#these are just the living ones too. most characters have a lot of dead people in their backstories lmao

[ladyisabelsblade]

My Live Reactions to X-Men Origins: Wolverine

A text thread between me and my friend.

---

Just watched the opening sequence and it’s so fucking funny when you’re high

Dude that guy with the two guns, his sequence kind of slapped

And then the other guy punched a tank. Yo….

This Deadpool looks like an idiot with the swords but he’s still pretty funny lol

Why does he know Swahili?????

Oh no! They’re colonizers!!???

But not Wolverine, he cares about black people, that’s how you can tell he’s the good guy

Little brother, breaking cycles of abuse

JIMMY

--wolverine says racism is wrong! --have u seen his cartoon claws yet?

They didn’t look that bad but I am high so I don’t care

The action sequences aren’t half as bad as in last stand

Or at least I’m too high to notice if they are lol

WOAH SGIRT OFF

--u see a lot of hugh jackman nipples

Lumberjack Wolverine, wow

Just wow he’s wow

"Your country needs you” “I’m Canadian”

Aw, I like this girl. She’s so gonna die

What the fuck is this stupid story?

Even Logan thinks it’s stupid.

Most clumsily overt foreshadowing ever

Oop, yep she dying

--lmao --yea she lasts under 10 mins thats hilarious

Damn fucking eviscerated

Manly man scream

He ruthless

LMFAOOOO AND THEN HE GETS HIT BY A TRUCK

--relatable tbh

He’s so oiled up

Damn the dramatic irony is dramatic irony-ing

The Adamantium looks like the aftermath of a lush bath bomb

--ooooh ur not at the cartoon claws yet --he’s still all boney

Yee

LMAOOOO THEY LOOK PLASTIC

HIS ASS OUT

--ASS ASS ASS

Cover up your tits you preening slut precursor

They look so stupid just do practical effects you idiots

YES THE JACKET

WHAAAAATTTT HOW COULD YOU KILL THAT OLD LADY WTF

I should have seen that coming

EXPLOSIONS SLAY QUEEN

--who exploded things?

Everyone but Logan exploding the helicopter was slay queen

--lol this movie is such a blur for me, i love reexperiencing in real time

Oh this is the bad part

Fucking blob omg

--ah yes --and will i am

I like will I am he ain’t bad

And boxer Logan, boxer Logan is saving this scene for me

--idr him good or bad, i just remember he's will i am

He is

I laughed so hard when his name came up during the opening credits

--its a great jumpscare

Local man discovers his girlfriend was fridged for his character development

REMY LA BOU

OH NO HES HOT

--is this the first time uv seen gambit in something? like have u seen him in the cartoons or stuff?

and poker? This is like combining every old lady white woman’s wet dream together: lumberjack, boxer, poker player

No I’ve never seen the cartoons man

--by far the most loved x-man

GRABBED HIM BY THE SPINE WHAT THE DUCK

gambit slays here dude

Will I am dead

--u have the best one liners omg

I’m over an hour in and I’m really enjoying this movie, being high is really elevating my experience

--its probably greaat high ngl

It’s just like fun moment after fun moment, I don’t care if it doesn’t make sense

--its my dad's favorite hated movie --its so fun

He’s right, I can’t believe you told me this was worse than last stand

--idr last stand at all ngl

Oh, well it was really bad

My man is more okay with jumping out of a plane than flying in one

SCOTT

YOUR EYES SCOTT

sir this is an operating room you can’t be here

Damn, this is freaky, I thought Stryker was a creep in x2

KAYLAS BACK

WHAT THE FUCK

oh it’s mystique isn’t it

NO ITS NOT WHAT THE FUCK

Damn that’s cold

No, poor baby he’s so sad

They were together for 6 years damn

Yo this is so dope

This fight

--have u gotten to deadpool

Kayla, now is not the time

Not yet

--thats THE thing

I know

But here he comes

HE LOOKS SO STUPID

XAVIER MY MAN

Yo the black around the eyes thing kind of slayed tho

Damn fucking sliced his head off

Oh shit damn

Do they look out for eachother because you kind of suck ass victor

YESSSSS GAMBIT

Kayla come on don’t die

Again

HOLY SHIT STRYJER

AYO WHAT THE FUCK

girl this movies good I don’t know what you’re talking about

That was so slay Kayla

But you’re still probably dying

PROFESSOR

I LOVE YOU EVEN THIUGH YOURE BADLY CGIED

LNAO THE MUTANTS RUNNING AWAY

he don’t even remember her that’s so fucking sad dude

damn wtf tear my heart out why don’t ya

This movies cheesy but it’s hitting all the right beats

Like this is a pretty good origin story movie

Probably a horrible stand alone movie, but if I pretend like I’m watching a bunch of flashbacks stitched together it’s pretty good

Oooo two post credits scenes

LMAO TEASING A DEADPOOL COMEBAJX BUT HE NEVER DOES

--he kiinda does

In Deadpool 2?

--yea lol

Comes back just to die

--good

lol he wasn’t too bad but I think I’d have a different opinion if he was sober and there weren’t already two other great Deadpool movies

[littlelightfish]

Holm nation... I have a heartbreaking announcement to make.

We didn't get to see this panels animated.

(I wanted to see Laios helping him, this one isn't the one this post is all about)

I feel it's important to his character enough that Kui decided to dedicate three panels about how he aproaches and resurrects Kabru.

He is used to resurrecting people, his party sucks at keeping themselves alive. He walks up to Kabru's corpse with a worried look on his face. Then he kneels besides him and takes a second to process what he is seeing. He is seeing a young man, Kabru, dead. It makes him feel unseasy, a bit of shock that he can't take the luxury of process at the moment. He doesn't want to look, so he closes his eyes and focuses on his spell. He is realizing he is the only one alive from his party (he doesn't know where Mick is or how he is). He is the last one standing. The reality of it all slaps him in the face.

The panel of him just... looking at the mess Kabru's corpse is was just... It was important. It talked about him as a character. "I'm not doing this because I want to, but because I have to". He doesn't has time for emotions. He has a job to do.

It's just three panels. But they provide lots of context between the ones that came before and after.

He doesn't just rubs Kabru's head because he's being afective. He does it because he cares. He does it out of relief. "As long as I'm here, any of you'll be dying soon. And I'll always be here. Don't worry." He is far from being OK after all this. Marillier died, Daya died, Kuro died, Kabru died, Rin died, Mick probably died too (but he doesn't saw it). He... By the time he was the only one standing, the fight was over, and he could alredy resurrect them. He wants to feel sad. To worry, to be concerned, to mourn. But he can't. It isn't necessary.

He is a cleric. He for sure has a notion of dead way different than anyone and feels a certain way about resurrection. "Dying is dying, even if you resurrect." It's a bug at the corner of his mind, he doesn't pay it any attention. He gets resurrected multiple times, he is gratefull he is alive. But seeing all his friends dead? And the most of them mutilated? Covered in their own blood? He has this desire to mourn. To cry the loss. To panic. "They are all dead."

He knows they'll come back. He has to make them come back. So he does. And they are alive. But they weren't a few seconds ago. And he just plays it off, he puts his calm face on as soon as there is another party member alive that could ask him what happened that it disturbed him so much. He throws all those sad feelings under the rug and focuses at the task at hand.

They're going to be ok, he just has to do his job: bring them back from death. They shouldn't even be dead. But they are. And he's going to fix it. No point on feeling sad about them dying if they can be alive soon!

I think the concern that the anime puts here it's something that could come close to what he feels inside. Those seconds are the only ones we see him looking something akin to worried for his friends.

But then...

His worry vanishes in seconds. The moment Kabru revives, he does it in such a "Kabru" way, that he tells himself: "This is fine, they're going to be back soon, nothing to worry about, I just have to hurry". He wants them all back to live. We know for sure that in his priority list there wasn't any "reviving Toshiro's party members first". He was going to make sure all his party, all his friends, were alive before even thinking of resurrecting other people if he still had the magic.

Those three panels they didn't animate are something that was there for a reason. To give depth to Holm. This last episode is definitely the one in wich he shines the most. He isn't the main character at all this episode, but he does the most important stuff on the background. He revives them all. This all lack of something if you don't show what Kuy drew on those panels.

Here he just... goes to work. He says: "lemme handle it" and he does. No concern, no worry, no, nothing. He just does. No thoughts.

It makes me sad. Those panels were important. :(

[paraphwrites]

i think it's interesting that edwin attracts lonely people.

-the cat king has seemingly never had a real substantial relationship. he lives his lives playing tricks and games, not actual connections

-monty literally only ever spoken to one (1) other person, and that's his fucked up mother familiar mommy situationship that he needs, like, so much therapy to unpack

-simon, maybe the only other gay kid in this boarding school, completely isolated from his peers by virtue of his identity and society and shame

-niko, who has been hiding in her room, avoiding other people for months out of grief and something larger (the inherent unavoidable devastation of growing up alone)

-and, of course, charles. charles, who died alone. charles, one of the only non white kids at that boarding school. charles, who's dad didn't love him and who's mom didn't say anything. charles, who flirts with every girl he meets. charles, who would follow him to the end of the earth but won't ever talk about his feelings because he's brills, mate, aces. charles, who spent his entire life alone and now won't spend a minute of his afterlife alone

i dunno. i think it's interesting. edwin, who we know is lonely, attracts other lonely people.

and, not to overstep my bounds as a silly little person on tumblr, but i think it's interesting that the show has attracted a lot of lonely people, too. and i think there's a lot of reasons for that. the target demographic is teenagers & young adults, a notoriously lonely group. the show features a lot of minority characters, which will attract minority audience members, and often people who are a part of a minority feel lonely and different from the people around them. the show is about friendship and found family, and i think that attracts a lot of lonely people. shit, i'm lonely, and i was drawn to this show. yes, for the incredible music and acting and cinematography, but also because the themes are so fundamentally resonant and raw.

and THAT is why dead boy detectives is an important show. because it is a show for the lonely and the grieving and the lost. AND it is a show for the hopeful and the learning and the coping. it is a show for people who have their shit together, and people with no shit together, and people who don't even know their shit is spilt all over the floor. this show MATTERS because it speaks to the fundamental devastation in human existence AND it finds the beauty to celebrate. it says, yes, loss is horrible and life altering, and you will be okay. yes this will be awful but you will carry on. and that is SO important. do you understand how important that is?? because everyone, everyone goes through loss and change and hardships. everyone. it is a show for lonely people! and we're all fucking lonely, aren't we? isn't part of the human condition just being lonely??

dead boy detectives is a show for people wronged by men. it is a show for people coated in grief. for people who are dealing with their sexuality late in life. for people with fucked up parental relationships. for people who date as a distraction. for people who are doing great and just like a silly little ghost show! for people not doing great but trying their best anyway. most of all, it is a show for lonely people.

just. FUCK! this show MATTERS! this show MEANS SOMETHING to SO many people!! including me!!! it matters to ME!!!! and i will continue yapping about it, even if it's just into the void!!!!!!!!!!!!

[dawnchorus-if]

‎ ‎‎

‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎ ‎‎ ‎ ‎‎ Your sister is dead, murdered and mutilated and left to rot in a brothel like a sickly dog. You finally know your purpose: revenge.

DAWN CHORUS is an 18+ interactive fiction about death, love, and the song of new morning. Demo TBA.

You live in The Rocks, a decaying settlement in the shadowed outskirts of the kingdom, Cape Lyra. Once a cozy village, The Rocks has withered into a decrepit ruin since the assassination of King Cedric. Queen Lyra, for whom the kingdom was named, became consumed by grief and neglected the outer villages. Now, The Rocks is a place where even the birds come to die.

Desperate to earn money for the both of you, your sister ventured to Cape Lyra with her best friend, Jax. Only Jax returned, covered in your sister's blood, with a hazed description of her killer. Driven by the need for retribution, you and Jax set out for the kingdom, determined to find and punish the sick soul who took your sister's life. When revenge is your only remaining purpose, a life for a life only seems fair.

You hope.

‣‎ ‎ ‎ ‎ ‎‎ ‎ ‎Fully customise yourself, from your name and appearance to your sexuality to your greatest woes and wants. Choose your approach to grief, to anger, to revenge—drown in your sorrows or push them aside in favour of a... different kind of vice. Curate a story that revolves around who you are, and what you'll stand for.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Explore relationships with six different romanceable characters, and a multitude of other characters to befriend (or behead). Interact with a diverse cast of characters, each with their own impact to leave on the story. Just... be careful who you trust, some people might not be who they say they are.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Find out what really happened to your sister. Hunt down her killer, or killers, and determine your own ability to play executioner on her behalf. Open doors to dark rooms in the royal family history, find out that there's a lot more darkness in Cape Lyra than there is light.

‣‎ ‎ ‎ ‎ ‎‎ ‎ Get involved in the politics of Cape Lyra. The people can only be neglected for so long before they start to revolt, right? What side of history will you be on? Or will you be too blinded by grief to care who gets hurt?

‣‎ ‎ ‎ ‎ ‎‎ ‎ Exorcise a demon, maybe.

DAWN, born amidst the morning birdsong, the cherished youngest child of King Cedric and Queen Lyra, and the heir apparent to the throne. They don't often get to see outside of Cape Lyra's walls, so don't fault them for being a little juvenile in their knowledge of the world, it's not born from a lack of desire. There's a youthful charm to Dawn, and a deep-seated eagerness to know more about the kingdom they'll one-day rule. [M/F, 22]

ASA KYNES, climbing the ranks as one of Cape Lyras most dedicated royal guards, Kynes is as formidable as they are resolute. You won't get past them very easily, they've got keen judgement skills, and you're up to something, they're sure of it. Kynes is loyal, and more than willing to lay their life down in servitude to the monarchy. Getting Kynes to open up is hard, but may be more than worth it. [M/F, 26]

JAX HANSLEY, your sisters best friend and now your accomplice in avenging her. Jax is royalty in The Rocks, charismatic beyond belief and has been teasing you since you were just starting to walk. Extravagant and always looking for something to do, you'll never find yourself bored around them. Plus, you couldn't get rid of Jax even if you wanted to, they're the closest thing to family that you have left. [M/F, 24]

CERYS SELINE, owner and face of The Rabbits Foot, Cape Lyra's busiest tavern. Cerys is a stern woman who works her ass off day and night, but there's a sweet undertone to the way she speaks: something nurturing. She's a pillar of the kingdom, well-connected and respected. There's more to her than meets the eye, sure, but for now she's more than willing to aid you in finding your sisters killer. [F, 26]

ARTHUR CASE, a priest who has been ousted from the kingdom for reasons he just won't speak aloud. Left with only one leg and crumbs of his faith, he's living in his late father's old church a short trek from the kingdoms gates. Pop in for a service one day, maybe confessionals don't always have to be one-sided. [M, 29]

??? — something cold in the shadows, and its eyes are on you.

DAWN CHORUS contains some heavy topics, such as graphic depictions of death, violence, drug use, explicit language and skippable sexual content. Classism is also a present topic. Readers discretion is advised.

reblogs r so appreciated and asks are more than welcome ^^

[mockerycrow]

Talk About Sensitivity In The COD Fandom **Important.**

THIS IS NOT A DEBATE POST. DO NOT BOTHER.

Hey, everyone. After the reveal of Makarov in the trailer (as well as general concern), I think a chat about sensitivity is important. Since the trailer’s release, I have seen a major increase in simping for Makarov posts as well as genuine romanticization of Russia and/or Russian Soldiers. First, I want to talk about the romanticization of Russia and/or Russian soldiers because it’s seriously getting out of hand. I need you guys to realize that Russia is an ultranationalist country and yes, maybe not everyone who lives there believes what their government does, but it’s important to know a big portion of their population does. I have seen multiple posts and edits of this man right here (pictures below).

THIS GUY IS NOT SOMEONE YOU SHOULD LIKE, AND PEOPLE NEED TO UNDERSTAND THAT HE DOES NOT LIKE YOU. This is one of the most popular Russian Soldiers amongst the internet due to the way he wears a mask, gear, has an accent, and is buff. He makes videos teaching soldiers how to kill people—innocent people in Ukraine who are just trying to survive. I have seen people straight up ignore when someone tells them what this man has done, so let me put it this way—he does not like you. He wants you dead. He is racist, a homophobe, transphobe, antisemitic, etc. He absolutely hates The West, and he does not like you unless you are a cis, straight, white 100% Russian. Even if you’re a woman, he DOES NOT LIKE YOU. If you American, HE DOES NOT WANT YOU ALIVE.

[This part is not targeted; just a general statement.] Second; there is a serious problem with how you guys address Makarov as a character. There is absolutely no problem enjoying him as a villain because I do too, but you guys have to realize that Makarov is an ultranationalist—which is exactly what Russia is right now, an ultranationalist terrorist state. “But he’s fictional, it doesn’t matter! it’s not that deep!” It actually is that deep. I keep seeing content for Makarov and I can’t force anyone to stop making “fluffy fics”, but I need y’all to have some fucking decency towards victims and people affected by the war. I know people who are affected by the war who feel ill seeing posts painting Makarov in a good light. If you are going to write Makarov, do NOT romanticize him as a character—do NOT paint him a decent or good light, because you can’t. Write him like the bastard he is. And no, this isn’t a “let people write what they wanna write” situation. You can do that, but please be expected to be judged and blocked by me and many others. Makarov is quite literally the characterization of everything that is wrong with Russia, and what HAS been wrong with Russia. Makarov is not a bad boy, a rebel, etc, he’s a fucking terrorist. Please be for real. “But the military in general is bad, so why does it matter specifically around Makarov?” Please see above my previous reasons. Thanks.

The overall message of this point is to be fucking respectful. There are actual people dying and slaughtered for no reason other than ruined pride and a lot of Ukrainian folk seek comfort and distractions in the internet and their fandoms. This ruins it for them and quite frankly, sometimes how Makarov is being written? It’s completely insensitive. Anyway, below are a few links where you can directly support the efforts and the people of Ukraine. Peace and love, and please write with critical thinking.

[hotvintagepoll]

Propaganda

Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life

Sophia Loren (Marriage Italian Style, Houseboat)—Major Italian star, first actress to win an Oscar for a performance not in English (for Two Women (1960)) and later when Roberto Benigni won an Oscar in 1999 he jumped over the chairs towards the stage going "Sophia Sophia!!" because he was running towards Sophia Loren and said he cared more about her than the Oscar, that's the effect she had on people. She was big in the 60s already even though she gained a lot more notoriety after that. And I mean. Can we take a moment and just.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Sophia Loren:

She has maxed out all her stats: beauty, elegance, sensuality, she's got it all. her mesmerizing eyes, her sensual mouth, her sharp face shape, her everything is so striking and unlike any other beauty in films. she was also voted the world most beautiful woman when she was freaking 65

im submitting her in honor of my dad bc she was the first celebrity crush of his he ever admitted to me and my sister :) and he was right. shes so pretty

OSCAR WINNER. Worked with some of the hottest leading men in Hollywood but remained faithful to her husband whom she had a loving marriage with till he died (even though Cary Grant almost tempted her once, it's complicated)

One of the most well-known sex symbols of the Golden Age of Hollywood, and unlike some unfortunate others, she seems to have been pretty well at peace with occupying that status. She made assertiveness and a tempestuous temper seem glamorous, and although she's famous for side-eying Jayne Manisfield's cleavage, honestly? She's one to talk.

Absolutely, drop-dead sexy, also a hard working, extraordinarily talented actress who didn't shy away from the less glamorous roles to gift us some gritty, memorable performances

Submitting this on behalf of my dad, who knows nothing of tumblr or this blog, but I remember being a kid watching Houseboat while my mom thirsted after Cary Grant, dad thirsted after Sophia Loren, and I was excited that they lived on a boat. Anyway, she's extremely beautiful and was an international star, doing a ton of movies in Italy before being recognized in the US.

JUST LOOK AT HER Y'ALL

Very smart and beautiful, the characters that she played (I mean those in the movies that I put in the previous question) are as strong and determined as her which I think adds to her hotness.

Global superstar and my late grandfather's long time movie star crush and for a man as quiet as he was, and as hopelessly devoted to his wife as he was, the fact that I know that means she was EXCEPTIONAL.

Big in the chest, snatched in the waist, pretty in the face 😳

Sexy, beautiful, deep. A real star.

Her performance in "Man of La Mancha" is just so very captivating. Dubbed as "the Italian Marilyn Monroe", she looks beautiful in any movie and at any age.

Forget the exotic sexpot of her Hollywood films and go back to her Italian career: sparking with Marcello Mastroianni as the woman who drives him mad and outwits all his fumbling attempts at macho posturing in their early films, and showing a tender side in their 1970s films. Sophia isn’t self-conscious about who she is or her beautiful body: she enjoys being herself and she wants us all to enjoy ourselves too.

She starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time. She is a great cook and her filmography is immense.

On the misattributed quote that Sophia owed everything to spaghetti: 'Did you actually say the quote frequently attributed to you, "Everything you see I owe to spaghetti"?' "Non è vero! It's not true! It's such a silly thing. I owe it to spaghetti, no, no. Completely made up."

Marlene Dietrich:

ms dietrich....ms dietrich pls.....sit on my face

its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies…. most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.

First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you.

Her GENDER her looks her voice her everything

“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”

The bar scene in Morocco awoke something in me and ultimately changed my gender

"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”

"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."

"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."

Gifset link

"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."

"would you not let her walk on you?"

[ceilidho]

This is in no way of hating but i want to know why do you enjoy writing noncon/rape? When I first downloaded tumblr which was couple of months ago i was surprised by the amount of noncon fics here. I eventually came to enjoy them which makes me question myself. Whenever i read a noncon fic and enjoy it i feel like im betraying women who actually went through those traumatic events. Plus I actually don't really like dark romance books? I love cod dead dove and that is mainly because i really love the characters and the authors are so talented. I rambled so much and i hope you don't get this in the wrong way i don't mean to hate AT ALL i love the stuff you write. Maybe i shouldn't think too much and let myself enjoy what im reading lol

first of all, no worries! i wasn't sure about your tone/intentions at first, but by the end i was totally fine with the question.

i actually don't mind talking about this stuff - i just sometimes avoid it on main because i prefer chatting about it privately.

second, i'm no psychologist or sociologist, so i probably won't be able to give you the most satisfactory answer, but i think there are a lot of different reasons. i can only name a few. one thing i should mention right off the bat is that rape fantasies are very normal (and this is true whether you're a survivor of SA or not) and writing/reading fiction can be a safe way to process those thoughts/feelings.

one of prevailing reasons is, of course, that many survivors of SA use noncon/dubcon literature/art as a way of processing their experiences and taking ownership of their trauma.

and look, people are going to go back and forth on this point (i've seen it all before - many people refuse to believe that engaging with noncon lit/art is helpful, and in fairness, it's NOT helpful for everyone because every person is different), but at the end of the day, if a survivor tells you "writing/reading this was helpful in my recovery" then that's that!

additionally, for many women and non-binary folk (i can only speak as a cis woman, but i'm sure this is a shared lived experience across many different people), we're also taught from a very young age to suppress our sexual desires / that being open about our sexuality is morally reprehensible and shameful. and a lot of people carry that shame for years, impacting them well into adulthood. so dubcon/noncon fantasies can be a way of being able to enjoy sexual scenarios where you don't have to be the initiator, thus taking away some of the emotional weight and shame.

plus, at the end of the day (and im sure many people will disagree with this take, it's something that i'm still figuring out myself), there is a kind of weird underlying consent implicit in dark fics. like, you might be reading a fic or novel that's ostensibly noncon, but you're also actively seeking out that literature (hopefully it's not just sprung on you - i do very much agree with tagging to the fullest extent and my lukewarm take is that I think all books, even traditionally published ones, should come with content/trigger warnings too).

there are a medley of reasons why someone might write or read dark fiction/dark romance. again, i'm just one person and i can only speak from my own experience!

i think at the end of the day, the important thing to realize is that fiction is fake, and as long as the writer appropriately tags their work and ensures that the audience is aware of what they're getting into when they start reading, they're not coercing the reader into something they aren't prepared for.

and it's totally fine if you have limits (like, you can read and enjoy dubcon, but not noncon) or can't engage with the material at all, but it's also unfair to say that it reflects someone's real life values - the same way that we don't say that the people who enjoy crime fiction must love murder.

and the last thing i want to say because this got a bit out of hand lol, is that, yes, for some people dark fiction is genuinely harmful, whether or not they're a survivor. it's not for everyone and that's completely fine and i'm aware of that, which is why i agree that you should tag as much as possible (even if you feel like you're overdoing it sometimes), but someone else's discomfort doesn't give them the right to tell you how to process your own emotions/experiences/desires/etc.

as long as no one's getting hurt, there's no issue as far as i'm concerned. and sorry but, no one's getting hurt by reading a fic or a novel unless the author didn't give proper content warnings - if you "forgot" to read the tags or read anyway DESPITE being warned, im sorry but that's life.

[nayatarot777]

the best traits of your future lover 💘💓

• pile one •

your person knows how to let go of endings. they’re not the type to hold onto connections with people and situations that are clearly already dead. they know how to accept death moments, mourn the permanent endings, and keep it pushing. i’m also seeing that they’re not someone who forgets about someone in particular who’ve passed away. they make time to go and visit the gravesite of whoever this person is, putting down flowers, ensuring that their grave is kept up to par, etc. this person has A LOT of self love. they’re one of the few people who can say that they genuinely love themselves and this is shown through how they treat themselves. how they dress themselves, how they take care of themselves, how comfortable and happy they are in their own energy. they also know how to accept and let go of any character traits or behaviours that no longer serve them. they don’t find it difficult to do that at all. they radiate self love and self respect and this is clearly seen by just looking at them. they don’t allow themselves to be trapped or bound by anyone or anything either. this person isn’t someone who listens to other people’s orders if they don’t see the point in them, and this is a great thing because it’s also a sign of their self respect. they go their own way. especially in terms of societal expectations of them. they don’t listen to most of them because it doesn’t serve them - nor does it make much sense to follow these things. they honour themselves the most, so therefore they’re not going to agree to anything that goes against that.

they love the summer too. this is when they’re the happiest. the sun is something that’s vital to their well-being, so this may be the type of person who loves to go on holiday to hot places when the weather gets cold in their home-country. this person is a breath of fresh air. they love to be joyful and happy. even in sad times. and this isn’t denial of their sadness or negative feelings. this is the ability to see both sides of most situations that they find themselves in. they stand out for this too. i don’t think that you would’ve met anyone who radiated such vibrant energy as much as this person does. they’re someone who respects all aspects of life. the perceivably good and bad. they know how to accept anything that comes their way and find the lesson within these situations. they’re someone who’s just highly respectful too. because they know that they’re deserving of respect themselves, so they apply that to everyone else - unless someone does something that makes them feel otherwise. as much as they know how to live life to the fullest and they love to project their energy outwards to make themselves and others happy, they also know when it’s time to go within and hibernate. to do some introspection when they find themselves being bound by a thought process or self-limiting belief within themselves. they know how to allow these blockages to die off, but they still respect the fact that they’re there and they use them as material to project themselves further in life than before.

patreon

• pile two •

the first card that has come out is ‘sexuality’. so this person is very sexual. but i’m hearing responsible. they don’t play about safety, protection - all of that stuff. sexual energy is also creative energy, so they know how to transmute this into energy that they can use to build. their sexual energy is hidden for only those who they allow into it. they’re very picky about who they accept when it comes to anything sexual. as physically attractive as they are, it’s really not easy to get into bed with them. they have specific standards that they abide by. standards that are centred around emotions too. this is someone who needs an emotional connection with someone before they’re even open to sleeping with someone. they know that their body is sacred and they can’t be just mixing their energy with anybody and everybody. their sexuality is very sacred to them. this person could also have a beard. a very thick and full one. maybe even long too. maybe that’s a turn on for some of you? idk 😂 they’re also someone who refuses to feel sorry for themselves. you won’t find them playing a small violin and indulging in self-pity. they use upsetting moments to teach themselves something. they learn a lot from situations that they’re victimised in by taking time out to rest and reflect on them; how they got into that situation in the first place, the part that they played, etc. i’m picking up on some sagittarius energy here. everything is taken as a lesson to learn by them.

there’s also a lot of patience that this person has. they understand that it’s a virtue that’s extremely valuable if they want to manifest something in stable ground. this applies to their goals and aspirations, friendships and relationships, self development. this isn’t someone who’s just willing to rush into milestones in any area of their life. they take things one step at a time to get a well-rounded view of people + situations. this is how they learn as much as they can about the person or thing that they’re getting involved with. they’re not reckless. this person is very prosperous thanks to this. they know how to move in life for the best results. they know how to plant seeds, take the time to nurture them, and leave them to do their thing so that they can yield the best crops for them. this person is also financially prosperous too, but this has taken a lot of time and determination to achieve. side note: this person could love carbs. i feel like that’s their weakness in terms of food 😂 same tbh. they’re also extremely protective of what and who they value. they act like some type of guardian for the people they care about. always on the look out for toads who shouldn’t be around their loved ones lmao. they always keep a watchful eye of the people closest to them - not in a smothering way, but in a ‘i’ll let you do your thing, but i’m still going to overwatch to make sure that i notice anything to keep you safe from’ type of way. this person is very respectful. respectful of people and their time. of their boundaries. but they’re still gonna be watching over you lmao. coming through like a protective parent 😂😂😂

patreon

• pile three •

this person knows how to let their demons go. anything that haunts them from their past is something that they lay to rest. when situations are dead and buried, they accept it, deal with it, and let it go. especially anything related to their values, priorities, and beliefs that cause them to self-sabotage. i feel like this person has a history of extremely self-sabotaging behaviour but they know how to release the demons that haunt them. the same ones that cause them to hate themselves at times. they’re adamant on working on their self esteem. they realise when they’re thriving on sabotaging themselves and cut that shit out. they know exactly how to heal themselves once their consciousness makes them aware of fragmented aspects of themselves. they’re very big on healing. they know how to transmute their mindset and their perspective. they know how to choose what they allow to enter and rest in their mind. the rest is what they let go of. they find a lot of self empowerment in healing themselves. and they heal through constantly trying to expand their consciousness of themselves. especially the dark parts of their mind and their ego. this means that this person is extremely persistent at doing shadow work. i feel like this person has a very troubled past. a tortured soul in this lifetime. but they don’t allow themselves to succumb to it. they transmute all of that pain and heal it. they could even heal others who’ve experienced the same or similar things as them. they’re driven by this.

the ‘dedication’ card has literally come out. this person is so dedicated at transforming themselves from who they were in the past. they’re a fighter and they don’t give up. at all. they’re aware that they have all of the tools that they need in order to do this. and anything that they realise isn’t a tool for the betterment of themselves is something that they dispose of. for some of you, this person could use spirituality or occultism as a way of doing this. and if so, they’re very dedicated to up keeping their altar and giving offerings to the gods + goddesses that they worship. i’m hearing that they use their own demons in their energy work a lot of the time. instead of allowing these energies to control them, they ensure that they’re the ones in control of them. they have extremely strong boundaries - especially with substances. so, for example, this person could either not drink at all and be very strict with that, or they drink but they’re strict with the amount of alcohol that they consume. these boundaries could apply to anything. but these boundaries allow them to keep a very clear mind. again, they’re focused and dedicated to what serves them only. they’re also quite direct in vocalising their boundaries. they’re not afraid to speak up for themselves as a way of protecting themselves and their well-being. this person could definitely use divination as a form of guidance for their healing. but even if they don’t, they know how to find symbolism in their daily life to guide them to the right path. this person is highly connected to spirit because they’re very connected to their higher self. this person is also a healer through their own guidance that they give to others because they’ve been through a lot of shit. they know exactly what people need to hear to get them closer to being on the right track. they’re able to see higher perspectives of themselves and their life as a way of navigating it as best as possible.

patreon

• pile four •

one of their best traits is their ability to alchemise. the power and knowledge that they hold regarding how energy works and what type of energy to mix together for amazing outcomes. they know how to see value in the smallest of things and how to flip that into something of higher value for themselves. just like pile three, they know how to alchemise their self sabotage into something that they can use for better. they can see value even in their self-sabotaging behaviour, as odd as that may sound. this pile is so similar to pile three. one of this person’s best traits is their ability to heal. it’s like even in the middle of self sabotage, they heal. everything is part of their healing journey - both positively and negatively. i was feeling scorpio/prominent pluto energy in pile three but in this pile it’s even stronger. this person is the definition of tearing yourself down to build yourself back up again. they alchemise in the middle of negativity (which is plutonic energy through and through). they know how to see the light in the darkest of moments. and that light is what they use to create in the middle of chaos. it’s almost like this person practices the strongest type of chaos magick - whether this is consciously or not.

they create a whole new energy out of negativity. they find a way to a new path in the middle of the darkest environment possible. and their mind is being highlighted as the dark environment that they often find themselves in. they don’t see this as a negative though. they see this as a challenge. darkness that they have to sift through to find valuable treasure to add value to their life. despite all of this, this person is extremely emotionally fulfilled. they find a lot of fulfilment in connections and in improving themselves for the sake of the people who they’re connected to. they know that if they’re not stable, they can’t build anything stable with anyone else. they use their connections to find their best source of energy, and i feel like they find a lot of enlightenment from others too. they low-key love negative energy. but not in the sense of causing it for the sake of feeding off of it. if they find themselves in a negative situation or a negative headspace, they take it as a sign that they’re going to come across a breakthrough if they’re able to find it. and that just means more self empowerment and a higher vibration, from their perspective. they’ve befriended their shadow. their shadow is like their best friend. and they work alongside it everyday so that their shadow doesn’t take over and destroy everything. their self-sabotage is almost controlled. they allow their shadow to be present in a very controlled way because they learn so much from it. they figure themselves out best through this part of themselves while simultaneously bringing healing to it.

patreon

[thewistlingbadger]

Is Spider-Gwen trans: An analysis

After leaving the theater yesterday for Spiderman: Across The Spiderverse, one thought sat in my mind: could Gwen be trans? This may seem like a reach, but just hear me out.

1. Trans Flags

There are two trans flags that I spotted in the movie, both of them are in Gwen's home. In Gwen's room, a small trans flags with the phrase "Protect trans kids" hangs above her doorway. Now, if Gwen isn't trans, then why would she have a trans flag in her room? Most ally's wouldn't have a trans flag in their room. Maybe someone she's close to is trans? There's only 3 people Gwen has in her life. Her father, her dead best friend, and Miles. There isn't any evidence to suggest that any of them are trans. Especially her dad and Peter, since they didn't have much screen time. The phrase is an important clue too. If she was just an ally, why the phrase "Protect trans kids"? Why not "trans rights are human rights"? That phrase is equally as popular and it's more general. Protect trans kids is personal and usually refers to anti trans legislation that affects minors. Gwen is a minor, so is it really too unbelievable to suggest that she has the flag because she's trans?

The second flag is a patch on Gwen's dad's police jacket. Does this flag mean that her dad is trans? Or, is this a dad wearing a trans flag in support of his daughter?

2. Color theory

This is a weak point, but I'm going to include it anyway. Gwen's world is full of pastels. In fact, in most scenes with Gwen in her dimension, the colors light blue, light pink, and white are in the background. Those are literally the colors of the trans flag

3. Spiderman as a trans allegory.

Now, it's no secret that a lot of trans people like the character/concept of Spiderman. For a long time, I, as a fellow trans person, didn't understand the obsession until seeing this movie. A main theme of this movie, if not Mile's franchise, is that anyone can be Spiderman. Anyone can wear the mask, each Spiderperson is unique. Spiderman isn't really a person, it's a concept, and that's why its so applicable to everyone, regardless of who they are. Spiderman is a good person with a "secret" identity who goes trough struggles and also lives a "double life". And when you look at the story like that, the trans allegory becomes clear. Across the spiderverese is a brilliant movie with an abundance of representation. To black spiderpeople, Indian spiderpeople, disabled spiderpeople, hijabi spiderpeople, even spiderpeople who are cowboys and all sorts of other different variants. If all these different people can be Spiderman at the same time, then who's to say there isn't a trans spider person? And who's to say that person isn't Gwen?

So, is Gwen Stacy trans? I don't know, and I'm not saying she is. But I think it's entirely possible and the fact that it is, the fact that any spiderperson could potentially be queer, is something to be celebrated because it opens more doors for representation.

[alittlelessalone]

Fun Scum Villain fic concept:

So Shen Yuan and Shang Qinghua are sent back to their original world temporarily due to system shenanigans and need to wait x number of days until they can go back. They wake up at the times of their deaths and get to use this time to do some final things in the world before returning back.

So Shen Yuan of course wants to spend the time with his family and getting to see them again and say goodbye in a less depressing way. But Shang Qinghua doesn’t have that and he’s just finished PIDW.

Shen Yuan makes sure he has enough money to get him through the timeframe (after learning about Shang Qinghua’s financial situation), so he doesn’t need to work to keep himself alive, so he decides he wants to write something a little more heartfelt as a sort of last hurrah.

He decides in honor of the two lives he and Shen Yuan stole, he’s going to share the backstory of Shen Jiu and write a story about Shang Qinghua.

Shen Jiu comes first and it’s mainly just a tale about him and Yue Qingyuan using his unposted backstory, but in the end he decides to make some minor changes so it’s not as depressing. Namely, that when they died, their souls were both sucked into Xuan Su. The pair ended up trapped there, but they were trapped there together in a world that couldn’t hurt them anymore and allowed them to finally be together.

It’s a poignant and bittersweet story that doesn’t excuse Shen Jiu’s behavior, but it does a lot to explain it and expand his character. And while it of course has its detractors, people generally like it and Peerless Cucumber is there in the comments singing its praises for all to see (and there in Shang Qinghua’s apartment smacking him over the head with a rolled up magazine and scolding him for being by such a good writer and selling out on PIDW).

The Original Shang Qinghua story doesn’t really have any old notes to go off. He was never meant to be a fleshed out character and was always just a plot device villain. But Shang Qinghua feels bad for PIDW’s Mobei-Jun, so he decides to write something for his sake too.

In this story, it’s revealed that Mobei-Jun didn’t actually kill the Original Shang Qinghua, but instead worked with him to fake his death after Lou Binghe ordered him dead. Shang Qinghua reveals that the pair were actually lovers and maintained their secret relationship over the years and that was why Mobei-Jun never seemed interested in romance.

And most readers are like wtf except for the bl fans who love it. And even Peerless Cucumber is a little more hesitant to praise it since it sort of came out of nowhere, but he can admit that it’s clever and well written. And Shen Yuan can tease Shang Qinghua relentlessly for it, even if he also approves and finds it very sweet.

Depending on how much more time they’re stuck there, maybe the pair can also write one more story, giving the original Lou Binghe a happier ending too.

Eventually, it’s time for them to go back. Shen Yuan says goodbye to has family and Shang Qinghua says goodbye to PIDW and hopes that his changes and additions can bring people some peace, even if it’s probably too late for those who need them most.

Shen Yuan realizes that Shang Qinghua was trying to alter the canon in hidden ways so that the system could silently incorporate them into the world without breaking anything. He figures it’s mainly for Bing-ge’s universe that’s still more or less PIDW, but being the mega-fan that he is, he decides to put a theory to the test.

It takes a lot less time with the help of the sect, but he manages to grow another plant body like his own. And then with Yue Qingyuan’s permission, he uses some of Shang Qinghua’s new hand-wavy canon to reach out to Xuan Su. And the next thing he knows, Shen Jiu is waking back up in the plant body after years trapped inside the sword.

And of course there’s a lot of questions and Binghe tears, but Yue Qingyuan gets his Xiao Jiu back and Shang Qinghua realizes that his changes must have taken in the other universe too, now meaning there’s less suffering there as well. He gets to curl back up in his king’s arms that night and rest assured that no matter what universe he’s in, both his king and that universe’s Shang Qinghua are well and truly loved.

[kooshours]

jeon's garage || TEASER

CH. 1 RELEASED.

pairing: motorcycle mechanic!Jungkook x reader.

genre: lots of fluff, smut, angst

rating: explicit. read at your own discretion, heed the warnings!

series summary: Being sheltered by your older brother while growing meant having none of the experiences that other normal teenagers had. No parties, extracurriculars, trips, or anything that was remotely dangerous to your wellbeing. Even now as you were a 21-year-old college student, his protectiveness never diminished. You wanted to show your brother that you were an adult now and could make your own decisions, so you decided to do one of the most drastic things you could think of to make a statement. You want to own your first motorcycle. To do that though, you need a mechanic to help you fix up the trashed bike you found in the junkyard. Unknowingly seeking the help of one of your brother's closest friends, you find yourself falling for one of the people you were hid from.

warnings: casual swearing, mentions of substance abuse/absent parents, characters drinking alcohol and smoking, mentions/references to sex along with sexual content. (there will be warnings before each chapter if contained)

word count: usually around 4-6k per chapter. teaser word count: 749 words.

planned release: September 14th, 6:00 PM EST.

taglist: open! comment to join :)

----------------------

"This is a terrible idea." The first thing you heard as you stood with your best friend of ten years, Jaehyun, in the middle of a junkyard and staring at a motorcycle. Well, what was a sorry excuse for a motorcycle. Having been thrown away and forgotten in a dump, it was almost completely trashed. Any of the partially useful parts had been taken by anyone else who could make use of it. Now all that was left was the skeleton of what probably was a 20 year old motorbike.

"This is an amazing idea." You replied with a small grin. All in all, you knew your best friend was right. What kind of idiot got a random motorcycle from the junkyard? You did. It was the only way you could hide your newfound hobby from your older brother.

Growing up, your older brother had always been protective over you. Namjoon had major trust issues with anyone that entered your life and criticized anything you did that had the possibility of putting you in danger. So you knew that the moment you tried to tell him that you wanted to try and ride motorcycles, he would lose his shit. You'd probably lose your dear older brother to a heart attack.

You know that it was only because he loved you so much. Due to living in a not-so-good household, your older brother was the main one who took care of you. He deserved to be as protective as he was when everything in life just wanted to bite the two of you in the ass. He was 4 years old and taking care of you, teaching himself how to make the baby formula because your parents were too busy getting high off anything they could buy in a dark alleyway.

Because of that, your brother had learned not to trust anyone. He grew up to hate drugs and alcohol, to build walls around him and lose all of his faith in humanity. The only exception to these beliefs were you, and of course his best friends. But nobody was an exception to who he trusted around you, and that was including the 6 boys that he had been close with ever since middle school. He barely even tolerated Jaehyun and you had known him for 10 years.

His overbearing protectiveness was the reason that you had never once met the guys that he called his brothers. He also made it clear that they didn't know a single thing about you either. All they knew was that Namjoon had a younger sister in her third year of university, and she was strictly off limits, no exceptions whatsoever. It was the only strict boundary that he had with all of his friends. The one thing that he was firm with and would never change no matter what. The moment any of them tried to get close to you, they would be dead to Namjoon.

and yet, later the next day...

"____. Kim ____." You quickly introduced yourself, also realizing that he didn't know your name. His smile widened even more when you said your name.

"I'm Jeon Jungkook, the owner of the garage. It's lovely to meet you, ____." He replied warmly, and you felt your heart skip a beat when he said your name. You felt like this whole situation was way too good to be true the whole time you were both working out the days that you would come to visit his garage to keep him company while he worked on the bike. He estimated that he'd have to work on it for around a month if you could come in 5 days a week for a couple hours each day. You were suddenly much more excited for the next few weeks. The start to your day didn't even matter to you anymore. What on earth did you even do to win this lottery?

Never did you think that you would end up in this situation, and yet here you were. Getting a deal on your bike in exchange for spending a few hours each day with one of the most charming and attractive men you had the privilege to look at? At yet here you were, watching the giddy man as he scribbled his personal number onto a piece of paper with a promise of texting him when you wanted to start your bike project. Little did neither of you know what exactly you had both gotten into.

[aroaceleovaldez]

i think a lot about how the more we learn about Hades as the series goes on, the more it informs his character in the first series and particularly highlights some of the major themes of the first series.

Hades is a god who has lost everything and is one of our most poignant examples of how the gods are incredibly, painfully subject to human emotions like loss and grief just as much as any mortal. He lost Maria, had to give up the di Angelo siblings, was forcibly kept away from Hazel by Gaea, Marie, and Zeus, and eventually lost Hazel and Marie as well. He spent three and a half years after Maria's death knowing Hazel was stuck with Gaea and being unable to do anything about it without Zeus killing her too, besides at best trying to send her warnings and encouragement from afar, and knowing she would inevitably die too. He essentially spends three years mourning his still living daughter because he can do nothing to save her. And after it's all over all he can do is try to give Hazel the best chance in the Underworld he can and wallow in his grief.

And he's immortal, so those 70-odd mortal years are nothing to him. Losing the di Angelos and Levesques is still recent to him. He's still freshly wounded enough to sic monsters after Thalia in revenge. And then right after he gets Nico and Bianca back, he loses Bianca truly this time.

And Hades and Nico's grief are parallels! They've lost the same family. They lash out with their pain and self-isolate, pushing people away. Hades constantly compares Nico to Bianca after Bianca's death and jabs at him. He hides in the Underworld and refuses to help or interact with the Olympians. And it's a direct parallel to Nico - To Nico, that grief is condensed too, because to him only 6 months have passed between his mother's death and Bianca's. He runs away and refuses to return to CHB after Bianca's death. He lashes out at Percy trying to help. Hades and Nico are the only ones each other have left but they're too absorbed in their pain to acknowledge that. It isn't until Nico starts healing from losing Bianca at the end of BoTL that we see a shift - Nico isn't self-isolating anymore, he's sorting himself out and finding his own path. He seeks others out at his own pace - finding Camp Jupiter, visiting Percy. He's stopped lashing out. But Hades still hasn't, and it isn't until TLO that Nico calls him out on that very behavior. The Olympians are his family, he is Hades' family, and Hades is too busy focusing on what he lost to stop shutting out the family he still has left. And at the end of TLO and into HoO we see Hades finally make the same shift Nico did - he's embracing his family, he's stopped pushing them away, heck he's even getting out of the house more. But we still see even more parallels between him and Nico in how they cope with loss - we know that Hades was told he couldn't revive Maria. But when Nico goes to search for Bianca to revive her, it's heavily implied Hades intentionally allowed Nico to revive Hazel. Hades orchestrated the revival of his daughter because both Nico and Hades are still holding on to what they lost.

The core of Hades' character in PJO is that the god of the dead is mourning. And I find that so fascinating.

[physalian]

The Hero with Dead Parents is not Cliché, it’s Necessary

The staggering number of protagonists in sci-fi and fantasy with dead parents grows every single year. Frodo Baggins, Harry Potter, Luke Skywalker (before the retcon in ESB), almost every Disney Prince and Princess, the Baudelaire children. Beyond the realm of fantasy into action, thriller, romance, mystery, slice-of-life, and bildungsromans.

Dead parents, or parent, is the curse of being the hero of the story and for a very good reason:

Parents are inconvenient as f*ck.

Unless the mom and/or dad is the villain of the story or the entire story is about the relationship with the parent/parents, the “dead parent” trope serves many purposes and while it may be “cliché” that doesn’t mean this trope is bad or, in my opinion, overused.

It’s one less liability the hero has to worry about protecting

It’s one less obstacle in the hero’s path to their adventure

It’s one (or two) less characters to find excuses to stay relevant in the story

It’s a juicy backstory a lot of people can relate to

Trauma. Is. Compelling.

It’s an excellent motivation

And their murder is an excellent inciting incident

Living parents and guardians get killed off both for internal plot reasons, and meta writing reasons: Living parents are a pain in the ass to keep up with. You’re stuck with a character your hero should still keep caring about, keep thinking about, keep acting in relation to how their actions will be seen and judged by that parent. That parent becomes an obvious liability by any villain who notices or cares.

Living parents can of course be done well, unless they’re the villain, but they just kind of sit there on the fringes of the plot, waiting around to be relevant again and they kind of come in four flavors:

There when the plot demands for pie and forehead kisses (Sally from Percy Jackson)

A suffocating but well-meaning obstacle in between the character and their independence trying to do right (Abby from The 100, Katniss’ mom from Hunger Games, Spirit from Soul Eater)

A mentor figure (Valka from HTTYD 2, Hakoda from ATLA)

The only rock this character has left (Ping from Kung Fu Panda)

*Notice how many of my examples lost their partners shortly before or during the plot, thus still giving the hero the “dead parent” label.

Most of these are self-explanatory so I’ll say this:  I think this trope gets exhausting when the parents are written out without enough emotional impact on the hero. These are their parents and a lot of the time, the emotional toll of losing them isn’t there, like just slapping a “dead parents” sticker is all you need to justify a character’s tragic backstory and any behavioral issues they might have.

Like, yes, the hero has dead parents, but you still have to tell me what that means to them beyond obligate angst and sadness. When the “dead parents” trope reads as very by-the-numbers, usually the rest of the story is, too.

How present the parents were in the character’s life should be proportional to the death’s impact on the narrative (as with any character you kill off). If they were virtually nonexistent? No need to waste a ton of time. If they didn’t matter to the character before, they don’t need to matter now unless the plot revolves around some knowledge or secret their parent never shared.

Sometimes, the hero’s dead parents are a non issue. Frodo being raised by Bilbo doesn’t impact his character at all. It’s a detail given and tossed away. On the other hand, sometimes the entire centerpiece of the work is revenge/justice/catharsis surrounding the parent’s death—Edward and Alphonse Elric’s entire story is defined by the consequences of trying to bring their mother back from the dead.

As someone who kept one of my protagonist’s parents alive and didn’t make them villains just to spite the trope, I have all the more respect for this enduring legacy of fiction. You can of course keep the parents alive, but I don't think it's seen as lazy or cheating or taking a shortcut just killing them off, so long as you remember that your hero is human and should react to losing them like a real person.

[this-is-chaos-magick]

Sorry for rambling but I can't just thinking about this and I need people to listen to me I see Wanda smut fics all the time but I can't find post about analyzing and appreciating her character ( I see other fandoms do it with their fav characters I want one with Wanda too) Everything about Wanda's character is making me so freaking sad like i hate that half of her fans only care about her powers and that she's hot... she's more than that..I know it's fiction and it's not that serious but she makes me insane

She has every reason to be angry and be a Villain. because she didn't ask to suffer she didn't ask to be powerful and when she try to do something good and she did, the government put her in the raft everyone acts like she throws the bomb on the building on purpose when it's the only way to save Captain America and everyone around them. People blamed her for her own suffering and blamed her for a tragedy she didn't even cause, She can never come home because the house where all of her happy memories is made doesn't exist. She tried do everything to prove to everyone that she is good and it's not enough. The girl who only wanted people to accept her, the girl who only wanted to be love, the girl who wanted to be good, wasn't good enough

Her and Pietro is trapped under the rubbles of her own house for 2 days, no cause I can't imagine what that must be like? They know their parents are dead. They don't know if they are going to survive. They don't know if someone is going to come rescue them. And when they got rescued. They probably did not have given the chance to grieve their parents. Her parents body are probably unrecognizable and were buried in a mass grave, They are force to grow up too quickly and they have no choice but to accept it.

The reason she ends up so checked out of reality is probably that horrible things keep happening to her, and she has no choice but to go "ok" and move on from that. The moment she first appeared, the way she behave and act it's obvious she have aggression issues and emotional maturity. She used to go to rallies and protests because the government of her country sucks, (shown in aou) and she grew up with her brother, who probably tried to do everything to stop both of them from starving to death. She joined Hydra because she thought she'd be doing something that would help her and her brother, she didn't join them because she agreed with them. ( It's literally implied that hydra is pretending to be shield and is recruiting volunteers)

She did not throw that bomb on that building on purpose; she's trying to save Steve and the people around her. She literally saved a lot of people's lives there, but people keep focusing on her mistake.

Wanda had done so many good things because she was good despite every reason not to. If she is "evil" from the beginning she would have not side with the avengers and just run away after learning Ultron's real plan

She would have not tried so hard to stop the bombs in Lagos if she did not care about other people's life. she save Natasha's and okoye's life, She did everything she could to stop thanos, she did everything the team ordered her to do.

She doesn't want to kill vision because she's afraid of being alone. Westview happened because she couldn't take it anymore. If She is evil she would have not the of people of that town go

"Why didn't she go to therapy?"

Girl, I don't think therapists in the "M*rvel" can help her. You know how people there react to her. If she goes to a therapist, it will probably make her worse. She wants Vision back because he's the only one who understands and truly loves her, and he treats her better than most people there.

She wants her sons back because they make her feel normal and human.They probably reminds her of her life when she is young before everything went horrible. And I don't want to her that "ThEy ArE nOt rEaL" bullshit, They are real to her, she gave birth them. She feels them kicking in her stomach, she touch them she cooks for them, change their diapers, made memories with them, they are not just objects or toys to her, they are her children, she gave life to them, they have souls, they just don't have a physical body

No cause Wanda is happy in Edinburg with vision, those are probably the times where she feels real happiness and thanos ruined everything.

If thanos didn't come, Wanda and vision will be have a real marriage and probably have adopted real children.

Wanda only want people to accept her, she only wanted to be treated like a human being, she doesn't care about being powerful. All of the crimes she committed happened because ever since she's a little she suffered, and I don't care if there are other people who suffers than her, people process trauma differently.

the way Wanda is influenced with something dark and evil and all of she ever wanted is to hug her sons again, she did not want to rule the entire universe she didn't want anything all she ever wanted is to be with her family

Wanda realize she have the power to do everything she wants (darkhold influ.)

that she has a will and that she can make her self happy and I love her for trying.b and I do think she makes stupid and horrible decisions, but so do I, and that's okay;

She's been a hero, a victim, and a villain. because the writers and the shitty universe she's in, don't know what to make of her they accidentally created a character with so many potential and they don't know what to do next and they just killed her off because they think she's not as important like the rest, and majority of her fans just cares about her powers, they only care that she can "solo" people hated Wanda's character because of that. People won't look deeper into her character because the people that claimed to love her also weaponized her. She is doomed by the narrative, ruined by her some of her "fans" and we might not see her again because the universe she's in sucks.

rahhh I am losing it over a fictional woman who has been dead for (?)2 years :(

sorry again for yapping to much I just love this woman so much, my English is not that great sorry if some words are use incorrectly and I am half asleep while typing this so sorry for typos... goodnight

[thekidthesuperkid]

No but actually I love how central Crystal is to the story. She's the only reason the group ever goes to Port Townsend and therefore the only reason most of the plot even happens.

Even if you're just watching the show with shipping goggles (a lot of people let's be honest) you still can't extract Crystal from the story. She's the only reason Charles and Edwin go to Port Townsend, but also her arrival into the boys' dynamic shakes it up enough for it to start changing. She's the one who finds out about Charles' dad and then pushes Edwin to figure out what Charles has been hiding from him. She's also the one who pushes Charles to recognize his own repressed emotions and to deal with them. She's central to Charles' character arc over the show, and even though she's not as central to Edwin's character arc, she's still a catalyst. Niko, the Cat King, and Monty are more directly important to Edwin's arc, but Edwin and Charles never would have met and helped Niko if it hadn't been for Crystal (Niko likely would have just died from the sprites alone and this is deeply sad to think about), and Edwin also would never have met either the Cat King or Monty without being in Port Townsend. (Monty probably would have never become human.) Maybe if things had been different Edwin still would have been dragged back to Hell, but Charles would have had to find a different way to rescue him. The Night Nurse was only there to open the door to Hell because Charles and Edwin were stuck in Port Townsend long enough for her to track them down, and on top of that she was only able to track them down because of their connections to living humans (Jenny) through Crystal. And then Edwin's confession on the staircase was only really possible because of the realizations about himself that he had beforehand because of the influences of Monty and Niko and the Cat King. Crystal called Edwin and Charles a dead married couple on acid and that basically what they were: they had been together for so long with just each other, and they were so familiar with each other that their dynamic had become habit and they were taking for granted the things they thought they knew about each other...Charles is the happy one and isn't haunted by his past the way that Edwin is, Edwin isn't interested in romance and connecting with living people, etc. Crystal, and then Niko and their other friends as well, showed up and brought in a new perspective on their relationship and their lives and their problems, which allowed them to develop their relationship in new areas.

Independently of the boys' relationship though, Crystal's story is really done so satisfyingly. Her character arc of figuring out who she is is unfinished, but already it's cool how the story builds the contrast of who she is now versus who she was before her memories were stolen, where one of the biggest differences between the two versions of herself is whether she has people in her corner who truly care about her and support her, and whether she has people she cares about in return. She's also the only one able to defeat Esther in the end. The Elemental would have just swallowed Charles and Edwin without her, and summoning Lillith was something only she could do. And it's really cool how her role in the story creates a theme of connection to other people being vital. She forces Edwin and Charles (mainly Edwin) to interact more with living people, through getting them to take cases for living people and by being a way to get information from the living more easily, which ends up causing some bad things for them but also causes a lot of good things too. Like she brings in Niko, who is the reason Charles and Edwin don't get separated after returning from Hell. And even her powers rely on being able to connect with her roots and her heritage and her self. The way that ties into themes of identity are very interesting as well.

TLDR: I really like way the story used Crystal and I'm excited to see where her story goes if there's a season 2.

[starcurtain]

Hello! Wanted to say that I’ve really enjoyed your analysis on Aventurine’s theming - and yea big agree that part of the charm of the guy is that he’s a weird paradox (he got everything one should technically want, and he also lost absolutely everything he cares about) - and also I like your comment that he is, as a character, actually pretty obnoxious (it’s an odd character charm point to me)

Also your post on the way he interacts with the ladies in the cast kinda reminded me - I know folks tend to focus in Ratio’s note but I ended up zoning in on his convo with Acheron more than anything else - because a lot of Penacony is Aven butting heads with other aeon-touched people (Acheron, Sunday) - but Acheron seems like a fun foil because she also has a pretty double-edged metaphysical blessing that is associated with losing everything she loved, but she ironically hasn’t given in to full meaninglessness.

I think one of Aventurine's defining character traits is that he "tests" everyone he encounters to judge whether they are trustworthy or whether they are a danger to him (I guarantee you, he has some kind of mental ranking scale for how likely people are to dislike or mistreat him), and I think his being obnoxious is actually a direct offshoot of this.

Kakavasha clearly was raised with manners; he knows how to be polite and to tone down his responses to social situations as appropriate, which means that, in every other scenario, he is actively choosing to be obnoxious, even in situations where it seemingly won't benefit him (like talking back to the slave master or being too forward when first meeting Sunday, for example) because it allows him to gauge exactly how others feel about him and exactly how much they will let him get away with.

People who play along are potential allies (Robin, the Trailblazer) and people who act grumpy but actually tolerate the obnoxiousness are safe (Ratio, Sparkle, most of the rest of the Express Crew), while people who respond poorly (Sunday, basically everyone else Aventurine dealt with in the past, etc.) are forced into showing their true colors. If minor obnoxious behaviors can provoke them, then it means their core response to Aventurine is likely to be one of dislike and disrespect. He's just forcing that response from them out into the light sooner, rather than later, by being obnoxious from the get-go.

(And, to a certain extent, I think he also just finds it fun to be a bit obnoxious. Like, he's free to say and do whatever he wants now--who is going to stop him from being a brat if that's what he feels like doing?)

But on to Acheron... Yes, I do think there are a lot of parallels between Acheron and Aventurine (came from a doomed people, lost everyone, both determined to hold out against nihility and live just for the sake of living, "blessed" by aeons), but I think narratively speaking, the story puts Acheron in a different position when her tale entangles with Aventurine's: the surrogate big sister role.

Acheron's a very good parallel to Aventurine's sister in numerous ways: First, she essentially sacrificed herself to defeat the evil threatening her people, but is ultimately unsuccessful, resulting in the permanent loss of all she knew.

This loss also resulted in Aventurine's sister actually dying, while Raiden Mei experienced a symbolic death, taking on the name "Acheron" to evoke the Underworld, getting a ghostly, bleached white form, and prowling the river of nihility like a wandering spirit of the dead.

Second, the philosophy Acheron espouses is nearly identical to Aventurine's sister. When even as a child Kakavasha was doubting the value and meaning of life, his sister was the one constantly reaffirming that life has meaning, despite its hardships, and that continuing to exist is the way to honor those who have sacrificed for you. Just as Aventurine's sister expresses that people must hold on to faith, Acheron reminds everyone she encounters to cling to the last bit of color and light in their lives.

This ends up being echoed by the role of guidance that she plays for Aventurine, with him both directly relying on her for his continued survival:

And turning to her in his moment of greatest emotional need:

(Sound familiar? It should. This is the exact same question Kakavasha once asked his sister.)

But there's also a very, very nice visual parallel that goes on with Acheron and Aventurine's sister: the dusk rain that accompanies her.

For Aventurine, the rain has complicated emotional connotations. For the Avgin, it was desperately needed, life-giving water, and thus was considered a direct blessing from Gaiathra. Rain on Aventurine's birthday was the sign of his being favored by the aeon, and yet it also rained on the day he lost everything and had to flee from the only home he had ever known (conveniently also his birthday, dude this guy's life sucks).

Meanwhile, the rain for Acheron is equally complex--rain can bring life, the renewal of barren, lifeless lands... But we also see the rain accompany Acheron through her worst loss, the final collapse of her planet:

It also is said to rain constantly within the shadow of nihility, a lightless gray that washes away all that people wish to cling to.

For both Acheron and Aventurine's sister, the rain accompanies the end of their "lives," the backdrop to their ultimate sacrifices.

Yet it is also in the rain that they both send Aventurine onward, escaping from the cage of his destiny into a "better" life. From beneath the shadow of the storm, they both bid him to go and not turn back, freeing him and permanently changing the course of his life.

The rain that took everything from both Aventurine's sister and Acheron is ultimately what saves him.

It's all a very tidy and well-written parallel.