#i know the fandom already knows this

[atangledupmess]

I....am....normal about this -🍓

[do-you-know-this-queer-character]

Do you know this queer character?

Castiel is Queer and Agender or Genderfluid, and uses varying pronouns based on presentation!

[let-them-fight]

can we stop doing this trope

[akanemnon]

We didn't even get an answer, and we never will (at least it's not determination)

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[octaviasdread]

Thinking about Carpe Diem and the cinematography of falling leaves to falling snow.

Seasons as cyclical as generations. It's tapestries and banners. It’s photographs on the wall. A structure, a system; tradition in the bones of buildings and boys.

There's a choice to be made - Nolan's hollow, ceremonial Light of Knowledge, or Neil's scavenged, man-made God of the Cave?

They’re children living for the future through a lens of past. Fireside stories embraced by woodland caves. They chant, dance, and recite from a sacred book - the heirloom they claim from a father they chose.

The window is finally open, but time froze at Welton lake. Forever winter. Forever youth. A moment in time, a feeling, a community turned to dust.

It's all so fleeting. Carpe Diem. Teenage years, childhood, a lifetime in three months. It’s a tragedy of classical epics.

The tale is old, but this wound is fresh. Falling to your knees. Shouting at the sky, praying and wailing, and clutching at the earth.

But the snow never stops.

Spring is up to us.

[anassemblageofpassions]

The thing abt john winchester is that he is too complex for the majority of the spn fandom and for a good portion of the writers on the show too.

Because at his core john is about love over everything else. When he looks up at his sons (yes, up, the fact that they’re both taller than him>>>>>), there is love seeping achingly from every single pore of his being even as he abuses them, as he destroys their souls beyond belief. He does it all entirely out of love. And he is so, so wrong for it. A part of him knows it. But he wants to keep dean alive, and he wants to keep Sam pure. And he loves them so much. And he damages them so horribly. John Winchester is the foundation upon which they are both built, they only become more of what he made them as the series goes on. Sam stops fighting it, Dean continues to mold into his image no matter how hard he tries to fight it.

Hell puts them both on steroids, but their individual trauma responses that influence this are the foundations that John built into them. No wonder azazel wanted sam to win so badly. John Winchester crafted his sons into alastair and Lucifer’s ideal victims, respectively, and dean was a better (worse) john than John ever was. John held out in hell. Dean acquiesced to his abuser despite all of his efforts to fight him, and he’s never been the same since.

Sam fought like hell, and he fought destiny, but at his core, he did what John always wanted him to by doing what dean wanted him to do, and then he stops fighting at all, loses the fire he showed john in adolescence that john immediately notices when he returns in s14.

And the sad thing is. They filled their roles so well that John is saddened by what they’ve become. He didn’t want dean to break. He didn’t want Sam to be dimmed. He’s sad to see what Sam is like in s14. In the process of recovering his wife, he ensured he would mold his sons into what he wanted them to be, and when he got what he wanted, he was devastated.

John Winchester is so driven by love and grief and he’s so filled to the brim with both that it’s painful to watch him on screen because he destroyed his family because of it. And he wanted this all along but he didn’t realize what he’d have to give up to get it.

[moonlightdancer26]

I feel like no one ever talks about the fact that Snape canonically has a cute nickname, like he is literally called “Sev” by his best friend. We don’t even need to come up with our own nicknames for him in fanfics because it’s already canon. He got called Sev for at least 6-7 years of his life by his best friend, how cute is that??

[short-wooloo]

I feel that now, in light of certain things, is a good time to note that a red lightsaber is not in of itself proof of a sith

Jedi and sith are not the only Force cultures that use lightsabers, they're simply the most common, more than that, a red lightsaber is just a lightsaber with a corrupted crystal, not something unique to the sith, any dark sider can do that, as we see Dagan Gera do, actually he is in fact an example of what would probably be the most common example of a red lightsaber wielder in the pre-movies era, a fallen Jedi, someone who already had a lightsaber and corrupted its crystal after falling in order to symbolize their break from the Jedi

All of this is to say that the Jedi are not being foolish/arrogant/head in the sand/blind/etc if they don't automatically jump to "SITH!" upon encountering someone with a red lightsaber

[tangledinink]

the second attempt (it goes way better.)

(here's the silly, self-indulgent content i promised previously.)

[ gemini au ] [ prev ]

[tagidearte]

Who?

(Can't do digital art again yet. Traditional has been fun, though. Click for not blurry quality)

[lynaferns]

Isn't it funny how we have separated every single version of Sun and Moon that we have made from each other.

Like, we'll see a dca fanart, recognize the artstyle and the artist and be like "ah this is the bubbly Sun with the mean Moon" and you scroll to the next artists post and oh, the hyperactive Sun, the shy Moon, the nice Sun that's an asshole on the inside, the tsundere Moon, the Sun that's mean to the reader at first but later warms up, the Moon with a lenguaje academic degree, etc etc.

Like, this community applies the 'alternative reality' concept and we respect each other's interpretations or reinterpretations from the games and AUs, and you just can't see that in other fandoms.

[elizakai]

hopping on the nightmare being oblivious to new language usage headcanon

[whatevahwhatevah]

Sorry for disappearing again, have some more kyman

[deerspherestudios]

Hello fireflies!

I've been debating this for a while now, and after some helpful discussion with trusted members from the community, I've decided to make it official. As of today, Mushroom Oasis now has an official age rating of 16+ due to the content warnings listed (and not listed) above.

To clarify:

THERE IS NO EXPLICIT OR GRAPHIC CONTENT DEPICTED. THERE WILL BE NO NSFW/18+ SCENES.

DOES HOWEVER, CONTAIN DARKER THEMES UNSUITABLE FOR A YOUNGER AUDIENCE (especially tropes within the yandere genre)

I hope everyone can respect my decision on this matter, thank you.

Longer explanation for the age rating change under the cut:

Edit: Since some have been asking, the age rating is a precaution more than anything else. I just can't guarantee players younger than 16 can consume these kinds of content responsibly. And with the growing popularity, I feel like a proper rating is better than a list of trigger warnings.

So to ease my mind that I'm not exposing young kids to themes commonly found in yandere media (such as stalking/manipulation/violence/drugging/etc) 16+ is a safeguard for that. I'm just looking out for myself and others as MO continues to develop.

I don't wanna bend my own rules by saying "if you think you can responsibly play Mushroom Oasis, you're fine." That is up to your discretion. Just stay safe out there.

Take care, fireflies! ❤️🍄

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[mazeour]

For all the chaotic Mc/yuu out there.