#literally what's wrong with you?

[voidfire-studios]

Why do people hate teenage girls so much??? That's kind of weird. Stop it. Get some help.

[redsray]

the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned. Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner. 11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi! Superman: That's a child. That's-- Bats that is a child. You let a child--? Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?

Batman: This is Robin. 12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!! Green Lantern: That's ... that's a different child. What?? Jason: I stole his tires :) Batman: Tried to. Jason, stage whispering to the League: basically did. Green Lantern: that is a different kid, right?? I'm not seeing shit??

Batman: This is Robin. 14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello Flash: Where do you even find these-- Tim: I found myself.

Batman: This is Robin. 17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!! Superman: I give up. Stephanie: I know, I have that amazing effect on people.

Batman: This is Robin. 13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there: Green Lantern: WHY DOES HE HAVE A SWORD?! Batman: ... he came with the sword.

[howmanyholesinswisscheese]

That wasn't very open arms of her.

[ozlices]

another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

[kyri45]

We love MK, child of un-divorced. The next update will be more gay. And fluffier.

Shadowpeach Bio Parent AU (PREV / FIRST / NEXT )

before saying anything, read the stuff under the cut

About wukong and macaque

Both these bitches did wrong, but remember that MK saw the vision starting from the fight itself, not what happened before. He then read the chapters of the book and read that Macaque also attacked. I personally think he's mostly hurted by what Wukong did, not because it's worse of what Macaque did, but because he idolized Wukong for so long, and while he know he did so many wrongs in the past, his vision of a "hero" dissapeared in this moment. He s mostly dissapointed let's say. Of course it's not the best of things to put tour heroes on a pedal because you will always be dissapointed. I guess MK learned the lesson...

About what MK said in panel 8

Our monkey boy is remembering his own very stupid thing he sacrificied himself without trying to talk it out with the others AND using the circuit on Wukong.

About the posters

Yes they were Monkey King posters. MK ripped them immediately after the vision because he still was not sure was reality and vision and was scared.

About the eye

Because I would prefer no one dies of angst, his eye is fine, it s more like symbolism.

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[lotus-pear]

lore accurate teen soukoku. the worsties ever

[lazylittledragon]

i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD

[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[staries]

professor layton log

[stevebabey]

Steve hates to ask this of Eddie.

Really, it’s a last resort sort of thing. Robin’s gone for the week, some trip upstate with her family. And it’s fine, they’re close but Steve’s a big boy. He can handle a week without his best friend.

But, well, it’s just unfortunate for it to creep up on Steve when Robin’s gone. It being… shit, how did Robin explain it? She was so much better at keeping track of all those things than he was, all the terms filed away nicely in her head to be recalled as needed. Steve’s much messier— in his head, in his life.

Touch aversion, that’s what she called it. A by-product of the severe lack of touch in his childhood she had said; not enough hugs, hand holding, the works and now Steve’s grown to find it too strange. Something prickles under his skin, pulls in his gut all the wrong way, when someone’s too touchy-feely with him. Robin’s said it’s normal, and he believes her.

It just makes it harder when this comes by. That completely strange backward want that carves into his chest, creating a chasm that just aches. Suddenly, Steve wants to be touched, needs to be touched — like something behind his ribs is just begging for comfort in the form of touch, any way he can have it. Like some young part of him can still remember the hunger he had for it and it comes back in full force, a tender wound between his lungs.

It doesn’t happen that often — though, it’s more frequent than ever recently — but usually, Robin’s here. She can almost always tell before Steve works up the courage to ask. Twitchy fingers give him away. He hovers closer than normal, shoulders brushing more often.

She always gives him a smile, softer than her usual snark and says, “C’mere, dingus.” and stands on her tip-toes to envelope him in a hug. Steve can’t help but sink into it, gripping her close around the waist for as long as he needs until the hole in his chest feels a step closer to patching up.

Robin also tells him he can have as many hugs as he’d like but Steve is firm with himself; he only needs one, then he’ll be back to fine.

It what’s he needs now. One really fucking good hug. Still, he hates to ask, least of all from Eddie, because, well— okay, Steve has no reason to assume Eddie wouldn’t give him a hug.

He’s seen Eddie’s hugs before. Like everything he does, Eddie puts his everything into it- he hugs Robin til she wheezes, loves to lift Nancy off the ground, and the hug he gives Dustin is sweetest of all, a hand on the back of the littler’s head while he does some strange little sway. Dustin always laughs, playfully shoving him away by the end but Steve knows he loves them, that it helps in more than one way.

Steve is glad that Dustin has someone, besides his Mom of course, who can hug him, because Steve can’t give that to him. Maybe one day, but for now, hugs from Steve are a rarity — few and far in between. Maybe, he thinks, he doesn’t want to ask Eddie specifically because of that niggling feeling that comes up around Eddie, all gooey and soft. A feeling the swings too close to a crush that Steve has no fucking clue what to do about.

So, he hates to ask. Really. On the drive over to Eddie’s, a hangout organised before Steve started to feel the lack of touch creep in, he runs through any other options. Wait til Robin gets back? Steve’s not sure he’ll make it another 4 days. When left alone, it seems to consume him and make everything harder, everything heavier to deal with.

He’s still tossing it when he climbs the steps to Eddie’s trailer. Steve decides that he’ll see how it goes, see if there’s an opening to ask…semi-naturally or something. He’s not gonna spring it on the guy.

Eddie is wonderful company as always, devilish grins and god-awful comments about the film he picked. Steve feeds off it, drinking in the infectious energy. He tries to let it be enough; their shoulders pressed together, Eddie’s knee knocking his when he laughs, the way Eddie leans into his space to whisper even though it’s just them here tonight. Steve wants it to be enough. But even then, he can see the way his hands twitch in his lap, desperate for more.

Steve closes his eyes. Curls his hands up so tightly his nails bite into the skin. He tries to use it to wane off the feeling, the ache that sings out for Eddie beside him and it nearly works. Until—

“Steve? Y’okay?” Eddie’s voice pipes up, making Steve open his eyes in an instant.

“Hm?” Steve hums, hoping that his casualness will be enough for Eddie to skip over his peculiar behaviour. He blinks, tilting his head just a bit to show he was confused why Eddie was asking.

Eddie chuckles lightly, gesturing towards Steve’s lap, where his hands sit still clenched, white knuckled with his self-restraint. “You seem a bit stiff, that’s all.” Eddie rechecks. “You good?”

Steve opens his mouth and then closes it, forcing his hands to unclench in his lap. “I-“ he begins, then stops, unsure of what he was going to say. He did say he would look for an opening tonight. The way Eddie’s regarding him, open faced with his concern, is as good as he might get.

“This might sound a bit weird,” Steve starts, defensiveness already tingeing the words, his shoulders curling in just a bit. Eddie could say no. He’s allowed to say no. Steve really doesn’t want him to. “Like, if you think it’s weird, that’s totally fine and we can just, like, forget I said anything and—”

“Steve.” Eddie cuts him off, a linger of an amused smile on his lips. “I don’t think I’m going to find anything you say weird, sweetheart. Shoot. What’s on your mind? What troubles the great mind of Steve Harrington?”

God, it’s like a whole bunch of words designed to set Steve’s head spinning. ‘The great mind of Steve Harrington’ makes him want to scoff. ‘Sweetheart’ makes him want to swoon. He can’t decide which one he wants to do more.

“Can I-” Steve stammers, the words halting automatically. It’s too much of a habit to swallow them down. Coercing them out takes more work. He stares up at the ceiling as he grits his teeth, releases a harsh sigh, pulling himself together. “Can I… have a hug?”

There a moment of silence and Steve holds his breath.

“Oh,” Eddie breathes, and Steve takes his eyes off the ceiling to see just what that Oh means. Eddie’s smiling, a soft one gracing his pretty mouth, and Steve thinks, maybe, one day he’ll have the courage to ask for a kiss as well. Relief moves sluggishly through his veins— Eddie’s smiling, this is good.

“Well, of course,” Eddie grins widely and opens his arms, inviting Steve in. Steve hesitates for only a moment before he leans in gratefully, his arms tucking around Eddie’s midriff tightly. Eddie’s arms curl around Steve’s neck, pulling him in close. It’s the easiest thing in the world, sinking into it, so much that Steve tries his best not to immediately slump against Eddie. It feels a bit too pathetic, so Steve reels himself in. He can’t make his arms relax, trying too hard to take only what he needs and not a moment more.

“C’mon, Stevie.” Eddie’s voice teases beside his ear, his breath warm. “You call that a hug?”

He squeezes Steve a little tighter, pulling him even closer and Steve can’t help the way he melts into it— he slumps, leaning against Eddie properly and burying his quiet whine of relief into the juncture between Eddie's neck and shoulder.

“There we go,” Eddie murmurs comfortingly.

Eddie takes him wholly, gives a damn good Munson hug, all warmth and comfort. He smells like, well, Eddie — a lingering scent of weed, something musky, something Eddie. His arms around Steve’s neck shuffle and Steve worries he’s trying to pull away so soon, only for one of his hands to tangle in the hair at the nape of Steve’s neck. He combs through, light fingernails scratching at Steve’s scalp and shit, Steve really can’t control the noise of contentment that slips out his throat.

“Can’t believe you got so worked up just to ask for a hug,” Eddie tsks, tone coloured in disbelief. Steve makes a noise of protest, trying for a moment to wind it all back in but, like Eddie can sense it, he’s squeezing him tighter again. He begins to rock them, a soft sway side to side that lets Steve lean on him even more. He hums a tune Steve doesn’t know, low and soft.

“M’sorry,” Steve mumbles in reply, though he’s not entirely sure what he’s apologising for. For having to ask, for taking so much, for enjoying Eddie’s arms around him just a little too much.

“What the fuck for?” Eddie laughs lightly, one of his hands beginning to drum against the divots of Steve’s spin. It feels like he’s tapping pure delirium with each fingertip, shivers that make Steve’s chest glow terribly warm. It feels good, so good to be held and honestly, Steve could stay here all night if Eddie let him. Knowing Eddie, he would, because he’s that fucking nice.

That knowledge alone forces Steve to sit himself up, extracting him limbs even though so much of him mourns the warmth, the touch, that goes with it. He wants the touch but he’s had enough. Some scorned part of him burns bitterly to think Eddie would give him more just to be nice. Steve doesn’t want that— Steve wants Eddie to touch him because he wants to.

“Sorry, man, I just, uh, get like that sometimes.” Steve feels the need to explain, bringing a hand up to rub at one of his eyes. He does it half so can hide his embarrassed expression from Eddie— who’s looking at him so gently and still so so close.

“Just, aha—“ Christ, it wasn’t this awkward telling Robin. Steve’s hand moves to rub the back of his neck. “Sometimes I realise it’s been awhile since,” He gnaws on his bottom lip, something alike to humiliation curling in his gut. “Since I’ve had some touch. Usually, Robin’s around but y’know.”

He waves a hand, huffing another awkward laugh. Eddie hasn’t moved much, just listening intently, his brows ever so slightly inching closer together. He looks outright concerned at Steve’s next words.

“It’s okay, I’ve— I’ll be good now.” Steve nods along, like the motion will help him convince himself as well as Eddie. He’ll be okay now. Usually, one hug is all it takes. He ignores the surging tidal-wave want that is still going, still aching to be held by Eddie again. It would be selfish to ask for more. Eddie didn’t invite him around to hug— it’s weird, and Steve shouldn’t- can’t ask for more.

“Sooooo,” Eddie draws out the word, an impish smile beginning to play at the corners of his lips. He opens his arms wide again. “You don’t want another hug?”

In his lap, Steve’s fingers twitch. Eddie’s eyes dart to them for a second, before fixing back on Steve. He does, he really fucking does want another hug. He can’t. He’s had enough, really, it would greedy to have more.

Steve shakes his head, forces himself to huff another laugh that accidentally comes out as a strained sigh. He smiles weakly, “No, no, I’m good, dude. It’s… I’m okay, swear.”

For a moment, Steve thinks he’s convinced him. Eddie studies his face, his mischief slipping away as he deliberates Steve’s words. His eyes narrow, arms dropping just an inch before he smiles brightly and says, “Okay, can I have a hug then?”

Which, okay, right, Steve didn’t think of that. People don’t ask him for hugs. He blinks, a bit dumbly. Eddie is waiting, face eager and for a second there’s an expression of almost smugness on his face — like he’s about to get exactly what he wants. Because he knows Steve would never be rude and say no.

“I mean,” Steve breathes, voice a bit tighter than he’s expecting. He clears his throat. “Yeah, yeah, you can have a hug.”

“Great!” Eddie replies and he wastes no time. He’s all up in Steve’s space, arms around Steve’s waist this time. The motion takes Steve by surprise, enough that because he’s not expecting it Eddie’s weight pushes him back so he’s lying on the couch.

If Eddie cares, he pays no mind, his head curling up into the crook of Steve’s neck as he hugs him closer. His hair gets in Steve’s mouth, making him splutter for a second, but Eddie just grins, wriggling closer until they’re pressed firmly against each other. Steve would go as far as to say this is closer to cuddling than a hug, with Eddie squishing him from above, his arms around Steve’s middle.

“Just so you know,” Eddie’s voice rumbles from where their chests are touching, his breath sweeping across Steve’s neck. Steve shivers without meaning to, feels Eddie’s responding grin even as he continues. “All hugs requested by me are automatically 10 minutes long. Hope you’re okay with that, sweetheart.”

Steve isn’t stupid — he knows Eddie is doing it for him, doing it because he could see right through Steve’s stupid facade, had peered his yawning hunger for touch right in the face and hadn’t blanched. Instead of feeling tricked or fooled, Steve just feels…warm. Comfortable. He works his arms around Eddie’s neck til their more comfortable and find the courage in him scrape his fingers through Eddie’s hair— like he had done to Steve. Eddie’s sighs sweetly and Steve thinks he could listen to that noise forever.

“I’m… I’m okay with that.” Steve murmurs lowly, yet he knows Eddie can hear him. Eddie noses closer, a borderline nuzzle against his neck, and further down, one his hands starts to stroke softly up and down Steve’s ribs.

Steve can’t help the way it makes him freeze, the breath in his lungs holding tight as he tries to relax, tries to ignore the prickly feeling under his skin. It’s a lot. A lot of touch that Steve just isn’t used to just yet, even if he desperately craves it.

“Relax,” Eddie whispers into his skin, a soft instruction paired with the motion, one soothing stroke up and down his ribs. Steve pushes the breath in his lungs out, forces the tension out of his body, trusts that Eddie wouldn’t be offering— wouldn’t tell him to relax if he wasn’t allowed to.

“That’s it.” Eddie praises, feeling the body beneath him settle and sink a little lower into the couch. “Now, watch the movie.” Eddie instructs, jutting at the still playing screen with his chin. Steve laughs a bit, but obeys, turning his head to see what part they’d gotten up to. They’d missed a big chunk in their hug. Steve nearly apologises for it, the words on the tip of his tongue, before he decides Eddie might smack him for it.

So, he doesn’t. He watches the film, let’s the gentle touch of Eddie on his skin relax him til sleepiness starts to fill each of his limbs, heavy like lead. Eddie’s hand stops moving eventually, when his breath gets heavier, lulled by Steve’s scratch in his hair. A snore starts up, loud and quite frankly, annoying, and yet, Steve finds that with Eddie’s arms around him, he has no trouble finding sleep.

It’s the first time in years Steve’s fallen asleep in someone else’s arms. And even if he doesn't know it yet, it’s certainly not the last.

now with a part two!

[hellmandraws]

I, for one, am looking forward to Viking Piece.

[yaralulu]

I will not let anyone forget that the minute feyre was back in spring with her insane revenge plan in mind,the first thing tamlin does is admit his behavior in acomaf was wrong and he apologizes without trying to make excuses for anything he did. And we see him in acowar actually trying to be different and going through with his words here.

A man reflecting back on his behavior and admitting he’s wrong and apologizing without giving us a 7 page monologue full of excuses?? Unacceptable!!! Kill him!!!

[inwhichiramble]

Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?

Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.

In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!

I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.

[theerurishipper]

Tim Drake, for no reason at all:

Dick Grayson, Tim's big brother in every conceivable way for the past several years:

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.