#portfolio sample writing

[talktaurean2meblog]

AEW Collision 9-21-24

This is just a little write-up on All Elite Wrestling's Saturday show, Collision. It's no surprise that I'm trying to become a better fan of their product and that includes watching more often.

It was a solid show, actually, and a lot of folks said it blew Dynamite out of the water. SHEEH.

We begin the action with a Ring of Honor Tag Team Title Match between the reigning champions (Sammy Guevara & Dustin Rhodes) and Undisputed Era (Mike Bennett and Matt Tavern*)

I don't know the most about either team but Sammy and Dustin got the jump on UE before they were even all the way up the ramp. Let the madness begin! Its a gimmick match, but i didn’t catch the specifics.. maybe the name will come back to me, at some point..

Dustin was, at one point, currently grinding a belt buckle into someone’s face.. Apparently this is Dusty’s old one and it was gifted to him after his passing.

A Buckhouse Brawl? I believe that's what it was? And the last one hasn't been a thing since 2020. I thought that Undisputed Era might get a sneaky win.. that was my initial thought, about this match. This damn crash test dummy Sammy, later on in the match, caught a steel chair to the head… and I'm pretty sure this is the type of straight shot that is outlawed in most promotions. At least.. I thought?

Right after, UE pulled off a nasty doomsday device outside the ring. Sammy's rotation (or over rotation?) had me scared for a second. Dustin went through the table on the outside, and barbed wire was definitely involved, some way. Sammy got to give a running cutter, jumping from the ring and landing on the table that was set up outside. Whew.

Jesus Christ, when will Tony Khan stop this mf from taking all of these over-the-top bumps??? He just fell from a ladder.. We JUST  got back from commercial At this point, Dustin has both men in a vice grip via pliers at the nuts.

Almost everyone is bleeding right now.. Its almost hard to watch… I don't know if that's because I'm not truly a "sicko" or not... Or if it's because it's ACTUALLY over the top. There's a “this is awesome” chant at 13 min into the match. Mike Bennett tried to make a comeback, tried to get a cover on Rhodes, but Guevara breaks up the pin. Dustin is, unbeknownst to me, wrapping barbed wire around his right boot.. Very slowly, i might add. He does this while completely bloodied in the face and kicks mike in a nuts while he’s in the corner…

Sammy is, at the closing moments, at the top of the ladder. He went for a Swanton bomb, I believe, and got the cover over Mike Bennett to retain. The goal of this match seems to have been to put on a crazy opening tag title match but also to get Sammy .. somewhat.. closer to being over/show that Dustin can still go.

2. Conglomeration had a backstage segment, including Mark Briscoe, Kyle O'Reilly, and Hologram, but it was Interrupted by Premiere athletes, I think. We're still learning these names.

3. Evil Uno also has a backstage segment about a future match against Mox, I believe. But tonight, is all about him and Darby Allin. Darby is still on Mox's radar, for some reason, too. Darby walks up.. Talking about a war coming? The prior beatdown on Private Party is referenced also. Darby said he has no plan of laying down and dying… he's a future world champ, he adds.

“Remind me what you can do.. Show me you got that dawg in you”

This was a quick moment of beauty from Darby Allin, towards Evil Uno.

For the Conglomeration's match, we have Mark Briscoe and Kyle O'Reilly (joined by Rocky Romero), and with Hologram. The masked wrestler is on a ten match winning streak, according to commentary. They took on the Premiere Athletes (Tony Neese, Ariya Daivari, and someone else I don’t know?)

Grand Slam is coming up on Wednesday this week!

Apparently, AEW 5 is also coming up and that's where Britt Baker is returning. Mind you, we have not seen hide nor tail of that women since she did what she did in between those ropes against Mercedes Mone at All In at Wembley a few weeks or so ago. But AEW 5 is October the 2nd. Title Tuesday is October 8th?

It was a lot going on, so I didn't have many thoughts. Hologram is insane, in between those ropes, and i mean this honestly. He was playing a little bit of cat and mouse with Tony, and he looked so quick and speedy while doing it. I disassociated for a little bit (ADHD), but Briscoe got the pin and not before some crazy shit from Hologram, attempted interference by Smart Mark Sterling Kyle O doing what he normally does.. The damn thing.

3. We were eventually blessed with a MxM Backstage Segment. I love this shit so much for them…

They stole Max Castor's jacket last week.. And gave it a "makeover". Apparently, next week they’re going to do the Grand Slam Finale and reveal it, a la NYFW. I love them so much.

Bang Bang Gang (with Daddy Ass) did a little promo segment backstage, in response, about twenty or so minutes later.

4. At some point we get Mariah May vs Lady Frost in an Eliminator Match. Not too much to write home about, for this one. Short match, good stuff by Frost, a predictable win for this new "champion".

Lady Frost? Oh yes ma'am, that bob is BOBBING. MM is wasting time blowing kisses at Nigel over on commentary and LF attempted like 3 pins on her as soon as the bell even rang.

No surprise, Mariah May lives to hold that belt around another day.

Around this point, is when my "old lady senses" started tingling, letting me know that it was almost my bedtime. So I did finish the episode, but as a casual watcher. No notes.

What should/promotion should I watch/comment/react on next?

Should I start doing the whole show? Or just break down a match or two? We've got some goooooood shows on the horizon, folks.

[cliveguy]

starting to actually seriously look at jobs outside the uk now lol

[authorsharonforester]

Mental Health Blogging And Practice: Website Writing Sample

The website is called Mental Wellness Frenzy, and it provides content to help you care for your mental health. It's supposed to be a fake business website, but I am working on making it more legit.

I created a website called Mental Wellness Frenzy for mental health and wellness blogging and providing services to assist people's mental wellbeing. (Click on the NAME or the PICTURE to go to the website!!) Right now it is being used to demonstrate my web design and writing skills, but I do plan on using it to make YouTube videos dedicated to mindfulness meditation!

The idea sparked when I wasn't in such a good place in my head. I sought therapy and got better, then I wanted to help others in this field. I thought it was perfect for me because I am genuinely a people person.

As I debated switching careers, I decided to get certified to be a mindfulness meditation teacher and a life coach. I thought it was a crazy idea, but as I got to know these fields, I began to love it like crazy! I was so proud of myself once I saw the certifications. I wanted to change my career and get into the mental health setting, but I chickened out because I didn't think I was good enough for it. Now I am not as scared to showcase my skills, as I want to help people like I've been helped.

I hope that upon exploring the website to skim through the different options, you will be inspired and motivated by the information presented to you.

[inkykeiji]

hi! i have a dumb question but was film school scary? i majored in lit for undergrad and now i’m going to a film program for screenwriting for my masters BUT IM SO SCARED LMAO….like ahhh idk idk!! i have one friend that majored in film for undergrad and she was always studying, working on projects, etc. and now she has so much experience on her resume (w internships, projects etc.) n i don’t have any but got in to the same uni as her (both w screenwriting as our major) so i’m just scared i’m not prepared…

eeeee anon that is so exciting!!!!!! congrats!!!

ah i may not be the best person to ask as i didn’t technically go to film school in the literal sense (aka a program where you are constantly making films & getting hands-on experience), i got a degree in cinema studies (which, in my program, has a program within the cinema studies program for screenwriting that u have to submit a whole application and portfolio for etc). i chose not to go to traditional/hands-on film school because i was privileged enough to have film classes offered at my high school, which i took throughout my entire high school career. i felt like, after four years of practice, i had a pretty good grasp on the practical side of film + editing + all the elements of production n post production, and didn’t want to spend $$$$$ on something i already knew.

but!!! if your masters program is focused on screenwriting, then i don’t think you’ll be doing much hands-on pro / post production stuff??? unless they talk about like on-set rewrites and script doctors, but even then i’d assume that would only be a very small portion of your program. if you can look at the syllabi for a few of your classes you might be able to get a good idea of what to expect!

my point is, if your program is heavily focused on screenwriting (which i assume it would be???) then practical experience on-set + with post production wouldn’t really serve you all that much. if your friend studied film from an academic standpoint & studied film narrative and writing etc or had an internship with a screenwriter (not sure those exist???) or a writers room, then they’d probably have a bit of an upper hand.

either way, i wouldn’t worry too much anon bb <3 you got into the program because the faculty deemed you worthy and capable of being there! they most likely won’t just jump into the material and should offer some sort of refresh/review on the basics before they get started. better yet, they might even fully teach you the basics right off the bat! i can’t say for sure because i don’t know the program u got into obv, but there’s a chance they accepted other lit students too that have a writing background but not a screenwriting background. you probably won’t be alone! and worse case scenario and you feel like you’ve totally been thrown to the sharks, there are tons of incredible screenwriting resources online & in textbooks that you can check out, too!

[my-chemical-rot]

ouughhhh I need to sleep because it is 2in the morning but I finally have motivation to work on college apps so I wanna kinda wanna write a 7 page essay about nuclear mysticism rn

[gothamcityneedsme]

was going to submit myself for a zine but the application process is asking for unclear things and the blog has anon asks off so.  i guess im not fucking applying.

[hrkingston]

Table of Contents

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Speech Writing

Video Game Writing

[vanillaavengerlings]

To all Fanfic/fanart/ fandom content writers/creators/artists/anyone creating fandom content

As we enter the week of 22 July, I wanted to write something hopeful for any writers, artists and content creators out there, because let’s face it, things happening around the world is so grim and most of us are trying to survive the days. 

So, here’s something hopeful for any of you who need this.😄

Please reblog this as much as you can as I would love for fandom writers/creators/artists and for fanfic readers to read this. 

Thank you!

A small background about me - I write fanfics, mostly in the Avengers/Stony fandoms. And it’s what I’ve been doing mostly for a few years, despite schooling and transitioning to work.

It’s my escape from reality. When things get rough, I start writing. Writing fanfictions gives me comfort because I know the characters and I love them, so I feel safe in a way and it’s stress relieving for me.

In 2018, I had to attend a compulsory internship so that I could get my diploma and graduate. My course offered a few positions and one of them was writing for television programs at a well known media company in my country. 

I wanted that job so bad because I wasn’t interested in the others, they were too ‘corporate-like’. So I applied for it. They asked for my portfolio of written works.

And then it hit me. My God, all I’ve written so far were fanfics with male pairing. I come from a conservative country so LGBTQ stories are super rare and can be frowned upon. But that’s all I had and it was all I could submit.

Guess what?

I did just that. I took excerpts from my WIP/published fanfics, and added them into my portfolio. I even went the extra mile and typed a short excerpt into a screenwriting format, like a legit script for a show! (TV writing internships pay special attention to your script writing abilities)

I submitted them.

I was called for an interview a few days later. I was advised to bring hardcopy versions of my written work, so I printed out the stuff from my portfolio. I went for the interview and saw my coursemates, some of whom I consider really capable and smart. 

I thought, there’s no way my fanfics and I stand a chance in getting this job.

I went up first and had the usual interview questions. The last bit came, where the interviewer, a prominent executive producer in my country, asked for my written samples. I handed her the file and gave her a brief explanation of my work.

I told her I published my written works online and have a group of audience who read and review them. I also added that I use their feedback to improve my writing as a whole. She was nodding her head and reading the script of my fanfic I had written. I was hiding my smile. Everything she was flipping through were Stony and Avengers fanfic excerpts!

At last, she handed my file back to me and smiled. It signaled the end of my interview. I went back to my campus and sighed, already looking at the other positions to apply to.

Two hours later, I received the email that I had gotten the job, as a television writer intern at a prominent media company. And all I used were my fanfictions I had written!

I couldn’t believe it worked. My fellow coursemates write really good content and I went into the interview with fanfictions and got the job!

To this day, when I think about this, I laugh. Not in a self-deprecating way, but in a way of disbelief, seeing what I can pull off.

To everyone out there who are thinking so lowly of yourself because all you have done are work related to fandoms, I’ve been there, and I’m here to say that you are so talented coming up with unique content from something that is so fixed and rigid. So don’t be hard on yourself. 

You’re not wasting your time just because you post stuff on AO3 or Tumblr. Every written work/art/creative content is a great way for you to practice and work on your skills. I mean, we all have to start somewhere, right?

Seriously, it takes a lot of talent, creativity and hard work to write fanfictions, draw fanarts and create any fandom related content. And it takes so much of courage to put your work out there in the open for anyone to read.

And that’s the thing! It’s a service that you are doing, letting people read your words, your story, letting people see your art and your creativity. 

Don’t be ashamed of your fandom works. And don’t be ashamed of reading fanfictions. They’re a part of you. So don’t think of yourself lowly. No way. You’re all heroes, in your own ways. 

Some of the best written stories I’ve ever read came from AO3, some of the best art works and funniest content I’ve ever seen are fandom related.

You’ve got this, you talented talented human being. Go out there and shine bright! 🌟

[femmefatalevibe]

any tips for getting into copywriting?

Learn the basics of copywriting & writing fundamentals/ marketing skills

Study the different types of copywriting (web/banners, email, social, ads, direct mail, sales letters, etc.)

Decide on your niche(s). Study everything you can about the industry, trends, latest news, customer demographics/psychographics, customer behavior, types of lifestyles/preferences they have, how they speak, where they spend the most time (IRL or digitally)

Craft an inspiration folder full of compelling copywriting examples you find when browsing on the web, going through your email, scrolling on social media, billboards, magazines, direct mail, etc.

Practice rewriting these examples with your own flair. Evaluate it, and keep practicing until you're proud of your copy.

Be as concise, clever, and convincing as possible. Keep your tone conversational (write like how you would speak), catchy, simple, and witty. Take out any extraneous or fluff words. Pepper in cultural references, puns, and relatable anecdotes understood by your target audience when relevant to your messaging/CTA

Create a portfolio with these mock-ups or projects done for family/friends (state they're spec work, not client-commissioned samples) or clips from an internship, school work, etc.

Craft a USP for yourself (including your niche, copywriting specialties, and the specific expertise you offer within your broader niche/service offerings that makes you unique)

Create an Upwork profile and share your services on LinkedIn (optimize both of these profiles)

Research local clients and small businesses within your niche. Also, take time to create a list of dream clients. Study their copy, brand voice, and keep tabs on updates regarding these companies' happenings

Learn the art of a cold email/LinkedIn pitch/Upwork proposal. Introduce yourself and your services to your prospect and share with them how you can fulfill a specific need they're seeking out (For local and smaller companies, feel free to offer suggestions. With more established companies, connect the dots as to why your experience/expertise is a great fit for their brand/target audience), and attach your work/link to your LinkedIn profile, website, and any other relevant hub for your professional services & content

Ask for referrals from friends/family to get started. If they're not a relative, get a testimonial to include in your portfolio

Follow up once if you haven't heard back from a prospective client after an initial pitch after a few days

Search for potential gigs on sites like Upwork/ProBlogger/People Per Hour

Once you land a gig, execute to the best of your ability and hand in your work by the deadline (strategies surrounding best business practices is a whole other post, lol)

Gather testimonials from all clients of successful projects. Confirm with clients whether you can use their work in your portfolio if you're unsure

Continue studying copywriting from books, courses, and everyday reading & living

Stay knowledgeable about advancements/updates in your field, keep updated on current events, and culture/social trends, and read a lot in general. Have interesting, multi-faceted conversations with others. Observe what makes people tick & remain engaged in a verbal dialogue or content

[nihilnovisubsole]

Because of your latest post: not sure if you’ve answered this before, but how does someone even entertain the idea of writing for the game dev industry? Did you start out on indie games or just write before and show them your work? Since it’s such a subjective field etc

if i have, it bears repeating! here's a rough timeline of what i did. never discount the value of luck and the kindness of friends

2016: i was doing a random freelance transcription job when i saw @theivorytowercrumbles post about writing for voltage. they reblogged the studio's open casting call for new writers. since it was so lenient - no experience, fanfic samples allowed - i applied. they hired me for their new project, but let me go after a trial period, citing that the tone of my writing was a bad fit for that game. i foundered for a while after that. i don't take rejection well. i started dangerous crowns to try to make money from writing some other way.

2017: one of voltage's producers reached out to me and said they'd started another project that i was a good fit for. she felt letting me go was a mistake and wanted to snap me back up. i said yes, i mean, are you kidding? so i started on reiner's route.

2018-2019: i kept at it. i took on diego's route. it occurred to me that i wasn't making very much money, but i liked my coworkers, and i was building my portfolio, so who cared? i also finished dangerous crowns, and a handful of people bought it, but certainly not enough to support myself or anything.

early 2020: between the pay and creative differences with voltage's team, it started to sink in that i needed to find other work. i applied to the few open game writer jobs i could find, but with only mobile romance in my portfolio, i got nowhere. i threw in dangerous crowns samples. i tried to network on twitter. i still never made it to the interview phase. i foundered for a while again.

late 2020: the voltage writers went on strike. i gave a statement to a journalist that one of obsidian's narrative designers noticed. we became acquaintances over it. another old friend of mine threw me a life raft in the form of a different contract, better paying, on a non-romance indie game. i took it gladly. i added a twine game to my portfolio, too. i kept applying. i got a few interviews, but something still didn't click.

2021: i finally accepted that i needed formal help. i did a portfolio workshop. i got resume coaching. the coach passed my name to a writer on the company of heroes team. they liked me! they also paid me more money than i'd ever seen in my life. at the same time, obsidian advertised a narrative job opening. i applied on a lark and let my ND pal know i was doing so. why not, right? college-new-vegas-fan me would want me to. they rejected me, but not before i passed their writing test and two interviews. i had nothing to lose at that point, so i told my ND pal that i was bummed. she gave me a golden piece of advice: "you came really close. try again."

2022: obsidian had another narrative opening. i threw myself at it. i was now going to annoy them into hiring me. since i was a known quantity from applying six months before, they had no qualms about interviewing me again. this time, it worked out, and i've been there ever since.

what's the common denominator here? i met people who thought i was all right and gave me a hand up when i needed it. the standard advice is to work with a community of your peers instead of trying to get your heroes to senpai-notice you. it's not that they don't care - they just have their own thing going on, and your peers could be the heroes of tomorrow if the right project comes along. i also found the portfolio was the end-all-be-all when it came to job hunting. i went through a grieving process with that! i'm not afraid to admit it. i wish studios had held my degree or dangerous crowns in higher regard, but i just had to make games in a wider variety of genres, and that was that.

one caveat: narrative is a really saturated field right now. a lot of people want to write, and there aren't many openings. it's not uncommon for big studios to get hundreds of applicants. larian probably got over a thousand for the job they posted recently. i feel awful saying that, because i don't want to discourage you, but i'd feel worse if i didn't let you know what you were getting into. if it's something you want, you should try! keep an open mind about the random projects you may find. you never know where they'll take you.

[motziedapul]

THE PINOY MONSTER LOVER ANTHOLOGY (After Dark), our next entry for the komiks anthology series, is now looking for artists. This anthology will be NSFW! More details below.

DEADLINE FOR APPLICATIONS: DECEMBER 1 2023

The Pinoy Monster Lover Anthology focuses on Filipino, mostly LGBTQ+ stories centred on either Filipino characters, monsters/folklore creatures, or both.

PLEASE SEND YOUR BASIC IDEA AND ART SAMPLES/PORTFOLIOS to atemozzarellakomiks@gmail.com as well as projected page count.

I will narrow down the list and announce the choices in early December, whereupon we'll start production and prepare the fundraiser.

Q: Money?

A: We will launch a Kickstarter to fundraise for this comic so that we can cover everyone's rates :)

Q: Privacy?

A: You'll have to divulge info to the editor (me) in order to get paid and whatnot, but you're free to use any name and ID you prefer for this. Your privacy will be protected.

Q: Language?

A: The Anthology will be in English but I can speak Tagalog, so if you want to write the story out in Tagalog, I can help translate and edit it for English.

If you have any other questions, feel free to comment below or email at the address provided above. The estimated production time is minimum 3 months. The Kickstarter will be launched once we're at 60% completion.

[handweavers]

do you think someone who's never drawn anything can apply for an art residency

there are residencies for a variety of purposes, i know many residencies take writers and other creatives (photographers, musicians, etc) or are specific to the craft or art form being practiced. some are free, some will pay you a stipend, and others you have to pay to attend. there are a variety of organizations that give grants to artists to fund their work that you can apply for - some are run by governments, others private orgs that award grants - and that's how i've been able to afford the residencies i've attended. these grants can cover every aspect of the residency from travel costs to living expenses and the cost of the residency itself.

regardless of the residency, they ask for a portfolio of your work and your cv, and usually some kind of project outline - what you wish to work on, what skills you want to develop, what your goals with this residency are and why you believe the residency is a good fit for you. they usually want to know if you are capable of self-directed study and studio practice, are a nice person who can share a studio with others, and sometimes they ask for references so they can verify this.

many are open to "emerging" artists, aka artists who have less than 8 yrs professional experience, but a barrier that i come across sometimes in the residencies for emerging artists is the requirement that you recently graduated from an art school program. this isn't always the case, thankfully (or i wouldn't be able to do these residencies!) but if you haven't they'll typically need proof of some other experience, which can be seen in your portfolio or elsewhere in your cv.

all that is to say that, based on my experience with these applications, i think you will need some kind of experience with a creative field or art form, even if it is entirely informal, to be successful in being accepted to attend a residency. this experience can be completely self taught, you do not need a formal arts education or exhibition history or any of that, but you do need experience with something whether it is making music in your bedroom or writing short stories or knitting or sculpting stuff out of air dry clay, and a game plan for what skills or projects you specifically want to develop or work on.

so if attending an artist residency is something you think you'd like to do, i would strongly suggest playing around with techniques and mediums and finding some kind of creative expression that you enjoy, and documenting that as best you can through photos or videos (or in the case of writing, writing samples and such) so you can give yourself the best chance at being accepted.

[gf-seasons-zine]

Information About

As we count down the days for applications to open (April 1st!), we want to post some information about what to expect when you apply to be part of the Gravity Falls Seasons Zine! All of this information is on our carrd, but we thought it would be nice to post it here too!

And now, we are proud to present (under the cut)... What you need to know about the artist applications! (Cue Soos pressing the "applause" key on his keyboard):

General Application Rules

1. PLEASE tag your content!

The zine will be completely SFW and will not feature ships, but we understand some people may wish to submit ship art or content that might be less family-friendly in their portfolios.

All mods are 18+ but we don't want any surprises, so please describe your art in the boxes provided if required!

2. At least ONE of your pieces must be Gravity Falls themed or feature Gravity Falls characters.

We would particularly like to see your work of Ford, Stan, Mabel, or Dipper as the Pines family is the main focus of this zine!

3. Check your sharing settings!

If sharing a Google Drive folder link for your portfolio, please ensure your folder's sharing settings are set to 'allow anyone with the link to view'. You can test this on an Incognito browser or a browser NOT logged into your Google account to make sure.

Mods will NOT be able to contact every person who makes this mistake to ask them to a new link to their portfolio and it is very likely your application will just be dismissed.

Specific Artist Application Guidance

1.Please submit 3-6 samples of finished work that best represent your style (or the style you intend to create your piece(s) in and your ability.

2. NSFW works will NOT be allowed in the zine (this will be a family friendly SFW zine!) but you CAN put them in your portfolio. 

If your pieces require trigger warnings, feature ANY ships, or feature NSFW content there WILL be a space for you to write this on your form and we expect you to do so. All moderators are 18+ but we wish to avoid any surprises. 

Thank you for your cooperation and understanding (Yes, we put this in twice- it's that important!)

3.We will judge pieces based on composition, colour and/or value, understanding of form and depth, and anatomy.

4.If you would like to be considered for making a comic for the zine, please include at least ONE example of previous comic work so we can judge how well you carry a plot, readability, style, and the layout of panels.

5. Both digital and traditional works are acceptable but traditional work must be scanned in high quality.

Stay tuned for more information about other ways to contribute! And as always, if you have any questions, please feel free to ask!

See you soon!

The GF Seasons Zine Mod Team

~*~*~*~*~*~*~*~*~*~*~

Disclaimer: We are not affiliated with Disney in any way. The zine will be a charity zine with all surplus going to charity- no one will profit from this zine.

CARRD TWITTER RETROSPRING

[screentones-webcomicresources]

Do you have any material on artist/writer collaborations - either on the collaboration process, or on how to find a collaborator to begin with?

This is a great question, and not always one with a straight-forward answer! While many webcomic projects are solo projects for long-term logistics reasons, some webcomics follow a split of roles between writers and artists (or maybe further split for inkers/flatters/colorists/letterers). Collaborative teams like this can form in many ways, both formally or informally:

Comic creators may find more members for their team to hire from boards like Reedsy, communities like @cartoonistcoop, or hashtags events like PortfolioDay on social media

Writing and comic Discord servers can be good gathering places to make friends, learn about other peoples' projects, and get recommendations when someone has availability and interest for a collab. (Note that most creators you meet in these place will have their own projects, though, so don't go in expecting folks to immediately invest time in your work! Be respectful of their time and show interest/help out with their work too!)

RP or fan groups can be hotbeds for learning the storytelling styles of other people, and that may take comic form somewhere down the road!

Events with a deadline like anthology projects, NaNoWriMo, or Itch.io Game Jams, which often host forum and community spaces where creators can connect and collaborate for a short time and be done if it doesn't work out

Friends, spouses, and siblings often team up when they're into the same things

Some things that factor into whether or not potential collaborators will want to work with you on your comic project:

The scope of the project. Comic projects can take years, and short, deadline-driven projects can be easier to commit to than long-term ones.

Your experience. If you haven't ever finished a comic, collaborators may be cautious to work with you if they can't see concrete proof of what you're bringing to the table, or if they suspect they're going to be doing most of the work. For writers, be sure to have your ideas fairly fleshed out, and your plans as clear as possible. For artists, keep samples and portfolio pieces handy of comic work, not just illustrations. Show you know what your part entails and that you've done it before!

How compatible you are. Many great collaborations come from folks who know each other, enjoy each others' ideas, and work in a compatible way.

How much of a role they have in the creative process. Are you just looking for someone to draw your ideas? Or give you ideas to draw? Or are you interested in building something together?

Money! (though this isn't always a guarantee that the creators you talk to will have time, even if offered financial compensation)

Our best recommendation if you want more collaboration opportunities to come into your life is to see who's vibing with what you're doing in your circles, and see if there are small ways you can collaborate to test the compatibility of your work styles and get experience communicating with each other. Keep expectations clear, be ready to offer your labor to help others, and be flexible with adapting to others, adjusting your plans, or possibly contributing to projects that don't take off.

We also highly recommend this blog post of questions to ask when reaching out to hire someone. While this advice is written specifically about letterers, a lot of it applies to any member of a comic creator team!

And for more of our thoughts about the roles of Writing and Art in webcomics, check out our Jam Session podcast episode about Artists vs. Writers!

[dpxdc-worldscollide]

Hi! i was wanting to apply for the zine, and i had two questions before i submit my form:

1) does the gdoc with a sample of our written work need to have a particular name format? (for example “name_WCzine_application” or something). in the guidelines i found a name format for the completed work, but not for the application document (or i missed it?)

2) in the prompt pitches, we have to give a detailed summary. are you wanting more like a “i would put this as the ao3 summary” thing, or a “this and this happens, and then this also happens”?

by difference between the two i mean mostly, does it have to be more “sounds pretty”, or can it be more like “this is how i would tell it to a person, in a conversation” type of deal?

idk if this makes sense 😅

that is all, i think. thank you for organizing this! even if i don’t make the cut, i’m super excited to see the final product! 😄

Hi! I’m so glad you’re interested in the zine!

1. You can title it whatever you want! As long as we are able to open the doc to view your portfolio we’re happy!

2. You can just give us a general summary of the fic! Something like “I’m planning on writing a fic where Danny and Damian find out they are long lost brothers and have to fight off the league of assassins together and then they go do some brotherly bonding activities” or something in that nature.

I hope that clears it up! Thank you for asking!

[isbahstudio]

Hey! I’m starting my education in the paralegal field this fall, any tips or advice? Your blog is gorgeous! Hope you’re having a good day :)

Hi! Thank you! I do have a few tips I often like to give:

1) Be a self motivated learner! Alot of the law is researching and learning on the way. You will not know every statute or every filing software. You just google and learn along the way.

2) Legal writing is very different from normal writing, even different from academic writing. Legal writing is very cut, dry, and to the point. It usually follows the IRAC format. Issue, Ruling, Analysis, Conclusion. Basically, state the relevant laws and explain the case.

3) Keep a notebook solely for paralegal tasks! I have a leather diary designated for this. I write down all the little things I learn, like steps for filing motions, steps for serving discovery, jot down important deadlines, jot down legal jargon and commonly used statutes, jot down examples of legal citations to refer to, etc. This really comes in handy!

4) Understand your attorney! Eventually, when you do work with an attorney, identify the type of personality and the type of work environment you like. Some people have a bad experience as a paralegal because they're paired to an insufferable attorney. Some people have a great time, because their attorney is chill, collaborative, and a good mentor. Understand how your attorney likes to do things. How they like to organize tasks, organize files, maintain correspondence, etc. Basically, take their work style, improve on it, and make it more efficient.

5) Network! Alot of times lawyers and law firms are not posting jobs on the internet. It's more word of mouth. So try to network and do legal internships to get your foot in the door.

6) Portfolio! I have a digital and physical portfolio of my work with sample legal documents I drafted, sample case briefs, sample indictments, etc. In today's impossible job market, a portfolio can really help you stand out!

Finally, just have an open mind. When you are in your paralegal classes, it can take a second to get a hang of things. You may also find some patches to be dull and boring. But, the law is very diverse and there are many niches you can go into after graduation. If in the future you want to pivot away from being a paralegal, your experience in law firms or legal offices, can help you enter other fields like business, public policy, etc. A paralegal certificate is truly what you make of it. I kind of see it as a DIY degree!

Hope this helps! Good luck!