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#series: the primordial ones
ofoceansandtombsanew · 11 months
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The oldest lived beings in Teyvat who have existed ever since the beginning of the world. These three are neither the divine nor the damned, unperceived yet known by all. Life, Death and Time dare not call themselves one of the divine, yet mortals covet and fear them in equal measure to the Archons of Celestia.
Dutifully they perform their duties given to them by a force unknown, compelling them to walk the land. But one can help but wonder how Celestia would deal with such beings if they desired to be rid of them. For how does one destroy the unkillable?
Perhaps you will one day cross one of these three who have been with you with since your beginning and will be with you in your end. Will you bargain with Tricksy Time for more than what you have been assigned?
Share a glass with Joyous Life whose very dance is an act of creation?
Or will it all come to naught when Grim Death who waits around each corner finally reaches out her hand?
Forces of nature personified, Saleos, Pursan and Gusoyn walk three different paths. 
Saleos: Gaudium Vitae
The primordial one known as Life. A kind yet sensitive soul who would prefer her creations choose to lead peaceful lives. Referred to as Saleos by those affiliated with Celestia.
Fics
? -coming soon- (xiao x reader)
Misc.
saleos etymology
Pursan: Mortem Incarnatam
The primordial one known as Death. Reclusive and looks perpetually fatigued and yet Death carries on, performing her duties without fail. Referred to as Pursan by those affiliated with Celestia.
Fics
please go gentle into that good night (childe x reader)
Misc.
pursan etymology
death!reader aesthetic
death!reader story quest
childe and his family give death!reader a birthday
Gusoyn: Infinitum
The primordial one known as Time. Indifferent yet mischievous, she enjoys watching humans fool about in their daily lives wondering how they will squander their time next. Referred to as Gusoyn by those affiliated with Celestia.
Fics
? -coming soon- (baizhu x reader)
Misc.
gusoyn etymology
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Apparently it wasn’t enough for me to stop at making a reader that was the personification of Death, so I decided to throw in Life and Time in there because why not complete the trifecta in a salute to Philippe de Champaigne? So choose your fighter and embark on your journey.
I recognize that current and potential readers of mine might not always wish to be a reader ー divine or otherwise ー that is an entity related to death, so I decided to make this a series of sorts where the reader can freely choose what type of entity they’d rather be, each with its own distinct personality and a different element they wield!
Readers can choose whether or not Saleos, Pursan and Gusoyn co-exist in the same universe or if only one of these forces of nature personified exist at the same time. In the case of the formerー Life, Death and Time share the same face and voice!
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24bughours · 8 months
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I need these last two episodes to hurt
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AND THE WAY THAT HALF OF EPISODE 8 WAS JUST NICE PETRIGROF MOMENTS I WAS ABT TO CRY IM SO EXCITED FOR EPISODE 9
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peanut-talk · 2 years
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The immense need that flows through my body to block whatever mortal dares to put homestuck on my TL is incredibly strong tonight.
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"At least Transformers didn't have racism" I say 0.0005 seconds before remembering Transformers is, in fact, all about racism.
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liquidstar · 6 months
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Right so in one episode of Adventure Time Gunter lays an egg, and when told that he was "preggers" Jake asks "Gunter's a girl?" And Ice King is like "What?? No." And he continues to be referred to as male for the rest of the series.
So do you guys think this is because he's technically a primordial cosmic being that predates the creation of the universe, who was banished to earth and turned into an penguin with amnesia, or because the penguin is transgender and Ice King just knows.
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theresattrpgforthat · 2 months
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Hello!! Do you know any TTRPGs surrounding translation or languages? 😊 (thanks for all your work btw!!!)
THEME: Language / Translation Games
Hello friend! As someone who studied linguistics in university, I absolutely love talking about all of the funky things languages do! I hope these recommendations tickle your fancy!
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Dialect, by Thorny Games.
Dialect is a game about an isolated community, their language, and what it means for that language to be lost. In this game, you’ll tell the story of the Isolation by building their language. New words will come from the fundamental aspects of the community: who they are, what they believe in, and how they respond to a changing world.
Dialect uses a deck of cards to help minimize the amount of choices you have to make in character creation, by dealing three cards to each player and having the players choose one from just those three. You track the change of your language over a series of turns, using prompts to help you navigate the conversations that arise in your community as the world around them changes.
Dialect has been very highly regarded as a game that really delivers on the experience that it promises. The grief that accompanies language death really shines through this game, so if you want to combine the wonder of creation with the pain of losing something so integral to your sense of being, this is the game for you.
Tiny Frog Wizards, by @prokopetz
You have mastered the secret arts of sorcery
The very primordial energies of creation and destruction are yours to wield as you will.
You are two inches tall.
Tiny Frog Wizards is a game about tiny frogs, wielding magic using the power of words. When you want to do something magical, you will roll somewhere between 1-3 dice, and use the values of your rolled dice to determine how the range, magnitude, and control of your magic.
What’s important in terms of this game recommendation is the Control aspect, because how well you are able to wield your magic depends on how many words you are able to use to make things happen! It’s a lot easier to use a spell with precision if you have enough words to detail where you want a magical pen to write, or what you want to throw a tiny magic missile at. Not enough words? Then the GM has license to cause some humorous side effects, or, if you roll poorly enough, cause your spells to really go off the rails.
If you like games where you need to choose your words carefully, Tiny Frog Wizards is worth checking out - especially since it’s in free playtest!
Xenolanguage, by Thorny Games.
Xenolanguage is a tabletop role-playing game about first contact with alien life, messy human relationships and what happens when they mix together.  At its core, you explore your pivotal relationships with others on the mission as you uncover meaning in an alien language. The game gives a nod to soulful sci-fi media like Arrival, Story of Your Life and Contact, but tells its own story. It’s a game for 2-4 players in 3-4 hours.
In Xenolangauge, you play as a group of people bound together through a shared past with unsettled questions. Your task is to understand why the aliens have come and what they are trying to tell us. You will soon discover the key to understanding lies in your memories together.
This is definitely an in-person game, as it is meant to come with a modular channeling board that will provide you with alien symbols that you will use to help you interpret messages. This is more than a game about language, it’s about relationship, shared memories, and connection.
Xenolanguage was kickstarted at the beginning of this year, but you can check out the above link to pre-order the game if this sounds interesting to you!
Star-Spawned, by Penguin King Games.
One unearthly night, a ray of colourless light descended from the stars, and under its warping radiance, creatures unlike any the world has ever seen were born. They do not know the world, and they do not know themselves. Unfortunately for the world, they're quick learners!
Star-Spawned is a GMless, oneshot-oriented tabletop RPG in which you don't know what your own traits do when play begins. The names of each group's stats are randomly generated using morpheme chaining, and characters are created while having absolutely no idea what they mean; figuring that out forms the greater part of play.
Star-Spawned is more about self discovery than it is about language, but the use of morpheme-chaining in character creation is intriguing to me. You will randomly roll three pieces of a word, and then chain them together to create a unique Facet, available to the players as stats. These Facets don’t have a meaning when the game begins - you need to play to find out what they mean. If you like playing around with semantics - the meaning of words - this might be a game for you.
Degenerate Semantics, by Mikael Andersson.
Degenerate Semantics is a role-playing game for 1-5 players and one Game Master (GM). The players will each portray a character who live in Emmaloopen's poverty-stricken lower city. They are young, wild, ambitious, and independent. This way of life is threatened by other factions, and the players will need to have their characters work together to survive and thrive.
In the process of playing the game, the players and GM will define and flesh out a language called Bandethal. A collection of street terms and slang, Bandethal is used both as a way to talk openly about illicit activities without alerting authorities and to establish street cred. The terms are liberally mixed in with plain English, or when the language is mature enough, can be used entirely on its own. The characters' success is in large part based on how proficiently the players wield the language.
A friend of mine ran this game for me three or four years ago, and it’s been sitting in the back of my head ever since. Degenerate Semantics was created for a Game Chef competition in 2014, and has remained in the same state since then. I don’t think there’s any more work being done on it, but the game is there for anyone who wants to give it a go - and while there’s a setting that comes with the game, that setting is highly flexible, depending on what your group is interested in. Our group decided to use a lot of gardening metaphors, and undertook a plant-based heist as our act of rebellion! If you want a game about the power that language can give a tightly-knit group, this is the game for you.
I've Also Recommended...
DROWWORD, by Ursidice.
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moondirti · 11 months
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animalic (5)
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← chapter four // series masterlist
pairing: miguel o'hara x f!reader rating: mature word count: 3.4k summary: an unwelcome confrontation warnings: enemies to lovers, violence, blood and injury, mentioned death, fighting, angst, morally questionable characters, miguel o'hara is not nice notes: this chapter caused several headaches and i don't even like the end result, but i can't pick at it forever sooo. enjoy!
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While you’ve never been renowned for making the most accurate of assumptions, there are certain patterns you’ve come to expect in order to have survived this long. To never have a glass of orange juice after brushing your teeth, or maintain eye contact while being threatened. That a kilogram of antimatter produces ten billion times the energy of chemical combustion upon annihilation, and that any quantity larger than that should not be contained.
Of such paradigms, you’ve noted only one to be entirely reliable. That a spider-hero would always fight crime, whatever the greater good. 
“Absolutely not.”
You might’ve been mistaken. 
“Those people are in danger, O’Hara.” You strain, trembling against the cough battering your chest. Your diaphragm spasms with every stride he takes, crushed against the curve of his broad shoulder, desperate to make up for lost breath. 
He lets the plea hang, countenance obscured from your view. With the way he carries you now, all that meets your eye is navy – navy, and the bright red geometry stretched over the brawn of his back. The nanotech suit warps to fit every muscle, glinting as they push forward to meet the sun. And it dips, right between his shoulder blades, lining a clear contour of the anatomy he fails to hide. A dosser of intercostal sinew. Tapered laterals, cinched to curve at–
Your core broils uncomfortably, and his grip tightens around your knees, levelling up to the degree of his treatment thus far. After slinging off that rooftop, he’s made sure to keep you particularly close, like the effort could prevent your powers from manifesting. Like you could make it happen. 
(Though, he doesn’t know that you can’t.)
But he’s smarter than that. If nothing else, it serves as a cautionary gesture. A reminder. You’re disarmed – quite literally – the only force between your nose and the sidewalk being the behemoth of a man whose body you’re strewn across. And, if you could control it – transcend the material at any given whim – it would be the extent and end of your efforts. Not with the neon webs binding you, nor your clear lack of skill. 
The wind quivers with the distant sounds of calamity. You’re drawn back to the very real situation at hand. 
“You make for a lousy excuse of a spiderman if your first instinct isn’t to save them!” You raise your voice, hoping to be heard over the sirens that blare towards the destruction. By counting them as they pass – two, four, six – you’re able to assign a severity to it. But it isn’t, won’t be, enough. You’d heard the screeches; primordial, clawing out from beyond the capabilities of an ordinary threat. You’d felt them – seeping into your bones, grating the spongy marrow – until Miguel had gathered enough obduration to reel you in the complete opposite direction.
Speaking of– 
You tilt your head upwards, surveying the street down which he runs. It’s deserted, yet the presence of its civilians is slower to leave, a molasses that slinks towards locked doors. It’s thick with an apathetic acceptance, bordering on resignation – bitter and not unlike your own resting inclinations. You’ve never known an evacuation to happen this fast, especially this far out from the scene; people are stubborn like that, refusing to face what isn’t in front of them. That is to say, they might be used to it.
“You’re not even going the right way, dickhead!” 
Of all things, that makes him stop. 
(Of course it does.)
Your form flops uselessly as he turns to make sense of his surroundings. There’s the sign – 30 St and 7th – which should give any New Yorker an idea, but he doesn’t linger on it. Instead, he shoots a web to wrap around the railway of a fire escape, propelling the both of you onto an accompanying balcony. Swallowing the bile that swells along your throat at the sudden jump, you shoot him an incredulous look, which he chooses to ignore as he drops you to the floor. 
His mask retreats, hair bouncing upon escape from its smothering embrace. For all that he tries to hide his pinched lips, you sense the scepticism emanating off him in waves. 
You take a moment to stew over it, examining him while he calculates the path of your previous chase. From the convenience, to the corner, and into a nearby store lot. Perhaps he hadn’t been paying notice – which you sincerely doubt, considering the efficiency with which he treats everything else. Could he really be unfamiliar with the layout of a city his job is to protect? Or–
It occurs to you steadily, washing up on the fringes of your arrogance; a realisation in pieces.  
Nueva York. 2099. 
A metropolis. Likely one with no grid system. 
Your cackle beckons his attention, severe stare snapping to your grin.
“We’re on Seventh.” You specify.
He cocks his head, nostrils flaring. Warning or question – you have a hard time deciphering the difference. 
“The convenience was on Sixth and Third. You know, third avenue, East of Fifth?” You push it, spurred by your awareness that he, in fact, does not know. 
“¡Ándale pues! What exactly is your point?” 
“We continued down east until you bit me, judging by the way the sun hit the lot upon rising. But now, we’re on Seventh, on the other side of Fifth.”
His jaw clicks, pulsing in irritation. You toe the line of what you can get away with, how long you can drag this out before he decides you’re not worth the trouble. 
“West. You’re heading West, and–” Wriggling, you adjust your posture into one more reflective of your current pride. “If you have any hope of finding that day pass, then you’re gonna need to go back.” 
The bid translates, weighty, bubbling like the arid smoke off nuclear strife. He processes it, understands – you watch as it unfolds in that intimidatingly intelligent glare – yet the circumstance takes a while to establish itself. Even when it does, he doesn’t grant you the satisfaction of a full blown breakdown. No. His hands just find his hips, chin sloping to the sky.
“No puedo más, no puedo más, no–” 
You probably shouldn’t rub it in any further. 
“Since it’s on our way–” 
"No." He snaps, voice laced with a prickling irritation that sears through his supposed indifference. The heat of it greets you, wiping the simper that had begun stretching your cheeks. “You must think this is some game, and while that might explain the shit you’ve pulled in the past, I have a responsibility. I can’t interfere with their canon.” 
“So, what? You’re just gonna let them die?” 
His expression lifts, brows rising expectantly, like he’s imploring you to shut up without his verbal confirmation. 
Right.
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It starts like a taut bowstring, straining as it verges on release. 
On one end, there’s Apollo; drawing his arrow, a god amongst men. The direction with which he aims his weapon can be seen as prophetic – plague was always meant to befall the crowd at his mercy, their fates little more than a thread of mass design. Some call it righteous – epithets dedicated to his name – agreed upon by the same men who claim that rational means right. Some craft sculptures in his visage, this muse of the kouros, likening stone to flesh and deluding the observer that the two can be synonymous. Nietzsche, Bernini. You, yourself, had managed to believe that the muscle rippling below you could be anything but an Athenian tragedy. 
You linger on how startlingly poetic it all is, and the string pulls tighter. You’ve never claimed to be a hero, but you have the instinct, just the same. He, on the other hand, seems entirely dismissive of the urge you assumed would wreck him too. 
(Partially your fault. You know better than to expect the obvious from him – that’s his pattern.) 
As the two of you veer closer to the havoc, the arrow discharges, striking the tension that’s kept you still thus far. When it snaps, it shatters, congealing to form a beset of sounds, sights, fear. Heaving sobs from a limping group of friends – the middle one rapidly losing blood from what you can tell. The pungent clog of burning debris, fed by the ash that lays suspended, mid-air. The painful creak of metal collapsing in on itself, peppered amongst the constant buzz of radio static. Miguel curbs to a stop, hidden in the notch of an alleyway, and uses the cover to reposition you in his carry. You go from slung over his shoulder to laid across his arms – not quite bridal style, but a placement similar enough that he retains a solid hold of you. 
His mask comes back up, concealing the cynicism that had begun to creep up onto you both. You scoff at the unambiguity of the action, the parallel it poses to the reality at hand. He blocks himself to the obvious, the avoidable. 
Glowering, you trace his line of vision to the encompassing wreckage. The street appears hauntingly familiar, thrumming with the hurried echoes of a recent memory. It lacks the colourful components – the vivid signage, the star speckled windows – yet, you recognize it all the same. The very avenue you frantically traversed only hours ago. Your companion, too, begins to grasp the truth, and you find yourself biting your cheek, a twinge of unease settling in as the revelation hits you: that perhaps you had divulged too much, far surpassing the realm of personal gain. 
Yeah, the day pass is here. And you can only hope that he won’t find it.
For now, though, it appears to be the least of your worries. 
A crimson creature prowls along the fringes of the decimated ruins – deliberate, relaxed, like a predator with its teeth already halfway dug in its meal – circling a man clad in a lab coat. Its size is menacing enough; standing at seven feet, with limbs as thick as pipes. Yet, what truly strikes you are the protruding bulges flanking either side of its jaw, and the white, emblematic eyes gazing out from upon its face. 
“Spider-person?” You whisper, not so much looking for clarification as you were putting the possibility out there. Miguel is unwavering, dead-set on waiting the interaction out. 
“Something like that.” He affirms. 
“Y’know, I remember you, doc!” The creature jibes, its inflection nearing maniacal. “You sat on my jury! Yes, yes. Hard to forget a shiner like that.” Laughing, it points to the balding patch atop its victims head. He trembles, bowing in a silent cry. 
“O’Hara–” 
“Wraith.” He warns. 
“Sixty seven years! Not even you look that old, ‘course you don’t understand how damning that sentence was! But you see, I got lucky. Some higher being must’ve taken pity on me, enough to grant me this miracle of a symbiote. Mhm, yeah–” He skips closer to his prey, considering him in the new light. “‘Cause now I can do things like…” A sharp blow echoes. The glassy spear, red as the flesh it extends from, skewers through the doctor’s chest, a spout of blood following through on the other end. “This!”
Miguel’s palm slaps over your mouth, knee supporting the portion of your body he releases whilst angling you away from the scene. You’re thankful for it, despite the overwhelming anger you bear against him. You’ve no trust in the horror that wracks you suddenly, all at once. It launches you back to that convenience, the robbery. How powerless you had been to stop the clerk from dying out, your hoodie fruitlessly wedged to her neck. You’d been spared the grief so far – the blur of the last day tamping to little more than an aching numbness. Yet you should have appreciated that it couldn’t last; guilt is far too familiar a prospect for you to have expected it to let off so soon.
(Your mistake.) 
“Oops. Did that go through your heart? My bad, doc.” It howls, stuck in its own stand-up routine. “You’d been doing your… erm– civil duty, sure.” The loud squelch of gore triggers the imagery for you, regardless of your averted gaze. The limb-turned-spear being pried out from between his ribs, caked in bits of tissue. 
Dead. You could’ve prevented it. 
He could have. 
From behind the veil of unshed tears, you watch as he ponders the risk of retracting his hand. You betray nothing, blinking back the hot dismay from your eyes, and instead meet his regard in cold defiance. Slowly, as though your apparent sensibility means anything, he removes the muzzle. 
You contemplate screaming, to coax the creature from the group of people it has surrounded and make it Miguel's problem to handle.
Then, you remember your rather unsavoury predicament. How prone you are to harm with your limbs locked; you aren’t the best in combat, but you still could’ve stood a chance at survival if it wasn’t for your restraints. 
Your captor reaffirms his grip, tucking you to his figure as he creeps up to a corner. His back remains glued to the brick wall, obscured in shadow. The stance is primed – far from the hesitant sidle he’d adopted before. It isn’t hard to figure out why; you see it too, buried under a pile of trash bags, on the other side of the road. Purple, luminescent. 
The day pass. 
As if on cue – choreographed by a sadistic deity with no favour for anyone involved – you glitch. 
It doesn’t last long, but it’s enough for you to fall to the ground, erupting in a pained groan. The creature twists to lay its terror on your curled frame, shaded by a man who – despite his vast height – is dwarfed in comparison to its colossal self.
“Better start learning not to ignore my spidey sense! I’d felt you tiptoein’ over there,” It growls, neck stretching in preparation for attack. 
“We’re not here for you.” Miguel urges. 
“No? That hurts my feelings, and here I was thinking you wanted to be friends.” At the feral rip of its taunt, it lunges, tearing through the space separating you. The spider-man, in turn, dodges the barrelling assault, swinging in a blur of motion to a wreck not far off. You thank God for his flashy suit; the creature seems to forget you completely, pivoting to charge at him again. 
You force yourself to look away, sickened at the unhinged savagery with which it thrashes. There are people still around, crippled by quickly debilitating injuries, the paramedics meant to aid them now amongst the lost. This is what you wanted – the opportunity to help – and of course you’re still hindered by the asshole who’d refused you in the first place. Desperation weighs heavy on your chest as your eyes scan the spoilage, seeking anything you could use to cut yourself free. And there, you catch it – the sharp end of a broken gutter, its jagged edge catching the afternoon sun.
Using your heels as anchors, you push yourself across the coarse pavement. It isn’t a long way, thankfully, but sweat already starts to dampen your shirt by the time you reach the potential lifeline. Angling yourself, you press the webs to the serrated metal, ready to start shoving. That is, until you remember Miguel; how he sat on your legs, his talons performing much the same feat. He made sure to hold your wrists apart, so you didn’t suffer damages he didn’t intend. 
You remedy your approach, arms straining to separate, then thrust downwards. The telltale signs of your success come as pops, like elastic bands splintering. Then, it’s the easing pressure on your skin, irritated and surely marked in places where the binds come undone. 
The makeshift blade catches your elbow once you’re halfway down, burying deep enough to touch bone. The world narrows to the searing intensity that blazes up your nerves, eclipsing all else. You almost forget your goal, your brain stirring signals to pull away, but the fight that rages in your peripheral is only growing more barbaric. Alarmingly, Miguel is losing. 
If he dies, you’re next, and it’d all be in vain. 
Biting your tongue, you stifle the pain and continue pressing. The gutter inches sideway, ripping through flesh and web like butter, the sleeves of your top mangling at its lip. Miraculously, you stay awake for the time it takes to finally get your arms loose. It’s harder to preserve that triumph when you sit up, though, dizziness distorting the plan of action you’d set for yourself. 
(Get… get the people to safety. Then, your legs. No–
Free your legs, get the people to safety. And… what? 
The day pass. Yeah.
But Mig–)
Your body moves with an unsettling disconnect from your own command. Unable to fully grasp the dissonance, you blanch in bewilderment as you navigate the clearest cut path through it all. A dance in a mechanical rhythm; pulling the webs off your calves, running over to the nearest civilian, and helping them up on their feet. And again. And again. 
There’s a boy, young enough that you worry he doesn’t understand you’re harmless. His cherubic face is coated in a grey layer of dust, disturbed only by the tear marks that run from big eyes. His foot has been crushed, stormy blue blotching his knee. You dismiss the agony of your numerous wounds and crouch to pick him up, hugging him to your chest. 
New squadrons of emergency services trickle in, careful to leave their sirens off as they round the corner. It’s an odd enough choice that it distracts you from the child’s fingers, which dig into your abrasion for purchase. An ensemble of prospects occur to you. 
When you hand him off to an awaiting EMT, it clicks. 
What’d the creature call itself? A symbiote? 
(You haven’t always been science-oriented.
Freshman year of college, you’d joined as an undeclared major within the school of arts and architecture. ‘Course, you only had your general education requirements to fulfil at the time; useless classes that fit your self-imposed four day weekend, meant to do fuck all as your tuition went to waste. Needless to say, your ambition had been directed at more carnal pursuits. 
Then, there was astronomy. It’d awakened your curiosity for the cosmos.
Astro 8, to be exact. Life in the Universe. Your post-midterm lesson had been on a recently discovered,  space-faring civilization. Symbiotes – they were called – based on the initial assumption that they thrived in mutual beneficial relationships with other lifeforms. But the projection that flickered for its class of drowsy students entailed another truth entirely. Darkened bullet points in big, bold letters. Known weakness. 
Fire, and sound.)
You sprint towards a nearby cop car, its door wide open and the driver's seat vacant. It’s instinctual, devoid of consideration. A singular objective dominates you, beyond the day pass – to kill that thing. Not for Miguel, who’s choked in its gnarled hand. Not for yourself, or your deep-rooted desire for heroism. No. Just for them – the boy and that group of friends, the doctor who still lays dead on the scene. For the sake of this world, and to reconcile the life you took just last night, as if such a trade-off could absolve you of the weight of your sins.
Stepping on the gas, you accelerate abruptly, gaining speed with every pothole you drive over. It looms ahead, crouched in front of a hollowed-out apartment complex, suffocating the futurist spider-man and vibrating with glee. If you can align it – aim and time it just right…
You activate the wail siren. Your hypothesis is validated when it screeches in response to the racket, throwing Miguel off to the side. 
Good. He won’t be collateral.
You grab a gun from the cupholder on the dash, throwing it on the pedal to keep it down, then jump to the backseat. 
The impact is seismic; a violent convergence of metal and brick and brawn that sends shockwaves rippling throughout your being. You become captive to the merciless momentum, forcefully propelled against the leather cushions. Chronic whiplash shreds upon the vulnerable muscles holding the weight of your concussed head; its talons raking through the fibres, pulling apart the once sturdy tissue. A relentless ring envelops the cacophony of noise, and silences it into one, tender hum. 
You’re hauled out the window, detained in the embrace of some unspecified form, which settles above you for cover as the building comes crumbling down. 
Or – not unspecified. 
That mix of patchouli and musk.
Your consciousness turns to black as you're buried beneath the rubble.
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chapter six →
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skyfullofpods · 6 months
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Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?
Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.
Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.
Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.
Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.
David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.
Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.
As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.
Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.
Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.
Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.
Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.
If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!
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the-witchhunter · 1 year
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DP x DC: Clockwork
I’ve been seeing “Clockwork is Chronos” popping up, and I don’t hate it, it’s a good way of connecting Danny to Wonder Woman, but there’s some baggage that comes with him being the literally mythological Chronos that I don’t think most people really want to deal with. AKA him eating his children and the war between the gods and the titans, which probably wouldn’t endear Danny to Wonder Woman
Also there’s a Villian named Chronos in DC comics, with time powers and that confuses things further
An alternative, if I may suggest, is have clockwork just be Time...
Time as in Father Time, the primordial embodiment of time, and father of the Endless from the Sandman series. Not to be confused with Father Time of S.H.A.D.E.
So Time is time and also controls his domain which is time. Time is constantly changing from a young boy to a middle-aged, then an elderly man in a random pattern. Sounds pretty darn familiar, right? Almost as if that describes Clockwork to a T. Time and his partner, Night, or Mother Night, hooked up and the result was the endless. Time and Night are no longer together, though Time misses night.
For those who don’t know, the Endless are embodiments of aspects of reality, beings above mere gods. They are described as “inconceivably powerful” There may be gods of the things they represent, but they are literally the thing they are. The Endless are Destiny, Death, Dream, Destruction, Desire, Despair, and Delirium(formerly Delight). They’re a dysfunctional family with Death being the one that gets along with everyone and the one that most has her shit together.
So what does Clockwork being Time give Danny? 
It would make him the adopted grandson of a cosmic force, as well as give him a bunch of dysfunctional aunts and uncles, one of which is Death herself, who is actually a really cool person. 
This gives him ties to beings that are functions of reality embodied, that even if they are somehow destroyed, only that aspect of them is dead and they Reform as a different aspect, which has only happened twice.
Any member of Justice League dark would shit their pants finding this out about Danny. Hell, this might through some of the regular justice league for a loop. Martian Manhunter has met and recognized Dream before. Wonder Woman might know about the Endless already. Hell, Dream was allowed to waltz right into hell and met up with Lucifer, like it was no big deal, and that was after being incredibly weakened and lacking his tools
So yeah, let Danny be the adopted nephew/pseudo sibling to the Endless. His name even starts with a D so it works on multiple levels
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comicaurora · 4 months
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In your asks and other outside-of-comic statements, you seem to draw on parallels to programming a lot when talking about lacrimas.
And this makes me think as a programmer: the primordial rules that are used in Auroras to do magic and lacrimas are part of the primordial language. You are literally telling the primordial's dead bodies what to do, and they obey.
Yet, the difference that comes to my mind is that Primordial was at one point a language actually spoken. Used to communicate in day-to-day life by normal sentient beings. That's quite different from programming languages, which aren't meant to be talked in at all, and are built from the ground up purely to convey a series of precise instructions. They're very formalised and structured. There are no synonyms, no double meanings, no altering of word order, no redundant information etc. It's extremely rigid, much unlike languages people actually talk in, for which a degree of fluidity and ambiguity is essential.
And in Aurora it would seem the latter is being used as the former.
Have you ever thought about this tension/contradiction/conflict? How it affects the world, how it affects your writing, etc?
Or has this distinction never crossed your mind?
Or was this something you have noticed, but never really had the right knowledge to engage with much?
Or any other thoughts on the subject, really
So! This is an interesting thing I have actually thought about.
When the Elder Races were first created, they were born knowing and speaking a language innovatively called the First Language. Every new Young Race is also initially created speaking this language. The language then drifts over the generations, developing into regional dialects and then into separate linguistic descendants if given enough time.
The Ancients spoke a close descendent of the First Language for most of their time in existence, and made a writing system of their own very early on, which has no innate power. But in the early days of the world, the generally accepted story is that a god granted the three elder races knowledge of the written Runic language, which could command the elements. The Ancients acquired it late and used it very sparingly, only for the programming of lacrimas, but for the Elves and Humans living in the depths of the Caves, this was their first and primary writing system. It's even possible that a rare cave-dweller brave enough to venture to the surface was the one who taught the Ancients these runes in the first place.
It's posed an obvious question, of course. Why does this one specific form of writing manifest as a language of magic? Why can it command the dead Primordials? Why is it so well-suited to the phonemes of the First Language that every child of this world is created speaking?
The predominant theory - and, with two living primordials to check with, one which is potentially on the cusp of being proven - is that the First Language and its runic writing system are the language that the Primordials spoke. Its words, written or spoken, can be understood by the remnants of thought that still linger in the sleeping, dead-but-not-entirely-gone primordials that make up the world.
Primordial magic is different from programming in one key way: real computers are entirely unthinking entities. They are not in any way smart - not even smart enough to be stupid. A computer parsing a program cannot observe a missing parentheses and compensate like a human could do in their sleep - it simply fails to parse, because the mathematics don't work out.
Magic in this world is like what every programmer wishes programming could be. Tell the computer what to do, and it might be a little confused, but it'll get the gist. Tell Fire to burn in this direction - Fire, even if it's just running on an echo of a seven-thousand-year-old memory, knows what that means. Tell the wind to printf this statement to this recipient, it'll try to find them and send the message. Tell Life to make this body do what it's doing faster, it can do that. It's simple executions of simple commands, almost reflexive - things that require no complex higher thought from a being that is no longer alive enough to have them. They're not as unthinking as computers, and that means the nuances of language can actually have an effect on them. Some mages think more poetic and emotionally-charged spell invocations can lead to better, more efficient results - an appeal to a long-dead emotion might be easier for the Primordial to execute than an appeal to a half-forgotten complex thought.
When a mage takes direct control of a magical energy and funnels it into an elemental effect, their own higher thought allows the element to do more complicated things - Fire can't transmute on its own like it could when it was alive, but it can when bent to a mortal will. No need to translate a spell into the language of magic when the mage can simply use their own mind to shape the effect. This is the primary advantage mages have over lacrima-users - flexibility, complexity, and speed.
Another interesting factor. Alinua's dynamic with Life demonstrates what a living Primordial's living thought can do when in the hands of a mortal. A normal, simple healing spell cast by anybody but her just accelerates a body's own healing, but with Alinua's guidance steadying Life's hand, they can do much more complicated things of her own free will - things Life knows how to do that no mage knows how to command her to do.
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ofoceansandtombsanew · 11 months
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Death!Reader Bio
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Birthday: ? (during her story quest, Mortem Incarnatam Chapter Act I, the Traveler can give Death!Reader a birthday) Age: as old as Teyvat itself Affiliation: None Element: Hydro Constellation: Mortem Incarnatam
The primordial one known as Death. Reclusive and looks perpetually fatigued and yet Death carries on, performing her duties without fail. Referred to as Pursan by those affiliated with Celestia. (5* Polearm)
Talents: Combat
Normal Attackー Ride to the Afterlife:  Performs up to 5 consecutive spear strikes.
Elemental Skillー Blessed are the Dead: Whirls gracefully with her oar dealing AOE Hydro DMG. Contrary to the ancient superstitions, there is no need for coins to buried with the deceased in order for Death!Reader’s guidance to the afterlife. Even with no tip, you are guaranteed a trip.
Cloaked Step: Alternate sprint. Death!Reader discards her constructed avatar in favor of morphing into flowing water. Applies Hydro to nearby enemies. Cloaked Step is automatically triggered when swimming with Death!Reader on the field. Death is everywhere in any place at any time; the water is no exception.
Elemental Burstー The Final Rite: Death draws her scythe and unleashes it upon the soon to be departed. Death!Reader’s Normal, Charged and Plunging Attacks will be converted to Hydro DMG that cannot be overridden. When their time draws near, Death doesn’t discriminate between young or old, friend of foe, sinner or saint.
Talents: Passives
Ferryman: Decreases swimming Stamina consumption for your own party members by 20%.
Primordial One: When in the party and not the last to fall, Death!Reader automatically revives herself with full HP. This effect can only occur once every 10 minutes. (*Can be reduced to 5 minutes with constellations.)
Pocket Full of Posies: Immune to Corrosion.
Bonus Trivia:
Signature weapon is a blue-and-silver polearm in the design of an oar. Signature weapon is called Undertaker’s Broom
Her default form is one that is noncorporeal that allows her to be everywhere at any time and in any place although she has crafted a human avatar for herself. The eyebags are present no matter what she does, this is what happens when you aren’t allowed days off
Being death itself, Death!Reader is immortal and cannot be killed. The oldest being in Teyvat, as old as the world itself and as such Death!Reader never tracked their age or birthday
Death!Reader has been present for the death’s of all the deceased mortals and divine entities over the course of Teyvat’s history
If ever given the chance to create life, Death!Reader would desire to make a creature unseen in all of Teyvat’s history. Like... a platypus 
(Life, Death and Time share the same voice and face despite being separate entities created in the same instant)
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Apparently I’m already so obsessed with the Death!Reader concept from my recent Childe fic that I’ve already constructed a player character bio for her so you guys get to be subject to the ideas that have been circulating in my head for the past hour. Kudos to my friend @ainescribe​ for sharing the platypus comic with me lmao it was too good to not include in the trivia
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apollosgiftofprophecy · 5 months
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UPDATED 1/29/24
this was inspired by @lubble-underscore's post and I decided to expand on the iceberg and see how much I could throw on it
thanks to the Discord server for filling in on things that didn't cross my mind! :D
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feel free to save and highlight what you know :3 Links to many of these things are below - some are not tho!
Tier 1 - do we even need to SAY anything?
pathetic little meow meow
bisexual
unreliable narrator
Tier 2 - surface level/easy to see
superiority/inferiority complex
bitchsexual (i mean... points to commodus)
raised chiron (see CHB Confidential)
Tier 3 - complete read-through/reread; taking first steps into fandom
breaks cycle of abuse
polldona
great with kids, actually (see Harley, Georgie, ect.)
ordered pizza to chb (see The Hidden Oracle)
domains contradict
best godly parent
still heavily affected by past lovers (see The Whole Series)
Tier 4 - digging a little deeper
love life isn't actually terrible
definitely tried to bang frey at least once (see that One throwaway line in The Hidden Oracle)
malewife malewhore manslaughter
broke up the beatles because paul jilted him (Discord)
sees the faces of primordial gods (see The Hidden Oracle)
copollo could have worked
catboy but cats are competition (See The Tyrant's Tomb; submitted by @trials-of-apollo-my-beloved)
freakishly high pain tolerance (See THE ENTIRE SERIES)
Tier 5 - holy shit we're on to something
that apollo & jesus fic (Discord)
knew hades had kids in TTC
pressured to be the perfect son
fatal flaw is love
not as close to hermes as he used to be
seahorsed kayla
patron of CHB
roman apollo au (Discord: Creator chronictheorizing)
Tier 6 - wait what. OH!
was forced to punish halcyon green
deathsong (Discord: Creator @txny-dragon) (addition)
kids are greek & roman
michael yew is most like him
brings change by being his true self and not the fake one (Submitted by @/txny-dragon)
laomedon is why he hates slavery (Discord: Creator @ukelele-boy)
intentionally made the orientation video to communicate info on the gods
Tier 7 - what the fuck did we get ourselves into
directed travis & conner to tartarus tongs
Apollo x Orion is peek hateship (Discord: Origin in Tsari's server during Eclipse)
unlocked heavenly prophecy powers during trials
dated oscar wilde and inspired the picture of dorian gray (Discord)
half-titan theory
tartarus regenerated him
imperial kids were meant to usurp the olympians
Tier 8 - we're in too deep but will never come out
knows estelle is omen of end of the world
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nevadancitizen · 2 months
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-> HURTING, LONGING, LOVING – DANCING TO DISCO MUSIC
synopsis: you wake up and have no memory of simon. you can only hope to find him among your fractured memories and the scattered lights of a disco ball.
word count: 2.3k
characters: simon "ghost" riley, amnesiac! gn! reader
trigger warnings: transient global (aka temporary) amnesia, mentions of canon-typical violence/interrogation
notes: heavily inspired by disco elysium and part one of @roosterr 's amnesia series. go give it a read if you haven't already (*๑˘◡˘)
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Nothing surrounds you. Only warm, primordial blackness – the pond you learn about in Biology 101, the one where everything and everyone comes from. You don’t know this, of course, because you’re curled up in it, your mind fermenting in it. You’re no larger than a grain of yeast. You don’t have to do anything anymore. Ever. Never, ever.
But you’re growing. Gram upon gram of yeast, slowly morphing into meat. Muscles and bones and organs and a beating pig heart, decaying as soon as they grow. Soon you’ll need to do things. There’s a faint tickle of an idea. Soldiers. Battlefields. IEDs and tanks. You don’t know what to do with this information.
Somewhere within the idea – a sensation! Pain. Arcing, shooting pain, lightning through every new nerve in your new body. The limbed and headed machine of pain and barely-dignified suffering is firing up again. It wants to walk the streets of Manchester. Hurting. Longing. Loving. Dancing to disco music.
It wants someone. You want someone. A blurred-out face, someone you’re kneeling at the feet at. A ghost of a man. So lost he doesn’t even know what his face looks like. 
“I swore I wouldn’t let you go,” your barely-formed mouth mumbles. Your teeth are hot, melted-together plastic and your tongue is jet-fuel-fired rebar. 
Look up. No. You were just talking to yourself. That’s all you ever do. Even in this primordial pool. And the act is wearing thin, the spots of the disco ball fade around you…
The warm blackness is instantly replaced with a cold, artificial light. You bring your hand up to block it – since when have you had these? Gangly things with a red wire further down in… your elbow. That’s not a wire – that’s a tube. Of blood? Your blood. You have blood.
You remember now. You were born with hands and elbows, knees, feet, organs and fat and a copious amount of blood. A collarbone you’ve broken more than once. A body that was molded in the crucible of battle.
And holy shit does that body hurt. That hindbrain wasn’t exaggerating when it said that you are a being of suffering. 
A dull throbbing is behind your eyes as they rove around the room. They land on a button neatly labeled Call Nurse. You press it and wait.
Everything after that is a blur. Nurses, doctors, “Follow my finger with your eyes, but don’t move your head,” poking and prodding with various instruments, “Tilt your head back so I can feel your neck,” blue latex gloves, “How much do you remember?”, bright lights in your eyes.
One nurse checks the dressings on your forehead. It’s just above your temple. His hands are rubbery and unfeeling as he re-dresses it. A trickle of cold liquid dribbling down from an alcohol swab. Bandages press against your skin. “What’s your name and date of birth?”, “Can you name the members of the task force you’re a part of?”
A man cuts through the blur as he comes thundering through the door. A balaclava with a skull pattern. Three men are behind him, hanging in the doorframe, out of the way. But the man moves quickly towards you, standing on the edge of the crowd of medical professionals, pacing back and forth, eyes on you, like how a sheepdog circles its sheep. Longing, waiting. Held back by an invisible leash of respect.
After a while, most of the personnel disperse, leaving you with a transient global amnesia diagnosis, a nurse, and the men. But even then, they leave after casting a glance at the sheepdog.
He moves closer, then stares at you for a while. He’s expecting something. His brown eyes are like sodium lights. A small trickle of streets and the sky. In your mind, you know he’s the place to be. You’re still alive while he’s around. 
Yeah. He’s groovy. You want to disco with him. He is disco. But somewhere, a deep unaccessed area of your mind is saying, “You don’t want to disco like this. Not really. Not in the deepest part of your soul, where blond eyelashes only make you sad.”
Wait – come on, what are you talking about? Sad blond eyelashes? Blond eyelashes are fun!
“Why do I hurt all of a sudden?”
“Hey, it’s alright, darl.” He kneels by your bed and takes your hand in both of his. They’re warm, rough, calloused in places you thought couldn’t be calloused. “It’s me, it’s Simon.”
“What?” You pull your hand away from his. “I don’t know a Simon.”
Simon scoffs, but it’s more of an exhale of disbelief. “Don’t you remember me?”
“No.” You narrow your eyes. “Should I?”
Simon crumbles before you. His sodium streetlight eyes go out with an explosion of guilt – the bulbs pop with a fizzy sound. He looks like he should be groveling at the feet of a feudal lord, providing excessive evidence of his crimes, or throwing a cat-of-nine-tails over his shoulder and ripping the flesh from his own back. Whatever made him this way – you can be damn sure it was your fault. Those three simple words, instead of “I love you,” are “No. Should I?” 
“It’s me.” Simon’s voice cracks as he speaks. Tears flood his waterline. He takes off his mask, revealing his pale face and dyed-blond hair. “It’s your Simon.”
“Simon,” you say softly. You look at him and hurt. A hole in your still-beating pig heart. Blood spills out from where the bullet went in. 
“No. Nothing.” You look down at his hand. It’s palm-up, splayed out where you let go of it. It curls up into a fist, then Simon pulls it into his lap.
He says nothing. Just stares at you like you’re familiar yet somehow unknown. 
You don’t know what to say. You just can’t conjure up any thoughts as you stare back. The morphine can’t be the cause of your dumbness. And it certainly isn’t the new modafinil that was just introduced to your system. 
You search his eyes and feel, above all things, lost. Lonely in a hospital full of people. 
Simon pulls away. His breathing is heavy and labored. A single tear slips down his scarred cheek. He doesn’t look like he’s one to cry. The tear leaves a trail of wet that looks like a new scar.
He tugs his balaclava back on and shuffles out, casting one last longing glance over his shoulder before closing the door behind him with a soft click.
That’s where it is. He is disco. He’s stumbling through the streets of Manchester. Hurting. Longing. Loving. Dancing to disco music.
You’re stuck in the hospital for a week for physical therapy and observation. Simon visits intermittently. He brings things to jog your memory – men that are part of Task Force 141, small snow globes from where you and he have apparently been deployed. Some of them work. But none of them bring back any memory of your apparent relationship with Simon – your boyfriend.
Today he comes in with a small device. It’s not a phone, but resembles it. A small wire comes from the amp and ends in a small circle of plastic.
You point at it. “What’s that?”
“It’s a contact microphone.” Simon settles in the chair that’s set up by your bed. He points at the blocky part of it. “This part holds the recording. You can play it back if needed.”
“Are you going to play it back?” You ask.
“No,” Simon says. “This one is blank.”
You take it from Simon’s hand and turn it over, looking at it. Examining. “Then why are you showing me this?”
“You are…” Simon sighs, trying to find the words. “You were a profoundly talented interrogator. You used contact microphones to record the interrogation, the confessions, the works. There’s a specified interrogation chamber underground. Contact microphones pick up the noise better down there.”
You continue looking it over. Fiddling with the wire. Running your thumb over the mesh of the microphone.
“Anything?” Simon says.
You close your eyes and think. Contact microphone… violence, blood. There’s a welding torch in there somewhere. The smell of bubbling flesh and burning hair. Cauterization without anesthesia. It was that way on purpose.
You open your eyes and look at Simon. “Interrogation.”
“Obviously.” Simon huffs out a laugh. It sounds forced. “I told you that.”
“Yes.” You sigh, looking down at the contact microphone. You try to think more. Contact… physical contact. Your fist making contact. Something hard. Solid bone breaking under your hands. 
But also… something soft. Something that smells good. Smells homey. A black hoodie with some cheesy skull pattern on it. Actually, a closet full of black and grey clothes. A monotone voice to match a monotone closet.
The clothes smell faintly of cigarettes. A carton that’s mostly empty. They taste better than regular cigarettes – they’re some European brand. 
“Do…” You look up at Simon. “Do you smoke?”
“Why?” Simon asks. “Do I smell like cigs?”
“No. Just…” 
You close your eyes and try to remember more. The carton is a brown-orange color. The back is plastered with warnings about nicotine being an addictive chemical. No filters. A smooth, walnut-esque finish.
“Revaality,” you finally say and look up at Simon. 
“Yes! Yes.” Simon takes your hand instinctively, excitedly. He smiles. Like crying, it doesn’t really fit him, but you’re glad he’s smiling anyway. “That’s the brand I smoke. I smoke Revaality.”
He takes your face in his hand and guides you to look at him. His sodium light eyes are bright once again. “Anything else? Lovie, please…”
You cringe away from his touch. Again, Simon is punched in the fucking face when he remembers that you don’t know him. Not like that. 
Simon pulls his hands away. “Shit. I…”
“It’s okay,” you say quickly. “I know.”
I know you know a different version of me. The thought lingers, loud and unsaid. Simon, you’re a man with a lot of past, but little present, and almost no future. I’m sorry we only live in your memories, because I don’t even have those.
“I’m trying.” You look down at the contact microphone. “Believe me, I’m trying.”
“I believe you,” Simon says. “It’s just… it’s hard.”
Silence for a while. The artificial lights above you buzz and cast harsh shadows on Simon’s face. He looks… tired. 
“I still love you,” he says quietly. Almost a whisper. “I… you’re the best thing to ever happen to me.”
He rests a hand on the railing of your hospital bed. “I’m not the best. I drink. I smoke. I have a laundry list of mental issues and types of trauma. So much it’s not even funny.”
“But you…” he sighs. “You fell in love with me anyway.”
You look up at him. He’s crying again. A pang of empathy in your heart. You don’t know why, but you don’t want to see him cry. The tears that cut through the dirt on his face are unbefitting. 
“I’m sorry.” Your voice is a mirror of Simon’s. Soft and wavering. “I want to remember. I don’t even know what happened to me. The doctors always dance around it when I ask.”
Simon bunches the end of his sleeve up in his hand and wipes away his tears. “You were a fucking idiot. That’s what happened.”
You scoff. “Excuse me?”
“Not in a bad way.” Simon lets go of his sleeve and rests his hand on the railing of your bed again. “You love too much and too hard. You saved me.”
“It… the building…” He squeezes his eyes shut, forcing his waterline to clear of tears. “The building was coming down. We thought we were out of danger close. But there was a piece of rebar that…”
Simon looks down at his lap. He’s ashamed. “It was supposed to hit me. I was supposed to die. I’m used to it. I’m used to close calls and blood transfusions.”
“But I’m not used to…” He glances up at you through his eyelashes. His long, blond eyelashes. “People I care about being hurt. Or people caring about me in general.”
“Simon.” You reach out and lay your hand over his where it rests on the railing. He holds his breath like he’s afraid.
A pause. You want to be sure of your words before you speak. 
“I’m going to try my damndest to remember,” you say. “Even if I don’t remember everything, I – I want to try to learn to care about you again. Because, based on our limited interactions, I know you’re a good man. Even if you drink and even if you smoke and even if you have a laundry list of mental issues and an assortment of trauma.”
Simon slowly brings his other hand and rests it on top of yours. His callouses brush against your knuckles. Abrasive yet comforting in a way you barely remember. 
“Thank you,” he whispers. “Really, truly. Thank you.”
And, in this moment, Simon finally has some sense of control in an ever-turbulent world. The world that tried to take his one and only love. The world that has taken his one and only love and is only now feeding him droplets of what he knows – what he once knew. He must exercise this control carefully, lest he lose you again. 
In the sky, there are no dogfights and no silverplate bombers. Only stars and the rabbit curled up on the moon and a singular winking comet. God is in Heaven. Everything is normal on Earth.
Somewhere, the spots from a disco ball freckle the dance floor once again.
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Text
1968 [Chapter 3: Hermes, God Of Thieves]
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Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 4.5k
Tagging: @arcielee @huramuna @glasscandlegrenades @gemmagirlss1 @humanpurposes @mariahossain @marvelescvpe @darkenchantress @aemondssapphirebussy @haslysl @bearwithegg @beautifulsweetschaos @travelingmypassion @althea-tavalas @chucklefak @serving-targaryen-realness @chaoticallywriting @moonfllowerr @rafeism @burningcoffeetimetravel-fics @herfantasyworldd @mangosmootji @sunnysideaeggs
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They say it’s the most dangerous job in Vietnam. That’s why I wanted to do it.
Chinooks transport men and equipment, Cobras are gunships, Jolly Green Giants are used in search-and-rescue missions. But the Loach—Light Observation Helicopter—is a scout. We have to fly low enough to spot fresh footprints in mud, glints of sunlit metal, blooms of firelight from smoldering cigarettes in the primordial maze of the jungle. And when you go looking for the enemy, sometimes that’s exactly who you find. U.S. Army regulations decree that each Loach must be inspected after 300 hours of flight time, but they rarely make it that long. I’ve been shot down twice already. You roll out of the wreckage, grab your buddies, and book it out of the area before the Vietcong kill you, or worse: drag you back to the Hanoi Hilton so you can die slow.
Currently we’re just north of Pleiku, coasting close enough to the treetops that I could reach out and touch them. I’m in the back seat with my M16, no door between me and the outside world, my hair tied back with a green bandana, the wind hot and sticky. It’s so fucking humid here. Why can’t the communists be trying to take over Malta or Sweden or Monterey Bay, California?
It was the old men who suggested I might be of greatest service to the family by enlisting. I was 25, newly graduated from Columbia Law—a family tradition—and dreading the desk job that awaited me at the Department of Justice. Some people are born to type their lives away in some leather-upholstered office with a view of Pennsylvania Avenue, but not me, and I know this like I know the sun or the stars, ancient truths that can never be changed. And so when Otto and Viserys sat me down—my father had only had one stroke by that point, and was still relatively involved in the day-to-day minutia of putting a Targaryen in the White House—and said Aemond having a brother in Vietnam would make him more relatable, more sympathetic, more noble, not an observer to the carnage of the war but a fellow victim of it…I told them I’d go.
Everyone needs a project. If you don’t have something to distract you from the futility of human existence, it’ll break you in half. I have the Loach. Otto and Viserys, both immigrants ineligible to serve as president of the United States, have their shared ambition of getting their bloodlines in the Oval Office. Aemond has his legacy. My mother has her children, and Criston has my mother. Helaena has her gardens, her bugs, quiet gentle things that she tends with her own thorn-pricked hands. Aegon doesn’t have a project, he never really has, and it’s driven him to the cliff’s edge of insanity. See what I mean?
Anyway, let me tell you something about Vietnam. The Army gives us all the steak, beer, and cigarettes we can handle, but I’d kill for a lemon-lime Mr. Misty—
“Daeron, get down!” the guy to my left screams over the noise of the rotors. His name is Richie Swindell, and he’s from Omaha, Nebraska, and now he’s plummeting out of the helicopter as bullets riddle his chest. I duck low and cover my head as we spiral sideways into the trees, snapping branches, shredding leaves like confetti. I can hear the pilot yelling something, but I can’t tell what. When we hit the earth, the lightweight aluminum skin of the Loach does exactly what it’s supposed to, crumpling to absorb the shock of the collision and reduce trauma to us mortals inside. I scramble out of the rubble on my hands and knees and go to check on the pilot, but it’s too late. He’s already being hauled out by the Vietcong and gets a bullet to the brain. I reach back into the ruins of the Loach to grab my M16, but there are hands around my ankles yanking me out. And now I’m next, and there’s nowhere left to run, and I’m hoping Criston will be there to hold my mother when she gets the Western Union telegram.
One of the soldiers shouts and stops the others, shoving them aside to get a better look at me. With the barrel of his AK-47, supplied by either China or the Russians, he prods at the patch displaying my last name: Targaryen. His compatriots don’t seem impressed. Again, he batters my nametag, speaking to them in Vietnamese.
He knows who I am, I realize. He knows Aemond is running for president.
Now there is a hell of a lot of excitement. The men are talking rapidly amongst themselves, marveling at me, poking and examining me. Then two of them grab me by the arms. I look to the soldier who knows English, at least enough of it to read those nine fated letters. He smiles at me, not like a friend. Like a wolf baring its teeth.
He says: “It is okay, Targaryen boy. We just have some questions for you.”
Guess I’ll be checking into the Hanoi Hilton after all.
~~~~~~~~~~
You wake up to Aegon strumming an acoustic guitar and singing Johnny Cash. The guitar must be new. The one he left at Asteria is plain maple wood and covered in stickers; this unfamiliar instrument is a vivid, Caribbean blue and has Gibson written across the headstock.
“I hear the train a-comin’, it’s rolling ‘round the bend
And I ain’t seen the sunshine since I don’t know when
I’m stuck in Folsom Prison, and time keeps draggin’ on…”
“Let me die. I’m ready to go.”
Aegon laughs, setting his new guitar aside.
“Is Ari okay?”
“Yeah, he’s doing great. And I got the stuff you asked for.”
Sure enough, there are three roomy sundresses hanging from the coatrack—you wanted to have options in case you had trouble finding one that fit correctly, though you gave Aegon a general neighborhood for sizes—as well as an array of cosmetics on the nightstand, including a bottle of shimmering champagne-colored nail polish. “I’m really impressed. You barely forgot anything. Though I will look odd with blush but no foundation.”
“Ohhhhh. Fuck.”
“And this isn’t human shampoo. It’s for dogs. That’s why it has a mastiff on the label.”
“I thought it looked like you,” Aegon says, smirking mischievously.
“Well, thanks for trying.”
“And I found this at the gift shop.” He tosses a card at you like a frisbee. You open the envelope to see a cartoon cow on the front, black and white and wearing a huge copper bell and a party hat. Inside is printed: May your graduation be legenDAIRY! Aegon has crossed it out and written instead I thought this was blank…congrats on the new calf! followed by his illegible scribble of a signature.
“A cow,” you say, smiling despite yourself. “Because I’m Io.”
“You’ve got about a million of those pouring in from all over the country. Congratulations cards, get well soon cards, we really hope your husband gets elected so we aren’t consumed by nuclear Armageddon cards. And then Richard Nixon sent a pipe bomb.”
You set Aegon’s card on your nightstand, half-open so it will stay standing upright. Then you drink the apple juice from the tray the nurses left for you. “Aemond’s not here yet?”
“Uh, no, not yet,” Aegon says vaguely, kicking his feet up on the ottoman. He’s been shopping for himself too. He’s wearing a denim jacket over a black The Kinks t-shirt, ripped jeans, moccasins. He uses the remote to turn on the television: The Dating Game. “So, what did you study in college? You went to Manhattanville, right?”
You chuckle, shaking your head. “You really don’t listen when I talk, do you?”
“I try not to.”
“Yes, I went to Manhattanville. And I studied math.”
“No way. You didn’t major in math.”
“Women can’t do math?” you tease. “That’s sexist.”
“I didn’t say women can’t do math. I’m saying there’s no way your parents sent you to a housewife factory like Manhattanville College of the Sacred Heart to get a math degree.”
“They didn’t, which is why my bachelor’s is in math education. So half-math, half-kid stuff. Makes it a little more…domestic.”
“Cool. Teach me math.”
“What, really?”
“Yeah. Really.” He digs around in the pockets of his jeans until he finds a receipt, then locates a pen in the nightstand drawer. He hands both to you and then stands so he can watch over your shoulder as you work. You can smell him: cigarette smoke, rum, the cool grey rain that is falling outside. It drips off his hair, carelessly slicked back from his face.
“What’s something you don’t know how to do?” you ask, expecting to get an answer like exponents or calculating the volume of a pyramid.
“Uh. Long division.”
You raise your eyebrows. “Going all the way back to 4th grade. Alright then.” You begin writing. “So let’s take a large number—this year, 1968—and divide it by…hm…how many kids you have. So five.”
Aegon whistles. “Five kids. Goddamn.”
“Yes, and you probably couldn’t name them, but there are indeed five. Trust me, I’ve counted.”
“Okay, this is the part I don’t get. Five goes into 19 almost four times. But there’s no way to say almost four.”
“There certainly is not. Five goes into 19 three times, so we put a three up top and then subtract 15 from 19. We get four, drop down the six from 1968, and now we’re dividing 46 by five.”
“Nine.”
“Right. Five times nine is 45. So the nine goes up top and we subtract 45 from 46.”
“45 is basically 46. Let’s call it a day. Close enough.”
“No,” you insist. “We get one, then drop down the eight from 1968, which makes 18.”
“And five goes into 18 three times.”
“Where’s the three go?”
“Up top,” Aegon says, observing fixedly.
“And then we subtract…”
“15 from 18, which is three. So the answer is 393.3.”
“Wrong. Loser.”
“What! How am I wrong?!”
“You don’t just put the three after the decimal,” you say. “You drop down a zero—”
“A zero?! Where the fuck did a zero come from?”
“From the fact that 1968 is a whole number, so it’s actually 1968.0.”
“Oh.” Aegon blinks a few times. “Gotcha.”
“Add the zero after the three to get 30—”
“And 30 divided by five is six. So the answer is 393.6.”
“I am so proud. You are officially as smart as an average nine-year-old.”
He takes the receipt from you and studies it. “This was super enlightening.”
“You want to try calculus now?”
He cackles and sinks back into his plush salmon pink armchair, his miniature dominion in your hospital room kingdom. “You like teaching?”
“I love it,” you admit. “I had to do a semester of student teaching the spring before I graduated, and at first I was kind of petrified. But the kids are so hilarious and interesting and full of excitement about everything, and they’re sweet in totally unexpected ways. They’d chatter all through a lesson and make me want to jump out a five-story window, and then bring me some of their Easter candy. That’s when I realized they weren’t trying to torture me. They’re just kids.”
Aegon is meditative. “Yeah, kids are fun.”
“I wasn’t aware you had much interest in them.”
“No, I do.” And something about the way he says it makes you feel bad for taking the shot. He runs his fingers through his hair, perhaps debating how much he wants to share. “You know Viserys made us all do these little missions after college so we could learn about the real world, right?”
“Right.” Daeron spent his on lobster boats up in Maine, Helaena learned horticulture in France, Aemond helped register voters in Mississippi and Alabama. You can’t recall ever hearing about Aegon’s.
“I got sent to Yuma, Arizona to teach on the reservation there. When I stepped off the bus, I thought it was hell on earth. And then when my time was up I didn’t want to leave.”
“What did you teach?” And then you add: “Hopefully not math.”
“No, definitely not math,” he says, smiling but distant, remembering. “English. Books, poems, all that. But my favorite thing to do was take a song and break it down line by line, really get them curious about what the author was thinking. And then of course we’d all sing it together. I’d play guitar, they’d run around jumping on the furniture, it was a good time.”
“But you couldn’t stay.”
“No,” he sighs. “I had to come back here so I could get dragged kicking and screaming through law school and then married off.”
“And elected mayor of Trenton,” you say, trying to make him laugh. It works.
“Oh God, we are not talking about that. Most miserable two years of my life.”
“So far.”
“Yeah. If Aemond wins and makes me the attorney general, that might be worse.”
“Knock knock!” comes a cheerful trill from the doorway, and then Alicent and Mimi rush in. They descend upon your hospital bed, cooing and soothing, squeezing your hands and trying to smooth your untamed hair.
“What did it feel like?” Mimi is morbidly fascinated, swaying a little, eyes bleary with gin. “When they were digging around in there?”
“Well, obviously she was sedated, hon,” Aegon says, a bit impatiently. He and Mimi share a nod in greeting, no warmth, no depth. You wonder what it must be like for someone you spent so much time tangled up with to become a stranger.
“Oh, darling, I barely recognize you!” Alicent says. “You poor thing, you must be in such awful pain. I’ve never seen you like this before. Your face, your hair…”
Aegon gives her a quick, disapproving look and then lights a cigarette of the traditional variety. He puffs on it as he gazes at the window, like he’s counting the raindrops on the glass.
“I’m feeling a lot better now,” you assure Alicent.
Her eyes flick down to your belly, still swollen beneath your blankets. “Will it scar terribly, do you think?”
You shrug; you haven’t thought much about that part yet. “It’s a battle scar. Aemond gets them in the real world, I get them in here. Same war, different arenas.” You peek out into the hallway. “Is Aemond…is he with you…?”
“He wanted to be,” Alicent says, like it’s a consolation. “But, Washington, you know…the primary there is so close. So, so close. He kept saying that he and Humphrey were neck and neck, and they still are, I believe. Every vote counts, and he’s campaigning all over the Puget Sound.”
“He’s still in Washington?” Your voice is flat with disbelief, with disapproval.
“He wishes he could be here with you and the baby,” Alicent insists, stroking your hair. “I’m sure he’ll fly back as soon as he’s able. But he’s thinking of you so, so much. That’s why he let me and Mimi leave this morning.”
“Right,” you reply numbly. And then you remember what you’re supposed to say. “The election is important. It affects everyone, our son included. For the greater good, personal sacrifices are necessary.”
“We saw him,” Alicent tells you, radiant with joy. “Aristos Apollo.”
“So precious,” Mimi says. “But so small! And trapped in that hideous machine! We could only see him through those little round windows.”
Aegon casts her a violent glare. You are alarmed. “He’s not in an incubator?”
“They have him in a…what was it called, Mimi?” Alicent asks. Mimi has nothing useful to contribute. “A hyperbaric chamber, I think. To help him get more oxygen.”
“But he’s fine,” Aegon says firmly, giving his wife and mother a warning. “Didn’t the doctor say it was a precaution?”
“He did, he did,” Alicent promises you. “Yes, just a precaution, that’s what we were told. The doctor has been trying to reach Aemond, apparently, but since he landed in Washington, he’s never in one place for long…”
“We should buy gifts for the baby,” Mimi says excitedly. “Adorable hats and shirts and trousers. Although even the tiniest clothes might be too big for him right now.”
“Yes, gifts! We must shop for gifts. Oh, it’s all been such a whirlwind. We hurried off the plane to come straight here, love,” Alicent tells you. “Can Mimi and I get you something for dinner?”
“Sure, sure.” You are distracted, still thinking of Ari. “Anything is fine. Wherever you end up.”
“Would you like me to bring a priest to pray with you? Saint Nicholas Church is right around the corner.”
You smile. “That’s very kind, but I think I’d prefer some books.”
“Baby clothes, dinner, and books. We can do that. Can’t we, Mimi?”
“We absolutely can,” Mimi agrees with tipsy, girlish enthusiasm.
As an afterthought, Alicent says: “Aegon, have you been here all this time? You must be exhausted. We’re going to book a suite at the Plaza, there will be plenty of room for you too. We can drop you off there on our way to go shopping, if you’d like.”
“I’ll stay,” he says softly, watching the rain again.
Alicent’s brow furrows; her dark doe-like eyes are puzzled. “Alright, dear.” Then she and Mimi disappear into the hall.
“Is he really okay?” you ask Aegon when they’re gone.
“Yes. That’s exactly what the doctor told me, just a precaution. I wouldn’t lie to you.”
“Aegon,” you say, and don’t continue until he meets your eyes. “Why are you still here?”
He lights a fresh cigarette. “I don’t think you should be alone.”
“I’m not alone anymore. Alicent visits me, Mimi visits me.”
“Yeah, but you feel like you have to put on a show for them. Play the perfect Targaryen wife with all that stoic, dignified, unshakable faith. You hate me, so there isn’t as much pressure.”
“I don’t hate you, Aegon.”
“Yes you do. You always have. You don’t have to be polite about it.”
“Well…I have valid reasons to hate you.”
He smiles, exhaling smoke. “Right.”
“And you hate me too.”
Now he shrugs, avoiding your gaze. “Everybody worships you, everybody thinks I’m a waste of chromosomes, is it really that hard to psychoanalyze?”
“No one worships me. They worship Aemond.”
“But you’re a package deal. Jack and Jackie, Franklin and Eleanor.”
You trace the lines in your palm with a fingertip, not knowing what to say. You’re so close to Aemond, so inseparable, and yet so vastly far. “Will you wheel me downstairs to see Ari after dinner?” It’s best to go at night when there are less staff around to try to stop you.
“Sure. You want a Mr. Misty?”
“Yeah. Lemon-lime.” That’s what he brought you last time, and it wasn’t bad for a cardboard cup of florescent green sugar water.
“Got it,” Aegon says, and leaves you alone.
You look at the phone on your nightstand. You’ve tried to call Aemond to no avail, though you spoke to Criston twice; on both occasions he said Aemond was in the middle of an interview. It’s understandable that you would have difficulty getting ahold of your husband while he’s off campaigning, leaping from town to town like an electric current. There’s nothing unusual about it at all. But Aemond could call you anytime he likes. You haven’t moved; he knows exactly where you are.
You keep staring at the phone. It doesn’t ring.
~~~~~~~~~~
It’s night again, and you swim up from morphine-soft dreams into your hospital room, dark except for the flashing color of the television, low volume, NBC news. Aegon is curled up in the chair he’s claimed, snoring and half-covered with a cheap, pale blue hospital blanket. And it’s a strange feeling—a foreign language, a new religion—to realize that you’re relieved to see he’s still here, that there’s a comfort in it, a safety.
Suddenly, Aemond is on the television screen. You sit up in bed as gingerly as you can, leaning in, listening close. He’s rarely looked better: blue suit, prosthetic eye, rested and measured and sharp. He’s giving a speech at the Hotel Sorrento in Seattle, three hours behind the time you’re living in on the East Coast. Flanking him on the stage are Criston, Otto, Helaena, Fosco, the eight charming children. Five-year-old Cosmo keeps waving at the camera.
“Right now, my wife and newborn son are at Mount Sinai Hospital in New York City,” Aemond says, beaming, and the audience whistles and cheers. You should smile, but you can’t. He’s not supposed to be there. He’s supposed to be on his way home. “But tonight I’m here with all of you, fighting with everything I’m made of to win the great state of Washington. And I won’t leave until the job is done, because I know the greatest act of devotion that any of us can show our children is to ensure they grow up in a better America than the one we find ourselves in today…”
You look over at Aegon and see that his glassy eyes are open, watching the television just like you are. You don’t know how long he’s been awake. The two of you exchange a glance, and there is a silent, shared recognition of what won’t be said. You can’t criticize your husband. Aegon isn’t going to kick you while you’re down. You are grateful for this. It is a conviction he has only recently acquired.
Aegon pulls his blanket up to his chin and rolls over, turning away from you. You close your eyes and dream of being a child back in Tarpon Springs, mesmerized as you watch Greek sponge divers emerge from the bubbling depths in their suits of rubber armor.
~~~~~~~~~~
It’s the afternoon of the 13th. The Washington State Democratic Convention is being held tonight, and so win or lose Aemond will be walking into Mount Sinai Hospital tomorrow. He has to, he doesn’t have a choice. He’ll have no excuse to be anywhere else, and journalists will be swarming at the entranceway like bull sharks in the Gulf of Mexico.
It’s raining again. You’re reading one of the books that Alicent brought you, Dr. Spock’s Baby and Child Care. You had been meaning to get a copy before you were consumed by Aemond’s campaign and then his near-assassination, his maiming, his fleeting brush with oblivion. Aegon is cross-legged in the salmon pink armchair and plucking lazily at his guitar, singing so low no one outside the room would be able to hear him. It’s a Rolling Stones song, slow and mournful.
“You don’t know what’s going on
You’ve been away for far too long
You can’t come back and think you are still mine.”
As you flip a page and raindrops patter gently against the window, you find yourself thinking how easy this is, your hair undone and your feet bare, no photos to take or lines to remember, no practiced smiles, no overwrought itineraries, only compassion that is quiet and small and real.
“Well, baby, baby, baby, you’re out of time
I said, baby, baby, baby, you’re out of time…”
Aegon abruptly stops playing, cutting off with a twang. You look up at him. He’s gazing back with eyes that are filling up his face, glistening with horror. You turn to find out what he’s seen. There’s a doctor standing in the doorway, but he’s not alone. There’s a Greek Orthodox priest with him.
“Mrs. Targaryen,” the doctor begins, then glances to the priest. The holy man—black robes, gold chains, clasping a komboskini like the one Aemond keeps in a box on his writing desk at Asteria, stained with his own blood—gives an encouraging nod. “We’ve tried to reach your husband. We’ve called his hotel in Tacoma several times, but the senator must be out campaigning, and…” Again, he looks to the priest. Aegon is setting his guitar on the floor, covering his mouth with his hands.
Ari. Too early, too fragile, too defenseless in a world full of wolves.
Your words come out in a whisper. “He’s gone, isn’t he?”
“We must remember, child,” the priest tells you, vague patronizing pity. “That the Lord giveth and the Lord taketh away, but what is lost to us in this life is never truly gone. Those we love wait for us on the other side in paradise—”
“Please leave. I don’t want to talk to a priest. I don’t want to talk to anyone.”
I just gave birth to him. I just started to believe he was mine.
The doctor begins: “Ma’am, I’m so sorry to have to deliver this news—”
“I don’t want to talk to anyone, I want to be alone. So please leave,” you beg, your voice breaking. “I want to be alone. Please leave me alone.”
The doctor looks to Aegon. A man’s permission is sought. “Go,” Aegon manages, raspy and strangled, and the doctor obeys.
“God bless you and your husband, Mrs. Targaryen,” the priest says as he departs with a swift bow. You can’t reply. You’re biting back sobs as the tears begin to slither down your cheeks, scalding and furious, not just grief but the bottomless rage of Nemesis.
Aegon is watching you, not knowing what to do, not knowing what you need.
Aemond would want you to be stoic. Aemond would want you to have faith, forbearance, grace. “It is God’s will.”
“Hey.” Aegon reaches across the space between you, grabs your hand, holds it so tightly your bones ache. Still, you wouldn’t want him to let go. “You’re allowed to be fucked up about this. I am too.”
When your eyes drift to him, they are glaring and heartsick and poisonous. “Where’s Aemond?” Why isn’t he here?
Aegon sighs deeply and picks up the phone with his free hand. He spins the rotary dial with his index finger and then holds the handset to his ear. He waits as it rings. “Pantages Theater, Tacoma, Washington,” he tells the operator. A minute or more crawls by. “I need to speak to Senator Targaryen immediately. Yes, I know there’s a convention underway there, that’s why I’m calling you. Go get him.” More minutes, eternal, terrible beyond description. “What do you mean you can’t find him?!” Aegon snaps. “Okay, give me someone else. Anyone travelling with him. Criston Cole, Fosco Viviani, Otto Hightower, Helaena Targaryen. Hurry up. Let’s go.”
Outside the rain grows heavy and loud; it falls in sheets against the misty windows. In the distance, thunder growls.
“Hi, Criston, it’s me. He needs to come home now. Right now.”
Aegon closes his eyes. Criston must be arguing with him.
“No, you don’t understand,” Aegon says, forcing the words to leave his lips and ride the wires to the West Coast, to where the sun sets, to where the future is dawning. He’s still holding your hand. “Aemond doesn’t have a son anymore.”
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supershot73199 · 6 months
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Hey so this is kinda inspired by @virgamsysxvolumes lucky rush au but it's more my own twist on the bioshock inspiration. Actual prompt / idea below the cut
Ok so this would be a good parents au where Danny revealed himself to his parents shortly after the series (excluding phantom planet) and they were super supportive and asked for his help in learning more about ghosts. He also managed to track down Dani and brought her back to Amity only to learn that the ecto dejecto was only a quick fix. Eventually with Frostbites help they cure Dani but the only way is to essentially turn her into her core and let her form a new body in a special pod only she would be a baby. Now at first Jack and Maddie were going to fake a pregnancy and pretend she was Danny's and Jazz's sister however she and Danny bonded while they were looking for a cure and she accidentally called him Daddy. Danny was smitten and decided he would not pretend to be her brother and would be her dad.
The fentons pass it off as an invention gone weird that basically made a baby from Danny with no mother and Amity just shrugs at the Fenton weirdness and accept baby Dawn (She asked Danny to give her a new name before she was turned to a baby and I think that would be a cute name Danny would come up with.) Now 4 years later Danny is 19 or 20 and Dawn is 4 years old and Danny had been studying inventing like his parents and medicine from Frostbite. At Dawn's most recent check up Frostbite gave Danny one as well only to discover that Danny has been absorbing more ecto-energy than his core can handle because he is a primordial in the making (yes this is master of space Danny). So the solution to this is two-fold he has to move to another dimension with less ecto-energy and he has to where a special suit in his ghost form that frostbite and his parents made together. Which is this.
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Just without the drill and maybe a little more astronaut themed.
So eventually they pack up Danny and Dawn and find a new dimension with a city where they can live without people asking too many questions. Gotham city. With the number of vigilantes already there Danny won't feel obligated to go out and fight and he can finish his degree at Gotham U and start a business making and selling meta specialized medical equipment and other helpful inventions. (But no weapons.)
So Danny and Dawn with their new identities and parents/grandparents, aunts and uncles (blood and honorary) settle in pretty well with Danny and Dawn going out on moonlit walks in Ghost form. Thus the people of Gotham meet Big Daddy and his little starlight.
Now as for who I would ship with Danny I personally love DannyxCass or Dead silent as I think the current ship name for them is.
So maybe she meets the single dad Danny at college or at the park for the first time but they don't really hit it off until Danny signs Dawn up for a ballet class that Cass teaches.
Meanwhile Bruce and the more paranoid Bat's are trying to find out more about this tank like Meta that the public named big daddy (I imagine people heard Dawn calling him Daddy and No one ever asked his name so they start calling him that as a sort of meme) after he beat down a feral ManBat who tried to go after Starlight. (They heard Danny call her that in the suit and ran with it)
Basically we have creepy tank man and his glowing ghostly daughter on one side and sweet Cass and Danny romance with little gremlin Dawn trying to play matchmaker on the other.
Also what I think the other bat's think of Cass new boyfriend.
Dick is full overprotective big brother.
Jason after seeing the way that Danny is trying to help the underprivileged and the fact that they are like something out of a Hallmark movie ships it.
Tim is paranoid about this stranger and is back to his old habits(stalking) to find answers.
Steph is full Gung ho wing women she will be Cass bridesmaid God dammit.
Damien starts off hostile thinking there is no way he's good enough for his favorite sister until he meets Dawn and suddenly he is declaring that Cass needs to hurry up and marry him or else he will because he will have that adorable little girl in his family no matter what.
Duke is wary at first because he hadn't ever seen someone who glows as bright as Danny and Dawn but the more time he spends with them the more he realizes that the bright glow is a safe and protective aura and that it reaches out and covers everyone Danny cares about. (Danny has a ghostly aura he subconsciously covers people he cares about with that let's him react to danger faster)
Alfred is already planning out weddings and birthdays. He always expected Dick to be the first one to give him Great grand babies but he's not complaining.
Bruce much like Dick is full over protective dad maybe he even borrows one of Alfred's guns to try to intimidate Danny.
Barbara who is both a big sister figure and a almost mother like figure to Cass is absolutely delighted. (It doesn't hurt that Danny made a set of leg braces that can read nerves to allow her to walk naturally again without needing surgery)
Selina adores the two and thinks they make a cute couple.
Also I think it would be funny if after all of Bruce, Dicks, and Tim's paranoia Danny just strait up tells them that he is from another dimension and even offers to let them tag along on the next visit to his parents so they can do a proper background check (which freaks them out because they hadn't told him they were doing that. At least until while they are discussing it and if that was evidence that Danny is more than he appears Cass says she told him that they were doing a background check on him. Not that Danny didn't already know but it helps the suspicion.)
But yeah part neutral Meta and park Hallmark romance.
Also maybe a side plot of Jazz coming to this dimension and maybe she has a relationship with Supergirl because I haven't seen that before.
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sprout-fics · 2 years
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Sprout-Fic's Call of Duty Masterlist
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Snowblind (Simon 'Ghost' Riley x F! Reader 'Fix')
Summary:
He's robbed the breath from your lungs, fissures extending ever outwards. They carve down into your bones, seep into the cracks of you where the gale of self doubt howls forsaken into the bitter wind. Yet there's warmth in his touch, one that melts away at the crystal heart of you suspended delicately like glass. It twinkles and glints in the darkness, shining outwards into the shadows of you both.
It's him. It's always been him.
Masterlist
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Little Mouse (König x F! Reader 'Maus')
Summary: During a routine covert op, you and Gaz are attacked by an unknown assailant, one who takes your unconscious form and carries you away into the night.
"Hello, little Maus."
Masterlist (Here)
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Consequences (Brat! Tamer Simon "Ghost" Riley x F! Reader) 18+
Summary:
It doesn’t take much to get a rise out of him, but he doesn’t let it show. The mask keeps his face hidden except for his eyes- calculating, cold. You’re the only one who can see the subtle indicators of his annoyance. His finger tapping on his weapon, the shift in his stance as he widens his legs to look bigger, the low, subtle warning bite in his voice that speaks of consequences.
18+ Series, Minors DNI
Masterlist (Here)
Completed
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Rotes Madchen (Werewolf Konig x F!Reader)
Completed
Summary:
You thought the woods were safe.
You hear the rumors, of the strange creature lurking in the forest, the thing with dripping red claws and snarling fangs. Mammoth, dangerous, primordial. He could swallow you whole.
Yet the thing you find is not a monster but a man, injured and weak, surrendering to your soothing hands offered in aid. Yet things in the woods are not always as they seem, and soon you begin to uncover the differences between monsters, men, and the creatures that lurk in the waning light of the full moon.
(Masterlist)
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Tag, You're It (TF141 x F!Reader) 18+
Summary:
The room goes still, the five of you lounging around the rec room table on base, where a collection of bottles and snacks litters the surface. The quiet solitude of evening hangs subtle between you all, and if you breathe in you can smell the lingering trace of shampoo, all of you scrubbed fresh and clean following your arrival back after a successful mission. Here, gathered together in mutual company, it’s you who lets the words fall out of your mouth to the surprise of the men around you.
“I want you all to chase me down and take turns on me.”
18+ Series, Minors DNI
Masterlist
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Call of Duty Omegaverse AU (Poly TF141 x Omega F! Reader) (18+)
Summary:
You've concealed your presence as an omega for your entire military career, careening up the ranks, collecting accolades, and having the privilege to assist the notorious 141 Taskforce. Yet on a mission gone wrong, you find yourself in circumstances entirely out of your control, and the events that follow hurtle you into the path of a pack that finds out they will do anything to make you theirs.
(Masterlist)
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Engravings (Makarov x F! Reader)
Darkfic tw
Summary:
Marionette, your callsign. A name he bestowed upon you, the one who holds the strings. You’re his blade, his weapon, the arrow in his bow. You fly in the direction of his enemies, cut them down with lethal precision, feel their heartbeats stutter and still in your hands. You’re used to the scent of blood by now, arrive back to him awash in red and let him kiss it from your lips, the taste of your murder on his tongue.
You know what the others say about you. You see them as they watch you walk with him, two steps back, by his right shoulder. A designated position. If someday he were to be betrayed, shot through his spine, you know the bullet would enter you first.
You know too that you’ve accepted this.
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You never had reason to doubt Makarov until you find yourself cornered by a mysterious man who stares at you with wide eyes and whispers a devastating revelation
"What did he do to you?"
(Masterlist)
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Oh Muse, Tell me of the Things Done by Golden Aphrodite
(Simon 'Ghost' Riley x F! Reader)
Summary:
A sacrifice, they tell you. One to spare the fate of your city from the god of death's vengeful wrath. They lay you upon the sacrificial altar, where you weep and await your demise. Only to awaken in the palace of a God. (An Eros and Psyche inspired AU)
(Part 1)
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Requests:
Sunshine (Simon Ghost Riley x Reader)
Jealous (Ghost x Reader x König)
Jealous (Part 2) (Ghost x Reader x König)
Drunk (Simon Ghost Riley x Reader)
Sick (Simon Ghost Riley x Reader)
Affliction. Affection. (Konig x GN Reader)
That One Motorcycle Bit (Simon Ghost Riley x F! Reader) (18+)
Oneshots:
Sunroom (John Price x F! Reader) (18+)
Afterburn (141/Los Vaqueros x F! Reader) (18+)
Speak Now (Gaz x Reader)
I'll Be Better in the Morning (Soap x Reader)
Goodnight Darling (John Price x GN Reader)
Unravel (Ghost x Reader)
Breaking and Entering (John Price x Wife! Reader) (2)
Adjustment (Dom! Price x GN! Reader) (18+)
Spitfire (Philip Graves x F!Reader) (18+)
Coyote Kiss (Phillip Graves x F!Reader)
Old Guard AU (TF141 & Reader)
Today. Yesterday. Tomorrow. Again. (Soap x Reader)
Danger Close (Captain John Soap MacTavish x F! Reader) (18+)
Mind the Drop (Dom Price x F! Sub Reader)
In the Softness (Nikolai x F! Reader) (18+)
Silver Fox (Nikolai x F! Reader) (18+)
Headcanons
NSFW Soap Headcanons (18+)
Valeria Garza Headcanons (18+)
Ghost and Gaz Headcanons
Poly 141 Headcanons (18+)
Soap Hugs
TF141 and Using a Safeword (18+)
TF141 and Dogs
TF141 + Los Vaqueros and Pegging (18+)
Simon 'Ghost' Riley, Trauma, and Kink (18+) SA TW
Hitman 141 AU
Sex with Simon
Captain MacTavish and Captain Price's wife (18+)
Neighbors Alpha Ghost (18+)
2K notes · View notes