#substackwriter

[thewriteadviceforwriters]

📌 new substack drop: HOW TO END A CHAPTER SO READERS ACTUALLY TURN THE PAGE

hey writer friends 🖤 do your chapters kinda… just end?

👉 like they don't suck, but they don’t pull either?

👉 like you’re not sure if it's a scene break or a full stop?

👉 like you're writing good stuff but readers keep putting it down?

i just dropped a brand new newsletter post that’s gonna fix that:

✶ “How to End a Chapter So Readers Actually Want to Turn the Page”

this isn’t your basic “end on a cliffhanger lol” advice. this is about:

→ micro-cliffhangers → emotional punches → character choices → momentum > resolution → the ✨ satisfying unsettlement ✨ that keeps readers up til 3am

plus a bonus trick i use in my own WIPs that makes chapters feel seamless (even when they’re not)

🖤 it’s an easy read, fast and smart, and you’ll leave with like 3 new techniques to try immediately

📩 read it here:

💌 and follow the newsletter if you want more gritty, smart, non-aesthetic writing advice that actually helps you write better books.:

🪞reblogs are v loved. so are comments if it helped 💬 🖇️ if you’re a writer, i’d love to follow you too 📚 and yes, i’m building a little writers’ library over on substack, come hang out

[ecrirevie]

from my newsletter, "Normal"

[bynataliezubi]

Explore the brain boosting benefits of video games with me in my latest post, “More than Just Play: The Cognitive Benefits of Video Games.” Check out my Substack to learn more about “the best brain workout you’re not using” and the benefits that come with various genres.

From the article:

"Video games can be fun and entertaining, but they can also be the best brain workout you’re not using (unless you’re a gamer). By engaging distinct brain regions, different game genres act like “strength training” for cognitive skills 3, 12. I felt this myself, recently, when I got really into playing Heroes of the Storm, a popular MOBA game. As I got the hang of it, I could tell I was feeling different. Feeling better."

Subscribe to my Substack for intriguing articles diving into the psychology and neuroscience behind different topics, with more to come soon :)

#writingcommunity #mentalhealth #psychology #neuroscience #personaldevelopment #substackwriter #writercommunity #creativewriter #lifestyleblog #wellnessblog #brainboost #neuroplasticity

[elartescritaearte]

“(...)

Estarmos bem sozinhas/os. Sem colocarmos uma meta ou perspectiva de que há um prazo e limite para encontrarmos alguém. Já pensaram que esse alguém são vocês? Se tivermos entraves ao que somos, à maneira de nos apreciarmos, como podemos dar o próximo passo? De termos alguém ao nosso lado…

(...)

Passem pelo substack e subscrevam para receber este e outros conteúdos 🙂

[toverdrankje]

Do It For Your Sake

Be on the forefront of a collective healing revolution, of your healing revolution.

Learn the craft of healing your thoughts, physiology and self.

Practise the art of restoring regulation to your system.

Commit to being the advocate of your mind, health and life choices.

All of that awaits you in consumable nuggets of healing information.

Do it for your sake.

Free Advice: Commit to yourself

I wanted to make it as affordable as possible. Truly.

When I began healing, I ate plain pasta with cheap ketchup and shared a room that used to be stables or something.

I want to give you what I wish I had been given.

To tell you what I wish I had been told.

The cheap-ketchup times taught me two things:

The free subscription must be an option because there are fellow plain pasta eaters.

The paid subscription (at the price of one cup of Starbucks coffee/month) must be there to give me the time and freedom to give you even more.

The first post, FOR MY SAKE: The Simplified Version, is your go-to guide to FOR MY SAKE!

HERE IT IS!

[moirindeclermont]

🕯 The castle doesn’t sleep. It remembers. Just after dawn, in an old French château, everything softens—except the tension. No names. No spoilers. Just a moment suspended in velvet light, where the air tastes like secrets.

This isn’t just a chapter. It’s the crack in the surface. The calm before Paris. The truth, in its most fragile form.

📖 Chapter out now on Substack. Read it, feel it, don’t blink.

[alternativeopinions]

The Demonization of North Korea: A Critical Look at Propaganda and Colonial Complicity

North Korea, officially the Democratic People’s Republic of Korea (DPRK), is one of the most misunderstood and relentlessly demonized nations in the world. Western media, particularly outlets from the United States and its allies, consistently portray the country as an irrational, oppressive, and dangerous "rogue state." This narrative is not accidental—it serves a clear geopolitical purpose. For people from nations with a colonial past, uncritically accepting this propaganda is not just intellectually lazy; it is a betrayal of the anti-imperialist struggles that shaped our own histories.

The Mechanics of Demonization

The portrayal of North Korea follows a familiar pattern used against any nation that resists Western hegemony:

Dehumanization – North Koreans are often depicted as brainwashed, robotic, or incapable of independent thought. This strips them of their humanity, making it easier to justify hostility against them.

Exaggeration and Fabrication – Stories about North Korea are frequently sensationalized or outright fabricated. From the infamous "execution by anti-aircraft gun" myth to exaggerated claims about human rights abuses, many allegations crumble under scrutiny.

Double Standards – While North Korea is condemned for its political system, far worse human rights violations by U.S. allies (Saudi Arabia, Israel, Colombia) are ignored or downplayed.

Historical Amnesia – The devastating impact of U.S. bombing during the Korean War (which killed an estimated 20% of the North’s population) and decades of sanctions are erased from mainstream discourse.

Why Former Colonized Nations Should Know Better

Countries that have suffered under colonialism should be the first to recognize this propaganda playbook. The same tactics were used to justify invasions, coups, and sanctions against nations like Vietnam, Cuba, Iraq, and Libya. The demonization of North Korea is not about "human rights" or "freedom"—it is about punishing a country for refusing to submit to U.S. dominance.

Many former colonies also have histories of being labeled "backward," "savage," or "tyrannical" by colonial powers. Accepting Western narratives about North Korea means endorsing the same imperialist logic that was once used against our own people.

What We Can Do

Question Western Media – Seek out alternative sources, including reports from journalists who have actually visited the DPRK.

Reject Hypocrisy – Hold Western nations accountable for their own human rights abuses before lecturing others.

Stand Against Sanctions – Economic sanctions are a form of collective punishment that disproportionately harm ordinary North Koreans, not the government.

Support Diplomacy – The only way to reduce tensions is through dialogue, not threats and regime-change fantasies.

North Korea is not a perfect society—no nation is. But the relentless demonization it faces is a tool of imperialist aggression. For those of us from formerly colonized nations, we have a duty to resist this propaganda. We must stand in solidarity with all nations resisting foreign domination, because if we don’t, we betray the struggles of our own ancestors.

The next time you hear a sensationalized story about North Korea, ask yourself: Who benefits from this narrative? The answer is always the same—empire. And empire must always be opposed.

[evo-a-lab]

New approaches to Sustainable Cities.

(Originally published in Spanish in 2013. https://evoalab.substack.com/p/new-approaches-to-sustainable-cities)

In a report published in 2007, the United Nations warned that half of the world's population was already living in urban environments.

While cities are centers of innovation and development, they are also perceived by many as polluted, unequal and overcrowded. The larger the city, the more complex it becomes, and often the greater the deprivation. By 2015, there are expected to be 22 "megacities" with more than ten million inhabitants, and at least 61 cities with populations approaching five million.

This reality raises fundamental questions: Is our planet ready for the so-called "Urban Age"? Do urban planners, landscape architects, developers, governments and citizens have the right tools and strategies to enable a positive transformation of our cities? Unfortunately, in most cases, the answer is no.

Without a clear vision, a strategic plan, and effective implementation, cities risk a drastic decline in the quality of life for their residents. In his book City Building, architect John Lund Kriken proposes essential principles for designing cities that are more equitable, competitive, and sustainable. Among these principles are:

Sustainability: Focuses on the conservation and protection of natural resources. Air, water, and soil quality are vital for public health and productivity.

Accessibility: Promotes the exchange of goods, services, ideas, and opportunities through connected and equitable infrastructure.

Diversity: Encourages a mix of uses, amenities, and experiences in the built environment, strengthening urban vitality.

Open spaces: Foster social interaction, recreation, and ecological regeneration.

Incentives: Stimulate the rehabilitation of deteriorated areas, turning abandonment into opportunity.

Adaptability: Enables the transformation of spaces with flexibility, efficiency, and low cost, in response to society’s evolving needs.

Density: Compact cities concentrate housing, jobs, and services, optimizing resources and reducing unnecessary commuting.

Identity: Preserves and enhances each city’s unique character, highlighting its natural, cultural, and historical heritage.

Applying these principles consciously is essential to achieving a balance between economic, environmental, and social goals. Today, more than ever, we must rethink our cities with new perspectives.

The challenge of building sustainable cities is not solely the responsibility of experts or authorities: it is a shared commitment. Urban planners, governments, developers, and citizens must collaborate to create resilient, healthy environments that offer quality of life for all. Adopting holistic and visionary approaches, like those proposed by John Lund Kriken, is an opportunity to transform our cities into more humane, equitable, and future-ready spaces. Urban sustainability is not a choice—it is an urgent necessity of our time.

Rodrigo Pantoja-Calderón

rodrigopantojacalderon@gmail.com

[secretescent]

Stuck Between Dreams and Deadlines

To my fellow Little Whispers, don't give up! 💪 Life might seem tough now, but trust me, it gets better! 🌈 Be patient, kind, and compassionate with yourself. You got this!

[laurafaritos]

HDMS016. From Stage to Strategy – The Secret to Selling Comedy Shows That Most Comedians Ignore

Last summer, I hit a crossroads. My mom and I had a fallout, and I walked away from the immigration office where I had worked for years—the office she had been grooming me to take over one day. In her eyes, it was supposed to be my career, my legacy. But when I left, I was suddenly hit with a harsh reality: I had spent years working in immigration, but I went to school for media production.

If I applied for jobs at immigration offices, they’d say, "That’s nice that your mom let you work there, but you didn’t go to school for this." And if I applied for media production jobs, they’d say, "That’s nice that you studied media, but you never worked in the field."

So there I was. Overqualified for one thing, underqualified for another. No clear career path, no stable income, and no idea what to do next.

That’s when I realized: If no one was going to give me a job, I’d have to build my own.

I had spent years performing comedy, creating content, and learning the ins and outs of media production—so why wasn’t I treating it like a real career? Why wasn’t I investing in myself the way my mom had invested in her business? If I wanted to sustain myself through comedy, content creation, and podcasting, I had to stop thinking like a comedian and start thinking like a business owner.

And that’s where everything changed.

Most comedians treat their craft like an art form (which it is), but they completely ignore the business side of it. They believe that talent alone is enough to fill seats, get booked, and make a living. I used to think the same way. But if there’s one thing I’ve learned in the past year, it’s that talent means nothing if you don’t know how to market yourself.

This post is about the secret to selling comedy shows that most comedians ignore. If you’re tired of empty rooms, struggling to sell tickets, and wondering why your career isn’t moving forward, I’m about to break it all down. Because once I stopped treating comedy like a passion project and started treating it like a business, everything changed.

I. Why Most Comedians (Myself Included) Struggle to Sell Tickets

For the longest time, I thought selling out a show was simple: put together a lineup, promote it on social media, and my friends and followers would show up. After all, I was funny, my shows were well-curated, and the comedians I booked were great. What more did I need?

A lot, apparently.

The first few shows I produced had a brutal wake-up call: my network alone was not enough to fill a room. Sure, some friends came through, and a handful of comedy fans found the event, but as I started producing shows more regularly, I saw a painful truth—audiences don’t magically appear just because you’re talented.

The Myth of "If You Build It, They Will Come"

Most comedians fall into this trap. They assume that because they’re funny, they deserve an audience. They rely on their immediate circle to buy tickets, thinking that the same people will show up again and again.

The reality? Selling comedy shows is not about being funny—it’s about knowing how to market and sell.

If you don’t know how to: ✔️ Identify and attract your ideal audience ✔️ Create a compelling reason for people to buy tickets ✔️ Use digital marketing to reach beyond your existing circle ✔️ Build long-term relationships with your audience ✔️ Optimize ticket sales strategies

…then your show is always going to struggle.

This was the part I refused to accept for a long time. I wanted to believe that talent was the main driver of success. That if I just kept doing good shows, word would spread, and people would naturally show up. But talent alone doesn’t sell tickets.

The difference between an empty room and a sold-out show is not the quality of the lineup—it’s the quality of the strategy behind it.

That’s when I realized: If I wanted to fill rooms, I had to stop thinking like an artist and start thinking like a business owner.

II. How I’m Finally Treating My Comedy Like a Business

For years, I treated comedy like a passion project. I put together shows, promoted them when I felt like it, and hoped for the best. And when things didn’t work out? I blamed the industry, the audience, or even my own luck—without realizing that I wasn’t running my comedy career like a business.

That changed when I had no choice but to make it work.

After leaving my mom’s immigration office, I was thrown into the deep end. I couldn’t find a job because my experience was split between two completely unrelated fields—immigration and media production. The problem? I hadn’t officially worked in media production outside of my personal projects. And the immigration field? My only real experience was working at my mom’s office. To media companies, I wasn’t experienced enough. To immigration offices, I wasn’t qualified.

That was the moment I realized: If I wanted a career, I’d have to create one for myself.

It wasn’t enough to be a good comedian. It wasn’t enough to be creative. If I wanted to make a living from comedy, I had to build an actual business. And a business requires structure, strategy, and systems.

So I started treating comedy differently. Instead of hoping for ticket sales, I started applying business and marketing principles to everything I did.

Shifting My Mindset: Comedy as a Product, Not Just an Art Form

I used to think of my shows as just shows. But now, I see them as products that need the right audience, the right positioning, and the right promotion.

Here’s what changed: ✔️ Defining My Audience – Instead of promoting shows to everyone, I now focus on specific groups who are most likely to be interested. Horror fans for Haunted Comedians, people with immigrant experiences for Foreigner Diaries, and relationship junkies for Failed by Sex Ed. ✔️ Branding Each Show Clearly – I stopped treating my shows like random one-offs. They’re now part of a bigger brand with their own identities, aesthetics, and messaging. ✔️ Creating a Marketing System – I no longer rely on last-minute posts. I have a structured plan for how I promote, when I promote, and where I promote. ✔️ Building Long-Term Relationships – Instead of chasing one-time ticket buyers, I’m building a community. I want people to come back show after show, not just once.

I realized that comedians who treat their careers like businesses are the ones who succeed. The ones who refuse to adapt? They stay stuck, wondering why their talent isn’t enough.

And if I was going to make this work? I had to stop thinking like a comedian who sometimes produces shows and start thinking like a business owner who happens to be a comedian.

III. Prioritizing What Works—Longform Content, Community, and Longevity

I used to think success in comedy was about getting booked on the right stages, knowing the right people, and hoping my talent would be enough to carry me. But the more I studied marketing and business, the more I realized: the comedians who win are the ones who think long-term.

For me, that meant doubling down on the things that time will work in my favor—not just chasing short-term wins that fizzle out.

Here’s what I’m prioritizing now:

1. Longform Content That Lasts Beyond the Show Night

One of the biggest mistakes I made in the past was treating my comedy shows like one-night events instead of long-term assets.

Now, I approach things differently: ✔️ Filming My Live Shows – I don’t just perform and hope people remember. I record everything, create highlight clips, and repurpose content for social media and my podcast. ✔️ Building a Digital Archive – Every show I produce is part of a bigger ecosystem. By filming and repackaging my content, I create an ever-growing library of work. ✔️ Focusing on Platforms That Work for Me – Instead of trying to be everywhere at once, I’m focusing on what suits my voice and my workflow best: Tumblr for unfiltered thoughts, Substack for structured content, and YouTube for longform videos.

2. Community Over Virality

It’s easy to get caught up in chasing numbers—more views, more likes, more followers. But what actually sells tickets and builds a sustainable career? A loyal audience.

Instead of trying to “go viral,” I’m focusing on: ✔️ Consistent Engagement – Whether it’s through email newsletters, Tumblr posts, or Threads conversations, I prioritize depth over reach. ✔️ Bringing People Into My World – I don’t just promote shows; I take people behind the scenes. They see the process, the struggles, the funny moments, and the wins. ✔️ Creating a Culture Around My Work – My comedy isn’t for everyone. And that’s a good thing. I’m building a space for people who get my humor, my storytelling, and my style.

3. Playing the Long Game

Most comedians burn out because they focus on what’s urgent instead of what’s important. I used to be that person—scrambling to fill seats last minute, relying on one-off gigs, and feeling frustrated when things didn’t magically grow.

Now, I’m committed to: ✔️ Building Systems, Not Just Hype – I don’t want to be in the same place next year. That means setting up repeatable marketing strategies, creating evergreen content, and constantly refining my approach. ✔️ Creating Work That Compounds Over Time – A single viral video might get me attention, but a body of work builds credibility. I want my content—my shows, my podcast, my writing—to stack in value, not disappear in 24 hours. ✔️ Betting on Myself – I stopped waiting for someone to “discover” me. I’m building the career I want, on my terms, with strategies that allow me to scale.

This shift in mindset has been game-changing. I’m no longer just a comedian hoping things work out—I’m a business owner creating sustainable success.

IV. How I’m Making This Work With AuDHD (And Why It’s Actually an Advantage)

When I first realized I had AuDHD, I saw it as something I had to work around. I knew I struggled with executive dysfunction, burnout, and sensory overwhelm, and I assumed that building a sustainable career in comedy would always feel like pushing against my own brain.

But the more I studied digital marketing, the more I realized something: the best marketing strategies align with the way my brain already works. Instead of forcing myself to fit into traditional business models, I could design a system that plays to my strengths.

Here’s how I’m making it work:

1. Leaning Into Hyperfocus for Deep Work

One of the biggest struggles of having AuDHD is inconsistent motivation. Some days, I can’t get through basic admin tasks, and other days, I’ll hyperfocus for 10+ hours straight on a project. Instead of fighting that, I build my workflow around it.

✔ Batching Content in Sprints – I don’t try to force daily consistency. Instead, I dedicate hyperfocus days to producing large amounts of content (writing multiple blog posts, filming multiple podcast episodes, designing a month’s worth of show promotions). ✔ Using Systems That Reduce Daily Effort – Once a project is batched, I schedule everything in advance. That way, even when I’m having low-energy days, my business is still running. ✔ Creating Longform Content That Pays Off Later – Hyperfocus is a gift when I use it for deep work. That’s why I focus on longform writing, video content, and projects that have a lasting impact instead of getting lost in short-term distractions.

2. Automating Repetitive Tasks to Avoid Burnout

One of the hardest things for me is maintaining energy consistency. My brain works in all or nothing mode—I either go full force, or I crash. So I’ve learned to build automation into my business wherever possible.

✔ Pre-Scheduling Social Media & Emails – Instead of posting manually every day (which drains me), I schedule content in advance using Metricool. That way, my audience gets consistent engagement without me having to be constantly online. ✔ Using Templates & Checklists for Repetitive Work – Show promotions, podcast edits, sponsorship emails—I have a system for everything now, so I don’t waste energy starting from scratch every time. ✔ Building a Low-Maintenance Marketing Plan – I’ve stopped overcomplicating things. If a marketing effort requires me to be constantly creating from scratch, it’s not sustainable. Instead, I focus on repurposing my best work across multiple platforms.

3. Embracing My Brain’s Natural Strengths

There’s a reason so many successful comedians, writers, and creators are neurodivergent—we are wired for creativity, pattern recognition, and storytelling. Once I stopped trying to function like a neurotypical entrepreneur and started leveraging what I’m naturally good at, things became much easier.

✔ Pattern Recognition for Marketing Strategy – I don’t just think like a comedian—I think like an audience member. I can see which jokes, topics, and formats resonate with people, and I apply that to my marketing. ✔ Fast Idea Generation for Content & Comedy – My brain moves fast, which means I can generate a ton of material quickly. Instead of forcing myself to follow rigid structures, I’ve created a workflow where I can capture and organize my ideas effectively. ✔ Deep Obsession = Expertise – AuDHD means that when I’m passionate about something, I go all in. Instead of seeing that as a problem, I’ve learned to channel it into becoming an expert in my niche—comedy, marketing, and digital media.

I used to think my AuDHD was something I had to overcome in order to succeed in comedy. Now, I see that it’s actually one of my biggest advantages—as long as I structure my work in a way that supports my brain instead of fighting against it.

By designing my business around what actually works for me, I’m not just surviving—I’m thriving.

4o

You said:

next

ChatGPT said:

V. TL;DR & Final Thoughts

The biggest lesson I’ve learned from treating my comedy like a business? Talent alone is not enough.

For years, I thought that if I just focused on being good enough, opportunities would come my way. I believed that if I made people laugh, the rest would fall into place. But the reality is—talent doesn’t sell tickets. Marketing does.

That doesn’t mean I’ve lost my passion for comedy. In fact, it’s the opposite—I’ve learned how to protect that passion by making sure my business strategy supports my creative goals, not the other way around.

Here’s what changed:

1️⃣ I stopped treating my comedy shows like an afterthought. Instead of assuming people would just show up, I built a strategy for ticket sales, branding, and audience engagement. 2️⃣ I started investing in longform content. Instead of chasing quick wins, I prioritized content that builds credibility and has a long shelf life—like my blog, podcast, and filmed live shows. 3️⃣ I designed my work around my AuDHD brain. Instead of fighting my natural work rhythms, I created systems that allow me to thrive—batching content, automating repetitive tasks, and leaning into my strengths.

For the first time, I feel like I’m in control of my career. I’m not just hoping things work out—I’m making sure they do.

And the best part? This is just the beginning.

I can’t wait to see where this journey takes me next.

Tchau, tchau!!!

[midnightpaiges]

🌧️ October is Here, and the Vibes Are Strong 🍂

October 1st has arrived, and I’m soaking up all the cozy, creative vibes. It’s raining, I’ve got my boyfriend chatting in my AirPods, and I’m getting some solid writing done—couldn’t ask for a better start to the month. 🌧️✨ There’s just something about rain and writing that go hand-in-hand. Anyone else feel like fall brings out your best creative energy? ☕🖋️

September, though... that was rough. I’ve been fully immersed in the full-time working single mom life while my parents were out of town, and honestly, it was hard emotionally. 😔 Juggling everything on my own slowed me down, and it felt like I was barely keeping my head above water. But I made it through, and now I’m looking forward to a fresh start this October. 💪

As for my writing, I’ve been struggling with this one chapter, rewriting it what feels like a hundred times. It’s like a puzzle I can’t solve! But I’m pushing through, and hopefully, the 101st rewrite will be the one that sticks. 🤞

On the bright side, when I get stuck with my paranormal fantasy novel, I started a Substack full of short stories as a creative outlet. It’s been so fun to dive into something different when my main project feels too heavy. If you’re into short stories with a touch of magic, check it out! 🖋️✨

Reading-wise, I’ve been trying to get through Gild for the second time, and I’m really struggling to finish it. 😬 Do I power through, or is it time to move on? Fellow readers, what do you do when a book just doesn’t click?

Also, I swear I’ve read Blood and Ash before, but now that I’m listening to the audiobook, I can’t remember if I actually finished it. 😅 How does that even happen? Let’s see if I can make it through this time around!

In other exciting news, I published my poetry book on KDP (Amazon)! 📖✨ I’ve always dreamed of sharing my words with the world, and now it’s real. If you love poetry, feel free to check it out—I’m so proud of this milestone!

Plus, I’ve been diving into more content creation. I’ve started an author/bookstagram page on Instagram, Threads, and Twitter (@byalexispaige) where I share my writing journey, but I’m also doing tarot readings on my other account (@motherlymagick). I love tapping into my spiritual side and offering tarot insights—it’s such a grounding practice for me. 🌙🔮

I’ve always admired BookTube and wanted to be part of that community, but I’m 30 now... and I feel like I might’ve missed my chance. 😅 Is it too late to jump in? I’ve loved watching BookTubers for years, but I’m just now trying to build my own corner of the bookish world. Maybe it’s never too late to follow a passion, right?

So, here’s to new beginnings this October after a tough September. I’m diving back into my writing, tarot, and creative life with renewed energy. 🍁💫 How’s your October starting off?

[thewriteadviceforwriters]

🧷 NEW SUBSTACK POST JUST DROPPED

🖤 Messy Plots Make Sense When You Do This One Thing First a no-fluff breakdown on the #1 reason your plot feels chaotic- and how to fix it before writing another scene

wrote this for the writers deep in draft hell who are like “this plot is a disaster” but also “i don’t know what else to do.” if your wip has vibes but no structure, this is your sign.

👀 spoiler: it’s not about fixing your beats 👀 it’s about the moral dilemma that holds your whole book together

🔗 read it here → right here

tag a friend who’s spiraling over act two. this one might save your novel.

also: my newsletter is totally free + i send deep-dive writing posts every week. come hang out if you like story structure breakdowns, mini ebooks, and chaotic writer energy 🖤 -> https://thewriteadviceforwriters.substack.com/

[tassybeaumont]

💋 When you're hunting for your reincarnated soulmate on a military dating site, things can get... complicated. Join Tassy Beaumont—part-time romantic, full-time chaos magnet—as she navigates AI matchmaking, naval officers, and a suspicious number of glove puppets. 💄✨ Cigarettes, couture, and past lives await.

📖 Read the part one of this absurd escapade on Substack: 👉 https://shorturl.at/imG7S

#TassyBeaumont #AbsurdRomance #ReincarnatedLovers #SoulMerge #ComedyFiction #SubstackWriters #BritishHumour

[quauntumchil]

#blog

#poetsofinstagram

#comedy

#poetrycommunity

#blogger

#oneliner

#oneliners

#stevenwright

#jerryseinfeld

#jokes

#bloggersofinstagram

#brianregan

#haiku

#purityculture

#storytime

#substackwriters

[elartescritaearte]

"(...)

Foi tudo tão repentino que senti que não absorvi nada de nada e o que ficou, não teve aroma ou saliência ou textura… Pode até ser rebuscado o que irei afirmar, contudo, o mundo em geral não estava assim também?

(...)"

Espreitem lá na substack 🙂

[worldlovetoughts]

Website 👍

https://artisteology.com/ 👊🏻

Blogger 👍

https://artisteology.blogspot.com 👊🏻

Subtack 👍

https://substack.com/home 👊🏻

whatsapp 👍

https://whatsapp.com/channel/0029VafYJegHVvTWh5QaKD2z 👐

qoura 👍

https://www.quora.com/profile/Tousia-Rizwan 👐

thread 👍

@dailyroutineineurope 👐 #blogs #blogger #blogging #artisteology #art #designs #substackwriter #events #antwerpen #viral #playstation