#that was the only traits i remember giving this character this is all i got

[ozziethegreat]

hue makes an appearance again.. if any of yall know me from tiktok and saw my first post about him ily

don’t mind me @toffeebrew @howlsofbloodhounds

Yapping below \/

So initially he didn’t have much of a story because I’m not very creative and I blank out whenever I try to make something original so yeah.

basically, if Color were ever to get error-d, I think he would be on a hike, probably in some random AU that had nice scenery or something. He’s wearing a rain jacket because it was raining at the place he was, and he he just happened to be at the wrong place at the wrong time, and Error or some other entity was destroying it or something. As for how he got into the anti void,,, yall can use ur imagination 😭

(That’s the best explanation I can give, kill me)

I was more focused on the actual character than his backstory, so I’ll just explain my ideas of how he would act and such..

I called him Static Hue, or just Hue for short. (It’s a synonym of color I’m very creative guys)

I think whatever caused the error in his code amalgamated the human souls, and kind of made them fuse together, so Hue can never understand what they are saying because they speak over each other all the time. The different traits overlap and he feels mixed emotions all the time, along with intense mood swings and anxiety attacks. His flames also change color at a much faster rate, so people with epilepsy will stay FAR away from him 😭😭😭😭

Fun fact: he’s also blind. The only thing he can actually see is the color of his flames (which change all the time), and it tends to give him headaches and nausea. His grabblings are always out and just attached to his back so he can use them to move around.

As for the strings, they are very hot to the touch and leave burn marks on however he uses them on. They burn himself as well but he doesn’t pay any attention to it.

Hue’s memory is very jumbled, he didn’t necessarily forget about everything, but he doesn’t remember why exactly he does things. He knows he needs to help killer and protect him at all costs, but he isn’t sure why. He knows he hates Nightmare and REALLY wants that guy dead, but he doesn’t know where that hatred came from. And of course he naturally feels safer near the epic trio, and nervous staying in the same places for too long.

hue’s pretty obsessive over Killer for this reason. His need to help killer was multiplied by a gazillion, and he tends to just.. kidnap Killer and take him random places to keep him close. Sometimes he accidentally hurts him, but he doesn’t realize it, the only thing he can think about is keeping him safe and close to himself. On the contrary, he gets super aggressive and defensive at the mention of Nightmare, and if he were to see him face to face he would attack without hesitation. He knows his job is to keep Killer safe and away from Nightmare, and that’s really his only motive. He just doesn’t know where it came from.

Similarly to most errors, he has trouble speaking because of stuttering and glitches. He also can’t form very clear thoughts because the souls are constantly influencing his behavior. He has trouble explaining his thoughts and feelings, he tends to speak more in actions (as in he would crush you to death in a hug to show affection.)

anyway. If anyone wants to add onto this or share thoughts I’d appreciate it..

Here’s some older drawings of him LMAO

[oswildin]

Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

[muckyschmuck]

omg redraw of old cat . why

[gildedmuse]

So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"

Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.

I have like three hundred.

[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]

And, hey, as might as well jump right into that whole mess.

1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!

(AKA: Stop. Murdering. Moms.)

I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"

More or less a direct quote.

However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.

Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?

More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.

Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.

....

....

So I imagine it went like.

"That's the third mangaka they've had to Publically Execute this week!"

"They've started taking this law way more serious lately."

"This one really deserved it though! I heard his main character has a mother in her late forties!"

"That does seem old to have your first child."

"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."

"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."

"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."

"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."

"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."

"That can't be true! What publishing company would even print that!?"

"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."

"Oh, well, at least-"

"It was just a fish allergy. She's perfectly fine."

"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[mmani-e]

Hello! After all this effort, behold:

DANGANRONPA DEMIX, THH EDITION!

Dr Demix 2

Finally got the talentswap designs I have for the THH characters one and done with! You can click through the read more section for some fun design insights. I'm intending on uploading a doc containing short lore bits about them eventually.

Kyoko Kirigiri - Ultimate Affluent Progeny

So Kyoko's design was both kinda simple, kinda not, wanted to give her a very fine and regal kinda attitude to her but not arrogant as that's very much Byakuya's thing. Her story is that she loves her dad more than the family business and her grandpa so she abandons detective work and just uses her brain to help her dad out.

Makoto Naegi - Ultimate Novelist

Makoto is a wonderful guy, just great all around. He loves writing children's books and happy stories. This is his main coping mechanism so he doesn't have to process any negative emotions he gets, the rest he can't process… well they go into a murderous psychopath alter.

Aoi Asahina - Ultimate Lucky Student

Shoujo protagonist Aoi. Cute, headstrong, affective, competitive, these are all the traits that make her fight for her friends and clash with Kyoko (and more often than not Byakuya) in the killing game, even when all hope seems lost… she pushes through, unafraid to let tears spill from her eyes for all those lost, but pushing all the same.

Byakuya Togami - Ultimate Detective

This one, I wanna go into more lore territory, cause I kinda memed around his last desc I gave him so here goes:

"A disgraced heir of the Togami household, Byakuya lost the competition that would've secured his riches. Disdainful and bitter, he sought out to get to the bottom of why he lost, uncovering a rabbit hole in the process. By the end, he proved his sibling a cheater, but it didn't matter because by the end as he found the sweet satisfaction of uncovering secrets and crushing liars and cheaters under the weight of their hubris far more satisfying than any inheritance."

Sayaka Maizono - Ultimate Spirit Medium

So Sayaka isn't a clairvoyant at all like Yasuhiro, in fact her entire skillset is completely different, first of all she is like an actual psychic, and I based her design off of the japanese Itako, quite loosely. Very interesting group, look it up, also she'll never use these powers in the killing game because I dunno how to even approach these rituals or what they look like or how to write them while remaining respectful, so she won't do it in a killing game for the express reason of her not having the right tools available and not wanting to disrespect her traditions.

Leon Kuwata - Ultimate Swimmer

I really wanna draw him again, all these characters again tbh, and I wanna show off the patterns on his wetsuit. It's a whole coral reef under there, that anemone and clownfish bit is only one part of a whole reef stretching his midline.

Sakura Ogami - Ultimate Programmer

Sakura has installed chips into her body to help optimize her body processes and also cause why not. As for the muscles, she's an Assembly programmer, the programs she's made can run on calculators she loves it.

Chihiro Fujisaki - Ultimate Martial Artist

Chihiro's design here with the two belts is an explicit nod to his preferred martial art - Brazilian Jiu Jitsu, so unlike Sakura in canon who'd be easy to imagine cracking someone's skull in half with a chop, Chihiro's approach is more crawling onto someone and bringing them down to the floor with grappling like an angry halfling monk. As for the belts themselves, on his head is his final junior belt, while around his waist is his current belt, he's not a black belt yet because he's still too young for it.

Celestia Ludenberg - Ultimate Baseball Star

Celestia actually isn't a legend in this AU, Taeko is. Celestia hates that and wants to start a baseball career going international, whatever the hell that means is up to her own definition, but she wants to be remembered forever as Celestia, not Taeko. Also extra sentence, but this is the SINGLE hardest design I've ever had to deal with here, I think in the future I'll be drawing all her little accessories and I have an alt costume for her I have in mind.

Hifumi Yamada - Ultimate Pop Star

So I changed Hifumi's story as I originally outlined in the OG post with him. He was friends with Aoi all his life, pretty much his only friend at all, and ever since he was little he had an obsession with writing songs, because he was obsessed with stuff like anime openings and was content to just keep the songs to himself. It wasn't till Aoi convinced him to share some of his songs that he started his journey to success, but bc he's not traditionally attractive, his first hits were literally just… his voice being played over other more attractive singers and it wasn't until very very recently that he even performed a song of his for the first time.

Toko Fukawa - Ultimate Fanfic Writer

So while Hifumi was clearly a Doujinshi but due to weird translation, ended up as fanfic creator, Touko is straight up a FF then Wattpad then AO3 girl, who would get obsessed with this really shitty, tripe manga that she didn't even like reading. It did however have super hot dudes in it, so she wrote good stories of those characters when she got frustrated with the actual authorial content - which was always.

Yasuhiro Hagakure - Ultimate Gambler

Quite LITERALLY the never stop gambling meme personified into a guy. He can lose 3 mil on slot machines but always comes out fine because it means if he keeps gambling he'll eventually run into his 1/3 and win giga millions, what he needs to pay off his debts. It isn't just with luck though either because his personality and lack of intelligence or understanding of most the rules of the games he plays means he'll never react the way he should when getting a good hand in poker or a bad draw in blackjack, so he wins those games almost always through just… stupidity.

Mukuro Ikusaba - Ultimate Biker

She's number 16 in her gang, and is easily the most loyal enforcer and taskman of the gang. She does anything she's told, to a grim and disciplined degree not typical for hooligan bike gangers, she doesn't really desire a seat as top dog of the gang though, after all she's got school to worry about, and her sister.

Mondo Owada - Ultimate Warlord

So his relationship and Kiyotaka's is gonna be interesting, because I don't want him to be exactly like Mukuro at all, who was just sort of an all-obsessed Yandere. It's more like he's always chafing under Taka, who is less than friendly with him in this AU, really the main way he even lets Taka boss him around is because he pays incredibly well and helps keep his gang members from devolving back into the unstructured, chaotic criminal life, the same that took his brother years ago.

Oh and yeah, he still looks like Guile, as he should.

Sparkling Justice - Ultimate Killer Killer

Yeah it's a reference to Killer Killer, sue me I love the manga. He has Hajirahara's ahoge, and I thought it'd be cute to also give him a mask just like the other Makoto from a Kodaka game series (Raincode.) Also, while Genocide jack stuffs all her scissors in her skirt, Makoto keeps a truth gun with "truth bullets" as his main weapon, the gun he stores inside the big book in the chibi of just Makoto, and the bullets kept on his person as the red buttons all over his body, which he pulls out when he needs to reload.

"Kiyotaka Ishimaru" - Ultimate Fashionista

Unlike Mukuro and Junko, Mondo absolutely cannot hide the fact that he acts nothing like Kiyotaka, though this is surprisingly fine to everyone else, because unlike Junko who plastered herself onto literally everything, Mondo always obfuscated himself from the public spotlight, at most showing only his suits while he hid his face behind something conveniently placed. Which played primarily to his vision of an ultimate fashionista, who was above everyone and catered to the rich and powerful.

Junko Enoshima - Ultimate Moral Compass

This was a fun one, I decided to let her have her red hair because I believe it to be the "natural" look of her hair, while attaching little clips of dyed hair to her buns as a replacement to keep her shape sorta and keep the strawberry blonde somwehere on her. Understand that while she is the "moral compass" she is still pretty deranged, and the only reason she focuses so much on keeping everyone on their best behavior is because it's endlessly entertaining to her to make her fellow moral committee members upset when she blatantly makes a mockery of the rules while still keeping kids on their best behavior to make a point.

Kiyotaka Ishimaru - Ultimate Fashionista and Tyrant, the Iron Hand of Despair

Taka's design I wanted to sort of focus on this sort of, holier-than-thou idea, where I wanted to make him look a lot fancier and upper-class than Junko does in his standard highschool fit compared to him. I wanted him to have an upper-crust sort of look

If you're reading this after reading this all, thanks! You're a wonderful person :) Signing off...

Mani

[witchygod]

Thinking about Kenji Sato Flanderization

I think certain scene with Kenji certainly stood out out about Kenji for fans, particularly the "do my own thing" and "I know it's been a long year but you got me now" scenes and I've noticed a trend where Kenji is characterized as well honestly a bit of an asshole, sometimes to an unlikable degree so let's talk about it.

I also think these scenes have paid into some instances of flanderization of Kenji's character. Yes he's a bit arrogant and witty but he's not as egotistical as everyone thinks- he's certainly not as RUDE as everyone seems to perceive him though he does have a temper. It should be noted his temper only seems to come through when he's extremely stressed or on the field- in conflict. He's very graceful in how he handles Ami's questions as wel. He only gets snarky with his coach because his coach approached him first with abundant hostility which I'm gonna be real- not the kind of behavior that is ideal, one could argue he was trying to weigh Kenji's value but with the context of Kenji being a world series player in America this is value as an athlete that should be proven already, if he's concerned about Kenji's arrogance that'd be another thing and while that's certainly AN issue but he admits it plainly what it is 'this is Japanese baseball not American' and Kenji responding to that with a bit of disrespect is extremely fair- and coming from his coach it very much paints the tone of how he's gonna be interacting with his teammates.

A large part of Kenji's rudeness is a direct result of hostility or an active defense from either invasive questions perceived attacks on how 'japanese he is'. This is not a subtle sub theme of his character mind you- he straight up admits to Ami that the reason he 'doesnt give a shit' is because he had to learn to because he was always being judged for being Japanese in America.

Let's not get it wrong though- Kenji is arrogant and egotistical because seriously who gives out their autograph without being prompted. These are some traits, but he's not entirely up his own ass, and he's not rude (Mama Sato raised a very good boy... Ultradad helped too) . Aside from when he was pissy with her for asking some extremely personal questions off the back at a press event- Kenji is extremely respectful of Ami, he makes sure to remember the reporters by their names not publicist and while he's not humble he's very sociable. Hell he's even polite talking to the Kaiju- actively taking a gentler tone of voice with Gigantron despite his frustrations (and increasing panic over the fact the KDF is going to kill her and he can't figure out how to stop it)- he's snarky with Mina but even then he isn't entirely dismissive of her, honestly he treats an AI more like family than a servant which is a big difference in attitude than most egotistical superheroes with ai companions.

Kenji is not the sort to be a womanizer hell he doesn't even seem the sort to attend parties unless he's forced to, it's pretty clear he's a bit of a loner- this is evident as much as there is never a mention to him missing his teammates in America and the fact the only person he has to talk to in Japan aside from his father is an acquaintance he's not even certain won't publish his personal conversations with. (She won't because she's a fucking professional with ethics which is also the reason that she's not a love interest God bless I love you Ami💕) He's overwhelmed by relearning how to fit in to Japan, dealing with the xenophobia,adjusting to the new culture of baseball become Ultraman deal with his daddy issues and mourning the disappearance of his mother- all things that heavily influence his attitude and a lot of times seem to be overlooked by people.

We take away one or two of those stressors Kenji goes from snarky and arrogant to a whole lot more sociable and pleasant. He's at his core a sensitive and confident individual who's just really passionate about baseball. He's kind enjoys teaching others about his special interest and is charismatic and bold despite being prone to holding people at arms length. Which is fair because he has a lot of dangerous secrets.

In short Kenji Sato is just a Mama's boy girl(jk)

In short Kenji Sato is a pretty complex character who suffers from a decent amount of emotional constipation and just straight up having no friends. He's respectful and kind and a bit sensitive which can make him seem pretty temperamental and he's prone to pushing people away at the first sign of hostility or when they overstep his boundaries. He's extremely stressed throughout the movie and adjusting to a lot of NEW, and the KDF/Kaiju trying to get chunks out of him and the pretty blatant xenophobia from the baseball scene (ill justified by him playing badly :/) doesn't help.

I also didn't mention much of his reluctance to being a hero and his irresponsibility to the role initially I realized and I think that should be its own subject because what's going on there is less a personality thing and more.... Directly correspondent to his relationship with his father, and the fact he was GROSSLY unprepared for the role. But I do want to note that his sense of responsibility is a lot stronger than people think because it doesn't really take a lot to convince him to do the right thing after Nobiranga's death. If he was still prone to inaction after this event I'd chalk it up to a personality defect but no he's pretty quick to make more of an effort as Ultraman after this, he saw the consequences of his actions and while he's gonna whine about it he does what he has to.

I may also go on a Rant Rant later about his coach and how the next movie really needs to try to save his character because he's shit at his job....

[arcadia345]

Astro notes💋🥀

Just my observations :)🔞

♡ Scorpio mercury or degree is the definition of elephant in the room, it’s like they try their best to make you uncomfortable with their words , on the brighter side I love how deep their minds are

♡Saturn in the 6th/2nd could go a long time without eating and not even notice

♡ One of my friends had a baby today(Aries moon) and she’s already threatening people not to play with her child💀 cute tho

♡ I feel like the only Libra placement that doesn’t try to be likable is Libra moons, their personality is so lovely for the most part☺️ I’ve only met men with this placement and WHEW they are sooooooo charming🥴

♡ I’ve noticed guys with Venus conjunct their sun can come off a little ✨ even if they’re not they’re just in touch with their feminine side. Also guys with Venus conjunct moon could have this energy as well just more subtle

♡ Aquarius in 7th will always give black sheep energy, no matter how “popular” they are it’s always something that differentiates them from everyone else, could be known for doing questionable things

♡ Taurus season I see lots of people getting lip piercings but lots of new tats and piercings in general

♡ 11th house has to do with hopes and dreams, mars is your passion and drive, having mars in 11th synastry with someone with someone could mean having fantasy’s about them,being fwb, or being friends with someone but wanting to be more. Me and my friend both have this synastry and the tension is HIGH especially with her Jupiter conjunction to my mars🥴

♡It’s not surprise Saturn babies look soo good in slicked back hairstyles since it rules hair and restrictions

♡Also they weren’t joking when they said prominent Saturn placements could make you a pothead😳 I thought I was a smoker but whew they SMOKE 💨

♡ Aries moon moms are so PUSHY. They’re always trying to dictate your emotions like your not your own human then get insecure when you cut contact with them. And she never takes your emotions seriously till you act out of character, It’s like she never wants you to rest so draining. Also they can be intimidating/scary in a way especially from the stories the Aries moon child shares about them😅 did they lie tho?

♡ Scorpio moons could also resonate but I feel like with Aries moms(sidereal Pisces moon)there’s a innocence to it like they truly don’t recognize their toxic traits until you confront them about it but with Scorpio moon’s mom (sidereal Libra moon) they KNOW exactly what they’re doing when they manipulate. And other people could easily alter ur mother’s perception of you, very wishywashy. They type to be jealous of their kids especially if they have a daughter

♡ Chiron in 12th could get accused of things they didn’t do allll the time , it gets to a point where they don’t even try to defend themselves anymore cause it’s like no one listens why waste your energy 😭 a good example is Micheal Jackson

♡ Gemini moon children have moms that don’t hold back🥴 very blunt especially with some Aries energy added

♡ I giggle every time I remember Park Jimin has a Gemini moon I just know he has the best comebacks and inside jokes😂 (Jimin if you’re seeing this let’s be friends plz😆)

♡ I’ve noticed with Virgo moons children may see one parent more fit to be a parent than the other at some point in their life. Doesn’t mean the other is a shitty parent or anything but if they had to decide to live with one of them they’ll already know who😹

♡ Also Virgo placements why do y’all constantly complain about something you could easily solve? I see this more in undeveloped Virgo placements

♡ Leo moon children could have mothers that are selfish in one way or another, wheither it be their time, money, or love

♡Jupiter in 3rd (natal and transit) what is home? I’ve been to so many places in my city that I didn’t know existed, I also got a 🍕 delivery job so I’m on the go all the time, but since my natal Jupiter is in my 8th it’s kinda a darker transit for me- I literally hit and ran two people in counting 😭 (I’m not even a bad driver they happened on the same week!🙄) communication especially over the phone has been vile omg the amount of times I’ve been cussed out by strangers otp is crazy. Also I’ve lost old friends /gained new one

That’s all for now💋

[ambrosiagoldfish]

hi! can i request headcanons of Adam x Male Angel! Reader who is sweet, kind and never curses? preferly sfw and nsfw but if u don't write smut for Male Reader, that's fine!

hope u have a Nice day <3

Adam x Kind Angel Reader HC’s

Warnings: General Adam TW’s, NSFW in latter half of post, He/Him pronouns with Male Genitalia. Slight Degradation/dirty talk. Fluff + Smut

Request Box: Open

Word Count: 820

A/n: thank you so much for the request! I had a lot of fun with this one! I did make it on the shorter side but that’s only because it’s quite difficult to make Headcanon’s 1000+ words without other characters but nonetheless, I hope you enjoy! Also I decided to make this little header thing for fics! I’ve seen a few others do it and the GIF’s I normally use are becoming a hassle to find. Let me know if you guys like it!

SFW

Oh boy, this relationship really is a match that could only be made in heaven. No one would have expected Adam to date a man who is the complete opposite of him. If anything, people expected someone like him or even Lute!! But you? They never could have predicted that.

But what can you do, opposites do attract.

You’re always being so kind to him, telling him he looks handsome, helping him with any and all work he might have to do, and on top of it you bring him gifts and trinkets! Not to mention all the delicious treats you get him that are almost as sweet as you.

And to be honest, this really messes with Adam, cause you’re literally so sweet and thoughtful but he doesn’t have anything to give you in return besides sex. At least that’s what he thinks but in reality he gives you so much more than he gives himself credit for.

He plays you songs on the guitar, takes you out to fancy restaurants, and over all treats you with love and affection than any other has. But even if none of that was true, you don’t do anything and everything for him because you want something in return. You love Adam completely unconditionally.

The no cursing thing is something that genuinely gets on his nerves. Cause like, he could never. This man has the mouth of a sailor and the delicacy of a bull in a china shop. Which is one of the traits you love about him, that he says what he wants. But also you’re just like “Sir, this is not what The Father intended-“

“Neither was putting my dick in another guys ass but look, I’m still here bitch!”

And it especially bugs Adam, if instead of cursing, you replace swears with other words. Like the other day you stubbed your toe when landing on ground and Adam had fully expected for you to do what he does, which is scream the loudest swear and be pissed off at everyone for 20 minutes. But instead….

“OW Fudging chocolate chip-“

“JUST SAY FUCK”

So, ever since that day, Adam has sworn to one day take your ‘cursing virginity’, at least that’s what he calls it. And he try’s so hard to do so, which is a slight bit of trouble cause he doesn’t want to like, be a complete douche to you.

So until he figures out a way to get you to curse, he’s pretty stumped at the moment. But still, he absolutely adores you.

NSFW

Oh Boy x2

Everything I said previously still stands if not double the amount. This man wants to do the👏Most👏Unholiest👏Things👏To👏You👏

Loves to see your kind and sweet personality slowly crumble because of his cock.

‘Who knew you could be such a slut?’

He loves that your personality carries over during sex, you give him everything you’ve got and then some. You want to do your best for him after all.

Speaking of which, if you worship him in any way that man is cumming IMMEDIATELY. He really just wants to feel like he’s above everyone else, and Surprise surprise, he has a praise and you being the, oh so thoughtful person you are, you make sure to completely indulge that aspect of him.

You babble so much about how good his cock feels hitting your prostate over and over again. How well he’s making you feel like like the Good Boy he is. It really gets it him going.

Remember how I said he’s trying to make you lose your ‘Cursing Virginity’? Yeah well, this is how. He is SO determined to get you to spill out just one swear while he goes to town on you. Is it the most holy thing he should do? No. But how could he not fuck your brains out till you break your own moral code?

He tries so hard too. He has yet to get you there but he has come close. When he had you in a mating press, legs over his shoulders, your ankle’s lightly hitting the base of his wings with each thrust.. You couldn’t stop begging for him to cum inside you as you came for the Xth time in a row.

“Please Adam! P-Please! Fu~“ you cut yourself off with a hand to your mouth.

Adam looked at you with his signature grin, his hips not stopping their movements to pump himself in and out of you. “Was you about to say something babe?”

You held your hand against your mouth shaking your head ‘no’ clearly trying to make it seem like you weren’t about to drop the f bomb.

“Mhm, right~ let’s see if I can pry some other ‘naughty’ fuxkin’ words out of ya!” He laughs a wicked laugh as he switches the position so that he’s somehow even more atop of you. Leaving you a completely, moaning, helpless mess for him to dominate >:)

[deadbeat-motel]

ᑕᕼEᖇᖇIᗷOᗰᗷ ᗩᑎᗪ ᔕIᖇᑭEᑎTIOᑌᔕ ᖇEᗪEᔕIGᑎ

The last two designs for the main cast. With these two done, I can finally work on miscellaneous characters that I've been eyeing the most.

Again, thoughts below the cut:

My issues with their Original designs:

Sir Pentious:

I thought I would only have one thing to say about him (the unnecessary eyes) since he was my favorite in the entire original cast but having taken a closer look at him for this, I saw a lot of things that bothers me.

Too many eyes. specifically the lower half of his body has too many eyes and it seems detrimental to him. It's kind of painful to think about it since I do not think we ever see those eyes close. Is he just slithering on the ground with those exposed eyes? That's got to be irritating at best and damaged at worst as he continuously slithers on them.

There are eyes on the bowtie and the hat? There are already 4 extra eyes on his hood, so why have even more? I get that the original Pentious design was basically a monsterous amalgamation of eyes but the eye thing could have been scrapped altogether.

While his palette was the least red out of the cast (More so composed of yellows), it still blends in with the rest of the reds.

The claws are an unnecessary repeating design trait (Alastor and Vox notably have them too). I don't think it would've been too big of a difference to just keep his fingers fully black.

The stripes on his suit are too thick. It's called pinstripes for a reason.

I don't like how the hat is shaped to fit the head, It's awkward.

not a point, but I just wanted to say how the blue color palette works really well with him in that last episode.

CherriBomb:

She's not that bad of a design (She's sort of bland in my opinion) but it's the little small details about her that makes her so simple and also so complicated at the same time. There are so many batches of freckles scattered everywhere, little explosion lines on her skirt as well as the X on her chest, the tattoos are a jamble of random loops and bombs, and her tattering doesn't have an easy shape to consistently draw.

The thought process for these two:

Mx. Pentious:

Pentious goes by both Sir/Miss/Mx. but uses she/they pronouns.

Minimized the actual amount of eyes on her, I kept it only to her actual eyes and those on her hood.

Gave her a butterfly-shaped hood. It's nothing deep since it stems from the fact the notches in Sir Pentious' hood almost looked like one to my bad eyesight. I decided to play more into that idea.

I read some posts where people talk about how Sir Pentious should have a snout and while I understand why and fully support people giving him one, I really didn't want to add the snout to this design. It drove me crazy since I'm not a big fan of it. I tried a compromise where her head was shaped more like Phineas.

Kept the tophat but removed its eye and mouth. If I remember correctly, Viv took that from one of her co-workers from the pilot. I decided to just have it as a regular tophat.

It doesn't have all the colors, but her design does have the Neptunic flag.

I'm not sure if this even is a real snake but I based Mx. Pentious' design on this:

CherriBomb:

Scraped most of her features in exchange for a sukeban theme. I personally have zero knowledge about the punk scene in Australia.

A majority of the suggestions I received for her rough draft had something to do with the skirt. I elongated it and gave it a slit in which the magenta from the inside is able to pop out.

Thought it would be a cute detail to have her hair explode if she's angry.

----

Apologies this took too long to be posted, Life got in the way as well as the fact I was feeling shitty about Pentious' first draft. Her skin was an awkward and ugly shade of green and seeing some posts critical of Pentious' design got me to think a little bit more about what direction I'd like to move her redesign.

You could see this in the earlier rough sketches but this was how Pentious' first redesign looked like

[artist-issues]

I like Koba because he’s the perfect photo-opposite of Caesar, and the perfect villain for that franchise.

I like that the movies took their time and characterized him carefully, even in Rise of the Planet of the Apes, before anybody knew that he was going to be the villain in the second movie. The researchers are like, “he knows the drill, he’s been through a lot of labs.” When he’s just a dumb brute animal, with no superhuman intelligence, he causes the virus to be released to humanity. Remember how? By pretending to be calm when they put him in the scanning machine, but then thrashing suddenly and knocking that one lab assistant’s mask off, infecting him. He did that before he was self-aware and super-intelligent. He was a bitter and angry creature, and a cunning and vengeful creature, long before he got super-smart. And they keep that cunning bait-and-savage-switch character trait way later, in the second movie, when he pretends to be a silly monkey and then brutally murders humans when their guards are down.

But then when he is freed, and the humans are supposedly gone at the start of the second movie, I love the nuance that he wasn’t interested in overthrowing Caesar.

He was happy being the second-in-command. He had the opportunity to leave Caesar to get eaten by a bear in the opening scene of that movie—and instead he saves his life and looks horrified when he thinks Caesar is dead. They have a camaraderie. And he genuinely jokes around with Blue Eyes and tries to make him feel better after the younger ape is clawed by the bear.

Basically, it really was as if all he wanted was to wipe out the humans. When he thought they were gone for good, he was not the same bitter brute you see pushing Jacobs to his death or seizing the opportunity to beat up Will. He was happy just being one of Caesar’s advisors, living in the woods with the other apes.

But then humans come. And all this hate is back. And he still trusts Caesar and follows Caesar’s leadership, even if he thinks they should wipe all the humans out and satisfy his bloodlust from the beginning. He still submits to Caesar. But then Caesar pushes it by offering to basically help the humans do their work. Koba hates humans, and Caesar appears to be choosing them over him. And on top of that, you can see that in every confrontation he has with Caesar, Koba is interested in what the other apes think of him. Caesar stands up aggressively when Koba shouts at him, and Koba becomes aware that this is getting confrontational in front of everybody and backs down. Caesar almost chokes him out and Koba looks around at the other apes watching before asking forgiveness and regrouping.

So this means that there’s an element of wounded pride AND feeling like an outcast among the apes already mixed in with Koba’s hatred of humans, after Caesar doesn’t agree with him/punishes him. Then you can see Koba go from being a team player to being self-protective, and he starts using the other apes instead of being interested in them as family.

After realizing Caesar will never hate the humans, Koba basically had a choice to make. He could choose the apes, even though it has been revealed that they don’t share his hate. Or he could choose his hate—but he can’t have both, because the apes don’t want to hate humans if it means war. And we see that he wouldn’t give up his hate.

Koba’s own hate completely swallowed him up, to the point where he saw not only humans, but other apes, as disgusting. He starts killing just to kill. After the bloody war starts, he completely stops trying to manipulate Blue Eyes or gain the other apes’ approval. He just kills apes that disagree with him and humans in his way, alike.

Caesar points that out in their final battle. But that’s what makes Koba such a good opposite to Caesar. Caesar is, like I said in the other post, all about “family.” He’s all about protecting the apes he chooses to regard as his family, and it’s usually “protect them from hate.” But Koba doesn’t really regard the apes as his family. Maybe he was starting to, when he thought all humans were gone forever and was grateful to Caesar for freeing him from the labs, and there were no problems. But the truth is, while Caesar is all about making choices that protect, Koba is all about making choices that hurt.

And that’s what’s interesting. Caesar is defining what an “ape” is, and he knows it. He knows that he has a whole super-intelligent new species as his people, and they’re still deciding, every day, what being an “ape” means. And so Caesar struggles the whole second movie with the fact that apes and humans aren’t actually inherently different. Not when it comes to hate.

But if you think about it, that’s what separates the apes meaningfully from what they used to be: savagery. Just straight-up, plain “I feel mad so I’m going to lash out and rip up anything near me.” They got what from the serum? Advanced intelligence. Reason. Koba gets to the point where he can’t be reasoned with, and won’t show mercy or any of the “higher” sensibilities that come with that “higher being/human” thing the “evolved” apes have.

So when Koba chooses to be that way; when he chooses hate; when Koba chooses to kill his “family,” then Caesar kills Koba. Because Caesar is showing all the apes watching that final showdown: “true apes” do not kill and endanger one another. True apes protect each other. Koba only protects himself. So he doesn’t get to be an “ape” entitled to the same protection Caesar gives all his followers, and expects them to give one another.

I like that. Because Koba will kill anything that threatens or hurts him. But Caesar will only kill those who won’t let go of their hate—whether they’re human or primate.

I also just love the acting of the guy who plays Koba. And I love that he looks and moves more savagely than the other apes, even though he’s supposedly got the same level of intelligence and comparable experience to Caesar, the most “refined” ape. I love the way he talks, and I love, like I said, how careful and well-thought-out his characterization was.

[theyanderespecialist]

(Remake) Base Yandere Alastor Headcanons (Part1) Hazbin Hotel

[Hello, My Sexy Muffins! Now That the show is out (The first four episodes) this is the remade Headcanons for Alastor, The Radio Demon! As we know more about his character. Though I feel we will learn more about him, so this is just part 1. I hope that you all enjoy this chapter here!] 

(DISCLAIMER: Alastor is AroAce but in this headcanons and possible scenario and video (on YouTube) he is yandere which means love sick. So the love he has for the reader or listener is not romantic and is more obsession and possession than anything. Asexuals and Aromantic or anyone on those spectrums are NOT like this in reality! Thank you! 

DISCLAIMER 2: Alastor is not yandere in canon. This is just for fun and not to be taken seriously at all! Simping for fictional characters and yanderes is fine, just do not be illegal or gross about it! Yanderes are not ideal partners to have in real life, and neither are demons! Please remember to separate fiction from reality and headcanon from canon! Thank you!) 

-Remade Base Yandere Headcanons With Alastor, The Radio Demon Part 1- 

.Alastor he is not interested in sex or romance. 

.He is a bit of a chaotic evil or neutral (It is up for debate) 

.Though when he did see you, he got this strange feeling in his chest, a feeling he had NEVER felt before. 

.It made him feel unnerve like you had done something to him. 

.So he would start to watch you, like a hawk, having his shadow watch you at all times. 

.Sooner or later he realizes that he wants you, not sexually or romantic. No. 

.But he does want you to be HIS to own you and to have companionship with you 

.To spend the rest of eternity together. 

.It is very less romantic and more controlling and possessive. 

.Where he very much sees you as a prize and as HIS And HIS ALONE! 

.He would want to keep you though, and he would learn that sex and romantic acts help his cause of courting you to be his. 

.He also does like that when he does these things for you it makes you happy. 

.So even though sex and romance are not his thing, he does them for you! cause they make you happy. 

(Mid-headcanon disclaimer: Asexuals can choose to have sex and physically enjoy it (Sex is a physical act and anyone can do it regardless of attraction) Asexuality is a lack of sexual attraction. Choosing to have sex while on the ace spectrum is being sex favorable. And you can still choose to do romantic acts as an aromantic. Asexuality is a spectrum. Aromantic I am not 100 percent sure how that works but I know that Aromantic can still want to have a life partner and or closeness to other people just without the romantic parts, now! Back to headcanons!) 

.He does want you to be happy and content with him and he is willing to do those things cause of his twisted version of what is, for him. That is the closest he will ever feel to romance. 

.Of course, he is a yandere so there are some toxic traits as well. 

.Such as he is a tad bit controlling and very manipulative. 

.Using his charm and affection to manipulate you to want only him. 

.And also manipulate you from being near anyone who could try and trick you into being with them. 

.Cause let's be for real, Alastor has a bit of an ego and he for sure is confident that he is the best option for you. 

.That he is the only one that is good enough for you. 

.So there is no chance that lesser demons will be able to woo you. 

.But he knows that you, his sweet darling, could be manipulated and tricked into being with another demon or WORSE giving your soul to another demon. 

.Speaking of which, he will very much make a contract with you for your soul there is no way he is going to let that chance to have you bound to him and where he Will QUITE LITERALLY OWNS YOU! 

.So yeah, be ready for that. 

.He will of course not have it be a normal contract, but instead a marriage contract where you will be made his spouse. 

.That way you belong to him. And also, will be his life partner. 

.Still, he would have your soul, so it would not matter what you do, you will be his spouse FOREVER! 

.Now back to how else he would be as a yandere! He is beyond PETTY. 

.If he had rivals (Which he does not consider to be rivals) he would be SO Petty with them. 

.Always showing them and you, how much better of a partner he could be and how pathetic they are! 

.He is willing to humiliate them. 

.Though he does have a bit of a possessive jealous side of him. 

.If someone was to try and kiss you or touch you? Well, he is going to rip them from limb to limb. 

.He would take sick pleasure in destroying anyone who would DARE To defile you with even something as small as kissing your cheek or holding your hand! 

.It is unforgivable. 

.Though he fully outright denies being the jealous type. (He may even gaslight you into believing he is not the jealous type) 

.He loves to cook for you, and will slowly condition you to eating deer meat. 

.Do not worry he is not going to give you a bloody dead deer right away. He will cook it for you. 

.It makes him feel connected to you and feels a stronger bond and closeness to you when he cooks you a meal. 

.He may even teach you to cook, another bonding experience. 

.Though I am sorry vegans and vegetarians he is going to make meat for you and most likely trick you into liking it. He just would he is a cannibal he is for sure not going to let you eat like that! 

.Side note he may even take bites of you, maybe even during sex. 

.And lastly, for part one, I will go deeper into other things and dynamics he would be a bit more okay with you touching him. 

.THOUGH He prefers to initiate physical touch with you, as he would still tense up if you caught him off guard, but he would not fling you away. More just accepts it as he is a little uncomfortable. (I am pretty sure he is a touch-adverse AroAce and is only fine if HE is the one touching!) 

[YASSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS Part one is done, I hope that you all enjoyed this and, stay sexy, all of my sexy muffins!] 

[shrimz08]

AANG ＆ OZAI PARALLELS: DEBUNKED

------------------------------------------------------------------------------

Because apparently the true villain is the sole survivor of a genocide of his entire nation, and not the imperialist colonizer.

Where do I even begin?? Because I’m genuinely holding in laughter writing this, it’s absolutely insane how certain people can make such egregious parallels that aren’t even found in the first place. 

AH, so a little backstory on how this fucking shit stained idea even came to existence, well our dear z^tara fans pissed their pants over Zuko and Katara not tying the knot, so, as a way of retribution for their supposed “honour” They take any chance to jump on the Aang hate train and make him into some irredeemable abusive demon, aaand they got that perfect opportunity because the LoK decided to take a lick out of the great “Main Characters Must Be Bad Parents In The Sequels” Trope. Which personally, does absolutely nothing to the protagonists resolution aside from cheap family drama but I digress. 

Now, I’m not behind the idea of the writers trying to make Aang a “flawed” Parent, I think it really makes no sense by how they went about it, (I might touch on this in another post) 

((And it’s so very clear that they’re trying to give it a soft “retcon” And even taking extra steps saying that Kya and Bumi just “remember wrong” Which I’ll actually take, because season two of LOK was hell on earth anyway so you might as well give it some saving grace.)) 

--------------------------------------------------------------

There’s three main parallels that they got from Ozai and Aang: (god help me)

Favouring a child

isolating the rest

leaving pressure On the golden child

I’m going to debunk all three of them while trying not to fall into complete lunacy over how ridiculous they are. 

Favouring a child + Leaving pressure: 

OK, so people are clearly blind with context clues and media comprehension, got it. No surprise whatsoever. I can’t be disappointed if I didn’t even have any expectations to begin with. 

Let’s compare the treatment on how Ozai treats Azula, and how Aang treats Tenzin. (Holy Shit)

Beginning with Ozai, well.. It doesn’t take much of a rocket scientist to understand that Ozai essentially could not give two fucks about Azula, as she in essence, serves the role of an attack dog, as long as it does its job, it’s worthy. 

Ozai favoured Azula because she was molded to match his ferocity and hunger for power, she was a prodigy bender, and was cunning and calculated, all traits that Ozai found endearing and someone worthy to be crowned the next “fire lord.” His “favouring” Of her didn’t come out of genuine love or care, she is his tool who serves a purpose. In short, she showed more competency and more ruthlessness and callousness in comparison to Zuko. Which earned her, her place as the “Golden Child.”  

-------

None of this is even remotely similar to how Aang treated Tenzin and his kids, aside from the fact he supposedly “favoured” Tenzin more, but that is such a baseline statement and has absolutely no relation with Ozai's reasons.

You have to understand that an entire FUCKING NATION IS DEAD. History, Culture, Tradition, is at the BRINK of being wiped out, Tenzin is quite literally the only Airbender that will be left after Aangs passing. Why do people devalue this concept so much? 

“B-BUT THE AIR ACOLYTES1!!” Still have limited knowledge, airbending is so heavily tied to its spiritual roots, you LOSE your ability to AIRBEND, if you aren't inclined to your spiritual side. Which is a core part of the air nomad culture. Tenzin is... Literally the only god forsaken part left of that, so yeah. It’s a pretty big fucking deal. Aang values his culture and teachings to such a high degree, he is literally the survivor of a genocide. His favouring of Tenzin was done out of necessity and love, not out of a need for power and a new attack dog to send orders around. 

Tenzin will literally be the future “Director” Or guide for the next avatar to learn airbending, people still forget this, and it’s hilarious. He needs to know all the moves, all the teachings because he will be the next avatar's personal guide. 

Aang constantly reassures him, and apologizes for the pressure that may be put upon him but he always reaffirms that he’ll be there to guide him and they’ll “learn together”

---------

So yeah not the same thing at all. Fuck you for being so inept at understanding the different reasons and perspectives of those situations, just for some petty ship discourse, genuinely disgusting.

Isolating the children:

OK this part, I have to say that the writers definitely messed up with aangs characterization, but I think the execution came out way differently than the intention, so I will try to look more into the intention of each decision.

Ozai isolated Zuko, mistreated him, belittled him, PHYSICALLY ABUSED HIM, but yeah totally on par with Aang actually. 

I don’t wanna touch on this part much mainly because his treatment was literally explained all throughout the show, and granted, while I understand most of these people haven’t touched the show aside from reading fanfic 300000 Where Aang is revealed to us as satan himself, but perhaps, even a small peak at Ozai's parenting would reveal the laughable contrast between the two.

Zuko was a slow learner, and much more of a softie, and a “mama's boy” To Ozai’s heavy dislike, he was thus treated as such, he was belittled, turned down, and literally burnt alive for showing “weakness” He is meant to serve as a direct contrast to Azula, ”The everything he isn't.” 

Kya and Bumi on the other hand, don’t show any actual signs of trauma aside from some petty jabs they threw at Tenzin, 

Bumis talk with Aang at the statue was *very very* Clearly, meant to highlight his own inferiority complex that he internalized growing up. His need for proving himself to be capable of doing just as much if not more than a “bender” Probably happened because his two parents were both prodigy benders and him being a first born son who was a non-bender must’ve hit pretty hard for him, and I’m so sure that katara and Aang reassured how special he is but that kind of thing doesn’t really go away.

------

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Kya: [while healing Bumi] I told you those rocks were slippery. You're lucky you didn't kill yourself.

Bumi: You done with the lecture, mom?

Kya: Oh, grow up. You haven't changed one bit since we were kids. You're still trying to prove you can do everything a bender can. Well, you can't. Deal with it.

----------------------

 That talk with Aangs statue was very much meant to unveil an internal struggle rather than a conflict he had with his father. Kya even doubles down on this, telling him “of course he’d be proud of you” Basically spoon feeding to us, the viewers, that this is much more of internal than an external conflict that he has to overcome along the show. 

“Why Didn’t he share his culture with them 1!!1!” 

He most definitely did, or tried to, but it’s clear they didn’t show much interest so he didn’t pester, this is shown many times throughout the show. 

“You know I could never keep all those gurus straight… There were like a million of them!

remember that long boring story about the guy who never ate?”

This is literally Kya’s remark to Tenzin just after he tried teaching the airbender students this story, basically telling us that Aang DID try to tell them about his stories and culture, but much to their disinterest, didn’t try any further. 

And Bumi, literally could not pay attention to the story to save his life, and instead decided to fool around in his literal 60’s!! I mean Imagine what he was like when he was a kid!! 

I could imagine their dynamic was very similar to Jinora with Meelo and Ikki, Tenzin being the only one with actual interest and care, whilst Bumi and Kya goofing off and not putting much focus onto it. WHICH IS FINE BTW!! 

It only goes to reiterate that Tenzin was the only one who was actually giving interest and attention to the air nomad culture, and it was of Kya and Bumi’s own personal choice to not partake in it. To each their own I see. 

“BUT WHAT ABOUT THE VACATIONS” 

This.. I agree, weird for the writers to decide this, but given how they low-key are retconning it in interviews, my best guess is that each of those trips were side-quests during their journey to teach an important lesson that might’ve just drowned out because Tenzin may not have remembered it as well. 

Also keep in mind that Tenzin was put into a lot of pressure, Aang probably saw this, and as a way to still keep it enjoyable, he took him to trips that would help ease the mind for a little kid whilst also learning something valuable. That seems pretty on brand for Aang actually

And given that Kya and Bumi are literally in their fucking 60’s it wouldn’t surprised me if they didn’t have the greatest memory. Hell, they didn’t even fault Aang as a parent until Tenzin started boasting about “trips” That Kya and Bumi gave petty jabs but weren’t actually showing genuine hurt, just annoyance.

Kya even comments how Aang was too busy “Trying to save the world, and doing his duty that he didn't have much time for them” 

Phrasing as if it wasn't anything "important" But it's clear that this was Kya's own personal irritation towards Tenzin rather than an actual evaluation on Aang's duties.

A continuation comic best explains it in a deeper way:

----------

Literally showing that “neglecting” His kids wasn't up to him, and was out of a sense of necessity, trying to cram as much knowledge onto Tenzin, the only one who was basically putting his lessons into practices. Kya and Bumi were left feeling neglected. But that wasn’t out of his decision; he still loved them dearly.

-------

This. Literally highlighting how much pressure was forced upon Aang, so yes, as any person would, he struggled with making time for everybody. Holy shit who knew?? 

GASP!! IS THAT… A REALISTIC BUT UNDERSTANDABLE FLAW!!?? HOW DARE YOU! ITS OZAI #2 

The fact that the smiley energetic person forgets to SMILE, is a big deal, man was put through hells amount of stress but he never cracked.

So tell me, how is a genocidal freak, who treats his golden child like a tool and abuses the other both physically and emotionally for showing “weakness’ 

Even remotely comparable to

 the sole survivor of a genocide, trying to withhold his teachings and culture onto literally his only child that showed actual effort in doing so, while also maintaining the balance of an entire fucking world and being literally the biggest “advisor” And “Mentor” For society, OH! And also building and managing a literal city, but along the way struggling to make time for his children. 

Guess what, they’re not. And if you think they are. You are an idiot, with bias and headcanons.

So the conclusion is, Aang is a flawed parent, but he isn't a "bad" Parent - confirmed by the literal writers.

Comparing him to Ozai a literal dictator, is absolutely sickening, just for your petty shipping discourse when this show's been over for a decade is insane. Indulge in what you enjoy, but stop projecting delusions like they're canon.

:D

[zoe-oneesama]

I have notice that you are giving the kwamis different and more uniques personalities. How you imagened their unique emotions and how they react with the holders?

For sure, there are very few instances where the Zodiac Kwami get to show their individualism except for Sass or when they briefly interact with their new holders, so I really grabbed on to any little bit I could see and held tight.

Mullo - In the story of the Chinese Zodiac, the Rat rides the Ox and jumps off at the last minute in order to arrive first, so I thought it'd make sense for Mullo to be mischievous - also because Marinette uses it first for some cheeky misdirection. I got lucky that Mullo turned out to be a bit of a prankster when "Mega Leech" came out.

Stompp - As one of the Leftover 4, Stompp didn't get a lot of expression when they were shown in "PenalTeam", but I kinda ended up working with how calm they were. The way they addressed Chloe not knowing the kwamis names gave her a Disapproving Mother vibe, so I went with them being a nurturer. I picture them wanting to watch over their holder, particularly children ones, and watch them grow into full grown Oxes.

Roarr - So this one was easy cuz they've been very consistent in the show, and since the kwamis default to loud and bratty when they're in Mob Mode (ie, when all the kwamis act in sync instead of in line with their personalities), Roarr was simply a too rambunctious child. An extrovert to the extreme. Their name is very appropriate.

Fluff - This one is pretty established in canon, so I guess I'll just extend my headcanon. Fluff is easily confused and babbles a lot, and I think it's because they're being constantly bombarded with information from so many timelines. Existence is a prison and Fluff just comes across as dumb because all their brain power is overheating from a massive influx of information, so they have nothing else to offer in the Present.

Longg - "Ikari Gozen" makes them out to be a Long Winded Old Man/Woman (depending on the dub lol), but aside from them being pretty polite later, they don't hold on to it. I am. Longg is old as shit and just wants these damn kids to hear out their long ass stories, but they just don't know how to edit because it's been forever since they've been out of the box (a nod to how Dragons are now "mythical"). They don't know how to talk to the youngins anymore.

Sass - Okay, c'mon, we all know Sass. Sass is the only one we know definitively. They're the leader and being level headed and calm is the thing that distinguishes him from the rest. He is mildly cursed like Fluff to recall every remade time line, remembering what happened the other times that needed a second chance, but it's less of a burden than it is for Fluff.

Kaalki - I opted to lean in to her being a Diva, obviously thanks to her attitude in "Startrain". You'd think that'd clash with Max, so the struggle was more about making them work together despite that, so I also gave her a fascination with innovation. She's not very technologically literate, but she's interested in what humans have been able to do, especially when it comes to exploration. But in the end, she's still pretty vain lol.

Ziggy - since they were very upset at how mean Chloe was in "Miracle Queen" as opposed to angry like Stompp and Roarr, I felt Ziggy was probably younger and a bit sensitive. I also leaned into some goat traits, having them eat paper and headbutt Nathaniel.

Xuppu - Xuppu can easily become very annoying, especially in "Destruction" where they're trying to be helpful, but uhhhh...they aren't. So I just stuck with how they were portrayed in their canon debut episode. Like Roarr, Xuppu is very much like A Child, so even in Mob Mode they feel in character - getting into stuff and making a mess.

Orikko - I made them very patient, which you gotta be when your powers are bullshit and you constantly have to give a tutorial on how they work. They could talk all day with their holder trying to find loopholes.

Barkk - So they have two standout moments where they're allowed individuality - in "Furious Fu" and "Risk". In the former, they are stubbornly staying behind to guard the house and the Miracle Box, and in the latter, they're super excited at getting a new holder and getting to "play". So both a guard dog and a puppy. I met in the middle where they DO really want to play, but also want everyone to be as excited as them which takes a little coaxing. Like an Extrovery adopting Introverts.

Daizzi - They're just very sweet. Almost just like Rose but soft spoken. They feel very much but like to focus on the things they like, no matter how simple they are.

[autumnmobile12]

Endeavor: Physical Strength vs Emotional Strength

Or The Total Mess that is the Todoroki House.

*Note:  The following is not a defense of Endeavor nor is it excusing his actions.  It is a deep-dive analysis into the complexities and nuances of his behavior and how it affected his life and everyone else in that family based on observations I’ve made throughout the series. There are also comparisons with other objectively violent characters from other series.

Trigger Warning for domestic and child abuse.

...

We're gonna start out by looking at what happened to his character over the available time frame. Endeavor did not start out as a violent person to his family. We can see that in the flashbacks of the family's early days.

Starting here, note that he’s not cold toward Rei in this scene.  The way they’re walking around out here in the garden gives the impression that negotiations between him and Rei’s family are going well so far, but they’re out walking and talking in private just to make sure this arrangement is going to work and making sure further negotiation isn’t going to be a waste of everyone’s time.  I say this because if he was dead set on ice powers for this Quirk marriage, Rei probably wasn’t the only option.

It's also important to remember Rei did choose this. She chose for her family rather than herself, but it wasn't her parents' end all be all decision. (And maybe there was familial pressure on her side, but it's not explicitly stated in canon so exactly how much free will Rei actually had is up for interpretation.)

However what I think shows here is they weren’t really talking all that much. Specifically, he is not ‘talking down to her.’  He is not treating her with any particular disrespect or putting her down as inferior.   He doesn’t have the arrogance he later exhibits. This also isn’t him being aloof and ignoring her either.  Look at his face, specifically his eyes.  That is the same blank, deer in the headlights, “I have one brain cell dinging around in my head that is struggling to find a way to interact with people,” stare he shares with Shouto.

He has no idea what to say to her. 

So finally, Rei turns off to the side to admire the garden, and he asks, “Do you like the flowers?”  It’s a small thing, but it does show that in some capacity, he did show some interest in Rei and making her happy.  He’s just stupidly awkward about it at this point. (Even if his ultimate goal was…well, we’ll get into that.)

But this trait of never knowing what to say is a massive defining part of Endeavor’s character that has manifested in a myriad of disastrous ways throughout his entire arc.

Now I don’t think there’s enough shown about Endeavor and Rei’s relationship that we can conclusively say they ever loved each other at any point, but I do think they were, at the very least, cordial in the beginning.  They got along, they loved their children, and that in their minds was good enough for them. If you look at the scenes that are Touya and Fuyumi's early childhood, the family seems content. There's no sign of the abuse we see later.

The other big indicator that Endeavor was not originally a violent person to his family is the two very different ways he approaches training with Touya and Shouto. His motive for training them hasn't changed, but compared to the warmth and pride extended toward Touya we see in the above picture, Shouto’s experience with training in the second screenshot is harrowing and traumatic.

So why the difference?

A big reason is it has to do with age.  When Rei defends Shouto, telling her husband that, “He’s only five!” and Endeavor is still pushing their son to achieve the standards of an older child, yes, this does show his impatience. However, the other unspoken sentiment here is he himself is not getting any younger.  When Touya was born, Endeavor was twenty-two and had his whole life, career, and all his hopes with it ahead of him.  His kid has a greater Quirk than his, his legacy is secure, nothing to worry about.  But then they learn about the genetic issue with Touya’s Quirk.  He can’t use his fire safely, he’ll never be able to use it safely, and he will never be a hero in the way Endeavor can.

Touya:  Failure

Fuyumi:  Failure

Natsuo:  Failure

Shouto was probably viewed as his last chance.  Endeavor was getting older and running out of time.  If Shouto didn’t work out, then this legacy was dead in the water. At least, I hope Shouto was the last chance, otherwise he might've tried getting another kid out of Rei, divorced Rei and married someone else for the same reason, or attempted securing his successor through a grandchild.

Which is some freaky medieval way of thinking.

Anyone else getting Henry VIII vibes here?

Remember what I said about him never knowing what to say? The most obvious example of this is his complete and total inability to control the situation with Touya.

The tragedy of both Touya and Fuyumi's characters is they are the only two kids in the house who remember the happier childhood, and they both cling to that in their own way. It's why Fuyumi is so determined to 'fix things.' She's trying to regain the family they lost. For Natsuo and Shouto, things have always been bad in the house, hence why Natsuo bailed as soon as he could.

Then we have Touya. His flashbacks start with him at a toddler age. It is very common and normal for a child that young to prefer one parent over the other, but usually it's the parent they're most familiar with: The one that stays home with and takes care of them. Remember, to a toddler, everything is new and potentially scary, and that can also include a parent that is not always present: The parent that's working. In the Todoroki house, Endeavor has his career as a hero, so we have the indication that Rei was the parent who stayed home. In that situation, the probability of Rei being the 'familiar parent' was more likely, so for Touya to prefer his father over his mother shows just how close he was to Endeavor. Or because Fuyumi was the new baby and needed more attention, he could have gravitated away from Rei and gone to his father instead. He didn't see his father's ambitions for him. He didn't see that he was a successor as opposed to a son.

What he, through a child's innocence, saw and understood was that his father loved him and wanted to spend time with him.

Cue the genetic disparity of his Quirk: Where Endeavor failed as a parent was him never talking to Touya about what had happened. He didn't sit down with him and explain it wasn't safe for him to use his Quirk.

The My Hero world has a social problem of Quirks defining one's worth. It's not just the PLF's philosophy. Having no Quirk is viewed with pity and having a Quirk that can't be used could be viewed as a disability by this society, regardless of the fact it's completely possible to live a healthy life without having a Quirk. So Touya's 'issue' required compassion and understanding, especially from a parent. What Endeavor needed to say and what Touya needed to hear was, "This is a path that is blocked to you, it isn't your fault this happened, and I will love you regardless."

Instead, he just dropped him completely. (Given his character, I doubt he's even the one who broke the news to him.) In Touya's eyes, he didn't have the adult nuance to understand why he was being ignored; he just had the child innocence of, "I don't want to hang out with Mom and Fuyumi, I want to be with Dad. Why is he ignoring me? Why won't he train me anymore?"

What Touya learned from this is he only has value in his father's eyes as a hero. So he began training himself to be a hero because he was desperate to get that love and affection back. When Endeavor discovers the fact he's been training and burning himself, Touya never apologizes for disobeying him. He just repeatedly says variations of, "I can do this, then maybe you'll finally be proud of me."

Fuck, dude, just tell the poor kid you're already proud of him. That's all he needed to hear.

And Rei does call Touya out on this. She asks him, "Do you want to be a hero because you want to be a hero or are you doing this because it's what your father wants?"

In order words: "Are you doing this because you think it will make your father love you?"

And we come full circle to the 'death' of Touya where he realized, "I was never a son. I was a product."

...

Endeavor never addresses the problem going on under his roof. He handed the problem off to Rei. He didn't know what to say, he didn't know (and still doesn't) how to be a parent, and instead of confronting that lapse in his character, he instead made a coward's retreat back into the safe and familiar territory of being a hero.

This was the catalyst for his violence to his family.

Being a hero means fighting villains.

Fighting villains is often solving problems with violence.

Because he never knows what to say, he didn't know how to properly navigate a complex emotional situation, so he resorted to the only method he knew that worked:

Beat it into submission.

And since we have the previously mentioned signs they were once a happy, normal family, I have a feeling the violence began very suddenly and without warning.

...

To back this up, I'm gonna give a little personal insight here. I used to work in an orthopedic clinic and a lot of injuries that came through were hand injuries due to someone punching a wall out of anger/frustration.  You may think this is fine since they didn’t hit another person and only hurt themselves, but the issue with taking your aggression out on even an inanimate object is you are unwittingly training your brain to associate anger with violence and make it all the more likely for you to lash out violently against another person.

Throughout his career, Endeavor has conditioned himself into this same mindset of repeatedly forging and reinforcing the physical connection of violence with the mental/emotional connection of anger.

Look at this scene from Arcane.

If you haven't seen this series yet, 1.) Get on that. You're missing out. (Don't worry, there's not too many spoilers below.) and 2.) This is Vi and this screenshot is from a scene where she, in a moment of anger and grief, strikes her little sister hard enough in the face to knock her to the ground.

Look at the horror in her eyes when she realizes what she’s done.

Now before and after this moment, we see Vi undoubtedly loves her sister and would die for her. (Season 2 pending...) The first thing she does when they're reunited is hug her and tell her how sorry she is. But Vi has also been a fighter all her life. The sisters grew up in the rough part of town, they had to fight to survive, and they've experienced a violent atmosphere from a young age. We also see that when Vi gets frustrated or angry, she punches/slaps inanimate objects, so she too subconsciously associated violence with intense emotions, and in a moment of blind rage/grief, she failed to dissociate and she hurt her sister.

It wasn't a conscious decision, but it happened nonetheless.

What follows is she walks away from Powder. She doesn't go far, she just puts some distance between herself and her sister to calm down and process what's happened and hopefully find a way to move forward. Only, for unrelated reasons that don't pertain to this topic, she is apprehended by authorities and spends the next 6-7 years in prison, obsessing over her regrets and finding her way back to Powder.

She is never going to forgive herself for this.

I bring this scene up because as far as fiction is concerned, we as the audience do often excuse a character losing their temper and hitting a loved one once. What Vi did was not okay, but because it only happened that one time, nobody is labeling Vi as 'abusive.'

...

So consider the first time Endeavor hit Rei. We don't see it in canon, but with all the indicators of a relatively happy home, I believe that first act of violence was the culmination of these factors:

Endeavor's ongoing inferiority complex with All Might and the frustration in his inability to surpass him, and then projecting that frustration onto his family.

The career of solving problems with violence.

The subconscious association of anger with violence resulting from that career.

I'm also going to throw out the possibility of multiple head injuries incurred from his career playing a role. Traumatic brain injuries can and often do lead to behavioral changes where an individual has trouble managing emotional responses, experiences anxiety, has a shorter temper, etc.

Obviously, none of the above should be treated as excuses (not even the TBI possibility because there's therapy options for that), but they are potential contributors to the pivotal moment of frustration and impatience where Endeavor, like Vi, failed to dissociate and did something he couldn't take back.

Striking Rei is his tea kettle incident. Think back to the awkward moron who didn't have a clue what to say to her when they first met. That young man never thought he would do something like this. That first moment when he hit Rei, I really don't think it was a conscious decision and it may have taken him off guard as much as it did Rei. Like Vi, he probably acted out of blind anger and may have been just as horrified by what he'd done, and I can imagine Endeavor walking away from that to calm down and process that he crossed a line he thought he would never cross.

Unlike Vi, who was going to return to Powder after calming down so she could apologize, beg forgiveness, and move forward, Endeavor is an emotional coward who never knows what to say or how to confront a complex emotional hurtle. So he did the same thing he did with Touya: He retreated from the problem and pretended it didn't exist, and because it was never addressed and he was never held accountable, it only got worse. The lid was off and there was no getting it back on.

I'm not saying there was a definite chance he could have come back from that (that ball was in Rei's court as much as it was Powder's) but Endeavor had a choice:

He could have addressed what he'd done and made amends by submitting to whatever consequence Rei set down for him.

Or he could have rationalized his own twisted justifications for what he did.

He chose wrong.

For another comparison of the violence aspect, I’m also going to bring up Shizuo Heiwajima from Durarara!!, a character who I think flies off the handle far more frequently than Endeavor does.

If you haven't seen Durarara!!, same as above with Arcane.

The nuance of Shizuo is the intense rage he experiences, the violence that follows, and his own inner turmoil. He associates violence with anger, but these are traits that he fully recognizes as detrimental to himself and his personal relationships with other people. He has a temper, he gets violent, he lashes out with abnormal strength and has seriously injured many people.

But the people he's attacked are usually people who provoked him, whether it's thugs who opted to harass him on the street or he heard that a friend was in trouble and rushed off to help them. Not that violence is the answer, but they were people who arguably deserved a beating. More importantly, though, is the way Shizuo treats his relationships with caution. He's a loner by choice. He does want to connect with other people, but he keeps his distance because he legitimately fears harming someone he cares about. Because of his caution and self-awareness, he is a complicated and likable character that I think anyone with a short temper who has said or done things they regret can relate to.

If he didn’t have that level of control on himself and was violent with everyone regardless of who they were to him, he would be despised by the fandom as much as Endeavor is.

This is how Durarara!! can get away with presenting a violent character in a comedic fashion. Shizuo, despite his temper, is an absurdly strong guy, a little bit of an idiot, and fiercely loyal to his friends. All three of those are endearing qualities.

And in the right framing, Endeavor's violence is also presented as comedic.

This scene is funny, but grabbing Hawks like that and lifting him off the ground is technically assault and it is intimidation. Replace Hawks with Rei and this scene changes drastically from funny to very unsettling. Replace him with Touya and it's a fight.

...

Where Endeavor really differentiates from Vi and Shizuo is marked by two important factors:

Shizuo, for all his claims at being unable to control his anger, has it very much under control around the people he cares about. He really only lets loose against a perceived threat.

Vi mostly has that same control even though she lost it for a moment, but she was also separated from her sister in an indirect punishment for her actions.

Endeavor does not have Shizuo's restraint nor did he face any immediate consequences like Vi.

Which brings us to Rei.

I have mixed feelings when it comes to Rei, and the absolute harshest opinion I have of her is that she is pathetic and she failed her children. And I know that's a very black and white, cold-hearted view, but hear me out because it's a lot more complicated than that.

Endeavor is ultimately responsible for his own actions, but Rei also had the option to deal with the problem when it started. When he started hitting her, she could and should and have taken the kids and run as fast as she was able and not looked back. No amount of financial security, family appearance, or whatever justification one finds in this scenario is worth it. She should not have tolerated that abuse against herself and she definitely should not have subjected her children to that. While there's nothing conclusive to say Endeavor was physically harming any of the kids aside from Shouto, not fighting for her autonomy/safety was inadvertently teaching all four of them this is how men treat their wives, women are supposed to tolerate this treatment, and a marriage like this is 'normal.'

And in the end, she straight up abandoned her children. We see from Shouto's point of view right before she attacked him with the tea kettle. She's talking to her mother on the phone, saying she 'can't take it anymore' and she just wants to 'run away from this life.' Well...considering she goes on to spend the next ten years in a psych ward and left her children to her abusive husband...she did get what she wanted. Ten years and she really didn't put any more effort in trying to get back to them? She knew Endeavor was hurting her youngest. Going home and protecting her babies should have been her priority. For a long time, I legitimately thought she was in Fujiya because she was considered unsafe to rejoin society whether she was a danger to herself or to others. When she shows up in Endeavor's hospital room, I stared at the screen and thought, "The fuck? She could discharge herself at any point?"

All right, now that I've gone over my hard-line point of view, let me dial back the judgment and consider what else is going on here:

Rei is a refrigerated character.

She has very little characterization beyond her abuse and being the victimized mother in Shouto's story, so we don't know all that much about her. In all fairness, her oldest son suddenly dying while she was hospitalized certainly would have contributed to her downward spiral and account for her prolonged hospitalization.

She tolerated her abuse longer than she should have, but it is possible:

She learned that from her own parents. Tolerating abuse is often a byproduct of generational trauma. Maybe her father treated her mother the same way and she grew up thinking this was normal.

Maybe the first time Endeavor hit her, she rationalized it into a point of acceptance where she told herself that everything was fine and that it was only the 'one time' and it wouldn't happen again, a sentiment she kept repeating every time it happened.

Maybe she was raised to believe ‘the man of the house is always right,’ and that is a mindset that is hard to break if instilled from childhood.

Her parents certainly didn’t seem all that supportive with what was going on, but we also don’t know how much she told them. We don't even know if that one phone call she had with her mom was the first time she reached out for help after years of pretending everything was fine or if this was was something she was repeatedly updating her parents about and those parents chose to be aloof to it.

Maybe she really did grow up in a loving home and just didn't know what to do when confronted with the violent relationship she found herself in.

Maybe she was gaslit into believing it wasn't abuse.

Maybe she really did report the abuse and the godforsaken, root-of-all-evil Safety Commission told her, "Your husband's a hero. Stay quiet and don't ruin that public image." Basically told her to suck it up. That is also a possibility, and one I think could be the most likely, but the series doesn't really go into just how corrupt the Commission was, so we're in headcanon territory.

Maybe she did try to take the kids and run but failed to get away. (Unlikely since it’s never mentioned in canon.)

Not everyone is fortunate enough to have an upbringing that instills the belief, 'if your partner hurts you, they are dead to you' and not everyone has the good fortune of a reliable support network that can help them recognize a bad situation and get them out of it.

Given how well-known Endeavor is to the public, maybe Rei was afraid no one would believe her about the abuse. "A hero would never do such a thing. She's making it up for attention. Her family was poor, so she must be a gold-digger trying to screw over her hero husband in the divorce proceedings."

There is also the important fact that Japan has a social stigma against divorce. Persevering for the sake of family stability and maintaining an ideal appearance is a deeply ingrained cultural norm, which does introduce a troubling power imbalance between a husband who works and a housewife who doesn't have her own independent income. We also have to remember that Rei and her family were financially dependent on Endeavor, so she may have feared the monetary fallout at the prospect of leaving him. Also, with the popularity of the hero ranking system, the No. 2 Hero's wife divorcing him would have been very public and potentially humiliating for all involved.

And we can’t ignore the fact that Endeavor systematically broke her down into a shell of a person who couldn't see a way out of her situation and was tormented to the point she had a psychotic episode and attacked Shouto, the very child she tried to protect. And this too could have contributed to her prolonged hospitalization if this was the final straw and she viewed herself as a failure of a mother.

Maybe it was a combination of two or several of the above factors.

At the end of the day, abuse is a multi-faceted beast, and just as the abuse comes in many forms, the victim can have any number of reasons for staying in their situation.

So even though I have my harsh opinion of Rei and I think she should have done more to protect her children, I do 100% sympathize with her. She is a victim and she in no way deserved what she went through.

But while her inaction wasn't the cause of the crisis in her family, it was definitely a contributor to how badly it got out of hand because whatever the reason Rei didn't expose Endeavor or try to take the children and leave him, that lack of accountability opened up the opportunity for him to rationalize his own twisted justifications for his actions.  “It’s fine. She deserved it because ______. She was 'acting out.' She was overreacting. She doesn't know what she's talking about.”  Whatever he needed to tell himself to believe he didn’t do anything wrong even though he knew he wasn’t fooling himself or anyone.

She didn't stand up to him. Their children couldn't stand up to him.

So he continued the physical abuse unchecked.

...

Moving on into the redemption arc.

After the Kamino Incident, Endeavor finally, finally, finally got that vaunted No 1. Hero spot he'd been chasing for two decades. But he didn't earn it the way he wanted to by proving he's the best of the best. All Might retired, so he won by default.

And then he finds it's just one spot further up on a ranking system that means absolutely nothing in the grand scheme of things. So he looks back at what's really important and he sees the charred skeleton frame of a house he burned down.

One institutionalized wife

One dead son

One daughter who clings to the memories of a happier home

One estranged son

One son who only has a use for him as a teacher and not a parent and will probably drop him the second he no longer needs him

In spite of everything, I do genuinely think the man deserves some credit for at least being willing to make an attempt at reconciliation. Not a lot since he dug that hole himself, but let's face it, a lot of lesser people would have looked at that mess and thought, "Fuck it, no going back now," and continued business as usual. So the question becomes:

Is Endeavor trying to redeem himself out of a need to make himself feel better about everything he's done or is he truly doing it for the benefit of the people he's hurt?

I tentatively think/hope could be a mix of both--I believe there is a part of him that cares about his children--but it definitely skews more toward making himself feel better because there's never a moment before the redemption arc begins where he's isolated, thinking back on everything, and just has the appropriate, "What have I done?" revelation. If his remorse was genuinely all about his family, we would have had that 'crying in the hospital scene' a whole lot sooner.

I think if Horikoshi wanted to portray Endeavor's redemption as genuine remorse for what he did to his family, I think he would have put more of a focus on Endeavor actually seeing the impact of what he'd done and feeling the inner turmoil and regret. Not just Natsuo's anger but also seeing firsthand Shouto's isolation and complete lack of social skills as a result of his training or having a conversation with Fuyumi where she admits she never wants to marry or have children because she doesn't 'want to risk ending up like Mom.' Seeing the effects of his behavior, realizing it's his fault.

So no. While there may be a part of Endeavor that loves his children (or he tells himself that he does), his wanting to atone is inspired mainly by his self-worth. He realized the ends did not justify the means and he tries to fix it.

But either way, how does he go about it?

The biggest change he makes toward earning forgiveness is to his hero career, which tracks with his character. That's familiar territory, so it's easier for him to navigate. He takes a significantly gentler method of teaching/mentorship with Shouto and he tries a kinder approach with his fans. That's progress, but it's still avoidance of the main issue that is the rift he caused with the other members of the family.

His relationship with Fuyumi doesn't have much friction. Fuyumi clings to their family's happier memories. With Touya gone, she was the only child who could remember a childhood without fighting parents, abuse, and suffering siblings. In a twisted way, this is something she and Touya have in common. So it makes sense that she would be the one who's the most receptive to Endeavor's attempts to be a better father. She sees this change as their best chance at being a normal family again. Like Touya, she wanted her father back.

Natsuo is different. He was 3-4 years old when the toxicity in their household really began to spike and when the violence started. Incidentally, this is also when memory cells in the brain start to fully develop and form concrete memories. Compared to his older siblings, the abuse is all he knows and that is why he's the child who left and went low-contact. The only thing Natsuo's really done wrong is start family drama when there's company over for dinner. I mean, c'mon. That's just rude. Don't do that in front of guests.

While Endeavor makes attempts to better his training methods/fan interaction, what he doesn't do is call a family meeting to discuss things, not that this would have resolved anything by a long shot, but it would have established a baseline of where everyone in the family was at and whether or not forgiveness was even on the table at all. It is an extremely arrogant thought for Endeavor to think forgiveness for something of this magnitude is possible, and if he wanted to seek forgiveness (or to atone, whatever the hell that means) for the lifelong mistreatment of family, he should have been more prepared for the most abject, humble groveling to the people he wronged that he could manage.

He should have admitted to his mistakes and faults, laid out everything he'd done wrong, apologize for that as best he could, then express he wanted to repair their relationship and be a family again while also acknowledging that he understands if that is not possible. Lay down that groundwork, maybe be open to family therapy so that a professional third party can act as a mediator and provide impartial guidance, figure out where the boundaries are, acknowledge he can't give them back their ruined childhoods but he can *insert anything Fuyumi, Natsuo, and Shouto ask as recompense, even if it's just leaving their lives forever*, and listen for once to what his family is saying.

Instead, he tries to have normal conversations with his children as if nothing bad ever happened. He offers to come watch Shouto's remedial training like that's a totally ordinary thing for him to do. He tells Natsuo during the family dinner that he would like to try his cooking some time. That is a good olive branch! There is nothing wrong with saying that, but without that prior baseline conversation, it comes off as contrived and that's how Natsuo interpreted it. He sends flowers to Rei, also a good signal to send, but he should have done the the uncomfortable thing and contacted her through her physician to see if she's open to meeting with him for a conversation or sending her a letter she could choose to open at any time (or send back unopened.) That would have established that same baseline and helped move forward towards the atonement he wanted.

But he does the same thing he always does: He pretends the real issue just doesn't exist and he tries to control the situation to suit him.

Why?

Say it with me: He never knows what to say! He can't navigate complex emotions!

He doesn't try to find out if his family is even willing to forgive him, frankly because he's an emotional coward who doesn't want to hear the answer.

However, we cannot say he has no character development at all.

There is one thing worth noting around this point in the plot that I think is important to recognize. If Endeavor ever had any character development that was in favor of his redemption, it was when Natsuo was kidnapped and nearly killed, and it's not because he ran and hugged him in the street.

In this scene, he admits to Natsuo that his actions might as well have killed Touya.

This is a small thing, but it also huge because you have to consider that up until this time, Endeavor has been gaslighting himself into believing it was Touya's fault for getting himself killed or Rei's fault for not doing as she was told and watching him. He could even have been irrationally blaming All Might for just being a barrier to his goals. Any warped excuse and justification he could think of to escape the blame.

It's not a lot, but he did finally give voice to the guilt that he is the reason he failed and his child died. He finally acknowledged that the blame lies squarely with him and no one else, and acknowledging he drove Touya to his own death means way more than just talking about his intentions to atone.

He took accountability here, at least within the family.

That is one point he's earned. We as the audience can begrudgingly concede that one.

But this progress is again stalled when Endeavor makes the decision that it would be best for his family if he distances himself from them. He chooses to build another house for them where they can all live together with their mother and away from his shadow.

The initial reaction I had to this decision was, "Okay, your solution is kicking them out of the only home they've ever known?" But then I considered that having those kids leave a house where they lived through a traumatic and stressful childhood was a good call. Natsuo already bailed, after all. And then there's Fuyumi... Yeah, you know what, maybe a conversation would have been appropriate here. Instead of finding out what they want, he goes and decides it for them like he always does.

Touya has a genetic disparity that prevents him from using his Quirk safely? Endeavor decides he shouldn't be a hero, disregarding any possibility of finding a potential workaround.

Shouto finally uses his fire at the Sports Festival? Endeavor has his whole speech that pretty much shows he has Shouto's entire life planned out after graduation.

He wants to do what's best for his family? He decides what's best for them.

And we're back to the big dumbass never knowing what to say and still running away from the main issue by making assumptions and decisions without actually considering the thoughts/opinions of the people around him and controlling the situation to his benefit.

He may have his intention to do better, but he has no idea what he's doing. He doesn't know how to relinquish his authority role.

And then we have Touya with his, "Bitch, you thought!" grenade. Or is it a nuke?

It's important to note is that failure to articulate emotion in a healthy way is a trait that is shared by all of the Todoroki family members.

Endeavor - the emotional coward who resorts to violence when confronted with an uncomfortable situation

Rei - the passive mother

Fuyumi - the peacekeeper and people-pleaser

Shouto - the child who was systematically deprogramed into an angry husk imitating his father that he has only recently started to recover from

Touya and Natsuo are the only two who actually have some pushback against the bullshit in their family. Touya's a whole kettle of insane fish who's warped psyche deserves a character analysis of its own, but the point is, even as a kid, he doesn't creep around his father or try to make peace with him. Natsuo also has no problem calling out Endeavor for everything that went wrong in his childhood, plus he moved out and went to college as soon as he could.

Touya - the unstable sociopath who shares his father's tendency to violently lash out while stuck with the mental fragility of his mother

Natsuo - the traumatized avoidant

Neither of them have a functional way of dealing with their issues. (In fact, Touya is so unhinged about it that the door has peaced out and is halfway down the street.)

Endeavor wanted to atone for what he did...by burying and not actually taking any real accountability until the unavoidable moment Touya is screaming down to him, "Is it because you became No. 1 that you finally paid attention to your family?"

Touya has a warped view of the world brought on by years of trauma, but he hit the nail on the head.

Endeavor's main motivation for atonement is for the self-satisfaction.

So we have the symbolism of Endeavor, who has always used his physical strength to solve his problems by beating them into submission and used his intimidating height to glare down at everyone beneath him, and then we have Touya standing on top of a mountain, shouting down. Endeavor's in a position where he's looking up at his dead child, who is arguably the broken bough, elephant in the room, core unavoidable reason a full atonement was never going to be possible, bringing about a twenty-year overdue reckoning.

And he once again doesn't know what to say.

As the story ends, this is where we leave him: Crippled, looking up at his dying child, and confronted by one of the lives he ruined. By choice, he's going to sit here and face what he did. These talks are not going to be pleasant. I doubt Touya is so burned out and exhausted that he doesn’t have the heart to spit out more of the lifetime of vitriol he’s built up.

I know a lot of fans were disappointed Horikoshi didn’t kill Endeavor off in the end, but I personally prefer to look at it this way:

Some characters deserve death.

But some deserve to live in despair.

...

To revisit Arcane, I think this quote neatly sums up Endeavor.

[misc-obeyme]

OBEY ME ZODIAC SIGNS

I mentioned in this post that I had opinions about this & @impish-ivy left a tag saying she’d like to know my thoughts on it. And as we all know, a single tag is all it takes! So here I am!

Lemme start by giving you my qualifications… I have none. Unless you count growing up with a hippie for a mom who was really into the zodiac & astrology so I spent all my life hearing about it. And I mean she’d read books to me on the topic. She also taught me quite a bit about the tarot and I could get into some symbolism there, too, but let's save that for a different post. (Not me assigning each character a card from the Major Arcana.)

Nowadays I mostly use it to help me remember the birthdays I choose for my OCs lol. It's fun to think about for character creation. But in the end, this is all just my opinion based on what I know of the zodiac! It's all just for fun~

For quick reference, I am going to list the zodiac signs, their symbols, their associated element, and their date ranges.

Aries | The Ram | Fire | March 21 - April 19

Taurus | The Bull | Earth | April 20 - May 20

Gemini | The Twins | Air | May 21 - June 20

Cancer | The Crab | Water | June 21 - July 22

Leo | The Lion | Fire | July 23 - August 22

Virgo | The Virgin | Earth | August 23 - September 22

Libra | The Scales | Air | September 23 - October 22

Scorpio | The Scorpion | Water | October 23 - November 21

Sagittarius | The Archer | Fire | November 22 - December 21

Capricorn | The Goat | Earth | December 22 - January 19

Aquarius | The Water Bearer | Air | January 20 - February 18

Pisces | The Fish | Water | February 19 - March 20

Please Note: I do take the cusp into consideration. When someone is born on the cusp, it means they were born on a day that is on the cusp of two signs. For example, someone born on April 19 would be considered on the cusp of Aries and Taurus. This means they can have some traits of the sign they're on the cusp of. I think of it as a date range. So in the above example, I would consider April 17 - April 22 the cusp range of Aries and Taurus. The Aries traits would be stronger on the Aries side and the Taurus traits are strong on the Taurus side. I will sometimes refer to this as being a "cuspie" because lol it's cute, right?

Okay let’s get into it because I can tell they did not consider the characters' astrological signs at all when they chose their birthdays.

LUCIFER: JUNE 6 - GEMINI

Now obviously his birthday was meant to be a reference to 666. Since it's 6/6 and all. But that cute little reference also makes him a Gemini. A GEMINI. (Hi hello, actual Gemini here, there is just no way.) Gemini is an air sign that's known for being good at communication, artistic, flighty, and easily bored. Does any of that sound like Lucifer to you? There is no way a Gemini would ever be caught dead at a factory tour, okay? (I would, but I'm also a cuspie so I got just enough Taurus in me to be interested in a factory tour lol.)

I say he should have been a Cancer. Now before you come at me and say what Lucifer as a weepy Cancer you can't be serious, don't you mean he should've been a prideful Leo? No. Because Leos also like being the center of attention. If Lucifer was a Leo, he would absolutely thrive on Diavolo's constant compliments. Lucifer is a crab and we all know it! Hard exterior, putting on that prideful and competent persona, but soft and squishy inside. Only weepy in private, but secretly longs to weep. LOL. Also? Intense mood swings because of overwhelming feelings. And also also? Family obsessed. Will kill for those they love.

MAMMON: SEPTEMBER 10 - VIRGO

As hilarious as it is to consider that Mammon is the Virgin, there is no way. Mammon as an earth sign at all is silly enough, but add in the fact that Virgos are practical and perfectionists and I'm just like… not this guy lol. I think Virgos can also be a bit shy at first too. And like you could say Mammon acts like he doesn't like you at first because he's secretly shy, but I think it's more about damaging his cool guy rep.

No, I think Mammon should've been a Gemini. Flighty air sign. Easily bored. But with a wild imagination that can come up with, you guessed it, schemes. In his case money making schemes. They also like to be aware of the trends, always looking at the new shiny things. Geminis are smart, but not always good at applying their smarts. The other thing about Geminis? They're deeply emotionally intelligent, but you can't always tell right away. This is why they're kinda known for the whole "two faced" thing (which is not really accurate tbh). They have a light and airy and fun personality on top, but underneath they can be serious and understand the needs of others. And once you befriend them, they are ride or die.

LEVIATHAN: APRIL 9 - ARIES

Absolutely not. An Aries is a bold fire sign, they're courageous, assertive, and a natural leader. That is like the exact opposite of Levi.

I honestly had a difficult time deciding what I think Levi's sign should be. But in the end, I settled on Virgo. Mostly because Virgos can be neurotic and end up worrying themselves into disorder and that sounds more like Levi than anything else. I also think the practicality and perfection can apply when considering how carefully Levi pursues his hobbies. He's always on top of when things are happening, displays his merch meticulously, and cares about all the little details.

SATAN: OCTOBER 20 - LIBRA

Uhhh sooooo I mean…. listen, the main thing about Libras, in my opinion, is that they are super friendly. They like having a large group of friends. And like Satan has connections, but I'm not sure if that's really the same thing. He's been known to isolate himself for days just to read without stopping. Like that does not seem like the social butterfly type to me. He's also a cuspie, so there could be elements of Scorpio mucking up those Libra sensibilities. But I still don't really think that makes a lot of sense.

I'm kinda feeling Capricorn for Satan. Someone who cares about rules and regulations. Someone who's willing to help family and friends at the drop of a hat. Ambitious and successful and willing to put in the work, including in relationships. Even better if you give him December 23 or 24, so he's juuuuust on the cusp of Sagittarius. Thus giving him the Sag's pursuit of knowledge quality and a lil dash of childlike wonder ('cause of how he is with cats lol).

ASMODEUS: MAY 16 - TAURUS

Truly an affront to all things astrological. Do you really expect me to believe that Asmo is a Bull? Please. Like yeah, a Taurus can be passionate, but they're also stubborn and stable and kiiinda set in their ways. And yo that ain't Asmo, friends.

Asmo should've been a Leo. The type of person who turns heads just by existing. They're unapologetically themselves and they know how enticing they are to others. A bright, bold, fire sign that'll blaze into a room, full of confidence and ready to start the party. Can be a little too into themselves, but they're also full of generosity and a warmth that attracts people. I would also have been okay with Libra, but I think Leo is more accurate.

BEELZEBUB & BELPHEGOR: MARCH 11 - PISCES

This one fits. Beel really is a Pisces. Emotional, caring, highly family oriented. Maybe a little weepy. Pisces is a good choice for the twins. Not only do you have the dual fish as their symbol, but I think Belphie is what you get when a sweet Pisces suffers from intense trauma. Zodiac signs only really take into consideration general characteristics. People change how they act from life experience, too, and no amount of being born under the fish is going to change that for Belphie. Inside, he's got that caring and emotional state that Beel wears on his sleeve. Belphie just had to build armor around it because that's how he has reacted to being hurt. So I actually think this sign works for both of them.

DIAVOLO: OCTOBER 31 - SCORPIO

Well, he's got the passion anyway. I dunno I feel like Scorpios are also overly dramatic, tend to hold grudges, and kinda do whatever they want. Like they give in to their emotions a lot. Diavolo just doesn't feel like a Scorpio to me. Maybe if he was a little more devious than he is.

I think Diavolo should have been an Aries. The fire symbolism is nice and the fact that it's a ram is also funny (MC being a sheep right), but straight up an Aries is a good leader, they're courageous and adventurous. They love new experiences, kinda like Dia being obsessed with human world stuff he's never experienced before. They rush into things sometimes - anyone remember a baby!Dia trapping Barbatos? This is like he gets an idea in his head and he's like that's the best solution! But it isn't always and I kinda think Barb's influence has mellowed that out over the years. So yeah, Aries for this guy. Though I would have accepted Leo, too, I just don't think Diavolo is as self-obsessed as a Leo usually is.

BARBATOS: AUGUST 22 - LEO

You know, in true CC fashion, I really spent a lot of time considering what would make the most sense for Barbatos. My initial reaction to him being a Leo was no fucking way. Leos like attention too much and we all know Barb is a lurker. However, he's also on the cusp with Virgo. And I kinda think that Virgo's practicality mixed with Leo's charisma could equal out to one Barbatos. Virgos are known for being proficient and efficient and always getting the job done right. They're also known for wanting to be of service to others. Leos, on the other hand, are magnetic and generous. However, they're also really flashy and tend to be hung up on what others think of them and that's not Barb at all.

So while I think the Virgo/Leo cusp could work, they'd need to put him on the other side of it. More Virgo less Leo. Like maybe August 25. That being said, I also initially gave Barb the sign of Capricorn. If I wasn't going with a cusp situation, this is what I'd choose. It's the restraint and meticulousness. Capricorns can be taskmasters, especially when it comes to themselves. In a human this leads to burnout. Since Barbatos is a demon he seems to be able to work hard all day every day and still be okay, but he's not exactly good at resting. A Capricorn is also someone other people come to for advice because they're known for being good at everything they do.

SIMEON: FEBRUARY 10 - AQUARIUS

Aquarius is a weird sign. Like no offense to Aquarians but the symbol here is literally called the Water Bearer and yet it's an air sign? What does it mean? It means that this sign is full of super unique individuals. And yeah okay Simeon is pretty unique. I'm not like there's absolutely no way. But I do think there's a better sign for him.

Should've been a Cancer. Yes, like Lucifer. Think about it: emotional, caring, family oriented, but where Lucifer has the armored crab shell, Simeon has learned to allow some of his soft squishy to show. Both can be very mothering, they just show it in different ways. Trust me on this. HOWEVER. I actually think Simeon should have been a cuspie. Like me, but on the other side. So on the cusp of Cancer and Gemini. Mostly mothering and emotional Cancer, but with the creativity and airiness of Gemini. You know what Geminis are good at? Writing. So I think Simeon has traits from both Cancer and Gemini and would be best on the cusp. (Give him June 21.)

SOLOMON: DECEMBER 9 - SAGITTARIUS

They got this one right. Solomon is absolutely a Sagittarius. The symbol of this sign is the Archer - a centaur with an extended bow. It represents the duality of a Sagittarian's personality. An old soul with childlike wonder. Able to get excited about new things, but also full of experience and wisdom. If that's not Solomon, I don't know what is. Someone who likes to be free, enjoys exploring the unknown, is dedicated to learning but also to teaching - yeah, this one is accurate.

LUKE: JULY 15 - CANCER

Due to the fact that Luke is supposed to be a child, it's important to consider how his sign manifests in someone younger. It can be different from how an adult would be described, but the general idea is usually still the same. I kinda think Luke could in fact be a Cancer. He cares a lot about his friends and family, he's dedicated to them in a way that causes him to defend them at any perceived insult. He can be emotional, but that's also kinda just… he's a kid, you know?

And I think Luke is a Libra. He cares about everybody as mentioned, but he also likes when people get along. If we looked at who he is when he's not worrying about a demon's questionable influence, such as how he is with MC, he's thoughtful and kind, friendly. See how he is with Barbatos and Simeon. He likes learning from them and spending time with them and I think that's the sort of social butterfly Libra quality. I see Luke growing up into someone who has a lot of friends, but also likes to keep things balanced as evidenced by the Libra scales.

MEPHISTOPHELES: NOVEMBER 11 - SCORPIO

It's kinda funny that Mephisto and Diavolo have the same zodiac sign. But it also doesn't mean anything, I just find it humorous. However, Mephisto could actually be a Scorpio, more so than Diavolo, in my opinion. We have seen mostly the negative traits of a Scorpio displayed in Mephisto - jealously, the tendency to hold a grudge, possessive and resentful. But a Scorpio can also be passionate and fearless and perceptive. Mephisto has the grudge thing going on with Lucifer. And he's a little closed off to MC at first. But his perception allows him to consider how MC feels and thus makes it easier for him to understand them. Not to mention how dedicated he becomes once he is friends with someone. While I think there are probably other signs that would work for him too, I don't have a problem with him being a Scorpio.

RAPHAEL: SEPTEMBER 29 - LIBRA

What. There is no way. NO. WAY. I refuse to accept Raphael as a Libra, I'm sorry. It's just not possible.

So what is he, then? A Taurus. The Bull. Quiet, stubborn, no nonsense. Patient, well grounded, likes to feel secure, determined. While a human Taurean would be interested in establishing their career, Raphael had a different goal due to being an angel. But I think we can equate the climb to the top, becoming the youngest angel ever to be a seraph, as obtaining financial stability. It's stability, but in a different way. Secured by the rank rather than the monetary value. Only investing time in what they believe is worth the effort, but once decided they become loyal to a fault. Good at standing up for their principles, but less likely to mess with things that threaten their stability. There might be others he could be, but this one feels right to me.

THIRTEEN: JANUARY 13 - CAPRICORN

Seeing as how I made Satan and Barbatos Capricorns, I don't really feel like Thirteen fits this sign all that well. She's not restrained at all and I don't think she's overly ambitious, either. Not a taskmaster for herself or anyone else.

Thirteen is an Aquarius. A rebel, someone who sets trends, someone who doesn't care about rules. Thirteen is a reaper who wears a school uniform that she completely modified because she likes it and she never even had any intention of attending said school. You gonna try to tell me that person isn't a rebel? Unique, quirky, and independent. That is so totally Thirteen. They also tend to fight for the collective good and while I haven't exactly seen Thirteen joining protests or anything, I don't know that I would discount this quality entirely. She's just definitely leaning more toward the quirky unique part as well as innovation (thinking up different traps for instance).

masterlist | Thank you for reading!