#the way they did his character is so good tbh ... they way they built on the 'simplicity' of his character. and made him into so much more

[b4kuch1n]

Your swsh art always makes me want to replay the game because i love it and its my favorite pokemon game and every time i play another pokemon game i think of it how i miss certain elements from swsh. Then i boot up the game and im once again caught in the 1 hour 40 minutes hand held intro and im like ah- now i remember why i have been playing other pokemon games instead of this one. Happy (late?) birthday!

you don't want to listen to hop? you don't want to hear him teach you about type matchups? you don't wanna let him cheer u on...? 🥺 waa....?

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[astrxealis]

i love elidibus so much it is unreal

[ckret2]

Which are you personally going with for the obviously-3D pictures of Billy wearing sneakers: a) Billy in Sneakers is just a translation of one cute thing to a more 3D friendly cute thing, or b) We don't actually know how the second dimension works and it's wrapped and tangled in an incomprehensible and impossible to parse way that we limited beings shall never fully understand but which allows for sneakers? I could see you going either way tbh

God that's no contest, option A all the way. I've been working option A in every drawing I've made of Bill's dimension for well over a year. Option B's needlessly complicated for no benefit in a way that contradicts the lore we already have and that would open up a whole bunch of unnecessary cans of worms.

Bill all but says he's visually "translating" the image for our benefit. And we already know from Exwhylia in Journal 3 that Alex is well-versed in how physics & vision work in Flatland, and J3 heavily implied that Exwhylia is similar to Bill's home dimension. Sure, Bill says you'd need psychedelic food poisoning to fully understand his world, but the J3 Exwhylia page makes very clear that even if a human can see the lines that make up a world like his and understand intellectually what they represent, that doesn't mean you'd actually make sense of what you see—which accounts for Bill's claim just fine.

Combine that with all the themes Bill's universe borrows from Flatland (inability for normal people to see "up," a very conformist society, a plot based around one enlightened character futilely trying to teach the people around him about the third dimension, etc), and there's absolutely no good reason not to think his world's design is passably similar to Flatland or Exwhylia.

So, why do we all draw baby Billy and his family like this

instead of accurate to a Flatland-style 2D universe like this?

Because that ain't cute. rigid fidelity to the lore is less important than good storytelling and that means if you want to show your audience (i.e., us real people) how cute Bill was as a baby, you've gotta say "fuck it" to the lore and draw a cute triangle. Not draw a lore-accurate line and say "if you were a Euclidean that would look sooo cute to you, trust me bro." Making it actually look cute is what we all do as fanartists, and it's what the artists did in The Book of Bill.

Anyway who says his dimension needs to be some bizarre incomprehensible thing in order for him to wear sneakers? There's nothing stopping him from wearing squeaky sneakers in an accurate Flatland-style 2D universe. They'd just be built different. His shoes would look like an outline around his foot. Here, have an accurate Flatland-style 2D baby Bill (top down view) (with a squeaker in his sneaker)

I even kept the baseballs on his shoes.

[headlessdino]

fanon vs canon batfam

the way that the batfam fandom can change the characters so much makes me go INSANE because like... did we read the same comics orrrrrr................ I GET THAT NOT EVERYONE LIKES READING but they can watch shows or just interact content rather than making content in which the characters are heavily mischaracterized. that brings me to what this post is actually about.

fanon dick: best brother ever, has a good ass, nice to everyone, happy-go-lucky, peacemaker, happy robin, his ass, sensitive, hugs a lot, kind of dumb, but he has an ass so it's okay, did i mention his ass?

canon dick: more serious than in fanon, can be manipulative, driven, angry as robin, pretty sociable, can be an asshole, very trusted and respected hero, empathetic, puts others before himself

fanon jason: swears excessively, angry robin, hyper masculine, kills a lot, reckless, loner, undying hatred toward bruce, almost always aggressive, calls tim replacement and holds an insane grudge against him

canon jason: "robin gives me magic c: ", willing to kill when the situation calls for it, strong moral code, not angry at the fact that bruce "let" him die, not super close to the batfam tbh

fanon tim: coffee addict, outcast, sad all the time, gets no bitches, has no social skills, complete and utter nerd, has no spine and lets himself get bullied, kind of irrelevant, built like a twig, shy uwu boi bean (sorry) (i shed a few tears typing that out), only smart person in the batfam ever, "pure", kind of kid to get bullied and have his lunch money stolen from him, has abusive parents and has never felt an ounce of love from anyone ever

canon tim: more of an energy drink guy, pretty chill, has dated around and doesn't really struggle socially, skateboards, a VIGILANTE who has a decent amount of muscle (woah who would've guessed), kind of insane but also pretty normal compared to what they say he's like in fanon

i could keep going and talk about damian being characterized as violent but also like he's a baby or bruce being treated like a perfect parent OR an abusive one but i'm tired so i'm gonna leave it at that

[scribe-of-hael]

I think with the new Skybound comics and ES2 I am just tired of Starscream just being evil.

"Well he's always been evil!"

Debatable , but even if he was you have NEW universes where different shit happens, different events and butterfly effects. Do, somthing, eles. It is repetitive, it is tiring, you CAN do somthing different. Marvel does it , DC does does it. This is a series built of the concepts of multiverse.

Tfa is arguably one of the more different world considering the Autobots "won" , the Decpeticon forces are scattered and functionalism is VERY present. It was wildly popular! Optimus and Megatron didn't even KNOW each other, hell Megatron never even bothered to remember his name !

Armada acutally tried to give Starscream some sort of conflict, even CARING about the children even if a little.

Skybound is a just a psychopath and its just honestly for shock value and a way to make the squeaky seeker more "menacing" and honestly I roll my eyes. I'm tired of gore p*rn tbh.

Anything to do with a character that be worth wild, to go beyond the constant characterization after so many years is just tossed aside. I'd even argue they tried to tackle it in IDW. But nothing in video media.

It is the most devastating thing to present a character, a FAN favorite and hint at change but then whom ever is calling the shots just doesn't follow through.

Starscream can still stumble and fall , he can still struggle to be a good person. And I honestly WANTED to see that for him in es2. He can fall back into his habits, his unhelpful coping mechanisms. It's apart of untangling the trauma one has to go through to grow as a person and that's NOT a bad thing!

That is a very REAL thing people have to go through. Learning to be better is not an over night thing and I honestly wish we did see him stumble, regret it and try to do the right thing.

Instead they just in a kinda fucked up way JUSTIFIED what Megatron did to him. "He was crazy somtimes so I had to beat him up" like that shit wasn't funny then, and it's not now.

[tending-the-hearth]

my personal favorite parts of "transformers one"

warning for MAJOR spoilers below!!! a theater near me was doing an early access screening, the movie is officially coming out september 20 in the us!

first off getting the obvious out of the way with Megatron and Optimus' friendship, obviously we know what happens but when a movie with a clear eventual villain that's been iconic for years makes me hope it retcons everything that has ever happened so two characters can remain friends???? their friendship was EVERYTHING to me

also very happy to see that Optimus is still such a nerd i love him

i did love the little subtle hints with Optimus and Megatron's differences from the start

Elita and Optimus' moments together were my FAVORITES

JAZZ!!!!! BELOVED BELOVED DARLING!!!!!! LOML!!!!!

AND RATCHET MENTION!!!!!!! DR. HATCHET MY BELOVED

I like that they didn't try to hide the fact that Sentinel was not a good guy. Like he was just so skeevy from the start, but they built it up in a way that still felt intense when his betrayal was revealed

Bee <3 he's so silly <3 favorite guy <3

Also the AA-Tron joke was 100% a reference to the A-A-Ron skit which had me cackling

The immediately big brother-little brother connection between Optimus and Bee?????? cries

ughhhhhh Megatron's shift from wanting to help Cybertron with Optimus to just wanting revenge

and Megatron's view being "one person controls everyone" and Optimus' being "all are one" IT'S SO GOOD

AND THE OPTIC COLOR SHIFT!!!!! OPTIMUS' ALWAYS BEING BLUE BUT MEGATRON'S STARTING AS YELLOW THEN SHIFTING TO ORANGE AFTER FIGHTING STARSCREAM THEN TURNING COMPLETELY RED WHEN HE LETS OPTIMUS GO I'M GOING TO LOSE MY MIND

Bee's excitement about the knife hands and Optimus being excited for him!!! They are siblings!!!

also a crime that i haven't mentioned Bee saying "Badassatron" multiple times every time it happened i just lost it

but also love love love transformers and their "someone will die" trope i was expecting the Optimus death 100% but it still was SO good

I also loved how Optimus' voice became more and more sterotypically "Optimus" as he went through his journey, like he started off very goofy and silly, then after getting his cog from Alpha Trion we start to hear more of how we're used to hearing Optimus, then after he's brought back by the Primes it's pretty much a very strong younger version of Peter Cullen's Optimus

the VAs were actually really impressive for the most part. I thought Chris Hemsworth did a fantastic job as Optimus, putting in just enough of a similar inflection as Peter Cullen's voice that it still felt like Optimus, just younger

Brian Tyree Henry DESTROYED me as Megatron, his vocal change through the movie???? emotionally devestating

Keegan Michael Key is one of my favorite Bumblebee voices tbh <3 especially considering we've only gotten a few iterations where Bee actually talks, so it worked for him since he could make it his own

absolutely 10/10 movie, i will be going back to see it next weekend when it's officially out because i'm obsessed

[bibibbon]

The way Deku’s dynamics with the rest of the cast have taken a nosedive in act III is so depressing, there’s SO much missed potential.

He doesn’t reflect on Endeavor (beyond a brief moment protecting the Todoroki’s on PLW)

He doesn't reflect on Hawks actions being exposed for everyone to see, the safety commission conveniently evaporates so Hawks and Nagant’s roles on society have already been taken down, leaving his desire to change society feel shallow.

Hawks interacts with Deku on Villain Hunt but him murdering a Villain that was actually a good person isn’t explored, and neither is wanting to save Shigaraki or the way he’s gonna go about it when you could easily contrast what Hawks DID with what Deku should have done.

Endeavor’s reaction to Izuku having All Might’s power, his relationship with AM is ruined, his relationship with his own class is barebones besides Ochako, it’s so sad to see a character that was known for learning from everyone around him suddenly losing all of the wonderful dynamics he had and could have had in the last stretch of the story

I would say that Izuku's interactions with other characters and meaningful interactions+intropsection that can directly help his character development has decreased in both quantity and quality since the middle of act 2 or much more accurately since the bakugo Vs izuku fight part 2 (is when I noticed it tbh)

I say this because it is exactly after those acts that we see less of izuku and all might relationship being depicted in a meaningful way or we don't have all mights problems with his successor being addressed, take for example the vigilante arc where all might and izuku meet after their falling out is framed as a gag or joke and we never see them talking it out. Sure the introduction could be played for a bit of laughs but what rubs me the wrong way is that there isn't a slow meaningful talk about this between the two (also I have just come to the realisation that all might and izukus relationship should of been built up a lot more before this moment and they're quite shallow in terms of mentor and mentee)

There's also Izuku's relationship with enji todoroki that somehow does a complete 180 spin where he first went from hating on enji for what he did to shoto and his family to then defending enji infront of touya and telling shoto that he is ready to forgive enji somehow even though enji has done unforgivable deeds. This moment just seems ooc for izuku and even after everything is revealed in more gruesome details like you said we don't even get a scene of izuku thinking about it or actually acknowledging that enji is a bad person and that touya has a point.

Or when the dark corruptness of society is revealed we only see izuku exclaim and almost berate lady nagant for killing her boss (who drove her almost insane because of the amount of killing he made her do) and it's so convenient that HPSC doesn't exists anymore so horikoshi doesn't need to make Izuku think about it at all (ultimately this ends up being bad because Izuku's dream of ripping up the realms of good and evil like a rug become almost meaningless) he k izuku doesn't thunk abkut how it was the hpsc and UA that sent both him and his classmates to war as child soldiers (actually none of 1A or 1B think about this)

Izuku and hawks could of had a meaningful conversation about how to go around saving villains and how their ideologies may clash with hawks believing that Jin needed to be killed to prevent tragedy and izuku wanting to save shigaraki. Izuku and hawks share some interesting parallels with one another but they're not deeply explored especially when they can be and lead to more izuku and hawks intropsection. Ultimately Izuku and hawks do have similar thinking styles with both of them believing that because a villain wouldn't back down that they can't save them, both of them being used as weapons by society, both of them wanting to protect, both of them being great analyst and having great intelligence. These are just some things that they have in common.

Or Izuku and his somewhat superficial or shallow bond with his classmates. I can admit that izuku and some of his classmates had a strong build up for some interesting relationships like izuku and iida (but due to iida being sidelined the whole holding hands moment and reaching out kinda falls flat) or Izuku and shoto (but Izuku's view of enji ruins it a bit and it's a shame we dont see izuku spill the beans to shoto since shoto is always the first to notice izukus emotional distress) or izuku and ochako (but it got muddled a bit because of the whole shipping thing and the way the narrative frames some of their moments). I think Izuku also needed more time with other classmates to build a proper relationship with them that's not based on transactional things that he did for them like encouraging jiro for the school festival or standing up for ojirou (I would of liked there to be more in between all of that)

Heck there are overall more character relationships that I want Izuku to have in deeper depths like izuku and shigaraki are pretty underdeveloped or Izuku and mei who had great chemistry or Izuku and shota. heck established relationships like izuku and kora or Eri should get more screentime and depth as they can for sure help Izuku's character. Izuku and his relationship with his mother could of easily been turned into an arc where inko realises that she is neglectful and steps up as a parent. Etc etc.

Ultimately it's a shame that these things never happen because what made Izuku's character so compelling to me is his parallels and foils with the rest of the cast and that he is a character who learns, adapts and also should of been one that questions and influences change within society but he doesn't!

[fyodoro]

CHAPTER 148?? THIS WAS CRAZY??? anyways spoilers below cut (just me sharing thought and opinions, all good) but heres a panel of endo bc even if i hate him, he’s still a little comedian sometimes

Sakura accepting that losing is okay was the main focus in this chapter, which I think is really nice. I also like that he makes it clear that there’s a difference between “not winning” and “losing,” because in a way, yeah, they are two different things. But here he comes to accept that both are okay. Yeah, he really wants to win, and he’s not okay with “losing,” but he’s okay with “not winning.” I give props to Satoru Nii here, he did a great job with this.

I know a lot of people want that rooftop fight, or at least a glimpse of it, but if I’m being honest… I’m kinda glad we aren’t seeing it. These little glimpses of Umemiya are enough, and they’re Nii’s way of telling us that Sakura and Umemiya are in the same headspace right now. I said it before but I don’t have a problem saying it again… I really do think Umemiya should be out of commission after this arc, even if it’s briefly.

It’s definitely a hot take, but Wind Breaker is at a point in its plot where a sacrifice needs to be made. I’m not saying kill the guy, but a coma might be probable. Maybe I’m just so used to mangas with dreadful deaths and sacrifices, but yeah, that’s my opinion on the hidden fight.

Lastly, Sakura’s sacrifice. Tbh this was perfect. I said before that Sakura going with Endo would be an amazing setup for the next arc, but I also said that if executed right, him taking Endo down would be amazing for his character. And… yeah, this was executed perfectly. We the audience knew that Sakura could not beat Endo, and so did he. These last few chapters built on his character growth with his inner-monologue and paid off in the end.

He made it clear that he was okay with sacrificing himself for Furin’s sake, that he’d go with Endo if he won. But no one actually wants that to happen besides Endo, and Sakura quite literally has to take him down. So what better way than knocking both of them out at once?

So yeah, 10/10 chapter. I’m really happy with the writing recently and I’m hoping that it only goes up from here. I appreciate Satoru Nii’s understanding of his own characters a lot and I’m so grateful for his care put into the story.

[pumpkin-bats]

What's Important - Daiki Aomine x Reader

a/n: The poll has spoken! And tbh the results genuinely surprised me. Since Aomine and Akashi tied, I’m gonna do them both! KEEP IN MIND THAT ALL CHARACTERS ARE AGED UP. Thank you. I hope you all enjoy!

summary: He shows up for something important to you that you thought he'd skip.

contains: sfw topics, a bit of personal space invasion, gentle above the neck touching, gender neutral terms for the reader.

wc: 1k+

It wasn't a date or an anniversary, but you'd be lying if you said it didn't feel equally as important.

The thing that set you on the path for your particular set of career goals was a very specific internship. Ever since your third year of college began, you've focused all your energy and efforts towards trying to get said internship. And you had to learn the hard way that it was a high competition, low acceptance, and extremely difficult to qualify for type gig. Yet you made it.

You'd gotten the news earlier that morning as Daiki was getting ready to head out. In your excitement, you'd nearly burned your hand on the stove.

Thanks to your blatant level of enthusiasm, you ended up explaining the situation to your boyfriend before you could accidentally launch an egg at his face trying to silently contain yourself. And with some huffing and puffing, you both settled on plans to celebrate later in the evening.

At the time, you were too blinded by the pure, utter joy that overcame you that you'd forgotten. Now, as you sit on the couch with food spread across the coffee table along with a few other things, you remembered.

The thing is, Daiki isn't the most... timely person. Not to say he didn't treat you well, he did, he just has an issue with showing up to certain events on time, if at all.

The both of you met in your second year of high school. Things started as a tentative friendship, bordering on arch enemies, before it developed into something more around your third year. And over the years you learned a thing or two about his track record in terms of attendance. Namely, how he'd built a bad habit of skipping basketball practice or any other event he deemed unimportant.

As much as you'd like to say it was something you didn't have to worry about anymore, he still had a tendency to miss or skip out on plans the two of you have made. You'll never forget how one time, during the earlier parts of your budding relationship, he bailed on a date for something he refused to specify. That was also the first time you had your first major fight.

All that to say, as the seconds ticked by and it became a good half hour or so past the agreed upon meetup time, you realized this might just be one of those events he deemed unimportant.

You held out hope, but it was a brittle thing. After all, you knew that getting the internship had a bigger effect on you than it did him. Still... you waited a bit longer.

When it was creeping toward a full hour after what you planned for, you slowly stood up and shuffled forward to start putting the food away. It was when you reached for a large bowl of chips, fingertips barely grazing over the rim, that you heard the lock to the front door click before the telltale squeak of it opening.

"Hey, practice ran late so-" You stand there, arm stretched out in midair, staring like a deer caught in the headlights at your boyfriend who'd just stepped into the living room. A towel was slung loosely over the back of his neck and he'd been using one end to scrub at the back of his hair, but paused when his eyes met yours.

"Why do you look so surprised? It's just me." He asked, lowering the towel and raising a brow at your frozen figure.

"You're back," you answered, quite dumbly in fact.

"I live here. And we have the whole-" he gestured vaguely at everything you'd set up and had yet to put away, "Celebration thing for you internship thing."

"Yeah, but... you're actually gonna celebrate it with me." His brows furrowed, a frown creeping onto his face at the baffled way you said it.

"Why wouldn't I?"

"Oh, well, no, because I thought- I just-" it took you a second to kick your brain back into gear and unfreeze long enough to spit out a coherent sentence. "I didn't know if you really would. Not to be rude but... you don't have the best track record when it comes to going through with plans."

"What?" His expression soured for a moment, voice dipping low and biting. It lasted for all but a second as he clearly forced himself to relax. 

Daiki stepped into the room, dumping his bag on a nearby chair before moving closer to you. His steps were heavy but they didn't thunder as he approached you. A faint smell of sweat drifted from him and you're suddenly reminded of how, despite his complex with the sport since high school, he continued to play and practice.

"I'm here, aren't I?" In a few strides he stood toe to toe with you, your neck aching from how far back you had to pull your head in order to look up at him. "No way I'd miss something you talked my ear off about all morning."

"That's because it means a lot to me."

"That's why I'm here."

There was a moment where the two of you stared at one another in silence. The deep blue of his eyes glinted under the lamplight, sharp enough to cut. His gaze was intense enough that you needed to fight the urge to take a step back. It felt like electricity snapping and dancing across your skin with the way it prickled under the full weight of his attention.

To help diffuse some of the charged energy in the room, you let a nervous chuckle slip out and poke playfully at his stomach. Though it clearly did nothing when it felt like poking straight concrete.

"I thought you'd say something like 'the only one who can tell me when to do things is me.'" You chuckled weakly at yourself,  pitching your voice a bit lower to mimic his voice. His eye twitched and it's all the warning you get before he moves.

His fingers reached out to glide along your jawline and settled gently on your cheek. Not a caress, but similar enough to it that your breath hitched at the touch. He bent down to be as level with you as his monstrous height allowed him to be. 

There was no escaping the oceanic chasm in his eyes, swallowing in the sight of you and holding you firmly in place. A soft smirk played at his lips when he leaned in close, nose nearly brushing yours.

"The only thing that's more important to me than me, is you."

{Fin!} Thank you for reading ^o^/

[frevandrest]

more on jamgate?

i read charlotte’s memoirs years ago but i dont remember the details

Sorry for my late reply! I love to call it "The Great Jamgate of 1793", but in truth I am unsure when it happened. Does anyone know when Charlotte persuaded Robespierre to come live with her, but then he got sick and Mme Duplay brought him back to Duplays? The jamgate happens after that. (So it could be the Great Jamgate of 1791 or 1792, lol).

Charlotte tells us how she loved making jams for her brother, who had a taste for sweets and fruits. She would send her maid to Duplays to deliver jams, and, according to Charlotte, Mme Duplay always had a snarky comment on that.

The worst happend one time when Mme Duplay sent the maid back, refusing to accept jams, saying something along the lines of "Bring that back, I don't want her to poison Robespierre".

Naturally and understandably, Charlotte was shocked and hurt. It was inded a shitty thing to say, even as a "joke". In line with the narrative Charlotte built about herself in the memoirs, she claims that she "swallowed her sadness" and said nothing to Mme Duplay or Maximilien (as to not cause him pain).

Of course, we have to remember that this is Charlotte's version of the story (we don't have one from Duplays), and Charlotte is not always the most reliable of the narrators. Still, the anecdote seems too specific to just be made up, so I am willing to believe that there was indeed a Great Jamgate of some sorts. We do know that Mme Duplay didn't like Charlotte much, and it's possible that she ridiculed her cooking skills. (Those two women seemed to fight over who would pamper Maximilien). Mme Duplay obviously saw herself as superior, and tbh, she probably was, but I doubt that she really thought that Charlotte wanted to bring harm to her brother (?)

Still, I can see Mme Duplay saying something snarky about Charlotte's cooking. But I can't guess anything more than that.

The way Charlotte described the Jemgate, it has all the typical story points of her narrative: there is always a harpy woman who hates her and tries to take her away from her brothers. The harpy is horrible, but she (Charlotte) never says anything because she is good and non-confrontational, and she doesn't want to hurt her brothers or cause any problems.

Needless to say, this goes against everything that we know of her character from other sources. Charlotte comes off as too outspoken and stubborn for this meek and obedient image she paints of herself, not to mention that she did get into fights with her brothers.

So it's difficult for me to trust her version of the Jamgate, even though I do believe that there was a Jamgate in some form. In my opinion, it reflected the two women's fight over pampering Robespierre - a fight he seemed to ignore (probably as a woman's thing, as if it wasn't happening because of him). As a sister to an unmarried man, Charlotte absolutely had all the rights to be the one to care for Robespierre and his household - it was an important duty that an unmarried sister would do for her brother. In that sense, Duplays overstepped the social boundaries, even if Charlotte was indeed bad at household duties (my theory is that she was too busy with the revolution but I don't have a concrete proof, except my wishful thinking).

Still, it was Robespierre's fault for not saying anything, and for not recognizing the social mistake of the situation. I believe he really felt pampered and cared for at Duplays in a way Charlotte could not provide (if anything, she was one person and Duplays had 4 women ready to pamper him). A different sister might not have cared, but Charlotte was obviously feeling rejected. Couple this with the Northerner vs Paris anymosity and you have a recipe for disaster. Robespierre not solving the situation is not surprising, given his character (I wonder if he noticed anything/knew/understood what's going on), but it's not an excuse, because it was on him to mediate between Charlotte and Mme Duplay, since the whole mess was about him.

[tevanbuckley]

Hi! Heading into season 8 with buck and tommy, do you think it’s about time they cement a relationship for buck as a long term or endgame potential? My impression is that Tim doesn’t like to have certain things set and stone to leave potential for whatever it is he wants to explore but going into the 8thseason, with no idea on how much longer the show will go on for before being cancelled or before a main(s) decide to leave, I would say it’s time to commit to a relationship for buck and they’ve built a good foundation with him and tommy.

also because I can’t imagine another season of the same, relationship -> breakup -> single -> relationship and so on. Buck’s love life being secure in the sense that he’s no longer searching for love also gives potential for newer, fresher storylines to be explored. I just don’t know if a part of Tim is holding out hope that buddie will get greenlit at some point so he’ll continue this single/relationship/breakup trajectory with buck and eddie until that can happen or if he’s ready to move on and let them both find happiness. But if it is the former, to me that would really hurt the characters development and growth and would make even canon buddie feel just bland in a way because they just did it because “they could” now.

my desire is that Tim commits to this relationship and continues to develop it in a way that by 8b affirms them as endgame, I think it would be a mistake not to and let the development fizzle out.

the paradox of tv is that “this couple is for all intents and purposes endgame” and “anything could happen so there is no real endgame” have to awkwardly co-exist. bc nobody would balk at the idea of calling madney or bathena ‘endgame’ yet irl considerations could interfere. or what if tracie gets offered a series regular gig somewhere down the line?

But, this isn’t grey’s, once they have something that works they seem to want stick with it. Even when they had to write JLH out for her maternity leave they did it in a way that made it pretty easy for madney to reconcile.

I think when tim says he “doesn’t have a plan” what he really means is he doesn’t want to write himself into a corner (imo this is what happened in s6 with the couch metaphor but that’s a whole other post). despite being chaotic, writing as they go, does reduce the risk of random loose ends they can’t tie up because a sl got killed half way through cooking.

Having buck in a LTR gives them space to explore new things with buck (bisexuality or not) so now that they’ve found something that does work, that’s had positive audience and critical reception, I think they’d be insane to throw that away.

Also, idk how much I buy into the idea that tim’s secretly a buddie shipper and the only reason he’s not doing it is bc tptb said no. I think he agrees it’s a plausible interpretation of buck and eddie’s relationship, that doesn’t mean it was intentional, that he has any interest in doing it, or that he thinks it would work well as a story within the confines of a network procedural.

I’ve seen others question the longevity the show has at this point but idk, the only character I see stagnating a bit is unfortunately eddie (but I’ll hold off until s8 for a final judgement). And on a practical level, abc has just poured a shit ton of money and marketing into the show, so assuming the ratings don’t tank in s8 I’m optimistic we’ll get a s9. Yes it’s expensive to make, but more than it needs to be tbh. Like there were cheaper ways to have that cruise ship sink, they did not need to write a prohibitively expensive hijacking into it.

really the tldr; is that we don’t know what the future holds but I think there’s every reason to be optimistic the shows heading in a positive direction.

[eggdrawsthings]

Hi! I wanted to ask a question and I wasn’t sure if it was too personal or not so just ignore this is you’d rather not answer, but I was wondering if you went to art school or got a degree in it? I really want to start learning and maybe one day start a career in animation and wasn’t sure whether I should spend time and resources getting a degree. I know it’s going to be different for everybody and nothings a guarantee for this field but since I love your style and technical skill I was curious whether you had done that and what were your thoughts on it or if you are self-taught.

Hey anon! No worries it's all good!

Ig I should quickly go through my art journey so you can have an overall look of why I went to art school lol.

So I'm from Vietnam. I think back in 2013 I went to a small art school in Singapore (they were the only one that gave me a scholarship). My major was 3D modeling actually, but during my final year, I realized I only wanted to draw characters for animation. I could already draw decently, so I just read The Silver Way book and built a character design portfolio on my own during this time. I was lucky I got a job as a concept artist at a small animation studio there so I learned a lot from the job. I also did a lot of self-learning and took Woulter Tulp's Expressive Character class on Schoolism.

Then after 3-ish years of working, I got sick of the tiny and dying animation industry in Singapore. I wanna do sth more than just preschool shows and I was severely underpaid lmao. So I quit my job and took the MA VisDev program at AAU. It's a little more affordable cuz u can do 1 year online and the second year on-site. The reason I went to this school even tho i could just take a VisDev class online was cuz i need the visa so i can try to break into the industry in the US.

Now back to your question. Is art school a must? No. Should you still take it? Maybe, depends on your situation. If you can afford it then hell yeah by all means. Art school is great cuz you have professors and peers to help guide you along the way so you won't get lost while trying to figure out your shit. And to have a few years just experimenting and focusing on art is a great experience. Plus you can make a lot of meaningful connections in school and it will help you a long way after you grad. But if you have to go into debt to go to art school, then don't. There are places like Schoolism, CGMA, and Warrior Art Camp where you can pick what class and from whom you wanna learn. If you are not from the US and wanna break into the industry here like me however, then yeah getting a degree is a better bet cuz you can use the student visa and OPT to hopefully get a job here (it's still very very hard tho ngl im struggling rn as we speak lmao). Also, you need a BA to work overseas so there's that too. The hard truth is studios prefer to hire locally than some rando from somewhere else and have to wait for them to relocate and shit, (unless you are exceptionally good and they'd do anything to have you, but that is super rare lol).

Even though I did go to art school, I have to say most of my skills are from self-study. It requires a lot of self-discipline but I'm pretty much obsessed with drawing and I draw everyday so it's not a problem for me. But my friend is not good at that, so she found art school/classes helped her better cuz there are deadlines and instructors to help guide her to reach her goal. So it depends on your learning style tbh.

There is this chart that can help you consider your options. Im sorry it's a very long answer, cuz yes everyone's experience is different. Feel free to drop me another ask if you still have anymore questions tho ^^

Edit: I must also add, though there are online classes and ways to self-learn animation,I do think it only truly benefit you if you know exactly what you wanna do in this industry (for example I already knew i wanna become a character designer for 2d/3D animation specifically so any books/classes i took I tailored it to fit my goal). If you are unsure what you wanna do, then maybe even a cheap animation course will do better, and then you can take extra online classes on the side.

[eleanor-bradstreet]

Thoughts on Bridgerton season 3

No one asked, but putting it out there. (Written after viewing part 1.)

The Good

Polin - it’s their season after all. There is plenty of them and a lot of scenes pulled right from the book. I don’t think Colin/Newts is all that charismatic or great at acting tbh, but Pen/Nic is carrying the season. Seeing through her eyes, there is a compelling story of self-acceptance, struggle and romance. I was whooping whenever she got steamy with her man.

Debling - wonderfully acted and such an interesting addition to the ton, I love this character. He is so kind and honest, he deserves the world.

Francesca & John - Hannah Dodd is doing a wonderful job. We get to see the one and only shy Bridgerton, which is novel. Her odd chemistry with John is magical and I am already fucked up about them. I’m more invested in them than Polin 😅

Eloise - we are seeing more facets of Eloise which is wonderful. That she is willing to look deeper at peoples’ true character - including Cressida and Pen, though the reconciliation with Pen isn’t finalized yet. Cressida also makes Eloise check herself, her assumptions and privileges which is crucial for her development. She’s growing this season.

The Cowpers - redemption arc for Cressida incoming! We are learning that her bitchiness stems from a competitive nature, which she feels she must have to secure a good match thanks to pressures from her awful parents. This is interesting in its own right but please please please have Sophie also being mistreated in their household. That would be the bow on top.

Marcus Anderson - hello handsome! He is wonderfully acted and immediately has a warm spark with Violet. The mystery is built as to why Lady D is so aggravated by him. What has he done in the past that makes her wary of him?

The music - great instrumental covers of on-point pop songs and revisiting a few tried and true Bridgerton original themes.

The Bad

Kanthony - But only for part 1. I'm guessing they had to work around JB's busy shooting schedule, but it sucks they found a lame way to essentially write them out of episodes 2-4. I'm happy to see from the trailer there will be more of them in part 2.

Benedict - for fucks sake, he does nothing. Season 2 might as well not have happened. Not only is he not sad nor frustrated with Anthony about art school, he has no introspection or personal development in part 1. He’s just shoved in the background again, making sassy little comments and fucking a random lady. Where is this ‘crucial role’ the showrunner mentioned? What ‘comes to a head’ for him as Luke keeps alluding to? All of his material must happen in part 2 because there is nothing in part 1.

The fucking Featheringtons - I know the entail is a plot line set up by season 2, but getting into microscopic detail about the sex lives of the elder two Featherington sisters is not the comic relief the show thinks it is. It actually makes me nauseous. The whole ‘race to produce an heir’ could have been a single line explanation from Portia and screen time with the Featherington couples could have been spent on more Benedict.

The sex - part 2 better be mind blowing because Nicola’s claim that Polin has ‘won the steamy battle’ is unfounded based on the first four episodes. Okay we’ve got Anthony and Benedict each with a scene between the sheets kissing ladies but not a single Bridgerbum to be seen. The claims of ‘threesomes’ and ‘lesbian sex’ are extremely generous. It’s 5 seconds of Colin kissing sex workers and them peformatively kissing each other. I know we have the mirror scene coming in part 2 which threatens to blow the roof off anything Saphne and Kanthony did but thus far, I am unimpressed. It feels more buttoned up than ever.

Now, I have also watched part 2 in its entirety. Without spoiling any details, see below the cut for a general note.

Part 2 contains some MAJOR twists that I feel are going to fracture the fandom. Brace yourselves.

[marzipanandminutiae]

That cryptotheism guy has several spicy (bad) takes, so I'm not surprised to see this

oh no, i'm aware

(edit: I don't know if they're cool with the term Guy, so while it's commonly gender-neutral nowadays, might be a good idea to avoid using it for them if there's doubt. someone brought this to my attention after the post went live; I answered it without the edit on the assumption that it was originally intended neutrally. but the disclaimer seems to be important, so. disclaimer!)

a few years ago, they made a bunch of posts about how they and their boyfriend thought it was okay to shoplift from small family businesses for basically no reason besides "I Wanna and I'm Cool and Edgy; Die Mad You Cringe Babies"

like they're claiming they weren't saying Barnum was admirable in any way, just that his "relatively honest" con man style had a place in American folk mythology and like

A. he was not even relatively honest; he clung to those lies for deal life until he couldn't make money off them anymore. people just caught onto what he did because he did it so often. that man would not admit wrongdoing until he had no choice whatsoever, which is not the same as "heehee hoohoo see if you can rumble my illusion trick, visitors! I'll give you a shiny dime if you figure it out!" You Got Caught A Bunch and You're Honest are not the same thing

B. saying that you admire a certain thing. and then citing someone as an example of that thing. kind of implies that you admire them? like what did you mean for me to take that as? am I going insane here?

I wasn't even mad at them! a lot of people have a fictionalized vision of Barnum, if not from The Greatest Showman than from years of fiction using him as the Loveable Con Artist Rogue stock character without any real understanding of his actions! TBH I meant my reblog more in light of "hey you might not have realized this about this guy, but you should probably know"

but they're doubling down, so. huh. I guess that's that.

C. couldn't they have gone with like. the many many con artists of 19th century America who just claimed to be a European royal or Lost Heir to the Whatever Name and rode that train as far as it would go? that's funny while still being objectively a dick move if we're honest, with very little Actual Human Slavery involved in most cases

like Cassie L. Chadwick/Elizabeth Bigley (1854-1907), whose most well-known scam was pretending to be a daughter of various wealthy American and Canadian families- the Cunards, the Carnegies, etc. -and defrauding banks who trusted a famous name

plus Carnegie felt so bad about over his name being used that way that he built a library about it! win/win! (unless you're one of her victims of course)

[nerves-nebula]

Really thinking about your owl house au stuff, because I loved how u wrote Hunter to have such a complicated relationship with Belos. Well nebulously it wasn’t anymore complicated than canon but the way your Hunter would have gone back to Belos in spite of everything is very real to me. It’s my favourite owl house au to roll around in my brain honestly, and it’s really weird to think about, because it requires the characters to be smarter if they wanted to help Hunter. It’s a Disney show, these guys aren’t built to recognize the complexity. If Hunter goes back to Belos, it would be, ‘You can’t help him if he doesn’t wanna be helped’ and ‘If he were a good person he’d make good choices’. It kind of breaks my immersion to have them be smart about it and go ‘y’all are seeing this right? It’s so fucked up actually. This is not healthy, this guy needs help immediately my God-‘. I don’t really have a point I just think about this a lot and appreciate your older art.

; _ ;

thankkksss i wrote it while moving out for collegeeee and it was fun but to be entirely honest i hate the way my fanart looks, especially of the owl house. i drew him the best i could but there's something about making fanart of characters that makes me just hate my interpretation of them. it feels so clunky and shitty compared to the way everyone else draws them. sorry for abandoning it but im glad y'all still like it.

i think Luz is a pretty smart girl tbh, she was kinda friendly with hunter and recognized him as Not a Terrible person before they were ever really like. friends or something. she was TRYING to befriend him cuz she could tell it was possible. i think if hunter went back to belos she'd feel hurt and betrayed but also sad for him, the same way she did in hunting palismen. cuz hes sad. hes a sad but bad boy who feels obligated to take care of his poor sick uncle.

but there is a sort of truth to the whole ‘You can’t help him if he doesn’t wanna be helped’ thing. i mean, they CANT. they can help him when he comes to them and begs for it, they can help him when he accepts the help, but otherwise pushing it would just further isolate him and make him feel like he cant talk about this kinda stuff to you.

i based that on advice i'd seen about how to help your friend who's being abused. if you rage that they should break up or run away every time they talk about their partner hurting them, then they're gonna stop opening up to you. it sucks but sometimes the best u can do is offer to support them and show up for them and be there if they ever need to take you up on it.

uhhhhhh. what was i saying. anyway. thanks!