#i literally didn't know this panel existed

[sysig]

So as it turns out I might miss lined paper a lot actually

[needle-noggins]

(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.

I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!

Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.

So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.

It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.

Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!

Oh, and here's more commentary on the following few panels:

Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.

Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.

The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??

Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!

[celaenaeiln]

who do you think each bats' favourite sibling is canonically? i haven't seen much about this outside of super fanon stuff so i'm curious

Let's start with the easiest one!

Tim - Dick

Tim's favorite sibling but also favorite person ever is unquestionably, undoubtedly Dick. This boy adores his big brother. He's full-on obsessed with him.

His thoughts on Dick are just a compilation of praises about him and his inner dialogue simply consists of a series of hero worship.

Robin (1993) Issue #32

Red Robin Issue #23

Sometimes I ponder about Dick and Tim's relationship because I feel like what Tim wants from Dick isn't just a brother, I feel like he wants him to be a parent which is part of the reason why Tim and Damian don't get along.

Because the truth is, before Damian came along, Tim was Dick's robin first. And Tim loved it.

(This post was on hold for months because I needed that exact panel where Tim says to Dick "It's obvious he wants us to be the new batman and Robin." BuT i CaNt FiNd It. I literally give up, if anyone know what panel I'm referring to people reblog it with the panel and I'll upload it with the post)

Dick was Tim's Robin and everything he did he wanted to live up to him

Batman/Catwoman: The Gotham War: Scorched Earth

Look at what he says about Dick:

Batman: A Lonely Place of Dying

Even before Dick and Tim met again, Tim started working out just so he could be like his idol. Tim literally says to Dick "My grades are okay but I studied because I wanted to just like you."

You know what they say about idols and pedestals and never meeting your heroes? The opposite is true for Tim about Dick. After meeting Dick for the second time, his idol worship grew so much it shattered every ceiling in existence.

Tim loves him so so much. People sometimes misunderstand and think that Tim hated Dick when he fired him from Robin but it wasn't hate that Tim felt. It was jealousy. Jealousy over Dick choosing Damian over him.

Tim even solely used the Red Robin persona for the mere reason that he didn't want to dirty Dick's Robin by stigmatizing it with his less ethical actions.

Damian - Dick

Obviously. The only reason I said Tim was the easiest is because Tim's inner and outer thoughts about Dick can be complied to create volumes of fanbooks of flowing poetry about him. Damian on the other hand is more of a tsundere, but there's still only one person who he loves aside from his father and even more than.

Robin War Issue #1

If there were any doubts, I don't think this panel could be any clearer about who Damian's favorite is.

Stephanie - Cass

Batgirl (2000) Issue #38

Cass - Stephanie

Batgirls (2016) Issue #14

Damn.

Steph and Cass are each other's favorites

Detective Comics (1937) Issue #945

Duke - noone? everyone?

Like actually I can't pick out one person Duke likes the best. You're either on his wavelength or he's snarking you off it. He's the type of guy where everyone likes him and he's chilling by himself, doing whatever he wants.

Jason - Dick

Out of the batkids who did deal with Jason during his worst phase, Dick is unilaterally his favorite. Sometimes when I think about Jason's relationship with Bruce, I'm reminded of how much Jason and Bruce are alike sometimes because Jason's view on Dick is almost identical to Bruce's view on Dick and they even have similar reactions. We all know that Bruce hero-worships Dick. Time and time again, Bruce emphasizes, stresses, and talks about how amazing Dick is and how he's so much better than him, and constantly places Dick on a pedestal. The issue comes when Dick doesn't want to do what Bruce wants him to do because he believes that Dick is an extension of himself, his better half, and he's furious when Dick doesn't follow or accept what he's doing because Dick should know what Bruce is trying to do because he's supposed to be better than him, how dare he stop him, etc.

Jason acts in similar ways to Dick. There's a whole issue where Jason gets fear gassed and one of his biggest fears is Dick. More specifically, it's about how amazing Dick is and never living up to him because in Jason's eyes, Dick is absolutely perfect. There is no one better than him because he is the peak of everything. He places Dick on the highest pedestal there is and he kind of safeguards Dick there in his heart. He used to get really angry because he believes Dick is the best but also refuses to let Dick be anything other than the best. The best way I have to explain them is Jason holding Dick prisoner as a result of his hero worship.

Once Jason is slightly calmer, his relationship dynamics with everyone became really clear, as well as what he thinks of them and it's shown how the way he treats Dick is just different.

Task Force Z Issue #8

Grayson Issue #12

"You don't do that to your--you don't do that to another Robin!"

He was going to say brother 🥺🥺

In this scene, it's pretty obvious that Jason loves Dick a lot but he's obviously not going to be all fuzzy feelings about it because he likes to be edgy. Jason's a little confusing in general for people to understand because they expect him to be nice and open but Jason's not nice, he's just nicer to the people he likes. Once we start understanding that, he becomes clearer.

And to Dick -

Nightwing (2016) Issue #15

-He's exceptionally nicer.

DC's Ghouls Just Wanna Have Fun Issue #1

Another example of why Jason loves Dick the most is because in the comics, Jason doesn't work with anyone in the family unless he has to unless it's Dick because he chooses to work with Dick by choice.

Dick - Tim or Damian

Dick adores Tim so freaking much. He loves him so, so much.

Nightwing (1996) Issue #139

Catch me crying behind my sunglasses at Dick kissing Tim's head lovingly 😭

Robin (1993) Issue #12

I just love these soft touch moments Dick has with Tim. It's so incredibly sweet.

He was Tim's mentor

The New Titans (1988) Issue #65

and a really good one too.

He loves him-

Detective Comics (1937) Issue #696

-so much.

(I'd add more panels but I ran out of image space :'0)

I genuinely cannot say who he loves more at all. I can't even pick. I really do think he loves them evenly because when I think about leaning one side, more evidence comes to mind for the other side like a pair of counter weights.

Damian...I don't really need to say any words because the pictures speak for themselves

Batman (2016) Issue #34

Grayson Issue #12

aldskjdhkdjfhldfah;dh. Look at what he gave his son! A souvenir from the first time his dad met his mom because Dick knows how much Damian loves his parents <333!! There's nothing I can even say more.

Here's my previous post on Dick and Damian's relationship.

[greatwyrmgold]

After finishing Dungeon Meshi, I had a lot of thoughts. Most of them were thoughts I'd seen echoed by other people, but there's one thing I don't think I've seen anyone else say:

Everyone hates Laios.

Obviously Kabru makes hating Laios his whole personality for a while, and the western elves think he'd be a dreadful dungeon master Lord of the Dungeon, and half of his party gets annoyed by his enthusiasm for monster cuisine. But I'm not talking about that.

Let's start with how almost literally everyone thinks he'd be the worst possible Lord of the Dungeon.

(cut this down)

This isn't just Kabru being in his "hating Laios is my entire personality" phase; everyone assumes that Laios's desires being fulfilled by the dungeon would be bad for humanity.

To be clear, they're wrong. Sure, Laios is susceptible to the Winged Lion's temptation, but so is everyone. At least Laios's stint as ersatz dungeon lord didn't have a body count! (Unless you count the Winged Lion's clones.)

But that doesn't matter, does it? People hated him before he reveals his obsession with monsters, and they have no shortage of reasons. Laios keeps talking about monsters and asking unwanted questions, he can't hold a normal conversation, he can't read the room or understand social cues, he doesn't fit in anywhere.

Laios does his best to act normal (most obviously when he pretends not to notice the Golden Country spirit because no one else sees it), but it's not good enough. People can still tell that he's different. They hate him when he acts weird and they hate him when he acts normal. Don't take it from me; take it from Chilchuck.

The left panel is the whole reason this post exists. It states in plain English that Laios would still be ostracized even if he only said "reasonable" things. People's distaste and distrust of him isn't rooted in how he acts or what he says, but in who he is.

...

Pretty much anyone who knows what they're talking about accepts that Laios is autistic. Probably also Falin, maybe also other party members, but Laios is definitely the poster boy for Dunmeshi autism. And the reasons people hate him are pretty closely aligned with his autism. That's usually subtext, but Shuro says the quiet part out loud.

Shuro doesn't know about the monster-eating or think Laios is gonna destroy humanity. He just can't stand Laios's eccentricities. And he's far from alone.

We don't see a lot of Laios's childhood, outside his interactions with Falin...but the subtext isn't great. You don't need to be a seasoned dungeoneer to recognize that someone is "different"; any kid can do it. And from the sparse glimpses we've seen of the Thorden parents—Laios's nightmare, the little indications that he shaves to avoid looking like his father, etc—they don't seem to have accepted their son's differences, either.

I doubt anyone in the Dungeon Meshi world knows the word "autism". If you tried to explain it to the Thorden party, their reactions would probably range from "Are you sure that's a thing?" to "Come on, everyone thinks like that sometimes, right?" But you don't need words to recognize difference, or to loathe it, or to make different people's lives hell. To make them want to escape their lives, by whatever means are necessary.

Is it any wonder Laios identifies with monsters, when so many people already treat him like one?

[episteme-agape]

Popping back on Tumblr for a hot sec because no one irl that I know can appreciate this but...

MY PROF WORKS FOR MARVEL AS A CONSULTANT FOR ALL THEIR SCIENCE-Y SERUMS!!

She literally told us that she helped to develop what the super soldier serum would be if it actually existed and how it would impact a literal human being to make it more realistic. She also said she developed other things for Agents of S.H.I.E.L.D. and other Marvel works??? But didn't go into detail about all that stuff. I am just LOSING my mind!!

She's going to San Diego Comic Con, Dragon Con, and a few other big cons this year (and goes to them a lot) as a Marvel affiliate scientist and speaks at panels on the works she's done for them

And she just causally dropped this in class and now I am losing my mind

[mishy-mashy]

Something I made in a post that I think'll be lost in the texts + expanded a bit more

These panels are chronological events following AFO's pursuit of Yoichi's Factor.

AFO could tell if people were related through a Quirk. AFO and OFA also are connected to each other. In Kamino, AFO could confidently tell All Might that OFA had been passed on, so all that All Might had left were leftover embers.

When AFO killed Kudo, he asked where Yoichi was. He knew Kudo wasn't the holder of Yoichi's Factor at that time. He also realized when looking at Yoichi's hand that Yoichi's natural Factor was so weak he hadn't registered its existence. This implies AFO could sense Factors since he was young, and Yoichi's natural Factor never stood out to him.

Below are three panels of Bruce (right to left). Bruce fought, AFO killed him, and looked away in disinterest.

When he beat down Bruce, he already had a sense that Bruce didn't hold the Factor anymore. That's why, rather than yell in his face to figure out where it is and interrogate for a long time, he pulled up his corpse to inspect him better.

Bruce's corpse isn't resisting anything. Look at his feet; AFO literally dragged him. Bruce is already dead. Yet he's looking for something from him.

Bruce doesn't have anything for him. Nothing AFO wants.

When he looks away, he's dismissing Bruce, because Bruce doesn't hold Yoichi. AFO is wondering where Yoichi is, because he knows now that he's out there somewhere. Thus the pensive look to the wind.

After Bruce is killed, AFO and Garaki meet for the first time. Shinomori has Yoichi at this time, and AFO never comes close to him, so AFO is lost. He doesn't have any leads, and Yoichi has vanished.

Now that he knows Yoichi can transfer, it's possible for Yoichi to be kept out of his reach for the rest of his life. So meeting Garaki and having access to Life Force gives AFO more time to search.

Yoichi is still missing for 18 years though, because Shinomori is in hiding. AFO couldn't find him during the Fourth's turn.

This is why, when he encounters Banjo, the Fifth and active wielder of OFA [Yoichi], AFO is smiling.

It's been a long time, but Yoichi's in reach again. He knows where he is now. And this is the first time he's encountered the current holder.

Thus his shock.

[Yet... you never behave as I wish.]

It was the first time a Quirk wouldn't let itself be stolen. This was AFO's first encounter with this wall: it doesn't transfer without the holder's consent, and requires willpower stronger than all the holders combined to override that.

The holder is never going to give him that consent. To override the collective willpower, he's going to need something greater.

Meanwhile, look at Banjo's arms. Shinomori is the catalyst to tip OFA over the edge, that an unprepared vessel will be destroyed by how strong the Quirk is.

Banjo's arms are both messed up below the shoulder, just like Midoriya used to be. And like Midoriya uses Blackwhip to reinforce himself and stay standing, Banjo uses Blackwhip to hold his fist / arm together. His hand is being wrapped to stay in a fist.

(What I think is) The reason the limbs turn red, and then purple, from breakage, is a matter of blood vessels. Small, itty bitty, fragile things.

Using OFA breaks the whole area, from bones to blood vessels, causing internal bleeding. Thus the redness. But breaking those vessels again in a second go turns the area purple, because it causes instantaneous internal bruising.

But En wasn't ripped apart by using OFA. There's a cut on his thumb that lines up with the path of destruction; AFO sliced him in half. Otherwise, he wouldn't have that cut if it were just OFA.

It's hidden by the text in [... you never behave as I wish], but depending on where you see this chapter, you can see he got cut on the thumb. It's clearer where we see Nana take his hair from him, in [I only want... to make you mine!]

I have a post in drafts about En being cut in half rather than it being because of OFA, but I also hit an image limit, so I'm gonna end here. Ta.

[somerandomdudelmao]

I hope this kills you and makes your day at the exact same time. I'm winging this btw and it's all improv in mah brain so it might be longer than expected, idfk, we'll see.

Thanks so much for existing and giving us this comic in the first place now suffer-

-{###}-

Leo watched as Donnie continued talking, his movements exaggerated and his words ecstatic. The holograhic screen lit up every surface within a 2-foot radius, the words big and bright against the darkened atmosphere. Beside himself, Mikey and Raph shivered on each side, looking anywhere but at Donnie's face. And even though Leo understood why they couldn't bare to look their brother in the eye right now, something deep inside of him still burned with annoyance. Because despite everything, it was still Donnie! They just couldn't see it yet!

Not like Leo could see very well past the hard, stable shell that his twin had built around himself. Not like he could tell how Donnie was really feeling. Not like his tireless efforts to reach out and help did anything noteworthy.

All it got him was...

"...Oh! And how could I forget the infirmary machinery as well!" Donnie continued, his voice raised in a professional manner that would make anyone else think he was just giving a regular presentation. "The infirmary duties will obviously be passed onto you, Leo, since aside from Casey, you're the most medically knowledgeable. Plus, I know you won't disappoint."

Of course, Leo wasn't anyone else. He could hear the manic cry for life and freedom and pain in his twin's voice, no matter how quiet. It was there, faint and far away, somewhere that not even Donnie could find it, but it was still there and it needed answering.

Donnie just kept refusing to look in the right direction.

---

It was well after midnight when Donnie pulled Leo aside for a chat about the affairs of taking on three positions at once. The leader of the resistance could barely piece together what Donnie was saying though, his words muffled by the bigger picture.

In the dead of night, as expected, Donnie's demeanor took a complete 180 shift, his expression barely masking the exhaustion and weakness he undoubtedly felt. His eyes were half-lidded and cloudy, a look that Leo's only ever seen thrice in those yellow and red irises. His shoulders, despite getting bonier and bonier by the day, were slouched in a lazy way that made the soft-shell look like a corpse. The purple hoodie he so much adored nearly reached his knees, the lost fat and muscle making the article of clothing seem bigger than it actually was.

But one of the worst aspects about Donnie's appearance didn't have anything to do with any signs of death or sickness. No... The thing that made Leo really want to throw up...?

Donatello was now shorter than Leonardo.

"C-come on, Donnie... Why would I need to learn any of this... Nerd... Stuff, if I already have you?"

A stupid question. Idiotic, dumb, foolish, stupid, demeaning, disgusting, stupid, gross, stupid stupid stupidstupidstupidstupid-

"Riiiiiight... Anyway, you'll need to remove that panel right there to get to the inner-workings of..."

But even though it was a stupid question, Donnie would've usually gone out of his way to answer it.

Why wouldn't he answer?

---

Two weeks.

It had only been two weeks.

But it felt like a lifetime.

Donnie wasn't dead yet, thank whatever god that's still out there that he wasn't, but Leo still felt like he was. Donnie was literally just there, he was just right in front of him, talking about the schematics of something or other, running his mouth like he's been doing for the past few days. Nothing truly notable about Donnie's health had really changed, no weakening brain cells or crippling disabilities. The only things that had changed were Donnie's height again and his now inability to walk.

His inability to walk. Just two weeks ago he was bouncing off the walls and biting people's noses off.

However, despite all of the physical evidence that Donnie was very clearly still here and alive, Leo couldn't help but feel like a part of him was gone. Dead, deceased, whisked away by the winds of time... It was hard to explain, even for him, how something inside of him just kind of... Faded away.

The Death, as Leo pessimistically liked to call it, was a slow and agonizing process, beginning all the way back when Donnie first revealed his worsening condition and then continuing on until now. It began with just a little click, a little pinprick of emptiness and loss and HURT that Leo didn't know how to fix. Then that pinprick slowly grew into a scab, then a paper cut, then a scratch, then a hole, and then finally evolved to a gaping wound that would take years to fix. It was just this... This agonizing feeling of emptiness and loneliness that Leo hadn't even felt when Raph first died. (Haha, funny. He's already died twice by now. Hilarious.) And no matter how hard Leo tried to heal it with potions and bandages and medicine and melatonin, it never went away.

Not even when Donnie stood directly in front of him.

And isn't that just hilarious? Isn't that great? Isn't that just Splendid? Isn't that just the coolest Revelation That LEO'S EVER FELT?? ISN'T THAT SO INTERESTING????

Isn't it funny?

---

Leo watched as Donnie continued talking, his movements exaggerated and his words ecstatic.

He watched the ghost wave goodbye with a dramatic flair and a little giddiness in his step, the small soft-shell turtle barely able to show his hand from inside the giant sleeve of his favorite hoodie.

Leonardo waved back, a sad, forced smile and a train track of dried tears gracing his face.

Red enveloped Leo's vision one final time, and soon enough...

The half of himself that somehow still remained...

Faded away.

-{###}-

Haha get Disaster Twin'd idiot-

DLFNRJRIFJJTG3OFOFJEVDKDOSGDEKEBSIFJEIBDJDJDNFBFKFBFKRBRJRJRJRJD

I mean. Thank you. This is amazing and I love it with all my heart💜💙

[ecogirl2759]

THE MOMENT WE'VE ALL BEEN WAITING FOR!!!!

Here it is, guys!

The Kiyotaka Ishimaru Mastermind comic from 4コマ KINGS Vol. 4!

SPECIFICALLY CITING THIS SO THAT OTHERS KNOW WHERE TO FIND THIS COMIC!!!

Huge, HUUUUGE thanks to @panicuriprince!!! They helped me with clearing the text, rewording panels and putting everything together! Pages 4, 5, and 6 are her doing! PLEEEASE go send her some love, they REALLY helped me get this done and I literally couldn't have done this without her :D

There's a document below the break with more literal translations for the comic, as well as translation notes, a link to a Google Drive folder with ALL of the pages, and other interesting tidbits! Please give it a read!

The Japanese pages will also be below the break! (As well as a little spiel of mine. It's quite long, so be careful!)

(also please forgive how many tags there are here-)

Remember to read right to left <3

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As promised, here are the Japanese panels:

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AND HERE'S THE DOCUMENT!

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✨ WOW ✨

I can't begin to describe to you all how AMAZING this feels!

I've spent the past 2 years on what felt like a wild goose chase, desperately searching for this one comic that I wasn't even sure existed.

This all started with me finding a photo on Tumblr of this comic and spiraling into this deep dive. First I didn't know if this was even real, then I found out that this comic series had ceased printing, then I couldn't be sure which book it was actually in.

There is literally almost no information out there about the fourth volume of this anthology series. I've said this before and I'll say it again, volumes 1 and 2 both have full translations that you can download off of other websites, and while 3 doesn't seem to have that, there are a lot of separately translated comics floating around out there, namely on Pinterest.

The 4th volume had NOTHING! No matter how hard I searched or how many links I clicked, no one has really said ANYTHING about this book, which was why this specific comic was so hard for me to find.

But I have all of the books now, so I definitely want to do this again for all of them so that people have easy access to these translations. I'll start with book 4 though haha.

Also, I'm not sure who it was, but HUUUUGE thanks to the kind stranger on Ebay who was willing to sent me the whole series!! I literally don't know where I would be right now if these books weren't with me, so thank you <3

Also, thank you to all of my Japanese teachers that I've had throughout the years. If it weren't for them, I wouldn't have been able to understand the comic, haha! One even helped me out in the early stages of this process, so extra thanks to him <3

I feel really passionate about accessible media. I think that everyone should be able to read and find whatever they want. That's part of the reason that I've endeavored on this project. I want everyone to be able to seek out and find these comics if they really want to. And, of course, I want everyone to be able to understand them, too.

So please enjoy this comic! If you'd like to repost it, I'd appreciate being credited just so that others know where they can go to find the full comic.

This one-man project isn't so one-man anymore, and I seriously can't thank everyone who's helped me enough!!! I'm honestly so glad I didn't have to go through this alone <33

ALSO

If you see anything, LITERALLY ANYTHING, that you think I could change/improve (like formatting or different interpretations of the Japanese text), PLEASE shoot me a message!! I want to make sure this comic is as good as it can be, and I'd love to hear your thoughts!

Even if you don't have a suggestion and would just like to reach out to ask a question or something, PLEASE don't be afraid to do that! I know I get really cold feet when sending people asks, so I'm going to reassure everyone who needs to hear it now: You're never going to be a bother to me! I love getting asks! Whenever anyone sends me something, I get really excited <3

So ask questions! Tell me I did a horrible job and got none of the text right! Ask why Ishimaru literally cannot be evil! I don't know the answer, either!

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Thank you all so much for the support and the kind words you've been giving me ever since I first announced I was translating this comic! Your support has been extremely motivating to me! Also, you guys are hilarious with your tags!

Seriously, thank you so much! Words literally can't express how I feel right now, but I guess the best way I could describe it is cathartic. I'm REALLY happy that I finally get to share 2 years worth of work with you guys! You've all been a massive help to me in more ways than one <333

KEEP BEING AWESOME <3

[genericpuff]

Why is the art so unappealing in lore Olympus now Persephone looks like a highlighter and maybe it’s just me but the proportions like the fingers in arms are soul over the place I don’t think they used to be this bad. Am I just looking at it with nostalgia or am I crazy ?

Honestly, nostalgia does play a huge part in it, even to this day there are times I look back on old S1 panels and go-

Actually here's a great example that literally just happened yesterday in the ULO Discord that nearly had me on the floor LOL This is from Episode 70:

Like I didn't even believe that that was real until I was told what episode it was from and I was just. Astounded and flabbergasted. The over-shading of the blanket that just makes it look like a really bad edit. Insane.

And yeah, there are a lot of old panels that hit different now that the rose-colored glasses have been removed, crushed, and thrown into the trash compactor.

I think that's why it makes it all the more amusing when people come into my inbox and ask me "wait, why did you like LO to begin with?? It's always been ugly as shit, I think you're just romanticizing it" because like... there's something to be said about art and subjectivity, even if something is ugly to one person doesn't mean it isn't beautiful to someone else. It's why I try not to be too mean towards the fans of this comic for still enjoying it, because while I definitely have strong opinions about how "LO has gotten worse" and what kind of following Rachel has cultivated (cough cough), there are also just as equally valid arguments that LO has never begin good to begin with that I can't necessarily disagree with now that I'm looking back on it with a more critical eye.

That said, there's tons of media that I enjoy that is objectively awful. Like y'all, you don't need to take my opinions about a dumb pink x blue fantasy romance comic seriously, I like Starfox Adventures-

Like yeah it's a badly made rushed piece of shit that was developed right on the ass end of Rare's glory days and was really an original IP (Dinosaur Planet) that got Frankenstein'd into a Starfox game so it could "sell better" for Nintendo, but I don't give a fuck, I love Starfox Adventures and some day I wanna be in the top 10 speedrunner leaderboards for it, which I know doesn't mean much because no one is speedrunning Starfox, but I do and no one can take that away from me dammit-

Anyways. Lore Olympus has, in many regards, always had "bad art". But "bad art" can and should still be enjoyed by those who find joy in it.

And in LO's case, the world it existed in when it launched was a lot smaller than it is now - more specifically, the world of Webtoons. We can look back and see how 'bad' LO looks and reads now because there are genuinely way better comics surrounding it. It was unique and refreshing and experimental back then... now it's just "that stupid blue and pink comic for horny teenagers".

In most cases I would consider that "cringing in hindsight" feeling a good thing because normally it means something has grown and that it seeming "bad" in hindsight would mean that it's outgrown itself and moved onto bigger things. But LO has the more unique problem of "its current stuff is shit and it's making us want the old stuff more, even if the old stuff wasn't good either". In that regard, LO is closer to being like Harry Potter. Remember when The Cursed Child came out at the height of Rowling being exposed for being a TERF and even people who liked Harry Potter didn't like The Cursed Child because it was just objectively worse overall (with or without Rowling's bullshit attached)? It made a lot of people go back and re-read / rewatch Harry Potter with a more objective lens and go "wait a minute guys, I think we only adored these books so much because we were 12 when we read them". Often times it's the good memories we have surrounding certain things that make us have the opinion about them that we do.

Of course, LO is definitely not as politically weaponized as Harry Potter is, so that's where that comparison ends. But my point is that LO is definitely in a situation where it's been riding off the same privileges it had back in 2018 - having an 'experimental' art style while also utilizing tropes and characters that were VERY popular at the time (remember that 2017-18 was when Tumblr was at its height of H x P "Hades was a chill accountant guy who wore socks and sandals and didn't cheat on his wife like Zeus did" fantasizing) - and thinks that those same tricks and tropes will still work today.

Because of this, the art in LO really, really hasn't aged well, even the stuff that we look back on fondly. But I think it's the panels that we specifically think of when remembering "old LO" - the ones that stuck in our memories the most - that are the ones that make us miss or just not care about the panels that don't look good (the panels that make people question why we ever liked it to begin with).

We liked it because of how it made us feel to look at panels like these-

Those genuinely wonderful panels that we think back on the most don't exist separately from the bad panels, they exist in spite of them. Even if we can look back on panels like these and pick out problems in the lineart or the proportions or the color travelling outside of the lines, that can't and shouldn't change how those panels made us feel at some point or another. And that's why when people ask me "why were you even into LO in the first place" I don't have any one answer, because I can't fully explain how something made me feel to justify why it's good to someone who can see from the outside - without rose-colored glasses - that it evidently isn't. It's very much a "you had to be there" type of thing.

Unfortunately, nowadays even the 'best' LO panels in S3 still don't come close to what the S1 panels accomplished - because for many of us, the rose-colored glasses are gone, we can't appreciate the good among the bad because we know now how bad it truly is and so the good just feels like wasted attempts at trying to recreate something it can no longer be. It "came back wrong" so to speak.

LO came back just regular. But our journey to resurrecting it changed us to such a degree that even its closest intimacies are now foreign to us. Sorry dude.

This is still probably one of my favorite panels out of the entirety of S3 for being as close to "old LO" as I've seen since S2, and even it feels like a mistake, an accident, how could a panel like this exist in S3 when so much of it is a dumpster fire? It's like a flower growing in the ruins of an apocalyptic wasteland.

But wasn't that always the case? Isn't that 'always' what LO has been, since the very beginning? A poorly cobbled together mess of writing and panels that, every now and then, manages to leave an impression that makes you feel something? Did we ever truly know LO? Or have we just been relying entirely on an idea of it that we've built up in our heads that when it does do exactly what it's evidently always done (even if not made apparent until looking back on it in hindsight) we think it "came back wrong"?

[altraviolet]

How do you find a character's 'voice'? I have no problem writing OCs, but when it comes to existing characters I get so anxious that I'm mischaracterizing them!

This is a great question! This is definitely something I struggle with sometimes. Here are some of the things I've done to try to keep characterization consistent:

watched a bunch of videos about characterization and the craft of writing

gone back to the canon and reread parts that featured the character you're trying to write

reduced the character to like, ONE descriptor, ONE "essence," if you will. JRO did a great job making very identifiable characters for us. although many of the initial characterizations are modified by the end of the comic, you can still use that "essence". I'll give an ex in a minute but after you identify that "essence," keep it in mind for your character when you write them

when writing from their POV, or from a close third narration (or heck second person talking to them), remember what the character knows. how did they get to the place they are now? what kinds of details in a room would they notice?

This is not all I've done but it would take me SO LONG to put together more points so we'll move on~!

Okay so for more details on the above:

The Essence Thing

I think Ultra Magnus is a really good example of this. We're introduced to him having a very specific outlook on life (we literally see through his eyes in one early panel, it's great). We understand him to be a VERY strict mech who adheres to the Autobot Law to the letter (semi-colon, actually, lol). We see him meticulously arrange and rearrange objects, we see him point out screws that are misaligned by 0.001% (paraphrase, I don't remember the exact wordage). All in all, it's really easy to understand in just a couple of words who he is. Meticulous to a fault. Rodimus distracts him by using bad grammar on purpose.

By the end of the comics, he's loosened up a little. And (SPOILERS for the end of the comics), Megatron telling him to abandon his armor and be true to himself is something he's receptive to. Whereas in the beginning he wore it as somewhat literal armor. And refused to smile.

So what have I done with my fic? Well, it's important to keep in mind that UM isn't going to change all his ways. He won't be as much of a stickler as before, because he's learned to have friends in some capacity, and that's loosened him up a little tiny bit. But he's going to retain that core trait of being really into keeping things neat and tidy. And, the UM that Megatron told to abandon his armor isn't the one that made the jump. So I assumed they had that convo later in their friendship. The TEG UM still has those organized traits (cuz it's funny), but he's not as bad as he used to be.

So hopefully that makes sense. Boil your character down to a trait or two and keep it in mind for everything.

Oh boy the asks are piling up so I'm gonna try to go a bit faster now.

What The Character Knows

Let's do a little thought experiment. Tailgate and Drift walk into a random Autobot bar. What does each mech notice?

If I said one of them quickly identifies friendly mechs and the other one identifies unfriendly mechs, can you tell which did which? Who notices the energon specials and who takes note of the weapons behind the bar? Which one will remember a time he went with his conjunx to a bar and didn't get in a fight? haha

Okay so you can probably guess the answers that I intended for the above! Drift had a hard past, then became a violent Decepticon. Tailgate was asleep for 6 million years and then woke up and befriended a ton of people and had Movie Nights and also some trauma but he never had to fight for his life like Drift did.

So, as you can see, what the character knows (which is informed by their past, their education, their belief systems, the friends they have, the enemies they have, etc) really impacts how they see the world. And you can use that to your advantage by trying to look through their eyes keeping in mind what they know.

Sorry I'm gonna have to end this here, but this is a great topic. I'll try to write more about character voice and POV in the future. If you want to poke me later about it here or on twitter, please do. I will get my thoughts together and also find the links to the videos I've watched :)

[gojuo]

You know... I kept my faith all this time. I thought, the Yuki fight was just a one time slip. Everyone makes mistakes. The atrocious way the Culling Games arc played out will be redeemed by this fight that was foreshadowed in the literal third chapter of the manga. But Gege went and fucking did it again, he ruined a fantastic overall fight with an atrociously bad ending. Like when you think about it, he didn't even really change it up... Gojo used a big suicide attack as his final move like Yuki, then it turns out to have accomplished nothing like Yuki, fucking hell he's even split in half just the same as she was. I seriously can't believe it.

We all knew Gojo had to go out in some form or another. The "It's Gojover" memes didn't exist for nothing. But to have it be done off-screen??? On top of that we get a whole purgatory sequence where he just outright says Sukuna was stronger and that he's just happy he got a good fight out of all of this? He doesn't give a fuck about his students or what will happen to them after this? His adopted son? What was even the point of him saying that if the only reason Sukuna wins it's due to Mahoraga? Why was Sukuna supposedly "nervous" last chapter if it turns out he wasn't even really trying?

We all made jokes over the years about Gege saying how he hates Gojo, about it being self-deprecation or he's just messing around... But I can only conclude that Gege actually despises his creation for a character assassination this bad. Gojo legitimately has never won an important fight in this entire series, all the way until the bitter end. He always loses and always leaves a mess for his students to clean up. All his talk about being the strongest, "I will win", it was all bravado and no substance. Like I really can't believe it, Gojo has never won a fight that mattered. Not once.

Pending some sort of galaxy brain reversal from Gege (which I do not have enough copium in the tank for to truly believe in but hey... RCT comes from the brain and his head is still attached...), this is no doubt the worst chapter of the entire manga. This was the fight we were all waiting to see happen from the very beginning, foreshadowed in chapter 3, and the man just straight up fumbled the ending because Gege has a boner for the villains to win.

And if this disrespect was not enough, this pivotal chapter ends with fucking KASHIMO of all fucking people swooping in the steal the last panel signaling the start of a new fight. Wtf is this guy even going to do against Cleave which can now cut through the world itself? We don't even get the time to mourn Gojo. For fuck's sake.

[amuseoffyre]

Have had a couple of days and a rewatch and some mulling to put together my thoughts:

The good:

the writing - I've talked at length about the use of metaphor, symbolism, allegory and the like to add meat and substance to the narrative

the continuity tied in to S1 and the foreshadowing coming full circle, plus running themes continuing

the music is flawless throughout - both the soundtrack with songs and the original score and the way old motifs are used to add parallels and depth to scenes

the acting across the board has been staggeringly good. Especially for Taika, Rhys and Con. I can see why so many reviews had been raving about it.

the bits of set-up for S3 that have been planted if/when they get it

new characters who are an absolute delight

Family Trauma the TV show - intense to watch but cathartic af

Badass ladies and the soft boys who love them

Auntie.

The bad:

too much story and not enough time to tell it

sacrificing a lot of crew-related stuff - I know this is primarily the Ed and Stede story, but we're told that Olu was always talking about Zheng, but we never even got a single line of it. Buttons' disappearance gets one sus line. We gloss over the probation and why Ed is back in his leathers literally the next day. Again, I know, time constraints, but it does feel weaker for it.

speedrunning so much that it's taken several rewatches to catch everything that's going on - yes, it can work as a narrative device, but not all the time

still not over Zheng falling for Ricky's gift. Do not trust the aristocratic white dude, especially not when you've been blackmailing him. And I know there's some logical sense to her being so used to being able to manipulate desperate people on the fringes with both carrot and stick, but it feels like severe underestimation on her part about how ruthless and cruel and petty Ricky could be. He's not like the pirates - he has the power and privilege and it feels like she ignored that.

whatever that Teal Oranges pivot was so Jim could have a girlfriend, especially since they didn't have time/space to actually develop the Olu/Zheng and Jim/Archie stuff. Archie was barely a scrape of characterisation because of time constraints.

The ... Forbs Boding

Izzy - it falls under the typical archetype of Loss of a Role Model especially given all Ed's dad issues, which I thought we were beyond, but then it also fits with the running motif of the show of change, death and rebirth. We've had confirmation of the existence of a place between life and death plus a character who was beaten to death coming back from it and a seawitch turning up at the grave. I can see why it was done as it has been foreshadowed since "the only retirement we get is death" but after all his growth in S2, having Ricky be the one to get the jump on him is... hm. I feel like they had him and Ricky talking and Ricky causing his death for a reason. Feels like there's set-up for S3 planted and ready. My Forbs, they are A-Boding. ffs, they Obi-Wanned him right after he did a speech about "our spirit will last beyond your whole fucking empire". Strike me down and I will become more powerful than you can possibly imagine vibes.

The way trauma is/isn't being dealt with - I feel like there's stuff there that is set up for S3 as well, because we've seen how Stede is still bottling all his stuff and hasn't dealt with any of it, while Ed has done some processing and started to make peace with himself over it. Stede still has his mental lockbox and while he tries to pretend it isn't there, it still informs so many of his decisions.

All the Star Wars vibes - I've always been convinced this was the Empire Strikes Back season and now, they have all the pieces in play for the Return of the Jedi arc: Stede and Ed are together and recovering but will have a role to play, Izzy is in carbonite with a seawitch control panel, their allies are out there getting pieces in place, and the Imperial figurehead villain who showed up in S2 is still out there and convinced he holds all the power. And I just realised that this means that if they use Hornigold, he's the equivalent of Boba Fett - Bounty Hunter for the Empire XD

On the whole, I am content with it and am already having thoughts about the potential for S3, but I find it incredibly frustrating knowing how much more it could have been with the budget/time they wanted and didn't get.

[profanepurity]

Mummy Dust was a huge inspiration for how Mammon works in the AU, as well as how the three demons of Greed operate, which consists of Mammon, Beelzebub, and Belphagor (who I will be introduced soon!). A little bit of their working dynamics, as well as their relationships with Secondo and Terzo are below!

There's the obvious imagery of "I was carried on a wolf's back", which to me alludes to the symbolic relationship of wolves and greed. This is why I chose to make Mammon's more demonic form a wolfish creature with eight legs and eight eyes (wolf spider lol) in the second panel. Beelzebub's form is more ambiguous and massive, and he would probably present himself on a larger scale than I have him next to Secondo in the first panel. His mouth can open absurdly wide, and he has various other mouths along his body. The Lord of Flies of course possesses some bug-like characteristics and behaviors: constantly being accompanied by glowing insects, moving on all fours legs, sometimes six, and having moth-like wings. Mammon and Beelzebub operate like "two sides of the same coin", much like how I HC Terzo and Secondo to be in a lot of ways. Secondo allows himself to enjoy the pleasures of life, often as a means to cope with internal wounds and his discontent towards the world around him. On the flip side, Terzo uses his internal conflicts and struggles to fuel his pursuit of condemning hypocrisy, injustice, and corruption in the world, finding pleasure in that act. Secondo does this too, of course, but he does it in a way that is melancholy, weary almost. Secondo's approach to "spreading the word" is to appear as this cold, intimidating old man, but who really has a soft, bruised soul inside. By contrast, Terzo appears as this charming and attractive man, spinning beautiful lyrics with hidden self- hatred and anger. When they were boys, these roles were reversed. Secondo would often lash out as a child, holding onto resentment and emotions he didn't know how to process until he eventually learned to soften with age. Once again, on the opposite side, Terzo was a very happy boy who suffered oppression and hardship repeatedly until that happiness turned into masked anger for the sake of maintaining an image. In this AU, Secondo is devoted to the three proprietors of the umbrella sin of greed, and has an especially close relationship with Beelzebub and Mammon. It wasn't until Terzo entered early adulthood did Mammon approach him. The Lord of Wealth working with someone like Terzo might seem a little confusing until you understand the way the wolf hunts. Going back to Mummy Dust for a moment, Mammon's method of obtaining and devouring sin can really be summarized with the line, "I'm the magnet for stupidity". Mammon represents rapacity, and he feeds off of intense desire for monetary profit, but he himself find it to be disgusting and stupid. Mammon likes to let his victims marinate a bit. "I'll smother you in riches, 'til you choke on sordid mirth.", is essentially Mammon tempting weak minded pigs with their desires just to lure them into their own demises. He attracts those who are dumb enough to worship money so he can devour them. He literally eats the rich. He is "... the ruler of the earth" for that reason, as money is the ultimate dictator over mankind.

Mammon himself is also someone that holds a lot of underlying self hatred because of who he is. He feels as though his existence is the reason that immorality and corruption as a result of avarice exists, and feels an intense personal responsibility to try and purge the world of it by taking as many victims as he can. This is why he strictly forbids the church from worshipping him, or giving him any kind of offerings of cash. Once Terzo understood this, he was more than happy to work with a demon that wanted to tear apart exploitative oligarchies, who also happens to have a good sense of humor. In the AU canon, he opens Mummy Dust by introducing it as a song about "one evil motherfucker" for the purpose of negatively presenting Mammon as the noun, as well as making sure the song was not worshipping the demon in anyway, despite his obvious influence when he wrote it. Terzo is "carried on a wolf's back", alluding to his partnership with Mammon. Beelzebub is one of the most worshipped infernals in the church, second only after Lucifer. He represents hedonism, and the pleasure, benefits, and freedom that gluttony can bring. We all know Secondo loves to party, and that enjoyment of self- indulgence is something he learned as a result of his relationship with Beelzebub. You have to learn to care for yourself and allow yourself enjoyment, even when you feel like you don't deserve it, or life has denied you happiness. Of course, Beelzebub had to teach Secondo the balance of discipline and intemperance, but the demon himself also struggles with this. Along with that, there is a guilt that he carries for living in excess, especially next to his brother who starves himself.

 Beelzebub's alias is Reverend Martin Avarice. Avarice means to have extreme desire for money and material. Mammon's alias is Reverend Erik Lucrum. Lucrum means to profit or benefit. I gave them opposing names on purpose. In the realm of greed, Beelzebub is really the one that profits, where as Mammon is the one desiring those that possess avarice, despite despising it.  Belphagor comes into play in a lot of different ways, often bridging these two together. He works work with Terzo, Secondo, and Copia too. There will be more on him later when I get around to drawing him at some point lol.

[dianagj-art]

So I guess Leo still uses humor when to cope, huh. Like "My father just made me fight my brothers that I thought were no more. Well damn how unfortunate amiright? Anyway-"

Ok, I was gonna let you guys figure it out on your own with the story but I want to get this lil bit straight bc is an important part of One's character development

I love the interpretation of "that expression means he cares/ he is freaking out" I honestly just exagerated it to make the next panel more funny. Meanwhile (as of this point of the story) One couldn't care less for this new "brothers"

He knew of their early existence and the incident on the lab, he knows other turtles were mutated and that human DNA were used to do so, he knows the human had taken them, but he also knows that the human got drenched in the ozze and as far as he and Draxum know: that ozze wasn't meant to mutate humans, so they think he didn't survive the mutation and the little turtles consecuentially died too.

After all, One was very little and couldn't fend for himself for years after the mutation, and the other turtles were not gonna be any different. With no one to take care of them their chances of survival were basically zero.

That's what One is surprised and shooked about. Draxum is confirming that these are the same turtles and that somehow they survived on their own all those years.

He quickly brushes it off

The freakout towards his brothers existence don't come until furter down the story, and it actually goes more on the hand of how they have strenght where he sees weakness on himself.

Draxum raised him to be the perfect warrior, the Number One of his army against he humans, but even when he is always giving his best he knows he lacks (the fact that Draxum never tells him he's done good or that he is proud of how far he's come don't help)

So he sees Raph, big and strong. He sees Donnie so so smart. He sees Mikey who is very quickly understanding his mystic weapon and his own mystic powers. And he feels less. He starts to see that if he succedes on bringing them back to Draxum, his spot as Number One is gonna be jeopardized.

And if he isn't Draxum's Number One, his literal name, then who is he?

but to sumarize his reaction to the Mad Dogz:

[onehundredandeleventropicalfish]

i see a lot of opinions around, about death, and why she didn't intervene in dream's imprisonment

and i think a lot of people have trouble reconciling the idea that she does care about him, with the fact that she didn't do anything?

so then you get the theories that she couldn't have saved him (as if burgess was ever a match for the endless, he only got dream because dream was still recovering from burning out 99% of his power in overture), or that she was stuck by the rules of the endless not interfering with each other (that's a whole other convoluted discussion topic)

but i feel like these theories all kinda. misread, who death is. or rather, they sort of assume she's a human being with the same mentality as a human, and not the literal personification of death

of course she cares about her brother. and of course she technically had the power to intervene. but think about her existence. think about the way in which she knows everyone, the life she's lived for billions of years, and the life she knows she'll live until she's the last consciousness left in the universe

she's an inherently passive entity, she has to be. because her entire purpose is to stand there for the end of every life in existence, often horrific and violent and unfair ones, and to tell them that's just the way of things. to ensure that that fate does indeed come to pass. she knows how everyone is going to die and she just has to keep talking to them like she doesn't

when she was younger, it was different. granted, she refused to help dream then too, because (at least according to dream) all the endless were incredibly prideful when they were young, and wouldn't even have tried to help each other. but also, we have her word that at one point her job got overwhelming. the fact that she had to stand by and watch so much tragedy, to ensure it happened, really got to her. and for a while, she stopped. one of the few times if not the only time she has ever made a strong decision in the face of fate - she stopped collecting souls. and that turned out much worse. in order to exist as herself, she had to find a way to not only be okay with who she is, but find meaning in it. the person who would get involved, who would stand up against unfairness, that person cannot be death of the endless

and think about death as a concept, for a sec, not just as a person. death is patient. death will come for everyone in time, but time is meaningless to it. i like this panel, from endless nights, for connecting that with death the person, because she is always there and always waiting (in this story she waits here for anywhere between 10 and 200 years, depending on how you look at it. and she explains in this story that time doesn't really work the same to her as it does to everyone else. time is her father, after all. she can wait. she will always wait.)

even when she takes human form, like we see in high cost of living, she is the epitome of go with the flow. she just follows where the universe takes her, doesn't try to change anything, just lets her curiosity and love for humanity put her in whatever situation fate decided she should be. and fate (whether that's her brother, the fates, or something else entirely) does play some role in it, because her human form was created with $10.02 in her pocket, which is the exact amount of money she ended up needing to spend that day. and she trusts that she won't need more than that, no matter how many questions are thrown at her about it

which is not an inherently bad thing! because living in the moment means she is so much more alive than her siblings, it gives her the ability to offer so much more empathy towards the mortals she has to spend most of her time with, it makes her in many ways a wonderful person. she's just, not a person of action

death doesn't show she cares by stopping the bad things from happening to you. she shows she cares by being there for you after. by having the patience, despite her busy job, to sit and chat with every single person who's ever lived, and to comfort them in the best way she knows how

which is exactly what she did

[exstasyplague]

UnPopular Jujutsu Kaisen Opinions (with arguments)

manga spoilers

☆ Yuji is the perfect MC

i've seen a lot of people trashing on him. some say gege writes him poorly and doesn't give him enough scenes, some say he's boring because he doesn't have any fancy cursed techniques. first of all, yuji has been aware of the jujutsu world for 6 months in manga; even less in anime. he doesn't have any OP cliche to him (looking at you Ichigo) and that makes him so much more enjoyable! when he loses he loses for good reasons and when he wins you can feel genuinely happy for him because you know he deserves it. he is a teenager and the shift in his mentalities embodies that perfectly; along with him we discover the cruelty and unfairness of the jujutsu world. at first, especially if you're a shonen watcher, you'd tend to believe he will shift to a high white knight borderline annoying mentality yet he doesn't, the jjk verse doesn't work like that. yuji is able to adapt. he has traits that you'd see in your real life friends: silliness, kindness, idiocy, love for jennifer lawrence etc but also traits that make him a perfect mc: empathy, resiliance, convinction, raw anger. + gege have him some of the HARDEST panels.

ㅡif it's just pain... Yuji Itadori won't ever stop

also. his last battle with mahito. hands down. best. panels.

mahito (another well structured villain) RUNNING for his life while yuji walks slowly behind him. if that doesn't show major improvement from the kid he was at the beginning idk what does. that's some MC shit right there man.

☆ Sukuna is not a fraud

the fraudkuna memes are funny. i admit. i'm sure mahoraga kisses him goodnight and tucks his blankey, however, sukuna is a fucking piece of shit, LOL (i mean it in the best way), my man literally became curse. people expect him to not use the weapons he has to his advantage as if he didn't want megumi from the beginning specifically for using his abilities. a good gun doesn't make you a military tier shooter. it's about the resources, it's about the experience, it's about the aim. "why doesn't he use his curse technique wah wah" — because he knows gojo is strong. unless he isn't absolutely sure he will strip him away from all his gimmicks, he has no reason to flaunt his true powers. sukuna wants to win. he wanted to kill gojo since the beginning of the series. i think the fight is balanced well, sukuna uses his resources and takes the consequences for being a tad too cautious. in the heian era when cursed energy had a purer, rawer output even domain expansions were simple in principles: you're in, i kill you. (line from the manga, btw) his CT is probably straightforward as well with a simple principle so having gojo use his infinity against it and figure out how to strip him naked would make him lose faster than todo called yuji his bestie.

☆ Gege doesn't hate women

because the unfortunate thing with nobara and yuki getting xd-d by kenjaku, a popular belief seems to be that gege is fond of trashing the women in his series. argument people have for that? "the only one in the spotlight is maki and she's female toji". first of all, if gege hated women he wouldn't write them as he does— each one of his lady characters is incredibly well structured and way beyond the love interest/ gotta be protected trope. mei mei, shoko, utahime, miwa and many others became non-existent, or what? even tengen is a woman. masashi kishimoto (the creator of naruto) is an author i'd say has 0 regards for women since the way most of his girl characters are built is literal dog shit. sakura is naruto's one sided love and a sasuke dickrider, hinata is a stalker that sharts when she sees naruto, karin is a sasuke dickrider, kurenai is asuma's chick and the only two women somewhat ok as a structure are tsunde and temari. (i am a big fan of the naruto series but i am spitting facts, also an avid sakura lover) plus there is a rumour that gege is a woman too and from the way sato sugu is written i'd agree anw

☆ Kenjaku is the best villain of the series

homie got railed by itadori's papi just for his plan, that's not even aizen level of plotting bro. he got drizzled in jizz and gave birth to yuji 💀

how good that d had to be for him to get impregnated....

ANYWAY jokes aside, he is very calculated and chill. he is not the strongest but his literal essence is to be a technique stealing leech and well, he's just that. with suguru, even in his villain arc you can empathize. sukuna is cool and straightforward: he wants to massacre people, kill gojo and then enjoy his life slashing random ass people who don't kneel is total submission.

kenjaku? bro, kenjaku has plans over plans and he executes all of them. even in geto's sexy body he still gets hated because there is genuinely nothing likeable about him. not because he's a poorly written character, he's written to be a piece of shit that makes you wanna break the screen when he gets a W and idk about y'all but even when he exorcised mahito i was like "aw hell nah bruh, get your hands off asap". may come as a shock, i know but we're like supposed to hate villains (not me being the biggest sukuna simp even in his crusty dusty OG form🤭) and well, nobody fucking roots for kenjaku. so gojo, go take your boyfriend's body or something fr.

☆ Yuta is.... mid

hear me out.

i don't hate him— not in the slightest. i hope he will actually have something going on with maki since apparently nobara is afk. i liked his entire rika situation but... bro.

yes, i will be going into the power system 😭I'M SORRY BUT like all he does is copy shit. wow. sure, he's a good copycat. i am not complaining about him being called so powerful and wtv but i don't find anything exciting about his battles and his personality is dead ass boring. do i get happy when he wins? yes. do i hope he'll come and save goatjo? yes. yes. yes. but people call him the real MC and all that shit... not even that— i... nothing in me likes him. my opinions are not absolute. his story is cool. i liked jjk 0 but the only thing that ruins his story is literally his lack of perosnality. and don't come at me for not grasping his depths or whatever. yuta is best fanfic y/n material because he can be turned into bashful stereotype really easily. "omg, best friend power, precious friends made me wanna live ❤️" very sweet HOWEVER very untouching for me. i only liked him when he made maki go all blushy because my girl deserves happiness.

☆ Toji actually cares about Megumi

is he the good father that would spoil his kid as a ray of sunshine?

no.

but he chose this. to forget about everything, to abandon his pride, to part himself away from the clan that rejected him and live his life on his own. megumi's mom made shit better for him and she died so his life became shit again. he thought that by entrusting megumi to the zenin clan he would actually be able to make something of himself since he had cursed energy.

also, people tend to forget just how conservative and judgemental the 3 big clans are, maki and mai have been shat on their whole life by the zenins, especially maki. toji went through the same shit if not worse. he wasn't always buff max version of himself, he wasn't born with anything. exactly because he gave up on all the things in his life he was able to reach that type of power and live with some purpose since he failed in everything else.

in the manga he has the option of coming back to life as long as he keeps killing sorcerers, which is his speciality, but he meets megumi, recognises him and kills himself in order to not hurt him. be fr. anciet sorcerers sold their booty holes to kenjaku to get a second chance at life.

ANYWAY. SADLY i can't post Toji memes since i reached my pic limits.

let me know what you think:) i may make a part 2. feel free to also ask for my opinions about anything in the verse, lol. if you wanna see my fics check my ao3, i promise i don't write in the same braindead way i type. <33