#i know i suck at writing

[inkskinned]

i got my isbn today for the book. 8 months to go. my mom and i were talking about what the next steps are. i was eating trail mix, standing on one foot, phone tucked into my ear.

"yeah," i said. "the problem is that tumblr as a market is like, not something that can be studied." there's this weird wave of nostalgia and affection for this place that came up over me: how lovely we avoid consumerism. okay, it sucks as a creator. but also? keep stickin' it to 'em.

my mother made the sound at the back of her throat that i also make, the one that means i've got an idea. "you should figure out some kind of reward for presale amounts. maybe you give out poems or a mug or a signed book or something. would your followers like that?" my mother is sweet, and kind, and i have no idea how to explain on this website you can buy someone crabs.

i put more m&ms down the hatch. i had to speak through peanuts and almonds. "if it passes 25 thousand i will print the book out in its entirety and eat it live on camera."

"oh god. no, you don't have to do that." she was anguished. "just tell them that you'd love them to read it, and that they've inspired you to write. you got started on that site, and they helped you keep going. raquel, you love these people. the community? you talk all the time about the other writers and artists and whatever else. tell them that you're hoping for their support, they'll come through."

"no," i assured her. i discovered i had dropped an m&m, but an ant had already found it, so it belonged to him now. i will let his little life have a surprise blue treasure in it, too. "i'm gonna fuckin' eat the book."

[zephyrchama]

(obey me!) moments where they fall in love with you all over again

---01

It’s dinner, and you’re talking about mundane things that happened during your day. You saw a cool bird, got some gum stuck on your shoe, and bought a new flavor of toothpaste to try. Everyone is listening intently. If only they would pay this much attention in class.

Lucifer knows the way his brothers look at you all too well. It’s a look full of respect, admiration, and fondness. It’s a look that’s often reflected on his own face when in your presence. At first he never really understood why you put up with his siblings, as the option to ignore them and be on your way was always there. Yet you continue to make time for them anyway. How unusual.

Moments like these where everyone is together and you don’t treat them as the Seven Rulers of Hell, you just treat them as your dear friends and family. That’s what makes Lucifer soft. He tries to imagine a long future of things staying just like this.

---02

Mammon’s hesitant to lend anybody money, even you. It takes a few minutes to butter him up and fluff his ego before he relents. At last, he hands you the crispest bill in his wallet. “Don’t spend it all in one place,” he kids, knowing full well he’d do just that if he was in your shoes.

He’s curious what you plan to buy. It never dawns on him that you have no intention of spending the cash. Half an hour later, he finds it on his desk. The exact same bill, now creased and folded neatly into an origami bird.

He picks it up to wiggle the little paper wings, entranced, then looks around frantically and catches your eye. A playful smile graces your face and tugs at his heartstrings.

---03

Leviathan is not typically one to make mistakes when it comes to anime. But even he’s not perfect.

He had it set in his mind that the new show premiered at 6:00pm, which left plenty of time to prepare the ultimate solo viewing party after school. He was humming quietly to himself when you walked over. “Isn’t your show starting soon?”

You specifically took an interest in his hobbies. You remembered that it started at 16:00 (four o’clock), not 6:00. Leviathan wondered, how could he make such a egregious mistake? You were the one who dashed back to the House of Lamentation at full speed by his side. When your human stamina started failing, he unconsciously picked you up so you’d both make it in time. You made it with two minutes to spare.

Sweaty and out of breath, still in uniform, you were able to watch the premiere together. It wasn’t until after credits rolled, you went elsewhere, and the live reactions on social media started calming down that Levi realized what a big deal this was to him. What a big deal you were to him.

---04

Satan wasn’t expecting you to be spacing out in his favorite armchair. He had plans to read in it that evening, and considered asking you politely to move. But the way the lamp light shines on your skin, the thoughtful expression on your face while pondering ideas unknown. The way your lips part ever so slightly and your eyes gaze off into nothing. It captivates him. You look like a painting. His breath gets caught in his throat, and in clearing it he manages to break your trance.

“Oh, hey. Welcome home, I didn’t realize you were there.”

You go to get out of the chair, but Satan insists you stay. It doesn’t look right without you anymore. He doesn’t feel right without you anymore.

---05

Asmodeus does not have wardrobe malfunctions often. His outfits are of the highest quality and a lot of care goes into putting them on. Still, things happen.

When his fans rush forward out of nowhere, sometimes they are successful in tearing his clothes. A fistful of shirt here, a mouthful of pants-leg there. Being in the center of a lust-fueled stampede can make even the most collected people lose their minds, but you are steadfast. You shout at the rabid demons, shaming them for their disrespect. You believe you can chase them off all on your own, not knowing that the Avatar of Lust behind you is exuding a killer aura and warning his fans to back off with a powerful glare.

As you sloppily stitch up what remains of his shirt so he can walk home without the incident repeating, Asmodeus is smiling from ear to ear. You’re so focused on genuinely helping that you don’t even notice the bedroom eyes he’s flashing. The scene of you waving your arms and trying to chase off a pack of demons as if they were stray pigeons is permanently ingrained in his memory. Just as your existence is ingrained in his soul.

---06

Beelzebub knows what he likes. He knows what will catch his interest and is pleasantly surprised when a new one crops up.

One thing he likes is you. Another is food. Both are in the cafeteria. He piles a tray high with carbs and goes looking for you at lunch time, finding you seated in the middle of a long table at the edge of the room. He calls your name.

It’s unexpected, the way you quickly swing your head up mid-bite. Your cheeks are full and noodles dangle from your mouth, sauce dripping back onto your plate. Your eyes light up as you look at him from below. It makes him stop in his tracks, causing several shorter demons to walk into him. Such a simple action, yet so profound. You hurriedly chew and offer him a seat while Beelzebub powers through his emotions. He takes a seat across from you to offer a napkin, wondering when he’ll see that face again.

---07

It’s late, far past everyone’s bedtime. Yet Belphegor forgot to tell you something during the day and decided now would be a great time. When you don’t respond to the quiet knocks at your door, he lets himself inside. Your sleeping figure looks too comforting to resist and he gets the brilliant idea to crawl into bed with you to whisper in your ear.

The problem is, as soon as he lifts the covers, you fart. It’s loud. You don’t move an inch, remaining fast asleep and ignorant of what just happened.

Belphegor freezes in his tracks to process it, but is soon doubled over on the futon laughing. The vibrations wake you. You sleepily open your eyes to see who is in hysterics and ask the obvious: “what?”

Belphegor is laughing too hard to tell you. He doesn’t want to tell you. It’s too priceless. You groggily smack him with a spare pillow and it makes him laugh harder. While he loves to look at you, that week it becomes difficult for him to meet your eyes without erupting into a fit of giggles.

[starrystevie]

eddie’s going on a tinder date with a cute guy named steve.

he likes his freckles, brown eyes and cheeky grin. they don’t have much in common but the conversations they have in the app messages flows suspiciously easily. he’s a bit in love and antsy at the table as he watches the door anxiously for his date.

he sees person after person walk into the bar and his beer is dripping condensation onto his hand as he grips it, nerves shooting through the roof. eddie glances at the table and then back up to the door when a guy walks in and if eddie wasn’t waiting for his date, he’d want to go talk to him.

he’s cute, hot even, floppy brown hair and a charming grin, hands shoved into the pockets of his coat as he looks around the bar. his shirt clings to him in just the right way and his jeans fit him a bit too perfectly. eddie can’t help but stare and then the guy is staring back while he waves, ducking his head as he walks over.

“hey, eddie,” the man breathes out, his cheeks tinged pink from the wind. “sorry i'm late. parking was a bitch.”

and eddie’s confused. because this guy has brown eyes but not the ones he expected. freckles that are more spread out and distinct, trailing down to his neck instead of blanketing his face. his smile is perfect and he’s looking at eddie like he knows him. eddie’s a bit stunned, gaping at the guy with a slack jaw, because he’d remember someone as handsome as him if they’d met before.

“…hi?” he says like it's a question, taking a sip of his beer to do something with his hands.

he watches as the man’s eyebrows crease in confusion and the way his shirt stretches over his chest as he takes off his jacket. “it’s- i’m steve? you are eddie, right?”

eddie can feel his own eyebrows raising, wiping off his damp hand to fish his phone out of his pocket. he quickly finds steve’s profile, ignoring the messages they've sent each other over the past weeks that leave his stomach filled with butterflies, and pulls up the profile picture steve uploaded.

looking at it closely, he glances at who he thinks is steve, at the freckles dusting over his face and the toothy grin he's flashing at the camera. he's not exactly they type eddie usually goes for, but he's witty and sweet and knows about dnd, apparently, so what's not to love?

but then he looks at the other person in the picture that's slightly out of focused next to ‘steve’. looks at the two moles stark on the side of his neck, his pink tinted cheeks. the floopy brown hair and the pretty brown eyes and-

“steve?!” eddie exclaims, looking between the man in front of him and the picture on his phone. “you’re steve?”

the guy- steve- grins sheepishly, leaning on his elbows over the table to look at eddie’s eyes phone. he’s close, too close, close enough that eddie wants to-

“ohh,” he says and scratches at the back oh his head, eyes downturned with a blush trailing up his neck. “yeah, maybe i shouldn’t have used a group photo for a dating app.”

“so who did i think you were?”

their eyes meet and even in the dim bar light, eddie finds himself falling into the specks of green he sees. steve looks at the phone quickly then back up with a smirk. “my best friend, tommy. he’s kind of an asshole, though. you’re better off with me.”

“is that so?” eddie leans back, taking a sip of his beer, and really takes in his date that he now knows is steve. his toned arms, his broad shoulders, his pretty pink cheeks and pretty pink lips.

“what, are you disappointed?”

steve smiles gently and it lights up his face in a way eddie isn’t expecting. between the way he looks in a dingy bar and the way talking with steve is easier than any date he’s had before, he can’t imagine what disappointment he could ever possibly feel knowing that his date is who he is.

suddenly there’s a foot hooking around his ankle and it sends goosebumps tingling up his spine. steve’s smile softens just a bit and eddie can feel himself mirroring it back, letting out a breath he didn’t know he was holding.

“i don’t think disappointed’s the right word.”

crossposted on twitter!

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[leclercstarrs]

the slytherin boys confessing to you on new year’s eve

➤ blaise zabini

he waits for the right moment during the party in the slytherin common room. when the clock strikes midnight and the two of you are facing each other, not even taking notice of everyone around you celebrating a new year, he looks down at you and cups your face, pausing for a moment to admire you before kissing you.

➤ draco malfoy

he carries you to your dorm room when the party’s over and you’re barely able to walk straight after all the drinking, helping you get into bed and covering you with the blanket, brushing your hair out of your face and placing a trash can next to your bed. draco sits on the side of your bed, placing a comforting hand on your leg. when he thinks you’re asleep, he confesses to you, unaware that you’re awake and can hear him.

➤ lorenzo berkshire

when the crowd in the common room gets overwhelming and the loud music seems to be getting louder every second, lorenzo sneaks you away to his favourite spot in hogwarts, the astronomy tower. the weasley twins have fireworks going off to celebrate and the two of you just sit there and watch as the night sky lights up with different colours. he turns to look at you and you can feel him staring, so you do the same and shift your body so you’re looking at each other. “i’ve liked you since first year. i understand if you don’t feel the same way, but considering it’s a new year, i just needed to tell you. you mean so much to me.” he whispers.

➤ mattheo riddle

he can feel the jealousy radiating off of him as he’s sitting on one of the leather couches in the common room, watching you and harry potter join the rest of the crowd in dancing. your eyes shift to glance at mattheo behind harry’s shoulder, raising an eyebrow in confusion as he basically death stares at the brunette you’re swaying your hips against. when mattheo looks away, you do the same and bring your attention back to him, not expecting it when the angry slytherin walks up to you and harry. “matty? what—” before you can even finish your sentence, he punches harry right in the jaw and starts a fight with the gryffindor boy. later on, the two of you are in mattheo’s dorm as you clean his hands and the mark on his face from the one hit the other boy was actually able to get in. the party is still going on and although you’re pissed at him for ruining your night, he can’t help but tell you exactly why he started the fight and how much he wants you as you wipe some blood off of his bleeding knuckles.

➤ theo nott

theo takes a, slightly, calmer approach to his confession. when he sees you, his best friend, dancing with fred weasley, his immediate response is to shut down and distance himself from you for the rest of the night. he drowns his sorrows in cheap alcohol the twins managed to score for the party. eventually, when you realize you haven’t seen him in a bit, you part ways with fred to go find him. when you find him, he’s drinking alone on one of the leather couches in the middle of the room. confronting him, determined to figure out why he’s acting so weird, he drunkenly confesses.

[insanesonofabitch]

AU where destiel gets confirmed like, 3 seasons before the finale because Cas unknowingly hooks up with a siren, revealing his love for Dean. But then the siren uses that to make him attack Sam and Dean.

Sam’s trying to pull him out of the situation, “Dean! DEAN!!! We need to get out of here!!!! DEAN!!!!!!” But Dean is just standing there, unmoving. Every moment spent, every word exchanged, everything. Everything came raining down, crushing him underneath. Cas is pointing his blade against him and he cannot move a single muscle.

[laufire]

jason's lazarus pit was golden jason's lazarus pit was golden jasonslazaruspitwasgolden jason's lazarus pit was golden JASON'S LAZARUS PIT WAS GOLDEN

AND PIT MADNESS IS *NOTHING*

[callisteios]

I have a new uquiz for you, go on a pilgrimage with me. discover who you are.

[arttsuka]

have Jedidiah and Octavius watch brokeback mountain on Larry’s phone

Sorry anon, but my headcanon is that Jedediah watches it alone for some reason (maybe Octavius was busy that night with something else) and he starts questioning his whole existence.

Internalized homophobia am I right? (Also Jed is definitely the kind of person who thinks like 'this isn't all that bad except from when I'm doing it, then it's the worst thing ever). Anyway, I think it's way more difficult to actually think about your feelings than just have them. It can be scary too, putting a proper name on a situation.

Then he just kinda dissappears for a few weeks, no one knows where he is. He doesn't say anything to anyone but even when he gets back he kinda avoids everyone.

He vents to Larry without giving him any context.

Octavius just blames Larry. It was something on the phone that made Jedediah upset, so naturally it must be Larry's fault.

They make up in the end but I don't know if they talk about what actually happened. Maybe Octavius watches brokeback mountain too and he understands idk

A little sequel to this here

[pollsnatural]

Warning: no hate towards Sam in the tags.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[mediumgayitalian]

The crooked, creaky door of the cluttered infirmary storage room pushes open and slams shut in the span of a second, just barely allowing someone to dart through. Nico jumps, banging his head on the shelf he’s hiding under, chomping full force on his lip to bite back a shout. The shadows, on lucky reflex, bend around him and shroud his face. The rest of him he tucks further into the forgotten corner between two filing cabinets, holding his breath.

Under the unflattering light of the single swinging lightbulb, Will looks dull.

A thin headband attempts to hold back his frizzy hair, although it does very little. Curls stick out oddly and many shorter hairs are plastered to his temples and the back of his neck. His skin is unusually lacklustre, even pale, except for the high flush around his cheekbones. The bruising under his eyes rivals Nico’s. He has been wearing the same scrubs for the last two days.

With one last look at the closed door, nothing but garbled voices filtering through the heavy wood, he slumps. He drops his face into his chapped and bleeding hands, heels pressed into his eyes, and holds them there for ten seconds, twenty. Slowly, with trembles so minute they are at first glance unnoticeable, his shoulders begin to shake. The long fingers flexed and tensed around his forehead curl tightly, and he twitches, whole body trembling, teeth sunk hard into his bottom lip to stop his chin from quivering.

It does not work.

The first sob is quiet. He catches it quickly, forcing it back down, breathing heavily through his nose and out his mouth to beat it back. The second follows quickly, though, and it’s harder to choke down. When his face crumples, his resolve goes with it, and his knees hit the floor, sharp crack swallowed by the stillness of the room. He curls forward until his nose nearly hits his knees, hands sliding through his hair and over his ears and settling finally clutching together in the dip of his chest, bouncing with every heave of his chest. It’s quiet, his crying, enough that every dropped tear can be heard as it hits the dusty floor. The only time his sobs are ever audible is when he opens his mouth, trying desperately to soak up enough air to catch himself, to carry himself through.

Mute horror holds Nico’s tongue hostage.

He’d escaped in here the second Will had been called away this morning, dragged for the umpteenth time to handle a crashing patient or a complicated hymn or to soothe someone’s nerves. For the past two days he’s been doing his best to monitor Nico and a handful of other front liners who’d exhausted themselves in battle, but his focus has been split and the infirmary has been crowded. Whenever he runs off to put out whatever fire had cropped up — sometimes literally — the whispers start, the glances, the skin crawling up Nico’s back. Nico can hardly tell anymore what’s the shadows and what’s the people around him, watching him out of the corners of their eyes like they’re waiting for him to bust out a scythe and a black hooded cloak and start reaping.

The storage room is supposed to be an escape. Out of the way and forgotten as it is, it is supposed to be the place he can hide for an hour, escape the heavy gaze of the rest of the camp, collect himself before braving it all again.

Clearly, though, he’s not the only one who thinks so.

There’s something disorienting about seeing Will Solace cry. In the few times Nico has spoken with him during his visits to camp, he’s been a barely-contained explosion of energy, whether talking Nico’s ear off with updates about people he barely knows and references he hardly understands or cussing him out for overextending himself. He’s used — as much as he can be to someone he’s only beginning to really get to know — to his wildly flailing hands and widely playful grin, his loud drawling voice, his painful, constant brightness.

His hands, now, clench until they’re bloodless, trembling. There is no hint of his wide smile or twinkling eyes, because his face is hidden by all the hair that his given up on the pretence of the hairband, and the only sound from him are his gasping breaths and swallowed-back sobs. Nico watches him because he cannot look away. He flinches because every cry, every rough, scraping inhale, sounds like shattering rock, like an iceberg breaking off a glacier.

A quiet beeping startles them both.

For a stretch of time Will is motionless. The beeping continues, steady and soft, bouncing off the cluttered shelves and fading before they echo. After the third round — and Nico counts, if anything for something to do besides watch the chafed skin on Will’s hands crack and bleed with every flex — he drags himself upright, nails drawing lines in the thick dust of the floorboards, and rests back on his heels. He breathes for a moment, shuddering, hands pressed flat to his face; in, beep, beep, beep; out, beep, beep, beep. None of his breaths are ever steady, but he wastes no more time, swiping under his eyes and pinching his cheeks to restore his face to some of its usual colour. He grips onto each board of the shelf to his right as he yanks himself upwards, hand over hand, until he’s stretched, finally, to stand, although there remains a slouch to his broad shoulders.

The beeping continues, emanating from the watch on his left hand, growing softer or louder as he trails his fingers over the shelves from one end to the other, from the first, the second, the third. He pauses finally on a collection of bottles, turning them carefully to read the labels, then tucks them each gently into his already bulging pockets until he is left with what he must carry between his fingers.

The shadows bend to cover Nico again as Will turns, unknowingly facing him, and pulls himself suddenly straight-backed, chin set high, shoulders squared. He smiles, wide, fractured, squinting his eyes deliberately. The beeping stops. He breathes, in, smile, out, nod, and turns, striding, back to the door, opening it with flourish and swiping the dust off his clothes.

“Found them! Sorry it took so long, I really had to look —”

The door swings shut behind him, cutting off the rest of his sentence.

Nico stares at it with bile churning in his too-empty stomach.

———

art by the incredible @clingonlikeclingwrap

[rakkuntoast]

i just think its funny how richas actively snitchs on his parents whenever they are doing smth illegal

[shuutingstar]

pjo side characters have to be the funniest shits in the world. like all the campers at camp are all doing their own thing while the main characters go save the world for the hundredth time. I’ve fallen madly in love with every single one of them and all of Rick’s books that showcase just how chaotic and unhinged they are will always be my favourites. it’s sad that they’re background characters because they’ve got the potential to be so much more.

[waddingham]

oH Ted as the 'someone coming every week to cook and stock her fridge with meals'!! your brain does so much good work and I am so thankful we get to reap the benefits <33

yeah!!!!!! and i couldn't think straight until I got rid of it!!! here take this it's killing me!!

×

She begs Phillip to keep her on. She begs him, tries to double his fee even, to keep him from total retirement, but he's steadfast in his decision. 

The thought of hunting down another chef is horrific. But he gives her no choice. 

She blows through them like tissues for three months, suffering over-complicated meals, over-powering flavors, chefs clearly trying to impress as if she wants a Michelin star meal every night. She doesn't – if that was what she wanted she knows exactly where to get it. 

When she's at home she just wants good food, that's easy to reheat and easy to eat. Which is how she ends up finally succumbing to Leslie's repeated insistence that she give his man a chance.

“He comes over once a month,” he tells her, more than once. “Puts together some things we can freeze and just pop in the oven. Simple enough for the boys to do it, so Julie and I can have at least a couple evenings where they can feed themselves.”

He brightens when she gives and asks for his info, and when she gives him a call, she's struck dumb hearing his American accent.

She's running out of options, so she takes a chance on him.

×

She taps her fingers on the counter, waiting for the doorbell, checking her watch when she finally hears it. He's perfectly on time, but she feels like she's already searching for a reason to be disappointed with him.

He has a pleasant smile for her, though, and a friendly demeanor and a firm handshake and a handsome face – none of which she can immediately find fault in as they introduce themselves.

“I'm sure you're busy,” he says as she leads him to the kitchen. “So I appreciate you taking the time to let me peek at the kitchen and ask you a couple questions.”

“Of course,” she says, used to the procedure by now. Most of them have some kind of sheet they have her fill out, usually via email, but she doesn't mind taking a moment to meet the person who's going to be cooking her food.

“Oh, this is nice,” he compliments, looking around the kitchen, as he sets down the backpack hooked on his shoulder.

“Thank you,” she says, gesturing for him to claim a stool. “Though you can probably infer from your presence that it gets little use.”

“That's okay, I'll go easy on it,” he chuckles, pulling a binder from his bag and opening it up on the counter. “First, though, I wanna make sure I know what I'm cooking.”

He doesn't have a questionnaire or the like, it seems. The lined paper in front of him is blank before he scrawls her name at the top.

“How many people am I cooking for, first of all?” he says without looking up.

She licks her lips, her gaze shifting. 

“Just me.” She keeps her tone matter-of-fact. She hopes.

The way he glances up makes her doubt whether she managed it.

“Makin’ it easy on me already,” he says with a soft smile, adding a 1 to the corner of his sheet. “You have any allergies or dietary restrictions?” 

“No,” she says, then adds, “Though, I do have the tendency to drop meat for a while every so often.”

“A part-time vegetarian?”

She cracks half a smile. “Sure.”

“Okay,” he chuckles. “What kinda meals are you after? Breakfast, lunch, dinner?”

“Dinner, mostly, though I won't say no to the occasional breakfast. Mostly out of curiosity.”

She doesn't think any of the chefs she's hired have offered to make breakfasts.

“I make a mean frittata,” he grins. “What do you like, then? What are some of your favorites, so I can get a feel for what you want?”

“When I eat at home, I want quick and easy,” she says. “The less steps for me, the better. I don't want extravagant, elaborate meals. Shepherd's pie, any kind of pasta, soups, salads. Fish, chicken, red meat on occasion, not every week preferably. Anything veg heavy will probably be a hit with me.”

He nods, taking rapid notes in what must be a very familiar format to him. He fires off a few more questions for her, elaborating a bit further on what she likes before switching gears.

“Anything you absolutely don't want?”

“Not especially,” she says. “I don't like to limit a new chef too soon. I'd rather you make me your best and I'll let you know.”

“Uh oh,” he smiles.

He does that a lot.

“Am I on trial?”

She opens her hands up, giving him a small smile and he chuckles.

“I've had six chefs in ten weeks,” she tells him. “So yes, maybe a little bit.”

“Why didn't they fit the bill?” he asks curiously. “So I can avoid a similar fate.”

“I don't think they quite believed me when I told them how simple I wanted things,” she says. “Too many sauces and sides and heat this up separately and put this on this. If I want a five course meal, I know where to get one. When I get home from work, I want to throw something in the oven or dump it on a plate and microwave it, not anything glamorous.”

He looks pleased to hear it – he seems to actually relax slightly, as if he'd been uncertain he could deliver on what she wanted.

“Well, I can guarantee you that going too fancy will not be a problem with me,” he says, writing a few more things down. “I'm used to basic.”

“Good.”

“I've got Tuesday afternoons free, if we're doing every week.”

She nods.

“Between noon and four, if that works for you.”

“I'll be at work, so you'll have free reign,” she says, opening a drawer on the island and pulling a house key from it. “Make yourself at home.”

“Alrighty,” he says, taking it from her. She watches him pull a roll of masking tape and a ring of maybe half a dozen keys from his bag. He rips off a piece of tape and labels it with an RW before adding it to the keyring. 

“If you ever have any requests, that number you have is my cell. Shoot me a text before Tuesday if you want it that week, or you can leave me a note.”

“Okay.”

“And let me know if you think of anything else you want me to know,” he says, starting to pack everything away again. “If you hate olives or can't stand Bleu cheese.”

“I love olives,” she says emphatically. “And there's no kind of cheese I will refuse.”

“Cheese is the best, right?” he remarks. “They're all good. Yellow, white, hard, soft. Even stinky, moldy…still good.”

She snorts a bit, but fully agrees.

“I'm pretty much always stocked with fresh mozzarella to nibble on so feel free to help yourself.”

“Oh, don't tell me that,” he says, shaking his head. “I'll clean you out every week.”

She chuckles as he throws his backpack over his shoulder. 

She sees him out, intrigued now to see what he cooks up for her.

×

When she gets home on Tuesday, there's a delicate cacophony of smells hanging in the air and she remembers for the first time today – after a long, trying weekend – that Ted was meant to come.

And apparently did.

The kitchen is spotless (thank God – chef number two had a tendency to slack on the cleaning up bit) and she eagerly makes her way to the fridge.

Each covered pan has a strip or two of tape on top – 35 minutes @ 175° the small square one requests. Thank God. One singular step.

If it tastes like shit, she's going to cry.

It reveals itself to be a lasagna and she flips the oven on, lets it get hot while she peeks at the rest of what he's made, then pops it in the oven while she goes upstairs and gets comfortable.

She notices the extra pan by the kettle when she comes back down, this one without a lid, left on a trivet. 

Three neat rows of shortbread lie within it, a note flat on the counter in front of it.

A little extra treat – maybe a bribe so I don't end up being Disappointing Chef Number 7 – and a thanks for giving me a shot. I'm told these are a winner with a cup of tea. 

He's signed it with a mustached smiley face that makes her chuckle.

They smell divine. She can't resist prying one up and taking a bite.

“Oh, fuck me,” she mutters to herself, looking at the biscuit with a bit of wonder as it melts on her tongue, perfectly sweet and salty.

Oh, wow. She glances at the oven, then the pan in front of her.

She might have struck gold.

×

Everything is delicious. He's clearly not a professional five star chef, but every bite has her in disbelief.

It's just so good. She was skeptical, but he even nails a shepherd's pie for her, dumping cheese on top without her even requesting it. Nothing is unpleasant or poorly made, nothing has her thinking to text him and tell him she didn't love it. His portions are more than enough for her and she frequently takes what's left to the office with her. She has never taken lunch with her to work. Ever.

His cooking tastes like dining at a friend's house, like family made it, like he loves cooking for people and puts it in every bite.

And the biscuits. She finished the pan before the week was even out, unable to help herself.

She's a little bit devastated when there are none on the following Tuesday. 

She leaves a note the next time she expects him.

Any chance for biscuits again? 

She's ecstatic to find a fresh pan when she gets home.

She's nursing her last three by the weekend, determined to make them last long enough to request more.

×

I hope no notes is a good thing?

She's been meaning to text him, tell him how pleased she is with everything he's made, but it continued to slip her mind.

How am I doing?

No notes is a very good thing, she sends back. Everything has been absolutely delicious.

Oh good :)

I love to hear it

The biscuits have become a problem though

No biscuits next week then?

God no

I'm hooked on them

Don't do that to me

You got it boss

×

She almost laughs at herself when she gets home.

She's turning down dinner dates and good-looking men in favor of a date with the container labeled prosciutto stuffed chicken breast in her fridge that she's been thinking about all day.

He'd probably get a kick out of the fact that his food is so good it's ruining her dating prospects, but that's most definitely not something she'll be telling him.

She gets herself a little bit of this week's salad while she waits on the oven – romaine with candied walnuts, dried cranberries, gorgonzola, sliced green apple with a deliciously sharp vinaigrette. She peruses the fridge in her typical Wednesday fashion – on Tuesday evenings she's made a habit of grabbing the first thing she sees and letting him surprise her – looking for the small container of sauce that the lid of the chicken makes mention of.

She chuckles when she sees it. Some of his notes on things have gotten more elaborate, sometimes teasing, sometimes with a wine pairing suggestion, sometimes just with a little smiley face. The lid for the sauce only says creamy pesto, but there's masking tape wrapped in a spiral over its sides, covered with writing.

I know, I'm gonna get in trouble for making a separate sauce for something but all you gotta do is dump it on when it's done! It's worth the extra step I promise! 

She snickers around her salad, setting it on the counter. 

It's well, well worth the extra step.

×

When she gets home on Tuesday, she's unexpectedly greeted by a strong, delicious smell and noise from the kitchen. She leaves her heels and her coat before turning into the kitchen.

Ted's at the stove, looking almost mortified as he immediately starts apologizing.

“I'm sorry, Rebecca, I'm so behind today, but this is my last one and then I'll clean up and get out of here–” he rambles, but she's taking him in more than listening. Namely, she's taking in his tired bloodshot eyes and his disheveled hair and the way his hands shake as he gestures to the mess of the kitchen. 

“I'm sorry–”

“No, Ted, it's alright,” she insists. “It's not a problem.”

“I'm almost done.”

“Are you okay?” she asks gently.

“Yeah, yeah, I'm fine, I just need to finish this…”

She frowns and rounds the island, unconvinced and unsettled – he's almost frantic with energy.

“Come here.” 

He frowns as she pulls him away from the stove.

“No, it'll burn–”

“In which case I'll survive with one less meal,” she says firmly, pushing him to the dining table. “Sit.”

He does – reluctantly – and she gets him a glass of water.

“Take a deep breath. Relax,” she insists before stepping to the stove. The pan there has a sauce in the making, a plate of meatballs next to it, as well as a pot of water getting hot.

“What needs done here?” she asks.

“I can–”

“Stop,” she commands, lifting a brow at him before he can rise. “Sit. Just tell me.”

“The, the cream needs to go in,” he says. “Give it a second, then the other two little bowls there, the Dijon and the Worcestershire and then the spices.”

“Okay,” she says, keeping her voice steady, hoping it'll relax him, show him she's far from upset that he's still here.

She follows his instructions, pouring the measuring cup of cream in and mixing it with the little whisk that's already there. She lets it get hot, then adds the rest, stirring it in.

“What am I making?” she asks with a small smile.

“Swedish meatballs,” he supplies, sounding distracted. “One of my favorites.”

“Swedish, hmm?”

“Well, I can't speak to them being authentic,” he says. “Recipe was my mom's. And she's definitely not Swedish.”

It smells delicious – whatever spices she just added were warm and aromatic and it makes her mouth water.

“What next?”

“Uh, turn the heat down and let it simmer,” he says. “Needs to thicken.” 

She dutifully turns the stove down and then joins him, taking a seat next to him. 

“What's wrong?”

“Nothing,” he deflects, “I'm fine. Just…didn't sleep so good and then this morning was…I'm fine.”

She doesn't push, seeing how much effort he's putting into forcing a smile and changes course.

“Do you have anywhere else to be today?” she asks.

“No, no, you're my last client on Tuesdays.”

“Then stay,” she insists, gesturing to the stove. “Looks like enough for two.”

“I shouldn't,” he tries, shaking his head. “I should get out of your hair.”

“You're not in my hair,” she asserts. “I would enjoy the company and I'm most certainly not complaining about getting a meal fresh off the stove.”

He looks her over for a moment, presumably looking for any hint of falsehood before he nods a bit haltingly.

She smiles.

“Should, uh, should put the meatballs back in to finish ‘em,” he murmurs. “And get the noodles on.”

“Yes, chef,” she says, giving him a wink when he finally smiles. 

“I'll do it,” he says, and she lets him this time for how much calmer he seems. She occupies herself by offering him a drink and pouring herself a glass of wine. He accepts a couple fingers of a scotch he's apparently had his eye on for the last few weeks and she watches with interest as he takes a sip.

“Oh, that's nice,” he mutters. 

“The only one I buy anymore.”

“You have excellent taste, I have to say,” he remarks. “Thank you.”

She helps him get the rest of the dinner together and is glad to see him relax more and more, until he's smiling easy as they both sit at the island with bowls of noodles and meatballs.

“Well, it smells fantastic,” she says, eagerly stabbing a forkful of noodles and half a meatball.

It's delicious. Creamy and warm and truly everything about it screams comfort food. 

“Oh, Christ,” she mumbles around it. 

“Yeah? That one a winner?” 

She nods emphatically, eyeing him as she chews.

“Nothing you make is bad,” she mumbles, watching him take his own bite.

“That's ‘cause I only make what I know I can make good for you,” he chuckles. 

“Why's that?” she asks. He can take a chance on her – he's built up plenty of faith in him already. One bad meal isn't going to have her canning him.

“Oh, to impress of course,” he says with a crooked smile that she returns. 

“You've already done so,” she says. “I haven't had a single thing I didn't like.”

“I'm very happy to hear it,” he says, sounding very genuine about it.

They eat slowly because conversation comes very easily. Whether it's the drink or the distraction of her company, he's light-years away from the frazzled ball of anxiety she was met with.

“Safe to assume you don't enjoy cooking much, huh?” he asks her as they both scrape their bowls. 

“I don't think I would mind it if I had ever learned,” she muses. “But I've had a cook for most of my life and learning how now just to feed myself seems more trouble than it's worth.”

“You've had a cook most of your life?” 

“My parents kept one when I was a kid, and then when I was married, my ex-husband insisted on a cook,” she says, half rolling her eyes. “Thank you, by the way, for not inundating me with pork pies and sausage rolls and roasts and dousing everything in gravy.”

“I enjoy a good gravy, but, oof, that's heavy eatin’ right there.”

“Too heavy,” she agrees. “Though my tastes were rarely taken into account.”

He hums as he wipes his mouth and she finds understanding in his eyes.

“How long were you married?” he inquires.

“Twelve years,” she says slowly.

“That's a lot of gravy,” he says more seriously than the words might call for. She hears his meaning plain enough.

“Yes. It was.”

“Well,” his tone brightens a bit, “now you got me to make whatever you please.”

“Too right,” she chuckles, sipping her wine. “And it's always spectacular. I don't know how you do it, what you're lacing everything with…”

“Oh, I just make sure I put a little love in everything, that's all,” he grins.

She takes in the sight of him, smiling and content, his creased eyes warm, and she likes this. She's enjoying this. She likes him. 

It's so hard to know though, even as his eyes move over her face, the quiet stretching long, if she likes him or if she's simply missed enjoying a comfortable meal at home without having to do it alone.

Her eyes drop, aware of how intensely she’s looking at him. She's not sure when it happened but they're both turned completely towards each other on their stools, leaning on the counter, and his fingertips are right there at the edge of hers – the mere straightening of her fingers would bring them into contact.

“I appreciate you letting me stay and have some of your dinner,” he says softly.

“You made it,” she offers with a grin.

“You paid for it,” he returns.

“It's not a problem at all,” she says, meaning it wholeheartedly. “It's nice to have some company.”

“I'm gonna be honest with you, Rebecca, you don't seem like a woman who would have any problem finding company.”

Her brows lift alongside the corners of her mouth, a little internally delighted by his boldness.

“I think I'll take that as a compliment,” she grins.

“As it was meant,” he assures.

“In which case…I'll amend to say it's nice to have such comfortable and easy company.”

His cheeks round, his gaze dropping in something akin to bashfulness and she thinks it really might just be him that's growing on her.

“I’m glad you stayed,” she says, her smile slanting crookedly. “Even if I pretty much made you.”

“I didn't wanna impose. You were very kind to give me a second to…calm down.”

She's not sure if it's embarrassment, exactly, or shame that has him toying with his glass instead of looking at her.

“Felt like I was trying to catch up to myself all day,” he admits.

“I know the feeling,” she sympathizes.

He's quiet for a moment before he responds. 

“My ex-wife was supposed to come out with our son in the next couple weeks here, but she called and they pushed it back until the summer.”

His frown is back and his gaze is faraway, but she doesn't speak.

“Been here for almost a year now and they still seem to be getting on just fine without me.” He sounds like he wishes he could say it with detachment, but it comes out rather devastated. 

“They're in the States?” she asks gently, pulling him back to here and now as he shakes himself a bit. 

“Yes.”

“Why don't you go see them?” she tries, though she's very aware she's got the bare minimum of facts.

“‘Cause I'm still stinging from her snapping that she just needs some goddamn space,” he says, giving her a twisted, wry little grin. 

She frowns but he shrugs, lifting his drink to his lips. 

“S’pose it's about time to just get over it,” he mumbles.

“That's not easy to get over,” she says kindly. “Especially from someone you love.”

“No, it's not,” he agrees. “Ain't much love to lose these days, though. You're probably right, should just take matters into my own hands, hop over the pond.”

“Don't go too long,” she says, only half teasing. “I shouldn't be left to feed myself for a prolonged period of time.”

He smiles again and the sight has warm satisfaction melting in her.

“Oh, if I go anywhere I'll set you up, don't you worry,” he assures her.

“Thank goodness.”

It's odd how difficult she finds it when she rises and steps away. A part of her wants her to stay put, keep the space between them minimal, but she writes it off as a result of just how long it's been since she had sex.

“Now, I don't see any biscuits,” she says. “But I suppose I'll give you a pass this week.”

He rises with a soft chuckle, following her with his own dish to the sink. 

“No, no, I'll do it,” he says as he starts to clean up from dinner. “Unless you need your kitchen back.”

She starts gathering dishes – he must clean as he goes, because it's not nearly the mess she'd imagine would come from cooking four whole dinners. 

“Oh, for what? You think I have a chef on the side coming over tonight?”

He turns, expression scandalized, a hand landing on his chest as if he's been shot.

“Tell me you'd never.”

She chuckles, joining him at the sink, hands full.

They clean up together and then she pours them both another drink before she claims a stool, content to watch as he puts together a batch of biscuits. She watches him move comfortably around the kitchen, chatting easily with her, and it's making an impression, one she's blatantly ignoring.

She half expects him to try to leave her once they're in the oven and has her excuses for him to stay at the ready, but he sits again, waiting the half hour they need to bake at the island with her. He asks her about her job, how she came to own the club, and conversation wanders to and fro.

“I'm intrigued to see what you've cooked up for me this week, chef,” she remarks at one point.

“You know I ain't really a professional chef, right?” he chuckles. “I dropped out of culinary school actually.”

“Really? Why?” 

He lifts a shoulder. “I wasn't having fun. I love cooking, I love making food and feeding people, but I didn't wanna do it the way they train you to, you know, cooking in a restaurant or joining the race to be the next big something. I like doing it this way. Getting to know people and cooking what they like. Feels like I'm paying the bills by cooking for friends and that's…” He clicks his tongue with a nod. “That's just perfect for me.”

“Well,” she says, smiling at how clearly he loves what he does. “You're still a chef. Definitely to me at least.”

He rises when the oven chimes, giving her a smile. 

“That's enough for me.”

The biscuits have filled the kitchen with the warm scent of vanilla – the same scent that's usually still barely lingering when she gets home.

He stays long enough to let them cool slightly and cut them and she watches as he arranges them on the trivet by the kettle, just as he always does. He packs his things up then and she sees him out, exchanging smiles and goodbyes.

She's still smiling when she finally goes upstairs to change for the evening and it takes her a while to identify the feeling.

She feels like she just got home from a really, really good date.

×

It wasn't a date, so she doesn't know why she's disappointed when she doesn't hear from him again over the week. She doesn't contact him either, trying to recategorize the evening in her mind. 

She's very pleasantly surprised, in that case, when she comes home the following Tuesday and he's still there. She knows by the smell of something sweet and nutty filling the air before she even gets to the kitchen. 

It's spotless this time. He's not all anxious energy this time either – he smiles when she peeks in, looking rather uncertain about his welcome, but it still makes something deep in her chest ache.

It's rather nice. To come home to a smile from someone.

“Hi,” he says.

“Hello.” She lets her smile ease his uncertainty and her tone ask her questions for her.

“I, uh, wanted to say thank you,” he explains. “For last week, when I was…when I wasn't feeling so great, for being so kind, letting me hang out for a while.”

She starts to wave it off again, but he continues.

“I made a little something special for ya. Something I can't really leave for you to reheat later,” he says, gesturing to the ovens. “If you want a little snack?”

She nods eagerly, kicking her heels off toward the stairs before she joins him.

He pulls a dish from the oven and sets it on the counter. He fiddles with something there, but she doesn't see what until her turns, sliding a round plate to the center of the island between them.

Whatever it is is perfectly golden brown, looks delicious and smells heavenly.

“Honey baked brie,” he informs her. “With some walnuts and some fig jam, tiny bit of rosemary.”

“Oh my god,” she almost moans. “And it's what, wrapped in pastry?”

“Yes, ma'am,” he smiles. “Thought it might be something you like.”

“I can tell you already you're correct,” she says, rounding the island to find them some forks. “I can't wait to taste it.”

“Let me know how you like it.” She frowns, but he's got a small smile when she looks up. “I'll let you…”

“You think I'm going to eat that entire thing myself?” she asks, lifting her brows as she pulls two forks from the drawer.

“Well, I know how much you like cheese,” he chuckles.

“I'll share,” she says, handing him a fork. “With you.”

She doesn't even have the patience to sit down – she slices her fork through the pastry and creamy brie begins to ooze out. She scoops it up with some pastry, catching a nut and a bit of fig and shoves it in her mouth. 

“Careful, it's hot–”

“Fuck me,” she mutters without thought.

It's delicious. Creamy and sweet and savory, the pastry flaky and buttery. It's rich and indulgent but not sickeningly so and she’s in love.

She's bringing another bite to her mouth when she realizes he's just smiling at her, pleased as punch.

“Please eat some,” she begs around her bite. “Because I can not eat all of this and I will if you leave me alone with it.”

“Alright, alright,” he chuckles, cutting off a bite for himself. 

He hums, pleased with his handiwork. “Mm. Not to toot my own horn, but that's good.”

“Mm!” she hums, getting an idea. She steps away to the wine cooler, squatting down to look for one of her less frequent whites. She comes back with a pair of glasses and an off-dry Riesling.

“This was a bit too bright and citrus-y for me, but it might be gorgeous with this.”

“Okay. You’re the sommelier here, not me,” he says as she pours, then slides a glass to him.

“Oh, please, your pairings are always spot on.”

It does go nicely, complimenting every bite.

“God, this is lovely,” she tells him. 

“I'm glad you like it,” he mumbles around his own bite. 

“Did you make the pastry?”

He shakes his head. “No. Normally I would, but I didn't decide on this until I was shopping today and that takes some time.”

“How long did this take?”

She listens with interest as he explains how he made it, amazed at how straightforward it sounds.

“Christ, it sounds like I could make it.”

“Uh oh,” he says, eyes widening. “Am I talking myself out of a job?”

“Oh, hardly. Even if I figured out how to make everything you cook for me, I'd still keep you around,” she admits. “You’re good company.”

“Well, that's nice to know,” he smiles, eyes soft.

“Also, knowing how to definitely doesn't mean I actually have any desire to cook any of it myself,” she chuckles. “So you still have plenty of use.”

She winks with her teasing as his warm laugh has him tucking his chin, his crows feet deepening. 

“I see how it is.”

She can't help but take him in, delighted by how carefree he is today. God help her, she really does like him – she wants to know him better. He's so genuine, so unselfish and generous, and she wants to keep him smiling.

“Thank you,” she says when she finally really can't eat any more, maybe a quarter of the round of brie left on the plate. “That was very kind of you.”

“No, thank you,” he echoes. “It was nice last week, to sit and eat with someone and I needed it.”

She nods get agreement, leaning her hip against the counter.

“I won't, uh, make a habit of just hanging out here, though,” he says, presumably to reassure her.

Her brows tip, eyes on his as she lets out a disappointed, “No?”

His lips part, but he doesn't manage to form a response. It hardly matters – they're communicating plenty in their gazes, trading glances at each other's lips. The moment stretches, and stretches, her breath changing to suit the surplus beats of her heart at the intensity in his warm eyes.

He leans closer, tipping his head, and something jolts through the center of her when he kisses her. She returns the gentle pressure, daring to part her lips to close them against his. Her fingers curl into her hand at her hip with restraint, fighting the urge to sink into his hair or pull him closer.

It's too delicate, this lovely feeling, and draws a tenderness up through her she hasn't been able to find for months.

He eases back slowly and she catches the breath he stole. Her eyes open, finding his still closed and she watches his parted lips begin to tighten as he fights a smile. The sight inspires one of her own, pulling at her cheeks as he opens his eyes, the smile winning and straightening his mustache out.

“I, um…”

She rolls her lips into her mouth, not even trying for words. She has none.

He can't find any either.

She drives forward again, prepared this time with a little extra breath in her lungs, a little more confidence. He kisses her back with a little more something too and she can't restrain her hands anymore from rising to hold his face. She tries to imbue the motion of her lips with plenty of invitation, but it's not until she pulls back and he follows, wavering toward her, that he steadies himself with a hand on her hip. Her attention goes straight to the heat of it through her dress as it slides to a more respectable height on her waist.

“You are very welcome to linger here as much as you like actually,” she exhales.

“Oh, I feel welcome,” he says, voice low.

She grins, pulling him in again. “Do you?”

“I sure do.” 

He barely gets the words out before they're kissing again. She opens to him, tastes the brie and honey and the dry sweetness of the wine and finds it appropriate that he should be so indulgent. His hands finally make their way around her, narrowing the space between them even more. She's not sure when her arms found their way around his neck but they tighten there in response.

He doesn't let her go far when they part again, dropping a kiss on the corner of her mouth, her cheek. Her eyes close with the sensation, the scratch of his mustache and his warm lips. 

“I really like cooking for you,” he murmurs.

The way he says it makes it sound like a deep confession and she feels silly for how fluttery it makes her to hear. She smiles against his lips and discovers this isn't new information to her. It's in every bite.

“I know you do,” she says low in his ear. “I can taste it.”

“Can you?” He sounds surprised and pleased.

“Yes.” She guides him back to her lips. “I can.”