#numbered lists

[smalltimes]

Games I played in Winter 2024-2025

Tunic - The best game I've played in a long, long time. If you like zelda games, do not read reviews or look up a synopsis. Buy this and play it. Fear the eyes of the far shore.

Animal Well - THIS is how you make a metroid-vania. I'm still reeling at how goddamn good this is. Just the densest concentration of puzzles and exploration, sick art style, perfect and thicc like a pound cake.

Book of Hours - buuhhh, what to even say. I don't even know if I like this game. It's like a mosquito bite that I just want to keep scratching. It has taught me a new definition of insanity. Playing this makes me feel the same way I felt when I first started playing Civ 5.

Hollow Knight - Danny DeVito "I get it" meme, I see why people are so tied up in knots about Silksong. if I were 14 again and couldn't afford to buy games, I'd want this the most out of everything on this list, just for the depth and challenge.

Outer Wilds: Echoes of the Eye - It finally felt like it had been long enough since Tohru died for me to revisit this game, but I still thought about him the entire time. Nothing has really come close to how good the base game is, and this DLC captures 95% of that magic. The only flaw is how it's meant to slot into the main game rather than stand alone, so for someone like me who was just revisiting it to play the DLC, the ending didn't entirely work for me. Still, I get what they did and how they did it, and they made the right choice. I dreamt a happy dream about this game the night after I started playing it, and beat it the next morning.

Chants of Sennaar - This game was made for me, specifically. I wish the last couple levels were much longer, but partly because I just wanted to be in this world more. I really hope the creators of this do more with this style, and damn I wish there were more linguistics-based games out there. Banger soundtrack too.

Crypt Custodian - I had middling hopes for this one. The art style is cutesy, the movement is floaty, and the story seems silly right off the bat. I could not have been more wrong about everything. The combat is so crisp and reactive. It's a wonderful balance between forgiving enough that I never felt like I was being cheated, but difficult enough that I never one-shot a boss or even beat one without taking a hit. The world is vaster than I imagined it could be for a game of this scale, but fast travel is easy to come by. Even in my initial playthrough I never felt like I was being railroaded or having to backtrack and comb through areas again and again to figure out what my next step would be. Instead of a New Game+ or something there's a built in randomizer. Why is this the first game I've ever played that thought of this! Lastly, the story isn't really a story like a linear game would have. Each zone is an illustration of each of the characters, and they all fit together to paint a picture of what the afterlife is for our pets and other wild animals. An absolute masterpiece.

Yoku's Island Express - What if a metroid-vania was a tropical-themed pinball table? So cute and innovative, a delightful little 10-hour adventure that never felt like a slog or back-track city. One of the funniest sequel-bait endings ever; I hope they make one!

Talos Principle 2 DLCs - Another game specifically made for me. DLC 1 felt like a great little happy ending tying up the loose ends from the main story. DLC 2 was such a fun chill island vacation, felt like a victory lap. DLC 3 has some of the hardest individual puzzles I've ever experienced in a video game, but I'm proud to say I beat every last one without any outside help. If you think you can get down with Portal but with the humor swapped out with philosophy, this is that game.

Case of the Golden Idol - Absolutely blew me away, such a cool way of telling a story. Like, what if Where's Waldo committed a murder and you had to figure out not only how and why he did it, but also the occupation and favorite food of the victim's niece. Very Obra-Dinn: dark, funny, and precise. It's a little weird though, I played a bit of the demo of the sequel and it felt like diminishing returns, but I'm optimistic I'll enjoy it once I get around to buying the full version.

Balatro - Honestly the soundtrack is the biggest selling point, which is weird to say but what they do with it is kind of incredible. I get why it was the year's hottest new thang, and I totally got sucked into it for a good long while. At the end of the day it doesn't replace STS for me, though. Too mathy at higher levels, not vibes-based enough to jump in and have a fun run. I wish I had bought this for my phone instead of on Steam.

Celeste - Best, snappiest, and most precise platformer since super meat boy. An 8-way controller is a must though, I got so mad at my x-bone controller so many times that I stopped playing halfway through the B-sides, but that's not really the game's fault.

Transistor - Still my favorite Supergiant story after all these years. A tragedy for the ages. No other game does what this does with combat and encouraging you to switch up your gameplay. I spent hours in the Sandbox just trying out different combos and options. I think some reviews at the time disliked gating story elements behind your gameplay choices but in my opinion that's the point. The game isn't that hard and you don't need to play in a style you dislike for very long. Oh, and get the Sea Monster at Junction Jan's.

Ori and the Will of the Wisps - Not as good as the first one, but damn near close. A little more combat-focused, a little less platformy and movement-based. Much fewer escape-sequences, which is a huge relief, and I loved the new central hub. Felt like they had a really good thing going on with the first one that just needed some cleaning up and polishing, but they wanted it to be more like hollow knight or something and went too far in their tuning.

The Forgotten City - Kinda like if the Talos Principle and Outer Wilds had a lil baby. A little short but nailing the true ending is pretty satisfying. The less said about it the better, to keep its secrets, but it's essentially one big time-loop puzzle that's solved through talking to people and exploring this little Roman town. Absolutely loved the implementation of Galerius giving you the option of not having to redo things you've already unlocked or allowing you to go back and do things a different way. Like, for instance, one of the people is poisoned and dying, and you have the antidote. At the beginning of each loop you can give Galerius the antidote to give to her, run over and give it to her yourself, or let her die. The best part is, each of these three choices has a real impact on what happens that day, and what dialogue and information is unlocked.

Chicory - Lovely little adventure, good puzzles, top notch exploration, sick-ass boss encounters. I can't imagine how annoying it would be if you were only playing on controller without a mouse, though. Cute furry world where everyone is named after food. I was named pierogies.

Death's Door - Absolutely killer worldbuiilding and soundtrack, the vibes are almost completely perfect, and for the most part I loved the unique boss encounters. There are many weird or untuned things that bugged me, though, like getting completely stun-locked in corners and the weapons and upgrades being largely unnoticeable. The Gemsbok just did a video on this game, and it made me realize my biggest problem with the game. Past the first time you see each zone there is no sense of adventure. You walk (or mash the roll button) through a zone, clear out all the enemies, and find there's nothing to discover other than collectibles only accessible via a power you'll get later on. Literally only 1 of these 24 collectibles have a puzzle attached to it (and that being the only real puzzle in the game), so it felt like half my playthrough was spent roaming around The Overgrown Ruins looking for one more secret to check off my to-do list.

Myst - A classic for a reason, there was a ton in here that I forgot about. Very rough around the edges but that's like its whole thing y'know.

Hyper Light Drifter - One of those games that introduced the whole genre of Metroidvanias to me. So glad I revisited it and finally beat the last boss after 8 years. It's funny how much smaller it is than I remember, but the qol is on the money and the combat is as tight as it ever was. Just a fantastic game that I'd rate way higher if I wasn't already familiar with it.

Night in the Woods * So, this isn't really a game I guess, more of an interactive novel. If I didn't relate to the main character so much I think I'd be more gung-ho to dive further into it but it just makes me depressed. lol.

Toki Tori 2+ * Make no mistake, this is a full-ass adventure game, on par in terms of scale with HLD, Ori, and Yoku. The wild thing is that it presents itself as some sort of phone game or a Block Dude. Truly bizarre and devilishly challenging, but unfortunately once the world becomes open I lost track of my objective and didn't want to slog through the esoteric overworld and backtracking to hunt down a hidden path I missed 5 hours ago. Some day I'll find a guide and wrap this up.

Myst 3 - Coming off of the mind-bending difficulty that is riven, this felt like a day at a theme park. Great puzzles, totally immersive and inventive worlds, short and sweet, if a little silly at times.

Peglin - What if slay the spire was a Peggle? It can be fun and a challenge, but so, so annoying when one bad bounce that was out of your control ruins the whole run. I guess STS has that too, when your deck gets a bad shuffle and there's nothing you can do, but it feels like it happens way more often on the pegs. Also, a lot of the bosses can be totally steamrolled without too much thought, which is a little bit of a letdown since it doesn't really matter what your build looks like. As long as you keep in mind how you're going to beat a couple bosses like the painter and dragon, any other boss just doesn't matter.

Dredge - VERY fun fishing game, honestly doesn't even need the cthulu stuff. Doesn't overstay its welcome, and the ending is satisfying and earned. The most fun I had was just the first 3-5 hours rolling around, making money and upgrading my boat. There was a point where it felt more like a slog than a fun time, but I pushed through it and realized it wasn't that big of a push. Still, that's not exactly what you want.

The Sexy Brutale * It sells itself as a grand time-loop puzzle thing in the vein of Forbidden City or Outer Wilds, but it really isn't. Yes, everything takes place in one big mansion, but there's no exploration to be had here. Now, I'm a little further than halfway, solved 5/8 of the main story missions, and I can say that decisively because each of the cases is in a discreet wing of the mansion that is only unlocked once you've solved the previous one. It is intensely linear in a way I was not expecting. Don't get me wrong, it's lovingly crafted, and each puzzle feels unique, creative, and rewarding to solve. But between the checklist vibe of the progression gating, the rocky and sometimes clumsy controls, and repetitive animations, the game largely falls flat. Swing and a miss.

Little Inferno - Cute and fun, a neat little 2-hour experience. There are some surprisingly deep themes that poke in every once in a while, but ultimately it's little more than a bedtime story. A small mark against it, apparently I had already played and beaten this years ago when it came out and had no memory of it whatsoever.

Cave Story+ - Oddly enough another comparison to super meat boy in this list, it looks and feels like exactly what it is, a flash game that somehow got developed into a full-ass game. Surprisingly good though! I did not care for a lot of the humor that felt very lolrandom reference-based, but i guess that was just that era.

Vision Soft Reset * I got stuck on a difficult platforming section directly followed by a very tough fight, and gave up after maybe 30 attempts. Maybe I'll go back to it some day? The time travel aspect a very cool concept, and well implemented, but the game just feels a little too rough around the edges and flash-y. I really wanted to like this game more, but I think it's for someone else.

A Short Hike - Short is correct. A busy little furry island to chill out in for a few hours. Good dialogue and characters. Don't try to just beat the game, that's not the point. Do all the sidequests and talk to everyone, and take your time.

Dorfromantik - If they made A Quiet Year into a video game it would be this. Extremely chill, way too chill for me, but I could imagine how someone would get super into this.

Minit - If this was a free flash game it would be one of the best. I beat it in 1, maybe 2 hours, and had some fun, but I'm glad I got it off of Epic's giveaway

Played but not Beat:

Darkest Dungeon - I might dive into this for real some time, feels more punishing than XCOM but I like the combat setup and basic gameplay loop. I worry that there will be a point that the game becomes unwinnable or soft-locked, and I won't realize it and waste a ton of time.

Snakebird - Actually just a phone game, but cute and devious puzzle design a la Baba Is You. might never boot this up again unless I'm desperate.

Up Next:

Myst 4

Undertale

Enter the Gungeon

Kentucky Route Zero

(*) Asterisks indicate that I didn't finish the game.

[mdzs-is-rotting-my-brain]

I have learned things today.

Are they good things? Perhaps.

A short list of things Sunday has taught me.

Sibling thinks my tame response to "I don't like Jiang Cheng, but I defend him" post is 'being unfair'. (For context I wrote a longer post breaking down each point OP. I haven't posted it here. Yet.) I let sibling read it, and they said I was being "too hard."

Never engage with TERFS on Twitter. It's not good for anyone involved.

Diy-ing your own shit can get a bit expensive.

Time for mirmb to sleep.

[spitblaze]

considering how many transmascs were legitimately way angrier BEFORE starting T and have since calmed down significantly have we perhaps considered that maybe the reason so many cis dudes are angry and aggressive isn't because of testosterone but maybe. like. personal issues. unmet needs. a social climate that teaches them that there are only like three acceptable emotional outlets for men max and one of them is being angry and shouting

[egophiliac]

idia was an absolute treasure this update. you agree.

Idia really went "time for me to be a hero! but in, like, a super meta way" and if that isn't incredibly in-character then what is.

and of course we can't forget

I kinda hope he and Riddle get to do another game jam again sometime! it's nice to see them get along! and now they have, inexplicably...shared skills and interests???

[jessmalia]

As always, thank you for finding the quickest possible way to say things.

[strawlessandbraless]

Godstiel but he was crazy horny and obsessed with Dean. Going around preaching the good word of Dean and reading from the Winchester Gospel (supernatural books). He’d put Dean Winchester on all the stained glass windows and replace Jesus on the Cross with Dean on the Rack.

[artbymesa]

Sorry Shepard that was my bad. I didn't mean to embarrass you in front of your future husband stumbling into him like that.

[pokemonblack3white3]

Subway Boss Kieran is constantly haunting my thoughts

[nataliescatorccioapologist]

Exploring all of the main Yellowjackets ships (and what makes each of them so compelling)

In honor of everyone fighting about which ship is the best in this fandom, I wanted to do a rundown of each of the main Yellowjackets ships and why they are all so interesting and believable in their own ways. I am only going over the most popular ships in the fandom (romantic pairings with more than 100 written works on ao3), so sorry if some of your favorite rarepairs are missing! And if you’re looking for a post all about how these relationships are so cute and healthy, this isn’t it (except for maybe Taivan). I’m mostly going to talk about how toxic, tragic, and tumultuous they all are, because that’s what we’re actually here for.

Jackieshauna

Jackieshauna is all about possession (in the best, most homoerotically intense way). Their dynamic is fraught with contradictory feelings that somehow exist alongside each other. Shauna idolizes Jackie’s magnetic influence, but she is also deeply resentful of her. Shauna adores Jackie, but she’s also suffocated by her. She feels like can’t live without Jackie, but she also can’t stand living in her shadow anymore. Jackie cares deeply for Shauna, but she also needs to own her; she needs to be validated by her position of power over Shauna.

The queer subtext in their relationship is so strong that it almost doesn’t feel like subtext at all. From the longing stares and the constant, almost hypnotic closeness to the way they interact with each other, the line between platonic love and romantic obsession blurs to the point of becoming indistinguishable. Their entire dynamic reads like a suppressed, unspoken desire, with both women using Jeff (and Travis eventually) as a way of redirecting their intense feelings towards each other. Shauna’s betrayal with Jeff doesn’t just feel like a “best friend stole my boyfriend” situation—it feels like she wanted to be Jackie, to consume her, to get as close to her as possible. And Jackie’s reaction isn’t just about the betrayal; it’s about the fact that Shauna was hers, and suddenly, she’s not. Jackie is so devastated by the knowledge of Shauna sleeping with Jeff that she no longer believes in love and loses her will to live entirely.

Shauna’s grief over Jackie isn’t just guilt; it’s, once again, possession. She talks to Jackie’s frozen corpse, hallucinates their conversations, braids her hair, does her makeup, eats her ear. It’s as if, in death, Jackie becomes more hers than she ever was in life. I just can’t get enough of the line, “I don’t know where you end and I begin.” Shauna eating Jackie is the ultimate culmination of this. It’s an act of worship—taking Jackie into herself, keeping her close in the most visceral way possible. But it’s also an act of domination—Shauna, who spent so long being beneath Jackie, is now consuming her, overpowering her in a way she never could while Jackie was alive.

There are so many layers to Jackieshauna; it’s love, admiration, obsession, ownership, codependency, resentment, and jealousy all wrapped up into one severely intense relationship. Their story is so tragic because it’s full of unspoken things—words that were never said, feelings that were never acknowledged, and a love that was never fully realized until it was too late.

One word to describe them: Possession

Their best scene: Their last fight

"Did I force you to live in my shadow, Shauna? It must be hard being this jealous all the time. You're so fucking jealous of me you can barely breathe."

“Are you quoting Beaches at me right now?”

“No…”

"I'm not jealous of you, Jackie. I feel sorry for you. Because you're weak. And I think that deep down, you know it. I’m sure everyone at home is so fucking sad to be losing their perfect little princess, but they’ll never know how tragic and boring and insecure you really are, or how high school was the best your life was ever gonna get.”

Taivan

Taivan is a peak golden retriever/black cat ship. Van is the golden retriever: loyal, endlessly optimistic (even in the face of getting nearly fatally attacked by wolves), and always trying to bring humor and lightness to situations, even when things are at their worst. She’s playful, affectionate, and follows Taissa around with unwavering devotion, even when Taissa is pushing her away or making choices that Van doesn’t agree with. This loyalty extends to Taissa’s sleepwalking, as Van’s support of her never falters even when faced with a darker, more dangerous side of Tai.

Taissa, on the other hand, is the ultimate black cat: fiercely independent, emotionally guarded, and always trying to maintain control, even when she’s clearly struggling. She’s skeptical, calculated, and reluctant to accept things that don’t fit her worldview. This initially translates into her relationship with Van, as she doesn’t want to be vulnerable, but you can tell she feels such a deep love for Van that keeps drawing her back in; unable to hide this softer side of herself. Van softens Taissa in the best way, cracking open that hard shell and allowing Taissa’s vulnerability and warmth to reveal itself. The most telling moment of this is Taissa’s willingness to enter Lottie’s spiritual circle to support Van. For someone as practical, skeptical, and grounded as Taissa, this is a significant sacrifice of her usual hard-edged pragmatism. But her desire to be there for Van, to show up in a way that is vulnerable and supportive, speaks volumes about the way Van has brought out a warmth in her that no one else ever could. Taissa’s love for Van is not just a passive emotion—it’s an active, deliberate decision to let go of control. The fact that she does this for Van is a testament to just how deeply she cares. And the Doomcoming “I want to see you” scene? That girl loves Van with her entire being.

In the adult timeline, Tai and Van cope with what happened in the wilderness in opposite ways. Taissa obsessively looks to the future and refuses to look back, while Van remains stuck in the past, refusing to move on. When they reunite in Season 2, they’re able to meet somewhere in the middle; a collision of the past and present.

It is clear that these two will do anything for each other, whether it’s fighting off a pack of wolves, tying themselves to each other at night, or going on life-threatening expeditions just to support each other. They are devoted to each other in any form. I can't wait to see them fuck on a table in the adult timeline in S3.

One word to describe them: Devotion

Their best scene: I ❤️ you (in blood)

“This is how you’re choosing to say ‘I love you’ for the first time?”

“You’re kind of leaving me hanging here, lady…”

“I love you, too.”

Lottienat

Lottie and Nat are classic narrative foils. They contrast so sharply with one another, yet in those very contrasts lie hidden similarities that shape their dynamic. Natalie was raised in a trailer park while Lottie was raised in a mansion, but they both grew up lonely and neglected by the people who are supposed to love them. Both of them feel alone and unloved, but where Natalie learns to toughen up and rely solely on herself, Lottie begins to seek connection in something bigger than herself—spirituality and the Wilderness. Natalie is the pragmatist/skeptic while Lottie is the spiritual prophet, but they both want what's best for the group. Lottie and Nat are arguably the two most compassionate, empathetic survivors, but they wield this empathy in different ways (i.e. Lottie offering Travis hope that his brother is alive, Natalie offering support through the grieving process as she guides him towards accepting his brother is dead). Together, they are two halves of a whole, each offering something the other cannot.

Lottie is both Nat's salvation and her undoing. Lottie offers Natalie the hope, purpose, and sense of belonging that she so desperately craves in her lowest moments, but in doing so, she inadvertently sets in motion a chain of events that ultimately leads to Natalie’s emotional and physical destruction. When Natalie is more alone and outcasted than she has ever been in the wilderness after the card draw, Lottie grants her the title of the group’s new leader. With this new title, Nat finally receives the love and appreciation she has always needed, but she also receives the burden of being in charge of (and therefore responsible for the actions of) a group rapidly descending into darkness, only intensifying the guilt and trauma she lives with for the rest of her life. When Natalie is on the verge of suicide, Lottie rescues her and takes her to her wellness community, which leads to Nat discovering self-forgiveness but also places her on the path towards her untimely death.

Their dynamic is defined by Lottie reaching out, trying to hold Natalie, to nurture and protect her, while Natalie fights and resists. The hypnosis/sharing shack scene is so important. It's Nat finally surrendering to Lottie (and all that Lottie represents). It's Nat allowing herself to be held (thinking of the way she lays her head in Lottie's lap, and the way she and Lottie are embracing each other as they dance around the fire), to be vulnerable and receive the love and care she never thought she deserved. It's so tragic that Lottie begins to spiral again just as Nat is beginning to trust her.

There are so many great Lottienat moments: the hint of pre-crash banter in "You don't talk shit unless someone really deserves it", Natalie comforting Lottie in the middle of the night when they sleep in the cabin for the first time, "Did you read that on a fucking fortune cookie?", Lottie always offering Nat her blood, Lottie's "I just want you to be safe", the iconic bathtub truce scene, the coronation scene with Lottie kissing Nat's hand and Nat looking up at her with awe and tears in her eyes, Lottie keeping tabs on Nat over the years to make sure she's okay, kidnapping her before she could kill herself, Natalie regressing to her teen self in the sharing shack as she rests her head on Lottie's lap, Natalie's "I think it's time for you to stop resisting", and Lottie and Nat dancing together around the fire.

One word to describe them: Tension

Their best scene: The bathtub scene

"Good game, you fucking loser."

"You talking shit? You little bitch, you ended up with nil, the same as me. But fine, good game."

Lottielee

So much of Lottie’s life leading up to the plane crash was about shame and self-confinement. Her father made her afraid of her own mind, and she spent much of her youth suppressing herself through medications and a socially acceptable mask. Laura Lee is the first person to accept Lottie as she truly is. She’s the first person to offer Lottie an alternative to her father’s control. Where Lottie has only known repression and self-doubt, Laura Lee provides a safe space where Lottie is believed. Not only does Laura Lee offer Lottie validation—she offers her a sanctuary for expression. She’s not afraid of Lottie’s abilities or her spirituality; she sees it as a part of who Lottie is, something to be embraced rather than suppressed. Lottie’s relationship with Laura Lee is foundational to her entire character; her psyche, her self-identity, her motivations going forward, and her path in life. Laura Lee helps Lottie develop an assertiveness and confidence she had not been able to access before, which in turn allows her to ascend to the extremely influential figure she ends up becoming.

I think so much can be said about the importance of touch in their relationship. Holding each other’s hands to guide each other, embracing each other, placing a hand on the other’s chest and holding it there. Laura Lee provides a gentleness/tenderness in her touch that Lottie has been craving her whole life. The act of placing a hand on the chest is particularly significant. When Laura Lee touches Lottie in this way, it is a moment of emotional anchoring. The chest is where the heart is, where one’s truest self can be felt and expressed. To have someone touch you there with reverence is a profound act of acceptance and recognition. And this is something that stays with Lottie, becoming an integral part of her spiritual practices. When Lottie offers this kind of touch to others, she’s not just comforting them; she’s offering the same acceptance and safety that she first received from Laura Lee. It’s a form of healing, of passing on the love and belief that Laura Lee gave her, a way for Lottie to channel her strength into others and to demonstrate the kind of acceptance she once craved.

Lottielee is about nurturance and sustenance. I love the absolute awe on their faces when they look at each other. In a way, they have faith in and worship each other.

Laura Lee’s death is extremely impactful and devastating to Lottie, so much so that she still sees Laura Lee’s ghost even 25 years later. Echoes of Laura Lee exist in everything Lottie does.

One word to describe them: Acceptance

Their best scene: The lake baptism

"I saw fire— a light."

"That's the holy spirit, you've been touched."

Mistynat

This ship has got to be the most hilarious out of any on the show. On paper, it makes absolutely no sense. Natalie is dark, brooding, cynical, and emotionally guarded to the point of being downright cold in the adult timeline. She has carefully curated an emotional armor; an air of detachment and apathy that she uses to maintain distance from anyone that could possibly become close to her. In contrast, Misty is a perpetual ray of sunshine—a walking bundle of overzealous energy and bubbly optimism wrapped in frilly, vintage-inspired cat sweaters. She's needy, socially unaware, and often acts out of a desperate desire for affection and validation. Their personalities, seemingly at odds, create a rich, almost absurd juxtaposition that makes their interactions fascinating to watch.

At the heart of their relationship is a shared sense of longing. Both Natalie and Misty crave connection and appreciation, but they have no idea how to foster it in healthy, meaningful ways. Both of them have been deeply isolated throughout their lives, though for different reasons. Natalie’s isolation stems from her trauma. She doesn't feel worthy of love and she's afraid of hurting people, so she keeps everyone at arm’s length, often sabotaging any potential for intimacy. Misty, on the other hand, is isolated by her intense neediness and socially awkward tendencies. She becomes overbearing and obsessive, constantly seeking affection in ways that alienate others. This creates such an interesting dynamic when the two are together, as Misty is obsessively pouring all of her loyalty and energy into Nat, while Nat is constantly pushing her away and struggling to maintain a safe distance between them.

While Mistynat is definitely stronger on Misty's end than Nat's, I think you can see the soft spot Nat has for Misty. Nat is begrudgingly charmed by her. Christina Ricci has said that she thinks Natalie was the only one to show any kindness towards Misty growing up, and I couldn't agree more. There are moments when Natalie shows a surprising level of affection and understanding toward Misty, even if it's fleeting or passive. Nat protects Misty from Shauna after Shauna punches her ("It's not her fault! Misty did everything she could!"), she appears genuinely happy to see Misty at the reunion, and the line "We're all like this, aren't we?" is Nat realizing how alike she and Misty are; how they share the same trauma.

It is so heartbreaking that Misty, who saw herself as Nat's greatest protector and most loyal follower, was ultimately the one to kill her. And it will also be so heartbreaking to see Misty's obsession with Nat extend to her wearing Nat's clothing and taking on her persona in Season 3 as a way of remaining close to her. Here's to seeing more of them in the teen timeline this season!

One word to describe them: Unpredictable

Their best scene: Misty snorting Nat’s coke

"Misty! Get off my coke! Oh my god you're possessed!"

Lottieshauna

Lottie is the only one to truly understand and embrace Shauna (even the darkest, most suppressed parts of herself). While she has other close relationships on the show, they all accept only a portion of Shauna (the portion they’re comfortable with, the portion that doesn’t feel dangerous, the portion that Shauna displays to others because she knows it won’t scare them away). Jeff, Jackie, and even Taissa can’t fully comprehend the depth of Shauna’s rage, the thrill she gets from danger, her desperate need to be seen, or the fact that she wants an outlet for the violent impulses she keeps buried. But with Lottie, Shauna can be her full, unfiltered self.

Lottie doesn’t just accept Shauna’s darkness—she encourages it. She doesn’t flinch from the things that would make others recoil. When Shauna is discovered to be talking to Jackie’s corpse in the meat shed, Lottie is the only one to extend empathy and understanding to Shauna. She covers up the piece cut out of Jackie’s arm and gives Shauna Jackie’s necklace because she knows that it’s what Shauna needs. After the death of Shauna’s baby, Lottie risks her life to allow Shauna to take her rage (and her intense grief) out on her. In the adult timeline, Lottie’s goat trust exercise (not sure what else to call it lol) is what makes Shauna realize how she has been keeping the people she loves at arm’s length; and it is what lays the groundwork for true healing. Lottie always understands what Shauna needs.

Shauna initially resists Lottie’s influence, but as the story progresses, you can see her slowly being drawn in to her web. I think there’s something thrilling for Shauna to be seen and accepted for her true self (instead of all of the masks she puts on to be what others want her to be). Their connection is one of shared experience, unspoken understanding, and the potential for something both destructive and healing.

One word to describe them: Cathartic

Their best scene: The beatdown

"Shauna, I know there's a lot of pain right now, but let it out. Shauna, we need you, let it out."

Travnat

There’s only room for one heterosexual ship on this list, and that is undoubtedly going to be Natalie and Travis. Travnat is tragic, toxic, and narratively doomed in all of the best ways. Travis and Natalie are two people who cannot help but destroy themselves and each other. Nat and Travis are birds of a feather, which means they have a deep understanding of each other (an understanding they have never received from anyone else), but it also means they have a mutual capacity for self-destruction.

When Travis lashes out after his father’s death, Natalie sees herself. She recognizes that rage, that despair. It’s something that no one else in the group can fully understand or sympathize with, because they haven’t been through the same kind of loss and alienation. But Natalie does understand, and she is the only one who offers him any kind of empathy or care initially. Even when Travis resists, when he pushes her away, she remains steadfast, because, deep down, she knows exactly what it feels like to be abandoned in your pain, to have no one who understands the depth of your grief. It’s this shared history of suffering that makes their connection so strong, yet so toxic. It’s not just about comfort—it’s about two people who have never been allowed to heal properly, and who are only capable of hurting each other as a result. They have the same coping methods: numbing and distraction (whether that be through drugs, sex, or reckless behavior), which causes them to spiral and relapse into their old habits whenever they reconnect.

Natalie describes Travis as "my best friend, the only person I ever loved, the only person who ever really knew me." There is no denying that these two have a deep love for each other. In their light, playful moments in Season 1, you can see what might have been if they had connected before the plane crash. But now they have gone through so much of the same trauma that there is no way for them to be around each other without reminding each other of their shared pain. Nat is a constant reminder to Travis of the loss of his little brother, and Travis is a constant reminder to Nat of the intense guilt of what she did to survive out there. Despite this, they attempt to take care of each other over the course of 25 years. There’s a tragic dance between them: they push each other away, only to pull each other back in, over and over again. The more they try to heal each other, the more they wound one another, and this constant tug-of-war between love and destruction is what makes their relationship so compelling.

One word to describe them: Trauma-bond

Their best scene: Post-Doomcoming hug

"I'm so sorry, I didn't want to. I fucking love you, Natalie."

Jackienat

On an outward, surface level, Natalie and Jackie are polar opposites. Jackie is the classic queen bee—privileged, popular, and used to being admired. Natalie, on the other hand, is the rebellious outcast, rough around the edges and unwilling to conform. The ‘queen bee’ and the ‘burnout’. The ‘prude’ and the ‘slut’. Jackie cares too much, Natalie doesn’t care enough. But, in actuality, these are the cliche labels that have been placed on them/assigned to them by external sources. These are the false fronts they put on to hide the vulnerability underneath. Nat and Jackie are actually much more similar than either of them would probably care to admit.

At the core of their conflicts is jealousy. Jackie envies Natalie's ability to be carefree and unapologetically herself (you can hear genuine admiration in her compliment to Nat, “I love that you don’t care what anyone else thinks. You are so completely yourself). Jackie, for all her outward confidence, is constantly performing the version of herself that others expect, and she longs for the kind of authenticity that Natalie seems to embody. On the other hand, Natalie is jealous of the life Jackie represents—privilege, stability, being adored without having to fight for it. But they’re both deeply insecure in ways that mirror each other. Jackie isn’t as effortlessly perfect as everyone believes, and Natalie isn’t as indifferent as she pretends to be. They are both trapped by expectations, and neither of them truly feels like they belong.

If circumstances had been different, I think they would have actually been very close. Their humor is actually similar—sharp, a little sarcastic, but often disarming. They’re both sarcastic, raspy-voiced little shits and I would have loved to see them play off of each other a little more. My personal headcanon for these two is that they actually used to be very close friends when they were little but grew apart in middle school/high school due to societal expectations. Maybe Jackie used to be more carefree before she learned she had to be perfect, and maybe Natalie used to be softer before she learned no one would protect her. There was no huge falling out, they were just gradually pulled apart over time, placed into their respective roles, and now there’s a part of both of them that quietly misses the other but also feels like the version of themselves that once connected with each other is gone. They just don’t understand each other anymore.

And Nat being the one to lay Jackie’s bones to rest? Rejecting Travis’ offer to come with her so that she could have a moment alone with Jackie to pay her respects, release her jealousy, and apologize? Nat being the one to take Jackie’s position of leadership in the group (the queen bee) after she’s gone? Tragic.

They are the perfect enemies to lovers trope (or, in my opinion, friends to enemies to lovers) that unfortunately will never come to fruition.

One word to describe them: Jealousy

Their best scene: Nat apologizes to Jackie's bones

"You're lucky, you know? I think shit is going to get a lot worse out here. But you're already dead so, way to make everyone jealous of you one last time. I'm sorry, for what we did. Who knows, maybe you could be the reason we survive the winter, so thanks. Rest in peace, Jackie."

—

And if you’re interested, the most-written romantic pairings on ao3 at the time of making this post are as follows: Shauna Shipman/Jackie Taylor (1,564 works), Lottie Matthews/Natalie Scatorccio (1,202 works), Van Palmer/Taissa Turner (1,019 works), Laura Lee/Lottie Matthews (396 works), Misty Quigley/Natalie Scatorccio (258 works), Natalie Scatorccio/Jackie Taylor (185 works), Lottie Matthews/Shauna Shipman (182 works), and Travis Martinez/Natalie Scatorccio (120 works).

[arcanegifs]

[alexturntable]

Sexiest F1 drivers according to People Magazine

[casscainmainly]

In my opinion Duke and Alfred should hate each other. Duke should not be so okay with Alfred manipulating him and his friends into We Are Robin, particularly after Troy dies (and Alfred's weird white saviour-y guilt that vanishes pretty quickly). If Alfred ever found out the role Duke played in Bruce getting over his amnesia, he should be all the way pissed. I also think Alfred never wanted Duke to actually be in the Batfam. In this essay I will-

[basil76]

!! 🚨🛑 Stop for a moment and don't miss it

I am Basil Inshasi, married and a father of nine children from the Gaza Strip. I am 48 years old and now I live in a tent in very difficult conditions, my wife, my children and I. I used to live happily with my wife and children in our beautiful home 🌹 until October 7 came and the war on Gaza began 💔

https://gofund.me/e2cbb108

@ibtisam @riding-with-the-wild-hunt @vakarians-babe @7amaspayrollmanager @fairuzfakhira @fallahsart @sayruq @humanvoreture @kaapstadgirly @sar-soor @dimonds456-art @plomegranate @commissions4aid-international @nabulsi @stil-macher @soon-palestine @communitythings @palestinegenocide @vakarians-babe @ghost-and-a-half @7amaspayrollmanager @kaapstadgirly @annoyingloudmicrowavecultist @feluka @marnota @toughknit @flower-tea-fairies @the-stray-liger @riding-with-the-wild-hunt @vivisection-gf @communistchameleon @troythecatfish @the-bastard-king @4ft10tvlandfangirl

[watermelonlovershigh]

can we have some smut that sort of focuses on the bulge 😵‍💫😵‍💫😵‍💫 like y/n sort of admiring it clothed and just being so into that

5 Times You've Obsessed Over Harry's Bulge (SMUT)

AN: I had too many ideas for this concept so i decided to turn this into one of my numbered fics. where i give several different scenarios. hope that's alright. don't forget to leave me your feedback and enjoy. xoxo

This contains: implications of sex, dirty talk, fluff, mild angst, jealousy, dry humping

{ husband!harry - softrry - au!harry (aka not famous in this) }

word count- 1,989

Five different scenarios where you admire and love on Harry's bulge.

There is an undeniable attraction to Harry's bulge that captivates your attention. Regardless of whether he's dressed in jeans, sweatpants, shorts, or underwear, his bulge is striking and turns you on. It's not solely the moments when his hard dick is evident beneath his clothing that draw you in; even in a relaxed state, he's so big that a subtle outline is noticeable between his legs if one chooses to observe. But note that your admiration for Harry's bulge is entirely positive and respectful. Being married, you appreciate how much he enjoys your liking to that part of him, and it brings him joy to know that you cherish something in which he exclusively shares with you.

Here's some of the instances when you gawk and drool over Harry's bulge (hard or not hard):

1.) Harry has just stepped out of the shower, and you're in bed, patiently waiting for him to join you for the night. You can hear him moving around in the bathroom, likely drying off and brushing his teeth. Moments later, he swings the bathroom door open in only his briefs, letting out a rush of humid air, and makes his way into the bedroom after turning the bathroom lights off.

Before he can walk to his side of the bed, you mutter, "Nu-hu."

Harry stops to look at you suspiciously. "What?"

You gesture for him to approach you with your index finger, and Harry complies. He walks up to your side of the bed, per your request. At this point, his lower body aligns with the height of the bed, bringing his bulge almost directly in front of you. You can tell he isn't hard just from recognizing what his relaxed appendage looks like. However, the considerable size of him creates a pronounced outline in his boxer briefs.

You look down between his legs and shift closer to the edge of the bed, leaning in to place a gentle kiss directly on his bulge. Harry lets out a soft moan. "Baby, mhm. What'r you doin'?"

Smiling up at your husband, you reply, "Giving little Harry a kiss goodnight."

Harry tilts his head back and laughs heartily. "Oh, little Harry is gonna offer you much more than just a goodnight kiss in return." He climbs onto the bed, positioning himself over your body, and it's evident that the soft bulge that was previously concealed in his underwear has become firm and is now nestled between your legs.

2.) As you're lounging on the couch, Harry burst through the door, breathless and slick with sweat from his morning run around the neighborhood. You can't help but to drool over his appearance. His hair is secured in a small claw clip on the top of his head, and his skin is shimmering with a sun-kissed hue. He has a way of looking exceptionally good after a workout. Especially when his bare, yet tattooed chest is visible. As well as the defined bulge between his legs that's quite eye-catching.

Standing up from the sofa, you make your way over to where Harry's kicking his running shoes off and wrap your arms around him in a hug. Giggling, Harry speaks, "Baby, m' all sweaty and probably stink."

Still latched on to him in a hug, you reply, "Don't care. You're so hot after a run."

Harry now becomes cocky, loving the way you're speaking about him. "Yeah? Does it turn you on?"

You give a slight nod and let one of your hands glide down, carefully cupping his bulge through his tight running shorts. Harry almost falls, his knees nearly collapsing. Fortunately, you're there to steady him in your hold.

As you feel his bulge begin to grow in your hand, you kneel and carefully pull down his shorts, offering him a blowjob right in the foyer of your house. The slight taste of sweat introduces an additional flavor, but you proceed with the same eagerness as always.

Harry feels honored to have a wife who finds him so appealing that you'll engage in such activities after his exercise, a sentiment not many people would consider doing.

3.) You're on a short road trip. Harry has arranged a delightful surprise: a weekend escape to a charming Airbnb cabin located in the woods. As he drives, you sit comfortably in the passenger seat, with the soothing sounds of Fleetwood Mac playing gently in the background.

With the windy roads and calm scenery, Harry can't help but let his mind wander to you and how much he loves you. How special you are to him. How he can't wait to make love to you in front of the cozy fireplace at the cabin that awaits you both.

Deep in his thoughts, it takes Harry a few minutes to realize his cock was hardening up in his jeans. He didn't mean to get hard while driving, it just sort of happened. But that's what tends to happen anytime he starts daydreaming about you. He chalks it up to being a love boner.

For a while, Harry sits in his seat uncomfortably, occasionally shifting to adjust himself. After the tenth time of moving in his seat, you begin to notice and question, "You alright, babe? Gotta pee or something?"

Trying to play it off, Harry lies, "Nope, m' fine. All good." That's when you take a closer look and notice the bulge between his legs.

"Harry, you're hard. What's got you so worked up while you're driving?"

Embarrassed, he admits, "Fine, was thinkin' about you and how much I love you and all the things I wanna do to you at the cabin. Didn't mean to get hard."

With a softer tone, you reply, "Yeah, that's so sweet of you, baby." Harry thinks the moment is over, but he's caught off guard when he feels your hand move across the center console to grasp him over his jeans. He tilts his head back, moaning softly, as you continue to rub your palm over his bulge, aiming to make him jizz in his pants. Ultimately, he finds it necessary to pull over, as his foot on the gas pedal begins to tremble, and he wishes to avoid any danger of crashing.

4.) It was the middle of July when you and Harry decide to enjoy a day at the beach. You're wearing your black bikini, and Harry's sporting his tight yellow swim trunks. You spend most of your time lying on your beach towel, attempting to tan, while Harry lays next to you for a short period before opting to take a swim.

He instructs you to sit up and watch him, reminiscent of a young child, and you find it quite endearing. Harry ventures a few feet into the water as the waves collide with his tattooed chest, and you notice him waving at you with his sun-kissed arms.

Moments later, Harry emerges from the salty sea, and you observe closely as he approaches your designated area on the beach. You notice several beachgoers directing their attention towards him, and you even hear a man whistle as your husband walks by. This fires up a hint of jealousy within you, yet you find solace in the fact that he'll be in your bed tonight, not theirs.

As Harry stands before you, water cascading down his body, the reason for the attention he's receiving becomes evident. While it's a known fact that he's generally considered an attractive man, it's the unmistakable outline of his cock that's visible through his wet swim shorts that's captured the gaze of onlookers. You're aware that Harry usually exhibited some form of a bulge, but the thin fabric of his swimwear, now soaked, leaves little to the imagination.

While you admire the view, you're less than pleased that everyone else on the beach is enjoying the same sight. You tug at Harry's hand, urging him to take a seat beside you on his towel. "Ouch! What was that for?"

Turning your head to face him, you whisper, "Your swim trunks, Harry."

Confused, Harry asks, "What about them?"

With a sigh of frustration, you express, "You can see everything in those shorts. They fit snugly around your hips and they're thin and wet. The outline of your dick is clearly visible. Your bulge is very defined right now."

"Thought you liked my bulge?" Harry speaks with a cheeky smile.

"Harry, you know I do but I don't want the whole beach to see it too."

With a more serious tone, Harry conveys, "M'love, I could be fully unclothed, wanderin' this beach, and let me assure you: you are the only one who has the right to touch my body. You're the only one who truly sees me, both outwardly and inwardly. Not anyone else."

Smiling back, you retort, "So, does that mean I could walk around naked too and....."

Before you even get a chance to finish, Harry cuts you off. "Nope, absolutely not. Not a chance I'll let anyone see you naked. That's for my eyes only."

5.) What started out as a cozy cuddle on the couch while watching a movie, quickly develops into a heated make-out session. The idea that making out is only for teenagers and not for married couples is fundamentally incorrect. You and Harry love making out with one another.

You're situated over Harry, who's lying along the length of the sofa. He's wearing only his underwear, as the plan was to head to bed right after the movie. You, in contrast, are dressed in just a pair of panties and an oversized t-shirt.

As the kisses get more and more heated, the more you can feel Harry growing between your legs. Your cunt is aligned directly over his erect cock, resulting in fabulous pressure against your clothed clit. So what do you choose to do? You begin to grind down over the prominent bulge in his briefs.

"Oh, fuck, baby!" Harry groans between kisses.

Lowering your mouth along the scruffy surface of his face, you notice your breathing becoming more intense. "Feels so good, Harry. Your bulge is so big and hard between my legs." You continue to move your hips, appreciating the way his clothed cock presses against your clit as you continue to dry hump his bulge. Your wet patch now seeping through your panties and onto the front of his own underwear.

At first, Harry considers stopping you, thinking to suggest that you just pull him out of his briefs and actually fuck yourself on his dick. However, he becomes captivated with the way you're lost in your own pleasure, moving against him so freely. Therefore, he opts to relax and let you take the lead, letting you do as you please.

After about three minutes of dry humping his enlarged bulge, you pant out in his warm neck, "I'm gonna come, H."

"Shh, it's okay, baby. Come f'me. Come over m'cock. Know it feels so good on your little clit doesn't it?" He strokes your back in a soothing manner and starts to elevate his hips in rhythm with your movements, which have slightly faltered. The extra pressure from his upward grinding pushes you to your peak. You tremble and shake over top of him.

Harry makes a sincere effort to hold back his own orgasm, intending to wait until you've finished and then allow you to get him off in a different way. He's always found the experience of coming in his underwear to be quite an unpleasant feeling, particularly due to the messy cleanup that follows. However, he ultimately can't hold back. As soon as he feels your pussy fluttering over his bulge, he succumbs to his orgasm, resulting in his cum coating the inside fabric of his briefs and pubic hair.

When you both finally calm down, you allow your body to relax over his and say, "God, do I love your bulge. Felt so good."

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(if you want to be apart of my new tag list, let me know right here !! )

taglist: @swiftmendeshoran // @walkingintheheartbreaksatellite // @hsonlyangelxo // @lunabai // @ppleasingg // @harryscherrysugar // @devilsqueen722

My Masterlist Masterpost

[uesp]

List of Elder Scrolls games that allow you to commit bank fraud as a game feature

The Elder Scrolls II: Daggerfall

[laurrelise]

the bit in s1e10 where five says “ok i have an idea for us to not die in this apocalypse, but you guys have to trust me” and the brothers all go “eh… yeah no” is simultaneously funny and sad because oh lord could you IMAGINE

picture this: you spend 40 years in an apocalyptic wasteland with the single goal of getting back to save your siblings from dying when the world ends just to fail

and then you start to panic because you and your siblings are about to die a horrible death and there’s nothing you can do to stop it, but you desperately cling onto a shot-in-the-dark plan to save them because it’s accompanied by a sliver of hope, and then ask if they trust you to try it and they WITHOUT HESITATION go “absolutely tf not”