#there all bad people trying to help a good person out.

[verstappentime]

divorce verse for your wednesday <3 this is from after max & dan break up. (the rest of this verse is here) (the scene previous to this will get finished but this is what i have today <3) The first night Daniel’s gone, Max walks into a fucking wall trying to go to the bathroom.

It’s happened before, because his depth perception is awful and worse in the dark and worse sometimes than others, but usually he hits knee-first or something. Nope, just a wall right to the orbital bone. 

It’s not something Daniel could have saved him from, but it still doesn’t make it any easier. Daniel’s not there to be woken up by his cursing a blue streak and ask if he’s alright, to sit him down and put ice on it and make him feel less pathetic.

His head is throbbing, in a normal person kind of way. He’s going to have a massive goose egg. He finally gets to the light switch, very, very carefully, and tempts himself to go down the hall with the promise of crying about it afterward.

It’s easier, with the bedroom light illuminating the way. He makes it there and back okay. 

He needs to not call Daniel, but he’s groggy and worked up and he gets confused at night and– he’s just going to lose it if he can’t talk to someone. 

Daniel picks up on the first ring. He must still have Max excluded from do not disturb. Must be sleeping with the ringer on.

“I walked into the wall,” he says, before Daniel can get anything out. 

“What?” He can hear Daniel sitting up, sheets rustling. He should be scolding Max for calling in the middle of the night. He doesn’t. “Are you hurt?” 

“I hit my head. Or, like, my face. Both.” Max touches where the bruise is forming on his head. He kind of forgot what hurt that’s not coming from the inside feels like. He pokes it again. He’s lucky he hit on bone, probably, and that it wasn’t a corner and he’s not bleeding. “I don’t know,” he says, voice cracking. 

“Okay.” Daniel’s all calm. This kind of stuff never bothers him. Max wants him to be here. “You sound alright. You weren’t, like, running, right? Do you have a headache?”  “No. I think– I think I am okay.” He pinches the bridge of his nose, just to see how bad it hurts. “This is shit, Daniel.”

“We need to get you some of those lights you can turn on with your voice, yeah? I’ll look in the morning.” We. He’s going to have to stop that. Not right now.

“I can– I’ll do it.” 

“I’ll remind you, then. What do you want to do right now?” 

“I don’t know,” Max says again. “I don’t want to get up again.” He presses his knuckles to his teeth, something awful in his chest. “I feel shit that I called you already.” 

“I don’t care. It’s good you did. I was scared that you wouldn’t. Makes me feel better.” Daniel pauses. “Not that I’m like, glad you walked into a wall.” 

“It sounds very stupid when you say it out loud.” He knows it’s his fault, but he can’t help it: “What am I going to do? Just call you always?” 

“You can, baby.” Daniel never tells him no. Daniel let him leave because he never tells him no. “You have other people, though. They’ll be happy to answer. You can call your mum or Victoria or Charles. But also me, if you want to.” 

Max wants Daniel to tell him that’s unfair. But the idea of being cut off from the only person that really knows what it’s like for him makes him want to throw up. Charles would laugh at him for this one, even though he wouldn’t mean to. Max says, “I think I want to go back to sleep.” 

“Good idea. You want me to stay on?” 

“No. That will be very boring for you.” Max lays down, turning over on his side, his back to where Daniel should be. “Are you sleeping too?” 

“Yeah, Maxy, I’m going to.” 

“Okay. Then we will both go to sleep.” 

“Yeah,” Daniel says, all gentle. “I’m going to text you tomorrow, okay? It’s okay if you don’t want to talk to me after that. But I’ll remind you about the lights and ask about your face.” 

“That’s fine.” He can’t know if he’ll remember, and he really does not want this to happen again, and– and now he knows for sure he’ll hear from Daniel tomorrow. 

There’s a beat where neither of them know what to say, but Daniel’s the bravest and he says, “I love you. Goodnight.” 

“I– Me too, Daniel.” He can’t lie. Not about that.

[schoenpepper]

Despite Everything (It's Still You)

Intro: When he looks at you, he sees everything he could have been.

Warnings: bad grammar, awful writing, not proofread, kinda angsty, more platonic im pretty sure cus its not specified if ur lovers, might be ooc idk and idc, everytime i write idia i feel 10 years older because i cringe at my own internet slang

A/N: Done! Last request is finished, hope you like it worm anon. On my end, this is super rushed and it's not like, my fave ever so ehhhh.

Masterlist

Riddle thought he’d found a comrade in you. Out of everyone in Twisted Wonderland, he’d thought you would be the one to understand him.

He sees it in your posture, always straight and never slouching. You’re good with academics, a diligent student. Like Riddle, you’d gone through life with the iron fist of a well-meaning parent, so surely, you understand him, right? You agree with him. You believe that rules are important to be upheld lest society fall into chaos. It’s such a refreshing feeling to find a person who, like him, thinks that structure and stability are core values of a proper community.

But you don’t. You don’t understand. No one does. His consciousness is flickering between ink and reality. He’s slipping into the grasp of the phantom and he feels himself slowly being consumed. He’s being devoured. Right before the overblot, even you had stood against him. Why? Riddle wasn’t wrong, he was never wrong—the rules aren’t wrong. Because if they are, then what did he lose his entire childhood for? So you must be the one at fault. This is your mistake. You just don’t understand. You tell him that the rules and the competence and the structure matter less than people. You try to convince him that there’s a better way of living. Is there?

Riddle doesn’t know why. He’d thought you were a comrade because he saw his own experiences in yours, but he’d never been so wrong. While he was still caught up in the chains of his mother’s words, you’d already broken free from the cage. You help him to reclaim the shards of childish wonder he’d never been allowed to have. You help him learn how to breathe, how to relax. Little by little, you bring him onto your path.

He doesn’t understand you anymore.

Leona doesn’t have any opinions about you. You never really talked to him at first, and he can respect that; you don’t go out of your way for bothersome, meaningless things.

Every time he sees you, you’re sleeping or slacking off. Whatever, it’s not like he can judge you for it. You also have a real competitive streak for spelldrive, and your wit’s not half bad, especially when compared to the muscle heads in his dorm. Clever and snarky, talented and strong. He can respect you. Maybe just barely, and he’ll never admit it, but he sees a part of himself in you. So, a sort-of equal. He’s still better than you though.

The taste of sand lingers on his tongue as it swirls in the air through the storm. There’s a part of himself he can no longer control. It makes him wrap his fingers around Ruggie’s throat and Leona… He doesn’t want this. But he can’t stop. He can still recognize you on the edge of his vision. Weren’t you just like him? At birth, everything good was handed right over to your older sibling, leaving nothing but scraps for you. You found it unfair too, didn’t you? So why are you standing against him? This is his chance to be someone worth more than his birthright. Why…are you not agreeing with him?

Leona tried to stay away from you. But call it his instinct or whatever; he can’t seem to avoid you at all. The second prince of Sunset Savanna is awestruck by your words. You tell him that birth doesn’t determine everything. You tell him that you’d learned from your own past. That you can still make something of yourself without that which was given. You sure are chatty now, but who is he to stop you?

You’re not his equal. You’d long since left him in the dust.

Azul sees you as an opportunity. He likes you, really, because you know how to do business and you find a way to compromise that doesn’t step on either person’s lines.

It’s not difficult for him to find out about your past, and to be honest, he’s greatly delighted to find out about all that you have in common. Did you feel the way he did when he was isolated and bullied? Did you feel his pain? You were an outcast too, weren’t you? But wow, look at you (and him) now! It’s rare he sees someone as diligent as himself, as cunning and as smart. Resourceful and oh so benevolent, you’d fit right into Octavinelle!

He’d steered himself long ago; he would never be weak again. He had long, long since forgotten humiliation and defeat. But he’s here again. This time, defeat was brought by your hands. Azul had thought you were allies. Business partners, at least. Why betray him like this? Don’t you get it? He’s powerful now! Why try to stop him? Why did you succeed? He’s left in the aftermath of heartache and debris. He doesn’t know why he did the things he did, but he’s sure that he was so close to being all-powerful. Perfect. A being so beautiful and flawless and strong… You took that chance away from him.

Azul wants you out of his life—your presence now is only a reminder of everything he could have been, and everything he failed to be. Unlike him, you’ve already moved on. You’ve learned to forgive your tormentors, and most importantly, you’ve learned to forgive yourself. You tell him that it was never his fault, but that revenge was never meant to be the answer.

He finds that he had nothing in common with you, after all.

Jamil is perceptive. Next to the one who’s attracting the attention of the whole room with a bright smile and sunny disposition, he finds a kindred spirit in you.

You seem responsible enough, and like a mirror, he sees you taking care of that person the way he does with Kalim. It’s easy to pierce through your act because he knows how to do it too. Seemingly not too smart, not too dumb, not too strong, not too weak. You’re good at pretending to be average. Like Jamil, you’ve lived a life of servitude. Are you tired of forced humility? Of feeling like your life isn’t worth anything when compared to the one you serve?

He’s tired too. He’s so, so tired. Why was freedom unreachable to Jamil right from the moment he was conceived? Was he unworthy of a life unbound by shackles? You’re looking at him like he’s a stranger. Jamil looks at you like you’re a mirror. A mirror that’s shattered, and damaged, and every piece is covered with ink and regret. You know what he’s been through, so why are you in his way? You should be an accomplice. Do you not yearn to be your own person? The phantom is whispering promises he knows it won’t keep. But nothing is more tempting than just…one day of happiness. Of his own happiness.

Jamil is inevitably drawn to you. You live so brightly; you see your master as a friend. You tell him he doesn’t need to do the same. That the only thing he needs to do is find a way that works for him. And you’re asking about things he hadn’t thought of before. An employment contract? The legal status of slavery in the Scalding Sands? Wait, you’re serving that person out of your own volition in exchange for salary and other related benefits?

In you, he sees a light at the end of the tunnel.

Vil approves of you. Like looking in a mirror almost, he sees beauty and a passionate drive to remain beautiful in every single way.

You’re a person with a consistent goal and a persistent drive to do better and be better; a hard worker with tenacity like that of the Queen herself. You are no potato. You are a diamond that has found a way to shine uniquely, and like him, you are already a master at your chosen profession. And yet, he sees the trophies and the medals are all silver and never gold. It is frustrating, but Vil knows that you as well know what it’s like to always be second best.

He’d worked so hard. He’d tried his very best. Professional music and choreography, styling and costumes. He’d set up a multi-week boot camp for his team members in order to whip them into shape. It’s all swept away by that person. Again. And again. And again and again and again and— No. No more. He will take matters into his own hands. But you stand in front of him with a familiar determination, only this time, you’re determined to stop him. Rook had betrayed him and now, you do too. Is he not worthy of a victory? Not even once? The blot is so, so ugly. But if it means he’ll get to wipe out everything that’s opposed to him, he’ll take that blot and use it to his own advantage. Like the queen who’d disguised herself as an ugly witch in order to take down the princess; everything can be sacrificed for the sake of ultimate beauty. If you’re not with him, you must be against him.

Vil apologizes sincerely for his faults. He knows he was wrong, even if it hurts his pride to admit it. But you accept him so easily, so readily, he can’t believe you’re acting like he’d never even hurt you. You forgive him. You help him accept his losses and continue to strive. Because you’d been in his position before, but you’d grown to be happy and appreciate the wins in life instead.

You are no mirror image of him. You are better.

Idia’s never been this happy before; through his screen is someone who just gets him. You’re good at games, and an introvert too? Score!

It’s not like, ever, that someone who vibes with his genius just comes strolling through his life, so Magicord bears witness to long, late night chats about anything and everything. You’ve got some real fucked up childhood trauma too, big mood tbh. It’s easy to spill his guts out over the internet, because even then, you still don’t really know him. You like the games and animes that he likes, and he’s so glad that for once, there’s a person out there who’s lived through the same villain-arc that he has.

He can’t rebuild the world if so many noobs are trying to stop him. Why? What’s so wrong with wishing for a world that can fit him and Ortho right in? Why is that too much for him to ask for? Why are you, the person he thought was his cool moots, acting up too? Don’t you like Ortho? Bro…no…you’re not actually doing a protagonist monologue rn, are you? Seriously? You think you can defeat him and his phantom through the power of friendship? Lolz, you’re so lame. If the world was a fairytale, he wouldn’t have been born with this dumb curse. If the world was a fairytale, he would never have been trapped in STYX with no way out. If the world was a fairytale, Ortho would still be alive. But it’s not. So he’ll remake it to be the story he’d always dreamt it to be.

Idia thinks you’re 110% cringe, like actually barf-inducing. But you did kinda save him or whatevs, so he can put up with you. Like, begrudgingly yk. You’re just such a weirdo. He really thought you were just like him, but no. You’ve had therapy. That’s like, actually wild. You try to counsel him too, talking about feelings and whatnot, and how to move past grief so that it no longer consumes you from the inside out.

So it turns out you didn’t have a villain arc like Idia did. You’re the main hero.

Malleus finds you absolutely delightful. To see another who can speak to him without fear or nervousness is a marvelous thing that he cherishes.

You are no fae or long-lived species, but he finds you fascinating. You are intelligent and wise beyond your years. You are powerful in your own right. You are familiar, in every sense of the word. Even your experiences seem to be shared. You’d been orphaned too, and experienced loss and grieved. You’d mourned for far too many loved ones who have left before you. Do you see the present as he does? Do you embrace the past as he does?

The world is a sad, sad place. He would like to change it. Into one with happy ever afters, into one where there is no hunger and no poverty. There will be no suffering. In his hands, he will mold the world into one that is kinder to its people. There will be no death and separation. He’s had far too many of those, enough to last his long lifetime. He’s not wrong. So why…why do you stand against him, weapon pointed towards him? The only thing he wishes for is permanence. Do you not see the vision? There is so much sadness in the world, why do you choose to wake from your beautiful slumber and face it head on? No matter. He will help you, even if you deny him.

Malleus is more than happy to take your hand when it is outstretched towards himself. You teach him so many things he hadn’t realized before, like how to cherish the present and treasure each memory more than attempting to find a solution to make them everlasting. He had believed wholly that he was right; that the answer to death was a long period of dreams in which everyone lives in a happy ending. He had believed you to be similar to himself—he is wrong about many, many things.

You’ve always looked to a brighter future than he could even imagine.

[cloudraker]

What would the tfp autobots (your pick) reactions would be if their neutral NB cybertonian ally goes, "Oh? You didn't know? I have a Conjux now :)" and brings the motherfucker predaking.

But hey! Atleast the predacon is a green flag. The man would do anything for the reader, respects them, and is utterly smitten. At that point the autobots wouldn't have to worry about him anymore since reader is their ally

This has been rotting in my inbox for so long,, anon if you see this thank you for your patience

TFP Preadaking with a Neutral S/O

Under the cut :)

Setting this after the war/the return to Cybertron

Assuming you didn't fight in the war, you're probably the most normal person he knows. You're probably the most normal person on Cybertron at this point. The others don't think much of it when you start spending more and more time out by yourself- there's a lot to take in now that the war is over and cybertron is so different

Your little adventures start at a few hours, then it's half a day, and before long you're gone for days at at time. That's when they start asking questions

Where have you been going? What could possibly be so important that you go missing for days at a time when there is- what do you mean you met somebody?

Having to explain that yes you met somebody and yes they're on Cybertron and well you don't know if it's a good idea if they all met him. It's all very "he goes to a different school you don't know him"

They eventually get you to agree and when you actually bring him around the Autobots are.. well they sure are there and that sure is a guy you've brought home

Predakind, to his credit, is on his best behavior. He's standing behind you (a respectable distance away from them) as you talk the others out of shooting him then and there

He doesn't stay long, much to your disappointment. A few conversations with both sides reveals their past history, leaving you caught in the middle.

The overall consensus on the Autobot side is "you're an adult, we can't stop you but it's also a really bad idea-"

Ratchet would be the most understanding- which isn't saying much. He's upset but he also knows you don't have the same feelings towards Predaking as he and the other Autobots do- to you, he's just some guy you met. While he makes his many grievances known, he also makes it clear that if anything happens you'll still have people supporting you

Magnus is.. conflicted. On one hand, part of him is glad that there's some sense of normalcy for somebody- a hope that things will be okay. On the other hand, he doesn't have an other hand

He doesn't count as an Autobot but Knockout would warn you against the predacon, calling him things like dangerous and a brute while also trying to dig any gossip out of you. Will begrudgingly make sure you're polished and shiny before you go out if you ask him for help. Very "you're going out dress like that?"

Once they get more familiar with the idea, Predaking starts making the occasional appearance

At first it's just flying by overhead, letting you know he's still around even if you haven't been able to see each other much lately. Then it's coming to meet you when you've got plans and then he's making very awkward small talk with Bulkhead while he waits for you to come out

Everybody starts to relax a bit when they see just how good he is to you. This hulking beast of a robot, built for fighting and dragged into a time not meant for him, bending to take your hand and kiss your knuckles whenever he sees you. How you never come back with a so much as a scratch on your pain and only with good things to say

He gets some serious side-eye when he enters the base for the first time, and everybody is a bit tense, but it (thankfully) all goes well

He's eventually asked to help with some repairs or some mundane task and- while somewhat reluctant- he complies. For you, of course, in an attempt to make life just a little bit easier

It's a very, very slow journey to having both your partner and the Autobots start to build even a semblance of trust, but you're willing to put in the work and Predaking is willing to put in the work for you

[rena-lily]

Yall imagine an au where all the first years try to get Sebek to go to their dorm kind’ve like a trial period for like 3 days and then the dorm heads catch wind up this and then are also like hmmm that’d be interesting so they also try to convince Sebek. (They got permission from Crowley cause why not)Turns out Sebek fits very well in all of the dorms and he fits very well in a duo with each one of the first years in their dorms(trio in adeuce’s case ). Like Sebek is sometimes reprimanding Epel in Diasomnia but he’s with Epel on his distaste for the flavorless food(like be so fr atleast Lilia’s cooking has taste even if it’s bad…SHAME ON YOU) and they have a good time together(Vil firmly believes that Sebek should keep his hair down,he WILL rectify this atrocity AND ALSO WHERE WERE YOU SEBEK WHEN HE NEEDED A GOOD SINGER FOR VDC), let’s be honest Sebek is a rule followed through and through and he’s already acquainted with Riddle so he’d honestly do well in Heartslabyul especially as a trio with Adeuce as the braincell but still getting roped into their shenanigans(riddle is glad that atleast one of them knows the rules), Sebek is super athletic so Jack and him went on morning runs together a lot when he was at Savanaclaw and let’s be honest those two prob destroyed anyone that tried to challenge them together(Leona was lowkey impressed), and Ortho taught Sebek some new games while Idia occasionally showed Sebek new games(his favorite was animal crossing)(Idia guesses he doesn’t mind the freshman…BUT he’s very loud…) , surprisingly Sebek becomes friends with Floyd while in Octavinelle and manages to get out of their without getting into any contracts(Octa Trio liked him enough so they didn’t try to scam him..this is a one time thing tho!!!), and while he was in Scarabia, he got along well with Jamil(Sebek thinks he’s a cool human)(Now while Jamil doesn’t like extra work, he wouldn’t mind having an extra person to help him…and he GUESSES Sebek isn’t a bad person to hand out with)and he manages to keep Kalim out of trouble while Jamil was away but Kalim instead taught Sebek some dances(Kalim thinks Sebek is very fun).

Later on the Diasomnia trio find out and are like WHEN DID THIS HAPPEN???NO WAY(None of the housewardens informed Malleus😭) and then all of them end up fighting for Sebek and like Sebek just has like no fucking idea what’s going on. He’s just excited that so many people wanna hang out with him and he’s just like >:3. Kalim and Azul also gets in on it. Like Scarabia and Octavinelle also join in because "oh look new friend to party with" and "ah yes money" but the most important "I..I have a freshman now? *cri*"

I think a perfect ending for this is to see Sebek's skills in person. Because I believe the dorms (sans first years) are going to argue what skillset they can bring for Sebek not knowing that Sebek is absurdly and obliviously competent with most tasks. Like idk Sebek swordfighting with some random RSA prince charming and actually won something for NRC is a flex.

Cue Crowley and the other teachers fending off teachers from RSA to "STOP RECRUITING MY STUDENT" "BUT HE HAS POTENTIAL IN RSA-"

A green thunderbolt quickly shuts the mouth of the RSA professor. and now the Diasomnia trio is like “OMGGG NOT ONLY DO WE HAVE TO FIGHT THE FIRSTIES FOR SEBEK BUT NOW ALSO THE HOUSEWARDENS TF” and then they’re just fighting for Sebek’s attention . ALSO IT WOULD BE SO COOL IF SEBEK ALSO IS AQQUAINTED WITH SOMEONE IN RSA LIKE YOU AFTER THE SWORDFIGHTING THING AND THEYRE LIKE “you knowwww Sebek you should totes come to RSA” (he somehow befriended the RSA student he beat and now they have weekly hangouts)(first years are not happy about this)and then now everyone is fighting for Sebek so now the staff are trying to fend off RSA staff and students but everyone is also trying to get Sebek to join their dorms.

[kirbybecomesastarwarrior]

Why doesn't Marx want Kirby to forgive him, is it just the guilt thing?

Long story short, this is a combination of "the fear of getting hurt/rejected" & "shame and guilt," which results in self-sabotaging, but the main reason is...

HAMELIN REALLY MESSED UP MARX!

So, like Kirby with Cappytown... Marx was Hamelin's hero, but they betrayed him and thus turned to the dark side.

This all ties into his initial hatred for Kirby... he's very much angry at his former self for being so foolishly naive, and Kirby's good nature is too reminiscent of his former self.

That also makes it the main reason he could never truly hate Kirby... a younger self that he can't help but connect with. Leading to his "fake friend act" to accidentally grow to care for him and actually want him as a friend.

However, Marx knows he deceives Kirby the same way the people of Hamelin did to him... "pretending they cared for him." Using the very same methods, the townsfolk did to him... ("became what he hated")

This is why Marx doesn't have the heart to forgive himself... even though Kirby was always ready to forgive him and welcome him back with open arms. Because he knows he can never forgive the people of Hamelin... Why should Kirby? And, of course, he does!

The restoration of a friendship between Marx & Kirby happens~, But unlike the people of Hamelin, Kirby has this unconditional love for Marx and wants more than anything to have him back in his life.

I'd say these events happened after Planet Robboot... Marx finally makes his return and "saves Kirby?!" (I'm not gonna reveal from what because of spoilers)

With my interpretation of Marx, I wanted to take him into a sympathetic route (to make him stand out from the others). He still has the sass and mischievous charm, but I wanted to give him a proper reason why he is the way he is. It's a more heartfelt version of Marx that Kirby would want to be friends with and him in turn.

Marx represents "self-worth"; if people don't appreciate or treat you the way you deserve, then they don't deserve you. (Minus the piping all the Dark Matter back into the town as revenge...) KNOW YOUR WORTH AS A PERSON PEOPLE!

And he stands as one of the main reasons why Kirby ultimately chooses to become a star warrior. Moved out of the Popstar to travel and pursue his aspirations & dreams.

Please keep reading for spoilers & quick bonus comic~

So Arthur pretty much reveals Marx's backstory to the rest of the Kirby gang... and needless to say, they're speechless!

He still doesn't want to be forgiven, so he stays with Magolor (which I cover here with Magolor's lore), but yeah, of course, Marx opened up to Mags about Hamelin. And that's why Mags is there, while Kirby & Marx are back in his place telling his story to Kirby. (Kirby saw it because of "empathic touch" but didn't know the exact details of it..)

And Dragato, yeah, he was already on his redemption arc (Falspar's already went through his with Fluff, so he's there for moral support, plus it's the reason why Arthur partnered up together).... he already knew he messed up. But now, hearing the full story that he was, not only did he fall for the people of Hamelin's lies, but... MARX WAS THEIR HERO. (I know kinda of shoehorned the crew for the sake of missing the gang, I just missed them I had to...)

There's actually a small bit of tragedy... while the adults sold Marx out, the children who really loved him would've vouched for him... it'll tie back into his character later.

And I know it seems like I'm painting Dragato in such a bad light, but it's part of his character development. And for those of you who don't know... HIS MENTOR WAS DAME MORGAN (LE FAYE)! So yeah, high standards, little affection, never impressed~

Which is why I still need to establish her a bit more! More Morgan coming up soon

I'm trying to get to the old asks I wasn't able to answer before (since I was still developing the lore...) And I just need a little break from the tournament plus, I've been working on some Kirfluff stuff for Oct.: Kirfluff week!

Also, little funny side notes and gags' "Hero to Zero... Hercules" reference and Mag's little side comment. Based on the meme, "you ruined a perfectly good child..."

So, hope you guys enjoyed it!

[the-hinky-panda]

The Hare Series: Part I

Title: The Hare

Rating: Explicit

Pairing: Richie Jerimovich x Reader

Summary: You and your brother leave Ireland to open a pub in Chicago...just a couple blocks away from the new restaurant "The Bear." Connections are made and maybe The Bear and The Hare will help each other become successful.

Warnings: mentions of suicide

“So,” you set down a fresh pint of beer on the bar in front of the patron who’s been entertaining your patrons with wild stories for the last two hours, “how long has your friend been gone?” 

His good natured demeanor falters for a split second. “What are you talking about?” 

You had just opened the corner pub two weeks ago, around the same time that the deli down the block had closed for renovations. People who frequented the deli ended up at your business, including some of the people working on the restaurant. There were a few that you saw on smoke breaks that hadn’t crossed the threshold yet, but some like Fak and Angel, had shown up for drinks a couple times. Tonight was the first time that the tall, charismatic, blue eyed Richie made his way into the establishment. Two beers in, you figured out why. He and his best friend used to hang out here when the previous owner had it. Under new management, and Irish management at that, meant the familiarity went away with the sale of the bar. 

“Your friend, Mikey,” you wipe down the bar. “How long has it been since he passed?” 

“What makes you think he’s gone, Irish?” he counters, pulling a cigarette from behind his ear and lighting it. 

“You just spent the last two hours entertaining my patrons with stories of the shenanigans you and he got up to in here. I figured if he were still around, you wouldn’t be here alone.” 

He laughs. “Shenanigans. Way to keep it authentic. The accent’s not bad either.” He rubs his forehead with the back of hand and blows the smoke out the side of his mouth. “You always ask personal questions to people trying to drink away their fucking problems?” 

“Only if it looks like the person needs to talk about their fucking problems.” 

“Well, I don’t. Thanks anyway.” 

“Fair enough.” 

You move away from him, cleaning glasses and snacking bowls as you move down the bar and talk to the other patrons. By the time you ring the last call bell, Richie has disappeared. You’re surprised to find yourself disappointed in his departure but closing up the bar keeps you busy until the last patrons leave. It takes another hour to clean the dishes, wipe down the bar and tables, and make sure the kitchen staff put the small kitchen right before they leave. 

With all lights off and doors locked, you start the short walk down a few blocks to the shitty apartment you’re renting with your brother as you work together to get the pub off the ground. Your commute takes you past the closed deli and that’s where you see Richie, leaning on the brick face, smoking a cigarette. The lights are on in the restaurant, dim behind the newspaper covering the window, so he must have come over to work on the renovations. The drywall dust on his pants and shoes confirm it. You cross the street and he nods at you. 

“Kick everyone out?” 

You smile. “The entertainment left.” 

He offers you a cigarette but you shake your head. “You gotta get better entertainment.” 

“We’re still working out some issues. Never opened a pub across the pond before.” 

“How many do you have over there?” 

“Two. One in our hometown of Thurles, another one down in Cork. This one,” you point across the street, “this is just practice for Dublin. Figured cutting our teeth in Chicago would be a good training run.” 

“If you can make it here…” 

You nod towards the newspaper covered windows. “Well, you’re certainly trying.”

“Trying. Yeah.” He drops the cigarette on the ground and grinds it out with his shoe. “It’s been almost a year.” 

You know the deli has just closed a couple weeks ago. “A year?” 

“Since my friend, Mikey, died.” He shoves his hands into his coat pockets. “It’s been almost a whole fucking year. I can’t believe it.” 

“I’m sorry.” 

He gives you a serious look. “You actually sound like you mean that.” 

“I do.” You lean back against the brick wall next to him. “When I was nineteen, my little sister was killed in a car accident. I was bartending at our family pub and called her to come pick up our dad who was pissed and asleep in the corner. She never made it so I brought dad home that night and found out why she never showed. Some locals, drunk off their arses and joyriding, hit her.” 

“Fuckin’ drunks.” 

You nod slowly, remembering that evening when the family priest arrived with the police to tell your family the news. The wailing, the not being able to breathe, crying until there wasn’t anything left. Your mother pointing to you from across the living room. This is your fault. You called her. She would have been home if you hadn’t fucking called her.  Nevermind the fact that you wouldn’t have called her if your father had been sober. You clear your throat, shoving that memory from your mind. “Fucking drunks.” 

“Mikey shot himself. On the State Street Bridge.” 

“Fucking hell.” Suicide. Nothing accidental about that but the what ifs are just as brutal. 

“You can say that again.” He lights another cigarette. “I just keep asking myself, what did I miss? What if I had shown up five minutes earlier, caught him before he left the house. What if…I don’t even fuckin know anymore.” 

“You never will, dovey. Those of us left will never know.” 

You’re both quiet for a few moments, standing under the streetlamp in front of closed down Beef of Chicagoland, remembering Mikey and your sister, still running through all the what ifs that will never let either one of you go. Moments of silence are like that. They should be spent remembering the loved one and the joy they brought, but all they hold are your own personal failures. 

“So,” you break the silence, “I never did get to hear that voice message.” 

“The Bill Murray one?” 

“Yeah.” 

“Oh well,” he pulls out his phone with a flourish. “Can’t have you missing out on this piece of history.” 

And standing under a streetlamp in front of a closed down deli in Chicago listening to a voice message that could or could not be Bill Murray is how you fell in love.

[demigod-shenanigans]

Long overdue Pipeyna posting:

It’s the way they balance each other out and mirror each other.

I think a lot about what Piper said in regard to love and hate being almost identical emotions, neither of which can be reasoned with, and that being why Ares and Aphrodite like each other.

It’s about how they start out resenting each other—Reyna sees Piper as the person who took away her best friend. Piper sees Reyna as a threat to her relationship with Jason. Except that’s not the whole story, is it? Because Piper thinks about Reyna much more than she should. Much more than Jason does, honestly. And the second Reyna lets herself trust Piper, she trusts her fully. Like it’s the most natural thing in the world. And it startles her, because usually Reyna takes a long time to let people in. But the others join the fight and though Reyna’s eyes should be drawn to Jason, she finds them on Piper instead.

Reyna and Piper understand each other in a way only the child of a war goddess and the child of the goddess of love can. They’re two sides of the same coin.

Piper sometimes struggles with thinking she’s not especially useful in comparison to her friends who seem much more powerful, whose skills seem much more helpful in combat. Hell, she’s outright stated to be surprised Reyna and Annabeth find her diplomatic skills handy at the end of BoO.

A lot of Piper’s character centers around her feeling invisible—the first time we see this is with her dad, whose attention she keeps trying to gain with her stunts, except it doesn’t work. She stays invisible to him. And that can never change. Because once he sees her for who she really is, it breaks him, and she has to make the heartbreaking choice to ask him to look away again for his own good. Piper has a power that literally centers around her ability to make people look at her and listen to her, and yet she cannot keep the attention of her dad, and she doesn’t think it’s really enough to have earned a place among her friends.

But Reyna sees her, even without her charmspeak. Reyna looks at Piper and in her role as the child of a war goddess, what can she see except all the ways in which Piper is a warrior? All the ways in which Piper is capable and brave?

Reyna on the other hand struggles with her emotions and not being able to let other people in. She keeps her cards close to her chest because that’s the only way she knows to keep herself safe. Even when she loves, she loves in a way that’s subdued, because she was taught from a young age that love isn’t a thing that’s safe. Love locks you up at night because you’re a threat. Love is angry and dangerous and could get you killed if you slip up—if you say the wrong thing or move the wrong way or if it’s simply having a bad day. Love is a thing that at any given moment could explode in your face.

She doesn’t even share how her powers work because she’s afraid it might go wrong somehow if she does—that the others will feel like she’s somehow manipulating them instead of supporting them.

But Piper looks at Reyna and she sees right through her, sees all the ways she’s hurting and how exhausted she is, because with her powers, what can she see except Reyna’s emotions, no matter how tightly Reyna tries to keep them locked up?

Piper knew what Reyna’s power was without being told. She just sensed it and immediately understood how it worked and how it must drain Reyna. And Reyna feels briefly terrified when Piper brings it up because she always assumed people knowing would change their opinion on her. But Piper is only mentioning it because she’s worried about how those powers must affect Reyna. About whether she’s getting enough rest and has a shoulder to lean on about it all. And that’s never been anyone’s main priority before—especially not Reyna’s (something something Reyna being raised to protect New Rome. Her powers actively benefiting others while draining her. The way she’s never quite able to live for herself).

They instinctively see and feel drawn to the part of each other that other people struggle to see at all and it makes me a bit crazy actually.

[googledetective]

my thoughts on the new episode as always, as I am currently losing my shit lol. I know a lot of people dislike me after last ep when I spoke up about my thoughts, but this time I'm ready to be more mature about it.

1. I love the Hu argue uhhh thingy! I forgot what it's called ngl! I love her and Nico's new sprites too, they were really all amazing and conveyed so much emotion!

And then Hu said this 💀

genuinely insane analogy to make here. I'm sorry, but that was actually insanely uncalled for imo.

2. I think everyone forgot Hu's custom weapon is wire, (if you realized and predicted this, huge props to you), and I did not expect Nico to try and frame Hu for murder like that. NicoHu divorce arc when??? Just kidding, but they're much more cruel then I originally thought. I completely understand trauma from not being accepted as the person you are which was likely in the form of bullying/abuse, but I was genuinely surprised that they really try and murdered Ace just because they didn't like him and they didn't want to go through that again. Very interesting. I also feel very bad for Hu, because she's poured her heart into trying to protect Nico, and even though her methods are EXTREMELY flawed, it must hurt to know someone you really tried to help would try to frame you for murder. This makes me wonder if Nico felt Hu was a threat to their sense of self like Ace was, if they were going to try and pin a murder on her. I'm glad Charles and J told Hu to shut up though, because she was becoming unreasonable. I really hope things turn out the best for her though, because it's clear she's coming from a place of kindness, even if her kindness is mostly self-serving.

3. As much as I don't really like the guy, I'm very glad to have seen Ace pop off. Everyone has treated him like shit, and even if he's treated everyone like shit back, he did not deserve to be almost murdered and then for people to just not care. I really hope Ace ends up making a friend if he isn't the killer, because he really deserves someone to care about him the way mostly everyone in the cast already has someone.

4. They both make very good points here. I think Ace deserves an apology, but a real one.

5. "of course I regret doing it, I'm not Levi" - Nico

THATS ACTUALLY INSANE- but that may be my favorite line of the ep. I'm glad Nico regrets the crime though, because I was scared for awhile they didn't and there might be another incident of the same thing again. This makes me think they won't try and kill again, but it's drdt so you never know, and I think they're a definite threat if they get provoked to that point so easily.

6. I feel so bad for Rose, but let me say, dare I say, I think Whit asking if Rose is okay might've been the sweetest thing Ive ever seen. A lot of people tend to forget that Whit is actually very compassionate, so I'm glad to see that part of him shine through again. Rose is so human, and I think she may be the most realistic character I've ever seen portrayed in a fangan. A lot of characters are able to just get back up after a murder, but she's stuck, and I think I would be the same way. Unfortunately there's zero mental health professionals (obviously, cause they all need to be in a ward) in drdt, but I hope that she maybe can come to cope in a healthier way with what's going on around her, because she doesn't deserve this mess. I didn't actually realize before that the cast had put her on a bit of a pedestal due to her amazing memory, but it makes sense. I'm not sure where I'm going with this, but I hope that Rose comes to peace with the turpentine and the tape thing because it really isn't her fault and that she can get help for her trauma due to Min and Xander, and Teruko's almost death. No matter how much people expect her to memorize a crime scene, she's human, and we all take things at much different paces.

7.

Hey David, didn't Whit teach us that trauma is a serious thing? You know I've been defending this guy a bit because of how he helped Eden and how I think he's trying to do what's right, but NEVERMIND. Because what the actual fuck is wrong with him to say something as messed up as these two statements. Rose and Arturo do not owe you anything, and they deserve to heal healthy, and at their own pace.

8. Teruko defending Rose was not in my ch2 trial bingo card, but oh my god, that really is sweet. I think Teruko really has started to change from talking with Rose.

I'm running out of images so I can't include her monologue, but it genuinely makes me happy she's starting to get some sort of character development. She really deserves it, and Charles really deserved being so fucking right about being social, lol. Also Teruko thanking Rose with that genuine smile on her face- brought me to tears. I hope they become friends :)

9. Ace and Eden, huh? To be honest, I'm completely torn and I can't see it being either one of them, but then again, I can't see it being anyone. I know so many people are complaining about not having a culprit reveal this ep, but I'm fine. I could wait another year and a half for the reveal. Actually, I don't think we need one at all. Maybe the true drdt is the friends we made along the way. Maybe it's better to choose delusion that nobody could've done it than it to have been Ace or Eden. Maybe, I killed Arei.

(I'm not that smart so I don't think I should be making killer theories, lol. I think it's safe to say I should stick to memes.)

10.

LMAOOOO. She right though.

11. "It pains me to come to Ace's defense" - David

another laughable moment, but a win for the Acevid shippers, I guess. I don't think David was lying though, and it was my suspicion all along that he had seen the body before anyone. I'm not very smart so I'm a bit confused as to whether later they're saying David actually did see her body (which is weird bc he'd have an alibi), or if he thinks someone else might've seen it and wanted to include that as a possibility.

12.

Teruko handled this whole situation super well, I was very impressed with her. Obviously you can't rule Eden out as the killer and Teruko explained that, but she was so compassionate and understanding about it that it made me cry. I never thought I'd say this, but here's a Teruko W. As for Eden pleading... I wish I could say more and I'm sure I'll be able to later, but it's just so likely she could be the culprit that I can't take anything she says at face value rn, and I was having trouble empathizing with her. Of course that's just my take, and I have already chatted with others who felt the whole scene was just a heartwarming experience, and that makes me really happy. This being said, the fact Teruko immediately turned to Ace as her main suspect TOOK ME OUT. I feel so bad for him he has literally done nothing but be suspicious to warrant this, while Eden is at the same level of suspicion. I really like that Teruko is playing favorites now, because Eden's been so good to her all this time.

13. I forgot to include David trying to get Teruko to not trust others!!! Shit!!!

Is that seriously how he plans to end the kg.. I can kinda see what he's going for bc so far the trope is in most danganronpa that you need to trust others to live and be fulfilled (not saying drdt is gonna follow that trope though). Hm.

Bro is actually down horrendous for Teruko though 😭

tierlist after watching this ep (kill me now)

[indigos-stardust]

Violet, Blue, And Bruised All Over: Long Talks

Part 1/ Part 2/ Part 3/ Part 4/ Part 5/ Part 6

Note: this has been in my draft for at least 2 weeks, hit a slump and then a hyperfixation couldn't write lol. so this is alot shorter and the drawings wont make as much sense without part like?? 6.5???... but I just wanted to post it cuz I felt bad

Reblogs and comments appreciated <3 I wanna hear y'all's thoughts >:3c

Red and Blue: a deep conversation filled with compassion and vulnerability:

Meanwhile Vio and Green:

(sorry I haven't updated this in a while, real life calls :')

The following days were hell. Red knew how much fights shredded his heart into a bajillion tiny pieces, but really the forced normalcy was so much worse!

The two had gotten an even bigger longer (and honestly ranty) lecture from Green the next day. Red didn't think it really helped much. Like sure they were cowed into NOT biting each other or whatever, but c'mon!

It felt like everyone was mad at everyone else! And even though technically no one was really mad at him, they were all mad at each other which- considering they were all sorta kinda not really the same person? It still felt that way!

Green had gotten really bossy and super serious, and Blue and Vio were just avoiding each other like the plague! Whenever they did come into "an unfortunate proximity" as Vio put it, there wasn't anything but a ton of silent hate! Red really just wanted to curl up into a little hole and die. Well not really! But like, emotionally! Just a bit!

Green kept pushing them to talk about the details, but neither one would talk. Red decided to try asking them one on one, you know, use his charm a bit and soften the edges- But even when he cried it didn't work! Him crying always worked! Especially when he said just the right words in just the right way to softly push them into making a realization.

Red wouldn't really call himself a manipulator in that sense, because hey! He was using his powers for good, right? At least most of the time, anyways. It was a useful way to get out of trouble and get things he wanted...

By why couldn't it work now when he needed it most!!

Vio just treated him like how a parent would to their kid when the kid just, well, asked about death or some hard grownup topic. Like Red just simply wouldn't understand and not to worry about it- But he was worrying! He knew Vio just didn't want him to be sad but still...

Then Blue- Well, Blue was just sad. And a little p*ssed. But it was clear he was just mostly sad. At least when he talked to Red anyways. At first he had been all huffy and insisted that it was all so stupid, so why even bring it up anyways? Because it was "over already!" Which, no that was super stupid of Blue to think, because obviously all their relationships were like super mega sad???

When Red expressed that sentiment though, it seemed to change something in Blue. Blue just closed up and got all quiet. He hated when Blue did that. But it also meant his plan was working. Blue may be a little, uhm, explosive to people and things when he got upset- But really if he was like actually really seriously upset? Then he got all quiet and intense all by himself. But Red knew how to pry all those layers off, even if it was just melting his way though each one of Blue's icy walls, one at a time.

Not even a day later of the guilt obviously devouring Blue inside out, and clearly losing against his ego. (Red knew that's what happened, he probably didn't want to be the "first one to show weakness" and just talk about how his feelings were hurt and acted like he was just all angry and didn't care, but Blue was a big softie and no amount of pouting was gonna change that in Red's eyes.)

They'd been walking to the training yards extremely early in the morning, the sun had barely peeked over the horizon really. In Red's opinion, going all the way to the castle to train in the big professional courtyard before the birds even woke up was probably some sort of crime against humanity. And him. But Red was so close to getting Blue to spill! SO he had to stick with Blue the whole time to make sure his plan would work. He just had to be consistent! Even if... it was at like... Red blearily squinted against the horizon. Five AM? Uegh.

Green was right about those too being similar. But it wasn't just cuz they were so stubborn. More like they were both weirdos that had a vendetta against sleep. Seriously, would it kill Blue to sleep in for five more minutes...

[stxrslut]

I think the reason why so many people hate dark content is because they don’t understand it.

Incest for example has been a big topic on this side of tumblr as kinktober approaches and a few writers, including myself have mentioned it.

why is writing incest bad? It’s not, up front. the moment it becomes bad is when you romanticise it. the same goes for other dark topics, for example necrophilia or blatant rape.

acknowledging that these things exist is not a bad thing, and neither is acknowledging that there are certain people out there who do it. it is a horrible truth that nobody wants to exist, but it does.

using the infamous rafe cameron as an example, why would you want to read an incest piece about him?

rafe is a complicated character, and a very bad person. a lot of writers don’t like to take that into account. I’m sure we’ve all seen many works where rafe is portrayed as a sweetheart, a perfect husband who cares and would never do anything to harm you.

this portrayal of rafe has become the norm for many people on this platform. and so upon seeing dark content, they are trying to imagine it with this completely different character. the version of rafe that is romanticised.

when we write this content we don’t write it with that rafe in mind. we don’t want to be with this version of rafe that we’re writing, this is a bad character and we absolutely recognise it when writing him.

of course, as mentioned there are people who are imagining it with romanticised rafe, and also assume that was the rafe it was intended to be written with.

if that was the case then writing this content most definitely would be bad.

but why would we write dark content with a reader insert if we didn’t want this to happen to us? what is the point? that’s a valid question.

primarily, self insert or ‘x reader’ is just the format that we write in. even though we may be imagining our name and or face it’s not necessarily us. reader is just a character, let’s use puppy!reader for an example, she has her own characteristics specific to the reader or character. I don’t think I am puppy reader, but I love to use her character to write a reader.

self insert and second person writing is also a very good way to explore the thoughts, feelings and actions in a character in very great detail, which a lot of writers very much enjoy doing.

this is also another misconception that people make. because in some of the situations the reader goes along with / wants these things to happen, which is very easy to mistake for writer wanting it too.

so now we know that self insert does not mean desire. but even if we don’t desire this, why do we write it?

there are many reasons. one is character analysis. there are plenty of bad characters out there, and they would do that. we are simply acknowledging that.

we like to explore complexities and nuances of characters. this character would want to do that and so how would that play out? who would it be with and what would the feelings and emotions be? it’s interesting to explore darker parts of different characters.

another reason is trauma, to people without it that sounds ridiculous. but people with trauma in these kinds of situations may find comfort or control in reading about it in a safe environment.

I have a lot of childhood trauma, and there are certain pieces of writing centred around that kind of thing can really help me to think about it and help me to control the way I think about it.

now there are some aspects of dark content that we may say we “want”, but that is generally misunderstood.

let’s use a sentence I have said many a time, “I want rafe to fuck me with a gun”. no, I absolutely do not.

I am into humiliation and power play, I also enjoy a little bit of fear and pain in some circumstances. in a safe environment, for example, a fictional one, a gun would be a perfect way to do these things.

obviously in real life I wouldn’t let anyone come near me with a gun. it’s all about interpretation and understanding of safe environments.

when I’m reading a fic where gun play may be involved I read about the humiliation and power play and all sorts and think oh fuck that is sexy. because it is, in this very safe place where a gun is not going to harm me or anyone.

the same goes for lots of other forms of dark content. we might not necessarily want the exact action, but more the sensation or feeling that comes with the action.

but why would we write it when people are going to be triggered by it?

simply put, that is not our problem. I haven’t ever come across a piece of dark content that wasn’t correctly labelled and warned.

I’m not responsible for anyone else’s media consumption, if they choose to ignore my warnings it is entirely their fault.

also, free will exists, if someone decides they don’t like what they’re reading they can simply close the piece, stop reading.

in a nutshell, if someone who writes dark content is 1. not romanticising it and 2. labelling it correctly, you don’t have a reason to target them.

learning to distinguish between dark content and predatory content is so important so we’re not attacking the wrong people.

please stop targeting writers who write dark content when there are people out there who genuinely are horrible who we do need to be targeting. focus your attention on the real issues.

[acerikus]

G o d. All gekkos' outertale posting makes me wanna talk more in depth about the characterisation and plot issues in this game and why they bother me...

(readmore bc holy fuck this got long, it's probably like 5k words. It's also pretty much all salt, categorised by character)

Toriel

Why. Why is she like this. Kinda feels like the creator of the game hates her and if they don't, they have a weird way of showing it. She's treated as overdramatic and unjustified in her anger at asgore despite the fact that he DID declare war on humanity and he DID willingly let the people believe he was killing human children to harvest their souls. Even if he didn't do it for real in this game, she has every right to be angry and to not trust him, and it CERTAINLY doesn't make her undeserving to be a mother or whatever. Idk about you, but I don't think wanting kids to stay away from a man yelling about wanting to kill every child that crosses him makes you a bad parent, even if it turns out he didn't really hurt anyone y'know?

They also REALLY zoned in on 'mother' with her in a way that doesn't really make sense here. I could maybe see her feeling guilty for making a snap judgement but how would that call her motherhood into question?

Sans saying isolation messed with her makes no sense too!!!! The outerlands or whatever they called the ruins isn't sealed off in this game, other monsters seem way less intimidated by her in this game than in undertale (she has friends! She knows sans by name and goes to napstablook's shows and even has their phone number!), and we outright get told she takes the taxi to get her groceries... Meaning she headed off to the rest of the outpost and probably does that often enough.

All things considered, Toriel seems fairly well adjusted in outertale, at least by outertale standards. Kinda then makes it feel like everyone's just trying to convince her she's hysterical and that... Sucks.

Also the fact that they added an ending where you stay with her and framed it as a bad ending that doomed everyone is... Really mean? It sucked ass I'm sorry :/

Sans

... Why is he like this. This take on Sans is absolutely infuriating tbh. The only positive I really have here is that his puns are kinda good, I've seen fangames that fuck up this element massively and it was kinda fun to see his interactions in starton.

Okay, back to salt. His whole 'i became a sentry to help humans' thing is trash. He didn't care about that in ut! He didn't care about that at all! The only reason he looks out for frisk is because he made a promise to toriel, and he hates breaking promises. He didn't want to let down his friend.

...Huh. realising this is yet another case of Toriel disrespect somehow. Yet another thing they took from her, that they then just... Handed over to sans instead. :/

His lack of backstory. Look, I get wanting something silly, but they took almost everything that makes sans interesting away. Not hyperfocusing on sans like certain aus do is nice, but it feels like in a lot of situations in this game they overcompensated by a long shot.

No mysterious past/origins. We know he worked with alphys I guess but???? Honestly I have a LOT to rant about for that part so I'll leave it for twinkly's section. And yet despite all this, Sans inexplicably bleeds in tpe when not even undertale has that happen? Make up your mind!

His role in non Asriel chaotic also... Sucks ass. I'm in a pretty awesome corner of the fandom in terms of the people I follow and the takes I see as a result, so if I'm honest, when I saw all those posts about 2024 fanon sans being indifferent to his brother's murder, I kinda just figured they were vaguing about this game. You're telling me that sans of all people just shrugs off you killing everyone and complains a little bit before letting you pass?! He should know alphys already ran off. He should know the only person left to stop you is asgore, and that it's obvious he won't. Part of this could be connected to how frisk is written perhaps, and much like the twinkly situation, I'll have much more to say on that further down.

I understand the creator didn't wanna have a sans fight in their game - however, if that's the case... Maybe come up with a reason for him to NOT show up in the last corridor, then? Have him busy helping with evacuations or something, or already dead like in the first chaotic ending... This was just sloppy.

Papyrus

Honestly he wasn't... Terrible. The phonecalls were fun even if most were cheap references (though they can be fun in fangames sometimes so I'm not mad at this lol). Him being extremely talented at making spaghetti is just one symptom of one of this game's biggest flaws, however. I really don't like how nobody's really allowed to be bad at anything or have any real struggles in this game - especially when spaghetti in undertale is used to demonstrate his relationship with undyne and the similar wavelength they're on when humans aren't involved. She's the one who started teaching him to cook it, it's deeply intertwined with his desire to be a royal guard, and it's something they suck at together. Him just inexplicably being good at it is... Weird, and feels really disconnected from their friendship and her reluctance to let him in the guard yknow?

Also: his boss final phase. Having the dog NOT take his special attack away this time was really funny admittedly but... Idk? Not only is the fight really unfair for pacifist/neutral and those who aren't as good at the game (ut never gets this hard outside of geno), it feels way too on the nose in terms of insisting he's strong and has powerful attacks. Undertale didn't need to overcompensate to get across that papyrus is strong and disciplined and the way you have to infer that in undertale is way cooler. I might just be nitpicking with this point tbh but it's whatever. Letting myself be a hater for once.

And don't get me started on him getting together with Mettaton. It seemed to come out of absolutely nowhere, the idea that they were already friends in this was glossed over really quickly and no time was really put into developing the relationship save for papyrus commenting on finding him attractive every few minutes.

Gotta be honest, I've never been a fan of this ship nor understood its popularity. Papyrus very briefly mentions thinking he's attractive in undertale, but it doesn't really go anywhere and I'm not even sure mettaton knows he exists. It feels like it was just kinda added because it's a popular ship and that's it, not sure it really contributes much to either of their arcs. It was a light-hearted celebrity crush in canon and never really tried to be more.

Oh, oops. Had more to say here than I thought.

Undyne

Not much to say here... I think she was okay, there's nothing super bad with her. I do think the way gerson kinda downplays her/lacks faith in her in the chaotic route kinda sucks and I think choosing to make her non-undying chaotic bossfight harder sure was A Choice, but it's whatever. Undying was weirdly easy in a way that didn't do her much justice. Honestly they didn't do enough with her for me to have a wall of complaints and I can't tell if that's a good thing or not. Her relationship with alphys didn't really amount to much and her lack of understanding of human culture doesn't really hit as hard when she's just talking about random sci-fi things that we have no way of knowing are real or not in this game's idea of the 2600s ourselves, y'know? Her love of anime (that she mistakenly thinks is human history) is pretty absent here except to validate her relationship with alphys in a very shallow way.

The Ghost Family

Hoo boy... Was gonna make this the mettaton section, but I wanted to talk about napstablook at the same time, so I'm just gonna lump them all together.

What. What the hell was this plotline.

It feels like they tried to go for 'smalltime farmer chases passion for stardom after feeling unfulfilled at home' and as I've seen someone else say, 'shy business owner struggles to talk to their cousin outside of work'. This would've been fine tbh, but... There's a lot of things in the execution of this that kinda grossed me out if I'm honest. I don't think they were intentional, but I think it could've been thought through a lot better to avoid some unfortunate implications - or even lean into them in a respectful way.

Firstly, the ghost family intervention was pretty long, awkward, and didn't feel like it really added much - especially when most people playing would already know mettaton's backstory anyway (and his house is still accessible like in undertale!!!!! What was the point?)

Mettaton airing out his family issues on live TV feels very ooc - he keeps that stuff very close to his chest and I doubt he'd like it getting out. Him entertaining any of that out in the open seems... Weird.

Speaking of the intervention, his cousins' treatment of him was horrifying! Part of it seems intentional and it's nice that there's at least one part in the game where characters are allowed to have flaws and do bad things but... There's also elements that feel like you're meant to agree with them? Their insistence that mettaton just come home and everything they did in the past with constantly badgering him to come and help out on the farm were rightfully treated as something that hurt mettaton's feelings and that gave napstablook and the others pause. That's (mostly, we'll come back to it later) fine. He called them out for it and they reflected on it, cool. The way his ghost form was utilised makes me extremely uncomfortable, however.

Napstablook talks about hearing 'the real [mettaton]' in the recording, right to his face, 'the real mettaton' in this scenario alluding to his ghost form. Considering mettaton is a trans allegory, this feels... Kinda gross? In a similar vein, when passing mettaton's quiz barriers, one of the questions is 'what is mettaton's true identity' and you have the option to deadname him (using a name papyrus literally just made up in undertale rather than having any kind of creativity ofc) Alphys' reaction is simply to ask how you know that which... Doesn't feel great. The correct answer is 'mettaton' ofc thankfully, but everything around this particular plot point feels weird. Maybe don't do that w the most prevalent trans allegory character..?

And ofc, they keep insisting he just come home, go back to working on the farm, go back to his family... Idk, gives me vibes of someone abandoning their shitty transphobic family and then insisting they want to see 'the real [deadname] again' and for them to abandon their new life and just go back to the way things were before. Not good.

All of this would still be okay for the most part since the ghost family are painted as being unfair to mettaton... But in true pacifist, he goes back to helping out with the farm anyway and talks about how he thinks he was probably just being dramatic after all, and how 'blooky didn't do anything that bad'

... What?

It takes me right back to Toriel's treatment. Napstablook, Maddie and lurksalot gave no real thought to mettaton's feelings, made it all about them and showed pretty much no support for his transition nor his career! Fuck those guys! It's funny - mettaton is pretty consistently a pompous asshole (affectionate) in undertale but here, I think all his feelings towards his family were COMPLETELY valid. Mettaton outertale didn't do anything wrong.

Lurksalot didn't feel like they contributed much to the story either, save to be yet another character treating mettaton like shit with zero consequences nor narrative judgement. They just made every ghost family event even more drawn out.

And then ofc!!!! Mettaton and Alphys' friendship is so bland in this game! They're two people who kinda know each other and she says some nice things about him in a letter in chaotic but that's about it. Their friendship and the subsequent conflict frisk's arrival brings to it in undertale is the heart of hotland and the core, but here it's just replaced with unnecessary, hard to watch, boring family drama. The two of them have no issues to work out. She doesn't ask too much of him. There's no funny quips and barely any chemistry at all. God forbid either of them have any real flaws.

One last thing: I'm glad maddie gets her mew mew body, it's nice. Wish it was an on-screen moment or something alluded to more though. Some of that time dragging out the family drama could've been used on that instead, y'know? Especially with napstablook getting the mew mew doll... Genuinely thought they were gonna show it to her when they first got hold of it, rather than dragging Frisk into their intervention. She should've gotten to be more mad, too. Kinda a big part of her identity.

Oh, and mettaton's no-asriel chaotic fight was bullshit. It was a nice spamton reference and the first phase was cool, but the second was utter bullshit and dragged out the fight way too long. Attacking him after snapping all the wires should've killed him im sorry. It's even more of a shame bc I genuinely really liked this game's mettaton neo fight - it was fun and creative and felt possible.

Holding myself back from adding any more to this bc I could go on and on, ugh.

Alphys

Alphys. For a game that tries to make her the star of it, it's actually kinda impressive how much they managed to take away from her and just how uninteresting she is in this game.

At the surface level she's awesome, powerful, and the star of the show. In my first playthrough I was actually pretty happy to see her thriving like this! The more routes I played and the more I thought about it though they just kinda... Declawed her. Took away all her flaws. Made her 'perfect' in a way that I don't think works at all.

The amalgamates never happened. None of her experiments went wrong. She never hid away from her mistakes, or lied to anyone (save for keeping Asgore's secret, which she has no negative feelings about), nor did she over engineer any situations to make herself seem cooler. She doesn't argue with Mettaton! She's confident and assertive! She's Asgore's right hand woman and next in line for the throne! And ofc, the badass final boss! What's not to love?

...But none of this is Alphys, is it?

Her anxiety isnt just because of the determination experiments, it's pretty clear she's always been a pretty shy and nervous person. In fact, based on her entries they were one of the things she was more confident in before it all went wrong. People are hard, but she knows science, y'know?

She doesn't get to be flawed or interesting - despite her presence, she's just a generic cool scientist who's suave with the ladies, I guess..?

She isn't particularly dorky, shes overly confident, she has zero issues to work through. Her relationship with undyne is perfect (derogatory) and her infodumping about anime just before the archive feels very forced, like they remembered last minute that she does that and thought it should be included somehow.

Depicting what she'd be like in a scenario where the determination experiments never happened is a fun and interesting idea! But deltarune demonstrates how to do that well, and I think they completely missed the mark. The way she talks, her body language, the way she acts around others in general... These things are universal constants and yet in outertale, she's basically a different person entirely.

Outertale alphys isn't allowed to lie (save to cover for asgore Secretly Being A Good Person), she isn't allowed to miscalculate, she isn't allowed to mis-speak or make mistakes or do anything she'd regret. She feels like an alphys written by someone who hates her in canon and thinks all her flaws make her terrible and unlikable. I doubt this is the case since I don't think a person like that would've given her such prevalence, but that's the level of love and attention I feel was given to her writing here. It makes me sad.

And, of course... The DT experiments and her fight.

... Why did she have vials of determination if all the humans are alive? Did she take it from them? If so, was this before or after they went into stasis? We know she's not been the royal scientist for long in relation to how long humans have been falling, so did ROMAN take the determination? How much of this did she even DO?

Why did she and sans even DO anything with determination? It... Doesn't really make sense.

Speaking of determination, why did she melt at the end of her fight? I'd assume she's injected herself with determination as one of the vials in her lab is mentioned to be partially used, but I'm pretty sure it's also like this on pacifist. Was that overlooked? Are we just meant to assume it's MORE depleted? Does she just have natural determination now because She's So Cool And Badass? This isn't even really a complaint about the fight, more just how poorly that part of her lab is handled lmao

But getting into her fight... Idk, it didn't really feel like her. A lot of it was just random bullshit that was hard for the sake of being hard, that didn't really seem to be tied to her identity very well at all. People complain a lot about the Zenith Martlet fight in undertale yellow but that's done far better than this, imo. It clearly reflects martlet's character, personality and canonical bullet patterns (we see Alphys' in ut tpe!), there's a genuine feeling of progression in the fight and the act you're given to help with the fight feels more effective - you can still damage her on her turn, so taking a turn to heal act doesn't feel like a waste. The Asriel acts though... They just don't last long enough to feel that worth it? Sure they're okay, but in general, you get a lot less time to breathe. Martlet's fight lets you retry from phase 2 if you die. Sans' in undertale gives you as many turns as you need to heal while he's sparing you. Alphys' fight just feels like it's made to feel un-fun and painful throughout in a way that just isn't worth it, and doesn't really feel like it fits her personality either, y'know? The fight was just a slog and like many others, I had zero motivation to finish it legit. I don't think it helps that the undyne and mettaton fights in this route are fairly easy and simple in comparison.

Tldr: they took away everything that makes alphys endearing, fun and interesting. This isn't alphys at all.

Asgore

A huge chunk of this essay accidentally got deleted, including my first attempt at writing this section. In it, I mentioned that the Asgore apologism went way too far.

This time though, I don't think I'd even call it that. Reflecting on it, it feels less like an attempt to defend him and more like a way to hate on and spite Toriel.

Seriously. So much of his character basically just feels like someone going 'fuck you toriel. I'm giving EVERYTHING to asgore.'

It's... Really weird?

Asgore having a way out of killing humans is an interesting concept! Outertale takes place 500 years in the future compared to undertale, so the idea that they have the resources and technology to do that is kinda cool and in theory, exploring this idea sounds really fun. In practice though, it feels like it was mostly done to make Toriel out to be an asshole for no reason and to laugh at her for ever assuming he would've really killed anyone (despite... Y'know. Telling everyone that's what he was doing.)

He just. Completely moved on from Toriel without a second thought seemingly, and doesn't even look that affected by seeing her turn up again - meanwhile SHE'S got crumpled up tea recipes in the trash and all the Sad Divorced Energy - it doesn't really fit either of them! Toriel wasn't really given a reason to miss him like that, and I think even if he DID fully move on, he'd be way happier to see her than that.

All his leading statements on how she must feel in LV1 pacifist sucked ass also, especially with the way she kinda just agreed that yeah, she feels like shit for not trusting that he'd suddenly do a 180 and not hurt anyone (AGAIN. AFTER HE CONTINUED TO LET EVERYONE BELIEVE THIS) and that she must feel unworthy of being a mother. She hadn't even said half of this in front of him yet! He put words in her mouth! That in itself would be fine (social blunders are pretty normal for asgore after all) but it... Wasn't treated like that. It was handled as if this was a sweet and compassionate thing for him to say which... Yikes.

And ofc he gets to adopt frisk, and monster kid, and get to have Asriel live with him! His fatherhood is never called to question in undertale, but ofc Toriel's motherhood has to be here. Hell, despite their divorced status, if you talk to gerson in tpe it's highly implied frisk asks if asgore would start aging again if he became their dad! Idk, all of this part just reeked of Toriel hate and nothing more. Asgore is just yet another character to get sanded down and de-clawed and it sucks. So much of what makes him interesting is his mistakes and flaws and how they impact him, y'know?

Twinkly

I wanna start this by saying I don't think his writing is too bad. It's not amazing by any means but by outertale standards, he's one of the better written characters. That being said, Flowey is my favourite character of all time so I'm still gonna be critical.

So they did save the goat. Save the goat aus really aren't my thing nowadays - I feel like so often people act like he's a separate person to Flowey entirely and act like the alarm clock app dialogue doesn't exist. Asriel didn't end the story as a doomed tragedy fated to fade away! Flowey ended the story as someone who finally got closure on the loss of his best friend, and can finally learn to move on, even if it takes him a while to adjust. I don't think he needs to be a goat again for that.

That being said, I know these kinda aus are a big wish fulfilment thing for a lot of the fandom that aren't even necessarily something people want to be canon as much as they just wanna explore the idea and see him truly happy, so I won't judge that element too harshly. People are allowed to have fun, and I think save the goat can be fine if it respects him as flowey rather than separating them.

I really like that they allow Asriel to be fucked up and an asshole rather than him soft rebooting into some Sweet Perfect Little Prince once he returns to his old form, like so many other save the goat takes. Even in lv0's ending he struggles to bite back insults and mean comments aimed at Monster Kid which is... Admittedly kinda refreshing! There's definitely some flowey (or I guess in this case, twinkly) behaviour that still comes through here and I'm glad. This carried over to chaotic, too. While his characterisation wasn't perfect, this at least felt like twinkly obtaining a few form and continuing to play with the world, rather than your standard Asriel take. I also really liked that he remembers and acknowledges chaotic if done before pacifist, that was neat and adds to his character (as far as this game goes) I think.

However, onto the biggest, glaring issue I have with him.

Why. Why does he exist.

No, seriously.

In its attempt to make the world perfect, a world that blatantly only exists so the creator could make a save the goat ending, mind, there's no reason for the goat to need to be saved at all. Nor for him to exist after dying back when Chara lived with the dreemurrs.

Asgore isn't killing humans, so the souls don't need to be absorbed by anyone. Frisk can just enter the archive and lend their power to destroy the forcefield themselves, so there's no ultimatum like there is in undertale - there's no implied tradeoff of Frisk's life for the freedom of monsters without twinkly's intervention. In undertale, flowey's messing around opened up an ending that would've otherwise been impossible, something that worked for everyone.

Without him existing at all here, frisk could've broken the barrier just fine. All it really added to pacifist was a couple extra boss fights and asgore being dead for two minutes. And him being saved I guess but again, there's no real story justification for him being here EXCEPT to pat yourself on the back for saving him.

Why was he created? In undertale it's pretty clear - they wanted a vessel to hold all the souls in for now during the true lab experiments. He exists because Alphys selected the first flower to ever grow in the garden and injected it with determination that she extracted from the human souls.

... But all the humans are... Alive and well in outertale? They don't need a vessel to contain their souls. They don't need to extract any determination from anyone. Again, why do they HAVE vials of determination? And why did she inject one into a flower?

AND THAT'S THE OTHER BIG THING. It's established she and sans injected a starling flower for... Whatever reason. SO WHY THE HELL IS TWINKLY A CARTOON STAR?!

This point makes absolutely no sense at all. He looks absolutely nothing like a starling flower nor does he behave like a flower at all, which is confusing if that's what he started as. Honestly, I think it would've made more sense to just keep him as Flowey if they were gonna include him at all, and just have his appearance reflect a starling flower instead of a golden flower.

This applies to his fight too. Mechanically I think it's AWESOME, but the visuals are... Just very very boring. A huge part of why his fight in the original is so good it's the bizarre and chaotic nature of it, the horror elements, and the way so much of flowey's trauma in terms of how he was created and the things he finds scary was put on blast for all to see. The combination of mechanical and organic elements, all the plants and insects... Idk, just going 'hmm he's a star. Let's have him go through a star life cycle' is boring, there's no visual appeal.

If his creation is so vague and wishy washy, this would've been a great opportunity to flesh it out more. How was he created? What kinds of technology and machinery did alphys use to put all this together? How did she (or roman????? unclear) get the determination? What does twinkly remember?

That leads me onto a tangentially related topic - his trauma. I... Don't think this was shown very well. He talks a bit about BEING traumatised from the lab, but telling isn't the same as showing and canon flowey is terrible at hiding it, whereas I'd just as easily believe outertale Asriel made it up for sympathy points. He never really projects, he doesn't force anyone else to experience anything like he did, nothing like that. He's just a cocky asshole who likes killing, and who eventually decides to start being nice.

This game constantly seemed to be speedrunning ways to get him from being twinkly to being Asriel as quickly as possible in almost every single route which... Huh???? It's weird. Would've been nice to let him be a star more rather than just Asriel...

(final amendment bc I lost a huge chunk of this essay originally and had to rewrite it, and I'm realising I didn't manage to fit this in this time... How does a single monster soul let him get his Asriel form again? Sure he's still treated as if soulless and it doesn't make him a good person, but if he was 'so tired of being a star', why hadn't he tried doing this sooner? It makes no sense...)

For a game that exists to give him a good ending, it's so ironic how little he needs to exist at all in this world. Just goes to show what it looks like when you go too far with 'fixing' things or removing stuff you seem 'too problematic' for the sake of being wholesome or whatever.

Chara

Speaking of which... Look I'm just gonna say it. This version of Chara sucks so bad.

Chara is one of my favourite characters - they're really interesting, morally grey, and a fascinating way for undertale as a game to interface with us as players.

They're a child who likely saw the worst of humanity, then found themselves in a home with family who genuinely loved them once they fell down and met the monsters. Their intense saviour complex made them feel like the best way to help their family was to sacrifice their own life to get enough souls to break them free (and once they realised they had control, get payback against the humans while they were at it). They could be mean-spirited and a prankster. They valued efficiency HIGHLY. Their favourite number was nine because it's the limit, the absolute, a way to stop hurting and to stop others hurting.

And by doing geno, you can push this fixation on stats further. Max out all your stats. Gain power. Get stronger. Become invincible. Nobody can hurt any more if the world is gone. And ofc, they stand as the final arbiter of consequences for the player. Your punishment for killing everyone and for pushing them into believing it needs to be completed. Chara both IS is and is separate from us in a way that can't really be fully disentangled and it's really, really cool.

Anyway, enough gushing about undertale Chara. What's outertale Chara in comparison?

... Nothing.

They're nothing.

Outertale Chara narrates occasionally. They're a ghost that follows frisk around, but aren't confined to that, and have been actively wandering the underground since their death. They also still have a SOUL for some reason? This part doesn't really make sense at all.

Other than sacrificing themself and maybe wanting to take out a few humans after Asriel absorbs them, they don't do anything that could be considered bad ever. The most devious thing they ever do is snatch Asriel's diary to leave a silly comment in there when they first arrive at the outpost (sans does this with Toriel's phone in undertale tpe for comparison lmao). Despite what Asriel seems to believe, Chara is completely absent from the chaotic route - never getting corrupted, never caring about our stats, never wanting to hurt anyone, never even trying to make us face any consequences. They're just... Not here. For a character so prevalent in the murder based route of undertale this is fucking wild.

They all but vanish if you so much as say something slightly mean to someone, too! It's strange, makes no sense, and just like with sans, it feels like they overcompensated waaaaaaay too much for the people who insist they're evil. On top of that, if you do chaotic before lv0, they don't even remember chaotic happening! They'd may as well have just been a member of the ghost family who likes following Frisk around when they're especially nice. Like Asgore and alphys, they've been sanded down and de-clawed to be 'wholesome' and 'perfect', and it just results in a bland, boring character who loses anything that made them interesting, nuanced and fun.

'Chara wasn't the greatest person'... Why, though? They don't have enough substance in this game for that line to really have as much impact.

Frisk

I'm gonna be honest - I actually ADORED their frisk at first, and I think that's because I started with a neutral run and ended up drawing them a lot. They felt silly and mischievous and interesting, and this continued into chaotic. They seem pretty chill with what's going on but then take that even further by being hilariously affectionate with Asriel and still doing silly things like being up for picking up the electrodampening fluid or drinking directly out of the fountain. They felt like a funny little mini-kris (save for being okay with all the murder ofc).

Then uhhhhhhh... That's when I experienced the second chaotic ending, the one without Asriel, as well as lv0. I feel like they definitely DID try to lean on the Kris angle on purpose in terms of their feelings on being controlled and stuff but it???? Just doesn't work very well? There's no ambiguity to this version of frisk once you've seen all the routes. Just like EVERYONE ELSE, they're just a perfect little angel who would never do anything wrong and anything past lv0 is just the eeeeeevil player influence or whatever. Come on, we have deltarune for that kinda approach to control 😭 (though even then, Kris is a layered and interesting character who isn't goodness and innocence personalised, and that's why they're cool)

In undertale, we have no idea what frisk is like as a person. WOULD they spare everyone without our influence? Would they kill? Would they be a scared child lashing out in self defense? Would they run from everything, then give up and let themselves die permanently somewhere? We just don't know! We're not supposed to know! It feels like it went back to the very early fandom interpretation where frisk is Good And Sweet and Innocent while Chara is evil incarnate - except this time they're BOTH the former.

It's a contradiction too! Why in the Asriel chaotic route are they so down to follow him, and pet him, and hug him every chance they get if they don't like all the stuff we're making them so? The player has no influence over Twinkly. Every single thing he did, he chose to do, and yet even if the only time frisk has seen him was him destroying their mercy button and forcing them to kill for him, they seem to love him to pieces and go along with whatever he says happily. What.

I feel like they didn't know what to do with Frisk here at all and it shows.

Other characters

This has been ridiculously long, but to quickly go over non-major characters... They did very few things to make Roman seem interesting, the amount of stuff hes implied to have helped Asgore with just reduces even further any influence or impact alphys had, and (a smaller nitpick)... Why didn't he use times new roman as a font when we DID see him speak in the archive/on the signal stars? It's such a missed opportunity...

Burgerpants was fun... Kinda. Developing him like this feels like something that should've happened DURING the actual game rather than before it though because it made him feel like a whole other person entirely? The poisoned food was very funny though.

Why is Snowy now Stardrake when his dad hasn't changed at all and Crystal looks like any other snowdrake? That was bizarre.

I actually really liked the humans! Establishing them as actual characters was really fun, and I especially like justice. Justice, at least in my opinion, is probably the most interesting character in this whole game tbh - someone who tried to do good but ultimately caused more harm than good, while NOT downplaying it, showing the consequences directly, and showing them work to try to make things better. The way we don't grab their item like the others in the twinkly fight nor go through an area for them in the archive (and just talk to them instead) really adds to their intrigue - what are they like? Who did they know? Is there something they don't want us to see? How are they strong enough to not need us to grab their weapon at all to lend their help? I think it's get funny that the only character I'm fully praising is the clover-adjacent one. Justice outertale they could never make me hate you

(that being said... seeing the way this game is clearly just supposed to be a 'fix' for undertale does sour my thoughts on the humans a little. did they only do this bc they thought them NOT being full characters in ut was bad/a problem with it? 🥴 This applies to the additional monster kid story focus too).

Speaking of monster kid... Them being an orphan was clearly just a plot device to give asgore more kids and therefore feel like he won more than Toriel. Monster kid in undertale seems like they probably did have real and loving parents, and they have a sister too!!!! Would've been nice if they'd at least done something with their sister :(

This got... Way longer than I expected, so I'll stop here. But outertale definitely gave me an even bigger appreciation for other ut fangames. My gripes with deltatraveler section 3 feel much smaller in comparison now, if tsus misses the mark on Flowey later down the line they've at least already done most characters so much more justice, and it really puts into perspective all the heart and soul that went into kissy cutie, as well as its genuine love got the source material and characters.

Sorry outertale, you weren't for me. That being said, if anyone disagrees with any of this then that's fine! These are all just my opinions and feelings on it after going through all the routes and talking about it with friends. Media is always gonna resonate with different people in different ways and that's a good thing! If your perspective on any of this is different and if you had way more fun with it, I'm glad you did and I genuinely wish I could've felt the same. I feel like at the very least, making it has probably been a great learning experience for the devs and I really hope they carry on making games and improving their skills. Hope y'all are thriving and having fun regardless 💙

[halfthebrain]

I don’t get this hate for Mike while he was an investment banker and fighting Harvey lmao. It was frankly really good TV.

TLDR: The stakes were much higher for Mike and he utilised every trick Harvey has taught him. He’s not the only one to blame just because some viewers can’t understand his motives. Harvey knew though and he forgave Mike, took him back, and even regretted fighting Mike in the first place.

First: obviously Mike would be more invested (pun intended) in winning than Harvey is. It was his first big case and his livelihood was on the line. In case anyone forgot, he never went to uni, he doesn’t have any degree. So this was his chance to get out of committing a felony every day. Sure, he still lied to Sidwell about his credentials but that’s still a lesser crime than pretending to be a lawyer. He left so he wouldn’t put the people he loved at risk.

For Harvey it was just another run of the mill client, a spoiled, entitled rich man child. Was there a lot of money on the table? Obviously. But those are the waters he swims in daily. Billion dollar deals as he said himself. Case in point: he also just drops Logan afterwards. Money be damned.

And Harvey knows this himself. He loves winning, yes, but he loves Mike more.

I actually blame Harvey for being a stubborn asshole and not going with Mike’s plan from the get go, not trusting Mike’s idea and plan, even tho he has consistently profited from them. But, again, this is TV drama so obviously they needed a reason to start a fight.

Second: have we not been watching the same show? It has always been personal to Mike. That’s his whole schtick. He cares. About absolutely, probably everything. He cares about why Walter Gillis started the company (because of his son). He cares about keeping that reason alive. He cares about keeping the workers employed. He empathises deeply, he tries to fight for what he thinks is the right thing. Does that make him a stuck up idealist at times? Yes, but that’s unavoidable. It was never just about winning for Mike, for Harvey it was. If you’re going to hate him for that then at least be a hater from the start.

He was still trying to keep Gillis Industries alive even though Harvey has smeared his name (personal attack) and Walter Gillis has shunned him because of that.

Third: it was all “fair game” despite whatever drama Donna procured in her head about the tapes to insert herself in Mike and Harvey’s fight. She can huff anf puff all she wants but the only person who has a reason to be pissed at Mike would be Harvey. And guess what? He forgave Mike anyway because he realises that Mike did a great job going for the jugular just as Harvey has taught him. He even defended Mike in front of Sidwell, asking him to take Mike back. They didn’t even go toe to toe. Harvey was backed by his entire firm (he’s a name partner), he even let Louis help (he fucked it up), Donna as usual, and lastly, Rachel who was “handling” Logan. Meanwhile Mike was fighting alone. Jonathan Sidwell only pressured him to win, Walter Gillis gave up on him and Amy could only help so much.

Just because Mike is on the other side now using the same methods Harvey taught him doesn’t mean that he’s the “bad guy”. Like I have said many times; they’re both the worst and deserve each other.

Bonus: while all of that was going on Rachel also thought it would be a wonderful idea to keep going back to Logan’s place and then to almost fuck him :).

Are you really, honestly hating on Mike right now?

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[icestarphoenix]

Aran Ryan Headcanons

Aran Ryan doesn’t think he’s any good with magic and sees himself as just particularly lucky. However, he is actually unconsciously using magic to subtly alter reality around him to his favor. He just believes he has the “Luck of the Irish” on his side. As such, Aran is extremely superstitious since he views the effects of his magic as just luck. 

If he says to you “good luck”, he actually wants you to fail and is trying to jinx you. “Break a leg” is how he actually wishes luck.

Even if he can get up earlier, Aran will always try to get up at the count of seven.

When he punches with loaded gloves, he does his best to not turn the horseshoes upside down when possible.

Every little thing can be an omen to him. Glass Joe was KO’d during round two rather than round one? Today’s his lucky day! A cloud in the sky is shaped weirdly? Aran needs to be careful of his surroundings. To other people, what signals good and bad luck seem completely arbitrary.

Aran was born and raised by the sea, with his father being a fisherman and his mother a fishwife. He even worked on the docks ever since he was a lil’ lad. 

He knows his way around knots and even snuck a monkey’s fist into his flail among other things.

While Aran's built quite some strength from working at the docks, his little sister built quite the silver tongue from helping her mother at the fish market. She could cheat the devil himself using just her words. Ever the swindler, that clever lil' lass.

He tends to give nicknames to people he likes. For example, Soda is “Pops”. Macho Man is “Machie”. Sandman is “Sandy”, but that’s prevalent among other boxers too. Though, Aran also uses nicknames just to annoy people. Von Kaiser is especially incensed by “Ol’ Geezer”.

He may be woefully below weight class compared to the other World Circuit boxers, but Aran makes up for it with his excellent fight IQ. Despite his external wild and spastic behavior, he is internally quite analytical when it comes to combat. Aran’s just beaten out in the raw power department.

Aran’s hands are constantly wrapped in bandages due to his penchant for punching with metal horseshoes. He’s gotten better at avoiding bruised and broken knuckles, but it still happens with how erratically he fights. The other boxers don’t remember what Aran’s palms look like.

When boxing, he wraps his hands with tape in addition to bandages to cushion his hands. Now gotta add improper hand wrapping to the infractions list.

The reason why Aran is still in the WVBA despite being a blatant and frequent cheater is because viewership skyrockets when his matches are broadcasted. Most people want to see him get his comeuppance, so they tune in. A small portion of the audience watches to see what kind of new tricks he will pull. Aran Ryan is the heel and he knows it, and he doesn’t care. He’s good at entertaining the crowd and giving them a villain they love to hate.

Wii Aran and SPO Aran are the same person to me. He was a rule-abiding boxer back in the SPO days, but quickly got bored of fighting fairly when all his competitors were cheating with their unique gimmicks. So, Aran gave cheating a try one day and never went back. He was already good at boxing, as such it became wayyyyy more fun to think of new ways to cheat and see how much the WVBA will tolerate.

This has also made him much more popular (or infamous) in the eyes of the audience. No one really noticed him before.

He doesn’t even see his fair-fighting past self and cheating current self as the same person anymore. He gets visibly annoyed when people bring up “that bloke from Branch B”. That Aran was dead the moment he threw his first punch with loaded gloves.

He made his progress up the ranks and into the World Circuit when he still fought fairly. Ever since he started cheating, Aran hasn’t really tried to keep moving up in rank and just defends his place. Part of it is that he has way too much fun continuously stomping on Don Flamenco’s pathetic attempts to take his spot.

[turnways]

The "The fundraisers are fake block and report!!" from omgthatdress, badjokesbyjeff, and others really boils down to wanting to remove any personal investment in stopping the genocide.

"The fundraisers are scams because they're messaging big accounts but also because they message small accounts and they're just there to guilt trip you. It's about making you feel bad. Instead don't feel bad and donate to this charity. Don't look into whether or not they directly help Palestinians escape genocide. Phew doesn't it feel nice to *really* help?"

Its the same mindset as "don't give that homeless guy money, what if he's just pretending to be homeless? Just donate to anti-homeless non-profits because that's the only *good* way to help the homelsss"

And that's not to say all charity organizations are evil money laundering schemes of course, many are at least trying to do good in the world. Or that nobody would even pretend to be in need to trick caring people out of their money because that does happen.

But I am saying it's weird to trust a nonprofit youve barely looked into how or if they directly help people any more than a gofundme with someone's full legal name and face attached because it "feels" suspicious to you

[gravidwithlore]

Has anyone else ever thought about curses and kink? Not just someone being cursed and then discovering a new kink, but someone having a kink and purposely trying to get cursed in a way that fulfills that kink?

Like for example, witch gf has to leave on a business trip for a weekend, but she knows her bf will be so lonely without her. Knowing her bf has a pregnancy kink, as a kinky little parting gift, she curses him so that every time he masturbates the more pregnant he gets (with what? Guess itll be a surprise). She leaves with a wink and tells him she expects to see a sweet little baby bump by the time she gets back. When she gets back 3 days later, he's already cummed himself senseless, all the way to laboring and crowning around the head of a big demon spawn. Overstimulated and whining, he's still doing his best to touch himself. Because the spawn is partially born already, the curse doesn't just grow the spawn spreading his legs, it instead creates a sibling for his leaving occupant. As she walks into their bedroom, he cums again, and she can see his belly visibly start to swell again. The witch puts down her suitcase and wonders if she can get her slutty bf to cum enough that the 2nd spawn gets big enough to be born once her bf is done cumming out it's sibling.

Or you're single, and happy that way, but still looking to get a good spanking and its so hard to find someone to do it right. Too impatient to go through the human interaction and negotiation, you go to a witch and get a custom curse. Anytime you do some inane, mildly bad habit, you get a solid SMACK! across your backside. Let's say it's something you're more likely to do at home than out in public, or a certain phrase or gesture you tell the witch you're trying not to say or do. The more you do it the more the curse evolves, changing up the position and force of each slap. Sometimes you swear you can feel the metaphysical hand lingering, as if admiring it's own work. Instead of dissuading you from doing this 'habit' the activation thing genuinely becomes a habit of yours. Once it happens accidentally in public, you realize you might have a new, but still related, kink.

A man has always secretly dreamed of becoming a hucow, and after getting tired of his draining soulless business career, he finally decided to make it a reality. They make fake social media accounts and reach out to a curse creator. He pretends he's someone else who hates him, who wants to see him suffer and be humiliated. He DMs them a whole rant about how he needs to be taken down a few pegs, how he's awful and absolutely deserves this horrible curse to change him for the rest of his life. The curse creator absolutely agrees to help, even providing him a discount out of sympathy for his fake story. Since he knows it's coming, he feels when the curse hits. It's not long until people around him start to comment on how ditsy he's been lately, how much weight he's gaining, how his voice sounds 'different.'

Eventually, he tearfully admits to his friends and family that he thinks someone's cursed him! How could he possibly know who? And no one's come forward to gloat, who could possibly hate him so much to curse him like this? His loved ones look on in sad, if slightly condescending, empathy. It's not his fault he can't keep a thought straight in his stupid little cow brain, or that he keeps getting distracted by the growing teats bouncing on his chest, or that half the time he tries to form a complete sentence he can't help but moo a little! Eventually, when he's almost unrecognizable from the person he was, a family member suggests maybe joining a farm? They have a friend who's just bought one, and they're trying to get started, besides wouldn't it be so much better to be able to roam around a farm, rather than be cramped in his city apartment?

The moment he arrives at the farm and catches sight of the big minotaur running the place, he can't help but bat his long beautiful eyelashes and let out a visceral, lowing heated moo. When the curse creator reaches out to ask them to leave a review, he rates them 5 stars. Then immediately forgets what he was doing as he rubs his hyper-sensitive gravid belly, full to bursting with the minotaur's babies already, which is miraculously dwarfed by his massive udders, hooked up to the strongest milk pump his beloved farmer could find.