A cult has been causing trouble for the Infinite Realms in their search for power and eternal life. And to make things worse, the Observants suspect that they have at least one actual ghost—or possibly even a traitorous Observant—working with them and interfering with their view. This could become a major problem…
However, as Observants, they’ve sworn not to intervene directly, so they have to pick someone else to look deeper into the situation for them. And, if necessary, to deal with it.
They choose Phantom for this role, since his half-human nature means he’ll have an easier time operating in the living world. Danny’s not entirely happy with the assignment, but the situation does seem like a genuine issue so he’s willing to look into it (if in his own way).
Since he doesn’t know how prepared the cult is for ghosts, he decides that infiltration would be the best way to gather info. Thus, he takes on a new identity in his human form and approaches the cult, expressing interest in the publicly known part of their group. Then, a bit later, he manages to successfully gain admittance into some of the more private meetings. Everything is progressing as planned!
…Though he didn’t expect to like one of his fellow initiates so much. He hopes he can change their mind on things and bring them out of the cult with him when he’s done.
Meanwhile, a hero from the Justice League has also been sent to infiltrate the cult and investigate the rumors about it. It’s gone off without a hitch so far, but they’ve gained a potential entanglement in the form of one of the other new members whom they’re developing a crush on…
1K notes
·
View notes
Who Started The Fire?
From the prompts list:
“That’s my emotional support entity of questionable moral standing.”
Batman stared down the two teens standing before him. The boy was pointedly looking anywhere but the Bat’s face, finding more interest in the dirt and gravel crunching under his shoes. Meanwhile, the girl stood with her arms crossed, head held high, meeting Batman’s gaze with a defiant glare that wouldn’t be out of place on any of his own children’s faces.
Behind them lay the smoking remains of what was once a warehouse that had been used as a front for a weapons smuggling operation that the bats had collectively spent the past few weeks investigating. Although their investigation had taken longer than anticipated thanks to this group’s rather impressive security, they had been so close to a breakthrough…when the place had gone up in an inferno.
When the Gotham vigilantes had first arrived on the scene the fire had been so intense that they’d had to put in their gas masks to avoid any inhaling any of the thick black smoke from not only the fire, but also whatever chemicals may have potentially been within the building that would have been released into the air.
Batman’s initial hypothesis had been that the group had become aware of their investigation and burned the place to avoid any evidence being discovered while they moved locations. However, that theory had been shelved when Red Hood had announced the presence of charred bodies amongst the rubble, and evidence of explosives having been used in multiple area where the building’s structure had been the weakest. Whoever had been inside had not had any warning of the blaze that had swallowed the building too fast for them to get to safety, and with the structure being compromised from the explosions all exists had been blocked, preventing the inhabitant’s escape. Red Hood and Nightwing had been discussing potential suspects as Batman and Red Robin searched for any evidence that could have survived the destruction, when a clattering sound followed by the sound of voices hushing each other had altered all of the on scene bats to the presence of possibly several unknowns.
The two teens had been apprehended quickly and ushered to the side, far enough away from the scene of the fire to avoid them overhearing details of the investigation and to prevent any potential tampering. Accidental or otherwise. The teens had been stubborn in their refusal to answer any of the bat’s questions to their presence. Nobody knew why they were there, where they had come from, and they had even refused to disclose their names. Oracle, unfortunately, was sick with the flu and had been gently ordered to rest by Agent A. Batman was nevertheless confident that they would be able to discover their identities quickly either once they had returned to the cave or if they could get the kids to talk.
He would have asked Red Hood to speak with the teens, he was the best with kids. And if caught up in anything illegal they often seemed to respond better to him due to his more ambiguous morals and reputation for ensuring kid’s safety. Both from rouges and in some cases, the rest of the bats and birds. But he had been needed in Crime Ally after he had been alerted to a gunfight breaking out between two gangs who had been more hostile and antagonistic in recent months. Nightwing had accompanied him, and Spoiler had diverted from her patrol route to assist. That left Batman and Red Robin behind to deal with both the police and the frustratingly stubborn teens.
Batman resisted the urge to punch the bridge of his nose as yet another question was blatantly ignored by both kids. The boy had begun fiddling with the sleeved of his letterman jacket and the girl had taken to checking her manicured nails for any dirt or imperfections.
Just as he was about to turn the questioning over to one of the on scene police officers, a writhing mass of shadow had emerged from the girl’s shadow. Two tendrils of black smoke reached out to wrap themselves around the wrists and hands of both teens, who had in turn glanced down at their hands and smiled.
“We’re fine,” the boy had muttered quietly, “no need to worry.”
“What is that?” Batman asked, eyeing the mass with a cautious suspicion. He wanted to believe it wasn’t hostile given the kids reactions to it. But this was Gotham.
The girl shot him another glare, one hand on her hip while the other remained in the hold of whatever the shadowy mass was.
“That sir,” she spat out the first word with such venom to her tone that Batman almost flinched, “is our emotional support entity of questionable moral standing.”
893 notes
·
View notes
the thing about eliot spencer as a character, right. the thing about him.
(and as always your mileage may vary on my analyses so if we disagree that's cool actually)
is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.
(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)
on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.
232 notes
·
View notes
when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]
I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!
OH HI
Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.
(wow putting this under the cut bc it got longer than I thought it would LMAO)
I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.
A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.
And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).
But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.
About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.
But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.
Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).
Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.
Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.
Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.
I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.
Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.
And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.
Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.
As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3
Hope that was satisfying!!
113 notes
·
View notes