#support smaller channels

[noctiva]

I’ve been wanting to watch emh for agessss, it’s just so long and my adhd brain loses focus so much. The only reason Ik anything about marble hornets is from essay and summary videos, and I can’t find any good ones for emh 😔

try this one!! the nightmind recaps of emh is like an investment lol it’s over 6 hrs of analysis to get through which I can understand is a fucking BEAST

this video is really good!! Covers all of the bases well and ties it all up neatly in just over an hour! major spoilers obv, but if you’re looking for an easily digestible recap + analysis then I think this is your best bet!

[pyxscythe]

Also I think its time for me to come clean but I know very little about k!pyros lore but wants to find out more but also don't have time or attention spam to watch

No that's so fair I'll be honest if I weren't so fucking autistic about some of the ksmp characters I would not have the attention span or capacity to pay attention to ksmp LOL

I like to think I understand k!pyro like some of the best out of everyone and Jack would probably vouch for that but I cannot for the life of me sit and explain lore

[ducktracy]

"Go See The Day the Earth Blew Up" Masterpost

this isn't really anything new for anyone following me, but i wanted to make a comprehensive post covering my adamence on seeing this movie--i have a lot of different versions of a lot of different posts being spread around, and wanted to uncross the wires a bit. entering Tumblr PSA mode for a bit like it's 2013 all over again--bear with me!

before getting into the nitty gritty, though, this is a TIME SENSITIVE POST. most theaters were beginning to pull the film out as early as end of day TODAY--not even a full WEEK'S worth of a run. but, thanks to word of mouth, the film has mostly been extended to the end of the weekend. with continued word of mouth and support, the film has a chance to run even longer.

What the Heck is The Day the Earth Blew Up

The Day the Earth Blew Up is an all traditionally hand-drawn, 2D animated film starring Looney Tunes' own Porky Pig, Daffy Duck and Petunia Pig. initially announced in September of 2021, it's the very first all traditionally animated film in the franchise's entire 95 year run.

Why Haven't I Heard About The Day the Earth Blew Up

originally intended to be a direct to streaming release, this film's existence has been wrung through the wringer. for the benefit of tax cuts, Warner Bros. wrote the film off and just barely avoided axing it entirely--even during its production. the film was put up for sale and only just last summer finally was able to procure an independent distributor, Ketchup Entertainment. unfortunately, Ketchup Entertainment is a much smaller name than Warner Bros. is, and because WB isn't releasing it, it's Ketchup who is marketing and spreading the film--obviously, something incredibly difficult to do with a very small budget.

Why the Heck Should I See The Day the Earth Blew Up

hand-drawn, traditionally animated films are all but extinct in theaters, and by setting the film up for what could essentially be described as sabotage, a meager box office performance is the perfect excuse for the suits to claim that there's no more demand for traditionally animated movies anymore.

it's the first all-animated Looney Tunes film in the entire franchise's history.

you don't have to have any knowledge or attachment to the characters to enjoy the film--there are absolutely no prerequisites required (but there are plenty of loving nods to fellow fans of the film.) i dragged my best friend to see this with me who doesn't have the same LT brain parasite that i do and she absolutely loved it.

WB just axed the entire LT library of shorts off of HBO Max, as well as gutted all of the cartoons freely available on their YouTube channel--there seems to be a clear embarrassment for the franchise on their behalf, and seeing the film proves that notion dead wrong.

supporting the film spreads the message that there is a demand for the love and craft that goes into these films. you will genuinely be experiencing history in the making--when's the last time you've seen a brand new, all traditionally animated film in the theaters from the States?

crew members themselves are urging you to spread your support and mention how it empowers them to keep making more

the money goes to Ketchup, not Zaslav--you don't have to worry about boycotting the film. the absolute opposite is necessary.

supporting this film could potentially spawn similar films with similar opportunities. Eric Bauza himself has mentioned that suport and turnout for this film could see a potential revival in Coyote vs. ACME, another film victim to WB's tax writeoffs all in the name of the dollar

EDIT: Ketchup Entertainment is in talks with WB to distribute Coyote vs ACME!!! because of the word of mouth and positivist surrounding The Day the Earth Blew Up!! keep it coming!!

it's likely that the film will be completely overshadowed by the Snow White remake, with theaters initially beginning to pull screens to make way for early previews. what could be more poetic than supporting an all traditionally hand-drawn film over a cash-grab remake of the very first feature length traditionally hand-drawn film?

How Else Can I Support The Day the Earth Blew Up

GO SEE IT! go see it again! go see it with your siblings, your friends, your family! tell your coworkers! reblog this post! spread the news! keep the conversation going!

pre-orders for the Blu-ray, releasing May 27th, are already scheduled

there's a limited edition run of 1,000 copies for the film's soundtrack on vinyl!

said soundtrack is also available on YouTube, which you should likewise listen to! get those view counts up!

Why the Heck Should I Listen to You

i'm asking myself the same thing! but, i do want to put this out there: i get it. i usually do not like being a walking advertisement. i know this is full on shill-mode and you're surely asking "you're being paid, aren't you" (i wish!). i also share the Ferocious Contrarian Gene where seeing posts like these is an instant way for me to NOT want to see the film. i genuinely understand how pushy and obnoxious this can come off. especially since, clearly, i'm a little biased to the franchise and these characters. i also balk at the guilt trippy idea of "YOU'RE A MONSTER IF YOU DON'T SUPPORT THIS FILM YOU KILLED ANIMATION". i HATE that rhetoric with a passion, and that only is going to alienate people from wanting to see this further. please know that's not the intent of my messaging here at all.

but even beyond my personal biases, i really think this is a film worth supporting. movies like this are a once-in-a-lifetime event anymore, and that could only be exacerbated by how this film's fate is handled. i've been overjoyed with the amount of messages i've received from people who said they caught the film on a whim and enjoyed it--especially from those without a clear LT bias like myself. it's proven that this film is enjoyable for anyone.

also, just, spite. the reason you haven't heard about it is by design. this film has been set up to fail. and while the success shouldn't be the sole responsibility or burden of the consumers, but instead the higher-ups, you are making a difference by supporting and spreading word of mouth of this film. crew members themselves are saying so. the distributor themselves are saying so.

i'm not expecting a miracle for this film, as much as i'd love one. i will genuinely be surprised if it makes a profit (which it should at a measly $15 million, pennies compared to most features that look much worse than this). but that's all the more reason to TRY rather than give up and say there's nothing we can do. you all have been making such a wonderful difference. that energy needs to continue, not dwindle. every single person is able to make a difference.

there are a lot worse ways you could be spending your time than spending an hour and a half at the theaters enjoying some gorgeous traditionally hand-drawn animation on the big-screen, feeling good that you're helping to spread a message and supporting the hard, loving craft of the people who worked on it. imagine if all "good turn"s in the world could be as fun and easy as seeing an animated comedy!

[meochicc]

- 4t3 Serenity Poison Set conversion -

Happy Simblreen! Starting this season off with a big conversion set, I will be sharing some other smaller gifts throughout the month~

All credits go to @serenity-cc - These are not my meshes nor textures! Original here;

LILITH DRESS

YA - AF

4.8k polycount

2 recolourable channels

4 presets

Morphed - all LODS

Everyday, Formal, Career, Not valid for random

RUBY DRESS

YA - AF

5.8k polycount

4 recolourable channels

4 presets

Morphed - all LODS

Everyday, Formal, Career, Outerwear, Not valid for random

RUBY COAT

YA - AF

4.6k polycount

4 recolourable channels

4 presets

Morphed - all LODS

Everyday, Formal, Career, Outerwear, Not valid for random

DAWN SKIRT

YA - AF

1.5k polycount

2 recolourable channels

4 presets

Morphed - all LODS

Everyday, Formal, Career, Outwear, Not valid for random

IRINA CHOKER

TF - EF

253 polycount

1 recolourable channel

2 presets

Morphed - all LODS

Everyday, Formal, Swimwear, Athletic, Career, Outwear, Maternity, Not valid for random

CLAUDIA TIGHTS

TF - EF

1 recolourable channel

4 presets

Everyday, Formal, Sleepwear, Career, Outwear, Maternity, Not valid for random

CLAUDIA BOOTS

TF - EF

1.3k polycount

3 recolourable channels

3 presets

Morphed - all LODS

Everyday, Formal, Career, Outerwear, Maternity, Not valid for random

Notes

These conversions took a lot of troubleshooting and a long time to finish. If you would like to support my work, consider donating me a tip on Ko-Fi!

|| DOWNLOAD - SFS ||

|| @simtanico converted the Dawn Dress over here ||

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

[rollo-rolls]

Elliesimple Tiered Sress 4t3

polycount: 8k

young adult -> adult

fully recolorable - 1 channel

12 additional presets

pregnancy morph

made on @venusprincess-ts3 bobbyth smaller breasts edit for nicer boobies

arm strands can get wonky in the back, sorry for that :(

custom thumbnail

original x

SFS | PATREON

Elliesimple, VenusPrincess

Please, no reuploading, no claiming as your own and no making profit out of my cc!

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[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[obito-in-disguise]

| You get hurt on a mission |

Featuring: Uzui Tengen, Shinazugawa Sanemi, Tomioka Giyuu, Iguro Obanai, Kyojuro Rengoku and Gyomei Himejima.

Uzui Tengen

He’d use humor to distract you from the pain and his lingering guilt. His confidence would mask his fear, but his sharp focus would take over as he swiftly defeats the threat and tends to you. He’d lighten the mood with teasing “That was so not flashy Y/N”

Afterward, Uzui would pamper you endlessly, trying to make up for the fact that you got hurt on his watch. He’d entertain you with dramatic stories and ensure you’re always laughing, though his eyes would betray his deep concern when he thinks you’re not looking.

Shinazugawa Sanemi

Sanemi would be furious, at the demon, the situation, and especially at you for putting yourself at risk. His worry manifests as yelling “What the hell were you thinking dipshit?!” But his hands are gentle as he carries you to safety.

As you recover, Sanemi would insist on doing everything for you. Carrying you, cleaning your wounds, and ensuring you rest. His tone might remain gruff, but his hands are uncharacteristically gentle. He might even stay awake all night to guard you.

When you open your mouth to tease him about his surprisingly caring nature, he immediately barks out "Just shut up yeah? you can't heal when you keep yabbering"

Tomioka Giyuu

You really thought you would get hurt on Giyuu's watch huh? think again. He's actually been secretly following you on your missions 😟

It's not that he doesn't trust you, he does, but he can't lose one more person. He knows you're strong. He doesn't follow you around on the smaller missions that he knows you can handle, but will absolutely be there at the mention of a Kizuki.

A Kizuki mission? Were they trying to end your life??

You have your suspicions though, how does he always magically show up when you need help the most? He simply shrugs playing it cool.

"...We must have similar schedules or something"

Iguro Obanai

Obanai would be eerily calm as he dispatches the threat. He channels his worry into efficiency, ensuring your safety first before addressing his emotions. Kaburamaru would coil around you as if to protect you, while Iguro mercilessly disposes of the threat.

As you heal, he’d be watchful, quietly ensuring your needs are met without smothering you. He might hesitate to show his softer side, but small gestures like bringing your favorite food or whispering comforting words, betray his deep care.

"Guro...I'm fine"

"No you're not Y/N! you could've gotten seriously hurt!...I could've lost you. Just call for me next time ok?"

Kyojuro Rengoku

He handles the situation with a scary seriousness you haven't seen from him before. Losing you is no joke to him, after the threat has been eliminated he returns to his usual upbeat self.

“Do not give up my flame! You will make it through this!” He’d carry you to safety with unwavering resolve, his warmth and positivity never faltering.

In recovery, he’d be by your side, cheerfully bringing you meals and checking on you constantly. Expect lots of affirmations about your strength and his love for you. “You are incredible, my love. Rest and heal, for the world needs your light!”

Gyomei Himejima

Gyomei would instantly sense the gravity of the situation. Tears quietly stream down his face as he uses the full force of his immense strength to protect you and ensure you’re safe. His voice would resonate with a gentle yet deeply concerned tone so as to keep you calm “Stay with me. You’re precious to this world.”

Gyomei would be the epitome of gentle care, using his healing knowledge to treat your injuries while praying for your swift recovery. He’d craft soothing remedies and share calming mantras to ease your pain. His presence would feel like a fortress of safety, unwavering and serene, as he supports you physically and emotionally.

Someone get Giyuu a therapist.

Feel free to check out my other Demon Slayer fics and more stories!

[mesetacadre]

How can I stop my otherwise well-meaning friends and myself from falling into the trap of Adventurism?

Adventurism is so appealing because it interfaces with (1) an understandable impatience to see change and with (2) the individualism conditioned into people by growing up in and existing within liberal frameworks and common pathways for understanding societal and historical change. If, for the formative years of your life, the dominant ideology of capitalism, that being liberalism in all its branches, is educated into you through all possible channels, especially history, it's to be expected that an individual who decides to participate in some of that change will see themselves as an agent in and of themselves. If your perspective on both history and current events can be boiled down to a simple concatenation of events whose only common motor is the free will of the most remarkable individuals, then you will try to act like one of those remarkable individuals and create one of these events through the only motor of your free will. And, the set of actions and attitudes that fall under the category of adventurism meets those frameworks very neatly for the radical extremes of liberalism. It's both the far left of liberalism and far right of liberalism that find adventurist methods appealing, though for describing the attitudes of that far right, using accelerationism is more common and IMO more accurate, but at their core, adventurism and accelerationism are the same methods modified by the particulars of their corresponding ideologies.

That is an erroneous way to look at the world of course, history is moved by the forces exerted by massified classes, themselves defined by their role in the mode of production, as well as the historical forces that serve as a precedent. It's not remarkable individuals who move history in any direction that they please, it's history and the weight of the context in which they exist that limits and expands the possibility of their action. It's more than the simple sum of all individual parts. Individuals are not agents, they are constituent parts that can only effect change when they act like so, organized as constituent parts, aware of the limitations and possibilities afforded by the past and present context. If you want to avoid the pitfalls of liberalism and individualism, such as adventurism, you should commit to a conscious change in the framework through which you see history, because adventurism is logical in one framework, and isn't in another.

This whole CEO murder business has had people of all stripes (such as myself, even if you think I'm a wet blanket) making fun of the situation. I also don't particularly care for the life of a capitalist. But there is also a smaller group of people who seem to believe this is significant. And within that, I think there is another division. First, the people who think this is significant because they believe that healthcare insurance providers have now been bullied into giving a better service, or because they believe that now all CEOs across the board will be scared themselves and do better things (or even because apparently now everyone will be hunting their nearest CEO). These are all various forms of engagement with adventurism. The second group of people, who I think are being much more reasonable, see the generalized perspective on this being that of celebration, that such a bad person got their comeuppance, and that this is first a proof that it's still very possible to stimulate class consciousness in the US working class, and that it is second a good opportunity to stimulate it.

While this is in some ways true, the class consciousness in display ("even by trump supporters", as if the difference between them and US democrats even existed) is one that's extremely unconscious. People dislike this guy because he's notorious among healthcare insurance providers and even his predecessors for denying a lot of claims. This is individualism again, people dislike him individually and maybe they dislike all individual healthcare insurance providers CEOs, or even all individual CEOs regardless of sector. The vast majority of people celebrating who you wouldn't expect aren't class conscious, they're class unconscious from decades of consequent liberal punches to their liver, heart, and head. Most people dislike him as an individual, and it's not very difficult to hate all CEOs without ever stepping off the wide bounds of liberalism and individualism. In fact, it's the placing that of pointless hate at the center of your ideology that's preventing you from shedding the ideology of capitalism.

And no, I don't mean to say that it's pointless to talk to your lifelong republican uncle about this or whoever, and I would encourage my USamerican followers to use this event to their advantage. But you can't think that just hating CEOs is a good enough base to develop a revolutionary consciousness. You need to begin seeing the world through a class lens, only then can you only really understand the impotence of adventurism, and that it lies in the fact that it does not engage with change through class, but through the individual, who by itself is an insignificant agent of change.

[redflagshipwriter]

Mamabat 10 part 1/2

Chapter 10 : Calling from Hell just to say the demons are suspiciously absent, is that fine?

masterpost

“Fucking Batman,” Val said under her breath. Her Red Huntress mask muffled the words and made them come out even meaner than she probably meant them. “Years late and too little, even if he’s not working with the GIW.”

Sam hefted her requisitioned Fenton bazooka and pressed her lips even further together. None of them liked this at all. It stank. It was suspicious. Danny hadn’t sounded distressed, but he’d been out of contact too long for such a short conversation to put her at ease. There hadn’t even been time to update him on what had gone on in Amity Park.

“There.” Sam followed Val’s pointer finger to see the nearly invisible outline of a jet in the faint light. It was landing in the right field. 

“It’s them or it’s a trap,” Sam muttered.

Val let out a mean laugh. “If it’s someone we don’t expect, they’re the ones in trouble.”

Sam huffed and said nothing. She couldn’t disagree, but Val seemed too confident for her comfort. They waited in tense silence to see the jet come to a landing. Not long after, a hatch popped open and the distinctive ears of Batman himself were the first out into the cold night air of a January night in Amity Park. 

He was quickly followed by smaller figures- 1, 2, 3 of them. Sam felt nerves churning in her gut. She tried to channel them into aggression. She had to be tough, tougher than usual. There was no cavalry waiting to help out.

Well, there was Tucker, but he was probably going to be more useful in the wings to feed them information. He was pretty good aim with a thermos but that wouldn’t do jack about Batman and a small flock of, what, junior associates?

“Does Batman work with children?” Sam asked under her breath. One of them was genuinely small.

Tucker snickered on the other end of the line. “Uh,  there’s supposed to be a Robin. Guy in yellow, green, and red I guess? Aside from that, there’s debatably like, 6 former Robins associated with him. But there’s also the Justice League’s junior varsity team, so it’s hard to say.”

She frowned at the lineup. She saw purple, black, and red. There was- yeah, okay, there was quite a bit of yellow when the little guy faced them, but she didn’t see any green.

“Showtime,” Val said. Sam crouched further behind cover as the other girl zoomed out on her hoverboard, effortlessly drawing Batman’s eye. She adjusted the dial on her sound settings to hear Val’s feed just a little louder.

“Batman.”

“You have me at a disadvantage.” Sam cringed at the gravely voice over her sound system. Batman sounded like he smoked a pack a day. She turned the volume down just a hint.

“Not really, there’s four of you,” Val said breezily. Sam suppressed a snort at the dodge. “You wanna meet Jazz Fenton? You’re going to have to prove that you’re not a plant. There’s a GIW facility-”

“Two miles west of here, yes,” Batman interrupted. “I researched.”

“Great. Do you have ground transport?”

“Of course. What is it that you expect me to prove?”

“That you’re not with them.” The subtle whine of Valerie’s weapons started up. Sam only heard it because she was hooked up to the helmet. “They do experimentation and keep prisoners. Show me that you’re not a cop.”

“The police would not support the capture and abuse of people.”

Valerie made a skeptical sound in the back of her throat. Sam couldn’t blame her. “Yeah, but they do.” Her hoverboard’s jet whooshed up in power. “Meet me there, outside the main gate.” She was off like a shot in the dark. 

The four out of towners didn’t take long to get four silent motorcycles out and dash down the lane. Sam thought about what she’d heard as she cut a more direct route on Valerie’s spare hoverboard, taken from Vlad’s deserted mechanics lab. 

Either Batman was a liar, naive, or he was exactly what they were worried he might be. The Justice League was famously affiliated with governments. Wonder Woman was even a member of the United Nations! If someone accepted the claim that Infinite Realms Residents weren’t really people, then they’d say just what Batman had. It wasn’t lying if you didn’t think the people you were hurting were really people.

Sam watched from a distance as the group reached the gated facility. One of Batman's people did something that unlatched the electronic security system. It swung open. 

“Not shabby,” Tucker said quietly. “I coulda done it faster.”

“Not unless it goes off the rails,” Sam reminded him. She clenched a fist against her thigh. They needed to see Batman's real colors before they risked him knowing about their group. It was hard to outplan what you didn't know about, and they'd need every advantage they could get. 

She let them all go ahead before she followed onto the property. It was eerily deserted, tire tracks where dozens of white Vans ought to have been. 

The GIW had deserted Amity Park weeks ago. They were pretty sure there was a skeleton crew stationed out here, but no one came and left anymore. They only occasionally saw an agent wander across the path of a security camera, which were sparse inside the building.

But that didn't mean it wasn't dangerous to be here. Even now, a camera swiveled over the lawn, blinking a clear light that was easy to miss during the day. There was a reason that they hadn't risked a second raid after Danny had barely made it out last time. 

Sam swallowed, hard. The bitterness in her mouth felt a lot like guilt. Who knew what the GIW had been doing? They could have someone else held captive. It was a big building. Danny might have missed someone when he was breaking Vlad out. 

‘We did what we could, and we are making a move now.’ 

She repositioned her weapon and waited, tense with nerves. All she was meant to do now was follow along via what she heard on Val's comms and be in the wings to facilitate an escape, if needed. 

“Left,” said Batman quietly. The comms were quiet for a long moment, then- “clear. Clear. Clear.” 

Sam shifted her weight from one foot to the other. 

“Red Robin.” 

“Got it,” came a response, barely audible. Val must have been hanging close to Batman, then. 

“You think now's a good time to try their computers?” Val said helpfully. 

Tucker snorted. “Could just ask,” he sang to himself, cocky as hell. “I know all.”

Sam rolled her eyes. He didn't know all. About half of the property was disconnected from the security system, meaning they had no eyes on whatever was down there. 

“Six stationed here.” 

That had to be Red Robin’s voice. Sam cocked her head and focused on it, frowning slightly. Did it sound young?

Tucker's computer chair made a click when he sat up too fast. “Wait, what? How'd-” His end of the line devolved into rapid typing. 

“Did you find a schedule?” 

“No, it's not in the system. They're on paper, I suppose.” Seconds passed. “My bet is that labs would be in this wing.” 

“Be my guest,” Val drawled. Sam could all but see her crossing her arms across her chest. 

The line went silent for a while. Then, faintly, there came the sound of a metal door opening. 

“Fu-” A GIW blaster went off. “Intru-”

The alarm was cut off before the GIW goon got out a full word, but odds were good he'd been heard anyway. Sam flexed her hands. Sitting this out sucked. She wanted to see what was happening. How many agents were there?

“Robin!” Batman snapped. 

‘The little one?’

Sam felt vaguely ill. They had to be okay. This was Batman’s team.

[nokkiart]

This is a little different, but I wanted to share some love for the Yogscast. They’re an independently owned studio and gaming channel, and right now, it’s very important that we support as many smaller studios as we can. Especially ones that also support amazing charities and causes, like the Yogscast does. And they just genuinely seem like such fun folks.

I’ve been following their youtube for a few years now and its so nice to see a gaming channel that’s just about having fun with friends and not necessarily being competitive, especially when I’ve had a rough day and I just need a laugh. So shoutout to the yogscast for being amazing.

I thought it’d be fun to draw a few of their TTT player’s models in a lineup, which ended up being a good drawing exercise because they have such diverse designs! ^^

[islandofsages]

So i got some silly idea, Can i request Savanaclaw dorm with male raccoon beastman reader 🦝 (who is also a third year Savanaclaw student) that likes to ✨ collect trash ✨ and ✨ dumpster driving ✨ Like, He is not poor but he just likes to do that. Thanks! Have a great day!

characters: the savanaclaw boys x male raccoon beastman third year reader

tags: platonic, fluff, imagines format

warnings: none

author's notes: i feel like i made dumpster-diving sound like thrifting in this ... i love thrifting can you tell

Leona Kingscholar

“...Whaddya think ya’re doing?”

Oh, you thought it was obvious but apparently not. You're dumpster diving obviously

A better question would be what is Leona Kingscholar doing near a bunch of dumpsters. You point this out to him

He actually seems to ponder that question for a second. What is he doing there, entertaining some dumpster-diver? Then he realizes that it doesn’t matter

His face merely contorts into an irritated frown and he mumbles something about “fucking raccoon beastpeople and their weird habits” then walks off

You watch his silhouette grow smaller by the second then shrug to yourself. His loss

He doesn’t say anything when you come back to the dorms carrying the junk you get from your scavenging but you can tell he’s somewhat curious of what you found

One time you come back bringing a wholeass couch and it’s somehow in mint condition - he’s more bewildered by the people who’s throwing the trash than you at this point

It’s definitely not for him but as long as you don’t bother him and that you’re happy, he doesn’t say a word about your habits.

Jack Howl

He tries not to be too judgemental since there’s all kinds of people in NRC and he feels like he’s definitely seen weirder things by now

He’s a little confused but he got the spirit! Spirit of what exactly? Spirit of supporting you and respecting his upperclassmen obviously

He’s somewhat stiff around you since you’re older and he doesn’t want to offend you in any way - so you make an effort to make him more comfortable around you

You’d tell him about what you find in your little adventures and he seems to be amused by the kind of stuff people easily throw away here

“That’s part of the magic! Plus, once you get used to the stench and filth, it’s really not all that bad.”

He believes and trusts your words but he still won’t try it for himself. He’ll leave it all up to you and your expertise

Sooner or later, with enough storytelling, a smile on his face becomes a common look for him whenever you’re around

You’d even bring him back stuff you found that you think he’d like (after thoroughly washing them and bringing them back to the best condition of course)

Whenever you see him use the stuff you give to him, whether it’s a decoration in his room or it’s on his person, you feel a little proud of the bond you’ve nurtured with him.

Ruggie Bucchi

He understands the need to stoop to that level but when you tell him you don’t even need the stuff you collect and just do it for fun, he’s silent for a bit

Still won’t judge you for it! Plus sometimes he gets the good stuff from your scavenges so he’s not complaining

Once he gets curious enough, he’ll tag along on the diving… and it’s not as bad as he thought it would be

It’s stinky and dirty but sometimes he really hits the jackpot in some of the dumpsters. It’s like a thrift store but even cheaper somehow

“(Y/N), look at what I found! Are you seeing this right now?”

You unironically become dumpster-diving buddies and the two of you would review the stuff you got after each session to decide if you’re going to keep some or not

You guys can probably get a lot of clout if you start a YouTube channel

You two grow a lot closer after enlightening him of the joys of dumpster-diving, which you aren’t too surprised about since it’s a common bonding experience for you raccoon beastpeople

But as you look back on your memories of junk-collecting and look forward towards Ruggie's laugh, you can’t help but laugh with him.

[daydream-the-demon]

No more KOSA (Kids Online Safety Act)

I am a minor, and I'm speaking from experience.

Without the internet as it is, I would:

Have committed suicide

Be friendless

Not be able to start my career early

Not be able to share my artwork and writing

Get help

First, LGBTQIA+ concern:

I am part of the LGBTQIA+ community as a young minor. I identify as a genderless AroAce (which is uncommon, but part of the community). Without being able to explain who I was, I would have felt alone, an outcast among girls (as my original gender), and felt like something was wrong with me. And I would not have been able to explain my romantic and sexual attraction. I would have been pretty much forced into a relationship when I will be older, but identifying as AroAce helps me avoid those questions. I could have had the inconvenience of a boyfriend (because what would be gay? I would be forced into a straight relationship). I learned about sex and how to stay safe with it ON THE INTERNET. Along with orientations and genders. There are so many teen pregnancies that fuck up people's possible future careers, all because they didn't know how to practice safe sex or even the possibility of not being attracted to people in the first place!

Second, mental health:

I have Autistic friends, most of them are from the internet. I only know the symptoms and problems with Autism. Without the internet, I could have felt like an outcast between my peers without explanation. Knowing about Autism (and other disabilities and disorders) and its symptoms is a valuable tool, it could help you interact with people with those who have it, or find out if YOU might have it.

I would've committed suicide. I have many friends on the internet. And without them. I would be friendless. Without support. I would've felt lonely. My irl friends rarely text me, so one summer break I almost committed suicide. But at the time I almost committed it, I texted my online friend who lives on the other side of the Earth. And she was there for me when no one else was, when I was sad, and about to kill myself. Without the internet, I would have never met her. And without her, I would have literally died. I now have many wonderful friends on the internet, and they all help me be who I am, and stay here with you, so that I can now speak.

Third, my career:

The reason I have Tumblr, is so that I can show myself. I can post about art, interests, projects, and so on. I can reblog other peoples' art and learn from them. Without Tumblr (and other social media), I would have never been able to put myself out there. Right now I have 35 followers on my main blog, and some other followers on my smaller blogs. I can build a following, so finally when I get a job, I can say "Hey! Look at me: People know me, they like my art, they support me." And support helps. I can start a YouTuber channel and show myself and also get money from it. I can jumpstart my career here.

Thank you. Any questions or clarifications would be appreciated. I am now done speaking from my experience so far, use this however you'd like.

[raayllum]

What is Zym's Purpose?

Zym is one of both the most and least interesting characters in The Dragon Prince.

While he is the titular character, in the first three seasons he is mostly a frightened, occasionally helpful plot device, if not outright macguffin for the heroes to escort and protect. In arc 2, he's more along for the ride and his relationship with his mother gets more development, with him playing more of a role in season 4 and season 7, but beyond that Zym doesn't impact the plot too much more, and usually serves as a support / way to develop Ezran further.

This is understandable for a few reasons. In arc 1, Zym was barely a few weeks old, and in arc 2, he's often times facing problems that require different skills than the ones he has on hand. The fact that he couldn't communicate directly with anyone outside of Ezran and Zubeia also hampered his ability to develop. The fact he can now talk (and is voiced by Dante Basco) as of the end of S7, in addition to being the Last Archdragon and new King of the Dragons, have all greatly subsequently elevated his role and importance. It seems likely that arc 3 will be "The Dragon King: The Return of Aaravos" after all.

But... what exactly is Zym's role in TDP, from both an in-universe perspective (i.e. what Aaravos and/or others) expects of him, and from an overarching narrative lens?

Well... let's get into it.

Weird Narrative Setup Shenanigans

To begin, I'm going to start with what Aaravos thinks, or seems to think, of Zym, because there's weird narrative setup in arc 1 compared to arc 2 that I think retroactively make sense. What do I mean by weird? Well...

As Aaravos lays out in 3x07, Zym is of the utmost importance to 'their' plans:

VIREN: So what is the plan? AARAVOS: To fulfil your wishes, of course. [...] And this bright future will require us to conquer Xadia? VIREN: Yes. Yes, perhaps. AARAVOS: The key to achieving your noble aims for humanity is simple.

AARAVOS: Yes. You must take down the Dragon Queen, and capture the baby dragon. Then you will have the attention of all the world, and the power to do what you want.

It's... a little vague, but we know the draconic royal family at this point is Important, and that Zym is accordingly the hope of healing the rift between humans and Xadia, as Rayla says "it could change the world" in 1x06. So Aaravos and Viren assigning similar importance — whatever happens, or is done to Zym, having an impact on The World — isn't out of line.

(It does, however, represent how Aaravos has framed things to validation seeking Viren — "Then we will have to get [the Pentarchy's] 'attention'" in 2x09 with the smoke assassination scheme — but also Aaravos in 7x08 to the stars: "Are you watching?" Do I have your attention?)

Aaravos gets a little more specific in 3x09:

AARAVOS: When you capture the dragonling, I will show you how to take his power, how to imbue yourself with all his magic and potential, so that you will transcend the limits of your human form. Then none will dare stand against you.

Viren asks disturbingly few questions about this, and given that we don't get to see the spell come to fruition, we don't exactly know what he means. However, there are some things we can pull from:

In 3x07 (and again in 6x08) Aaravos is able to possess, control, and tether his energy to Pharos' body, speaking freely through and entirely controlling him. (He does the same with Sir Sparklepuff in 5x09 and with a smaller version of himself in S7, stating "this body is a Vessel".) While these possessions seem temporary, he implies that he can control Callum indefinitely post re-corruption in 7x09.

The spell he uses to consume Zym is channelled through the Staff of Ziard (which was also required to free Sir Sparklepuff, and has a quasar diamond in it) and has some interesting incantations, to say the least: "I swallow your heart, I swallow your mind, I swallow your power" (sometimes with one of these, such as in TOX, being switched out for "I swallow your soul").

We also see a similar idea of imbuing take place in 3x07 with the 'gift' hearts of cinder spell: Viren says he will inoculate his armies with great power, so that the dragons cannot strike them down with fire. So we have one spell already on hand, that Viren purposefully passed on, in making himself (temporarily) immune to enemy dragon fire. So whatever the endgame plan for Zym was, it'd make Viren even more powerful than that.

Moreover, given that Aaravos' first goal in the series was to get out of the prison, it is possible that the intention was to use Zym to combine with Viren, and make himself a new body. However, this runs into two potential problems:

If Aaravos' spirit could be distilled in that manner, Sir Sparklepuff + the quasar diamond could've been used from the start to give him a new body. The prison and locating his specific soul was therefore a necessary step still not covered in S3.

Regardless of the manner the quasar diamond is used for, and how much that person may want it to work (Claudia in 6x08), love is still a necessary ingredient for the spell with the diamond to function (as are the other physical properties).

Now, it is possible that Zym being an archdragon could override certain things (their bite can destroy a Startouch elf's mortal vessel after all, which is undeniably OP) and that Zym in particular is a Weird Archdragon (more on that later). "Transcending the limits of your human form" could very well mean becoming a suitable permanent body host for Aaravos in ways that possession just wouldn't suffice for.

But "then none will stand against you" makes me think otherwise, precisely because who is included in those 'none'? Aaravos has already heard the story of how Viren took down Avizandum, "the most powerful creature in the world" (even if Aaravos is definitely stroking Viren's ego with some of that one). Zubeia is in a coma and the other Archdragons are MIA; the Sunfire stronghold just fell; who is left to seriously stand against? Well...

But how does Zym + Viren (or Staff) = power to stand against the Cosmic Council? Well, it comes down to what I think Aaravos' endgame is with Zym, in some ways, which is:

A Weapon of Vengeance (In Theory)

Zym being a weapon is one of the first things we see the series refer to him as, and his duality—partially shared with dragons as a whole—between a weapon vs a child/baby, or a god vs a person, is present throughout.

AARAVOS: Avizandum was no person. Avizandum was the great King of all the dragons. (3x06)

HARROW: Thunder is the most powerful beast the world has ever seen. How can we hope to kill such a godly creature? (3x06)

This is brought home, of course, in 3x06. Viren and Harrow make a weapon of vengeance to kill an archdragon... and then create one anyway (in their heads) in orphaning his child. Viren then decides to go clean things up, of course, by destroying it... But this just leads to Xadia's revenge on Katolis, nor does Viren actually go through with it either.

But this dichotomy of weapon vs child continues. Claudia and Rayla remind us of it in 2x02, stating:

RAYLA: Whoa, what happened to 'it's not an egg, it's a powerful weapon?' CLAUDIA: Still true. One day it could bring death and destruction raining down on all of us. But for now, he's so widdle!

Now, this makes a lot of sense. Most TDP characters are informed by their respective dualities, and a good chunk of those dualities have to do with whether they will be dehumanized (Ezran as a child vs a king; Rayla as a person vs a monstrous elf) or dehumanize (Soren as a crownguard vs Viren's tool; dark magic use, etc) themselves or others. Zym's slots neatly into the first one, which is why I — admittedly — hadn't thought too much of it before. Zym might be the titular character, but he's hardly one of the more developed main characters and holds less plot importance in arc 2 than he did in arc 1, as Aaravos' prison replaces him as the prime macguffin.

But to be fair, this is TDP, where everything is on purpose, and oft more literally than we first expect. And, as of arc 3, we are going to see Zym be decidedly grown up, given how much bigger he'd gotten in just two years. How big is he going to be after another seven?

With the previous two sections in mind, I want to posit that Zym's primary narrative question in arc 3—and indeed, quietly building throughout the series—is whether or not he'll be a Weapon (of Vengeance).

Specifically, of Aaravos' vengeance.

This would explain the focus on Zym's duality, S7 continuing to highlight it further, re-contextualize Aaravos' plans for his pawns + what he was going to do to Zym, and why he believes the Dragon Prince was the Key to Something, if not something still.

So, what's up with that?

Soft Rewind: The Snags in the Plan

In season 6 and a little bit in season 7, we get an idea of how being timeblind works. It's still not exactly precise, and it seems that Kosmo's prophecy fills in the other blank. When in proximity, Aaravos can see how certain choices may turn out (i.e. "If you tell [Claudia] the truth, you will lose her"). When far away, much like the prophecy, he can 'see' certain fixed points: they will need Claudia soon; Callum will turn to dark magic again; and Ezran getting the Nova Blade is ultimately a win, even if it's not entirely clear why yet (more on that here).

We also know that these fixed points are not quite so fixed as Aaravos or others believe. Aaravos seemed very confident that Rayla would never bring herself to kill, but she very much proved otherwise; he wasn't prepared for Callum asking Runaan — another Moonshadow assassin — to kill him; Callum assumed the prophecy in S7 was about himself, but it was actually about Avizandum, a betrayal that Aaravos never saw coming either.

With all these things in mind, this is the following argument:

1) Aaravos knew ahead of time that he needed a Dragon Prince — heir to the Draconic Monarchy — to bring down the Cosmic Council and dismantle the Cosmic Order. Could be prophecy, could be timeblindness, but it was something he was waiting for (and we know storm dragons — possibly all Archdragons — only lay an egg every thousand years).

This will either end with A) Zym helping to bring down the unjust Cosmic Council, but not in the way Aaravos expected; B) Zym subverting his supposed destiny (also see point A); or C) referred to Sol Regem, whose actions incited Aaravos' anger and led him to "deliver their fear" of chaos and destruction.

2) Aaravos assumes, therefore, that Zym was that Dragon Prince when he was born, since he knows things he shouldn't even from trapped within his mirror (Rayla sparing Marcos; the Orphan Queen taking the Nova Blade to her grave post-imprisonment).

3) Aaravos believes accordingly that Zym is meant to be / will be forged into a Weapon of Vengeance. Whether this was grafting his essence/power onto Viren's body and/or staff of Ziard to make one to literally wield (just the tooth of an archdragon can kill a Startouch elf's mortal vessel, after all). We've seen the Staff of Ziard be directly compared to a weapon (sword) elsewhere, for example, with the staff taking the place of Harrow's sword in Viren's nightmares.

But of course, Aaravos planning to "torch Zym and Viren and/or Staff of Ziard to make a weapon" doesn't make complete sense (he'd still need the quasar diamond to get out) and might be unnecessary, given that a full grown Archdragon Zym on his own would function perfectly fine as a weapon.

Alternatively, Aaraovs might've seen in the future that Avizandum would die, leaving his son ripe to perpetuate the cycle ("you have set the wheels of history in motion and one day, my child will avenge me"), both are tangible.

And in many ways, that is what could've happened in 3x06. If Harrow and Viren had left the egg, Zym would've grown up mourning his father even more deeply than he already does. It is unlikely that Zubiea would've fallen into a deep slumber (Zym is enough to drag her out of it, literally and emotionally) and it is unknown whether she still would've sent assassins. Her child's murder, it seems, was the insult to injury she could not bear; however, given that Harrow and Viren sought out Avizandum just over Sarai, it's still possible. Regardless, Zym would've had every tangible reason to hate humans with very little reason to think otherwise (this is true of the princes, too, with Xadia, yet they don't... but bear with me).

So far, then, it seems our hypothesized "Aaravos' plans for Zym" are going off without a hitch. Even from the pearl and without his direct influence, Aaravos' Staff of Ziard dark magic wielding human favourite(s) are doing exactly what he'd want them to do. Or are they?

VIREN: His destiny will be the destruction of humanity. [...] Now, you may witness history as I end a dynasty by destroying that dragon's egg.

Let's call this Potential Snag #1, then, wherein Viren decides to go one step further than perhaps seen ahead of time, and wants to destroy/kill Zym outright before he can even hatch. It's very quasi-Cosmic Council of him — the belief in absolute destiny, the assumption of inclination towards others' being violent without question, wanting to / being willing to kill a child, period — and, through our current lens, would completely halt Aaravos' plans in its tracks.

But Viren, of course, doesn't.

In comes Potential Snag #2 with a steel chair, emphasis on potential, as well as whether it counts as Viren or Tiadrin or Viren-and-Tiadrin's snag.

After all, if Aaravos' plans need Zym to live, this checks off that requirement. I honestly wouldn't be surprised if it's eventually indicated Aaravos saw this moment ahead of his first meeting with Viren, and therefore knew how to entice him — not all mages (Claudia, Callum) can be drawn in by a thirst for outright political power the way that Viren — "too curious, hungry for knowledge and power" — was hook line and sinker. The fact it doubles as "You won't hesitate to use an innocent creature/child to further your own ends and desire for agency/power" neatly bookends Aaravos' expectations and surprise when Viren rejects the blood of child ritual.

Either way, Viren decidedly doesn't kill Zym, puts the elves in coins for unknown personal reasons (perhaps to maintain as a threat, or soul fragments can be useful for future spells), and spirits him secretly back to Katolis. This, still, persists in not being an entirely a snag. Viren blatantly hoped to use the egg, hatched or otherwise, to be a weapon.

Then we get near-definitive Snag #3:

While it's plausible that the kids finding Zym was something Aaravos wanted — or canonically is something he's willing to work with — there's no doubt it would've been simpler if the egg had stayed in Katolis, ready for his mage-turned-warlord king Viren to utilize now that Harrow had been disposed of. If Aaravos' plans depend on the perpetuation of the cycle ("[the Mage Wars were] a violent, terrible cycle"), given how he uses dark magic and weaponizes grief to sometimes literal degrees as well as his various pawns, returning Zym does more harm than good to his plans and ideals. Viren (2x04), Rayla (3x09), and Callum (7x08) are thus far the only people to fundamentally surprise him: who's to the say the trio didn't do so from the start?

There's also one more major snag in mind but before we can talk about that, we have to talk about:

More of Zym's Weirdness (power-ups)

Zym is a weird little guy. Some of this, of course, is because Ezran is also a weird little guy (and more on Ezran and Zym in the next section), specifically when it comes to their telepathic link with one another. They can mutually see through each other's eyes, taste things (4x06), and communicate feelings/words. This is less weird, of course, because Ezran can do the latter with animals of all sorts, not just Zym. But the elevation of their bond is definitely weird, and deus ex machina's (not in a bad way) Zym's flight problem in 2x09.

Of Zym's abilities, we see a few that are typically normal. He can fly, the way thus far any dragon with wings can. He can generate lightning like his parents, with accordingly zappy kisses. But there are some things that have been odd about Zym from the beginning, such as:

The aforementioned psychic bond with Ezran since it's not just Ezran's weirdness.

His rainbow electricity, which neither of his parents seemingly have and we have not see any other dragon have anything similar towards.

This one is extra weird to me because often times the electricity he generates or channels will start off (or sometimes remain) blue, but then it switches to the rainbow lightning.

And last but not least, whatever the ever loving fuck THIS was??

Like, sure, sky magic could have something to do with sound and being able to travel fast as fuck... But like, even when we see Avizandum's comparative 'power up' in 2x06 when he was in his prime as the Dragon King, the closest we get is the eye glow, and even then it's pretty radically different.

I can't fathom personally why Zym would have powers his parents don't have, but it seems like beyond being the Dragon Prince turned Dragon King, and now the last Archdragon period, Zym is an outlier. Maybe it's because he was hatched with a primal stone or out of love or something, maybe it's some kind of prophecy or other special circumstances, but there is something Weird about Zym from both a Narrative standpoint (weirdness #1) and an Abilities standpoint (weirdness #2) that we probably only going to fully understand by the time we get to arc 3.

Maybe weirdness #2 is the reason for weirdness #1 if, as in the proposed theory, Aaravos had to wait around for Zym, and for Zym o be a weird little guy specifically, in order to be a proper Weapon.

Now let's talk about why Zym in arc 3 ultimately won't be.

The Last Snag: Ezran

Outside of season 3, the majority of Zym's screentime is devoted to his bond with Ezran. Callum and Rayla have their moments with him in S3 and a couple in S4, as does Soren in S6 (and Zym by proxy through Zubeia in S4/S5) but, while Zubeia might've been Zym's most important relationship emotionally, his relationship with Ezran is the most important for him in the show overall.

It is interesting, therefore, that S7 sets up a thread of conflict for them, specifically in Ezran growing to understand dragons as 1) weapons, if only in the vein of something he needs to defend against and 2) worth building weapons to combat.

AANYA: With these, we can build weapons to protect the human kingdoms, even from dragons. EZRAN: Thank you, Queen Aanya. This may be exactly what we need.

He's convinced, of course, that they won't have to use them... until they do indeed use them against Aaravos a few episodes later. Whether Ezran will ever use them personally against dragons remains to be seen (especially after the Archdragon sacrifice), but it seems inevitable that someone will in the future, whether it's a character we already know or a new antagonist of some kind. Ezran's actions will come back to hurt him and Zym and barring that, Zym's people — the other dragons of Xadia, many of whom are not nearly as powerful as the Archdragon(s) that torched Katolis in the first place.

The creation of the ruby fire weapons also cuts to the core of dragons within TDP: if they can inherently destroy, should they be treated inherently as weapons? Does their unique capacity for destruction mean other regulations or precautions be put in place? Or should we sit and hope on the grace of goodness that — thus far Sol Regem being the primary 'unprovoked' exception — dragons won't attack just because they can?

There's not yet a straight forward answer in general, but when it comes to Zym specifically, I think TDP has already given it to us:

Zym is not a weapon, or even primarily a king, because he is first and foremost Ezran's brother.

CALLUM: But I couldn't let the bad feelings stick, cause we were going to need each other. Because we're brothers. I still need you, Ezran.

DOMINA PROFUNDIS: Hold onto each other.

Ezran is the one who found Zym in the dungeons, and believed he should fetch his brother and decide what to do together; he's the one who dived after him in the water and taught him how to fly; Ez is instrumental in teaching Zym to become the dragon and person he was meant to be; and will continue to be.

Ezran is Zym's biggest remaining link to his family and his true self. While the two will likely have conflict, and even temporarily at odds, their connection is too strong to be entirely broken. They are twin souls, and Zym's bond with Ezran is, I think, ultimately what will mean not playing into Aaravos' hands, and choosing his own destiny... the same way that Ezran's other brother, Callum, will ultimately not be a weapon of Aaravos and forge his own path.

Zym may be a kind of chosen one, but he still has a choice so long as he has Ezran.

King of Kings / Closing Thoughts

Zym's full name — Azymondias — has always been of interest to me. It's a reference, after all, to one of my favourite poems in general and quite a well-known / famous one I got to study in undergrad: Percy Bysshe Shelley's Ozymandias:

I met a traveller from an antique land Who said: Two vast and trunkless legs of stone Stand in the desart. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed: And on the pedestal these words appear: "My name is Ozymandias, King of Kings: Look on my works, ye Mighty, and despair!" No thing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.

It's a beautiful poem, inspired/written about Ramses II, about how nothing lasts forever and that the pursuit of immortal power is ultimately futile. Time chips away at everything till nothing more remains, and memory likewise does not last forever.

It was always something I was curious about in relation to TDP in terms of... why, and why use it for Zym in particular, and not another character? It could, like Finnegrin's Wake, be a reference to literary work in little more than name (and I do not miss reading James Joyce).

But the A-Ozymandias connection always felt more purposeful to me. Even in S1 or arc 1, it was so close to being involved in TDP's theming, since the show had multiple monarchs running around.

Arc 2, I think, then steadily paved the way forward towards creating a place for the poem to be more relevant. We see a greater emphasis on lost history; we see characters play out that chasing royal power / glory is futile (Viren, Karim) or that immortality (Viren, Kpp'Ar) is not worth the price; that the burden of near immortality is not necessarily one you should want; and I expect we'll see even more of those things in arc 3, particularly that pursuing power/knowledge > love is wrong.

But I don't believe Zym is Ozymandias, at least directly. I think it's the Cosmic Council and their unending time and unbending rigour. Presumably, their Cosmic Order was meant to last forever and did the opposite, collapsing in on itself within a few thousand years.

Because — as foretold or forged striving against the stars — Zym will be instrumental in upending the Cosmic Council. He is set to take a bigger role in arc 3 as the Dragon King, particularly now he can talk and make his own arguments, and in having conflict with his brother Ezran. Zym is set up to be a weapon — like a corrupted Callum; like an increasingly dangerous Claudia, who's become more of a dragon like him than ever — and instead to choose to be a symbol and bringer of hope and peace for all of Xadia, the stars included. Perhaps the Cosmic Council feared him, and they will again, but not for the reasons they expect. He'll be part of their downfall, but not in violence — in justice. Because he's not a weapon.

Instead, he will always be Azymondias, king of kings.

[Image of Zym in the intro's starry clouds, with his head in the bottom right curve of the circle.]

[theabigailthorn]

Some Interesting Stats From my YouTube Channel

YouTube tells me where my 'external traffic' comes in from, i.e. what websites people are using before they click on my videos. The vast, vast majority of my views come from people who are already on YouTube, but I like to see what other parts of the internet people click in from. So, on this latest video:

9.9% of external views came from Discord, the largest single share. Impressive considering I don't even have a Discord!

7.6% came from Twitter, and 1.1% from Bluesky. That's interesting because on Twitter I have 333,000 followers whereas on Bluesky I only have 19,000. So my Bluesky audience is punching harder than Twitter, despite being smaller!

🎉🎉🎉 5.4% came in from TUMBLR! Very respectable! 🎉🎉🎉

Only 0.5% came in from Patreon. This suggests that my Patreon subscribers are using the site as a payment processor to support the show, and aren't spending much time on the actual site at all

one person came in from chess.com

33 people came in from kiwifarms...

And that led to an interesting side-investigation! Twitter user @canslp_ asked which recent video of mine got the most visitors from KF, and the answer was surprising! 46 watched the Dracula's Ex-Girlfriend announcement video, which is more than watched my video on AI or my video on plagiarism and misogyny. In second place was my documentary on the NHS, with 179 views. But the announcement trailer for The Prince got 327 visitors from KF, the biggest by far! All of which suggests that KF users are far more interested in my personal life and acting career than they are my standard videos.

[rollo-rolls]

Elliesimple Lace Tank Top 4t3

polycount: 6k

young adult -> adult

fully recolorable - 2 channels

pregnancy morph (strands get a little wonky)

made on @venusprincess-ts3 bobbyth smaller breasts edit for nicer boobies

weird shadows in CAS, fine in game

custom thumbnail

original x

SFS | PATREON

Elliesimple, VenusPrincess

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