Giving the close boys my trait of calling any money I’m given ‘free money’
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hey! there's zero esims left for the connecting gaza campaign as of today. i remember you promoting them earlier. could you give them a much needed boost?
oh dang! unfamiliar with that particular campaign, as I always donate via crips for e-sims because it's super easy to do, but regardless let's go people!
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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I am so sorry to bother you with this stupid question, but Bisan has asked for a complete stop in economic activity. Can I still donate to help Palestinians or is it better to avoid any transactions for the week ? Thank you so much for what you're doing
hello anon. don't apologise, you're a breath of fresh air after the recent visitors in my inbox. I think a slightly more accurate description of Bisan’s ask is to stop or minimise all economic activity not in direct support of Palestine. Now more than ever, I would encourage people to donate to escape funds for Palestinians, to direct aid organisations like CareforGaza and the PCRF, and to buy e-sims as they’re running low.
Below I’ve compiled a list of resources below but this is definitely just a small sample size of what you can do to help during this strike. This post here is an extremely comprehensive resource that I’d recommend you have a look at.
credible organisations that are doing work on the ground in Palestine:
Care for Gaza:non-profit charity that distributes money, food and other resources directly to families in Gaza.They maintain a regular presence on Twitter and Instagram. You can donate to them via Paypal here.
PCRF / Palestine Children's Relief Fund: non-profit organisation that distributes essential food and resources to families in Gaza. Most recently, they delivered 30 tons of vital medicine, and 82,000 pounds of flour.
Medical Aid For Palestinians: deploys medical teams to treat Palestinians suffering under Israel's malicious bombardments.
Donate e-sims to Palestine: massive post with tutorials and relevant links, with discount codes included in the post and in the replies.
help people leave palestine (donate what you can)
Help a Family Evacuate Gaza (GoGetFunding)
Save Sanaa and her Family (Gofundme)
Save Amjad Saher and his family (Gofundme)
Help a family of 13 escape Gaza (Gofundme)
Help a Palestinian children's book illustrator save her family of 12 (Gofundme)
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i redrew an old anim i did of some guys taking a post-patrol nap
dickie is gonna get in trouble for wearing boots on the antique chaise lounge. no one tell alfred
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DONATION COMMISSIONS ↓ 🇵🇸
this is a verified and vetted fundraiser sponsored by gazafunds (twitter) + i spoke to feras myself
i will literally draw you any character of your choosing if you donate either 5$ or 10$ or more to his fundraiser (just dm me the receipt!) and if you can't donate please share 🙏
currently at 15,397/19,999$
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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I am never inclined to make fun of tumblr's cheesy attempts to make money and generally support them even if you consider them cringe. Websites need money to operate and tumblr needs to find a way to make money consistently or it will cease to exist. I do not want tumblr to cease to exist, and the most common alternative method of making money is to collect and sell all of our personal data, which I do not want either. Websites that can support themselves via people willing to spend $25 bucks to commit to a bit is a sign of a brighter and more sustainable version of the internet.
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in all honesty i feel there shouldn't be any christmas celebrations at all until palestine is free
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A roll of USPS stickers meant for shipping ashes. There's enough here to last me a lifetime, and some after.
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I’m surprised he didn’t start licking the furniture
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Bisan is calling for another global strike!
I saw some posts just outlining Jan 21st, and wanted to clarify that Bisan has called for a full seven days of action.
What a global strike would look like is:
calling in sick to work
purchasing bare essentials ahead of the week so you can observe the general boycott of goods / buying as little as you genuinely can
putting in a concerted effort to elevate Palestinian voices and make it clear that this strike is in support of a permanent ceasefire!
For those who will have to purchase necessary goods during this time, please observe the brands that the BDS movement is asking us to boycott!
♢♢♢
Right now is also a good time to mention some better uses for your money during this week.
Available e-sims in Gaza are running low!!
Mirna El Helbawi and her team are working round the clock to continue to connect Palestinians as Israel does its best to cut them off from the rest of the world.
You can learn how to purchase and send e-sims here, and below you’ll find a list of what is currently needed (the areas in brackets indicate what region you should select to buy e-sims in).
--
CareforGaza is an organisation that does verifiably good work, distributing supplies directly to Palestinian families.
They have a Gofundme set up at the moment, but because of Gofundme’s poor track record regarding refusing to transfer funds to Palestinians, I’d recommend continuing to donate directly to their PayPal here.
Good luck to all of you. Don't turn away from Palestine!
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working at a grocery store has only made me even angrier about inflation and how food, water, and shelter isnt free
like just looking at groceries (not water or shelter) i see just a few bags (maybe around 5 or so) of food costing over $125 USD regularly. I've seen orders upwards of $600. and sure those have been bigger orders but no food should cost that much.
my coworkers and i shouldn't be complaining about the price of food when we get employee discounts.
a single bag of food for myself (usually containing some small pizzas, crackers, milk, and cereal) regularly costs between $50-60. minimum wage in my state is 15/HR. thats about four hours of work for one bag of food
a coworker who works on the front end of our store prides herself on being able to catch theives. everyone says how good she is at it. and sometimes it makes sense, sometimes people are just stealing to steal. but how do you ever know?
when the card reader we take outside is broken we are supposed to have the customers come inside to pay for their groceries if they're paying with EBT. there's a woman who's a regular who has a few small children and when she comes to pick up groceries they're usually asleep in the car.
am i supposed to make her choose between leaving her children alone in the car or waking them up and taking them inside?
four hours of work for one bag of groceries. is this not also theft?
four hours of work. let that sink in. four hours for one small bag of groceries.
we aren't supposed to accept tips but if we don't accept tips then how else are we supposed to afford our groceries?
i haven't seen a single person stealing food. you cannot steal whats already stolen.
although im no longer a christian, the teachings of my childhood have stuck with me, and in the bible it says "When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest. Leave them for the poor and for the foreigner residing among you."
society has reaped right up the the very edge and beyond of its fields, so it's up to us to reap what we can
four hours of work for one bag of food
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Some Chinese fashion styles
Disclaimer: The following styles and their definitions were observed by me and are not authoritative. I am only familiar with Hanfu and if I made mistakes and picked the wrong photo examples or fraud shops, please let me know. Also, this post focused on women's fashion because 1. I am not into men's fashion so I don't know much about them. 2. The algorithm also knew that so I don't really see them.
汉服/Hànfú
传统服饰/Chuántǒng fúshì (传服/chuán fú)
清汉女/Qīng hàn nǚ
旗装/Qí zhuāng
旗袍/Qípáo
新国风/Xīn guó fēng、新中式/Xīn zhōngshì
汉元素/hàn yuánsù
茶艺服/Cháyì fú or 茶服/chá fú
唐装/Tángzhuāng
中山装/Zhōngshānzhuāng.
汉服/Hànfú
The ethnic clothing of Han Chinese (not the Han Dynasty).
There was a prohibition of Han clothing and hair styles in Qing dynasty, i.e. the 剃发易服/Tìfā yìfú qu Queue Ordinance, so modern hanfu is an on-going revivalist moment.
Modern hanfu are based on archeological evidences with minor twists to suit modern like, such as the type of fabric used and cut.
As a result, there are many types of garments and sub-styles. The figure above shows some examples.
While which style should be included and promoted is a constant debate, but in general, the cutout line is the Qing dynasty (however small accessories such as purses are alright).
传统服饰/Chuántǒng fúshì (传服/chuán fú)
No example because I am not sure who identified with this label.
The Chinese traditional clothing.
This either referred to historical clothing restorers (regardless of ethnicity) or people who promoted that the traditional clothing of Han people should be in the late Ming dynasty style, since "people should get up at where they had fallen".
They might be agreeable with the hanfu movement or not.
清汉女/Qīng hàn nǚ
The clothing of women of Han Chinese in the Qing dynasty.
Since the Queue Ordinance wasn't that strictly enforced on Han women, the Han women clothing in the Qing dynasty had quickly absorbed Manchurian's elements while retaining the characteristic two-piece silhouette. (Manchurian women wore a one-piece robe.)
I believed it appeared around 2019 when the styles of hanfu had moved to fully embroidered surface to a more tone down brocade or weaved patterns.
旗装/Qí zhuāng
The ethnic clothing of Man people (Manchurian).
The women's clothing are generally in round collar opened on the left (youren) with straight sleeves.
The most basic item is a 衬衣/chènyī, which doesn't have vents.
However, the most common item I have seen on the street is a 氅衣/chǎng yī (probably rented), which should be worn on top of 衬衣, since they have side vents.
They usually have no standing-up collar but in some cases a fake collar could be worn.
On top of changyi they could wear a 马褂/mǎguà、坎肩/kǎnjiān、褂裥/guà jiǎn.
旗袍/Qípáo
The Chinese clothing of women originated from the Minguo era, known in English as qipao or cheongsam.
The male equivalent is 长衫/chángshān.
Currently in style is the retro-cut, while uses the traditional flat cut (no shoulder seam) instead of the more body-hugging modern draping style.
There are also many variations and cuts, but the overall silhouette is similar.
新国风/Xīn guó fēng、新中式/xīn zhōngshì
Innovative clothing that was inspired by Chinese traditional aesthetic.
It is an umbrella term.
汉元素/hàn yuánsù refers to clothing inspired by hanfu specifically, while xinguofeng could be inspired by qipao and other ethnic clothing. In addition, hanyuansu is a term more familair to hanfu-ers, so the target audience is slightly different between hanyuansu and xinguofeng.
茶艺服/Cháyì fú or 茶服/chá fú,i.e tea dress, which aimed to convey a zen and rustic aesthetic could also be considered a sub-style. They are often worn by retirees, artists or workers in tea shops, calligraphy shops, Chinese spas, Chinese traditional medicine clinics etc.
The older "Chinese style" generally refers to 唐装/Tángzhuāng and 中山装/Zhōngshānzhuāng.
Tangzhuang (Tang Suit) was a men suit characterized with a mandarin collar with a row of 盘扣/pán kòu frogs in the middle. There are two pockets at the bottom front of the suit. It was a well-known looked worldwide due to the 2001 APEC summit. However, other clothes resembled a 马褂/mǎguà could also be called a tangzhuang.
Zhongshanzhuang was designed and named after Sun Yat-sen but was often known in English as the Mao Suit. Mao Suit was characterised with a 关门领/Guānmén lǐng(“closed-door collar", but also known as Mao collar in English) with a row of round buttons. There are four pockets at the front of the suit.
中华lolita/Zhōnghuá lolita
A sub-style of the lolita fashion inspired by cheongsam/qipao, hanfu or other Chinese artistic elements.
The same item could appeared in different styles, but with different cut and accessories. The following examples showed a mamianqun used in different styles.
THE END
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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