#long-ass arc

[girlvinland]

The Lore/Cov RP is picking up again and I’m so excited I need to express the emotion here too. They’ve been separated for sooooo long and finally finally finally about to reunite I cry and scream.

[bigfatbreak]

Birds of a Feather previous / next

tw: blood

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[itsabouttimex2]

Not sure if you have covered this, but I’ll ask. How would you have gone about Macaque’s redemption arc…if it’s possible with how he was written before season four? No hate or debate, just curious. I like alternate takes on characters :3

Hmm okay I thought on this for a little bit, and the crux of my problem with Macaque’s arc is that he’s established late Season Three to be “not a bad person” when-

1. He enjoys hurting people

2. He goes out of his way to hurt people

3. He hurts many people

4. He expresses no regret or remorse for hurting people

5. He faces no consequences for hurting innocent people aside from his intended victims winning their fights against him

6. His victims are reduced to a hivemind of non-autonomous set dressings who have no feelings on his presence or past crimes

And he promptly just becomes a person that everyone is okay with despite everything. So, if we have to keep the “one good action is enough to redeem you for betrayal, deceit, slandering, multiple counts of assault and attempted murder”, then we need to shift some things.

So I think the best thing to do if we want the actual “redemption arc” to hit the way it’s supposed to in canon is-

1. Thin his list of victims

2. Thin his list of crimes to the point that one good deed is actually a reasonable atonement for all of them

3. Play up his victimhood at the hands of the Mayor

4. Establish his inability to escape from the Lady Bone Demon much sooner

If the crux of his arc is just being forgiven by ONE of his many victims and then becoming a good person, then we just need to sharply reduce the amount of victims he has to make the immediate and all-encompassing forgiveness feel more realistic.

When he’s “sieging” the city in Macaque, the Smoke Demon ignores everyone who isn’t MK and deals no structural damage, creating no victims aside from the Monkie Kid.

When he’s performing in Shadowplay, Macaque portals MK away to fight him alone, leaving everyone else unharmed, creating no victims aside from the kid.

Then, when he’s stolen away by the Mayor, either:

1. Lady Bone Demon implants him with her powers right away, preventing him from running away and immediately establishing him as desperate, or, what I’d argue for-

2. Send the Mayor with him.

When he receives the compass and is released, Macaque pulls a Bone Key-

and throws it away, trying to shadow portal away, only to be greeted by

The Mayor, who proceeds to outright accompany Macaque on this journey, thereby serving as a foil to Tang Sanzang.

Where Sun Wukong was taken under the wing of someone who genuinely cared for him and wanted to see him improve, Macaque is forcibly dragged along by an outright malicious figure who wants to see him rot.

(Fuck, have Lady Bone Demon give Macaque an ice circlet to seal the “foil” deal! Have him be forced into these actions in outright agony! It would help Sun Wukong sympathize with him, expediting the “forgiveness” that a redemption arc needs!)

In fact, every time Macaque tries to leave, or steps out of line or even just fails? You hear an offscreen thud and yelping and then when we get to see him next, there’s new bruises on his body, new tears in his clothes. His fur becomes messy. His eyes grow haunted.

Play up his victimhood to coax the audience into sympathizing with him.

Macaque tries to run. The Mayor hurts him. He tries to stall. The Mayor hurts him. He tries to argue. The Mayor hurts him. He tries to fight back. The Mayor beats him back into subservience.

Establish that Macaque has utterly exhausted all avenues of “escape” before he resorts to attacking the Monkie Kids, and even then, have him try to avoid the majority of them in favor of MK, only to be forced by the Mayor into actually fighting Mei, Tang, Sandy, and Pigsy.

So now every character understands why he’s doing this- and don’t have a reason to hold it against him or expect any further atonement because none of his worst actions (like sieging the Dragon Palace) actually need to be addressed- they aren’t his fault.

That basically solves all the problems I have with the “arc” as it stands, honestly.

[jacenbren]

Deeply fucking unsettling things about the Honored One himself, Satoru Gojo

Thanks to his ability to fuck with gravity, you put him in a blank, empty room with identical walls, floor, and ceiling with no doors or windows, he'll quickly lose track of which way is up. Realistically this situation would probably never happen, but the concept freaks him out ever since Geto made a joke about it once.

Gojo's body maintains a perfect thermodynamic equilibrium, making his skin creepily cool to the touch. He can go out in a blizzard with shorts on, and between that and Infinity, he'd be perfectly fine. It makes for a cool party trick, because he can stick his hand in a candle flame or put cigarettes out on his arms with no ill effects.

He's unsettlingly clean at all times, because dirt can't touch him. Gojo hasn't needed to use stain remover on his uniform in years.

He quite literally has six eyes. He keeps four of them shut and all of them hidden most of the time, though, because a) looking into all six at once would liquefy the brain of your average human, and b) his Six Eyes are constantly feeding unfathomable amounts of information into his brain every second. Even with his tolerance to his powers and mastery of the reverse curse technique, there's only so much stimuli a human brain can process without completely shutting down, and Gojo doesn't want to find out what that'll do to him--in a nutshell, just because he can see things that mankind can't even hope to comprehend doesn't mean he wants to.

He can perceive the entire electromagnetic spectrum, meaning he can see shrimp colors. Everyone else desperately wants him to describe the shrimp colors. Gojo continues to smugly refuse.

Because of his reverse curse technique constantly refreshing and regenerating his body, he just. doesn't really need to eat anymore. or drink. or even breathe. His body is basically frozen at peak physical condition, and it's very likely that he is functionally immortal.

Sometimes, Gojo forgets what pain feels like, because nothing can touch him. Pain feels almost like pleasure to him, because nothing can hurt him. Nothing can even touch him, and Gojo has secretly developed a perverted interest in seeing how badly he can mutilate himself before he's forced to reengage his technique and heal.

Gojo can bend and contort himself in ways that aren't humanly possible, run faster and farther and lift heavier objects than anyone alive, because his body can repair itself almost as fast as it's damaged, depending on how severe the injury. Basically, he has permanent hysterical strength, letting him push his body past its limits to perform feats that would kill a normal human with no ill effects.

Gojo doesn't sleep. He literally can't unless he releases his technique, because his body is constantly being refreshed and doesn't need to shut down. Oh well, it's for the better. He's most vulnerable while he's sleeping anyway, and it opens up his schedule by a lot.

His teeth grow now, almost like a rodent's. He has to file them down to be able to open and close his mouth properly, along with much more frequent trimming of his hair and nails.

His skin is oddly smooth, and unnaturally pristine. Gojo hasn't recieved a single scar since Toji sliced him open, and all the ones he'd recieved before are healed flawlessly at this point. His hands are so soft they make it look like he hasn't fought a day in his life, because calluses aren't able to form anymore.

Gojo's been around the world countless times now. He can go wherever he wants with a thought; the only cost is his sanity. Warping himself across the Pacific for lunch in San Francisco is fun, but he can only do it a few times a week if he doesn't want to have another... ah, episode.

These episodes involve blackouts, gaps in his memory where his powers manage to slip their leashes from overuse and literally short-circuit his brain. He's only had a few so far, and every time, he wakes up in the infirmary completely unscathed, with blood all over his clothes and an awful fucking migraine. Nobody knows what happens or where he goes, and all Shoko's been able to tell him is that when it happens, he seems to go into a giddy fugue before blasting his way out of the compound and vanishing for anywhere from days to weeks. Gojo's absolutely terrified of these episodes, because he's wholly aware that if he lost it for real, nobody would be able to stop him.

He looks human enough, but if you look closer, he quickly starts to set off the uncanny valley effect. It's like a wolf in sheep's clothing--because you know how dangerous he is, even though he appears relatively harmless at first. Everyone who meets him has the same fear response clawing at the back of their mind as their hindbrain screams at them to fucking run, because Gojo is an apex predator in the body of a prey animal. His very presence awakens primal fear that's been entrenched in every human since the dawn of time--the fear of things that go bump in the night, of cosmic horrors beyond what mankind can even hope to comprehend.

His eyes glow all the time now, and the energy crackling in the air around him feels like the static that comes before a lightning strike. Satoru Gojo is insistent that he's still human even though he's the strongest, but... is he, really?

[sunsetuniverse]

Scarlet Witch and Quicksilver (2024) #4

NO 💥💥 BAD DAD 💥 💥 💥

NOT MY MAGNETO

[the-pobble-terrarium]

CONFRONTATION

//Warning for injury & blood in some panels!

[assiraphales]

that moment when arlong was holding zoro by the throat having this intense inner monologue about staring into the eyes of a dying man / contemplating how zoro is even conscious with such a battered body & zoro is just chucking like a psycho

[draftsandchains]

clownpierce loves his gone to get milk arc

[cosmicrhetoric]

still can't believe that kaido came down from the ceiling in his big ass dragon form to announce that luffy was dead and nami got so mad she stepped out into the open and started YELLING at him. like fully yelling she called him a stupid lizard man. sure blah blah she loves luffy so much there's no cowardice in her when it comes to defending him but the pure Haterism it takes to look the strongest man in the world in the face and go yeah actually fuck you fuck your mom fuck your kids (not yamato) fuck your whole existence you're NOTHING to me 🍊💥🤬

[littlefankingdom]

Reading Batman: Bruce Wayne - Murderer? be like: Yeah, Bruce needs to be incarcerated... IN A PSYCHIATRIC WARD!

[otaku553]

Portgas D. Ace in a porkpie hat?

Excellent choice in headwear!

[tanadrin]

I'm watching season 5 of discovery while I work on this map, and I think my verdict of DIS is that conceptually it is solid Star Trek. It gets Star Trek, like in the abstract. Obviously the last 3 seasons are a lot better than the first two, both because they escape prequel territory and because it just takes a ton of Trek shows two seasons to find the sweet spot. But the writing never really lives up to the ideas. So, so many of the character beats feel completely paint-by-numbers, with painfully generic dialogue, and I find myself mostly skipping over those scenes to get to the high concept SF or the action sequences. The actors really are doing the best they can, and visually it's gorgeous, and it throws out a ton of fun ideas into the Trek universe (though IMO it relies too much on overt callbacks to old Trek, it's not unique in this regard--SNW does this too, it might just be the curse of a long-running franchise). But man. The character writing is frequently not good! The emotional dialogue is frequently not good! And I don't know why; it's not like Star Trek doesn't have this stuff, rich character interaction has been there since TOS and the Bones/Kirk/Spock triad. But even back when you would have, like, Random Character Never Mentioned Before From Someone's Past showing up in an episode only to die horribly, from the older and more episodic Treks, the dialogue around these characters was still more believable and more compelling. And you'd think the more serialized nature of modern Trek would give you more room to build on and use these character dynamics.

I wonder if in part it's the decline of writers' rooms and the spec script market. Maybe something about that shift makes developing good scripts for television, and for genre TV in particular, harder. Part of me thinks it may well be the serialized format, because just like a good high concept sci fi plot often relies on a "hey-wouldn't-it-be-fucked-up-if-this-happened-randomly" idea, so too do a lot of the good character stories in older Trek--when everything has to be tied back in to an ongoing plot and significant character development has to be spread out over 10 episodes, maybe that's harder to do.

I think ultimately I feel about DIS like I feel about Enterprise--don't like prequels, do like some of the ideas, some of the characters are pretty interesting, the character arcs are kind of weak, is too bogged down in referencing other installments in the franchise, needs more Jeffrey Coombs.

[fromtheseventhhell]

Zutaras are really the original self-insert, "we understand the story soooooo much better than everybody else" girlies and they just never moved on

[galaghiel]

O Kind Hunter, may you find peace in the waking world...

once again promoting the shit out of this brilliant fic which you can read here

[coffee-drinker935]

A Round Trip of Love and Affection Page 1

Commission for Rouyard!  Jaune in the actually story of Big Changes isn't this much of a local boy toy but man was it fun to make this.