparent prophetic mind decided it would be the best course of action to do so, or maybe he just wanted a girls day or something. Akane seems to have gotten over his anger at Teru (possibly due to off-screen conversations cause that’s convenient) but when Teru tells him that Aoi isn’t dead, a little bit of trust in Teru’s judgment is recovered. Maybe he had the whole thing planned out from the beginning who knows he seems to suck at being overt. Akane interrogates Teru about the severance and gets all up in his face. And then the “I like Akane-San” happens and stuff gets confusing again.

Red house

I’m starting to think he doesn’t actually like Aoi. Teru learns to complain for basically the first time! At least in front of Akane. It’s obvious Teru’s trust towards Akane didn’t falter the way it did for Akane, in fact in some way Teru put more of himself out for Akane because of the severance. He brings up the dreaded Akane & Aoi chapter, and remarks about it in a really…strange way. Not upset but more bitter, really. But it also seems that Akane’s view on Teru has improved as well, having Teru go from a nightmarish demon stealing Aoi away from him, to a seemingly doting husband to her, what does this mean? Something gay probably. But nonetheless it seems that Teru wants Aoi back as well, but for what reason specifically? Other than just the general “unjust death caused by some undead demi-god 10 year old”, he wants Aoi back for some “dream”. Or is he just bluffing to tease Akane? I don’t know, dissecting a characters motives is hard when he isn’t nearly fleshed out enough to infer things with any kind of confidence. But overall they end on better terms than the severance started with.

Bound for the far-shore

Back to normal-ish. Teru’s fight with Kou is the main catch of these chapters for him, but his back-and-forth with Akane is fun too. It’s playful, it’s sweet, and it’s also nice to see them show trust towards one another!

School festival / Omen

A subversion of the viewer’s beliefs that Teru would go back to tormenting Akane but in actuality he protects him from a threat and makes a weirdly flirty face at him?? I love literature! Anyway I love their interactions here, it’s fun yet simple! I really hope nothing bad happens right after!

Trial of the Clock-Keepers

Ok gonna be honest this chapter is interesting but dear god is the pacing so slow I’m kindof losing interest. But nonetheless! Divorce. It’s a pretty obvious parallel to the severance; in the sense that Akane blindsights Teru, Teru tries to fuck his shit up, and is then forcibly stopped and dragged somewhere else. And though it’s played off as comical, it’s not silly to assume that this is, just like the severance, another reset of trust. I mean Teru does dick while Akane gets his shit rocked (not like he can actually do anything to be fair). but even so he still shows the smallest bit of concern, concern about why they aren’t actually fighting back in any significant way, even though they’re all well capable of doing so. But since the arc is still ongoing, that’s about where by opinions end.

Overall, I love Teru! And I love his dynamic with Akane! Sorry this is like, really long I’ve been waiting for an excuse to talk about this, so thanks for the ask!!1!1!…,ninja out

[phantomrose96]

Soooo, just dropping by to say, between your fics and rebageling of cool art, I finally caved and decided to watch Danny Phantom. Figured it'd be a decent background show while I did house stuff and I'd unlock a new section of ao3, no biggie yeah?

Yeah no, I am obsessed. Why?? Is it?? SO GOOD? I am genuinely invested in this cartoon and all of the characters - Danny is a good boi, Tucker is a riot, Sam is Sam no more needed, and Jazz is the best. Not best girl or best sister, just best. And Plasmius/Vlad is such a fun villain?!?! And Val!!! Such angst, so fun! Ooooh, and the stuff with Evil Danny and Clockwork, just watched that yesterday and that really made the brain go brrr!!!

And I love how there's a recurring cast, and they all have like, core themes, but its not the same deal over and over? Like, they actually grow and evolve just like the protag gang? It's so nice, actually seeing potential realized like that.

I dunno exactly what I wanted to say here, my mind is kinda just a ghostly hamster wheel at the moment, and I figured you of all people would appreciate that XD Pardon the flailing in your mailbox, but I am just very enthusiastically late to this party XD Wish me luck at the end of series crash - I'm on ep 35 and both dreading and barelling towards the end X'D

IT'S A GOOD SHOW.

It's fun it's punchy it has consistent themes it doesn't return to the status quo instead it lets the cast and the setting evolve it introduces cool character dynamics it uses the quandary of secret identities well whether it's Danny or Vlad or Val it's full of bad puns it's heartfelt it has a character who specifically and only haunts boxes

Like it was genuinely a good show, especially for its time and target audience, and I stand beside this I'm glad you GET IT.

However, and I'm sorry you have to learn this this way - there is no season 3. If you thought you saw there was a season 3, no there wasn't and no you didn't. There is a single, lost episode called "D-Stabilized" which was, genuinely, meant to be in season 2. Yes you should watch that episode. No there was not anything else from anything resembling a season 3.

Danny Phantom very tragically ended short after 2 seasons right after Reality Trip (+ the lost episode D-Stabilized). Too bad we'll never ever know what other content might exist. You might see rumors about some kind of hypothetical series finale called "Phantom Planet." Just rest assured those are only rumors and they Are Not Real and they Can Not Hurt You.

[the-modern-typewriter]

hhhhhhhh your work is just absolutely amazing and I cannot get enough of it… so much that I miiiight have just rebooted the last like two years of your blog… so uh sorry about ur notifs

And some of it had me thinking about how I tend to see like worldbuilding and/or scenarios that revolve around like sex as a necessity- such as like sexpollen or idk fuckordie scenarios - and I always wonder about how another asexual person would react to those, esp if they were more sex repulsed. There just doesn’t seem like space for us to exist in those worlds lol. And maybe it would be clinical or just like wet and awkward. Or they just can’t do it, regardless of the consequences. Your piece with the ace protag who described kissing as just like wet really resonated with me ig. Sorry about the word dump here oop. So if you want, I’d love to see your take on the situation.

I actually think there's a lot of space for asexual or aromantic experiences in these scenarios! Perhaps not the stereotypical take, but the consent/power/attraction dynamics inherent to these scenarios can form an interesting comment for parts of the ace experience.

To be honest, I've always viewed these scenarios on the horror spectrum and I would probably write them as such. Though I also don't think they have to be.

I might write something fully at some point, but:

Fuck or die/sex pollen is simply an extreme version of the already existing societal pressure to have sex/engage 'normally' with the culture we live in. It would be very easy to use that to make these scenarios an ace horror story.

When you add aceness to the mixture, or any sexuality that conflicts with the specific pairing in mind, is that irrelevant to the larger forces at work in the story (e.g. the plant, or the people forcing the fuck/die scenario or whatever) or is the point? E.g. is there a version of the story where someone ace is dosed with sex-pollen because it's considered an in-world cure for asexuality given it manufactures sexual attraction? How does that change attitudes to asexuality within that universe?

Is there a version where someone ace and their partner mutually and consentually try out sex-pollen so the ace person can see what sexual attraction is like? What does that say?

Are ace people immune to sex pollen for whatever reason? What in-world consequences does that have? Do you end up with ace people incentivized to take on jobs in areas where this would be a danger to other explorers? What commentary does that create within the world of these universes?

How does it change the character dynamics? If one person is so utterly against doing anything, even if it ensures both of their survival, what does that do to the other person? Because it's technically a necessity in these stories, but there are still actually two choices and for obvious reasons perhaps these stories rarely lean into the 'or die' part of the scenario. What does the other person decide in this situation?

Then there's the version where it is pure necessity. Not a big deal. No worse than any other chore. There's still consent, but honestly not all consent when you're ace is enthusiastic. In which case, the ace person who may already be geared more towards considering sex as a means to something else might actually be far less traumatized by this scenario than someone non-ace who might view sex with higher stakes/as more sacred/whatever.

Does an asexual alien view fuck or die/sex pollen scenarios with the same morality as an asexual human does? Quite possibly not! E.g. does one not consider it bad in anyway because that's just what humans do and they're not even aware of the consent/power issues going on. What does the dialogue between those two characters look like?

I don't know. I just think there's a lot people could do with the premise + asexuality! Ace people don't live in a world where sex and prevalent attitudes towards sex/sexuality have no bearing, and asexuality is in itself a broad and nuanced spectrum of attitudes.