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#pai writes
paimaniagalaxia · 6 months
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FNAF AU- Clean Up Time
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Ship: Springtrap x Self insert
Word count: 785
Summary: The after math of the events of FNAF 1, where a clean up crew is hired by Henry Emily to help refurbish and confiscate the animatronics.
Paige is apart of that clean up crew and decides to leave the rest of her crew mates to finish the job, all the while exploring the rest of the pizzaria. Only to end up in parts and services, to find the one and only William Afton. AKA, Springtrap.
CHAPTER TWO
Help… Never think I would get it for myself. Being trapped in this hellhole for so long, never to seek salvation. But here she was, aiding me and repairing me. I… I never thought I would get another chance at life. But here she was.
That very help.
But would she know who I was? Now that was the big question. If she did KNEW, then that’ll be the end of this budding relationship.
Child murderer, family killer, those aren’t green flags.
Best to play dumb, but not that dumb…
~
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“So… Thirty-one years… Didn’t think an animatronic would be stuck in here.” Paige spoke up, breaking the silence between them. As she never recognized who Springtrap was. So that was a sign.
Springtrap tilts his head as he allows Paige to re-tighten its joints. It could feel its arm move. So it starts to lift its arm up and down, showing that Paige did a good job. “Thank you… Tell me, did your employer tell you anything else…? W-Why are you here?” Springtrap asks.
“Just to clean up the Pizzeria and take back the animatronics to my boss.” Paige answers back. But she could feel another question coming.
“Just who’s your boss?”
“Henry Emily…”
Now that name was familiar, way too familiar. How was he still alive?! Springtrap was perplexed as it didn’t like this man. The very man who drove it mad. Springtrap let out a grunt of annoyance.
“Henry… Not a very good man.”
“How do you know…?” Paige asks.
Springtrap freezes, as it didn’t mean to drop that tidbit of information. It huffs as it turns its head to the side.
“He… He wasn’t a good man to be around. Always berating us.”
“That’s not very nice…” Paige comments back as she goes down to Springtrap’s legs to tighten the bolts.
“No. He’s not…” Springtrap remarks back.
Springtrap thinks back as it needed to know why Henry was wanting to clean the pizzeria and take away the main four with him. That didn’t seem right, why care about an old location now? This place would be burnt down if it was in charge. To get rid of the terrible memories that lingered on this place. The mistakes that it made, and put it behind Springtrap.
“Would it be possible for me to speak to him?” It asked.
“Eh?” Paige looks confused.
“Can I speak to him…?” Springtrap asks again.
“I don’t know… I don’t think he would be too happy to speak to you.”
“And how would that be an issue?” Springtrap asks again.
“I… I don’t know. Anything that I’ve asked about his past, he shuts me down.” Springtrap hums before it sees Paige finishes working on it, and slowly starts to push itself up. It grunts as it presses its digits against the wall, huffing and coughing till it was on both of its feet.
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“He isn’t good at moving on… Is he?” Springtrap asks.
“No he isn’t…” Paige shakes her head and looks at the door before looking back at Springtrap.
“This might be personal… But pronouns?” She asks.
Springtrap shook its head and looked away. It never felt that it was a ‘he’ anymore. Since becoming who it was.
“It, its…? I don’t consider myself for either masculine or feminine  pronouns…”
“She, they…” Paige answers back.
“Oh.” Springtrap blinks astonished before jerking up to hear screaming and yelling from the otherside of the door.
“Oh shit…”
Paige shakes her head as she stands up to hear heavy metal and bones crunching, muffled from the other side of the door. It made her cringe and hold her arm. Giving a disgusted look.
“What’s going on…? Springtrap?”
“Them.” Springtrap answers sternly.
“Who’s th--” Paige was interrupted as she felt her mouth get covered by Springtrap’s servo. Being held close to its body, being told to keep quiet.
STOMP STOMP STOMP
There were creaking and old parts moving. A low humming noise could be heard. That someone was at the door. As there was a heavy scrapping at the door, like nails on a chalkboard.
Paige had a wide eye look of fear, of who could be on the other side of that door? But she didn’t want to find out, as someone else caught its attention. 
A hiss could be heard before it tramples away to follow the new sounds.
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“T-Them?” Paige asks between Springtrap’s fingers.
“Them…” Springtrap remarks back.
The animatronics were on the loose, and one by one-- The crew that Paige came with, were being slaughtered one by one. That soon it’ll be only them. Only them with four killer animatronics that would be out to get them soon enough.
Just two vs four… Not good odds.
[END OF CHAPTER TWO]
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inkskinned · 1 year
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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anneapocalypse · 2 years
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Hey you know what's super funny about the idea of "good bi rep"?
For a character to be canonically bi you have to make sure and establish that they're attracted to multiple genders. Not all mediums allow you to get inside every character's head or show what they're thinking. Flirting can be read ambiguously, and god forbid they flirt with a character who's not into them and be read as pushy or predatory. So it can be super handy to just mention an ex or two! But you better not mention too many exes because that would make them a slutty bisexual which is (checks notes) bad, and you definitely better be careful about making them poly, because that might make them, uh... greedy. Oh, and those exes? They better be perfectly amiable breakups with no conflict or drama, because it's bad to represent queer people in toxic or abusive relationships (especially queer women! very bad), and you definitely can't have them have lost a partner if the partner was queer because that's "bury your gays..." You should probably also eliminate all trauma from their backstory, just to be safe. You should probably also make sure they're not involved in crime, deception, or anything of the sort, because that would make them "deviant" and a stereotype.
But don't worry! Once you've carefully crafted your nice, monogamous, experienced-but-not-too-experienced Lawful Good bi character, you will be rewarded with your audience deeming them "boring" and quickly passing them over for other characters. :)
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the-raindeer-king · 3 months
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Simon and Price are the kind of guys that insist on paying for everything on a vacation. They're paying for the hotel, the rental car, food, any stupid knickknacks you want. If you even pull out your wallet, they're going to be all huffy. John will politely tell you not to worry about, he's got you covered. On the hand, Simon's taking your wallet from you, telling you that you don't need to spend your money, you've got him for that.
Johnny and Kyle don't mind splitting things with you. You pay for the hotel, he'll pay for the flights, dividing out the expenses so you've both got money for the actual trip. Johnny gets all lovey-dovey when you buy him things, jokes that you're spoiling him. But don't fret, he'll get you back later. Gaz gets all warm and fuzzy when you pay for dinner, staring at you with a lovestruck expression. He thinks it's so sweet, and it's just one more push towards finally pulling the ring out of his pocket.
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lovealwayssay · 4 months
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I would pay an ungodly amount of money for a Supernatural finale where Dean rescues Cas from the Empty and tells him he loves him too, Eileen comes back to be with Sam, and Jack chooses to live with the four of them in the bunker as a happy family.
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bi-writes · 5 months
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you're cooking when you notice him. you finish dicing the onion on your cutting board, and when you look up, you smile when you see the looming shadow that takes up the space behind your curtains. (mercenary!ghost x fem!reader, 18+)
"hi, spooky skeleton," you giggle, turning around and dropping the onions into the pot. the sizzle warms your apartment, and when you turn back around, you smile wider when he's come out from the shadows, closer, already on the other side of the kitchen island and only a few steps away from you.
he's geared up. vest thick and heavy strapped to his chest, the hood of his rain jacket over his head to further conceal the skull mask he wears. he stands tall, back straight and eyes narrowed, what little you could see of them. you put the cutting board down, twirling the kitchen knife you hold in your hand before holding it out in front of you, putting the sharp tip against the center of his chest.
"slow down there, big boy," you coo. "did you do as i told you?"
he snarls a bit before fishing a phone out of his pocket, tossing it onto the counter. you look down at it, watching the video playing. it's your mark, slobbering in tears, begging for his life. he pleads, holds up his hands, shakes his head, says that he's sorry in every language he knows until there's a satisfying hole in the middle of his forehead, a lone trail of blood making its way down his face. you think it looks like he's crying tears of blood. it's oddly poetic.
you look back at him, meeting his dark eyes, and you draw your hand back, setting the knife down. with your other hand, you drag your knuckles down the side of his masked face, puckering your lips and blowing him a dramatic kiss.
"such a proficient one, you are," you murmur. "what is that? third one this week?"
"want m'prize," he growls, and you step closer hooking your fingers into the collar of his vest and blowing him another kiss. then, you reach for the kitchen drawer next to you and pull it, taking out a thick envelope and handing it to him.
"you're making them very happy, ghost," you tap the plastic of the skull, giggling. "they like you a lot. got time for another?"
he clicks his tongue, tilting his head to the side, and you squeak when he reaches down and grips both sides of your ass with two big hands. you laugh, but it turns into a breathless moan when those hands slip under your skirt and tug at the lace of your panties.
"i want the real prize, want wot 'm owed," ghost says lowly. you stand up on your toes, pressing your mouth to his over his mask. you let your hands fall, pressing on the backs of his hands, encouraging him to slip a few fingers under the lace and prod the entrance of your sticky cunt.
"you want it, baby?" you whimper. "do you?"
"yes--" you feel him bite from under the mask, and you stick your tongue out, licking over the line of his bottom lip, your pride swelling when you feel how shaky he breathes as you tease him. "give it t' me--"
there it is. now i have you.
"well..." you press your pelvis to his, rocking against his fingers, and he hisses when he feels the way you soak the fabric of his gloves. he wants to eat it, he wants to have you, he wants what he was promised. "gotta do somethin' for me first, ghost. gotta job for you. can't pay you for it though, not the way you like."
you think you see him smile under the mask, the corners of his eyes crinkling as if he likes what he hears. as if he knows what it is you will give him if he just does as you say.
"y'know wot it is tha' i want, don't you, swee'eart?"
yes, you think, and you respond by giving the front of his mask a kiss, one you think he reciprocates by the way he cradles the back of your head.
i know what it is that you want because...i want it, too.
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courtmartialme · 1 month
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chimera riza !! i didn't have any specific animal in mind when making her i just wanted to make her a creatura
AU where at some point riza is deadly injured and the military save her, they learn about her tattoo and try to extract something from it but it's useless because of the burns, so they use her for chimera experiments and declare her dead to the public :^) royai only get to meet again after years of roy believing his precious subordinate was dead~
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Overindulgent father Astarion who tells his children they’re allergic to any kind of jewellery that isn’t made of the highest grade Dwarven crafted gold. 
It’s not even because Astarion might have a certain aversion to silver, no, he just raises his children to have standards, thank you very much. 
And it doesn’t end with shiny things, oh no… 
The Ancunín brood is known to be dressed in perfectly woven cotton, silk and soft leather clothes, no matter the occasion.
They’re seen playing with expensive toys, reading artfully illustrated books that certainly belong behind thick glass, not in children’s sticky hands. 
There’s even talk that one of the children is not as naturally inclined to music as his parents claim him to be, surely his lyre must be enchanted—the instrument certainly looks extravagant enough! 
And then there’s always this air of effortless haughtiness surrounding the Ancunín children whenever their nannies and servants are parading them through town as if they were perfect little dolls; objects to show off the wealth their parents acquired in quite the mysterious ways. 
So, it’s no secret that Astarion and Tav are pampering their children—some might say they’re even spoiling them rotten. 
And maybe they are, especially Astarion.
But he doesn’t see why he should raise them any other way, nor does he want to.  
When it comes to his children, Astarion has his own standards, and as long as Tav agrees with him nothing really matters. 
Because, these people, they don’t know anything about the Ancuníns. 
They don’t know that it’s not unusual for Astarion to wash out dirt and mud and strawberry stains from comically small finery, leaving behind only the memories of a day spent playing in the garden, chasing after ducks, picking flowers, lazing in the sun…
That any holes and tears the children’s clothes might suffer are quickly mended, making them look as good as new in no time. 
Nor do they know that Astarion doesn’t mind fashioning a brand new dress to match that of a favourite doll, either. Or to embroider a pretty vest with the likeness of that stray cat the children seem to adore, although their father would rather they don’t touch the mangy animal. 
No, those people know nothing at all...
“Not tired!” Astarion’s youngest cries; the vehement denial of her father’s earlier accusation is cut short by a telltale yawn.
The room still smells of fragrant lavender oil and peaches even when the bath water has already grown tepid, just one or two degrees above what Astarion would consider too cold to be enjoyable. 
Amused, he raises an eyebrow at the protesting toddler before he lifts her out of the copper bathtub with little effort. 
By now, he knows every step of this game.
“Tut-tut, my dear child, what did mama and I say?” Astarion kneels, quickly wrapping a soft towel around the child to keep her warm. “We only tell lies outside of this house.”
Unfazed by her father’s gentle scolding, the girl crosses her arms that haven’t yet lost their puppy fat across her chest, reminding Astarion a little too much of a very displeased Tav. 
Suppressing a sigh, he leans back to consider the pouting child, wondering what could possibly be upsetting her this time—the list is growing longer by the day, after all. 
“What’s the matter, dear?” Astarion asks gently, hoping it’s something easily fixable as it’s growing rather late. 
“Want apple!”
Decades ago, Astarion might’ve rolled his eyes—he knows exactly which stupid apple the child wants, it’s been haunting him all day—but once he started to treat his children’s problems as if they were his own, his life has grown somewhat easier. 
“Why, let’s get an apple on our way to bed, then. Would that be alright, Your Highness?” 
The girl promptly nods her head, allowing Astarion to pat her hair dry before dressing her in a clean night dress. 
She rests her cheek against her father’s shoulder as he carries her first to the kitchen to grab a fragrant apple and a knife, then to her bedroom where they settle on the cosy window seat, just like they do every night.
Soft moonlight is pouring through the windows; the child giggles at the way the knife’s blade is catching the silver light as Astarion peels and cuts the apple into even pieces.
“Here you go,” he finally says, giving the slice of apple one last examining look before surrendering it to the impatient little hands reaching for it. “A sweet treat for my little sweet. Doesn’t it taste so much better when we don’t eat it off the floor, darling?” And when it’s not crawling with ants…
The appeased toddler nibbles at the juicy fruit as Astarion carefully combs through her still-damp curls. 
Her hair’s getting long, he notices, knowing that taking care of it will become more time-consuming each day. 
Once, Astarion would’ve thought this task tedious, brushing out hair that’s not his own, oiling and braiding it for no other reason than knowing his children enjoy him doing it. 
But that’s why he loves doing it in the first place, he supposes.
Astarion can tell by his toddler’s heartbeat that sleep is about to claim her. 
The half-eaten slice of apple is still clutched in her little fist as he cradles the child to his chest, slowly rising from the window seat to put her to bed. 
He’s just about to lay the child down that the fruit drops to the floor, his daughter’s tiny hand clutching at his shirt instead.
“Thank you, papa,” she mumbles, more asleep than awake.
Astarion pauses.
He breathes in the clean, yet unique scent of the little girl that is forever engraved in his brain, the same way he knows under which exact constellation she was born. When she took her first steps, what her first word was. Soon, he will have to memorise her favourite colour, and what she likes to eat when dirty apples won’t be that appealing anymore. 
By now, Astarion knows this game by heart, knows that with every year that passes, he has something new to learn about his children.
And sometimes he wonders what it’s like to grow up with clean bed sheets and full bellies. Sleep filled with naught but warmth and happy memories. Ever open doors and tears that are dried by tender kisses. Living in a house where mistakes and anger are welcomed, safe. 
He wonders what it’s like for his children to know that their father’s love comes without conditions. Not now and not ever. 
Sitting down on the bed, Astarion holds his youngest a little closer to his chest, unwilling to let go of her, yet. 
He’s often accused of spoiling his children when most people can only just grasp the very surface of his love for them, the bare minimum of what he feels for his one and only, precious family. 
These baseless accusations are as unimportant to Astarion as the people voicing them.
He’s raising his children to have standards, wants them to take their father’s love for granted, to accept nothing less but pure devotion.
It’s the only way Astarion knows how to love them, the only way that comes most naturally to him. 
Astarion looks down at his little girl, now fast asleep, a gentle smile tugging at her lips. 
After all these years—all these children—he’s still in awe watching them sleep in his arms as if no harm in the world could ever befall them.
And it won’t—not if Astarion can help it. 
“No, thank you, my heart,” he whispers, pressing a kiss against the crown of the toddler’s head. 
When it comes to his children, Astarion holds himself to the highest standard.
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evilminji · 6 months
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Okay... we KNOW that Justice League Dark is actually Competent at their Jobs.
Can banish most Spooks back home with out pausing to look up from their sandwich.
But you know what they HAVEN'T done? Dealt with the fuckin American Government. And all the complexe back-stabbery and "not my depart"ing that entails. The covering of asses and silencing of whistle blowers. Smearing of character. Just... the general BULLSHIT, legal and political, necessary to get those Ecto Acts consigned to the Depths of Hell where they belong.
Amity? Is fine.
Big ol Lair. Nothing nefarious getting in, few people ever bothering to go out. But like... they'd kind like THE OPTION, you know? Kids going to elite colleges. Jobs in other cities. That sorta thing! Maybe even new blood!
Stagnation feels too... Zone.
But they can't exactly FORCE the guys to focus on this one thing. And? They don't exactly... trust? Them? It's not personal. They're just not ghosts. Well, one is. But you can't ask ONE hero to handle all of that by himself! That's just unreasonable! Mr. Brand, while dashing and accomplished, has only so many hours in the day!
But what do DO???
...........well.......... Youngblood has an idea?
What if we annoyed them?
(How bout now? How bout now? How bout now? How bout now? How bout no-?)
Ooooooh~? Says the collectively gathered Ghost Regulars of Amity. Yes, that INCLUDES DANNY. They are INTRIGUED! Ghosts DO enjoy a good haunting. A light bit of Mischief, now and then. Some troublemaking! If you will~
I mean... Muses the resident Stick in the Mud, Phantom. As long as we all agree to some Ground Rules first...
Just until the finally Do Their JOBS, of course.....
The giggling is both bone chilling and filled with plotting. And so! The campaign of ghostly Minor To Moderate Inconveniences, begins! THINK FAST! *appears before Constantine, drops a LITERAL kid in his lap (as in a baby goat), in a "careful, I'm anxious!" Vest, then disappears.* The goat? Starts trying to eat his shirt. And is non magical.
It's the fifth random but slightly difficult to get rid off object or animal, dumped on him in the last two weeks. All juuuuust barely past that threshold where they're precious enough, he wouldn't feel comfortable handing um to some rando and walking away. GDI.
@the-witchhunter @hypewinter @hdgnj @spidori @babbling-babull @lolottes @mutable-manifestation @nerdpoe
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shaylogic · 8 days
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Cat King: I know my kingdom better than you. I'm proud of my duties towards my citizens. I hold responsibilities that are very impressive.
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Edwin: You've forgotten yourself in your own lack of self-awareness and self-worth -- exactly proving my point.
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starcurtain · 2 months
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Fact Checking Some Myths About Aventurine and the IPC
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Especially in light of Jade's new myriad celestia trailer and the reveal of the other Stonehearts, I've seen a ton of wild claims about Aventurine--particularly how he's an unwilling member of the Stonehearts and needs to be saved from the IPC--that just aren't sitting right with me because they're based significantly more on the fanon take that Aventurine is an "innocent victim" than any actual evidence displayed in the game. So I wanted to take the time to collect some in-game evidence to see if we can sort out what Aventurine's actual relationship to the IPC is. Time to do some fact checking--this is a long one, buckle up!
Claim #1: Aventurine was sentenced to die by the IPC.
Verdict: There's no actual evidence that Aventurine was ever sentenced to anything.
This entire idea that Aventurine was actually successfully sentenced to die by the IPC comes from two pieces of "evidence" in the game. First, the scene with Dr. Ratio where those words are stated:
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Leaving aside whether the IPC legally has the right to sentence anyone to anything by themselves (they're a corporation, not an actual governing body), this is the exact line that Dr. Ratio fans have been bending over backward to prove is "just an act" and that Ratio would never actually mean this (because if he actually meant this, it would make him pretty racist). So if we've already busted our asses to prove this line isn't true and was just Ratio and Aventurine acting... why would we be using this line as evidence that Aventurine was actually sentenced to anything?
We can't say "This entire scene was an act because Sunday/the Family was listening in!" and then go "Okay, but this one part is definitely true (despite there not being any other evidence in game to corroborate the statement)." Either this scene is acting, and this line isn't true--or the line is true, and Ratio's kind of a racist. Make up your minds, people. 😂
Actually, I can help make up your mind. We can prove that this line is likely a strong part of Aventurine and Ratio's deliberate act because Ratio's comment (which took place in 2.0) doesn't actually make any sense once Aventurine's story is fully revealed (in 2.1).
Ratio relates Aventurine's slave brand to the IPC, suggesting that the brand is proof that Aventurine is "doomed" and "sentenced to die by the IPC." Ratio even goes so far to say "Or was it from the Amber Lord himself?"
But from 2.1, we know that Aventurine's brand had nothing to do with the IPC, and his former slave owner was definitely not an IPC employee (as he refers to the IPC the same as Aventurine's sister did, "the guys in black").
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Aventurine's brand came from being owned by a non-IPC-affiliated slaver--it had nothing to do with the Stonehearts or even Oswaldo Schneider.
So Ratio's entire comment linking the brand to the IPC makes no sense, and therefore his statement that the brand marks Aventurine as a "doomed Sigonian thrall sentenced to die by the IPC" also makes no sense.
Instead, I would argue that this line is a perfect example of the kind of exaggerated acting that Ratio and Aventurine were doing specifically to make the eavesdropping Family see Aventurine as an easy target. With this line, Ratio is emphasizing that Aventurine is a sitting duck without his Cornerstone, that he'll be weak and helpless--and that no one in the IPC will come help him, because they've already sentenced him to die. This is Ratio deliberately baiting Sunday into thinking that Aventurine will be easy, isolated prey without his Cornerstone--which is exactly what Aventurine wanted Sunday to think.
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This line, which comes from a scene that we've already established is a deliberate act to mislead someone, cannot be used as evidence of Aventurine's real situation within the IPC.
"But then what about the trial scene with Jade?!" I already hear people saying. "Aventurine was definitely going to be sentenced to death!"
I'm not arguing that death wasn't a possible option for Kakavasha initially; it's clear that committing severe enough crimes can earn you the death penalty in Star Rail's universe. But I think we need to take another good look at this scene and see what really happened here.
First, we need to clarify that this scene with Jade was not an actual trial. The scene begins with a broadcast which clarifies that the suspect in the "Egyhazo-Aventurine Fraud Case" was just caught, and the IPC are conducting investigations into the "motive of the suspect."
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So Jade's scene with Aventurine is not an actual trial (I mean... Jade's not even legally a judge!); it's an investigation with the goal of determining why Kakavasha would have tried to scam the Intelligentsia Guild and IPC at Egyhazo.
We can confirm that this scene with Jade is not an actual trial because she is even says "We haven't been able to find you any defense [lawyer], so you perhaps will have to defend yourself."
To which Aventurine responds that he easily could defend himself from the charges--but that it's pointless to do so. Why? Because he never intends to get to a trial in the first place.
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He's there to gamble with Diamond (who he asks to see right on the spot, indicating that he's done his research in advance and knows who the head honcho he needs to talk to is). Instead, Jade says that he'll have to gamble with her, to which he agrees, and lays down his terms.
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(He even says "I bet you won't send me to the gallows." We know that Kakavasha always wins his bets--he bet she won't send him off to a trial to be executed, and he once again won his bet!)
Jade, known for picking out "unpolished stones with great potential" and promoting them into positions of power to extract their value, agrees immediately, and literally tells Kakavasha to go change his clothes right then and there. She really said "I like your confidence; you're hired on the spot."
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So... This was not a trial, Kakavasha never went on trial, and because he never went on trial, we have zero evidence in-game that he was ever sentenced to anything.
The IPC doesn't give a shit about the murder of some no-name slaver (I mean come on, think of how many other murders they've covered up at this point--do you really think they're holding one past murder of a no-name NPC over Aventurine's head years later?).
They might give a shit about the money they lost on Kakavasha's schemes, but Jade's entire schtick is one of equivalence--having Kakavasha join the IPC as a Stoneheart means he will ultimately generate infinitely more wealth for them than his schemes ever cost them in the first place, and that's the central piece of Jade's statement in this scene:
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Is Aventurine's whole role in the Stonehearts exploitative, focused on his endless ability to win bets and generate profit? YUP. But that's ALL the Stonehearts' goal at this point--he's not unique in being "exploited" for his value. One look at Topaz confirms that.
So, ultimately, we have no evidence that Kakavasha was ever sentenced for his crimes, let alone that he was sentenced to die specifically by the IPC.
Claim #2: The Stonehearts will execute Aventurine if he tries to leave or fails his mission(s).
Verdict: There's no actual evidence for this either, beyond the obvious that most people in a powerful enough position in an evil corporation probably can't just up and quit their jobs without consequences.
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I've seen this idea that the Stonehearts are planning to execute Aventurine--either for his past crimes, for failing a mission, or for trying to leave the IPC--many, many places, and unfortunately, I really think people are reaching this conclusion strictly on "The IPC is evil" vibes alone.
The IPC is evil; they coerce nice people like Topaz to buying into lifelong contracts; they're colonizers and exploitative capitalists, so of course they would threaten to execute poor innocent Aventurine!
Look, I won't defend the IPC. They are evil. But post hoc, ergo proctor hoc--just because one thing is true, doesn't mean the other statement naturally follows.
Just because the IPC is evil and exploitative (and probably does kill people to shut them up) does not automatically mean they're out to execute Aventurine for the slightest mishap.
I've seen many people say "He was going to be executed for his past crimes, so what do you think will happen if he tries to leave the Stonehearts?" But A) We just established he never went to trial for those past crimes in the first place, so we have no idea if he would have actually been sentenced to death anyway, and B) We have no evidence in-game that any of Kakavasha's past crimes would be back on the table if he were to try to quit the IPC. This is literally just fanon, based on the vibes of the IPC being evil alone. Probably informed by Topaz's "lifelong contract" situation giving people the impression that everyone who works for the IPC has to have a lifelong contract.
What evidence do we have that Aventurine is not at-risk of being executed for screwing up a mission? I mean, Aventurine himself says it. When Jade first states that Aventurine might be punished for destroying a Cornerstone, the only two possible punishments he states are:
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If execution was on the table, wouldn't that have been the first punishment Aventurine listed?
And Jade's myriad celestia trailer also states that the only punishment on the table is whether Aventurine will be expelled from the Stonehearts:
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And the biggest proof that execution isn't on the table?
The fact that Diamond himself agrees that Aventurine should not be punished even for the serious act of willingly breaking a Cornerstone. If Aventurine can do something as serious as breaking part of Qlipoth's will and body, something he was told to treasure more than his own life, and still get away with it... You can bet the IPC really does not give a shit about his old schemes anymore. Aventurine is way too valuable alive for them to be constantly threatening to kill him.
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(But then what about Obsidian's statement that she wants a "bloodbath"? Surely that's evidence that he would have died if they voted against him?
First of all, "bloodbath" is a pretty common metaphorical term. I don't know about you, but any time people get into big drama at my work, this term comes up ["They were all talking shit; it was a total bloodbath"]. "Bloodbath" can mean any intense struggle; it's often not literal death.
However, I'm inclined in this case to say that the real reason Hoyo threw in this "bloodbath" line was just to double down on Obsidian's obvious vampire aesthetic. She's a "vampire." Duh, of course she needs to say something about blood. I think this line speaks more to establishing Obsidian's character as a violent, self-centered person than anything to do with Aventurine's actual situation.)
So, there is no actual evidence in the game that Aventurine is still being held accountable for his past crimes, or that the IPC is planning to execute him for messing up on a mission.
In fact, there are several pieces of evidence in the story suggesting the opposite, that multiple people, including the other Stonehearts, think he's kind of crazy for trying to get himself killed every mission he goes on.
When Aventurine was affected by the Harmony's power, the "future" Aventurine asks him this directly.
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"Why does every one of your schemes put your own life at risk?" And players are told the answer to that isn't because of the IPC--it's not because the Stonehearts are out here forcing Aventurine to gamble with his life. When the "Future" Aventurine suggests Aventurine might be taking these risks because of the IPC, real Aventurine flat out says "You don't know me at all." He's not taking the risks for the IPC--he's taking them for himself.
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Later, "Future" Aventurine even says that if Aventurine just used tactics like Opal's--which he claims Aventurine could easily do--then he would have been able to claim Penacony for the IPC without putting himself at risk at all. But Aventurine chose not to do that; he chose "death."
Because Aventurine is actually, at least slightly, suicidal. I don't personally think Aventurine would ever have turned a fully-loaded gun on himself and pulled the trigger, but he was actively seeking opportunities to die. Before Penacony ended, he was deliberately putting himself into situations where his life was at risk, taking unnecessary gambles with his life on the line--because then he would win either way. If he won the gamble, he would get whatever prize was promised, and if he lost the gamble, then he would have the "freedom" of death, to be reunited with his family. (It's important to note that the only time the word "freedom" is used in Aventurine's story through 2.1 is in direct reference to death--it is never used in reference to getting "free" from the IPC.)
Aventurine's plans were not self-destructive because of the IPC. They were self-destructive because he was self-destructive. And, in fact, multiple other members of the Stonehearts call out this behavior as a bad thing.
Jade describes Aventurine's ploy in Penacony as "overplaying his hand."
Topaz describes Aventurine's work habits as:
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Then there's even Sugilite, who clocks Aventurine's suicidal tendency directly by stating that Aventurine's "death" scheme in Penacony wasn't for the IPC at all--it was entirely for himself.
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If the Stonehearts were holding execution over Aventurine's head at all times, why would death be an "unnecessary [personal] extravagance"?
The takeaway from all the other Stonehearts' dialogue about Aventurine is that they actually think he goes too far and that his methods are more risky with his own life than they need to be.
Does that sound like a group of people who are planning to kill him on the drop of the hat?
Okay, okay, I can hear you saying "But that still doesn't mean he can leave the Stonehearts without consequences. They would kill him if he tried to leave."
To that I say: A) There's no actual in-game evidence for that statement; it's literally just "IPC is evil so they definitely would do this" vibes, but B) Is that statement really unique to Aventurine? Do you think Topaz could leave the Stonehearts without consequences? Do you think Jade could just fuck off and leave the IPC if she got the desire to?
It's pretty typical, I would think, that anyone who achieves a high-ranking in a stereotypical "evil capitalist mega-corporation" is not free to just abandon their high up position without consequences. The phrase "You know too much" comes to mind.
I'd argue that people are probably right--Aventurine probably could not leave the Stonehearts without something severe happening, at the very least a memory wipe--but that this is probably true of all the Stonehearts. They're too far up the chain. They know too much about the inner-workings of the literal planet-destroying world-domination company. They've had too much access to insider info to easily leave their positions.
Not being able to easily leave the position has nothing to do with Aventurine personally or his past crimes. It's just (at least likely) a basic fact of being too high up in the morally-grey-at-best super organization. (Well, then again, apparently no one even knows if Agate is dead or not, so maybe they actually don't even care lol.)
Claim #3: Aventurine didn't want to join the IPC; he's working with the IPC only because he's forced to.
Verdict: The game suggests in several places that Aventurine joined the IPC of his own free will. Whether he's still loyal to them is not 100% clear.
I think this is the biggest question mark I'm left with when reading other people's posts about Aventurine--this enduring idea that Aventurine never wanted to join the IPC and was only forced to do so because he was captured and death was his only other option.
But that is literally not what the game is telling us at all. The game tells us--in multiple places--that Aventurine orchestrated his own circumstances so that he could gain an audience with Diamond and win a position within the Stonehearts by his own gambles.
First, let's re-examine that scene with Jade. One of the first things Jade says is "What kind of person would come up with a scheme [the Egyhazo fraud] that doesn't benefit them in any way?"
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The takeaway from this is that Kakavasha did not actually stand to gain anything from scamming the Intelligentsia Guild into digging for Tayzzyronth's remains in the desert at Egyhazo. All he achieved with this fraud was putting himself at risk of being caught by the IPC.
Does that sound like Aventurine to you? The guy whose mantra is literally:
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So obviously, Aventurine stood to gain something from scamming the IPC at Egyhazo. What could he possibly have wanted to achieve by creating a scheme that seemingly didn't directly benefit him? Well, he says it himself:
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Aventurine wanted to be brought before the IPC. He got caught on purpose. He once again gambled with his own life, betting that, instead of being put on trial for all his past crimes, he could convince Diamond (though it ended up being Jade) to invest in him. The game literally tells you, in multiple places, that Aventurine was taking another one of his stereotypically crazy, potentially self-destructive gambles to try to achieve something:
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Aventurine wanted the IPC to invest in him. He wanted in on their power and wealth. No one in the IPC forced him to target their organization not once but twice with his "desert-digging schemes" when it is clear that Aventurine could easily make money elsewhere. No one forced him to suggest this gamble with Jade to convince the IPC to invest in him. No one forced him to, in the words of the game itself, "seek a Cornerstone."
Aventurine's character stories are the only indications we have (for now) about what his motivations for joining the IPC might have been:
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They suggest he joined with the intention of gaining wealth and power to help his people and others who aided him in the past--only to find out that that was no longer possible, invalidating his original reason for joining and likely leaving him without motivation or will to really even stay in the powerful position he had worked to get into. Part of his suicidality is likely linked to this--that he set himself a massive, unbelievable goal in an attempt to gain power and wealth to finally help his people--only to be entirely too late. But in any case, these character stories make it clear that he did personally seek to join the IPC of his own free will.
(And I mean, hello? The whole point of Jade as a character is being the one who sees people's desires and then grants them--ergo, Aventurine's desire was, in fact, to join the IPC himself.)
If we needed any more corroborating evidence for this, just consider everything post-Penacony, when Aventurine has decided that he does actually value his life now and wants to live. Aventurine would have had so many chances to "escape" the IPC if he so chose. First, he could easily have pretended to actually die within the Nihility. He could have entirely fucked off with Argenti's help, created a new identity, and made himself a pile of independent wealth from gambles, all without the IPC ever knowing where he went. But he didn't.
Then, he had a second chance to betray the IPC and fuck off again with Boothill's help. Boothill had already knocked out Aventurine's bodyguards at the door--there was literally no one else around. A little blood on the floor and no one would have doubted that the IPC-hating, wanted vigilante Boothill had done away with Aventurine.
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Hell, Aventurine knows the Trailblazer. One word to the Trailblazer, and Aventurine could board the Astral Express and be whisked off to the other side of the universe.
But none of those things happened. Aventurine made no effort to remove himself from the IPC--even though he knew he had broken a Cornerstone and would be facing possible punishment. He didn't even make a single mention of trying to "escape" the IPC at all.
Because he isn't trying to.
(And edit, an addendum, because I kept seeing this on Twitter too: A bunch of people were claiming that because Aventurine wasn't smiling when he got his Cornerstone back, that was evidence that he hates the IPC and doesn't want to be there:
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Like... did they forget that every single time Aventurine makes his major gambles, he has such anxiety that he can never convince himself to believe he'll actually win, to the point that the "Future" Aventurine accuses him of clenching his trembling hand beneath the table? Is it really that surprising that someone who never actually believes he's going to win would have a shocked face when he does win here, especially after witnessing the literal power of an aeon restore something he thought was broken forever? Come on now...)
Would the guy who always wins his gambles bet that he would get a promotion if he absolutely didn't want his job?
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People really, really seem to struggle with this aspect of Aventurine's character, going out of their way to ignore the game's text and suggest that he definitely absolutely would never, ever have joined the IPC of his own free will. People really hate the idea that Aventurine is a morally-grey character who makes choices that are actively harmful to himself, like willingly joining an organization that is exploiting him.
Knowing that the IPC played a part in the Avgin extinction, people literally cannot fathom that Aventurine would willingly join them.
But I think that denying this part of Aventurine's character is bad. There's no need to reduce Aventurine to an innocent, helpless victim who is being exploited against his will and who would never do a single evil thing himself. That's not who the game is telling us he is.
The game tells us, repeatedly, that Aventurine is a survivor who will do whatever it takes to succeed at whatever he sets his mind to--even up to murdering innocent people to survive himself. Up to willingly joining the IPC to seek wealth and power. He's not a 100% good person who is still being forced through an existence he has no control over.
He's a self-destructive gambler who makes terrible choices with his own life, and willingly joining the IPC to let the Stonehearts exploit his abilities is one of the most obvious indications of that in the game.
Please stop denying Aventurine his complex, three-dimensional character writing to make him your pure, innocent trauma woobie. I'm begging people.
Claim #4: Aventurine wants revenge on Oswaldo Schneider.
Verdict: There's no evidence in the game (yet) that Aventurine is even aware of Oswaldo Schneider's role in the Avgin extinction, let alone actively trying to seek revenge for it.
Personally, this one hurts me the most, because this is where I'd like to see the story going. I want it to be that Aventurine was partially motivated to join the IPC specifically to orchestrate an inside job and get the Avgins' revenge on Oswaldo Schneider.
But even I have to admit that there's currently no evidence for this at all in the story.
For one, we have no confirmation in-game that Aventurine actually knows Schneider's direct role in the Avgin extinction. Aventurine clearly knows that the IPC could have intervened (he was there; he saw they didn't do anything), but we have no actual confirmation in the game's text that Aventurine knows Schneider told his people not to get involved, leading to the massacre. The only reason we players know of this is relic text, which isn't available canonically to characters in the game.
It is very likely that Aventurine is smart enough to figure this out or do the research to learn it, but as of right now, we don't have that confirmation in game.
Similarly, we players are given no access to Aventurine's actual conversations with Boothill. We have no idea what they talked about other than this one statement:
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It seems likely, based on this, that Aventurine did say something to Boothill about being willing to go after Oswaldo Schneider, but we won't know for sure until the game reveals more.
What we do know is that even if Aventurine does give Boothill information on Oswaldo, it might not really be because Aventurine wants personal revenge.
Oswaldo's Marketing Development Department is basically the sworn enemy of the Stonehearts' Strategic Investment Department. The two groups are in an internal cold war, vying for "votes" from the seven board members who are actually leading the IPC.
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So even if we see Aventurine taking actions against Oswaldo, it might not be because of a personal grudge, but because literally Aventurine's entire department hates Oswaldo Schneider's guts on principle in the first place.
So it's very difficult to say what is going on with Aventurine and Oswaldo Schneider at this point, and in the end, we just need to wait for more information.
Phew, all right! That was definitely long enough. I've gotten it all off my chest. I hope I've managed to give people some more canon material to chew on for another look at Aventurine's character, which is rich and complex and definitely cannot be reduced to simply "pure innocent victim babygirl."
Maybe now I'll be a little less salty when I see misinformation spreading like a wildfire again on Twitter.
Maybe.
Ha ha, who am I kidding.
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paimaniagalaxia · 1 month
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FNAF AU- Clean Up Time
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Ship: Springtrap x Self insert
Word count: 875
Summary: The after math of the events of FNAF 1, where a clean up crew is hired by Henry Emily to help refurbish and confiscate the animatronics.
Paige is apart of that clean up crew and decides to leave the rest of her crew mates to finish the job, all the while exploring the rest of the pizzaria. Only to end up in parts and services, to find the one and only William Afton. AKA, Springtrap.
[CHAPTER FIVE]
Springtrap then wakes up, hand clutching his chest as he is now on the stage. The heavy drop must’ve woke him up, as above him were all the animatronics, and Paige was now looking down at him. Making sure he was okay, this is kind of nice. As he didn’t think they would care about what he has done.
Mostly he was thinking about the animatronics, the spirits inside of the said suits. Guessing the children were scared of how hurt he was.
That could be it.
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“How… How long was I out?” Springtrap asks, before slowly sitting up. “About four hours.” Freddy answers back.
“Geez, and it took you that long to drag my body up here?” Springtrap jokes back, getting a few dirty looks.
Except for Paige, as she snickers.
“See, someone got my joke.”
“Well, I’m just glad you’re okay…” She responds back before kneeling down beside Springtrap and pats his shoulder.
The springlocked man blinks as he has never met anyone so considerate of him. Well, she did let him out of that storage closet. No sane human would do such a thing, let alone come into a haunted place like this.
“You think it’ll be okay for you to go miss?” Bonnie brings up.
“Probably not. After what happened here, it is best I lay low.” Paige answers back.
“Oooh sleepover! Sleepover!!” Chica cheers. “We have a break room where you can sleep.”
“Really? This place has beds?” Paige raises her brow, suspiciously.
“I made it so,” Springtrap said. “So that whoever is on the night shift, can rest.”
“That’s considerate.” Paige spoke a bit impressed.
“He only had it there since he couldn’t go home. Since he had to work on this place alone.” Freddy corrects Springtrap.
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“Buzzkill.” Spring glares. “Okay, that’s sad.” Paige grimaces.
“Either waaay… You, me. Bed.” Springtrap huffs as he was at full height, and walks with Paige to the breakroom. That was behind the stage, so it wasn’t too far of a walk.
“So, did you bring anything besides yourself here?” Springtrap asks Paige.
“Just my backpack and my phone.” Paige answers back as the two of them enter into the break room itself. Inside was a trundle bed, a rolling office chair, CRTV monitors, and a set of lockers. “Nice set up.”
“It’s nothing.” Spring remarks back as he escorts Paige over to the trundle bed. Making sure the pillow and sheets were on there. Before he could say anything, he heard a rumbling inside of one of the lockers. He quickly turns around and holds out his arm, protecting Paige out of instinct. Eyes squint and slowly approaches the lockers. “Stay back, it may be Balloon Boy.” “Balloon Boy?” Paige asks, confused.
“Trust me, it’s best if you don’t know more about him.” He remarks back before he grabs a nearby ax and swings it back.
One servo grabs the locker door, and swings it open. As he swings his ax back, a smaller version of himself comes at his face.
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“ACK! GET IT OFF GET OFFGETITOFFGETITOOOFF!!” He yells out as his ax swings back like a broken karate chop arm.
“HAHAHAHHA!! GOTCHA BIG SCARY RABBIT!!” The plush version of Spring cheers out before he climbs down to bite his arm. Until it’s large gaze sees Spring fully, as there was something familiar about him.
Then, the plush gasps. “Dad?” “Evan??” Springtrap gasps in shock. As he couldn’t believe who he was fighting with. His own son, alive. His spirit was in this… This thing! “How did you even-- Your ghost is in this--” “I call myself Plushtrap!”Plushtrap remarks back proudly, showing off his sharp teeth. “Sharp teeth, not scared of them now are you?” Springtrap smirks teasingly.
“Nope! Almost had to use them on you dad-o!” He chuckles eagerly and looks over at Paige. As he hadn’t seen another human in a long time. “Who’s she?” “That’s Paige.” Springtrap introduces her to his son. “Paige, this Evan. Plushtrap now.” “Hey.” Paige waves. “She’s pretty.” Plush chuckles, making Spring flinch and look away embarrassed. Even his own son could tell how pretty this human was, great. Just great.
“Can you watch over her? I have to do some things.” he asks back. “Sure dad!” Evan cheers and jumps into Paige’s arms. “Time to sleep sister, because I can’t!”
“Know the feeling.” Paige chuckles as she carries Plushtrap over to the trundle. Springtrap shakes his head as he leaves the two, he was glad to see his son again. At least the one who still likes him.
Once he was out of the room, he walked away. Away from the stage and the main area. Looking for something specific, Paige’s backpack. As she mentions a phone. He could call someone.
He sees a worn black backpack, with Paige’s name embroidered on it. Springtrap kneels down and opens it, digs his hand around and finds a small black, thin device. It had a speaker above the screen and one underneath the device.
“This… This must be the phone.” He inquires back as he sees a few missed calls.
From Henry.
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“Oh for the love of… She works for him.”
Springtrap sighs as he clicks the ‘missed call’ icon, and it starts to ring.
[END OF CHAPTER FIVE]
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inkskinned · 8 months
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you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.
(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)
but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.
(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)
there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.
(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)
you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.
(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)
you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.
in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.
but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.
they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.
it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.
#spilled ink#warm up#can you tell what i'm mad about today specifically#i will say that there are a LOT of things that go into this. like a lot. this is ungendered and unspecific for a reason#it isn't just sexism. it's also racism. and ableism. and honestly classism.#and before a healthcare professional reads this as a personal attack: i understand ur burnt out#we are ALSO burnt out. your situation is also dire. this is not an attack on you.#this is a commentary on the incredible amounts of bigotry that lie at the heart of capitalism#where people have to pay money out of pocket to be told to fuck off.#your job is important. so is our humanity. and if you cannot accept that people are fucking mad as hell#at the industry - you are probably not listening .#anyway at some point im gonna write a piece about sexism specifically in medical shit#but i don't want terfs clowning in it bc they can't understand nuance#> it is true that ppl w/a uterus are more likely to experience medical malpractice & dismissal globally#> it is also true that trans people experience an equally fucked up and bad time in the medical field#> great news! the medical industrial complex is an equal opportunity life ruiner :)#(if you find it necessary to go into a debate about biology while discussing medical malpractice#i want to warn you that you're misunderstanding the issue. because guess what.#cis MEN might experience this. particularly black men. particularly disabled men.#so YES having a uterus can lead to more trouble for you. but this happens a LOT.#instead of fighting those ALSO experiencing your pain.... try working WITH them.#which btw. is like. actual feminism.)
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iluvylalevu · 2 months
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A (Hopefully Coherent) Ramble About What Mal Du Pays Represents
So this might be a little over the place cuz I don’t really do analysis, but the battle with Mal Du Pays has really stuck with me, hear me out (and take this doodle)
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So as we know, Mal Du Pays is essentially the embodiment of Siffrin’s self-hatred and intrusive thoughts, but what I find interesting is that it also represents the part of Siffrin that suffers because of it. Mal Du Pays is basically the embodiment of self-destructing thoughts; It spends the battle emotionally torturing Siffrin, but it also spends the battle silently screaming and crying.
And the name meaning “homesickness” is also a detail I find fascinating because most of the things Mal Du Pays says have little to do with the forgotten country, with the exception being Odile’s remarks about the lack of a home equating to a lack of identity. Homesickness is characterized by longing; yearning for the warmth and familiarity of home while being away from it, yet most of what Mal Du Pays says has to do with the party. To Siffrin, his party is home. While it pains them greatly that their country and entire childhood are gone, the thought of losing his new family terrifies and pains him more. He spent so long belonging nowhere, they’re terrified of losing the one place he feels like he belongs to now. He wants to be with them really badly, to the point he was subconsciously willing to hold them hostage.
Siffrin is a person made for loving. He loves strongly and wants to be loved back, but paradoxically this is also the reason he hates himself. They think it’s selfish to want that love back, they think their happiness shouldn’t come first or even come second, it shouldn’t be important at all; it’s their family who is lovable, it’s them who deserve happiness, not him, because he isn't like them, he's a nobody who belongs nowhere. Siffrin is a person who loves strongly but doesn’t lend that love to himself.
Unfortunately, this self-hatred also manifests in paranoia. Because they think themself unworthy of love they also project this onto their friends, thinking they’ll hate him if he reveals the “real” him, that they’ll turn heel as soon as they can because he’s so deplorable.
The party, in reality, loves Siffrin, but that love gets filtered through Siffrin’s self-hatred and comes back out as a mess of self-imposed conditions, “they’ll hate me if I do this” “They’ll hate me if I say that”, none of which is true, but they wholeheartedly believe it is, and it hurts him
Mal Du Pays also being unable to be harmed by Siffrin is something I feel is so important. Beating this part of himself into submission is essentially what he’s been trying to do the whole game and it doesn’t work, you can’t beat yourself up and expect that to make you feel better. Mal Du Pays, as aggressive as it is, isn’t a battle that needs to be won it’s a wound that needs to be healed
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driedlillies · 1 month
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The magnus archives when everything’s the same but the action happens 10 years into the future (starts 2026) and the institute is under scrutiny because some gossip magazines accused them of having misogynistic management because the Head of the Institute was always a man so Jonah Magnus originally born in the 1700s decides to deal with that by his next body being a woman so now he has to deal with periods and gender dysphoria
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obsob · 2 years
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making and weaving and loving! like we have done for millennia!!
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