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#so like. while i have the concepts for the characters they are no where near complete as characters or designs basically
butchlifeguard · 1 month
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something i was thinking about on stand yesterday.. danganronpa shsl lifeguard who tries to save a dying person they find, bonus points if they dont come clean about it at first because they think they actually killed that person with their efforts
#or if they do actually kill them which would be really tragic. this happens in chapter 4 of course#ok i actually put way too much thought into this. to put it into perspective i had shifts with 5 hours on stand saturdsy and sunday#i thought of it on saturday 20 mins in. so this concept has been in my brain for a while#anywayyy im thinking she had some pretty high profile eddie aikau type saves and got a little famous off that#AND is always offering to help people#so for the sake of writing another tragic athlete yuri ch4: i think the victim in her case is someone who is adamant about not wanting help#like a woman playing a sport typically seen as being manly (american ‌foot‌ball rug‌by wrestlin‌g etc etc)#im imagining shes from a family of pretty good (male) athletes and is constantly dealing with comparisons to portray her as weaker#she wont accept help or medical assistance because she thinks it makes her weak. which is a trait female characters should have more#so you get two really valid worldviews and its debatable whether the victim actually needed medical assistance/help or if it#just made things worse#anyway im imagining the ending of the previous chapter shows a black screen with#'unknown: hey hey are you okay?'#and ms life guard tries to give her situationship a slightly dignified resting place so we dont discover the body for a little while#not too long but a little while#actually i think the lifeguard killing the athlete with chest compressions would make a really compelling scenario#where the actual person with murderous intent was someone who poisoned or near-fatally hit the athlete#and they get to walk free (under extreme suspicion from other students) while the girl who got sooo close to saving her dies#lifeguard could be someone whos easily distracted but locks in while on duty to the point where shes like a different person#but slipping up and breaking the athletes rib (or whatever) was her one moment of panic#because she cared about the victim on a personal level#i neednto be sedated so i shut the fuck up. tomorrow is the first day of school bro#i DID say i had 10 hours to think about this
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aroaessidhe · 1 year
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2023 reads // twitter thread
Love Letters For Joy
YA contemporary Cyrano de Bergerac retelling
an ace girl with cerebral palsy who’s determined to be valedictorian, with only her academic rival to beat
when her friends start pairing up, she starts to wonder if she wants something like that, and emails the anonymous romance advice email going around her school
#Love Letters For Joy#aroaessidhe 2023 reads#hm.#the good: so many disabled characters!#main boy has asthma; side characters in wheelchairs and two others incidentally with CP;#and like every other character is wearing glasses#(which tbh. is probably just a normal amount of disability i any given group of people but how often do you see that much in a book lmao)#(I also just noticed the BG characters on the cover too)#but it is very…….doesn’t really explore anything in depth and also the drama got pretty comical at the end?#i forgot it was the CDB retelling.#feel like it should have taken the concept and then ran with the natural possibilities for the characters instead of trying to stick to tha#no more YA where the secret anonymous person keeps their identity secret for no reasonable reason and it only causes problems pls#near the end the dude is outed to his parents and kicked out. and like holy shit it does not explore that in depth??#one of her ‘friends’ is in love with her and after kissing her without consent goes on this aphobic tirade and becomes like a comical vilai#neither of those things are handled very well#also just little things like joy tells her friends that over the course of the book she’s realised she’s pan -#which was not mentioned a single time in her internal narration. there's tons of that kind of thing. telling not showing.#asexual books#while she mentions she's ace a lot she doesn't talk about specific experiences a lot#(which is not an issue but damn i wish it would have done that with Something in the book)
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liquidstar · 1 year
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woe the agony of having a funny idea for an oc comic with characters i haven't even designed at all yet let alone shared publicly
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luvsupa · 2 months
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a/n two posts in one day… ruh roh… (I miss gojo </3)
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ex!satoru who doesn’t really understand the concept of being an ex. he just thinks you want a break from him. but permanently separated? hell no, he could never understand that.
“‘toru… things aren’t gonna work out between us,” you begin as he sits in front of you at your dinner table in your shared apartment. he looks at you with no emotion, as if you didn’t just end things. “we’re growing in separate ways, and i feel i would only—satoru.”
you could scream at him—he’s not paying attention, scrolling on his phone instead. he shows you the order he placed for dinner, coming in twenty minutes. of course, he bought your favorite.
“satoru, can you please be serious for one minute?” you huff, clearly annoyed that he’s not listening while he’s purchasing things he knows will make you swoon.
“i am serious,” he says, placing his phone down to observe your breathtaking features.
“you weren’t even listening,” you say, crossing your arms as you slouch in the seat.
“baby, of course i’m listening—you’re crazy if you think i’m leaving you,” he coos condescendingly, and you roll your eyes.
ex!satoru who, in fact, respected your decision and gave you your personal space, not exactly broken up in his eyes, just a temporary break.
ex!satoru who stays over at suguru’s place for a few months, whining every day and night about how he missed being in your arms.
“i miss her,” gojo says as he pets geto’s cat, miyu, while geto himself groans as he cleans his apartment.
“can you at least help out and stop whining like a bitch,” geto says, adjusting the pillows neatly on his couch. this only causes gojo to frown and embrace miyu in a tight hug, nuzzling his face in her soft fur as she tries to get away from his grasp.
“and let go of miyu, she doesn’t want you holding her.”
ex!satoru who continues to send you money, always sending you hundreds and hundreds of dollars for food, shopping, and especially paying for your necessities. he doesn’t care that you work for yourself—you’re still his baby, and he loves spoiling you. his money is your money.
unknown number sent $500! —go get some food, baby~ ♡
unknown number sent $600! —please unblock me on insta
unknown number sent $300! —i love u, mama
ex!satoru who chokes on his breakfast when shoko says you’re going on a date. gojo, never in his life, was speechless, and that really creeped out shoko and geto.
“satoru… are you good?” geto asks concernedly—even miyu jumps on gojo’s lap, sensing a difference in his character.
“yeah, i’m good…” he says calmly, placing down his utensils to pet miyu’s soft fur.
ex!satoru who does a little investigating of who this mysterious man is, finding his identity within ten minutes. he scoffs when he finds his social media—he’s nowhere near as handsome as he is. what do you see in him?
ex!satoru who sits comfortably in the luxurious restaurant where you and the mysterious man planned to go. little did you know, gojo texted the man, telling him that you’re married.
“aiko?” gojo hears a soft voice call as he turns to look at you. your eyes widen when you see gojo. this has to be some kind of joke—he is fucking crazy. you turn around, going back to the entrance, but gojo grabs your wrist.
“no, no, no, baby, please let me talk,” he pleads, and you fold from the way he calls you baby. oh, how you loved and missed the way he called you baby and claimed you as his own.
he guides you to the chair in front of him as he holds your hand, your pretty acrylics grazing his hands. he loved the way you looked well put together, his baby doll.
“my love, i promise to leave you,” he says, rubbing small circles on your hand. your heart pangs at his confession. “i just want to know how you’re doing.”
“i-i miss you so much,” you say. gojo feels like he’s hallucinating at what you just said. “shoko told me you were having a date today, and i felt so jealous—” you stammer, and gojo blinks multiple times, stunned at what you’re saying.
“this guy aiko asked me on a date, and i wanted to make you jealous,” you continue, frowning at being confused with your emotions. but gojo, on the other hand, is putting two and two together.
“give me your phone,” he sternly says. you stare at him in confusion, but you oblige, taking out your phone from your purse and handing it to him. gojo smiles as your lockscreen is still a baby photo of him. he unlocks your phone—the password still the same, his birthday.
“i was meaning to change the lockscreen,” you quickly state, not trying to look like a weirdo in front of him.
gojo goes into your contacts and clicks aiko’s contact information, calling the number. multiple rings go by, and the man on the other line picks up.
“hello—”
“shoko, i know this is you.”
you look at him and your phone in horror. shoko set you guys up by making a fake number to make you go on a date with ‘aiko’ but really you’d be with gojo.
“ahh, did my plan work? both of you kept whining about each other—it was infuriating. i had to do something,” she says on the other line, gojo clearly hearing geto’s giggles in the background.
“don’t ever do this again,” gojo says as he hangs up the phone. the two of you burst out in laughter, but for you, it’s more embarrassing that you were flirting with shoko through texts!
fiancé!satoru who proposed to you a few weeks later, he’s beyond happy to be in the arms of his baby again <3
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sleepiexx · 16 days
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Something He’d Overheard
James Potter x fem!Reader
Note: I’ve been in the marauders fandom for over 7 years now, I think it’s high time I write a fic for it. Part of my efforts to branch out into writing for more fandoms than COD.
Summary: James finds himself head over heels when he sees you defending a first year student.
Warnings: some curse words here and there, bullying mention, overall rlly soft
Word Count: 1151
After countless fictional characters and random strangers on the street with pretty faces catching his burning ire, anyone who knew James Potter knew good and well that he was a lover. He had long believed in love at first sight, merely seeing someone eye-catching often sparked thoughts of budding romance, fantasies of how they would love and what their relationship would look like amongst other things. Soulmates and fate were a big concept to him too, for example his favorite book character, a headstrong witch who was kind and brilliant, well James had a hunch that in another life they were lovers.
He’d fallen in love just about a million times, and yet something about you was different.
You had caught James’ eye one day as he made the trek to the library to collect his good friend Remus for their group’s usual night’s worth of mischief. Your beautiful eyebrows were pinched together in anger, a sneer on your pretty lips, your voice was loud and firm as you scolded one of the usual culprits (a death eater in the making) for bullying a defenseless first year student.
Your hand clutched your wand intently as you damn near hissed the words, “you wanna try picking on someone who can actually fight back?”
They let out a scoff and left the scene, leaving you, the first year, and unbeknownst to you, James.
The switch between standoffishness and caring came like whiplash. Your tensed frame relaxed as you knelt down in front of the first year (those eleven year olds seemed to be growing shorter and shorter every year). Your dominant hand reached out and gently wiped away the younger child’s tears.
“Everything he said is bullshit,” you began, “he’s angry at the world, looking for someplace to fit in, and unfortunately it’s really easy to fall into the wrong crowd. You haven’t, and he’s jealous of that.”
The kid sniffled, pout still indented firmly on their little lips, “who would be jealous of me?”
You shook your head in disbelief, “plenty of people! You have a gift that a large part of the world’s population doesn’t possess, that’s something to be proud of no matter what other witches and wizards try to tell you. Heck, I’m even jealous of you.”
As you spoke a smile crept its way on the first year’s face, “you are?” They asked.
“Yeah, I am!” You nodded, “you’ve got six and a half more years left at Hogwarts to have fun and run about the castle, I only have another year and a half.”
“This place is pretty cool,” they muttered.
“Yeah?”
“Yeah.”
Your face lit up and you stood to your feet, offering the small child your hand so you could walk them back to their common room. You’d never seen the awe-stricken onlooker, but the scene was now burned into James’ mind.
It followed him to the library, where he convinced Remus to follow him to their other friends, a long walk that Remus spent listening to James drone on and on about you. It followed him to his dorm that night, and every other night for weeks leaving the marauders to know every single detail about you. And it most especially followed him to each of the classes you had together where James would stare at you and admire your appearance while daydreaming about you.
It was the third time that week that the scene had followed him to the lunch table when Sirius slammed his palms on the table, “I’m putting an end to this nonsense right now. You either talk to her, Prongs, or I will. And trust me, you won’t like how in depth I will go about those daydreams you’ve been having where-“
Sirius couldn’t even finish his sentence with how fast James jumped in, “alright, alright! I have potions with her next, I’ll talk to her, I swear.”
The statement leaves the marauders satiated in conversation as they finish up their lunch and head to their classes.
In potions, James nearly decides to abandon ship, facing a new anxiety he’d never experienced before when dealing with a girl. He decides that maybe it would be best to keep to himself, too afraid to stumble on his words and make a fool of himself in front of such a pretty girl. All this is until Professor Slughorn proclaims that today’s assignment requires a partner. If there ever was a time to shoot his shot, it’s now.
He takes deep breaths, adjusting his posture and forcing his every step to radiate confidence before he reaches you, “I was wondering if maybe you’d like to be my partner?”
You smile, “I’d love to! Fair warning, though, I’m not the best at potions.”
James bursts out into a giddy grin, “I’m willing to pick up the slack.”
“Unfortunately, I bet I’ll make you eat your words,” nonetheless you collect the ingredients as James collects the supplies.
When everything is together, James reads off the instructions. You follow them with great care, not wanting to make a fool of yourself in front of your new, devilishly handsome potions partner.
You make to slice open one of the ingredients, as the instructions called for, but your knife slips, sending the damned thing hurdling straight towards your face. You close your eyes, bracing yourself for an impact that never comes, reopening them only to be met with the sight of the back of James’ hand.
“Holy shit,” you curse, “did you just catch that?”
James nods, almost surprised at himself.
You shake your head in disbelief, “if you weren’t such a good chaser, I’d suggest you take up seeking.”
Your statement renews James’ confidence, so you’d noticed him too?
“Can I show you how to cut it?” He asks, a smile on his face.
You nod, watching his hands intently, confused when he disappears behind you. You quickly piece together what’s happening when he grabs your hands with his own, handing you the knife and positioning you so that you slice through the ingredient like it’s nothing.
“Great job!” James praises, even though it was him that had done all the work.
You still take the compliment, grinning from ear to ear as he tosses the final ingredient into the potion, creating the rich purple color you were striving for, “we make a really good team, Potter.”
“Oh yeah?” He asks, “well what do you say we see if we make as good of a couple?” You feel blood rush to your cheeks, James further clarifies “Hogsmeade this weekend? Just you and me?”
And you nod eagerly, “I would love that.”
If Sirius thought James asking you out would be the solution to him raving on and on about you all hours of the day, he was sorely mistaken and he was about to figure that out as soon as James stepped into the common room.
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acid-ixx · 3 months
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FOAMING IN THE MOUTH AT THE FIRST CHAPTER!! the way you wrote dick still imagining reader as a small child because thats the only time he remembered them as is SO GOOD. i am living for the angst and desperation in this fic, and i can't to see how each of them react to the situation, especially damian because he and reader have the sane blood. when dick texted reader pretending everything is cool and like he didn't ignore them for thirteen years is a such a good concept. i can only imagine reader screaming on the other side because of opening the message accidentally lol. i cant stop thinking about how the reader's reaction to the text message would be like, finally moving on and healing and then boom! the trauma resurfaces and dick having the audacity to reach out while reader is having a breakdown, confused and scared for what'll happen next. sorry for filling up ur inbox!! i wrote a lot more than i thought oops take care of yourself and remember to takes breaks!!!! <3
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reader when the self destructive impulses kicks in because of a family they have long gave up on finally started to notice them the moment they have moved on: 😧
no because dick grayson would infantilize you to the max. not in a "you're a toddler" way but rather he sees you as his innocent baby that he failed to guide and protect. he truly wants you to see him as the same person you view him as years ago, not wanting to be any less in the eyes of his baby bird <3
he'll admit that the things he's done is a shit move, constantly denying you when his entire schedule is flexible for the family but you.
so he should've expected to be blocked, but he just can't stomach it at all that his baby bird didn't even hesitate to cut him off in an instant! it just furthers his protective nature to a t and if it wasn't for damian suddenly appearing by the door, dick would've spiraled into insanity deeper.
what i mean by insanity is; he wouldn't sleep for days tracking you down, then he'll take you away from your wretched home and bring you back rightfully where you belong.
meanwhile, on the other side of gotham, you'd be on the verge of a panic attack, nearly splurging your guts out and trying to calm yourself with relaxation techniques. you quite literally couldn't walk straight without stumbling to the bathroom because holy shit imagine your brother whom you haven't nearly talked to for years suddenly called you! with cryptic messages no less that never implied your family's years of neglect towards you. i would be smashing my phone across the room, to be honest.
the moment he's turned a full yandere, damian would be really deep into the "blood is thicker than water" ideology when it comes to you. he'll apologize to you, glare plastered on his face and all, but compared to the others, his apology sounds so genuine yet condescending at the same time. you both are of the same blood, save for the fact that you share different mothers but that doesn't matter— he should be the favorite.
not dick, not jason, not tim, or anybody else for that matter. and he'll be shoving it in your face that he's the youngest so you should be obligated to baby him. and even if you dare make a point on how he had called you immature for your age multiple times, damian would find a way to guilt trip you and it would always fucking work. to avoid further spoilers, i wouldn't want to expand on his character traits but damian would be the worst type of pain in the ass, near the levels of dick.
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inbarfink · 6 months
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I think a lot about the Concept of ‘choices that matter’ in video games. Like, in terms of what it is that makes a choice ‘really matter’, what do we perceive as a choice that matters or has a consequence, how do different games with different amounts of branching or non-branching storylines play with those ideas…  Especially because Undertale is one of my favorite games of all time, and it has often been hyped as ‘a game where your choices REALLY matter’ and… honestly, I dunno if all of this hype was fully conducive to Undertale.  Because the way it handles the concept of Video Game Choices is actually a lot more interesting and complex than that simplistic descriptor makes it seem.
Because Undertale actually has a lot of choices that ‘don’t really matter’! Lots of dialogue choices and silly little decisions that on a first playthrough seem like they’re some sort of moral choice or a branching plotline but end up always leading to basically the same result regardless of what you do!
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And the game doesn’t really try to hide the fact that these choices are kinda 'Fake'. I mean, on a first playthrough a player might assume there’s gonna be some Massive Consequences for picking the ‘wrong’ drink on Undyne’s date, but the game’s narrative expects for there to be multiple playthroughs and pretty much every Choice that Doesn’t Matter is peppered with that Undertale brand of wacky character-focused humor that inherently makes the moment memorable. Papyrus leading Undyne straight to you no matter what you do is basically a cross-timeline running gag.
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On some level I see this as a sort of gag that serves as meta-commentary about the expectations around Choices That Matter in Video Games. As in, a lot of games have their Moral Choices happen in clearly easily marked ‘this is a Moral Choice!’ moments within the story, while the actual gameplay (and any violence the player might cause as part of said gameplay) is basically entirely divorced from any element of narrative-branching and doesn't effect the story at all. Undertale basically entirely inverts this dynamic; the most important factor for which Route you’re own is how you handle your FIGHTs, and what seems like clearly-marked and obvious Moral Choices are just goofy insubstantial minor changes in dialogue. 
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But also… there is also a level where you must ask yourself ‘what does it mean when we say that these choices Don’t Matter’. I mean, it’s not like they didn't change anything about the game, the Player still made the character say that other thing, the choice probably led to an alternate piece of dialogue, probably a joke with a call-back at the end of the game… The line between a one-off joke and an actual story-changing moment can be a little blurry if you look at it too deeply.
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For example, near the end of the Waterfall part of the game, the Player is given the choice to save Monster Kid even at the risk of having to face down Undyne.
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Pretty much anyone who isn’t deliberately trying to be an asshole is going to rush to save them and obviously that includes the Pacifist Route Players. But you can actually leave Monster Kid to die without it 'mattering' in the sense that it wouldn't divert you from the Pacifist Route. Undyne saves them instead of you, and ends up with slightly less HP for her battle (which might Matter for Runs when you try and FIGHT her but obviously not in Pacifist Runs) and… by the end of the game, during the extremely happy True Pacifist Ending, they still clearly remember that you abandoned them and are upset by it.
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So… does saving Monster Kid ‘matter’ or not? On one hand, choosing not to save them mostly just changes a few lines of dialogue but… these lines of dialogue kinda recontextualize this happy ending and the Player’s actions in general. Despite the True Pacifist Ending otherwise portraying the Player/Frisk as a kind-hearted and brave hero... they still did this undeniably cowardly (and perhaps even cruel) act to one of their friends .
Was running away and leaving Monster Kid to die a brief but significant moment of weakness that the Player regrets and has cost them what could’ve been the start of a lovely friendship? Or is that simply that being a True Pacifist was always more of a matter of pragmatism rather than ideals? Were they only acting as a Pacifist to get that promised 'Best Ending', and only Monster Kid has an inkling they are not as heroic or kind as everyone thinks they are?
And then there’s the Snowman ‘quest’.
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A free healing item given early in the game, with your mission being to carry it along in your inventory for as long as you can without ever consuming it. The only reward you will ever see from it is a few lines of dialogue…
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But for many, it is more than enough of an incentive to preserve the Snowman’s Piece. You can do whatever you want with the Snowman without it ‘mattering’ in terms of Ending or consequences. You could carry it through all of your adventures with care and kindness... or you could eat it while he can’t see you and then go back to him and tell him that you ‘lost’ it and then get another piece and eat that as well, you could eat it right in front of his face, horrifying him. 
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And much like with Monster Kid, you can STILL get the True Pacifist Ending after doing that, all that would change is a few optional pieces of dialogue from the Snowman… 
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And a total recontextualization of the Player’s behavior and the ending. The Snowman sees the Player as a cruel and heartless person who is just pretending to be good so they can be liked - the way they acted with this immobile, powerless Snowman who could do nothing for them and their reputation reveals their true self. And he says their friends will realize that too one day...
Doing a True Reset on the Pacifist Ending is, by definition, a (almost) consequence-free action and yet it changes future Pacifist Routes immeasurably. Turning the Player into a Hypocrite doing the exact same thing they were trying to stop Flowey/Asriel from doing - trapping all of their friends into a time-loop so they can play with them forever while never actually letting them to enjoy freedom on the surface, simply because they are not willing to move on or put their friends' wishes and agency above their own. Nothing in the game actually changes, not one character can even suspect that you did something like that, and yet for the Player - this choice makes the entire Meaning of the game flip on its head. 
Even the most famous and heavily-toted Big Consequence in the whole game - selling your soul to Chara after completing a Murder Route… mostly what it does is just… recontextualize the ending of the Game.
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As a game, ‘Undertale’ is very much about the ways in which a Player engages with a game can radically recontextualize it. The huge chasm of difference between the Pacifist and Muder Routes is just the most literal example of it. But, in a way, even the tiny little Dialogue Options - where the lack of real choice and consequences is Obviously a Joke - matter. Because of the way they can recontextualize the Player Character’s behavior.
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(Okay, maybe not this one, but hear me out…)
Do you trust Papyrus to not betray you, even after you spied on him with Undyne?
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Do you have the integrity to admit you forgot something or got it wrong even when there’s no consequences for just lying about it?
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Are you a hypocrite for trying to get Alphys to be truthful with Undyne only to then immediately turn around and lie to Undyne yourself?  
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None of these choices matter for the ending, some of them don’t even get, like, a call-back joke or anything, but… if you are engaged in this story as a narrative, if you are invested in these characters as if they were people, if you are honestly trying to be the best person you can be, if you are trying to self-reflect at the way you approach this game… even the silliest little dialogue option can suddenly be imbued with deep implications and you can make them matter. 
Undertale is one of the best demonstrations of this concept, but this is absolutely not exclusive to it. For example….
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‘Ace Attorney’ is pretty much as far away as you can get from a ‘branching narrative’ within the video game sphere. It is a heavily-linear Visual Novel where 70% of the time it won’t even let you talk to random characters at anything but the exact order it expects you to and any ‘Bad Endings’ are basically just glorified Game Over Screens. (... because this is the Internet and something something piss on the poor, I should probably specify that I am talking about ‘Ace Attorney’ because I love Ace Attorney and these are neutral descriptions of the game and not complaints. There’s nothing wrong with a game being linear.) 
If there’s any Dialogue Choice in AA, it’s generally a very basic ‘right answer-wrong answer’ choice between Progress and a Penalty, or a total non-choice that just gets you to the same final result regardless. Except… Well… as we just talked about, getting to the same final result doesn’t necessarily mean a choice is ‘meaningless’, does it?
There’s actually a lot of great storytelling moments where Ace Attorney, despite its otherwise strict linearity, uses this exact sort of recontextualizing mindset I’ve talked about with Undertale to make choices with some really powerful emotional impact…. Even if technically, the ending is the same ending. It can be something as basic as ‘even if picking this Wrong Answer doesn’t get me a penalty, it still embarrassed my character and disappointed my friends/rivals and thus I feel bad for picking it’. Consequences as recontextualizing your character as more incompetent than they should’ve come across at that moment.
And then there’s moments like the iconic ending of ‘Justice for All’. That moment before Franziska bursts into the Courtroom with the case-making evidence and saves the day. The moment where it seems like Phoenix really is gonna have to pick between protecting his best friend and carrying out a rightful sentence.
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The player gets to pick between the two options, but Phoenix never gets to say his choice out loud before Franziska comes running in... and yet… he, and the player, still made that choice. Even if no one ever has to experience the consequences of your choice, even if the rest of the world has no idea what Phoenix Wright would’ve chosen if the Miracle hadn’t happened, we know what we picked and that knowledge of the choice matters. Because of how we feel about this choice and what it says about our interpretation of Phoenix… and about us.
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There’s also a bit of this ludonarrative device in ‘The Great Ace Attorney: Adventures’. During “The Adventures of the Runaway Room”, when you investigate the Omnibus for the second time and start finding things that… don’t quite fit together. When you’re finally starting to make progress with proving McGilded’s innocence, while also maybe starting to notice that something is… wrong with these pieces of evidence. 
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The unchanging linear narrative of the game is that Ryunosuke does eventually realizes McGilded's trickery, puts truth ahead of victory in court and yet, despite his effort and good intentions - the case still ends with a false Not Guilty verdict. And yet, the Player has the choice to... tweak the details.
There are several points where Ryunosuke can object, where he can call out the inconsistencies even though they help his case, where he can support Van Zieks in his accusations of tempered evidence... or he can not. Not necessarily intentionally misleading the Court as much as subconsciously trying to ignore the inconsistencies in the name of trusting his client.
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And yet… in the end it doesn’t matter. Maybe Susato calls out the inconsistency instead of him, maybe Van Zieks does, maybe it remains uncontested but... no matter what you do, the case will end with a Not Guilty verdict (I mean, I guess you can deliberately fail the game but that will not progress the plot), McGilded doesn’t seem like he held a grudge (in the few minutes he had left to live), and a few cases later - Ryunosuke would always be punished for his part at this false verdict.
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So it doesn’t really matter what Ryunosuke did back then? Does it matter if he did his best and called out every single inconsistencies or if he kinda half-assed it until he (and the Player) had to? He’s still going to suffer the same consequences down the line. And yet….
And yet, I think there’s something so powerful about giving us that option. About knowing that Ryunosuke, and we, did try and do something about McGilded's dirty tricks- even if it didn’t work. Or alternative, knowing that there was more that Ryunosuke and us could’ve done even if it was not nearly enough. Even if in the eyes of the game and the British Justice system there is no difference, the fact that we know what did and what we could’ve done can radically change the way the player feels about all of the later scenes concerning the truth about McGilded’s trial. It can radically change the way the player interpret Ryunosuke’s feelings about it as well.
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Because even though the game itself keeps playing along with the same script regardless, that trial had irrevocable consequences for the Player.
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dceasesd · 4 months
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why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)
go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.
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if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction
alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.
first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.
anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"
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here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.
the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,
it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.
once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!
when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.
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the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.
furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.
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i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?
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obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).
he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.
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like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.
so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3
pt. 1 / pt. 2
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asm5129 · 6 months
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I know this is NOT a popular take in the RWBY FNDM but y’all…I love Jaune Arc. He’s such a refreshing, interesting male character.
He’s Ruby’s best friend, and the two of them parallel each other in such FASCINATING ways. I’m planning a full video essay on this but as some examples:
1) They both have hero complexes, obviously.
2) Ruby is a prodigy who earns her place at beacon two years early, while Jaune cheated his way in and needs to work constantly outside of his school training to be anywhere near capable of huntsmen level combat
3) Jaune’s pain is loud and disruptive, Ruby’s pain is quiet and suppressed (examining their respective expressions of pain through the lens of gender expectations is REALLY interesting)
4) Ruby inherits silver eyes, an invaluable tool in fighting Grimm. Jaune inherited a regular sword, heavily outclassed by most of his peers.
5) Ruby made her weapon but modeled it after her mentor, Jaune had a hand-me-down
6) Ruby leads by developing plans and taking action, Jaune leads by supporting his team and bolstering their strengths with his own.
I’m sure there’s more too but those parallels are why their conflicts in vol 9 work so well for me, they are partners in narrative from literally the second episode.
I also just adore the commentary on masculinity with Jaune. From day one he was deconstructing traditional ideas of masculinity and patriarchal concepts of heroism.
The way he has to learn to reject so many of the things that blockbusters with men at the center have been pushing for decades is fantastic. He tried to pursue revenge like John Wick or Iron Man and it went HORRIBLY.
He can fight when necessary but it’s not where his true strength lies and that’s SO COOL for a male character.
I dunno y’all I just think he doesn’t deserve the hate. He doesn’t butt in on other stories nearly as much as people claim—in terms of Ruby, he actually serves her story quite a bit—and he is a character worth following in and of himself.
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hufflefluff-stuff · 1 year
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hi! i was wondering if you could write how HL characters would act when they are jealous
Yes! Also, I'll add how these characters wind up confessing to their crush! 👍
Characters: Sebastian, Garreth, Ominis, Poppy, & Leander
......
Sebastian Sallow
Let's be fr..this guy gets jealous INSANELY easily in canon, even when platonically speaking.
It's hard to pinpoint where he exactly started catching feelings for you, but he certainly fell for you fast after your adventure into the library's restricted section.
Unfortunately, because of your growing reputation as a "hero" around Hogwarts, Hogsmede, and other hamlets...you've have strangers and students alike often come up to you and interrupt your conversations with Sebastian.
They mean well, only showing up to compliment you or thank you for some favor you've done for them.
But still it puts him in an sour mood, especially if he's unable to do anything about it without coming off as a prissy Slytherin.
During classes, he feels 10x worse if he's not partnered with you and instead sees you with classmates he views as "competition"...like Garreth, Leander, or even Amit, scowling at them in envy and unable to focus unless the professor specifically calls him out on it.
The only exception is Ominis, since he's a trusted friend and damn well knew his crush on you (he has certainly used this as blackmail to stop him from doing stupid stuff) but Sebastian will still huff about how "close" you two are growing.
Sometimes his jealousy gets so bad he needs to go blow off some steam in the Undercroft, casting damage spells on whatever poor dummy, pillar, or knight armor happened to be in his way.
It's nothing that Repairo couldn't fix.
While your assistance in his quest to find a cure for Anne was extremely important to him, that's not the only reason he brings you along for the ride.
He genuinely enjoys your company, and it's his chance to actually be alone with you and talk without any rude interruptions.
Well...there's trolls, rankrok's loyalists, spiders, ashwinders, Inferi, etc....but none of them are annoying students who try to hog all your attention just to spite him.
Aside from Ominis, Anne keeps encouraging her twin brother to make some move if he's that jealous (which Sebastian repeatedly denies).
Sooner or later...he may lose that chance, and he fears this. But he never knew when the moment would come..
Then one night, you were both fighting poachers and their leader, an Animagus, insulted him so horribly that it made his confident expression drop for a moment--as did his Protego shield.
You didn't hear what she said exactly, but his devastated face told you enough and you were pissed.
So you rained down a torrent of ancient magic lightning before she can even think of transforming.
Sebastian could only watch as you smite her like some furious god unleashing your wrath on the world, finding you both badass and ethereal.
When it's all over, you rushed to his side and ask if he's okay--but he just kisses you right there and then, silencing you.
He's so sick of waiting.
Garreth Weasley
His jealousy is nowhere near as bad as Sebastian's...but it's still there. Just subtle.
He pouts a lot when somebody steals your attention away, and he tries way too hard to impress you with whatever brilliant potion concept he drafted up (and definitely didn't have approval to brew in class under any circumstances).
Speaking of which, you're his usual partner in potions class, so he'll be highly disappointed if Professor Sharp decides to pair you with somebody else that day.
Garreth feels this sting in his heart if he overhears you praising them for their perfect brew, while he stares into his bubbling cauldron and sulks, wondering what he could've done differently.
He didn't know how you truly felt about him, so he got the genius idea to cook up a love potion the day you had a substitute for class (he sat at the furthest station and had secretly gathered the ingredients beforehand).
Just as you were about to try it for yourself, he accidentally knocked an incompatible ingredient into the pot and caused its contents to explode, staining both of your robes in pink.
While everybody laughed, the sub made the stains vanish with some magic and decided to dismiss class early, making you two stay behind to clean up the mess.
Luckily only house points were deducted due to your actions, so you won't be getting detention for this.
Still...Garreth was quite upset and you could tell.
You reassure him you're not mad in the slightest, and that you knew exactly what he was trying to do (followed by a small wink before continuing your cleanup).
His face turned as red as a maxima potion, and when he returns to the Gryffindor common room for the night, he gets confused stares from his fellow housemates as they wonder what's gotten into him.
But he can't stop thinking about you.
Maybe you ingested droplets of the love potion after it exploded, since you did seem particularly flirtatious with him in that moment and knew his intentions.
Looks like he got his wish after all.
Now to ask you out properly..
Ominis Gaunt
He's not an easily jealous guy. He'll never get angry at other people for simply wanting to spend time with you or if you're partners with them in class.
You've made a name for yourself at Hogwarts, and while he doesn't always agree with the dangerous stuff you get involved with, he only expects people to look up to you and pull your attention away from him.
Though deep down, it kinda hurts...especially since quite a handful of students from other houses perceive him as someone you shouldn't be around (some Gryffindors with "holier than thou" personalities even had the guts to say you're better off without him when he's standing right there).
Being a Gaunt + a Slytherin had that effect, unfortunately...
But he's sick of hearing that all the time.
Anyone else would've snapped at whoever criticized them based on blood status or rudely interrupted a conversation they're clearly having with you.
Yet when he does it..suddenly he's the bad guy?
It never made sense.
So any jealous feelings Ominis has stem from his own insecurities, and they grow even worse the more he realizes he's in love with you..
Like Sebastian, he'd probably storm off to the Undercroft to calm down if he's feeling heavily upset.
Fortunately, you're quick to defend him and decline other people's advances, saying you'd much rather hang out with him.
When you nearly got into a wand duel/fistfight over something insulting they said about him, that's when he realizes you cared about him as more than a friend...
Though he wanted to test the waters, so to speak, before hyping himself up to confess to you.
So throughout the week, Ominis expressed subtle desires to be in closer proximity to you (which you were fine with despite being initially confused at his sudden change in behavior)
These are, but not limited to, linking arms while walking in the hallways, napping beside you while you were reading or petting a random cat, "accidentally" falling asleep on your shoulder in History of Magic, and letting you guide him through assignments in herbology and potions class so he took the correct measurements (his grades improved, which is always a plus).
It takes a little bit of encouragement from Sebastian, but by the week's end, he courts you in one of his favorite spots outside the castle, gathering flowers, candles, and everything.
You truly made him feel loved..and he was going to do his best to reciprocate that.
How he wishes he could see the looks on those Gryffindor preps' faces when they realize the "hero of Hogwarts" is his date.
Poppy Sweeting
Considering how little she spoke to other students, even ones from her own house, this Hufflepuff found it difficult to get close to you at first.
You being hailed as a "hero" made it especially challenging, as you seemed constantly busy and people were bugging you for attention/advice/help....all while Poppy was standing in the background, forcing a smile.
Of course, you always made time to help her rescue beasts. It became your passion, and she was happy about that. Your adventures together allowed you to connect on an emotional level.
The moment she knew she was in love was the night when you both observed a Mooncalf dance, trying to make sense of the pattern those sweet big-eyed creatures left behind.
No matter how many times you've seen them, their dances are spectacular--ever captivating.
But when Poppy asked for your opinion on the pattern she drew out, she stops after seeing your breathtaking smile, eyes practically sparkling in the glow of the moonlight..
And suddenly that's all she could focus on.
Suddenly that was the most beautiful thing in the world.
Since then, her jealousy around other students has increased tenfold...especially when one jerk who disrespected beasts bragged about their poacher parents and invited you to visit their camp.
You've never seen a girl Depulso another student so fast in your life, but Poppy acts like nothing ever happened.
Similar to Sebastian, her jealousy manifests in the form of glares and general scorn towards anyone trying to ask you out on a date (which you, fortunately, decline).
She 100% rambles to the beasts about you.
If Highwing and Lord of the Shore could talk, they'd tell her to just stfu and confess to you already bc the tension is killing them.
It only (finally) happens when you invite her to the Vivarium for the first time, and they both nudge you two together, not backing down until you finally kiss.
If any of yall know that scene in Pokémon Scarlet/Violet where the box legendary pushes Arven towards his friends...that's this exact situation.
Leander Prewett
There's not doubt that this Gryffindor was going to grow jealous of your rising popularity in Summoner's Court and Crossed Wands.
He's a sore loser, while you have generally good sportsmanship..but he secretly appreciates you encouraging him to keep practicing. He only keeps going because of your words alone.
Outside of classes and competitions, he tries to hang out with you but oftentimes your attention goes to other people--whether it's professors keeping you after class to go over extra assignments or a friend sending you an owl with an urgent request.
You don't mean to keep ditching him, but to him it feels like you're always "too busy" for him.
Leander just scowls at the owls while they stare back at him like "hey, don't shoot the messenger".
Yet even when you do manage to spend time together, he only ever asks about your recent escapades....and then refuses to believe them despite you explaining them in great detail.
To this day, he still isn't convinced you possess ancient magic.
But the truth is that he wants to believe you. He admires your bravery and is insanely in love with that aspect of you....though he doesn't know how to express that.
He wishes he can relate and have cool stories to tell, but when people bring up his name they only ever talk about his constant failures.
He doesn't feel any better when others rush to defend your acts of heroism, thinking he's being a jerk.
The truth is you actually loved him and his company despite your frequent banter, but believed him to be way out of your league.
At least until the day Professor Kogawa assigned you to help him after flying class, citing the lack of respect he's been showing to his broom and your good influence on classmates.
He saw this as his chance to impress you...and failed miserably as he was unable to focus and snapped at his broom in frustration, causing it to whack him in the face just as a group of Slytherins passed by.
They laughed and teased him relentlessly, but after scaring them off with a chomping cabbage...you realized Leander had disappeared.
But he didn't go far as you discover him sulking near the lake, hiding himself with the Disillusionment charm (which you cancelled with Revelio).
It's there he finally talks about his true feelings towards you, and you see a more vulnerable side to the typically uptight Gryffindor.
In the end, you decide to give him a chance.
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diejager · 1 year
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Bittersweet Devotion pt.2
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Pairing: Miguel O’Hara x fem!reader
Cw: angst, heartbreak, mention of cheating, mention of death, no happy ending, apology, tell me if I missed any. wc: 9.3k
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Previous
Your universe, Earth-XXX, was a parallel one to Earth-616 in some sense. You had a Peter Parker, a Gwen Stacy and a Mary Jane Watson, it had everything down to the death of Ben Parker and the devastation it brought to your friend. It was the same year as Spider-Man 616’s world, it had the same political standing and same history. Your world, like many others, was a near carbon copy of 616, down to the smallest things; but like others in the spiderverse, you had differences. Some were minor changes in the course of its canon story, others were major changes in the characters and the era.
You - like Miguel, Miles, Jess, Hobart (he liked going by Hobie), Patrick and Patriv - were one of those major deviations in the original canon. You didn’t exist - or so you thought - in Peter B. or Peter’s universe even though you lived in the same year. The reason might be that in the reality, the sum of all potential universes that paralleled each other, created the multiverse - the Spiderverse. 
The concept of it seemed strangely unlimited, the infinite possibilities to a different ending or a different start for its world. The multiverse was, in some sense, as old as time, a culmination of everything made imaginable by man. Found in ancient texts - the Puranas, ancient Hindu mythology - that expressed the infinite number of universes with their gods and principles. Whereas Persian literature - tales - touched the idea of learning about alternate universes that were similar, yet distinctly different from theirs. 
Misconstrued by many, the strangeness of it was deemed a danger, the unknown possibilities were feared by people of older age, but venerated in the past as it was in the present for the unfathomable possibilities. It exists in fiction, where they borrowed the idea of many worlds within a reality from myths, legends and religion. Heaven, Hell, Olympus and Valhalla were all reflections of a familiar world, a material realm for the blessed, the sinful, the gods, and the worthy. The similarities sometimes frightened you, how close the people were to knowing of the reality you all lived in. The tangibility of crossing worlds and bringing about chaos to every string, every realm, every material form of the multiverse. 
They, after all, were real, Hell as much as Heaven in your universe. Gods from every religion, either monotheistic or polytheistic, some you’d personally seen are Thor and Loki, brother and sons of Odin the Allfather, and the God of Thunder and Mischief respectively. Another was a big crocodile lady, Ammit, from what you’d heard from the all-knowing Dr. Strange. From God to Norse and Egyptian gods, from angels and demons, and from humans to mutants, your plane of existence was as wide as it could go without drifting off the edge and causing a mass domino effect within the multiverse.
You were curious, naturally so for a scientist, exploring the worlds that felt familiar to you but you hadn’t truly grasped -  different, yet similar. You hadn’t given a second thought to exploring yours. After all, why explore yours when your horizon was as broad as you imagined it, unperturbed by any limits when it came to the multiverse? The eternal and unlimited growing number of realms in your expanding reality.
Perhaps that was the reason why you hadn’t known your universe had its own Miguel O’Hara. You rarely came back for anything, you had everything you’ve ever wanted in Nueva York, Earth-928. You have friends who could truly understand you, people who stood beside you when you fought, youngsters who looked up to you for mentoring and a dream- or it was a dream. Dreams, not dissimilar to wishes, were hopeful, naive in a way, they came and went. Some dreams would come true, while others fell, like the fallen stars that crossed the night sky.
Yours simply happened to be a fallen one, one not meant to happen and become greater. You let it go after he dropped you, after he turned his back and let his mouth run unperturbed. He brought her up, someone he swore he would remember but left in the past. A new chance to become something, to become whole again, and Miguel took it. He wanted to start anew, fresh with someone he never met, you wanted the same; you both had what you wished for, until he put his foot down, cutting the thin web that connected both your lives.
It broke your heart. Months of patience and anxiously stepping around each other, nervous about breaking the trust freshly built between you both, lost in a few weeks. You were brittle, heart fractured and threatening to fall further apart if someone was any crueller to you. The smallest glare, the tiniest scoff or the weakest remark would send you reeling into the abyss of heartbreak and the throes of anguish. Yet somehow, you found yourself being led away by a copy of the Miguel you loved. 
He mumbled apologies as he held you tightly, his arm over your shoulder as he cradled you under his umbrella, hastily urging you to follow his guidance. If it were any other person, you would’ve been wary, cautious of any strangers that touched you so closely and chaperoned you so quickly; but this was Miguel, a man you trusted and that you still trusted wherever he came from. Earth-XXX’s Miguel O’Hara was still similar to the one you knew, someone you could trust. You did.
He led you to his flat, someplace near Alchemax’s building in Manhattan, a safe neighbourhood for the richer citizens of Manhattan. A cozy place of neutral tones and muted colours, yet warm as he welcomed you - a stranger as of yet - into his home. He had machinery strewn around, reports stacked on his coffee table and smaller things he had been tinkering about decorating his home. As a geneticist, he liked to play with machinery, having drawn his designs and models, built his creations from scratch and worked from the base programming to make something better. At least Miguel from Earth-928 did, and it seemed this one did as well. 
You stood in his shower, where he left you in a frenzy to bring you dry clothes, drying out your hair with the towel he motioned you to use. You doubted that he had anything your size, his broad shoulders and his towering height, nothing he had in his draws - and the boxes he stowed away in his closet - would fit you. They would drag down your ankle and sit low on your collar. Granted, you were soaked down to your socks and had no temporary clothes to cover yourself with during your stay. 
You had stripped from your soaked clothes and patted down your wet skin, shivering from the cold that clung to your bones even after Miguel had increased the heater in the small confines of the bathroom. It was small but big enough to move around and stretch your arms comfortably. You hadn’t felt the cold until he brought you to his bathroom, the numbness of the past months weighing heavily on your shoulders and the bleeding of your heart made everything seem so meaningless. The colours draining from the world around you, a once bright New York turned grey, the monochrome tones of black and white mixing and interlacing to form even more boring shades. 
The vibrancy and life you once saw around you dulled and died suddenly, like the winters brought by Demeter’s devastation and sadness when her daughter was taken from her, stolen from the berth of flowers she liked frolicking about. How Demeter doomed the world to see her pain, to feel how she felt in the moments her daughter had to return to her husband than stay with Demeter. You felt laden by your faults and his actions. Doubtful of your relationship, of what led you both to such an ending. Had you been clearer or more forthcoming about your emotions, or had you confronted him for his behaviour, would you still be in his arms? 
Were you at fault for missing something you had relied on as comfort and safety? Could you be blamed for his reaction to your meddling in his affairs in the Society? Could you blame him for dropping those words on you? After all, being reminded or compared to a past lover was anything but gentle, the gut-wrenching envy and betrayal you felt flash through you was nearly drowning. It made you feel lacking, to be reminded of his old flame, the one he was about to marry and the person he seemed to love before all. Could you even compare to what she was; what she did? (Dina had cheated on him, you knew that, but he was truly happy in their moments of pleasure and domesticity. They were a family until she died.)
You were drowning in your self-made sorrow when his voice called you, grounding you to the room. Standing before a door, naked and shivering, arms wrapping the damp towel around your shoulders. He called again, cracking the door open to pass you the - his - clothes he thought would fit you. He coughed as you took your temporary wear, your cool fingers brushing his warm ones. It was a sudden and jerking contact, you pulled back jerkingly, a shamble of an apology and a thank you flew from your tongue. His chuckle was a reassurance in the complete quietness of the flat, his low voice reminding you of better times. 
The sweater hung loosely around you, dipping down your collar to expose your shoulder. It was warm, the cotton used to make it still soft after being stored away and the soothing scent of spice and pine deeply integrated into the fibres. The pants were stretched around your hips, the tight fabric thin and flexible under stress, hidden under the long shirt. The legs, however, swayed loosely around your limbs, too big for your calves, but tight enough to hug your thighs. He had certainly made sure to bring you clothes that would fit your frame. You hadn’t attempted to smell his pants, you thought it would’ve been too intrusive and disgusting to do so if only to smell a remnant of Miguel on his as you did on the sweater. 
Miguel was waiting for you in the kitchen, his back turned to you as you ambled towards him. His shoulders loose and back relaxed in the presence of a stranger made you appreciate how good-natured he was in most universes you’d been to. He turned his head, gesturing you to sit on the chair facing him on the island as he returned to something he was making while you changed. 
“I hope you don’t mind hot chocolate,” he started, voice light and hopeful as he turned to you, cup in each hand as he moved to stare at you. “I’m not one for tea.” He slid the warm mug into your hand, eyes watching your expression as he slowly sipped on the hot beverage. 
His eyes squinted slightly when your lips curled upwards, a smile hidden by the steaming mug. You cupped the mug, feeling the warmth of the freshly brewed drink, the steam rising in soft curls and melting in the cooler atmosphere. Tentatively, you brought the rim to your lips, slowly tilting the cup. The powerful taste of chocolate hit you strongly, the sweet and dark liquid melting the tension in your muscles until you could curl over the table with an appreciative sigh. 
“Thank you…” you knew his name, wanting to call him, but his reaction would be unwanted, the shock, fear and suspicion that would fill his beautiful, brown eyes. So you slurred your words, dragging out your voice until he could tell you his name himself.
“Miguel. Miguel O’Hara, ” he nodded, cocking his head upwards, pointing at you with his chin. “What’s your name? I can’t keep calling you Hey every time I want to call you.” His lips broke into a cheeky smile, teasing you when he saw that you’d comfortably melted into the drink and his island chair. He wanted to ease the tense atmosphere from before into something much calmer, to help the accumulated tension in your shoulders to fall like the rain that clouded the streets of New York.
You let out a hoarse chuckle, your throat still fresh from crying, and told him your name, trying to stabilise your shaking tone. His cheeky smirk tugged at your heartstrings, you hadn’t seen Miguel laugh or smile this freely in months. You missed it. The casual banter you shared and the on-and-off insults you’d hurl at one another, all good-natured insults meant to rile him. 
“Thank you, Miguel,” you nearly choked when you uttered his name, the wound still so fresh and bleeding it slip from your tongue easily. It brought up so many memories, both painful and joyful. Your eyes glazed over, tears threatening to fall once again, to paint your cheeks with agony that you - him, or perhaps both of you - had brought on yourself. “Thank you…”
Miguel hummed sympathetically, eyes staring down at his drink, deep in thought. Perhaps he was thinking of a way to invite you to share your problems, to tell him why you broke down on the street in stormy weather. Or maybe he was thinking of the fastest way to kick you out, to get rid of the mess you became. The silence, however, was reassuring, calming the nerves that followed the eerie calmness of Miguel’s den or the loud, hectic atmosphere of the Society. His warm, worrying gaze grounded you, the softness behind his concerned stare was heartwarmingly nostalgic.
“Difficult breakup?” His words seemed hesitant, unsure of his conclusion to the cause of your appearance. Unknowingly, he had struck gold, pinning down the right problem in your life with a few observations. Of course, he was observant and aware of his surroundings, why else was he so willing to bring you into his home? 
“How’d ya know?”
His sigh was telling, the deep, concerned and tired breath was only used when he knew that you wouldn’t tell him what ailed you, like the groan of a disappointed, yet worried father. 
“Because I know how it feels,” he says slowly, pensive over his words, picking them carefully to not damage you further than your ex had. He knew the pain of a harsh breakup, the pain and sorrow that followed, like a dark cloud that hovered over you whenever you were awake. 
“Why?” You croaked.
“Why?” he parroted, frowning at your question.
“Why did you invite me in? I’m a- a stranger to you, you don’t even know me. What if I’d been acting to mug you or potentially kill and steal from you? What’d you do then, Miguel?”
“I know the risks, but you didn’t, didn’t you? And wouldn’t, you don’t look like the person to harm another.”
You scoffed at his words. Didn’t and wouldn’t didn’t mean you would not do it later after gaining his trust, to stab him in the back after he helped you and nursed you. The simple, naïve idea that you didn’t look like a violent person was mind-blowing, it was stupid. How could he know if you didn’t mean harm later on? Like how Miguel never meant to harm you - he loved you - and yet in the end, he had. 
“That’s naïve,” you muttered, eyes closed as you drank the cooling beverage, the sugary drink trickling down your throat. 
“I’m confident in my ability to read people.”
He did seem confident in his ability, the straight back and the strong gaze in his eyes showed; and, maybe because you knew from experience that Miguel was observant and careful, he hadn’t gotten where he was by simply trusting people and following the herd. He tested and made mistakes, he learned from them each time and found a way to use it to his advantage. The Miguel you saw in every universe was similar in some ways, their good nature, their cunningness, their bravery and their intelligence. All aspects known to characterize Miguel O’Hara in all universes he existed in. 
You conceded to his will, head bowed and shoulders slack. You breathed shallowly, swallowing the lump in your throat:
“Yeah, what gave it away?”
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You thought it would be the last of him you’d see in your life, you wished it wouldn’t, that you’d see him over and over, to feel what the Miguel from your universe had to give, but you knew it was wishful thinking, a wish thrown to the stars. Logically, he had no reason to call or text you after exchanging numbers days prior. He promised to call you, and he made you promise to call him if anything ever resurfaced, be it pain, anger, heartbreak or hate. You, instinctively, believed his word. 
You hated yourself for falling so easily to another Miguel, how you bent to his words and the sweet promises he uttered that night. There was no sign that he would keep his word, that he would see you again after your breakdown, except for his words and your belief in him. Then it wasn’t misplaced, all the trust and belief you had, since he called you, asking to meet up at a cafe. Miguel had set up a place and time for you when you replied with a croak, still feeling down. He had whispered reassuring words to you, urging you to meet him - he explicitly told you he’d feel offended to be stood up - and spend some time outside. The air was fresh and cool for an autumnal month, it wasn’t too cold that you were forced to wear a thick jacket, but it wasn’t warm enough for you to go out in a simple shirt. 
You were hesitant to take him up on his offer, knowing how easily you could rebound. You’d crash into Miguel’s open arms, searching for the love and affection he fed you like a lovesick puppy, but, then again, Earth-XXX’s Miguel was similar, yet different from his variant. It would be a lie if you told yourself you didn’t miss him, the soft smiles, the gentle touches and the affectionate words. You had spent so much time as his right-hand Spider that it felt odd not seeing him the following morning. It was a routine you’d formed: waking up in his bed, kissing him good morning, getting to work together and eating together. Everything you’d done in the past years was with Miguel from Earth-928 the routine, the rigidity, it was grounding, it was the only semblance of normalcy in the world you lived in.
Now, you had to face the possibility that you were too broken to see another Miguel, to hold a casual conversation and form coherent and normal sentences. The purposefully slow steps you took to the cafe picked after having a moment outside the glass front were telling in itself. You swallowed the little amount of saliva in your throat to soothe its dryness and walked through the doors of the quaint establishment. It was painted in calm, brown tones, rustic in design with a warmth that rivalled the comfort of your bed. It lifted a bit of the tension you had, shoulders slumping slightly as your eyes searched for a familiar mop of brown hair.
Laying against the brown sofa, he stared out of the wide window from his booth. The warm, morning lights caressed his cheeks, lighting up the sharp edges of his jaw and nose. He was sculpted in perfection, like the youthful beauty of Adonis, crafted with the meticulous and attention-catching hands of an artist that created what was thought to be a god’s beauty. You could spend your days watching him, catching every little detail of Miguel’s face under the changing lighting, but you were standing near the entrance and he was waiting for you. His words echoed in your mind: “Don’t forget about next week, I miss seeing you.”
His eyes flickered to you, blinking as he turned to you, flashing a smile. You returned the sentiment, a shaky smile lifting the corners of your lips. You sat across from him, eyes wandering the cafe to stare at anything but him, lest you wouldn’t be able to stop the rush of emotions that would light your face in a flush. He uttered your name, greeting you in a friendly manner. You nodded back, muttering his name, pushing down the wince whenever you said it. 
“Chocolate.”
The still-warm cup stared at you, light steam wafting over the reflective liquid. It was full, unlike Miguel’s cup, and drank down to the middle of the container. 
“Thank you.”
He probably wouldn’t let you repay him for the hot chocolate he bought you, the smile he gave you told you as much when your eyes flickered between his and your cup. The hot chocolate was a reminder of your night in his flat, where he lent you his shoulder to cry and his ears to listen. Embarrassment seemed to flash whenever you recalled the memory, how vulnerable you were to him, your walls broken down and your heart open. Though, Miguel didn’t seem to mind your fragility, giving you as much time as you needed. 
“How are you? I wanted to give you a few days to think before meeting again, I thought you might’ve needed the time alone.”
You nodded lamely, fingers curling around the warm porcelain, back slumped into the booth to hide from his knowing eyes. He was right, you had needed the time alone to clean yourself up, scour through your memories and tend to whatever mess you made of yourself. You were thankful. The last few days had brought revelations, how - both of - you had ignored the signs of a rupture in the relationship and continued to push on, like crossing a crumbling bridge. 
“‘M doing better. How- and how are you?”
He smiled at your attempt, you were trying on your own after a few - forced - encouraging words from Miguel. Maybe you’d learn to live with the pain, coexisting with the numbness that filled you until it dulled to a point where it would be barely acknowledged by you or anyone in your vicinity - where it wasn’t painted on your face with bright colours. Or the pursuit to forget it, pushing it into the farthest corner of your mind and heart, painting over the crack with glue. As long as you wouldn’t drown in your sorrows, ending up playing with dangerous substances to stay afloat while your mind sunk deeper into addiction and denial. 
He wouldn’t let you get that far, Miguel understood you and he lived through it as you did. Although his was a more violent breakup - she had cheated on him, his explosive reaction was natural - than yours, he hadn’t relied on anything but self-meditation and a lot of thinking. Like a friend - you were one by his standards, he’d invited you to his flat, you’d seen his organized chaos and ranted about your life while he comforted you with his shoulder and a cup of hot chocolate - he would stay by your side, hoping his support would be enough to help you.
“Great so far.”
His grin - somehow - grew even larger, enthusiasm gleaming in his eyes. 
Oftentimes, Miguel would be the one to call you, your phone ringing in the afternoon of the day prior with his soothing voice on the other end of the line. He spoke easily, finding the time to invite you out for the simplest reason, to talk, to make a drink, to have fun, and - your favourite by far - to see you. His initiative had you trying to double your efforts to heal, reaching outside of your boundaries and texting Miguel whenever you had a moment to yourself. You felt guilty that he was always the one to plan these outings, so you promised yourself that you’d become a better friend than you currently were. You even remembered his teasing tone when you called him for the first time:
”Aye, finally. I thought you’d never call me, chica. I felt neglected, thought you had forgotten about me for a second there.”
It started with the first coffee date, bickering about who would pay, pushing your card before the other while still seated at your table, frowning stubbornly and throwing promises about letting the other pay next time. Either way, Miguel rarely let you pay, coming atop as the winner of your little fight with his strength and height (you couldn’t exactly put all your force into your push, it could break bone and bruise the skin.).
Then it would be random meetings on the streets that would lead you to a random bench at the park, basking in the other’s presence, retelling your day and him nitpicking anything he could with a ridiculously criticising frown. He was playing, you knew he was. You did the same after you’d gotten more comfortable talking to him, it became easier to see him as a different - as his own - person. A few hits on the shoulder left and right, but it was mostly laughter at ridiculous expressions made to emphasize your disdain for a certain event.
The months that followed were a blur to you. Rather than going to a cafe or the park, you went to restaurants and crashed at one of your flats, yours if he wanted to play games and lounge about with food and drinks, and his if you wanted to watch movies (he had the best television you’d ever seen, such high definition and speed.) and tinker away at his inventions and theories. He was certainly happy that his new friend was another scholar in the field of genes and engineering (you were mostly into engineering than genes, but you knew a few things that you’d found interesting.). You could both gush - scientifically - about the possibility of gene splicing and lab-generated mutations in humans, like the mutant superheroes. 
You’d taken some liberties and went drinking, meeting at the same bar biweekly to relax after a few hard days at work. It served to loosen your nerves until either of you felt comfortable to chat up a storm about the most random subject. It’d been about the odd dent on the rim of his glass; then it’d be about how the sky was grey this week, there weren’t any warm, yellow rays blaring down on you when you went out; or it’d be about the distasteful cut of a man’s moustache. Drinking loosened your tongues, some words were said and some sentiments were shared, but none were truly taken seriously knowing you were tipsy - nearing drunk - those nights.
Every time you saw Miguel, you felt like you were rediscovering a part of yourself as well as him, the thing that made him so distinct and loveable. Miguel was expressive and honest, he slowly and gently let you down from whatever high you were, the pillar you needed to stand again after falling. He was so much different. It used to pain you how much they looked alike, but character-wise, they were like the two sides of a coin. It made you appreciate the delicate intricacies that made the multiverse.
You won’t - can’t - deny that you’ve grown fond of this Miguel as you did with the other one, but you couldn’t let yourself love him. He didn’t deserve someone broken and hashed into many lives: the masks you wore, the things you did, the secrets you hid, and the things you could do. He didn’t deserve someone who could bring him to his death; dying simply because he was connected to Spider-Woman; beaten simply because he knew Spider-Woman; kidnapped simply because they deemed him useful as leverage. All things that could go wrong haunt you. Miguel was human, he wasn’t a Spider, he wasn’t a superhero, and he wasn’t a vigilante. He was Miguel O’Hara, the geneticist working at Alchemax, with a brilliant mind and a kind heart. 
You cherished every part of him. That’s why you can’t let your heart lead, dedicate how you’d react to Miguel after the months you spent together. He was so close, yet so far; he was touchable, you could hold him, kiss him and hug him, but he was unattainable, you couldn’t tell him how much you loved him. You watched him with hidden love, showing your affection as platonic, a friend watching another. You had hardened yourself to your heart’s cries, for loving Miguel was a dangerous game-
“I- what?” you gawked at Miguel, wide eyes and mouth agape. You were shocked at the words that left his mouth, his soft, wet lips moving as he repeated the words.
“I love you.”
His cheeks were flushed, burning a soft red, it trailed to his ears and nape. His open collar - his jacket hung on the back of his chair and his shirt clung below his collar, a skin-tight shirt that hugged his sculpted chest sinfully, it hid little to the seeing eyes of the crowd and your drunk self. His sudden words had all but sobered you, shaking you into clear lucidity of his confession.
“You… love me?”
He blinked dumbly at you for a second, as if taking the time to absorb what he told you and what you repeated. Miguel was tipsy, not drunk. He smiled and nodded, a bashfully affectionate grin on his beautiful lips.
“Yes, is it so hard to believe, chica?”
He often called you chica, you thought it was a friendly term of endearment between friends (truthfully and regretfully, you knew little of Spanish, even with being in a committed relationship with an Irish-Mexican.). You just realised it was his pet name for you. All this time, he had given you his heart, and yet, you had denied him of yours. He was more playful and less burdened by life, it made him more teasing and smiling. The term chica somewhat made sense, a cuter and more playful way of calling someone you loved than the deep-meaning ones like mi cielo and mi vida, a play of words like a small secret between you. This secret hid behind names given between friends, a well-kept one, close to his chest but gifted to you. 
It might’ve once been - started - as friends, but it grew and festered in his heart until he found the time to express himself, to tell you how he truly felt for you - how he grew to care for you. He deemed this moment fine, bordering tipsy and nearing drunk, he’d be open, brutally honest but still aware of the words that left him. He wasn’t a lightweight anyway. 
You wanted to tell him you also loved him, but you couldn’t do it, mouth slightly open and eyes glazed with heartbreak, you simply stared at him in hesitancy. You opened your mouth once to reply and closed it, open and close, again and again until all you could do was stare at him. How were you supposed to answer him after the bomb he dropped? 
”Yes! I love you too!”
”Oh, Miguel, I love you too.”
”I- I love you as well.”
There were so many ways to express your feelings to the man who confessed, but none seemed to convey the true emotions that lay in your heart. You wanted to tell him you learned to love again thanks to him, that the time spent with him had made you open your eyes to the beauty that you were blinded by the pain and you slowly grew to care for - love - him as much as you did with Spider-Man 2099. He had the same smile, the same mind, the same heart, but he was more innocent, less burdened by disaster and happier. 
So you simply nodded. It made his smirk grow.
“Aye- would it be better if I called you ‘mi tesoro’ instead? It’s more straightforward, no?”
Even now, his words were light and playful, his tone affectionate as he leaned closer to you. You could see the mischievous glint in his warm, chocolate eyes (you thought that was why he liked serving you hot chocolate, it reminded you of his eyes.) and the curve of his lips as they moved to form words. You were transfixed by his beauty, mesmerised by the comforting hues and the sharpness of his cheeks, missing how close he was to you. 
“Or maybe-”
Softness caressed your lips, a plush, warm feeling that made you flush. He was kissing you, those pretty lips on yours. Your breath stuttered and you froze, but it didn’t stop Miguel’s initiative, a hand cradled your nape, holding you in place as he pushed himself closer to you. He moved against you, tongue slipping from his mouth and tentatively laving over your bottom lip, asking for something. 
He was so warm, so caring. You could just close your eyes and follow his lead - you did. He pushed harder, yet the kiss stayed soft and passionate, he lightly nipped your lip and soothed the stinging with his warm tongue, beckoning you to open your mouth for him. Your lips parted, opening up for Miguel to dive in, muscle meeting yours halfway and curling over yours. He still cradled your head, fingers running through your loose hair and tilting your head backwards, giving him more space to show you how much he loved you. Your arms, somehow, found themselves wrapped around his neck, pulling him as close to you as he was pushing himself against you. 
His kiss was loving, his hold was careful and his touch heartwarming. You almost regretted having to pull away, but you had to breathe, your lungs starving for air after having been devoured by Miguel’s adoring kiss. The moment you opened your eyes (you didn’t know you had closed them while you kissed), his smile greeted you, a lovesick one bubbling with unending joy. You almost choked from how it fit so well on him. 
“That’s- that’s one way…” you spoke between breaths, chest swelling with every erratic pant, matching his similarly worn-out breathing.
That was all he needed from you. Your kiss was enough for him to know you loved him the same, a patient and gentle love he was willing to give you. Your heart pulsed strongly, lips curving and eyes squinting, you pushed yourself closer to his heat, his all-encompassing warmth that wrapped around you when you wanted to feel safe and loved. Your world couldn’t be any brighter, like the vibrant colours of blooming flowers when Persephone was given to her mother, where the snow melted and colours washed over the lands once more, painting the blank white and dead grey in joyous tones. It glowed brightly and warmed you like the summers that followed the melting ice, the clear, blue skies of Olympus and as freeing as the soaring hawks and skipping elks.
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Letting go was far harder than loving. To let the person who you let in leave felt emptying, it left a gaping hole in his heart. Where it was once calm, struck a raging storm of rejection and regret, crashing waves the size of Poseidon’s rage and violent storms the strength of Zeus’ retribution. It hurt watching you walk beside a variant of himself, a happier and lighter version of him without his mutations or duty. You were the Spider-Woman of your universe so there wouldn’t be a second one unless there was a catastrophic canon divergence. 
He hadn’t followed you at first, respecting your wishes of being left alone. He had to give you that much, at least, after those months spent beside his ignorant ass. He hadn’t seen it until it was too late, lost under the weight of his duty and fears that he’d forgotten he had people who cared, who felt, who loved. It was too late, it was always too late with him. If he couldn’t fix his first mistake, who’s to say he could fix this? He couldn’t save his first daughter or his second’s universe because it was falling apart. He couldn’t save anyone because he hadn’t realised his mistake in interfering in canon events, and he lost you because he couldn’t stop his vitriol, his violent temperament that had pushed you away. He always took things for granted until they were lost to him. 
Was it two or three weeks before he decided to check up on you? He didn’t know anymore, the weeks blurred until he finally amassed the courage to go against everyone’s words. Through the flat hologram of his orange screen, he watched you lament on your own, body curled into itself and shoulders shaking. Your sobs were heart-wrenching to watch while he had no means of contacting you; you would’ve reacted more strongly and aggressively if he’d contacted you after leaving. 
So he watched.
You stared vacantly from your window and left only for the bare necessities or to act as Spider-Woman. Crime never slept so you couldn’t stop even in your time of need. You swung from building to building so gracefully that Miguel was hypnotised by your grace. He watched these moments as a reminder of the missions he took by your side, webbing and catching anomalies all across the multiverse with fearsome speed and accuracy. You both had made a fearsome team, but that time was over, it was a memory long forgotten. 
So he watched.
Your flat was cold and empty, the space filled with spectres of memories, the cool rooms vacant of life that used to fill them with warmth and happiness. It was saddening from his perspective - the observer, the watcher and the reader of your story - of your time spent alone. He wanted to tell you that you weren’t alone, that he was watching you from afar, a silent protector that would only act if you were in imminent danger - as long as it wasn’t part of the canon. 
So he watched-
Besides you was Miguel - not him, another one - and he looked much too comfortable by your side for his liking. His variant seemed much too close for a friend, moving from sitting before you to beside you, arm slung over your shoulders and leaning back and, sometimes, towards you at a breath’s distance. He turned green with envy, a vicious monster brewing inside his body with the threat of bursting out, clawing at his chest. The other was too close to you for his liking. 
He watched as his variant bought you drinks - always, however long and loud you’d complained and fought, he never let you pay in the end - and paid for your dates. He abhorred it. How happy you looked with the other him. How calm and satisfied your smile was. How close his variant was to you. He wished he was at the other’s place, taking his rightful place beside you. He would kiss you, smother you in love and give you whatever you wanted, whether it be a hug, a kiss or his time, he would’ve given them to you. He wouldn’t dance around the edge of your affection and his love like he was doing, like a man unsure of his feelings and anxious to act on it. 
He thought the other Miguel was a coward - though he knew he wasn’t. He wanted to blame his variant and find fault for anything he did, but they were still the same person. He was Miguel O’Hara as much as he was. He wanted, but couldn’t, especially after seeing how both loved you the same, having a similar type. They were so much alike that he could’ve replaced his variant, yet so vastly different in other manners that he would’ve stood out. His history, his trauma, his curse, the other had none of them. He was normal while he was Spider-Man, a stronger, more brutal version of Spider-Man. 
Granted, he loved you with every fibre of his being, but he had never showered you with as much love and affection as the other, having his character muddled through long hours of work and long-lasting tragedy. You were another of his tragedies, where he found love again and lost it by his own making. He would have left too if the Society didn’t depend on him, leaning towards him for support and help in protecting the multiverse. It was something he couldn’t sacrifice for his whims.
So he kept watching and let his heart crack and envy fester.
He watched you grow even closer to him, shoulders and hands occasionally touching, making you jump and blush. He watched you move from simple coffee dates to full-blown restaurants and bar dates, drinking and eating at your leisure - something he could’ve never provided you. He watched you wobble around when you were drunk, your arm over his shoulder and his around your waist, supporting your drunk weight. He watched you kiss, the other pressing your bodies together and you reciprocating the loving embrace you had once given to him. 
He felt like crying. He was crying, silent tears rolling down his sharp cheeks in slow, thundering waves of his heartbreak. He clung to the desk, claws unintentionally popping out and bending the metal under his fist. The sound ripped through the silent room like the image that ripped through his heart. He was alone in his grief, shoulders slumping and arms shaking with the intensity of his emotions. He had locked the door, barricading it with a busy, do not disturb sign, warning the others that he was occupied and wouldn’t be reached unless there was an emergency. 
“Miguel…”
He’d forgotten Lyla was here - she was everywhere and nowhere at the same time, with your help he had given Lyla an upgrade in her system that gave her access to every Spider that had the watch. She had access to every file in the database and his secrets. Lyla was loyal to him as much as she was to you, respecting your words with a promise of her own to leave you alone. That, however, didn’t mean that she wasn’t privy to his pains, watching him while his eyes were stuck to your universe’s screen, giving him some comforting words that were meant to lift his spirit. It never worked but the intention was there. 
He couldn’t look at her, still facing the hologram of you kissing. He felt the surge of too many emotions to be able to think clearly, his self-control tethering on a thin line of fragile web. If he turned, he would explode on Lyla, giving her the brunt of his suffering even though she didn’t deserve it, she felt and laughed as much as any other human. He remembered programming in emotion with you, laughing about how much she would be as teasing and annoying as you. Lyla was another gift to him by you, so it would hurt him more. 
“Miguel-”
“Don’t- Do not say another word.”
For a man in tears and pain, his voice was curt and stoic, playing the leading figure he’d taken for so long. It betrayed his shaky figure, fingers crushing the metal loudly and shoulders jerking with ever-wrenching choked sob. His world was crumbling around him, rippling and cracking from the seams and folding into itself. The control of his state was failing miserably as he kept staring at your mirthful smile after the kiss. It tore him apart knowing he pushed you further away and into the arms of another. It hurt him deeply. 
Through everything, he heard Lyla whisper a small sorry before she popped out of existence, her small holographic body vanishing along with her orange light. Gone was her familiar light, gone was the nostalgic memory of programming her, and along her, was the support of another person. He was truly alone in this moment, to fall on his knees and let himself drown under the weight of everything. 
If your love was a tangible thing, he would’ve cradled it between his warm palms, holding it tightly to his chest to feel the soothing effects you had on him. Like a balm to burns, you cooled the searing pains that the world inflicted upon him, the warm blanket that covered him when he needed rest and the pillar that held him when he fell. He’d lost something he couldn’t gain a second time, clutching his head in his misery, drowning and howling.
It felt surreal until it wasn’t until it all sunk in. He truly couldn’t grasp the utter loss and betrayal he felt. The realisation that he truly lost you to none other than himself. The irony of it all slashed deeper, how he drove you closer to another him by his own doing, making you love a Miguel with more gentleness, more kindness and time than him, Miguel O’Hara, the Spider-Man from Nueva York, Earth-928. Everything he had was lost in time, his spiralling thoughts of loss and misery clouded his vision, bringing tears forward in bigger waves. 
Was he doomed to lose everything he cared about? Was he bound to love and lose? Why couldn’t he have a happy ending like everyone else? Was it because he was different? Perhaps it was, there were other O’Hara Spider-Man, but none were mutated like him, a product of self-infliction and sabotage - none had their DNA spliced and mixed with a spider’s. He was simply too different from the others, they were lean but still had a strong musculature, muscles tightened to create more strength and defence; none were big and broad as he was, with rough edges and mean streaks. They were nice and happy, faced losses of their own, but always came out on top (there were some minor - sometimes major - variants of Spider-Man here and there, but they all had some similarities in their stories of becoming.). He saw the devastation and grasped onto the thinnest silver lining he could find, holding onto it to stay afloat while others thrived where they were. 
Maybe it was truly because of him. He was realistic - near cynic -  he couldn’t see things optimistically, life had made him that way. The silver lining he saw in things was small, nearly extinguished by his near-pessimistic way of life. Did that have an impact as well? It most likely did, at least partly. Fate had given him a bad hand in things, he couldn’t be completely blamed for how things turned - or so he thought, hoped. A man wasn’t only the result of what he’d done, but also of what he was given. When push comes to shove, Miguel acted in a way he thought meant well for him and the others even if it didn’t seem like the right decision at first. He rarely doubted his actions while he did them, only after, could he let himself face the consequences of what he’d done. Miguel simply didn’t have the pleasure of waiting. He needed to act when it was called.
If he had waited, if he had been patient and sought out others for support, if he had spent time thinking before acting, would he still have his little girl beside him? Would he still have you in his arms? If he had shown you more affection, would you have still loved him?
Did you still love him?
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Miguel didn’t know what he was doing. Standing before your apartment door in civilian clothing and a bouquet of twelve, beautiful white tulips - the meaning not lost to him. It was an attempt at apologizing for his mistakes, a desperate one led by heartache. He brushed his hair back, trying to look as kept as he could in his situation: dark bags and sickly skin, tense muscles and sore back. This was a daring move from him, it would end up catastrophic if the Miguel from your universe saw him at your front door; but he checked, making sure his variant was elsewhere before opening a portal to your place. 
He hadn’t moved in a while, listening to you move around your flat, the sound of your soft steps shuffling from behind the door, a wall between you and him, reminding him that he wouldn’t be able to cross it unless you welcomed him. He held the bouquet in one hand and knocked with the other, his knuckles hitting the wood softly and hesitantly. There was a pause between every knock, drawn by his nerves and the anxiety that gripped him. 
You moved and closed in on the sound at the door. He saw your shadow dance under the small gap on the floor and pause. You knew. You knew it was him even without peeking through the peephole, your spider-sense aiding you in recognizing the unknown. Although your hand rested reluctantly at the knob - perhaps still too raw from your break as he was - you opened the door for him, figure small and apprehensive. 
“Miguel,” you muttered his name, greeting him with a slow nod. You stepped back and opened the door wider for him, he took it as a good sign that you let him in rather than shut the door in his face.
He nodded back, saying your name. He took a step forward, foot breaking the barrier to your flat. The second one ensured he was fully invited, both feet strongly rooted on your side of the door. He wanted to make himself smaller, to appease you, but he knew you wouldn’t have liked that. He squirmed under your stare, a mix of curiosity and concern. 
He nearly sighed audibly when you gestured at him to sit and he moved to the sofa he remembered sleeping on with you, cuddling under a warm blanket while you watched a movie. He knew your home by heart like you knew his, the memory washed over him with melancholy. You sat on the armchair to his left, your back to the kitchen. He swallowed thickly and handed you the bouquet, freshly cut tulips glistening with pearly drops under your lights. 
Your shoulders shook as you leaned in to take the bouquet, jolting back when your fingers grazed him. Feeling your skin felt invigorating, it breathed back life into him, even slightly. You thanked him with a slow nod, seemingly unsure of what to make of it. Was it a gift? Was it an apology? Was it a farewell sign? He figured your mind was running in circles trying to understand the meaning of the pretty bouquet he handed you. You were always an overthinker, but your mind worked brutally well. That’s something he always appreciated about you. 
“I-” Miguel started, seemingly stopped by something that he couldn’t get out of his throat. Maybe a ball of dread or needles of anxiety, but it held him from giving you the words he spent nights thinking over, to give you the message he built from the deepest crevice of his heart. “I’m sorry, (Name).”
You stared at him, understanding that he needed a moment of silence to truly convey his feelings. You hadn’t uttered a word since he first started, expression neutral, not betraying whatever brewing storm you locked inside of you. He was grateful, truly. 
“I know- I know it doesn’t mean much now, but I’m really, really sorry, mi vida.”
He sensed you tense, the muscles of your back contracting and rippling under your shirt. Every unseen fibre moving was bare to him, he could see and feel better than most, if not, everyone else. 
“I acted out of anger and lack of sleep, but that doesn’t mean you deserved that- never. I just, my mutation makes me more animalistic, more… aggressive than the other, and I hurt you. You didn’t deserve any of that and I can’t always blame it on my mutations. I should’ve been able to control myself. I shouldn’t have lashed out at you in those ways.”
He lowered his gaze to his hands, the calloused pads of his fingers rubbing his palm, trying to coax himself into relaxation. Although your breathing softened, a calm breeze in an atmosphere thick with tension, he didn’t dare look up and see the face you were making. 
“I was a bad boyfriend and a horrible friend. I’m- I’m not asking you to forgive me, I don’t want you to forgive me, but- I just needed to tell you how much I regret hurting you. I want to apologise, I don’t know what else to do, I don’t know how to fix this.” He breathed deeply, collecting every ounce of confidence and honesty to brave your reaction. “I’m sorry, mi cielo.” 
He shuddered, body rippling with his pained breath. He hadn’t realised how painful it would be to face you with his fears and confession, with the threat of abandonment and rejection fresh in his mind. He was a man of pride and strength, rarely facing anything with trepidation and hesitance. 
“I’m really sorry, mi cielo. I’m so, so sorry.”
He sat in silence, letting it hang over him like the blade of a guillotine, silent and brunt. Perceiving the flash of the sharp blade before it fell on his neck, sentencing him to a quick downfall with a long, lasting agony that would sting his neck as long as it would hurt his heart. The French used it for executions, the thing that spelled people’s end. At its height, it was used as an apparatus to behead traitors or people who were deemed dangerous to the people of the new republic. Down the blame went and off the head popped, like it would happen to Miguel if he wasn’t prepared for it. He truly didn’t know whether he had prepared for his rejection, for the death of his heart, to watch the flickering sparks of his flame wither out.
“I’m sorry too, Miguel-”
The rope strained, knots twisting and rippling in the tightness of the pull. It shook, whipping in the air as it straightened completely, held closely by the hand of the executioner. The wind blew but it was sturdy, withstanding the violent gales that slammed against the body of it.
“-it means a lot that you came here to apologise- ”
The crowd was filled with silence, the emptiness of the area a mock of a ghost town. Abandoned to be sentenced to death without anyone to witness. They deemed him not fit for their acknowledgment before his death, before the sparks of his life extinguished. His fate wasn’t worth their time, unlike the poorest criminals who stole for money, unlike the richest pigs who fed from the poor with their silver spoons and golden crowns, unlike the cruellest killers who gutted and left men, women and children to bleed out, and unlike the guiltless innocents cursed for something they hadn’t committed. 
“-but, I can’t.”
The rope was let loose, its tail flying and whipping in the air as the blade descended with its weight. The wood chafed against its support beams, yet it flew gracefully and rapidly, singing the doom of its prisoner. The blade gleamed under the moon’s bright light, the silver whispers of peace and sleep deaf to his ears.
“I can’t love you anymore.”
It cracked down on him, his life flashing before him as it cut into him. Severing his control over his body, putting out the dying embers of hope. He clung to desperation in his last moments, wishing to relive the moments of happiness, bright oblivion and cherished love. 
He wished that he could’ve seen your shadowed figure hidden in the darkness, tears lining your cheeks as you watched him take his last breath. The only person who came to see him leave, the one who he would’ve burned the world for. In the end, after everything he’d done, you still gave him a small moment of your time to witness his fall, you deemed him worthy of such an act. You offered him your kindness. 
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mermaidfanficlibrary · 2 months
Note
GXHDJSJSJS I JUST READ YOUR FIC ABOUT THE MERMAN CUTIE AND OMG I LOVE LOVE LOVE RANEE (I THINK THAT"S HOW YOU SPELL THAT) HE'S JUST PERFECT😭😭😭
ANYWAYSSS, so i was thinking... what he do if reader suddenly stopped coming to kayak, because they got sick? How would he react when they finally started coming back again?
Love your works btw😉💋💖💖
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Where's my Human? || Yandere Merman x Gn Kayaker Reader
Characters: Ranee
Summary: He gets so worried when you're not there to kayak
Warnings: Yandere themes, possessiveness, violence, stalking
A/n: Yeah that's how you spell it, I'm so happy you love him nonnie! He's my special merboy! And thank you! Also, mention of Malakai
꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦
Let's be real, Ranee has no concept of sickness or injuries. Fin rot is the closest thing he knows, and it's only common within pet fish. There are parasites and other ocean germs, but nothing like human sickness. So if you stop showing up for a while brings up so much concern. He straight up thinks you're dead. Though it takes a bit of build up for him to actually think of that conclusion.
The first day you don't show up to the beach, he just thinks you got busy. You usually don't come to kayak every day. That's something you told him when he freaked out the first time you didn't show up. Something about sore muscles. He was too focused on you when you told him so he didn't listen.
The second day is when he becomes a bit panicked. This is the stage where he starts swimming the coastline and asking other sea creatures that swim the coast about you. When they say they haven't seen you that's when his brain starts to spiral. Ranee just swims up and down the coastline for the next couple of days, watching the beaches for any sign of you in case you moved and forgot to tell him.
Then a thought comes to his mind, much to his distaste. Ranee thought and contemplated on visiting your human friend. One reason he was against it was because your human friend was trying to take you away from him. Didn't this human know that you were his mate? Beside the point, he didn't have you to guide him out once he swims in, and he's so easily lost.
After grumbling and pacing around in his sea cave to the nearest fish who have no clue what is going on, he decides to visit your human friend. He managed to remember the way there, you better praise him if you ever come back.
He groans as he sees your human friend on his dock of his very shiny home. Malakai prepares himself for any mischief Ranee has brought today but is caught of guard by the merman talking using the limited language he has. Malakai eventually catches your name in the merman's garbled up human speak and barely catches on.
“Oh, you mean Y/n? Yeah, they're sick right now. Texted me they won't be by the docks for a few days.”
Thus leads into Malakai trying to explain what sickness is to the very confused Ranee. After a few hours of body anatomy lessons Ranee comes to the conclusion that you are in fact dying. So the merman is trying to find any way to your home only to realize you don't live near any body of water.
A few more days of your absence leaves Ranee all mopy. Just invite him to your funeral okay? He couldn't live with himself if he didn't at least part with you properly. He's slumped over on a rock, holding the things he had taken from you. He peppered each in tiny kisses. Oh, gods please hear him and give your soul back to him. That's the leas they could do for torturing you like this!
All the fish that came past his cave would swim in and nibble on his skin. Sea lions and seals alike would come in to push him out of the cave. Ranee didn't want to come out to play like he usually does. Not without you!
His life is so meaningless without you. The seals were barking at him to come out of his cave until a ray had swam over. His mopy attitude switches when he gets news from the ray that it saw you back on your kayak and was paddling out in the open. Ranee is completely overjoyed that you were back.
Swimming as fast as his fins could take him, Ranee jumps out like a dolphin and tackles you into the water. You're startled and thrashing but Ranee's cold, scaly face calms you down. You can only chuckle at the merman's clingyness.
“You don't have to almost drown me if you want my attention every time, Ranee.”
He shakes his head as his tail coils around your legs. You shiver as you're pulled closer to his cold body. No way is he letting go. You worried the hell out of him! Making him think you were dead. Bad mate! He only hits the top of your head, scolding you in grumbles.
“Never allowed, fish sticks and fries.”
You were practically an expert in Ranee talk at this point. You came to understand that he was demanding you to stay and never leave him again for that long. As much as you wanted to comply with such a request, you were going to get sick again if you didn't get out of this cold water.
Begrudgingly did Ranee help you back onto your kayak and pushes you back to shore. When you're drying off on the dock, you tell him what happen and give him a better explanation of what happened.
You're now stuck on that dock, listening to Ranee talk about what he had done while you were gone. He gurgles at your praises when he told you he swam through the harbor all by himself.
꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦꒷꒦
Do not repost or translate without my explicit permission! Reblogs are welcome!
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doctorbunny · 4 months
Text
A little speculation about Corpse Disposal and J-horror
But I'm a little bored so sharing a part-theory, part-headcanon on Muu and Rei
So we unfortunately don't see much of Rei in "Its not my fault" but I want to point out three key times we do
The first time we see Rei in the MV, is her wet sleeve (we know its not Muu because Muu wears a pink jumper under her blazer)
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Then, after a lot of bug stuff, we're finally back in the real world, where Muu has just killed her Post-After Pain. In INMF, we don't see the surroundings as well, just the dirt track and bushes. But in AP, we see this is right next to a rushing river (Muu's undercover card also features a bridge as a landmark)
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The next time we see Rei after her corpse, is a flashback to the start where she turns the hourglass over. Then it cuts just further back to before Rei stood up - as she pulls herself up off the floor She's alive and absolutely soaked after a session of intense bullying (which we saw Muu insert herself into in AP)
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However, I want to now switch a little to talk about cinematography and a concept called the Kuleshov effect The video I linked is pretty concise but the gist is that if you put two shots next to each other, even if they were filmed separately, the brain interprets it as a continuous scene (so if you film a character looking off screen, then a picture of an apple on a table, we're going to assume they're looking at the apple)
Therefore while we understand chronologically that the sequence of events is Rei (wet and alive) -> Rei's murder on dry land ↺ Flashback to Rei still wet and alive Which I think everyone understood as a commentary on how this power struggle was a constant cycle of the hourglass being turned over
I think visually, it also implies a sequence like Rei was bullied -> Muu kills her -> Sopping wet, Rei crawls back to the classroom
But wait! That sequence suggests a missing step How did Rei get wet again?
Well, we know Muu killed her next to a river And if you were a scrawny teenage murderer with a body on your hands, would you leave it there where someone could see it while you grab a shovel and stand in broad daylight digging a hole in tough ground??? Or try lighting a fire in public??? Of course not!
It'd be much easier for Muu to, in a panic, just roll her body into the convenient river and let all the evidence wash away!
(Of course, if Muu was panicking, she might not have been very careful. Given she ended up in MILGRAM, there must've been something tying Muu to Rei's death and in T2 Muu seems to have finally remembered losing her left shoe...)
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Fun fact: this is the same shoe Cinderella loses in the animated Disney film (and the best known version of that story came into English from France)
Shoe break over, back to the Endless Queen's Game
So, if we assume Rei's corpse was thrown in the river, what does it matter? Its just a pointless headcanon
But I speculate the meaning goes deeper!
So that image of Rei, soaking wet, crawling off the floor reminded me of something: J-horror ghost girls! Specifically the most famous of ghost girls Samara/Sadako Who became a vengeful spirit after being thrown in a well and now crawls out of TVs to kill people who watched her VHS tape
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Her story too is a cyclical one (its called 'Ring' for a reason), the only way to break the curse is to copy the tape and have someone else watch it, who will then become the victim unless they can themselves copy the tape and show it to another unsuspecting patsy
The story goes back further because this movie is based on a novel, which is based on the legend of 番町皿屋敷 Banchou Sara Yashiki. There are many versions but generally a maid girl Okiku is proposed to, and when she rejects the proposal, her master breaks one of ten plates and promises to forgive her if she marries him. When she declines again, he beats her to near death then throws her into a well (sometimes it's a jealous mistress instead of a master)
Interestingly, Atrophaneura alcinous (swallowtail butterfly) larvae found in Japanese wells became known as Okikumushi お菊虫 (Okiku bugs), tying back to the whole insect thing...
It's been said a bunch now, but the name 'Rei' can be read as 霊 meaning ghost (seen in words like Yuurei 幽霊, a more common word for ghost than Rei on its own)
We know Muu is afraid of ghosts too (though I must admit she says Obake, not yuurei, but both words refer to ghosts)
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Remembers the i/井 in Sakurai/櫻井 can be read as 'well' I'm sure that has nothing to do with anything
Uh, I can't think of a conclusion because its 1 am and I had to look up a bunch of spooky images
TL;DR: I think Muu may have quickly shoved Rei's body into the river next to where the murder happened (maybe forgot her shoe at the scene of the crime) and now she's scared by the cycle continuing and Rei coming back to haunt her
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depravitycentral · 9 months
Text
Enji Todoroki General Yandere Profile
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Yandere! Enji Todoroki x fem! reader
Tw: kidnapping, stalking, power imbalances, financial trapping, mentions of physical/domestic abuse, mentions of non-con, sexist undertones, Enji wants you to be his cute little housewife, mentions of breeding/pregnancy, a few mentions of making sure you eat enough/food, Enji is patronizing whoo boy, he makes you share a toothbrush and yes he's weird about it, this is set in a divergent timeline where Enji and Rei are formally divorced and his relationship with his family is loose and not super tight, fem reader, MDNI
I do not condone any of the actions described in this post - this is fiction and should be treated as such. If you or a loved one is in a similar situation to anything contained in this post or my blog in general, please seek help. You're in charge of your internet consumption; please make responsible choices. With that, enjoy!
WC: 11K
DARLING PROFILE:
Kind
Enji is, simply, harsh.
His quirk, his mannerisms, his attitude, his everything, really, is a bit rough around the edges, forming a man with only enough self control to get what he wants. He’s lived his whole life bitterly, constantly jealous, constantly wanting, willing to throw everything away in order to achieve his goals.
And once everything starts caving in around him, his family and career both taking unexpected turns, Enji finds himself so, so painfully alone. He doesn’t pretend to delude himself into thinking he’s not deserving of his fate, but this places him into a position where he shoulders the guilt while desperately trying to find any outlet to forget it.
And this is where a darling who is kind comes into play – he needs someone who won’t judge him for his past. He needs someone who doesn’t treat him like scum, who is still polite and empathetic to him and his emotions. A darling who is able to consistently praise him will have him smitten quickly, growing emotionally dependent on hearing their sweet words in order to function, in order to not let the depression and stress get the better of him.
And even once his obsession has formed and he’s deep in the depth of his infatuation, a darling who is just too kind to kick him to the curbside is absolutely essential for him – they must be doting and caring, helping rebuild his shattered confidence and psyche, and with every compliment they dish out, Enji vows that he’ll return the sentiment tenfold, in his own way of course.
(This means buying his darling millions of yen worth of their favorite things, all kinds of wonderful gifts that he hopes will sway them in his favor, that will get them drooling over him and all that he can provide for them.)
Hardworking
Although he’s in a mental state that leaves him much more susceptible to finding a partner once he divorces Rei, Enji is still a picky man. He won’t fall for just anyone – no, they must fit his standard, be acceptable and meet the rather long and detailed checklist he has for those he considers as potential romantic partners.
And near the top of this list is determination. He’s a man motivated by his own goals and is willing to stop at nothing to achieve them – and so, a darling that can at least somewhat match this aspect of his personality is critical.
He has no patience for a darling that gives up easily; he wants someone that’s willing to put in the effort to see it pay off, someone who understands the concept of self-discipline and holding yourself to certain moral standards.
He finds it wildly attractive when someone has strong character, and his interest would immediately be piqued with a darling who brings an attitude of perseverance and hard work into every aspect of their life, be it work, their hobbies, their relationship, and everything in between.
He wants someone who is perhaps not quite as stubborn as him, but is still serious in their goals.
(He hopes that one day, making him happy and pleasing him will be one of these goals – just as pleasing his darling is one of his own. And he’s more than happyto please them in whatever way they so desire. More than happy.)
Motherly
Because he views his darling as the perfect wife, his darling absolutely must possess at least somewhat of a motherly air about them. He likes the idea of having a nurturing partner, if only because he finds it endearing when they care for others.
As a hero he shares this sentiment, and although it may sometimes be overshadowed by his need to become the best, deep down inside he does very much wish to help others – his methodology is just a little more violent, a little more overt.
His darling, by contrast, should prefer a methodology that’s much gentler, something that focuses more on making others feel safe and heard and cared for.
Besides, Enji very much desires to have children with his darling; to build a second family, one that he’ll care for and nourish much better than his first. And so, if his darling is to be a good mother, they must embody these traits.
Besides, although he doesn’t fall for his darling because of his fantasies of making them a mother, once the feelings are formed these daydreams only further his feelings, deepening his obsession because oh, he’d give absolutely anything to see them pregnant with his child, carrying his seed, creating something that symbolizes the love and dedication between them.
And so, his darling needs to be someone who naturally takes care of others – and in return, Enji will take care of them. Just how it should be.
Pushover
This trait is a bit less crucial compared to the others, but it’s still most definitely a positive from Enji’s perspective.
Of course he likes a darling who has strong opinions and stands up for them, but he loves a darling that will let him guide them through any hard decisions, or really any decisions at all.
Although he’s not as outright controlling with his darling, he still very much feels that he wears the pants in the ‘relationship’, and thus he is the one calling the shots.
A darling who is happy to let him take over their life like this is a massive help to him – he doesn’t have to fight for control, nor does he have to argue with them about why certain decisions really should be made by him as the more dominant partner, as the one who knows more about the world, as the man. It’s an outdated view and it’s one that he doesn’t really want to admit out loud, but he enjoys the idea of a partner who will revere him and allow him full control.
He wants to be loved and cherished, and in return for a love like this, he’ll do his best to provide for and take care of his darling in every way he possibly can – so really, if his darling knows what’s best for them, they’ll step back and let him make all the tough decisions.
They’ll nod and smile and agree with whatever he chooses, pressing a kiss against his cheek and telling him how much they trust him, how they know he’d never hurt them, how he only wants what’s best for them.
Just the thought makes something warm swell in his stomach, the level of trust making him feel wanted, needed, a concept so foreign that it almost feels wrong. But oh, how he likes it.
GENERAL YANDERE TRAITS:
Controlling
But in a very, very strange way – a lot of what fuels Enji’s obsession is this desperate, innate need to right his wrongs. He’s very, very aware of how thoroughly he ruined his family, how horribly he treated Rei, how he was a poor excuse of a father and husband, and he sees his love with you as almost being his second try. With you, he can do all the things he should have done with Rei and his children – he should have been sweet and loving, a present father that cared about each of his children equally. He should have been a doting husband, spoiling his wife and making her feel loved and desired.
But he didn’t, and although Rei has long since divorced him, Enji finds himself feeling lonely, incomplete, restless to try again, to properly provide for a sweet little thing he can call his own. And this is where you come in – and from the moment he realizes his feelings for you are more than a simple attraction, he dives in head-first.
He decides he'll approach everything with you in a way as opposite from his previous marriage as possible – he's all grand, romantic gestures, always showing up with a bouquet of flowers in hand and just the slightest pink tint on his scarred cheeks.
The grand, romantic gestures are, of course, merely things he’s seen in rom-coms; the women always look happy when the love interest swoops in with flowers and gifts and pretty clothing, the beaming smile and large hug the man gets as a reward seeming very, very appealing to Enji, despite his rigid exterior.
(Just the thought of you hugging him has his heart racing – it’s something so intimate, so entirely new that it makes every nerve in his body stand on edge, a shiver running up his spine as he imagines the way your body would feel pressed against his, how you’d sigh and sink further against him, how you’d squeeze him and god, the view he’d get when he looks down to see your body pressed so tightly against him that not even a breath of air could separate you -)
He’s scouring through women’s magazines, burying his nose in the glossy pages and searching for ideas and clues as to what women enjoy as courting gifts.
(He has to scoff under his breath every time he sees a new dieting tip or regiment, internally frowning and worrying that you’re seeing these ads and potentially obsessing over your weight. The last thing he’d want is for you to be unhappy with your body – certainly not when he’s so very happy with it. Not to mention the nutritionally heinous foods the magazine recommends – he’d sooner have you eat raw paper than follow this ludicrous advice.)
He’s even caving and very, very awkwardly asking his female sidekicks and employees at his agency about their tips on how to seduce a woman. He struggles to make eye contact with them when he asks, his imposing figure almost reminding them of a shy, nervous teenage boy with the way he’s so earnest about his question, his eyes lighting up when they mention an idea he hasn’t tried yet, pressing them for details and specifics and you must tell me what to say to her – how does one follow up gifting a puppy?
It would be sweet, really, how devoted he is to making sure that you’re absolutely spoiled, that you get a whole variety of lavish gifts designed to sweep you off your feet. It would be wonderful, really, except that Enji has never understood the concept of being too much – which is how everything will start to feel very, very early on in this process.
 It was nice at first to receive a fresh bouquet of roses every morning at your desk with a handwritten card attached. (Written in impeccable handwriting, the cursive letters looping and elegant as they spell out short, simple, sweet messages signed with a capital E at the bottom, reading please make sure to eat enough today and that skirt looks lovely on you.)
 It was nice at first, but after the second week of daily bouquets and even a few finding their way to the doorstep of your apartment, the sight of the pretty red flowers makes a sinking feeling swirl in your gut.
(Enji notices this, dismayed and frustrated by your lack of a positive response, and decides to double down and just gift you bigger flowers, because maybe your lack of joy at receiving the bouquets is because they aren’t big enough, aren’t grandiose enough, aren’t good enough.)
It was nice to get the cute, small stuffed bunny on your desk one morning, and you’d even grown so fond of the little thing that you perched it on the edge of your desk, assuming it was a one-time gift. But it wasn’t – the stuffed animals kept coming, getting bigger and more detailed and much, much more expensive, you’re sure.
(Enji is careful to remove each and every price tag on every gift he sends you, simply because he doesn’t want you to feel that you owe him financially, nor does he want you to be swayed into accepting him as your partner by mere economic standing – that’s an asset that you’ll come to know, of course, but he’d rather lure you in via more traditional ways. It doesn’t exactly stay secret, though, because once the necklace with a delicate array of at least five diamonds in it arrives at your front door, your secret admirer’s wealth becomes very, very difficult to hide.)
He’s gifting you jewelry with more precious jewels and gold and silver than you could possibly wear, and outfitting your closet with all kinds of dresses and skirts out of materials and cuts you could never hope to afford for yourself.
(And, of course, they’re all tailored to fit you perfectly – how Enji managed to get your exact sizes is still a question that haunts you, one that makes you scared to upon the nicely wrapped boxes that you find in excess outside your front door.)
It’s all just too damn much – Enji is suffocating with his attempts to woo you, his every gift and gesture leaving you feeling uncomfortable. What he’s trying to do is very, very obvious – and it feels wrong. He’s the number one hero, a busy man with much more important things to be doing – so why is he going after you? And why with such ferocity?
His forwardness will scare you off, driving you to avoid him and grow suspicious of his motives, and Enji does not like this development. This wasn’t supposed to happen – you’re supposed to want him, to be seduced by all of his efforts, to be swept off your feet and swooned by his gifts and words (delivered with the grace of a garbage truck, of course, but the sentiment is there – even if looking at your pretty face distracts him, all the words leaving his head and making him stand there gaping like a fool).
 Enji doesn’t like it, and so he presses harder, stepping up the frequency and volume of his gifts, only effectively pushing you further and further away from him as you grow more uneased and unsettled. And if you were to confront him about it?
Well, this is where his controlling tendencies come into play – denying who he naturally is can only last for so long, and despite being a man with superb self-restraint, the moment that Enji feels you’re slipping from his fingers he’s morphing back into the man that commands your every move.
Suddenly he’s no longer presenting you with the newest shampoo you’ve been talking about (it’s salon grade, the best stuff out there, and much too expensive, but not for Enji – nothing is too expensive for him when it’s for you) but rather letting this expression wash over his face, one that you’ve never seen before.
It’s cold, remarkably so; his lips are pressed tightly together, his brows perfectly straight, those eyes lifeless as he tells you to stop fighting, go inside and change into the green dress I gave you last week. We’re going for dinner, and you’ll order the house salad and a slice of chocolate cake for dessert. Do you understand me?
 It’s weird and unexpected and scary, and it’ll have you immediately stuttering out a yes and scurrying inside, too frightened to disobey. And really, while Enji winces every time he does this, eventually he finds himself trying to justify it as simply ensuring your relationship will last.
Obviously it’s not good that he has to force you into these small, minor, inconsequential things (like going on a date with him or letting him accompany you home afterwards), but this is different from with Rei – you want this, right? You’re just too shy to tell him how flattered you are about all the attention he’s giving you.
You’re just playing coy, acting on your age-old feminine instincts to make men chase after you, to be demure and make your partner work for your affection and love. And eventually, Enji will convince himself that this is different, he’s wooing you and getting you into a relationship with him willingly – you want him.
You practically love him already – things are going well. They’re successful.
They have to be.
And so, while Enji doesn’t mean to be controlling, the end results is that although he plays the nice guy that spoils you and gives you anything your heart desires, at the end of the day he is the one in charge, and he is the one dictating your relationship.
And really, what can you do to stop him? He’s strong, both physically and with the general population – one word from him and you’d be hunted for like a madman, ostracized from the community, brought back to him like a pup to its owner.
You belong with him, and it’s his job to make you see that – even if you want to remain blind.
Possessive
Enji Todoroki doesn’t share. Once he decides that he wants you, you become unequivocally his.
Sure, he wants to do things a bit differently with you and get you to harbor more loving feelings towards him, but from the moment his infatuation forms you don’t really have a choice in the matter.
 You can pretend like you do, if it makes you feel better (and it will, because at least you can pretend that you have even an ounce of control in the relationship, that you aren’t just some adorable little thing he’s decided he wants hanging off his arm and warming his bed), but at the end of the day you’re subject to Enji’s whims.
And although Enji lets you harbor this fantasy of your relationship being truly consensual, the moment something occurs that threatens it, his true colors are shown. Namely, when he thinks your attention is veering away from him, his jealousy and anger become difficult to keep in check, his quirk acting up and letting off small sparks and flames all along his body. His fists clench and his jaw tightens when he sees another man around you, and although he tries to rationalize that the man likely doesn’t want anything to do with you, just simply being in your presence is enough to make Enji suspicious.
Even if the man isn’t talking to you or acknowledging you in any way, he’s anxious – he’s scared that something about this man will attract you, that you’ll somehow find him better than Enji.
Maybe the man is friendlier – Enji’s aware that he isn’t exactly the most approachable person on the planet.
Maybe he's funnier – Enji knows he can’t crack a joke to save his life.
Maybe he’s a better conversationalist – less formalities and awkwardness, able to get you laughing so hard you snort.
It makes Enji’s skin crawl, his knuckles turning white from how hard he’s fisting his hands, and before long he will intervene. He’ll grab you as gently as he can on the elbow, guiding you carefully but quickly away to the other side of the room and physically maneuvering so that his body is blocking your sight of the man – and more importantly, blocking his sight of you.
He’ll try to talk with you, trying to distract you and get your mind off of the other man, all in an effort to get your attention back on him. He’s reminding you that you have him, that you don’t need some other man, that you already have one who’s capable of providing for you and caring for you as you deserve.
Frankly, he discovers just how deeply his feelings for you run in a situation where jealousy gets the best of him – you’d been approached at a small gathering by a man from another agency who was clearly hitting on you. He was leaning in close, smiling with a smarmy smirk and nursing on his cocktail like a lifeline.
Enji had noticed the two of you out of the corner of his eye, and immediately he’d gone stiff. He couldn’t stop staring at the way the man kept getting gradually closer to you, how he kept leaning in further, how his hand slid from his pocket to your shoulder, then your arm, down to your hand and oh, oh god, it looks like he’s bringing it down to your waist –
Enji had been by your side in mere moments, his gaze card and harsh as he’d stepped in front of you, making some poorly toned excuse about needing to speak with you for a moment, before unceremoniously dragging you away from the stupefied man.
From that day, Enji absolutely refuses to allow anyone close to you. And really, can he be blamed? After all, he fell for you, so why wouldn’t anyone else? You’re beautiful and caring, smart and dignified, and if he can see your potential as a lovely, perfect little wife, surely others can too.
And so, Enji ramps up his controlling tendencies the more he’s presented with situations where the green-eyed monster accompanies him. And this control takes its main form through financials – that is, while Enji originally didn’t want to attract you to him via his material wealth, he decides it’s a necessary evil in order to have you staying by his side only.
He starts ‘forgetting’ to peel off the price tags of the gifts he gives you, pretending not to notice how your eyes practically bug out of your head when you unbox the pink pendant he’d bought for you.
He starts inviting you out for lunches and dinners more often, ordering for you and choosing the most expensive items off the menu despite your numerous pleas that you’ll opt for something – anything – cheaper.
(It’s frustrating, too, because as angry as you want to be at him for ordering for you, he always chooses something you end up liking – of course it’s because he’s done extensive research and stalking, finding out your favorite foods and what flavors you dislike, but it all seems like one large, awfully strange coincidence to you.)
Exerting financial control over you keeps you complacent, because the guilt you’ll feel at how much money he’s sinking into you will have you following his every word, even if it his commands are a little strange and off-putting – like spending less time with any male friends (or really any friends for that matter) or slipping the small photograph of him into your purse (it’s weird and you do so hesitantly, making sure the polaroid is at the bottom of the bag – and trying to ignore the way his muscles are oh-so fucking defined in the tight black shirt he’s sporting in the photograph).
It’s all just a big ploy to keep you from running off with some other man – but really, if you somehow did manage to do that, Enji won’t be particularly merciful. He will be cornering the man as he leaves your apartment and he will be holding him by the neck against the cold concrete wall, threatening him to leave you alone or experience the rather unpleasant sensation of burning alive.
It’s not particularly heroic, but Enji doesn’t care – he can’t, not when the threat of you leaving him for another man is very much present and real. It’s too scary, too much for him to handle – it would mean you rejecting him, his second fuck-up in love, and the loss of someone who fits absolutely every one of his desires in a woman.
You’re too perfect for him to lose – so instead, he’ll own you.
Dependent
He will never admit it, but there’s this part of Enji that grows stronger day by day, every time he sees your face, that tells him in the most raw, real way that he absolutely needs you.
He’s essentially lost what he had of his family, and with the sharp uptake in responsibility as the new number one hero, the new symbol of modern peace, Enji finds himself turning to you in his time of need, in his more vulnerable moments.
Because really, though his exterior is tough and jaded, he’s only human – he too needs someone to love, someone to hold and latch onto, and latch he does. You’re his, and he expects you to understand that even if he doesn’t verbalize it.
He cherishes your very existence, each and every thing you do, finding you to be remarkably weak yet remarkably endearing, your inability to defend yourself simultaneously adorable and frustrating. He needs you to realize that you’re his everything; his whole reason for living now, even if he doesn’t give you many clues into this.
He isn’t the best at expressing his emotions, and although the love and desperation he feels for you is constantly overwhelming him, overflowing from his chest and making him dizzy, he doesn’t articulate just how deeply these feelings run.
Of course he’ll tell you how you’re beautiful, or that you’re my responsibility to protect, but he’ll also say significantly less romantic things like how you belong to him, how he's never letting you out that front door, how he’ll never let those disgusting, filthy villains touch something as perfect as you.
He thinks it’s sweet and exactly what you want to hear, but it’s not – it’s scary and strange and weird, but these are your biggest clues as to his dependence on you.He won’t tell you, but his expectations for you are honestly monumentally high; he wants you to be his perfect little wife, everything that Rei wasn’t, and this includes giving you every ounce of his love.
He wants you to be diligently cooking him hearty meals, keeping the house tidy and clean for the two of you, to be massaging his shoulders while he relaxes from a stressful day at work. (Hell, he even wants you to wear cute little aprons, collars with his name stitched onto them, those maternity/breast feeding bras before you’re even pregnant…)
He wants a domestic fantasy with you, and this extends to other, more vulnerable things as well. He expects you to embrace him as he walks through the door everyday returning home, to give him a light peck on the cheek and ask about his day, to let him hug you from behind and kiss your neck as you slave away over the stove.
He never really got the chance to do such loving things with Rei (not that he particularly wanted to), and as a result he honestly feels like he’s having to make up time, that he needs to be taking every single ounce of affection and love you can possibly give him, and he’ll feel no guilt at all.
He won’t outright ask you to cuddle him, but when he sits on the large, overstuffed leather couch and stares at you expectantly, you’ll quickly learn to run over to him and snuggle up into his side, to bury your face into his chest and wrap your arms and legs around him even if his body heat cooks you alive.
He won’t ever explicitly ask you to give him those fluttery, soft morning kisses he’s seen all the time in terrible corny rom-coms he religiously watched for inspiration while trying to court you, but the moment you smile sleepily at him and press a kiss against his lips while you holds you close in the morning glow?
God, it’s in those moments that he wants to give you absolutely everything he has – every part of his body, soul and heart, every single cent he owns, every piece of fame and fortune he’s ever amassed.
Enji just wants to please you, and although he comes off as an odd mix of demanding yet generous, terrifying yet strangely awkward, inside his heart is hammering against his ribcage every time you so much as smile at him, every time you so much as look at him. In the hazy afterglow of a round of passionate morning sex (in which you’ve realized that fighting will get you nowhere – it’ll only earn you an Enji that’s more frantic and desperate to get you moaning and crying out his name), when he latches onto your smaller, exhausted and sweaty body, pressing you as tightly against him as possible, sometimes his demeanor will crack.
He’ll lean down to deeply inhale the scent of your hair, to watch the way your chest rises and falls, and he’ll whisper in the softest of voices that he loves you, you’re the light of his world. He doesn’t know what he’d do without you, but Enji is hellbent on never finding out – after all, there is no chance of escape with him, and he’s sure you’ll learn your place soon.
After all, pretty, submissive girls like you always do.
DEALING WITH RIVALS: 
Enji is, regrettably, terrible at hiding his jealousy.
He’s always been in a constant state of envy, whether it was vying for the top spot in the heroing world against All Might, desiring the perfect offspring in order to have the Todoroki name and himself live on, and countless other examples. He’s prideful and so fucking jealous of everyone around him, and this is only heightened when it comes to you – his possessiveness over you is nothing to sneeze at, and the minute he feels that your attention is threatened, that you could possibly be yearning for another?
He’s wasting no time stepping in, mercilessly shutting down each and every opportunity you could possibly have of being with anyone other than himself.
As much as he’s loathe to admit it, his jealousy and possessiveness stems from a place of insecurity; he’s aware that he’s by no means the perfect partner, and he rationally knows that you could do much, much better than him.
And so, as a sort of panic-induced response, Enji decides that you simply aren’t allowed to interact with any other men – this way, you aren’t presented with the opportunity to even let the feelings form. And he’s diligent with this theory, too – he’s always standing near you, acting as your shadow with watchful, hawk-like eyes trained on your figure.
He’s never been the best at reading people, but he’s able to tell from miles away when someone approaches you with intentions that are less than innocent, and immediately his lips are thinning, his brows furrowing, his entire body temperature raising by five degrees because you’re his, and this piece of scum disguised as a man obviously doesn’t realize this.
He’s your guardian angel in many ways (though really, he takes the guardian portion much too far – even men who have no romantic intentions with you are viewed as potential threats, shooed away with a vengeance that will make them too afraid to even think about you without imagining themselves engulfed in flames), though at times it will make you feel more than a little patronized.
It’s as if he doesn’t trust you – you don’t really have a relationship, at least in your eyes, but you know the number one hero wants something more than friendship with you. And so, you do your best to avoid evoking his anger and wrath by not romantically involving yourself with another man – and yet that’s not enough for Enji.
It can’t be, simply because as pretty and sweet and smart as you may be, Enji will always know better. It’s a controlling tendency and a mildly sexist view, but he thinks of you as his doting, loving housewife-to-be, and it’s the man’s job to make these sorts of decisions.
You’re just too sweet and outgoing for your own good – you’ll get mixed up in all sorts of trouble if you’re not careful, and lucky little you has someone like Enji to watch out for you and make sure your pretty head has nothing to worry about. And so, Enji sticks to you like glue, warding off potential suitors with grueling stares and a presence and reputation too strong to ignore.
Enji’s day had been long, and one of those days that made him seriously question his abilities as a hero. A villain had managed to trick him, and although Enji had of course eventually arrested the perpetrator, his deception had led to a lot of wasted time and more damage to surrounding buildings than was acceptable.
His head was pounding, his body still feeling overly hot from all of the fighting, and though not normal, he’d decided he was done for the day and left the rest of the agency’s calls to his sidekicks. Leaving early had felt almost freeing in a way, the world looking a bit different with all this extra time – walking down the sidewalk, Enji scanned the windows of each shop he passed.
As per usual, you’d been on his mind all day – flashes of your face sitting just behind his eyelids, your name just a hair away on his tongue, the feeling of your phantom touch sending shivers down his spine. It was irritating, distracting, heavenly, and with each window he passed, he kept an eye out for anything you might like.
He’d gotten you a pretty tea cup set yesterday, and although you’d been hesitant and visibly uncomfortable at receiving such a gift (the set was very, very obviously expensive, the marbled china too perfect and pristine to have costed anything less than a year’s worth of your salary), Enji was eager to gift you something that would be received better today.
Streets passed by, nothing quite suiting his vision for what you deserved – he’d need something more subtle today, something simple and sweet and something he knows you like – The confectionary is small, with swirling black letters over a baby pink banner spelling out the name of the store. The windows are lined with all sorts of chocolates and candies, all wrapped up in pretty, ornate packaging that makes Enji immediately pick up his pace, practically storming into the small shop.
It smells like vanilla and sugar as the door shuts behind him, and although it makes him wince, he knows you’d love it. Shelves nearly as tall as him line the shop in narrow rows, displaying all sorts of sweets that he’s never heard of before – caramels, gumdrops, chocolates, lollipops, anything and everything under the sun.
He’s only been in the store for roughly five minutes, staring at a collection of truffles with furrowed brows and a downward curl of his lip when he hears a small laugh over the gentle, happy classical music playing quietly over the speakers. Immediately he’s perking up – the laugh sounds familiar; the lilt of it, the tonality, the soft intake of breath right after it stops.
His lips part, eyes going wide, and before he can even really control himself he’s rushing towards the source of the noise, his entire face growing warm when he sees you – you’re at the register, a few candies sitting on the wooden slab, your purse in hand as you fish for presumably your wallet.
You look gorgeous today – you’re wearing a shirt he’s never seen before and your favorite pair of jeans (the ones that make your ass look so, so very perfect – perfect to squeeze at, to grope and touch and smack and press himself against…), and although he’s briefly disappointed that you aren’t wearing an item of clothing that he’d gifted you, he notices the clerk all too soon.
The clerk – Hyoshi, his nametag says – is smiling at you. He’s all teeth, a grin that makes the hairs on the back of Enji’s neck stand up, his nostrils flaring because you’d been laughing, and it must be this man’s doing. This man, who’s visibly weak even under the ridiculous confectionary uniform he’s sporting – arms that couldn’t hope to lift even a fraction of what Enji can, a chest that isn’t ruggedly defined like the hero’s, and a stature that’s frankly pathetic compared to the frame of the redheaded man behind you.
Enji’s angry, and as the man opens his mouth to presumably say something else (potentially something that’ll make you laugh again), his words die on his tongue as he glances behind you to see the behemoth of a man who’s quite literally acting as your shadow.
His eyes widen and immediately he’s stuttering out a w-welcome in, Endeavor! At that, your shoulders go stiff, your mouth parting into an adorable little ‘o’ that Enji can practically see in his head, and you slowly turn around.
Oh, hello Endeavor, aren’t you normally on patrol right now?
Enji’s jaw works, and although a small part of him is pleasantly surprised that you’d remembered his patrol shift, your words only serve to further frustrate him. You knew it was his time on the clock – and yet, you’d still ventured out into the heart of downtown, completely on your own, defenseless except for the measly, very sad pepper spray you keep in that worn purse of yours – both of which he keeps pleading with you to let him replace.
(He’ll get you new pepper spray and a taser and a pocketknife, just because he knows how dangerous these streets can be, and with your pretty face and your pretty body he’s sure villains would be lining out the door to get a taste of you. And of course, the new bag – he’s bought you plenty, in a wide variety of styles and colors, each gift getting more and more desperate to be the one you finally deem as being good enough to use, but alas.)
Enji doesn’t even bother with a greeting, instead stepping up to the counter, slamming down his credit card and stepping in front of you. I’ll be paying for her sweets. His voice is cold, firm, and sends the clerk into a scurry to process the transaction, meanwhile you’re staring in mild shock from behind the hero.
Of course you’re not surprised – how can you be, when he insists on spoiling you in every possible way? And yet the raw animosity he’s radiating right now can’t be ignored – you get the feeling as if you’re somehow in trouble, though you can’t figure out what for. As soon as the card reader beeps, Enji’s scooping up the card and your sweets, his thick fingers wrapping around your wrist just barely too tightly and marching out the door, telling the clerk over his shoulder to keep the receipt.
It takes every bone in his body to not turn back around and swing at the man behind the counter, his eyes shutting tightly in concentration as he tells himself that it’s not worth it, the media will find out, your reputation will be damaged. But as his eyes peel open and he realizes the way you’re squirming in his grip, he only sighs and releases you, those teal eyes of his appraising you with a frown.
You’re feeling guilty again, unsure of yourself as you gently rub your wrist, and for a moment Enji feels regret – did he hurt you? He hadn’t meant to, he’d just been angry and it was already hard enough to not harm the man who’d made you laugh, and surely you’d understand that he didn’t mean to –
You break the silence before he can voice his concerns, clearing your throat and thanking him in a meek voice. Enji merely nods, a small grunt your only response as he begins walking again, your sweets – and your purse – firmly in his hands, just so that you won’t have to carry them.
When you don’t immediately follow him, Enji pauses, looking back over his shoulder with a brow cocked.
What? Follow me – we have dinner reservations this evening, at that new seafood restaurant by the harbor. Fuyumi tells me it’s quite good; order the crab legs and the caviar.
There’s no room for disagreement in his tone, and for a moment you just blankly gape at him, the situation too strange for you to really process.
But all too soon his eyes are narrowing, and you’re practically tripping over your feet to follow him, keeping your gaze cast downwards as Enji’s hand rests on the small of your back, guiding you even though there’s not a civilian in sight on the desolated sidewalk he leads you down.
TAKING HIS DARLING AWAY:
Honestly, Enji is complicated as a yandere; there’s a part of him that knows that there are aspects of his relationship with you that mirror that of his previous marriage. He knows that although you may not be treated as terribly (and that you have more purpose to him than simply an incubator), you’re still trapped, essentially a slave to his will.
And yet, as time passes and his dependence on you grows stronger, he can’t help but justify his actions, deciding that yes, you may be stuck with him, but at least he spoils you rotten with your favorite foods, expensive clothing and jewels, an unlimited supply for each and every hobby you may have. He may have you trapped between a rock and a hard place in terms of leaving him, but at least he genuinely loves you - he aches to spend time with you, to hold you in his arms, to feel your heartbeat against his ear, your lips against his, your body writhing below his.
He’s convinced himself that this time is different, that you’re different, and as such he eventually decides that it’s really in both your best interests to just relocate you, to get you officially by his side. It’s really paranoia that drives this decision – he’s a working hero and a man with many, many enemies, and so it’s really the only option that keeps you safe.
Stealing you away into his private home – he’s the sole inhabitant, aside from a cleaner or two, since moving out of the Todoroki household – is the best option for a multitude of different reasons. You’re safer this way – the state-of-the-art security systems he’s installed around the estate are the best money can pay for, able to detect intruders and any suspicious activity in the blink of an eye. Enemies don’t have much of a chance of getting inside, and even if they had managed to, Enji will be right there to burn them to a crisp for even daring to get close to his beloved.
And even aside from outside threats, keeping you trapped at home will allow him to keep an eye on you and make sure that you don’t accidentally hurt yourself – you’re ridiculously clumsy to him, your every action having him hold his breath slightly in anticipation, in fear that you’ll somehow trip or fall or bruise your pretty skin. Plus, this way he’ll know that you’re eating healthily and in the right quantities, that you’re getting proper exercise, that you’re relaxing as you should, that you’re spending adequate amounts of time in the interior courtyard he’d prepared in preparation for you.
(It’s beautiful, as loathe as you are to admit it – all kinds of flowers bloom along the walkways, bamboo and tall grasses and trees growing in neat lines and providing shade for the flowerbeds on hot summer days. There’s even a small stream flowing through it, the gentle trickling noise almost enough to cancel out the painful silence that exists between you and Enji when he decides to join you for your scheduled garden time in the afternoons – uninvited, as always, and yet still unable to sense how desperately you wish you’d get these times alone to yourself.)
Aside from your safety, keeping you in his home helps feeds into his domestic fantasies of the two of you – you’re so very precious to him, and from nearly the beginning of his obsession with you, he’s always viewed you as the perfect wife – specifically, the perfect housewife.
He’s a traditional man, believing in traditional gender roles, and although he doesn’t view you as being less-than based upon your status as a woman, he does expect certain things from you. He’s the breadwinner, the strong, capable one who provides you with a roof over your head, food, and any gift under the sun the moment you make even the slightest inclination of wanting it.
And in return, you’re to be his caring, nurturing wife – the one who keeps the house neat and tidy, a room dedicated to only cleaning supplies that you get always stay stocked and ready for you, should you become inspired and wish to fulfill this domestic fantasy of his. The cleaning products are all diluted down to a level that wouldn’t be dangerous if you were to ingest them – you’d get sick, surely, but it’s nothing a home-trip from a doctor who’s been sworn to secrecy can’t handle.
There’s also, unfortunately, a drawer within the room that a particularly bored you had one day opened only to immediately slam it shut. Dozens of cleaning outfits sat neatly folded in the drawer, the black and white getups looking much too tight and much too short. A few weeks later you’d returned to the drawer, bored out of your mind while Enji was away at work, peeling one out with careful and trembling fingers. And of course, to no one’s surprise, the outfit fit like a fucking glove – hugging your curves and accentuating them, the skirt full and flouncy and very easy to flip up, the bustline practically choking your breasts with how tightly the black cotton pressed them together. You’d changed out of it shortly after, the rather disturbing and shameful fleeting question of whether this was the type of thing Enji liked making you too disgusted, guilty, and bashful to really consider.
In his idealized domestic world, you’d cook for him, too, but it takes a very long time for him to trust you enough to not purposefully burn or cut yourself in the kitchen. He has daydreams about coming home from a hectic work day to see you standing over the stove in a cute apron, humming some song and lighting up when you hear the door open and close, his announcement of being home making you practically bounce on your heels.
He wants to have you cook for him, to see you slave in the kitchen putting every ounce of your concentration and time into making him a meal you know he’ll enjoy, but that fantasy has to wait for the time being – just until he thinks you’ve finally lost that rebellious streak of yours, just until you finally come to realize that you belong by Enji’s side.
And so, in the meantime he’ll have you make him small things that hold little potential for you to hurt yourself with – simple sandwiches with pre-sliced ingredients, so that you won’t cut yourself chopping tomatoes or slicing bread. He'll have you prepare a sandwich for him and one for yourself, too, ordering you to sit down at the dining table with him and share a meal – though the conversation is hard to come by, and each attempt he makes at starting it is only met with single word answers from you.
(Another domestic fantasy he harbors but would never tell you about is to have you sitting with him at the table, looking at him with those pretty eyes and your voice dropping to a sultry volume, your chopsticks bringing the food you diligently and loving prepared for him up to his lips, your tone teasing as you tell him to open wide! He’d keep eye contact the whole time he chews, never once breaking it as he tells you in that low, gruff voice of his that it’s perfectly done, the seasoning is impeccable. He wants you to be bashful, to smile and hide it with your hand, your lashes fluttering as you glance at him then back to the food again, too shy to say much but your body language showing just how much his praise effects you, just how good it feels to be the center of his attention, the apple of his eye, his absolute everything.)
He wants you to be his sweet housewife, and although he won’t force you into any of the work, it’s extremely obvious what he wants of you – he’s always telling you about when you get adjusted, how you’ll be more open to fulfilling your role.
When you’re more adjusted, you’ll be happy to iron his clothes; perhaps you’ll spritz a bit of the perfume he buys you onto his shirts, just as a reminder of you during his long days.
(As if he needs a reminder – certainly not, when you’re on his mind nearly every minute of the day.)
When you’re more adjusted, you’ll be pleased to see the positive pregnancy test in your trembling hands, your voice riddled with joy as you announce the good news to him, watching him drop the phone and keys in his hand and instead hoist you into the air, spinning you with a grin on his face so bright it nearly blinds you, concluded with a passionate kiss and a few tears on his cheeks because he just can’t fucking wait to have you as the mother of his child.
It’s all this talk of ‘when this’ and ‘when that’, but the strange thing about Enji as a captor is that he’s incredibly patient with seeing these fantasies come to fruition – sure, he may be forcing you into being a housewife just as he did with Rei, but this is different – you get a choice about some of it, unlike her. You don’t have to do the dishes, but you can if you’d like. You don’t have to bear his children, but you can if you’d like.
(And frankly, it’ll be hard not to – once your need for human contact and your strange, mixed feelings for him grow, you’ll eventually give into his requests for intimacy, and once the floodgates are open, you will end up pregnant from the sheer frequency and volume at which he pumps you full of his cum.)
All that being said, life as Enji’s captive will honestly not be too terrible – he’s still following you around the house like a shadow, but he’ll let you sleep in your own bed at the start, let you have your own bedroom and bathroom, and he won’t even force you into spending time with him at the beginning.
Because really, as tortuous and painful as keeping you away from him is, he repeats the mantra over and over in his head that eventually it’ll be worth it – eventually you’ll see things his way, and eventually you’ll come to see just how deeply his feelings for you run. You’ll realize that he’s only ever loved you, that he cares for you more than any other man possibly could, that he only has your best interests at heart – that’s why he always swung by your apartment at the end of his patrols, peering in at you through your windows, just to make sure you were safe and sound.
That’s why he kidnapped you, to ensure your safety and keep you in the arms of the only man truly capable of providing for you, just as you deserve.
That’s why he’ll never let you escape him, no matter how you beg and plead for your freedom – you don’t understand the outside world like he does. You think you do, but each villain he arrests is a nail in the coffin of your freedom – you have no fucking clue how dangerous the world is, and Enji isn’t hesitant to remind you of this.
You’re unhappy with him? Well, your options are here, in his warm house where he’s willing to give you every ounce of his attention, love, and touch, or out in the big, scary world where women like you are easy targets for men who love destroying easy targets.
So really, you’re in the best hands with Enji – he knows how to take care of you, and he’ll spoil you with every possible treasure you could want. What’s not to be happy about?
PUNISHMENTS:
As a general rule, Enji doesn’t ‘do’ punishments. Because he views his relationship with you as his second try at finding a companion, there is no part of him that actively desires to hurt you. He loves you, in some sick, twisted way that’s much too obsessive and desperate to ever be considered healthy, but it’s still love nonetheless.
And as such, Enji does genuinely want your relationship to be as wholesome and sweet as possible; he wants you to want him, to actively choose to spend your time with him, to want to be in his presence every moment of every day. He wants everything to be as perfect as possible – the idealized life, a life where he’s the number one hero coming home to his lovely wife who cherishes him and he cherishes in return.
And so, when you do something that doesn’t quite line up with this fantasy, Enji is understandably upset. Why can’t you just accept that this is your reality now? Why do you insist on fighting him, even when you know you won’t win? How could you?
He’s Enji Todoroki, Endeavor the Flame Hero, and you’re just you. You’re pretty, of course, and smart and sweet and caring, but you’re still just you. There’s nothing you can do against someone like him – which is why Enji is able to excuse your poor behavior most of the time.
He understands; it’s difficult to accept that you’re weak and powerless, and he understands that when you lash out and act out, you’re just expressing frustration and fear at being taken care of so wholly and completely by someone so much stronger than you. It must be scary, after all – Enji can be so intimidating and he knows it, so he’ll try his absolute best to calm down anytime his anger starts to flare.
The last thing he wants to do is harm you, and he wants everything in your relationship to be as different as possible from that with Rei – and hurting you in any way would too closely resemble his previous marriage, ruining the beautiful illusion he can live under with you.
And so, most of the time Enji is able to grit his teeth and shut his eyes, letting the anger subside by telling himself about all the wonderful things about you – things that always get him feeling calmer, that make the buzzing sensation in his head and the suffocating feeling of anger dissipate. Nine times out of ten, he’s able to calm himself down this way – and if that’s not enough, normally exiting the room and getting a breath of fresh air is enough. He’ll tell himself that he absolutely cannot fall into the same habits he did with Rei – you’re different, you’re special, and he’ll calm himself down as often as he needs to in order to avoid being seen by you as the big, scary man who will hurt you if you disobey him.
Thus, getting Enji angry enough to the point where he can’t simply calm himself down is actually quite difficult – generally, this involves you hurting yourself. Most other things he can twist into seeming not so bad, rather just being you not having adjusted to life as his woman quite yet. He can write off your escape attempts as you still clinging to this ludicrous sense of independence you seem so hellbent on keeping.
Attempts to harm him can be discarded as your misplaced sense of anger at your situation, because although in your heart of hearts he’s sure you’re happy to be in your natural familial setting (as the wife of a strong, capable man of course), you’ve confused yourself by trying to reject something that’s just so right.
Of course these events don’t make him happy, but they’re able to be disregarded – but when your blood is drawn by your own accord, even Enji can’t pretend this is something else. This is you purposefully trying to injure yourself, purposefully trying to show him that you aren’t happy, that you don’t want this – an idea that makes him panic, that sends his fists clenching, that gets him pacing and his mind racing as he tries to figure out how to set you straight without harming you. And so, Enji eventually decides that after he cleans up your injury, rather than simply hitting you
and physically showing you that he won’t stand for this sort of misbehavior, he has to be more restrictive with you. He won’t be so lenient for the days following your bad behavior – you won’t be so spoiled, your rights won’t be so freely handed to you.
You must understand that Enji is charge, and that he’s being generous and loving and kind by allowing you such free reign around your shared home. Really, he doesn’t need to be so generous – and he’ll teach you that an angry Enji is much, much worse than the normal doting, lovesick Enji you’re used to.
Enji is frozen as he opens the front door. He’d come home a bit early from running some errands, the groceries in his hand dropping onto the hardwood floors below him. His jaw is dropped a bit, the sight of your bright red blood staining your forearm making a wave of sickness wash over him.
Who did this?
Who could’ve hurt you like this? There’d been no security alerts while he was gone, and there was absolutely no way that you’d left the interior of this house in the two hours he was gone. In the next breath he’s rushing forward into the kitchen, by your side before you can even blink, paying no mind to the way you gasp and stumble away from him, as if you’re afraid of him.
It makes Enji’s chest ache, but the sight of your blood is too distracting for him to focus on the uncomfortable ache. Instead, he’s thrusting your arm under the kitchen sink, the lukewarm water making you wince ever so slightly as it runs over the wound.
Enji’s brows furrow as he examines your arm; the cuts are long, zigzagging in every direction in a way that looks strange, not like any normal attack pattern he’s seen before. This doesn’t look natural, either – not like a regular scratch, not like you just slipped and fell and had unfortunate luck. No, this looks like something else entirely – like something purposeful, like their appearance marring your pretty skin isn’t accidental in the least. It’s only then that Enji sees the glinting silver fork out of the corner of his eye, sitting on the edge of the counter with a bit of red staining the ends.
Immediately his body is freezing, his grip on your arm squeezing tighter as the gears turn in his mind. You must have…
His jaw flexes as he grinds his teeth, those blue eyes of his slanting over to look at you with such intensity and anger that you physically shrink in on yourself. His grip is too firm for you to pull your arm back, Enji absolutely unwilling to let you run away from this.
Did you do this to yourself?
His voice is surprisingly even, given the look on his face, and immediately you’re shaking your head, your entirely body paralyzed with fear. You’ve never seen Enji look this scary before – or at least not towards you.
Your answer only serves to further anger him, it seems, because soon he’s literally snarling, his face twisted up into this ugly look of  rage that’s only heightened by the scar across his eye.
Don’t lie to me, I will always be able to tell when you’re untruthful with me. He pauses, taking a deep breath, his voice just the slightest bit unsteady. Did you do this to yourself?
This time you nod yes, tears prickling at your eyes and starting to spill down your cheeks, and at the sound Enji makes, they only flow faster. He looks like he’s in more pain than you are – his face is red, and a few flames lick up around his shoulders. The heat washes over you, and soon the begs are slipping off your tongue before you can help yourself.
Enji pays you no mind, every ounce of his self-control going towards not slapping you in the face for your blatant stupidity. Soon he’s letting go of your hand, stomping towards the small first aid kit he keeps in the kitchen, entirely silent as he carefully wraps your arm in bandages, not paying your rambling any attention or mind.
As soon as you’re securely bandaged, he leaves the room and you hear the sound of his bedroom door slamming shut reverberating throughout the house.
The rest of the night passes in a blur, with you somehow getting from the floor of the kitchen where you’d laid down and eventually fallen asleep all the way to your bed, with the blankets carefully slotted over your body.
Nothing seems to be amiss the next morning, your footsteps cautious as you approach the bathroom, your brows shooting up when you notice that the counter is completely bare – your toothbrush, toothpaste, floss, and mouthwash are all missing, as are all the expensive lotions and facial scrubs Enji normally keeps in piles for your convenience.
The kitchen is empty, too, you notice – the silverware drawer is completely empty, and there are no cups or mugs of any sort in any of the cupboards. It’s unnerving, and immediately you’re getting goosebumps all over your body, the air feeling prickly and cold, as if there’s something lurking that you don’t know about. Biting your lip, you make your way to the table, gingerly sitting down and trying not to jostle the bandages too much – the bandages that had been changed, you distantly notice.
A few minutes later, Enji joins you in the kitchen, his expression not exactly jovial, but not particularly hostile. He greets you as he normally does, before placing the mug you now notice is in his hand under sink. The sound of rushing water gets your mouth watering, not having realized how thirsty you were until this moment.
Wide eyes watch him turn towards you, making his way to your seated figure with slow, heavy steps that get your heart thudding in his chest. He stops right next to you, before telling you to open your mouth. Hesitantly, you do as he says, jerking slightly when his fingertips – always unnaturally warm – cup your chip and bring the cup up to your lips, the water cold as you’re forced to drink it.
Enji watches with neutral eyes, though you see the corner of his lip curl up slightly as you drink the entire glass, the pacing of the water flow nearly too much and nearly choking you. Soon it’s gone, and Enji uses his thumb to wipe at the corner of your lips.
Since yesterday’s little spectacle has shown me that you can’t be trusted with basic household supplies, let me know if you require another drink, if you’d like to brush your teeth, or if you’d like to wash your hair. You obviously can’t do it alone, so I will be joining you. Now, go lay down on the couch. I need to change your wrappings again.
You’re dumbfounded, watching him keep the mug in his grasp as he heads towards the living room. And though the threat seems too extreme, Enji means it – you only last a few hours before you reluctantly ask for another drink, your throat too dry and sore to go without it.
And that night, when you shamefully ask him for your toothbrush, you’re not particularly pleased to find out that he’ll be the one brushing your teeth, using his very own toothbrush to get the job done, just to make sure you don’t even think about trying to choke yourself with the brush.
(And when you finally have to shower, well, Enji’s face turns bright red when you ask, rushing to his feet much too quickly, grasping your hand and practically pulling you to the bathroom before applying all sorts of soaps and scents to the bath he draws for you. His breath is hitched as he turns around so you can change in privacy, but don’t be surprised to see him sneaking glances at your bare body beneath the water’s bubbly surface. Don’t be surprised when later that night you hear a suspiciously rhythmic thumping sound and muffled groans through the wall that  your bedrooms share, the faintest wet, squelching noise accompanying them.)
And, roughly a week later when you wake up to the cups and mugs back in the cupboard and your shampoo back in the shower, you’ll decide against hurting yourself anytime soon. It’s not worth it – not if that’s how you’ll be treated; forced to ask permission for your basic needs.
And Enji couldn’t be more pleased – now you’ll think twice about using that fork again, or anything else for that matter.
(And he can still force you into using his toothbrush – under the guise of furthering your bond and intimacy, of course. And because he’ll use it after you, savoring the feeling of the bristles against his tongue like some sort of drug.)
OVERALL DANGER:
 7/10
Enji isn’t necessarily dangerous, but rather inevitable.
He’s a determined man, driven by motivation for his goals, no matter the methods he uses to get there. And once he sets his sights on you, deciding that he wants you, that he loves you, you’re certainly no different – he will have you, and there’s not a single thing you can do about it. He’s a force to be reckoned with, and really, what sway do you have?
He’s a professional hero, known in the public sphere responsible for saving more lives than you could ever hope to, and who are you? You’re just a pretty face, a woman who happened to have the exact set of traits and physical appearance that Enji finds desirable – you have no real way to combat him, and who would believe you, anyway? Enji is the new symbol of peace – as far as the Commission is concerned, he can have whatever the hell he wants, and if that one thing is some civilian, then you can kiss your freedom goodbye.
But really, all things considered, Enji isn’t too terrible – he’s trying desperately to right his wrongs, to love you in a way that prioritizes your happiness and is just better, and although you’re certainly not happy being trapped by his side, he can at least pretend like this is better.
He wants you to be his pretty little thing, to be his housewife and treat him like your devoted, loving husband. He wants you to greet him with a kiss on the lips when he comes home from work, helping him out of his jacket and asking about his day, then lead him into the clean kitchen where you’ve got dinner waiting for him, then join him in the shower and then the bed, letting his hands wander to where they please, then fall asleep on his chest, letting him feel like he’s protecting you even in his sleep.
Is that really so much to ask for? Enji thinks not – besides, isn’t that the dream for you?
All you have to do is let him take care of you, to spoil you with flowers and chocolates and jewelry and all sorts of things that make women swoon. You’ll be spoiled rotten, treated like a goddess, and all you have to do is let Enji make all the decisions for you, to let him take control of your life and your future – it’s better this way, he promises.
This way, you’ll be properly cared for, kept safe and secure and comfortable by his side. You may not see it yet, but Enji is sure this is really what you want – you’ll come around eventually, he’s sure of it.
And if you don’t? Well, at least he’s not a monster, right?
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dynamightmite · 4 months
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you seem optimistic so you think we’re still getting shigaraki back? :( i’m really sad the way hori has handled the izuku tenko plotline as of right now like i just can’t wrap my head around this
I mean, I definitely think it's a possibility. We still don't know exactly what happened to overhaul/decay, and how it may be used in the future. We saw Tenko and Deku touch fists; theoretically there could have been some kind of exchange there, or he could be existing as a vestige in some way.
Then again, (and this is going to piss a lot of people off :')) I kind of... get where Horikoshi is going with it?
BEFORE YOU START BOOING!
I think a lot of the discomfort and hurt from fans comes from the perception that Izuku failed to save Tenko. That, by allowing him to die, the narrative is in fact saying he didn't deserve to be save--that Horikoshi himself doesn't believe Tenko truly deserved it. I have also seen a lot of talk about how it doesn't fit in with the ongoing, overarching themes of the narrative, and (while I'm not saying these people are wrong) I would like to push back on that a little, because I think there is precedence in the story as to why Tenko's death holds up, despite it being terrible.
The culmination of Tenko's arc broaches a crossroad of two major concepts in the story: heroes, and saving, and what both of those ideas mean. And, I think, in Tenko's death, we get and answer to both, and more importantly, an answer to his overall purpose.
What does it mean to save? In BNHA, the concept is a little vague. I've often people ascribe the "total victory" mindset as one of protection, as preventing any tragedy or harm. Through that lens, Tenko's death therefore is an automatic failure--a nonstarter. HE's dead, so he wasn't saved. The end. However, while "saving" might seem like a simple, straight forward concept, I would like to dig a little deeper, because I think what Horikoshi's doing is much more interesting.
Saving (Deku's definition of it, anyway) is a lot closer to freeing than it is to protecting. Which sounds weird, but I'll do my best to explain. I think the two best examples of this particular nuance to his definition are actually in two characters people tend to forget he saved: Shoto and Gentle Criminal.
Because he did save both of them. Not in the really obvious, black-and-white way he saved Eri, no, but he did save them. And both times were... painful, to say the least.
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When Deku went after Shoto during the sport's festival, it wasn't, like, nice. He dug his little nerd fingers in where it hurt the worst and dragged out Shoto's biggest fears and insecurities, and then he said GET OVER THEM. Stop letting them control you. Stop letting your father control you. You're your own person, and you get to make your own choices.
He didn't punch Endeavor. He didn't even take pity on Shoto, or say he was sorry. But you know what he did do? Deku cut the leash. AND he damn near killed Shoto (and himself) making sure that Shoto understood that he was free. He gave Shoto back something that he'd been missing, something he was afraid to look in the face; something that Deku picked up, brushed off, and said, "please stop throwing this away, it's important. You're important".
And it works, goddamit.
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Gentle is both different and similar. In a similar vein, the way Deku saves Gentle is sort of... not obvious. But I think if you look here:
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Gentle isn't a bad person. He's ambitious and a little lax about the law, but he never set out to hurt anybody. But we see over the course of his arc how he gets so tangled up in his own pain and his desperation to be seen that he forgets his own ideals, his own morals. In the face of becoming someone, he loses sight of what matters most to him: just like Deku, Gentle wants to be a hero.
Which, in the end, he is. And Deku's the one who pushes him there.
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But what about Tenko? What about the crying child inside him? Why wasn't he saved?
When people talk about child Tenko, they often seem to see him as a symbol of the person that Deku's trying to save. But I think that, just maybe, that's wrong. I think maybe, actually, Deku is trying to save Tenko from that child.
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Child Tenko is, in many ways, a symbol of nothing but AFO's power. That is a child stripped of his name, of his original quirk, of his family, of his sense of self. That is a puppet controlled by AFO, without any autonomy of its own. That child is a wound that Tenko cannot escape for as long as AFO still holds any power over him.
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That's why this chapter All Might said that maybe Deku did save Tenko, if he no longer saw the child version of him in the vestige realm. Deku did save him. Because Tenko isn't a child anymore, and he isn't AFO's puppet; he's a free man, for the first time in his life.
A free man who chooses to be a hero.
Heroes get talked about a lot in BNHA (duh), but what is the defining quality of a true hero? Someone who wins? Sure. Someone who saves? Yeah, of course. But the actual test of what differentiates a hero from everybody else is their willingness to sacrifice. To give up everything for the greater good. Even if it hurts. Sometimes especially if it hurts. I mean, this has come up a lot through the manga. Deku running in to attack the sludge villain, Mirio giving up his quirk, Eraserhead throwing himself in front of his students, Edgeshot shortening his lifespan to save Bakugo, All Might standing quirkless in front of the greatest evil of his time-- literally the constant refrain from the narrative has been that being willing to sacrifice it all is what makes a hero a hero.
Tenko's final wish from last chapter is gut wrenching, but: he wanted to be a hero for the Villains. The rest of the world can rot for all he cares, but his friends, those disenfranchised, hurt people that everyone else gave up on? Those people who have never been saved, those people who have never been protected... he wants to be their hero. In the face of danger, of certain doom, he is a free man, and he has a choice.
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So he makes a sacrifice. His final act is to become a hero. For them.
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Cue the sobbing tears.
Additionally, I think it's relevant to point out here how strongly the narrative has advocated for victimhood to be divorced from being a perpetual self-identity. It really emphasizes the power of choosing to rise above your situation and pain to help other people, while also suggesting that your pain does not excuse you from hurting people. You can be a victim and you can be a perpetrator; they are not mutually exclusive. And because of this, after Deku saves Tenko, he does not owe him. He saved Tenko, but he could not keep him alive, and... I don't think that it's about Tenko deserving or not deserving to die. It's just that Tenko had reached a point of no return where his only choices were to die a slave or die free and he broke his shackles. But he was always going to die. Doomed by the narrative, both literally and figuratively. We can argue all day as to what degree of responsibility he holds for his actions as a highly abused, traumatized, often shell of a person. But the point is that at every junction of the story, Tenko (and the story around him) escalated until he was trapped. There wasn't a way out, and it's heartbreaking, and maybe that's the point.
I'm not saying it's fair. I'm certainly not saying you have to like it. But... I don't know. I don't feel like this is some completely out of pocket, off-the-rails end that destroyed all its characters. And who knows! Maybe Tenko will be brought back later. Maybe the epilogue will get progressively worse and I'll hate it. Maybe I'll finally get some sleep and regret writing this at all. I have no idea. Really. But we're all in this together, so these are my thoughts right now :)
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pastorfutureletthembe · 3 months
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I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.
I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.
For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!
I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about
First things first, let's start with
>>>>> Promotional posters.
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I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.
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It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.
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Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.
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Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?
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As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.
VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.
>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.
>>>>> Dive Back in Time
There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.
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Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.
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I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).
>>>>> Overthink
I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:
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The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:
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If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.
If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.
>>>>> VORTEX
Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!
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THE TIDES has, sadly, nothing to offer on this current topic!
>>>>> 3rd Anniversary: Surprising Click
Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).
N O W A N D F O R E V E R
The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.
B R E A K
I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.
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Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.
A last one, for the road:
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S U R P R I S I N G C L I C K
You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.
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Oh, here are LG's five magenta squares from Dive Back in Time ;D
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Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)
T R A I N T R I A L
Two occurances worth mentionning. Once again, V is the only timeline enlighted.
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B U R N I N G P A L A C E
Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:
x x x x x
Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.
That's all for today folks!
I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.
| Part 2 |
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