itbelihdat

[bucketofcrows]

okay so i played through the first two Zero Escape games and i have mixed feelings about them. but then i start playing the third game and it’s like. how did they drop the ball on character designs so hard. the designs in the first two were pretty good but how did they end up with the most generic looking cast of characters for the third game

[raguiras]

Music Weeks at NRC!

A Twisted Wonderland fan event

For a big event, Night Raven College splits into four large music groups, each with their own unique style and aesthetic. Follow the beat of your heart and create something miraculous!

These are just some quick sketches, but I'm pretty happy with them!

SHARING IS SUPER APPRECIATED!!! ♡♡♡

DEADLINE: none :) // My other ongoing event (ship art trades)

ALL INFO BELOW THE CUT!

☆ LORE ☆

RAGU Entertainment, an up-and-rising music company focusing on young talents, has offered Night Raven College a sponsorship and cooperation! The student body is being split into four large music groups, each with their own aesthetic and style. For every song made by the students, Night Raven College is rewarded with both exposure and money in exchange for promoting the company through the students' music. Some of the teens chose their groups themselves, others were assigned to one; some are performers, others work behind the scenes. Additionally, everyone is turning the music weeks into an unofficial battle — who makes the best, most well-received songs?

The NRC faculty members supervise the groups themselves, and Allen, the Ramshackle student known for his lyrical talent, organization skills and passion for music, is in charge of supervising the event's quality while simultaneously also working as the co-leader of his own group.

☆ GROUP INTROS ☆

Hazard/Riff: hip hop/rock fusion // street style aesthetic // leader: Deuce (+ Allen)

PASTEL BXMB!: bubblegum/dance pop fusion // pastel aesthetic // leader: Kalim

GLOWCHAIN: k-pop/EDM fusion //sparkly, mature aesthetic // leader: Vil

lonely lantern: indie/soft pop fusion // light academia/cottagecore // leader: Silver

The descriptions are rather vague so there's more room for you to be creative.

You obviously aren't limited to these pictures and can expand on the aesthetic as long as it's still similar! Draw your OC in whatever clothes you consider to be fitting.

☆ HOW TO PARTICIPATE ☆

Pick one of the four groups for your OC. Which one suits them best?

Use said group's designated background (scroll down in this post to find them) and make a TWST event card for your OC!

Write some voicelines, such as gacha or homescreen ones.

OPTIONAL: Make a GROOVY version portraying your OC in a music video scene (may be posted separately).

OPTIONAL: Include a few fun doodles or outfit-related stuff.

Post it with the hashtag ragu music weeks, tag (@) me so I can see it, and link this post in it!

I will link your OC's card in the official lineup section of this post.

Writing a fic, drawing something other than a card, or just doing anything creative in general is also allowed! You can obviously mix multiple of these things, too.

I'm looking forward to ALL types of entries.

☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★

☆ RULES ☆

No NSFW.

All types of NRC student OCs are allowed (except for fan children/another generation)! Faculty OCs are also allowed, but as supervisors instead of performers.

Your student OCs can be anything: a vocalist, rapper, dancer, instrumentalist, producer, lyricist, makeup artist, stage designer, director, choreographer, whatever! Just don't make them a co-leader without my approval.

You can obviously enter with multiple OCs!

Making cards of canon characters is technically allowed, but the event is supposed to focus on OCs. (I will draw Deuce's OFFICIAL card and maybe also some others.)

There are no canon ships (other than Deuce x Allen, which is only canon/extremely implied because Deuce's planned event lore is heavily dependent on his relationship with Allen), so please don't bash anyone for implying that their OC is dating/crushing on the same canon character as yours.

Don't make your OC beef with other people's OCs unless they've given you permission to do so.

Don't move a canon character into a different group. The official lineups can be found below.

☆ CARD BACKGROUNDS ☆

Hazard/Riff -> PASTEL BXMB! -> GLOWCHAIN -> lonely lantern

☆ OUR LINEUPS ☆

[Your OC will be added here with a link!]

Hazard/Riff (supervised by Vargas)

DEUCE, Allen, EPEL, ACE, LEONA, RUGGIE, FLOYD, Zian, Estella, Iyad, Estelle, Yuhua

PASTEL BXMB! (supervised by Sam)

KALIM, LILIA, IDIA, ORTHO, SEBEK, Carla, Bonbon, Astrid, Romeo, Fiend, Yumi, Yuya, Forsythea, Ben, Ruby, Victor (links will be added once I've regained them... they got removed 😭)

GLOWCHAIN (supervised by Crewel)

VIL, TREY, CATER, AZUL, JAMIL, MALLEUS, Ryuuni, Viviroe, Stephanie, Erin, Kyoi, Aurinelle

lonely lantern (supervised by Trein)

SILVER, JADE, RIDDLE, JACK, ROOK, Jinx, Cass, Yorrana, Illysabeth

☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★

☆ OUR LEADERS ☆

DEUCE: Having adapted music as an outlet for his delinquent tendencies from Allen and enjoying himself with this form of self-expression, Deuce is the born leader of Hazard/Riff. Not only have his vocals and especially his rap greatly improved by now, but he also writes lyrics together with Allen.

KALIM: Spread joy! Despite it being different from his usual aesthetics, Kalim immediately felt intrigued by the concept of PASTEL BXMB! and knew that this was the group he wanted to join. Through his naturally positive aura and ability to bring people together, he fits them incredibly well, and serves as a vocalist as well as the main dancer.

VIL: GLOWCHAIN has a mature, elegant sparkly aesthetic — it was a no-brainer that Vil would be its leader. The ambitious, talented artist makes sure that the group stands out and draws people in with his preexisting popularity and charisma. He is a vocalist as well as the visual of the group.

SILVER: Being calm, kind and well-liked, Silver is a fitting leader for lonely lanterns, an indie group welcoming to all kinds of personalities and skill levels. With his soothing vocals, good looks and somewhat odd aesthetic, he became the face of the group.

(ALLEN: Being the person who introduced music as a coping mechanism to Deuce, Allen is the co-leader of Hazard/Riff. Not only is he a talented producer and rapper as well as an exceptional lyricist, but he also has a blind understanding with Deuce, and the two spend tons of time together. When it comes to the group, Allen is perfectionistic but enthusiastic.)

☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★

☆ GROUP FOCUSES ☆

Hazard/Riff: Partial usage of instruments. Focuses on rap, rock vocals, and meaningful lyrics.

PASTEL BXMB!: No usage of instruments. Focuses on positivity, good vibes and dance.

GLOWCHAIN: No usage of instruments. Focuses on aesthetics, elegance and good vocals.

lonely lantern: Partial usage of instruments. Has no focus and is the most open-minded group.

☆ INSPIRATION PLAYLISTS ☆

Hazard/Riff — PASTEL BXMB! — GLOWCHAIN — lonely lantern

☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★☆★

☆ OTHER EVENT NOTES ☆

You're very much allowed to include my designs, Allen (his profile is linked in the leader section), or the Deuce x Allen ship (they have duo magic too!) in your OC's card's groovy version. No need to ask for my permission!

Interactions between your OC and Allen are very much encouraged! Feel free to mention him in your OC's voicelines, too.

I'll make a card for Allen, and I'll also make Deuce's OFFICIAL card. If the mood strikes me, I'll possibly also draw official cards for some other canon characters.

I'll reblog every entry on my reblog blog and also link all entries in this post!

If this event ends up being well-received, I'll do a second part someday! So far, the idea is that it would be vkei/electro swing/weirdcore/Europop.

All resources were found on and downloaded from Pinterest, then edited. The event art was drawn by me.

If you have any questions, please leave a comment!

[starlit-typewriter]

Genshin SAGAU, Creator of Teyvat, but not Humanity Part 1

Playing around with the idea of The creator of Teyvat, not being the creator of humanity.

Masterlist | Next Part

~~~

You were never much of a gamer.

Not that you disliked games of course, but it never quite clicked with you the way it did others. You’d try a couple of games on and off, but there would always be a point where it’d become boring.

Not that there was anything bad about the games themselves, you freely complimented the design and effort it goes into making these masterful pieces of art and code.

You just, weren't a gamer.

Until Genshin Impact

You can still remember the day you heard of it.

You were chatting with friends and one of them brought up this new game they saw a promotion for that they were interested in trying.

It was this anime-esque gacha game.

They showed you a couple trailers and promotional materials, and you must admit they were quite appealing.

However you didn’t intend to try it, knowing that you’d eventually drop it and move on.

But your friend still pestered you, claiming that there’s no harm in trying and dropping another game, after all it’s free anyways, so you’re not losing out on anything monetary.

Skeptical, you joined them in trying out the game.

And

Well

Let’s just say your friend got more than a couple of “I told you so’s” that day

It was beautiful.

The art, the music, the characters.

Everything about this game just, clicked.

You understand why people got so obsessed with certain games.

Why they would be willing to pay for things such as this.

Why this is such a large industry.

It’s, well it’s fun.

It was honestly quite frightening how quickly the game pulled you in.

You never understood the term “completionist”, until it started to apply to you.

Every quest, every domain, every achievement

You did it all

Every dialogue, every story, every entry in the archive.

You read it all.

You scoured the forums for bits of lore, and shrieked with your friend every time something new was dropped.

Genshin was all consuming.

It was honestly quite concerning, if it weren’t for the fact it was time gated with its resin cap and limited content, your outside life probably would’ve suffered.

On some level you probably knew that this was not normal. Your friends who were all gamers as well were never as obsessed over a single game as you were over Genshin.

But you reassured yourself, this is the first game that made you feel this way, its natural for you to go a little overboard.

I’m sure it’ll die down as I try out other games.

But you never really did.

No other game, no matter how popular or similar or highly rated.

Other games from Hoyoverse fared slightly better in terms of attention span.

But you always went back to Genshin.

Not that it bothered you.

Genshin was enough, considering you still had real world responsibilities to balance.

And that was that.

Until, well.

Until Fontaine.

You see, you’d always enjoyed the characters of Teyvat.

But you’ve never quite simped after them the way the fanbase did.

You admired their aesthetics and enjoyed their stories. But they never quite drew you in.

Even your main, was quite honestly determined by meta and whatever character you’ve managed to get your hands on.

There was never a “waifu” or “husbando”.

It was always the world and story that drew you in rather than individual characters.

Iudex Neuvillette was an exception.

The exception

He felt right.

You immediately knew you had to pull for him.

So you did.

And playing him was amazing. He was as meta breaking as you’d hoped and, well, you just liked him.

“Your first official Husbando” your friends would tease. You understand why they would go such lengths for a specific character now.

He was special.

He was a Dragon.

He felt, right.

You quite never understood why

Not until you entered the world of Teyvat.

That story,

Well,

That begins from the other side of the screen.

~~~

“I bet we can definitely open up a whole new sector in Fontaine if all goes well don't you think?” Hu Tao chattered as she and Zhongli strolled back to Liyue Harbor.

Zhongli hummed in agreement, only half paying attention to the conversation. He could tell Hu Tao noticed, since she was keeping the topic of conversation to light topics that anyone with half a mind could parse through. Only enough relevance so that he wouldn’t get lost in thought, but not so much that he had to focus on the conversation.

She was considerate like that, he knew since she had let many of his oddities slide, especially when he was still adjusting to mortal life.

Not that he was free from old habits mind you.

Zhongli doubted he would ever truly be able to blend into a crowd of mortal without some level of adept arts concealing his presence, however he was able to blend in enough so that the average nosy person was able to wave off his eccentricities a simply a facet of his personality rather than something deeper.

He cannot forget that it was thanks to people such as Hu Tao who were willing to let him in without many questions that allowed him to get to this point. Something he will be forever grateful for.

Be that as it may, it did not change the fact that some things will forever be kept secret.

His near encounter with the Hydro dragon for one.

Even from the other side of Qiaoying village where he’d made himself scarce, he could feel the amount of blessings placed upon the man.

He truly was favored by the creator.

Not that that was any surprise.

What was surprising was his own blessing.

Though much smaller, he still treasured the gift given to him by the creator of Teyvat.

Teyvat, after all, was a world of Dragons.

It was due to the advent of The Primordial One, did they lose their authority.

Not that many people knew.

Most people didn’t

The true History and creation of Teyvat was kept tightly wrapped, even the most learned scholars of the Akademiya could only infer at what truly happened, as well as the origin of humanity.

The true name of the creator was lost to time, only their title of the creator of Teyvat remaining. The mortals who lived on Teyvat daren’t give them another for fear of evoking their wrath.

They had plenty to be wrathful about.

Zhongli would only imagine his own rage, if anything similar happened to Liyue.

Imagine putting in centuries upon centuries of work only for an outsider to come in, destroy your work and reshape it for their own people. Before proceeding to have the audacity to name him as a contributor to their success and praise alongside such an usurper.

Just imagining it makes him angry.

That is why, the creator’s title is rarely evoked.

Names have power after all.

Names of gods even more so.

To evoke their name, their title, is to ask for attention.

Attention that would be safer left elsewhere.

Not that mortals knew the true reason.

The commonly accepted reasoning was that the creator of Teyvat has long turned their gaze elsewhere, satisfied with the current ruling of Teyvat, having entrusted their powers to Celestia and the Archons.

Zhongli would feel guilt at this blatant lie and rewriting of history if he could.

But he cannot, because to feel guilt would be to regret his actions and to wish something was different.

But he knew that he, along with all of humanity, Liyue Harbor, his Adepti and friends. They would not have existed, they would not have lived, has history played out justly.

The world is not just.

The world simply is.

He feared to an extent that the Hydro dragons would try to force a more cruel version of justice upon Fontaine, condemning them all as usurpers, when they had no idea, or even power over what had happened in the past.

Thankfully it seems that Focalors’s plan to integrate him into humanity worked. Stemming any sort of “justice” he may enact on humanity for the crimes of The Primordial One. In fact, he seems to have great fondness over humanity, absolving them of their sin and saving them from the prophecy that threatened Fontaine for so many centuries.

However, he knew that he was exempt from this mercy. Zhongli knew that when the time came, the Hydro dragon, or well Iudex Neuvillette would spare no effort in holding him accountable for his actions in usurping the original order of Teyvat.

Which is exactly why he avoided the man, dragon? as he did.

“-ello, earth to Zhongli, ”

Zhongli blinked, Hu Tao’s voice dragging him back to their situation at hand.

“Ah, my apologies, I seemed to have been lost in thought”

She clicked her tongue at him, “Aiyyaa, honestly Zhongli, I wonder sometimes if your age is getting to you, I was trying to get your attention for quite a while”

“Is that so,”

Zhongli couldn’t help but smile at her exaggerated groan.

“I was merely thinking about some old history,” he started, preparing himself to finish the history of Qiaoying village that he was telling Hu Tao on their way over.

“Oh no, there’s no need for that,” she waved off, a slight grimace on her face.

He knew how bored she was by the story the way over, so it served as a perfect distraction on the way back to stop her from questioning any further.

“Honestly a girl can only listen so much about the different varieties of teas and their subtle notes and flavoring before she has to burst yo know,” she complained.

“Well, the history of tea has a -”

“Oh look we’re almost there!” She pointed out, most likely in a desperate bid to stop him from droning on.

He was being slightly unfair to her, he knows, but it never ceases to become unassuming when people try to fake interest in a topic, only to regret it when they realize just how much there is to know about it.

Of course it can never compare to when someone has a genuine passion for the topic and wants to engage further, but those mortals are rare.

More often than not, he can use his vast knowledge as a smokescreen too, well, as Paimon would most likely put it. Bore people into leaving him alone.

He waves off Hu Tao as she bounces back home, and allows himself to take a stroll through the streets of Liyue Harbor.

The Lantern Rite was ending, another celebration successfully done under the hard work of the Qixing

He gazed around at all the sights, the lanterns, the food stalls, the beautiful atmosphere of people enjoying the celebration.

No

He could never regret what he did.

Not since it lead to peace and happiness like this.

And

If things are as he suspects.

He may never have too.

He feels it once more.

The glow of the creator's blessing.

He can feel it swirling within him as he steps through Liyue Harbor.

He wonders if they can see it as he does. Sees the beauty and resplendence of humanity.

Look, he wants to scream

They are nothing like The Primordial One

They are good, kind and beautiful.

Humans may not be your creation, they may not have originated from this world but that does not mean they do not deserve to stay.

But he doesn’t

First of all because he feels that screaming these things in the middle of a busy street may attract some weird looks.

But also out of fear, fear that any attempt to disrupt this fragile peace could lead to destruction.

Because it is fragile, it has only been a couple of years since the creator has turned their eyes to Teyvat.

Those who have been blessed have been careful in their own way not to destroy this chance that the creator has given them.

A chance to prove themselves, not only as people deserving of their attention and blessing, but as a people.

To prove themselves just as worthy of the dragons of staying in Teyvat.

Because they all know, in their hearts of hearts, that what the creator has created, they could just as easily destroy.

While some may tease him for his age, there is no denying that with age comes experiences that the younger generation may never know.

He himself, whilst having been born long after the disappearance of the creator, witnessed firsthand how it had affected the world.

How Godly remains tainted the earth for far longer than it used to.

How miasma and abyssal energy started to leak forth.

How Leyline disorders became more and more commonplace.

Teyvat was breaking.

It was falling apart.

But perhaps.

With this new chance, it could be fixed.

He could still remember the day the creator first turned their gaze upon Teyvat.

Or well, more specifically, the first time they turned their gaze on him.

He had heard rumors of an outlander from Mondstatdt making their way to Liyue. Tales of their feats and defeating Dvalin with the wayward Anemo Archon were as prevalent as talks about the upcoming Rite of Descension.

He had taken note of it of course, outlanders were rare after all, but he hadn’t expected this one to be quite, consequential.

Not until he met them.

He felt their approach funnily enough, the unbranded aura they carried within them. While he could’ve written it off as an aspect of their outlander status, internally he knew it not to be true.

He was far too young to have ever met the creator, or even the original dragons.

But he has stumbled upon their remnants.

Pure remnants, unlike the gnosis which have been twisted and altered by the time it had spent in the hands of The Primordial One.

It was, indescribable.

Free, yet grounded.

Unwavering yet fluid.

Swift yet languid.

It

It simply was

It was the essence of Teyvat.

The essence of the land he lived and fought and bled and laughed in.

How could he not worship it.

How could he not fear it.

He had felt Childe walk in with bated breath, distracting himself with his cup of tea to settle his nerves.

What did this mean?

Was this the end of Liyue, of humanity, of Teyvat?

Over the centuries people have accepted the creator’s complacency in the affairs of Teyvat.

What does it now mean that they have focused their gaze once more on this land.

Destruction

Salvation

He daren’t hope or guess.

But

Well,

The Traveler was kind.

They had no ill will towards the people of Teyvat.

While it was clear they had their own mission to stove for, they did not hesitate in helping those they can along the way.

If the creator has blessed one such as them, one so kind to humans, one with no ill will.

Perhaps.

A seed of hope planted itself in him, and refused to budge.

As time went on, the seed grew.

Hope grew.

The tiny seed of hope that he tried so hard to ignore and deny could be ignored no longer when he received a blessing himself.

He could still remember it so clearly.

It was a normal day, nothing out of the ordinary. He went to work, had tea, chatted with passersby.

There were no great feats.

No great revelations, or offerings.

Yet he felt it for the first time.

A blessing.

A pure, gentle, powerful blessing.

He could feel the sentiment behind it, weak as it was.

Relief, excitement, apprehension.

He wanted to cry, to pray. To thank them for giving him a chance, for giving the people of Teyvat a chance.

But fear held him back.

It still does to this day.

That’s the problem with gods, their pleasure and their wrath can often look the same.

Even as he compared notes with Barbatos and the Adepti, confirming that many of them have been given blessings.

While some like Ganyu, rejoiced in this blessing eager for a chance to prove themselves worthy of this world.

People such as him were still fearful.

Fearful of what this meant and what they wanted.

The straw that broke the camel’s back was when he realized that xiangling was also blessed.

Not that the girl knew, after all the creator was very rarely spoken of, only ever mentioned in ancient rites and the most descriptive of history books.

But she had the blessing, a human.

From that point he saw so many others, so many humans, mere mortals given their divine blessing and gaze.

An exorcist, an author, a member of the Qixing.

It spread across Teyvat, whispers as people soon realized that there was a god, an unknown god blessing them.

Granting them abilities beyond their visions, oftentimes enhancing them to levels beyond previously known human limits.

No one dared to say their name, they were insinuations, and speculations, but no one dared disturbed the fragile peace that has settled.

It is an understanding between those who have it.

Those who know, know and those who don’t are kept in the dark.

But it seems that the Creator has turned their gaze to Teyvat and to humans.

~~~~

Masterlist | Next Part

~~~~

Tell me what you guys think!

[vasilissadragomir]

one of the most heart-wrenching things about thg universe is that you feel the loss of who each character would be outside the circumstances of their birth almost as acutely as you feel the loss of the characters themselves.

sure, we know what lucy gray and her family would be doing in a different world; she’d be dancing and singing and making music which defines a cultural identity. but what about the others? would haymitch have been a hilarious, loving father with a family had he not been forced to survive 47 other children’s brutal deaths? would finnick have been a charismatic and beloved actor, bringing joy to immeasurable people on his own terms? would beetee and wiress have worked together to develop technology to make it easier to connect loved ones far and wide? what would reaper and annie have given to the world, or thresh, or rue, or even coral or cato or glimmer or clove?

if katniss wasn’t half-starving and forced to spend each day hunting to feed her family, would archery be her true passion? or if she’d been a well-sustained little girl with access to art supplies, would she have spent her time sketching captivating dresses? she picks up ropes and making fish hooks quickly—could her dexterity have lent itself to knitting, sewing, or crocheting with vibrant yarns and fabrics? there’s so much evidence that katniss finds clothing inspiring and empowering, even when she dismisses it as frivolous. she likes being pretty, she just hates the circumstances under which she’s made to look pretty. cinna shows her that beauty has its own power, and there are several moments in her interactions with cinna and his designs that make me wonder who she’d be if she had space for art and creativity in her life.

conversely, peeta has had art in his life since he was a small child, but for him, art has always been entangled with his trauma. he could bake and decorate well because he learned from his mother, a mother who beat him his whole life. but his talent grows, not only as a survival tool in the first games, but when he paints rue on the floor of the training center before the second games. his art becomes not only a symbol of his trauma, but a means of resistance and solidarity. in a world where peeta’s intrinsic kindness and loving heart had been nurtured and welcomed rather than abused, could he have been a painter, helping people find collective meaning in the simple realities of life?

could katniss and peeta have still found each other in another world, a world without the horrors they were raised with, and bonded over their love of art? could they have been each other’s muses?

maybe they find their way to share art, after the events of mockingjay, as part of their process of healing and falling in love with each other. when they’re finally safe and have been for a long time, maybe katniss fashions peeta an easel for him to paint in their living room. after months of watching him gaze out the window and paint the changing leaves, katniss takes to knitting on a rocking chair in the other corner of the living room to steady her restless hands. they work silently as the days go by, quietly exchanging the things they’ve made to give each other the reassurance and love neither could ever fully convey with words.

and maybe one day, when they learn there’s a baby on the way due in midwinter, katniss takes a page from peeta’s sketchpad and starts to plan a series of sweaters and hats and socks she can knit for the baby. and peeta goes to the little nursery upstairs and starts working on a mural, so the baby will have something beautiful to look at every day. they work together to design the perfect baby blanket for their child, to ensure they will always be wrapped in a layer of protection and love by their parents.

but even if they find creativity and beauty in their lives after the end of mockingjay, the art they make will simply never be what that art could have been had they not faced what they faced. art comes from suffering, yes, but the human condition has so much suffering as is, and we’d never know what kind of art they’d make if they hadn’t experienced trauma of a distinctly sadistic and inhuman nature. but maybe their children, raised in a better world with love and protection and safety and joy and creativity and expression, will be the ones to create the art peeta and katniss never could.

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~

[liyawritesss]

ʟᴏᴠɪɴɢ ᴋᴇɴᴊɪ ꜱᴀᴛᴏ ᴡᴏᴜʟᴅ ɪɴᴄʟᴜᴅᴇ...

-> synopsis: what would life be like to love the worlds baseball darling and secret superhero Ultraman, Kenji Sato?

-> pairing: kenji sato + black!gn!reader

-> from: ultraman: rising

-> contains: pure fluff, gender neutral, mentions of emiko and emi, 2nd person ('you', 'your', 'yours')

-> a/n: these animators need to stop making these kid movies with fine ass main characters bc whyyyyyyy is he so cute??? why do i wanna baby him in my arms and tell him everything will be okay? LET THIS MAN KNOW PEACE PLEASE!!!

-> join my taglist!

-> tags: @badass-dora-milaje @uranometrias @lees-chaotic-brain @jacuzziwaters

Kenji Sato who loves loves loooooovveeesss those subliminal couples pictures. The ‘private but not secret’ ones. They’re so aesthetically pleasing to him and they allow him to show you off to the world while still maintaining an air of privacy that he cherishes deeply from the media. Kenji is proud to call you his, and wants to show that in all ways possible.

Kenji Sato who is heavy on the couples jewelry. He’s already got a couple of notable pieces in his collection beforehand, and they only expand when you come into his life. In fact, the speculations of his love life come from the fact that people were noticing that he was wearing pieces from brands that were specifically designed for couples. Of course, when asked about it, he never goes into depth about it, and just recites how he thinks they look nice on him…and on someone else.

Kenji Sato who introduces you to his mom only after he’s sure that he wants to be serious with you. I have a feeling Emiko is the type of mom to get attached to their child’s partner in the sense of already viewing them as part of the family very early on, and Kenji wouldn’t want to get her hopes up if something were to happen - he can’t stand to see his mom upset. But when he does introduce you to his mom, you two become the best of friends! So definitely expect to be sent on girls day adventures by Kenji, cuz he’ll definitely be treating the two most important women in his life like royalty.

Kenji Sato who requires a lot of patience to deal - I mean, the man has a lot going on. Being the number one baseball player in the world, saving Japan from threats as Ultraman, and caring for the large kaiju baby Emi is more than a lot on anyone's plate. Kenji’s gonna need someone to understand that his schedule is never solid, and plans may fall through from time to time, and thats not because he’s not trying, but it’s because spontaneity runs his life and things can change at the drop of a hat, out of his control. It’s not the life he asked for, but it’s one he must take on.

Kenji Sato who doesn't exactly know how to bring up the topic of him being Ultraman, much less about Emi, early on in the relationship. I mean, how often do you tell someone that you're Japan's legendary hundred-foot tall superhero or that you're the surrogate parent to a twenty foot tall baby dragon kaiju? As much planning that he does on telling you, it ultimately happens in the worse way possible - you end up finding him mid-transition with Emi in tow...now that's gonna be an interesting story to tell. Spoiler: you stay with him, but now he's subjected to jokes about how is ego isn't the only thing that blows up to an enormous degree.

Kenji Sato who appreciates a partner that can not only deal with spontaneity, but is also rather spontaneous themselves. Surprise dates, random gifts, adventurous propositions out of the blue, I think those kind of things are right up his alley. He’s learned to live life in the moment and to the fullest, because it can be taken from you within an instant, and he wants to cherish every moment he has with you.

Kenji Sato who would spend his money on you religiously. He’ll sit in the dressing room with you as you try on armfuls of clothes, only to hand you his credit card at the end of the haul with a kiss to your temple, encouraging you to buy it all if you desire. And don't let you look at something too long in a display window, because he will have it shipped to your address in two business days. Endless trips post-baseball season in secluded locations so that the two of you can optimize the privacy you desperately crave.

Kenji Sato who’s a little bashful and nervous in the beginning, but eases into the relationship as time goes on. He doesn’t wanna mess up something so good that he has going on. Opening up takes some time, as he’s got some high walls that are hard to climb, but once you do get him to open up and bare his heart to you, don’t take it for granted. He doesn't do this to everyone, only the people he feels will truly return the care and compassion he has - so don’t prove him wrong.

Kenji Sato who seeks your comfort in the middle of the night when sleep evades him, leaving him restless and anxious. Most times, its about his mom and her disappearance, a mystery that's never left his mind. If you don't wake up to find him sitting up in bed deep in thought, or trying to tire himself out in a simulation, he finds comfort in just cuddling you, admiring your sleeping form, and talks about the most random things until the sun begins to peak over the horizon.

Kenji Sato who’s sort of in between the serious lover and the playful lover - he’s maturing in his emotions and how to deal with his past, learning how to communicate better and express himself healthily. Simultaneously, he’s a goofball and a jokester reliving a bit of his childhood in his love with you. Playful banter, jokes and teasing are equally as present as the late night talks and the deep conversations the two of you share.

Kenji Sato who tucks the chain that has his promise ring on it close to his chest, and on game days, rubs his thumb over the gold band for comfort and assurance before he heads up to bat. During championships, he'll ask you to kiss it for good luck, and when he wins, he of course accredits it to you being his 'good luck charm'.

Kenji Sato who loves deeply and fervently, with compassion and the entirety of his heart, who will do his duty and love you unconditionally an proudly while shielding you from the cruel and prying eyes of the public, letting you know time and time again that it will always be you he chooses, no matter what.

If you enjoyed, please leave a like, comment, and reblog for others to see! And don’t be shy to send in a request!

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

[science-lings]

okay this has been going through my mind for days and I have to get my thoughts out before I explode

Disclaimer, this is not talking about a specific artist/person and would never condone or participate in anon hate or online bullying for any reason but especially this one. 

I get why people are mad about Link being portrayed as this buff, hypermasculine, tall guy. I am too (again don’t fucking attack people over it though) and it seems like such an infuriating way to change the character just to fit into some ideal of hypermasculine attractiveness or to make a ship fall into a more hetero lense by making him a decent foot taller than whatever girl he’s being paired with. 

The world of video games and action movies and every form of media ever is extremely saturated with male characters that are swole and manly and whatever other descriptors people are trying to push onto Link that don’t fit into his actual character. There are so many characters out there that already fit this male standard and having a clearly androgynous elf guy was like a breath of fresh air. 

Link was literally designed to be a character whose lines on gender were blurred, ‘a girl with a masculine touch or a guy with a feminine touch’ so that anyone could project themselves onto him. His physical design in botw/totk was specifically made to be feminine enough to wear a certain outfit to pass as a woman (which includes a nearly mandatory cutscene where he puts on the clothes and blushes after being called pretty, like you have to be blind to think that its an experience that he doesn’t like at all) and in totk there are a bunch of outfits made for Link that are blatantly gnc, ones that are practically dresses, include nail polish and lipstick, you can even dye his hair bright and vivid colors and that’s half way to giving him new pronouns. The whole reason Linkle isn’t included in more mainline loz games was because her existence would force Link into a gender dichotomy, if there's a clearly female version of the main hero, that means the main hero has to be a man, and they would rather abandon a potential reoccurring character than make Link conform to a gender binary. 

So pardon me when it feels disingenuous and even malicious for him to be morphed into these clear masculine ideals, where he towers over any female romantic partner (even when in canon he is regularly depicted as noticeably shorter than her) or even in m/m fanworks he’s really beefed up, perhaps to make the scene feel more gay or something. 

Perhaps it’s because his more twink-y/ femboy body type is so heavily sexualized (though obviously when people are sculping abs on him it’s totally not because they’re horny about it) and that’s an issue in itself that bothers me. But it’s just so tiring to see one of the very few popular main characters who is short and feminine and androgynous be molded into just another bland muscle-headed action hero over and over and over again. 

I’m not mad at the creators for portraying him differently than how I like him portrayed, I’m mad because we really do get so few characters like him in good popular media, and to be honest, I really like him the way that he is. I love that he’s tiny and has long hair and has the option to dress any way the player likes. It seems a little distasteful to make him taller than a female love interest just because that’s how straight couples have to be, there’s just never been a real straight couple where the guy is shorter than the girl, that’s just Impossible! (/s) 

[enemywasp]

Alright so someone on tiktok sent me a link to a compiled list of arguments against proshippers and so I wanted to put a sort of brief response of my own thoughts of each point.

Long post warning!

"Proshippers are non-offending minor attracted people in a fresh paint of coat"

What a start, am I right? Okay so first off this is a huge generalisation, not every proshipper engages with or is even comfortable with anything that sexualises fictional children, or ships them with adults. And of those that do ship adult/minor ships, it doesn't always mean they're attracted to the character themselves or gains any sexual pleasure from that.

They then went on to say that although they might be non-offending, they still fantasise about and romanticise children- in the case of proshippers by creating art and stories. And I am not personally educated enough on how people's minds works to go in depth here, but I do know a lot of pedophilic thoughts can be intrusive and unwanted. And I would much rather people engage in this and deal with their thoughts through fiction where no actual children are harmed, than actually go touch a real child or engage is any form of CSEM.

“People can draw and ship whatever they want!”

Here they went on to say that surely to ship and create content you must justify these things in some capacity regardless of them being fictional. And immediately I'd argue, the justification it that they're fictional. And that sometimes you want to read about things you'd never approve of in real life, it's a natural curiosity. And again, regardless of what the dark content is I would take someone engaging in fiction over harming a real person any day.

They compared this to alt-right groups and dark humour justifying racism and transphobia, etc. And whilst I think something we should always be aware of in fiction is stereotypes and how we may be representing people. Youtube videos like this are usually a type of propaganda that AIM to change people's mindsets and turn them against groups. Whereas fiction tells a story, some may have meanings and connections to real life, be a political piece, etc. Not everything is that serious and has a clear distinction from reality.

Think for example, reading/watching about murder and gore. More on that in a second.

"Fiction doesn't affect reality!"

I'm going to be honest I rolled my eyes at this as their main example was slenderman. If you don't know about that, those girls were schizophrenic. Anything could of set off and caused delusions, it just so happened to be fiction. Those girls needed help- not to just read purer content. They also basically brought up propaganda again, which is again deliberate and designed to warp peoples perceptions. Its based of lying and spreading misinformation and passing it as facts. The only thing I strongly believe can be directly harmful is stereotypes if not handled with care. But I think that's something for anyone who writes and consumes content should be aware of regardless of their stances.

Again here they implied that all proshippers are peodophiles. And that they normalise abuse of children. I'd also like to point out that most proshippers I've interacted with online have age boundaries to avoid interacting with minors depending on how graphic or sexual their content is.

"What do you think all stories about murder should stop existing?"

Here they basically argued that killing in media isn't the same as its not romanticised or condoned. YA Novels disagree- mafia stories being the most immediate example to spring to mind. Furthermore, morally grey villains. One of my favourite films is Mr Right. It's about a hitman killing people. Anna kendrick falls in love with him and its framed as a romantic comedy. Funny how its only fanfiction that's criticised like this? I actually have more thoughts on this if anyones interested.

Again they bring up kids not knowing adults pursuing children is wrong, and I'm questioning why children this young are unsupervised on the Internet. How young were you when you were allowed to watch anything with graphic blood or violence? This content isn't made for kids! Especially not anyone so young they can't seperate fiction from reality as most sites have a specific age you have to be to join. And I'm sorry to say it, but on websites and social media where adults can interact with kids, anything can be used to groom kids. (The real thing you should be mad about here is how there's no websites aimed just for children and safe spaces on the Internet anymore cause it can't be monetised as easily)

"Artists are allowed to draw and write about dark people"

They basically said, yes but it's not the same as promoting. Writing something under a romantic light and not saying "Don't do at home!" Isn't promoting. No ones encouraging these things in real life. Or rather, if they are its not because they're a proshipper but rather who they are as a person and their intentions.

The trans example they used is very extreme and honestly something I agree with a little more, fiction can definitely be used as an excuse to say and act out hateful and discriminatory things. Whilst I do think it's something we should discuss and unpack more, I'm not certain of my view on how I would fix this without risking silencing people talking about their experiences.

"Its not my responsibility to look after other people, just block me and the tags"

Here they threw all kinds of accusations. And says that we're making traumatised people jump through hoops to avoid getting retraumatised. I hate this argument, you know people have actual triggers they may not be able to avoid in real life? The world can't bend around you. And I am very sorry if any content online is traumatising to you, but someone could also be traumatised by a certain breed of dog and not want to see it. Should no one post dogs online ever again? A bald man reminds you of an abusive ex? Bald men get off the Internet! You see how this thing can just keep escalating? The tags and warnings are important because they're the best you can get. You can't control the world to protect everyone from everything ever. No ones forcing you to interact, and if you're on any algorithm based content that will encourage that content on your for your page more.

The only thing I think we should take from this is the reminder that warnings and tags are always important.

"You only care about censoring creativity"

Here they defend themselves that oh wouldn't you want freaks out the community! Which again immediately makes me lose respect for you, if you're just going to brand us all as freaks as an argument and generalize us.

No comment on that first line when you can easily argue antishipper do the same.

"Proshippers are not remotely innocent of targeted harrasement" Neither are antis. There's people who take things too far both sides and I'm not going to defend either for that.

"Real kids get assaulted and all you care about is censoring people online!"

Here they shout "oh I can care about both!" But what I don't think they realise is censorship can make it difficult for kids and to learn about how to speak up and to look for signs, or to speak up about their experiences. How do you plan on removing the topic from the Internet whilst also letting victims speak up? And people may want to write fiction based off their experiences. Who are you to go through it and proclaim what is too far, what romanticises it too much? More on this later.

"Antis are reducing my trauma"

They compared this to saying "date rape victims are reducing my trauma because they weren't taken advantage of in the same way as me" which is a disgusting parallel?? Date rape is still rape. Someone writing about something isn't the same as it happening. Although it can be used as harrasment, grooming, etc if directly addressed to you or being constantly sent to you, written about you. But the content existing in general? No.

"I'm coping"

Compared it to self harm, and such. Poetry and diaries are also used to write about your experiences and unpack trauma. Some of which may write it in an unrealistically positive light cause that's how they want to unpack it or explain those thoughts. And yes these things get posted online.

I can't imagine a single therapist or professional psychiatrist of any kind disapproving of creative writing because, again, it's much better than any alternatives of doing real harm to yourself or people around you. Although I do agree that if something is traumatising for you to read about and just upsets you further, be aware of your own boundaries but not everyone is the same so how are you going to police people's own thoughts and emotions.

Also I can't remember who or where as it was years ago now, but I have heard of people who actually realised they were being groomed or abused and just how bad it was through reading about it in a fanfic and seeing it in an outside perspective.

They also say to do it in private, but doesn't everyone on the Internet now have an understanding of finding a community and looking out for eachother and sharing experiences?

"There's more nuance here than just calling proshippers peodophiles"

Here they say no matter what it still comes down to whether it's ever okay to sexualise minors in certain contexts. And again, not every proshipper does this or is even comfortable with engaging in this kind of content. And further, no one is sexualising real minors in this context.

"I'm a proshipper and a minor tho!"

I'd agree minors should be wary of the spaces they're in but proship spaces aren't always necessarily sexual, graphic or 18+. Saying they're being groomed feels like you're watering down that term. I was a proshipper at age 13, I didn't interact with anyone online about it though, I didn't even know that was the term. I just came to the conclusion that it's just fiction all on my own. Minors aren't idiots.

At then end they talk about their own experience being groomed and I'm obviously not going to nitpick or criticise their experiences. I will point out that one person being bad and taking advantage of you and using content to do so doesn't mean everyone is like that. I am sorry to anyone who has been taken advantage of by someone who claims they're a proshipper though. There are people who have turned out to be horrible on both sides.

I am ill and it's late but I want to get this up sooner rather than later so please ask for clarification on anything. I'm always up for a discussion on this topic as I do believe some of these points do have merits at times and that this whole topic is not black and white

[deacons-wig]

I'd prefer if we never got to see the origin of Vault Boy and Vault Tec's branding in the same way I'd rather not get a canon answer of who started the War or how. That's the point of War Never Changes.

Vault Boy is a sinister figure in his cheerful embrace of Armageddon. Giving the Vault Tec brand a face and a name and a backstory feels so unimportant to what is actually interesting about Fallout. What's important to me is the big picture pre war, and the details of what comes after.

What is interesting to me is exploring how propaganda is designed to convince people how close they are to annihilation--or homelessness, unemployment, obscurity, or being The Other and therefore destined to suffer--in hell, in oppressions, being ostracized. Honestly insert any sort of marginalization or suffering here. Crony capitalism uses propaganda to market products designed to manipulate people into buying distance between themselves and that annihilation. Putting themselves "behind the thumb" of Vault Boy, so to speak. Buying a lifestyle. Vault Boy does it with a wink and a smile, inviting those who can afford it to buy their way to safety while using capital and fear to perpetuate the cycle. I don't need the specifics to understand this.

Some ghoulnaysis below the cut:

I'll admit, my initial reaction to pre-war Ghoulgins being the inspiration for Vault Boy was funny! Mr. Cooper Howard, washed up actor experiencing an existential crisis being shoehorned into corporate propaganda that then haunts him for the next 200+ years? Selling manifest destiny, racism, the Rugged Individual, the revisionist history that cowboys were a) white and b) more than a brief footnote in the history of the colonization of North America's west. The commodification of entertainers/creatives/public figures. Selling identities to be packaged into a product that will outlive them? Only to have that person live alongside that role they regret (?) playing... kinda tasty, if we have to give Vault Boy a backstory, though I didn't get a clear sense of his actual feelings about being used as a propaganda guy which I think is a failure of the show to commit to the narrative they set up, which happens with a lot of the show's (lack of) engagement with Fallout's larger themes anyway.

But The Ghoul (stupid name!!! weird and boring choice!!!) is just such an uncompelling and repellent character to me. I love a good bad guy or even anti-hero, but honestly he lacks any interiority. He's an evil karma character (eats people, waterboards and mutilates people, sells people to organ harvesters...like? that literally makes you evil in the games...) but the narrative pushes him as an antihero or someone with gray morality because he what..."likes" dogs? And isn't as decayed or unsettling looking as other ghouls (implying handsome=good or interesting). People aren't afraid of him because he is a ghoul, they're afraid of him because he's evil and will hurt them! Sometimes for no reason! I see the callback to the director telling him to shoot his co-star and Cooper saying he's "the good guy," but is that why he becomes so fucking evil post war? Really?

I don't know why he does what he does other than...the world sucked before and sucks now so he might as well represent the basest of human behavior? That seems to be the thesis of the show--unless kindness and community is engendered (by the vaults, by Management, by a civic government, by corporations) people will descend into chaos.

So why have this poorly executed anti-hero be the origin of Vault Boy? What are the narrative choices being made here? Is it just Rule of Cool?

Personally I would like a pathetic, rotting wet cat of a ghoul, some sort of carved out husk of a washed up movie star either trying to relive his glory days, or avoid them--having given up hope of finding his family after 200 years--being dragged into Lucy's orbit and being constantly reminded of his Vault Boy fame, that she is a walking Vault Girl with her Okey Dokey's and Golden Rule. He'd be a joke, a footnote of the old world. He'd be mean and snarky, even unpredictable and uncooperative--have a public persona of friendly curiosity and a private, cynical one.

Pathetic Ghoulgins would remind audiences of the cost of capitalism and imperialism without resorting to the thesis that war never changes means that people are inherently cruel and will resort to violence, rather than existent corporate and political power structures intentionally create the conditions in which people accept perpetual cycles of exploitation and harm for the sake of their own safety and comfort, despite knowing the cost of maintaining the status quo, and not seeing or believing that distance between the status quo and total annihilation is measured by the smiling thumbs up of a cartoon mascot.

I'm sure there are other ways The Ghoul could have been a successful character as well but.... That's satire. That's interesting. That's Fallout.

[tempestmothstorm]

ok ok so I was just going to draw long haired Sayori but then I came up with a bunch of elementaryish aged designs and now I came up with a bunch of headcanons and more sketches so woohoo lots or text under cut open for more headcanons (also idk why tumblr made the image change quality that is not the same colour or quality I had it in)

Yknow for some reason I just can’t imagine Natsuki being like a happy kid in the past like at all. I think it’s like a “kid who obviously has a bad home life and acts out because of it but nobody’s gonna to actually try to do anything about it so they just put her in detention” kinda vibe. I don’t think anyone outright hates her since she probably would have brought it up in base game/side stories, but she isn’t exactly a beloved member of the school either

In the side stories she talks about being very different in the past and specifically going through a really edgy ‘I hate everyone phase’ in middle school. This isn’t a middle school headcanon but I feel like her being kinda bitter before the total edgy phase makes sense.

I think in contrast to her having a super defined sense of self present day, Natsuki here was a lot more identityless and unsure about what she wants. She gets really into cutesy stuff in the future but here she leans a lot more into the angry side of her because she doesn’t really understand a lot of what she’s feeling. It’s why I didn’t really give her a unique hairstyle, if she had something she’d actually like I don’t think she would have changed it to the pigtails

Also her clothes are kinda bad and has a hole in her sleeve since she doesn’t really get a lot of clothes due to obligatory ~home life angst~ but this post isn’t about that so

She gets into manga pretty early but just kinda enjoys it casually on a surface level thing. She drops it for a bit before picking it back up, and suddenly understanding what plot and themes are lead to her going insane about it until present day.

She’s into skating because I said so

It also makes a great explanation for why she gets a broken arm and why she always has a bunch of bandaids :))))))))

Ok I might also just like giving character designs bandaids

Tbh I forgot if they said Natsuki’s friends met in middle school or not but I think it still applies since they probably knew her through every cringe phase she had (including the fanfics). But either way they were probably one of the few people to actually give Natsuki a chance which is part of why she puts up with their bullying so much. Throughout every phase she might have had they made fun of her every step of the way, to the point she’s just kinda used to it now. Doesn’t help that she thinks her old self was cringe, so by present day she just assumes she deserves whatever bullying she gets from them. Girl needs to have compassion for her past self. And present self tbh

While Natsuki was cringe in the ‘I hate everything’ way, Yuri was cringe in the ‘I am a massive nerd for cringe pieces of media and am going to make everyone aware of that fact’. At least that’s how they see themselves now

She’s a lot more open to talking about her interests. She can and will yap to random people with little to no prompting because she hasn’t really learned yet that people would be put off by it

She’s not overly social but more willing to chat with others with a polite and friendly attitude. She hasn’t been hurt yet so she is filled with joy and whimsy and is overall more cheerful compared to present day

She has her hair like that so I could give the vibe of ‘cheerfully annoying and/or adorable☝️🤓’ nerd archetype instead of ‘would rather become a speck of dust than talk to a person’ nerd archetype. Her hair is generally more dishevelled to show she’s more naive and less elitist I guess. She also isn’t as good at taking care of her hair yet so it looks kinda bad in a charming way(her school would not agree)

Her bangs being up with the headband shows her being more open and willing to be vulnerable to others in a way that’s lost in present day, where her long bangs hide a lot of her face in that one sprite. Her forehead is a metaphor 😭

I don’t really have parent headcanons but the cardigan is from her mom. I just think it’s cute

Random headcanons idrk where else to put but since that one act 2 sprite just borrows the teeth from Natsuki I like to think her teeth is also weirdly sharp it just doesn’t stick out as much. People think her teeth are creepy though so she tries not to smile with her teeth. She doesn’t care to smile like that anyways since she doesn’t really know how to in pictures (me projecting) and her natural smiles are a lot more subtle/don’t show teeth so it’s all fine.

Stating the obvious here but she was totally outcasted by like most of her school. Most people thought she was weird and her enthusiasm off-putting so they’d try avoiding her. She doesn’t really know why they think she’s off-putting though, people just start avoiding her for no reason. A few would go out of their way to bully her too, which ont added fuel to the iscolation fire, which ended up give her massive vulnerability and self esteem issues. Shocker ik. It takes a while to fully break her down from here to her high school self but it does mess her up a lot even then. At this specific point in time though she stills has her innocence so dw it’s fineeeeeee

Her anxiety issues are also there but she still has enough of a positive attitude to go ‘hey this sucks but maybe this time talking about my interests will work and they’ll actually like me!’ even if it didn’t work the last time. She doesn’t really know how else to talk to people so she keeps trying the same thing hoping maybe this time it’ll work out.

Uh.

things get worse. you probably know that

Sayori still the sillyyyyy

But tbh she probably changes the least compared to present day. I mean she gets more mature and less starry eyed but her mask is basically the same as her kid self. I don’t have as much to say on that specifically cause compared to the rest she doesn’t change that much

Yeah Understanding said she used to have long hair but cut it since she couldn’t really take care of it. I feel like even before the depression got worse she sucked at taking care of it because she has the self proclaimed attention span of a donut. Her hair is really scruffy and if you tried to comb it would probably hurt a lot. So she doesn’t ever

Her and mc are still the the goofy-goober and straight man dynamic they have in base game. Sayori drags mc into some shenanigans and mc tries to help her get out of trouble. He also has less of an ‘I don’t want to be seen with this cringe’ attitude he has a bit of in the base game since he isn’t as concerned with reputation because he’s like 7, so he’s more open with being directly nice to her. He acts a lot more genuinely with their friendship overall compared present day where he finds it a lot harder to earnestly share his appreciation of Sayori as a cool sigma male

A lot of their banter is light hearted, but Sayori doesn’t start interpreting his teasing for actual criticism of her character until a little later into their relationship. His jokes probably hurt more in hindsight when they do end up drifting apart because his lighthearted jokes stated feeling more real.

It’s sorta implied in side stories that there was a point where everyone found out about her depression and was worried constantly about her. It probably was from an old friend group considering nobody else seems to know about it, but I feel like mc drifted apart before that considering he doesn’t know. I think they became friends again by sides stories, but considering he doesn’t act like he’s as concerned for her well-being as he is by the end of act one, he probably wasn’t there when everyone else found out and therefore doesn’t know about the depression here either. Idk though side stories have different continuity apparently so who knows maybe that never happened or maybe he’s just stupid

Yeah of course she still has depression here. It probably got worse over time though since I feel like her constant silly oblivious persona would have came from somewhere. She is naturally pretty upbeat, it’s just that she had to lie more over time in order to keep that idea going. Now she feels like that old her is basically dead, with her just masquerading as someone who isn’t there anymore.

She’s like the only one here who has a positive opinion of her past self, to the point where she actively wants to go back and be that person. In a way she still is that little kid, but at the same time things can never go back to how they were. Uh yeah but she still hates herself so I guess no one gets to reap the rewards of caring for their past self.

She also trips constantly. I don’t think it’s that surprising

Since Monika has the least specific info on her past I got to be a bit silly about it and make up as much as I wanted.

She is like completely different from her present self. Similar to Natsuki she’s also sorta identityless but in a weird quiet gifted kid sorta way instead of an angry lost child sorta way.

She’s pretty quiet and doesn’t talk much. With a pretty expressionless face and more deadpan voice she kinda gives creepy horror movie child vibes but the type of child that appears before the horror actually starts (which is to say not actually scary but just kinda weird) (I just realized a lot of this is just me projecting what I was like as a kid but with less prep energy)

Yeah she’s extroverted but at this point she doesn’t really seek out people until she starts actively trying to boost her image

She doesn’t really have many hobbies outside of being a teacher pet and if it weren’t for her stellar grades she totally would of been bullied, but she’s nice enough to help people study so she’s safe

She isn’t really the most popular in school until high school. She does start out as the token prodigy gifted kid so everyone expected her to excel in everything so on a whim she’s like ‘ok guess I’m doing everything now’ and it’s totally not going to alter the course of her life forever

She likes the validation and wants to live up to the expectations so she starts leaning super hard into the perfect image. She gradually starts joining clubs, getting cool achievements, studying for those straight A+ grades, talking to people and networking, and overall changing her image from quiet kid to strong confidence friendly student who’s going to go far. Awesome

She kinda had to train herself to not be weird creepy child and would practice smiling, facial expressions, being more sociable, talking less deadpan, etc. She has a lot of “fake it till you make it” vibes in the side stories to the point I don’t think she even realizes she’s doing it. I imagine her going from weird little kid to most popular high schooler around was like wearing the mask until it became the real thing.

Tbh this whole design started because I really like the headcanon design of her bangs covering her eyes. And then I gave her a stripped shirt because it felt generic but also not boring but it ended up making her look like one of the seven human souls lol

Honestly if I could describe her vibe here in one sentence it would be utdr protagonist but like in prep school

ok that’s it idrk how to end this but thanks for watching hit the like and subscribe and

[bikiniarmorbattledamage]

So recently Square Enix launched a new game where the premise is that the protagonist is the reluctant hero of a fantasy world they find themselves in, having been born and raised in New York. It recently got some loud pushback from people who were upset that protagonist... lemme check notes... sounds like a sassy New Yorker.

Fortunately, the actress has had the perfect attitude toward it:

Now, the game has not been getting spectacular reviews, and the reasons for that vary but I'm not here to talk about trend of critics (well meaning or not) raising standards for products say... starring a black woman and having a mostly female cast, or even about problem of Sacrificial Trash.

I want to talk about this as a good example when we talk about "protected by magic" outfits.

Frey is a New Yorker now blessed with magical power, she has never been trained in armor use, doesn't own armor and so... wears comfortable and practical clothes like you would expect. The whole look conveys an interesting look of a modern person with practical sensibilities in a fantasy world.

She has two main kinds of magic items - cloaks and necklaces. Both items that can be worn over clothes without sacrificing practicality.

She also has a unique, widely considered feminine option for store her magical powers - her nails.

As well as being one of the most innovative expansions into fantasy magic I've seen in mainstream for a while it really also goes a long way to showcase what, so often, is the actual crippling flaw with the "doesn't need it because magic/badass/etc" rhetoric.

Not because you can't have an interesting design that avoids armor etc, but because it's pretty much always the same nonsense with going overboard with designing pseudo-porn and then trying to justify it after the fact rather than exploring possibilities and playing with ideas about what x would mean for y.

Also can we please have more games with character designs like this in them, I'm still thinking about how cool this boss intro was:

-wincenworks

[unseemingowl]

Saga Anderson, and Nordic rep in Alan Wake 2

Early on in Saga Anderson’s exploration in Alan Wake 2, she runs into Ilmo Koskela. Fiercely proud of his Finnish heritage, Ilmo gregariously makes note of Saga’s Nordic sounding name and the familiar design of her knitted sweater. Perhaps a fellow Finn?

Alas no, Saga’s mom is Swedish she informs him. Immediately Ilmo’s face falls. I’m not sure if it’s actually just the animated character defaulting to his resting face, but either way the timing is too perfect. Cue uproarious laughter from me. People in the Nordics are on friendly terms of course, but we gotta have the tiniest bit of… scornfor each other. All in good fun of course. It’s traditional.

Now, I’m Danish, not Finnish, but still, I feel right at home in the towns of Bright Falls and Watery in Alan Wake 2. All of the little nods to Nordic culture and mindset feel so wonderfully familiar to me. The melancholia, the irreverent sense of humor, the affection for the Finnish and Swedish quirks of the characters. The game feels all the stronger in tone and narrative for Remedy embracing the Finnish roots of the studio.

Which is exactly why it sucks that I almost immediately saw the charm of those narrative decisions weaponised against Saga.

I first watched the scene between Ilmo and Saga on a lets play when I was trying to figure out if I should finally dip my toes into survival horror and buy the game. Delighted by the writing I took a look into the comments to see if people were vibing as hard with it as I was. They were. But I also saw a comment that made me frown.

Paraphrasing, it basically went, come on, like hell a guy like Ilmo would make the assumption that a black woman is Finnish. There are a multitude of reasons why I think that person was wrong, mainly that Nordic people love it when we run into each other in other countries, but it also just made me sad.

Saga being black does not negate her Swedish heritage. Formally, she is American, sure (I assume, not sure how that works in the US), but she’s raised by her single Swedish mom, of course she’s going to identify heavily with that part of her herself. It’s a profound and essential part of who she is.

But hey, I’m a white potato Dane, so I’m not gonna argue that I know much about the experience of being biracial. I’m gonna stick to what I know, which is that Saga is a very moving and beautiful example of something that I’m actually not used to seeing much of - a story about connecting with your Nordic heritage and roots. And it’s part of why I love her so much.

When Nordic people show up in big, international productions, it’s usually as Vikings, and sure, it’s fun to see our wild ancestors, but contemporary questions of Nordic identity and heritage is not something I often see explored. Not even in our own productions.

So much of Saga’s story is about family. Fighting for her current one, Logan and Casey (and sure, David too, lol), and rediscovering her first one. Tor and Odin.

Her discovering her ties to Tor and Odin is profoundly moving and made me teary-eyed several times over. And sure, a lot of those ties are fantastical in nature, but they still feel very much grounded - and what makes us Nordic if not the ties to our myths and legends that Tor and Odin have made themselves the living avatars of.

While Saga’s mom, Freya, had good reasons for leaving the Anderson seer magics behind, seeing them as part of what made her family fucked up, she also cut Saga off from the fullness of her capabilities. It is only through Saga reforming her family, healing its scars and fully embracing the Anderson heritage that she becomes as powerful a parautilitarian as she is at the end of the game. That’s beautiful.

And in fact I think Saga being black only deepens the richness of those themes rather than negate them or make them irrelevant. Because yes, Saga’s story would have been moving if she was a white character too, but I am very well aware that a lot of biracial people of Nordic ancestry can feel alienated from that part of themselves. Not least because questions of who gets to claim a Nordic heritage can get pretty ugly around here. There are most definitely people who share the racist mindset of that commentator. It adds an extra dimension. Which is why seeing Tor and Odin’s eagerness to claim Saga as part of the Anderson heritage is all the more moving. Through her magics, she’s just so obviously an Anderson, and they’re so damn proud to call her theirs and fight alongside her. Because they all got that wild Viking blood in them. They’re part of her and she’s part of them.

Roger Ebert, the film critic once called movies empathy machines. I think games, when they’re at their best, can be an even more intense variation of that. Which is exactly why it baffles me that some people can play through Alan Wake 2 and still think Saga is a stunt-woke character rather than someone fully and beautifully integrated in the narrative. A narrative which, at its most basic level – in my opinion – is about the mystical bonds we form with each other and the rest of the world through art and love and blood and family and heritage. All the great horror doesn’t negate that either, it amplifies it. Kind of like that clicker.

[theresattrpgforthat]

Do you know of games where acquired 'detriments' (such as scars and traumas) give players unique benefits rather than being seen as strictly detrimental?

Preferably ones where its not just "Get a bonus when this causes a problem"

Theme: Helpful Detriments

Hello there, I had a question similar to this back in 2023, so I’m going to redirect you to my Curses recommendation post first, because there might be something there that fits what you’re looking for. Then we can top off that list with a few more!

When I think of this kind of thing, I think of three categories: horror, the paranormal, and cyberpunk.

External Containment Bureau, by Mythic Gazetteer.

External Containment Bureau is a game of paranormal investigation and bureaucracy using a lightweight, hackable version of the Forged in the Dark design framework. You play as trained agents of the External Containment Bureau, an organization tasked with the study, identification, and containment of paranormal phenomena.

The Bureau authorizes agents to make use of these phenomena to give yourself incredible powers (so long as the proper forms are in order). But take care: using paranormal energies inches you ever closer to joining the ranks of the paranormal yourself. Will you transcend humanity in the line of duty? Play to find out.

ECB gives your characters special paranormal powers during the course of play, and whenever you take enough resonance (ECB’s Stress mechanic) you mark another one. Your character can take up to 3 powers before things get tricky: mark enough resonance to get your 4th power and you are no longer a playable character - you get promoted, demoted, or transcend past mundane existence. If you were to hack this system, I think you could flavor these powers and abilities to make them feel more like curses - in fact, I think Congregation, by DM Rawlings, does something like this.

Urban Shadows, by Magpie Games.

The streets bleed shadows as the supernatural politics of the city threaten to swallow you whole. Will you die a hero—a savior for those who have never had enough—or live long enough to become the villain? Will you fight the darkness…or give in for power?

The choice is yours. 

In Urban Shadows, your characters are constantly wrestling with the opportunity to be really shitty people in exchange for Corruption. Each character has a special move that entices them, such as the Spectre’a move “witness a scene and do nothing” - which gives you corruption. Mark enough corruption, and you get more powerful - like the Spectre’s Telekinesis ability.

Of course, the more Corruption moves you have, the faster you take corruption, and once you’ve maxed out your Corruption limit - well, your character isn’t really a hero anymore, are they? (Which is why the GM gets control of them, and you make a new character.)

The link above is for the 1st edition. The 2nd Edition Quickstart is a teaser of what's coming soon.

Heart: The City Beneath, by Rowan, Rook & Decard.

Heart: The City Beneath is a complete tabletop roleplaying game about delving into a nightmare undercity that will give you everything you’ve ever dreamed of – or kill you in the process.

It is a dungeon-crawling, story-forward tabletop RPG from the designers of Spire that focuses on what characters have to lose in pursuit of their dreams in the chaotic darkness beneath the world.

Heart is known for many things: its juicy setting, its utilization of the classic dungeon crawl, its body horror… but the horrifically gorgeous descriptions of the characters are what we’re here for. Watch your characters slowly hollow themselves out and give themselves over to whatever dark power has given them unique abilities. These characters will get more and more powerful… until they reach the final session, where everyone goes out in a big blazing, gory mess.

The Fallout system also gives the GM a chance to give characters interesting trauma and wounds, but they also could help generate interesting Beats that players want to work toward in order to level up. I think mechanically, this recommendation might have a loose connection to what you’re looking for, but thematically it might still be close.

Doll.Bod, by curatrix-ribston.

In a City of neon lights and shimmering pools of acid rain, the world ends a little each day. Hunger and sickness walk the streets like the ripper in the tales of old, taking those that the system casts aside. 

There is a way out. When you've got nothing else, you can always mortgage your body. The corpos have use for an object's flesh, for those they can augment without having to care for those pesky regulations. They're just playing with dolls really.

Dolls that they send on the jobs you can't actually send your employees on. They're not comitting crimes, just making creative use of their property.

That's what you are now. Their property. Maybe, with time, you can be something else entirely.

Let’s talk about Doll.Bod.

You are really cool cyborgs, with really deadly abilities and useful skills. You each have special abilities like the Razor-grrl’s skin razors that can cut at the slightest touch, or the Seamful, whose blood can heal herself every time she gets hit. The catch is: you don’t have control of your body. Your body has been sold, and the corporation that bought it is using it as they please. In play, this is often represented by other players at the table making decisions for you about what your character does - with safety tools in place, of course.

Not only that, your own special abilities harm your character in certain ways - for instance, The Razor-grrl can’t engage in physical intimacy with anyone, because she’s likely to hurt them, while the Gargoyle can’t turn her eyes off - until they short out, that is.

Other Games I Talk About Ad Nauseum...

Apocalypse Keys has a Ruin track similar to that of Urban Shadows, giving your characters more and more powerful abilities that encourage their descent into monstrosity, constantly pushing them towards ending the world. It’s not necessarily a bad thing either - sometimes the more satisfying outcome is tearing down the whole organization and rebuilding anew.

Those of Us Who Know Better has superheroes whose power always comes at a cost. In one way, you could see this as a detriment with a bonus (having to do certain things to get access to special powers) although I acknowledge that it might be a bit of a stretch.

Numenera has a lot of random mutations that can happen to you if you choose to use the random tables at the back of Destiny, and the Rusthaven expansion has some other abilities that come with both benefits and setbacks.

[andreal831]

Did you ever ship Stefan and Bonnie?

I'm actually so shocked I've never discussed this here because I was obsessed with Stefonnie for the longest time and this post is making me fall back into it.

Stefan and Bonnie had such a beautiful friendship in the early seasons. It was very similar to Caroline and Stefan. I was actually rooting for Bonnie over Caroline initially when it was clear Delena was going to be endgame. I love Steroline, but Stefonnie would have been such an organic friends-to-lovers ship (we know I love a good friend-to-lovers over enemies-to-lovers). Especially, since this was the time Forewood was still going strong and I loved them too. It would have been such a great time in TVD with these ships.

But of course, the writers refused to let Bonnie have everything and eventually shifted Stefan's attention from being split between his two friendships with Caroline and Bonnie to only Caroline. They only ever really get it back in the final season and it was essentially just to rub it in for Bonnie that Stefan, her once friend, murdered her love. This whole storyline was clearly just designed to isolate Bonnie completely from the group. Stefan was supposed to spend the rest of his life making it up to her and then died so we didn't even get to see them repairing their relationship. If they were going to get together, it would have to be before this.

Stefan is the first vampire that Bonnie starts to feel comfortable with after her, very reasonable, hatred of vampires. Because he put in the effort. Even Caroline just wanted Bonnie to get over her fear/hatred without putting in too much effort. But Stefan spent time making her feel comfortable. And the fact that he had Grams approval goes a long way with Bonnie. Stefan on multiple occasions attempts to stop Bonnie from doing dangerous spells that he does want to happen, but he prioritizes her safety. He had so much respect and love for her from the beginning.

Him asking so gently if he can come in and her little nod. This right here shows that their friendship at the bare minimum should have been prioritized. How do you not see romantic potential in this??

Even when he was a ripper, he never harms Bonnie. Or when Stefan and Damon had to kill her mom but Damon does it so *Elena* won't hold it against Stefan. Let's be honest, if Elena can forgive Damon for murdering her brother, she would have quickly moved on from Abby's death. But, to me, it was so important for it not to be Stefan because *Bonnie* never would have forgiven him.

I would have much rathered Stefan getting stuck on the otherside/prison world with Bonnie and repairing their friendship and developing a romantic relationship. Stefan was so protective of Bonnie that it would have given Bonnie a lot more support than she initially got from Damon. I know I am just biased and hate Damon, but I felt like their development was forced. Literally. They never would have interacted like that in other circumstances. I do think Damon needed that friendship, since the only time we see him have any character development is with Bonnie, but that wasn't Bonnie's job. Forcing her to befriend a man she hated, a man who murdered her mom, for his development was just never a favorite story of mine. But Stefan with her would have given her some comfort. I think she also would have had more faith in Stefan coming back for her and saving her if he was forced to leave her behind.

They fit so well together. They both have similar morals and a strong sense of righteousness. They both will sacrifice themselves for those they love and will bend their morals for their loved ones, but at the end of the day they are the heart of the friend group. They also were always trying to stop the other one from sacrificing themselves, understanding that the people the other was harming themselves for wasn't necessarily worth it.

Bonnie deserved to be loved like that. After losing her entire family and everyone she cared about, she deserved to have someone love her the way Stefan loves. And Stefan wanted to be human again. He would have taken the cure and they could have left Mystic Falls behind, coming back for holidays, but getting away from the toxic relationships they had with their family and friends.

As for storytelling purposes, this just shows that the show prioritized ships they viewed would be the most popular (which was based in racism) over the actual storytelling. Bonnie and Stefan has so many similar stories that they could have bonded over, like their summer that no one knew they were missing and their parental issues. But also their history. Elena and Stefan were not the only two reflected in the story with Silas and Amara. There was also Qetsiyah. The full circle story that could have been if they had Silas' shadow-self (Stefan) fall for Qetsiyah's descendant (Bonnie), leaving Amara's shadow-self (Elena). Instead the show spent time forcing parallels by retconning itself with flashbacks.

I loved Bonenzo and Steroline, but if they had done Stefonnie right, it would have been my top ship. They had so much potential to show the development and to actually allow the characters to experience their emotions and work through their trauma. They would have helped each other as friends and fallen in love as they did. They are two of my favorite characters from TVD so it is no wonder I would love them together.

Now excuse me while I go find some fics to read!

Thanks for the ask!

[creature-wizard]

Toxic Individualism In Modern Witchcraft

The modern witchcraft movement is very much a product of the 20th century, and one thing it picked up from that was a pretty individualist way of thinking. This isn't all bad, since it helped normalize people being allowed to do spirituality in a way that truly resonated with them, rather than following whatever an institution prescribed for them.

But as many of us know, western individualism comes with a lot of really toxic shit, encouraging and even enshrining apathy, cruelty, and social Darwinism. This, unfortunately, is very much an attitude you occasionally see within modern witchcraft.

This is sometimes expressed through a "let 'em sink or swim" attitude. For example, you might see people bristle at the idea of warning people about dangers such as toxic plants; "well, they should know to just research this themselves, if they get hurt, that's their own faults." Never mind that most of us live in a socioeconomic environment where "natural" tends to be equated with "safe," and few people were taught any real amount of research skills. (Most people don't know how to research beyond "type a thing into Google and click the first link" or "watch a video on YouTube and follow the algorithm.")

There's this sort of idea that witchcraft and the occult is this kind of Darwinian proving ground. You're either just born having what it takes, or you're not. Supposedly, there's no need to warn people about red flags, fascist rhetoric, pseudohistory, or anything, because supposedly, the "worthy" will just be able to find their own way on their own. Anyone who doesn't make it? Anyone who ends up poisoning themselves or falling down the alt right pipeline or abused by a predator? Couldn't be helped; they were never "meant" for this path anyway. It was simply too much for them. Why, if you really think about it, it was their own faults for daring to reach above the station they were born for, anyway.

This is a completely irrational view, because it's simply not how things work. People aren't born having research skills, critical thinking skills, or knowing the difference between real history and pseudohistory; they're taught these things. And some people are statistically much less likely to receive a good education than others. There are a few people who beat the odds and end up better educated than most people in their socioeconomic status, but this doesn't mean that they were born with inherent greatness; it just means that they were curious and lucked out in finding the right materials.

As many of us also know, Victorian-era eugenicists believed that members of the upper class were just inherently better. They had the genes for intelligence and strength of will. (Yeah, that whole modern occult fixation with willpower has some dodgy origins, too.) They just ignored that whole thing where they lived in a socioeconomic system designed to keep most people in poverty. If they ever saw someone beat the system, they attributed it to that person being born exceptional for some reason. I would highly recommend that anyone who hasn't done so already watch Shaun's video, The Bell Curve, which criticizes the book by the same title that effectively tries to argue for Victorian-age eugenics, to get a better picture of this whole thing.

Toxic individualism also encourages thinking of individuals as main characters on some kind of hero's journey, where every pain they suffer and every mistake they make is a vitally important part of their journey and growth; so much so that any effort to prevent them from making mistakes or suffering harm is hindering their personal growth.

Sure, people do often gain valuable insight from their mistakes and suffering. But it's absurd to claim that this is always the best way for people to learn and grow, especially if there's a risk of serious harm for themselves or others. Certainly it's much better to learn from a friendly Tumblr post that essential oils can give you chemical burns or harm your pets than experience it first-hand. And it's much better to learn what far right rhetoric looks like beforehand so you can recognize it when you first see it, rather than get drawn into some far right belief system and perpetuate harm on vulnerable minorities for any amount of time. (This whole thing of acting like you're life's main character and other people are basically just NPCs on some hero's journey that you imagine yourself to be on is so immensely fucked up.)

And finally, if anybody out here finds themselves thinking, "but nobody should expect help from others; after all, I didn't get any!", I'm gonna tell you: it shouldn't have been that way. You didn't not get help because that's just how the world works; you didn't get help because that's how modern western socioeconomics are created to work. Toxic individualism is a construct, and it's one that we can dismantle and replace with something better.