#we need more of that from him

[navnae]

As much as I love Steve losing his ability to pull anyone that doesn’t mean he’s rusty with his skills. Imagine him talking to the boys and telling them what to do when it comes to girls, laying down all the basics he’s learned. The boys are skeptical and genuinely think that Steve have lost his touch in the romance department. To prove them wrong, he takes Eddie who’s minding his business and gently grabs his wrist to lead him towards him. Eddie is confused by how he even got dragged into this situation but before he could do anything Steve’s arms were already wrapped around his waist and he was pulling Eddie close. Steve leaning close to Eddie’s ear and whispering lowly “Follow my lead.”

Eddie listens despite him being confused and Steve ends up intertwining his hands with Eddie’s over his waist. Eddie starts blushing with such intensity that the kids start to die of laughter, even Steve chimes in. To make things worse when Steve pulls away to release Eddie from his embrace he points to Eddie’s face blushing face and says “and that’s the reaction you want fellas.” He jokes. So it’s safe to say that Steve never really lost his touch he just needed the right person to do it to.

[erabu-san]

I enjoyed every second of this quest

[This art has platonic intention. Thank you for not tag ship!]

[egophiliac]

tsum events really are just the best, huh

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[voiider]

I need codependent Danny/Jason as a little treat (for me) and I love the idea of them having some sort of instant connection the moment they meet (bc ghost stuff idk)

Danny who's been dropped in Gotham with no way home (alt universe??) and he's been here for 36 hours and having a Very bad time senses a liminal being and immediately latches onto them heedless of the fact that his new best friend is shooting at some seedy guys in an alley and goes off about how stressed he is and how he can't make it back to the ghost zone and what a bad day he's been having (and it's important to note Danny is a littol ghost boy literally hanging off of Jason's neck as he floats aimlessly) and Jason is like "who are you??" And Danny is like "oh sorry I'm Danny lol" and then just continues lamenting his woes

And honestly ? This might as well happen. Nothing about this Danny guy(is he human?) gives Jason a bad vibe and tbh he's never felt more calm and level headed before so he just keeps up his usual Red Hood patrol and doesn't even think about it when he heads back to a safehouse and feeds Danny dinner (breakfast) before crashing for half the day

The only thing I actually need is Jason meeting up with the bats for some sort of Intel meeting and they're like "uhhh who's that" and Jason is like "that's Danny." And does not elaborate (very ".... What do you have there?" "A smoothie" vibes)

And it takes them a while to realize that these two have known each other for less than 12 hours and are literally attached at the hip

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[sualne]

more about the AU!

(timeline)

[qcomicsy]

Alfred comes home and there's a whole noise from the kitchen.

Alfred: Is everything okay?

Damian: Dumbass is coming out.

Alfred: Oh.

Alfred (to Dick): ...I figured this day would come sooner or later...

Dick:

Alfred: Don't think I didn't saw it my boy, and pardon me if I should said something before...

Dick: No, no, no it's not

Alfred:... I mean It was obvious from the start but I figured I shouldn't press-

Dick: Alfie It's not

Jason: No, no let him finish.

----

Batman: Yes, my kid also came out to me recently.

Superman (to Dick): Oh wow, that's great! I'm proud of you buddy.

Dick:

Dick: What

Tim: It's me.

Superman: Oh

Superman: Oh wow, thats great! I'm proud of you buddy.

Dick: No, wait you can't just-

----

Jon: I'm just glad in not being alone in this, you know.

Titans:

Dick: It's not me.

Titans: "Oh, right. Sure." " Yeah we knew it" "Totally"

[steddielations]

nsfw, actor eddie, hair and makeup artist steve, sub top

The downside of Eddie having a bunch of tattoos is that he has to sit in the makeup trailer longer than anyone else getting them covered, along with his character’s makeup. 

The plus side is he gets more time with Steve. 

They have this game. It started on Eddie’s first day. He was all wired up with nerves because it’s his first time in a lead role on a big production like this.

Every nightmare scenario of how he could screw up was running through his mind. He couldn’t sit still enough for Steve to give him the wavy hair and facial scars that his character has. 

Eddie kept apologizing and Steve was great about it. He asked Eddie about the heart on his arm with “Wayne” across the ribbon and distracted Eddie from over-practicing his lines, busy telling Steve all about his uncle who raised him and where they’re from. 

Eddie killed it on set that day, and pretty much every day since then. He loves acting, he loves fully immersing himself in the story he’s telling. This role is the biggest of his career so far, but it’s not even about that, he loves the character he’s playing, he meshes well with the director and has chemistry with his co-stars.

But Steve is his favorite part of this whole deal.

Eddie ran out of tattoos for their little game of telling Steve the story behind a different one every day. They never ran out of things to talk about though.

But Steve takes his job seriously and he’s good at it. He explained once why he likes doing this. It’s an art, getting the right look for the right character, or the right person, connecting with and taking care of whoever’s in his chair.

He explained it all while he was running his fingers through Eddie’s hair in those perfectly practiced strokes. Steve’s very good at his job, that’s why it feels so nice when he touches Eddie, even if it’s just work, because Steve cares about this. That’s why it’s easy for Eddie to be lulled into bliss when Steve’s fingers are so gentle on his scalp.

And, okay Eddie’s not made of stone, and he has eyes so he has a thing for Steve. A crush, but there’s a line there. This is work. They’re co-workers, despite how many pretty smiles and lingering looks are exchanged. Eddie won’t cross that line.

Until he does. 

It’s an accident. He never would have done it on purpose. 

Steve’s fingers are just so talented. Eddie’s eyes are closed, he was having another fit of nerves earlier so Steve took extra time with his hair. It put Eddie in a space so relaxed that he feels like he’s floating when Steve’s hand twists in his hair with the perfect amount of tension. It feels so intentional. The moan just slips out.

Eddie apologizes like crazy afterward, he feels terrible. Steve is a picture of professionalism, he’s charming and fun but he runs the makeup trailer like it's the navy and he takes his shit seriously and Eddie crossed a line. 

But Steve just shushes him, guides him to sit back in the chair and says it’s alright. 

Eddie blinks in disbelief but Steve just looks at him. 

It’s a look. 

A look that Eddie can’t stop thinking about for the rest of production.

It’s a look he sees again on his last day on set.

Eddie already shook everyone’s hands and said his goodbyes. He's just stopping by his trailer one last time to make sure the assistants got all his stuff cleared out. 

When he opens the door, his stomach flips, finding Steve waiting inside for him.

“You wrapped filming today,” Steve says in place of a greeting. But his smile and the way his arm is languidly stretched over the back of the couch is inviting. 

Something tells Eddie to lock the door before he goes over to sit next to Steve.

His gaze is even more intense up close. Eddie feels Steve’s eyes on him everywhere, like he’s just eating Eddie up. 

“Yeah, I did,” Eddie says, a tad nervous.

He doesn't want to make a move he can’t take back in case he’s wrong about why Steve’s in his trailer looking at him like that. He doesn’t want to be one of those douchebag movie stars that assumes everyone wants him and he has a free pass to hit on the crew. He’s sure Steve’s had enough of that bullshit.

“We don’t work together anymore,” Steve simply states.

“I know, it sucks,” Eddie laughs a bit sad because he really is, “Sorry if it’s weird to say, but I’m gonna miss you.”

Steve’s eyes shift between Eddie’s and then down to his lips, making his heart stutter in his chest.

“No it’s a good thing,” Steve says and Eddie’s brows knit in confusion. “It means I can do this finally.”

Eddie thinks he’s watching his daydreams play out the way Steve starts leaning in. 

It’s only real when Steve’s lips press softly to his.

Just once, so light, long enough for Eddie to catch on that it’s happening, then Steve pulls back before Eddie can reciprocate.

Steve chuckles faintly at the dramatic frown Eddie’s pulling. 

Then Steve’s hand cups Eddie’s cheek, his thumb stroking Eddie’s face as he tells him, “We can stop there and keep it professional and say our goodbyes. Or I can climb on your lap and give you something to remember me by.”

Eddie gulps. Steve’s offer and his silky voice and his perfect touch that Eddie’s already so addicted to is such a heady mix, making it hard to form words. “Yes, climb me— I mean, option B.”

“Yeah, honey, you want that?” God, Eddie always blushed hot when Steve called him that casually in the makeup trailer, now he’s melting hearing Steve say it like this. “Well, go on and take your pants off for me.”

It happens in a syrupy warm blur. Eddie sheds his jeans and underwear like he’s told and he’s rewarded with a gorgeously naked Steve Harrington in his lap. He’s allowed to touch, only after Steve has threaded his fingers through Eddie’s hair more reverently than any time before, like something precious in his hands, and kisses Eddie deep and hard. 

Then Eddie gets to nuzzle the chest hair that’s been driving him crazy peeking out of Steve’s shirt every time he leaned over. Eddie gets to touch Steve’s soft strong thighs, feeling the smatter of hair leading up to his ass that’s been driving Eddie even more insane trying not to stare at. Then he slips his fingers in and moans into Steve’s mouth when he feels the hard bulb of a plug nestled inside Steve.

Steve pulls back from the kiss, smiling and smearing his thumb over the spit on Eddie’s lips. “Yeah, I’m so ready for you, Eddie, baby, you have no idea.”

Eddie’s practically drooling watching Steve take out the plug and get a bottle of lube from between the cushions and a condom, oiling up his hand. When his fist wraps around Eddie’s cock, Eddie helplessly bucks into it, but Steve’s solid thighs pin him down. That makes his mind lust-foggy and his eyes flutter up at Steve, who bites his lip watching Eddie as he lines up to his hole.

“Mm... you know how bad I wanted you?” Steve sounds relieved as he sinks down on Eddie’s cock. “You know how bad I wanted to climb on your lap when you were sitting in my chair. You know how starry-eyed you get when you’re drifting? Just from me touching your hair, so fucking cute.”

Eddie’s just a mess of moans, Steve is so hot and tight around him. It’s too much with all the sweet praise to really comprehend that Steve knew all those times he was getting spacy.

“It’s so easy to put you down.” Steve’s breath comes harder, not letting Eddie move as he starts to roll his hips. “Such an actor, high strung all the time but that’s okay. It’s your passion. That’s sexy. Been dying to hold you down and ride you until you can’t think about anything but me, though.”

Eddie gasps out a groan when Steve tugs sharply on his hair, being right about everything that Eddie’s into so far. It’s no secret that Eddie’s intense, just a different kind of intensity in the bedroom than with his craft. 

Steve seems to get it, seems to know that Eddie needs everything hard and relentless with the way he’s bouncing on Eddie’s dick. He can feel the strength in Steve’s hips, dying to feel them fucking into him too, mouth watering at the sight of his thick cock jumping with all the movement.

“You’d let me tie you down and use you, hm?” Steve asks, drawing Eddie by the hair into a biting kiss that just barely grazes the surface of what Eddie would let Steve do to him. “I know. I’d fuck you up so good if we had time, baby.”

“Steve, holy shit,” Eddie practically sobs, fingers digging into Steve’s ass.

“You close, honey?” 

“Fuck, yeah.” 

Steve suddenly cups his face, just a tad rough and Eddie thought— hoped for one hot moment— that Steve was going to slap him. Just the thought is enough to make him do what he's supposed to, “Can I?” 

“Mh-hm just keep looking at me,” Steve strokes Eddie’s face as he circles his hips and takes Eddie deep. “Wanna see those pretty eyes when you come inside me.”

Eddie does as he’s told, his gaze falling half-shut as he lets go, spilling into the condom like he’s pumping Steve full.

It’s the hottest thing that’s ever happened to him, followed by the second hottest thing when Steve kisses his slack mouth as his warm heavy spurts of come land on Eddie’s belly.

While Eddie’s coming down, he lets Steve shift him onto the couch. He gets some tissues and then pulls Eddie to lie on his chest because of course he would, he’s Steve.

“Was that enough to remember me by when you get all big and famous?” Steve asks after a while, trailing his knuckles down Eddie’s bare arm.

Eddie looks up, seeing the first glimpse of hesitance in all of Steve’s practiced smoothness.

So Eddie leans in and assures him between pecks on his lips that slowly turn to smiles pressing together. “Nope, think we gotta do it again. And again. And again.” 

[spielzeugkaiser]

The ages in this show!! I have made some jokes about this before, but it gets me - with aging Ciri up and bringing her closer to Jaskiers age when they meet I can not help but draw parallels. Like Geralt bonded way differently with both of them (which makes sense because Ciri has been his Child surprise since birth and Jaskier just randomly turned up one day and followed him like a puppy) but it's so funny to me. also I'm 100% sure Jaskier was horny as fuck from the beginning so there was a whole different vibe from the get go

[erabu-san]

I enjoyed every second of this quest This art has platonic intention, please don't tag ship

[the-darkestminds]

You know what I wanna see in Azriel’s book? A major emotional breakdown in which he openly cries his heart out. This man is stoic and angry and so closed off, even among friends. I’m begging him to show us even a sliver of vulnerability. Azriel, my guy, you can cry if you need to.

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[caelanglang]

Post-Mission Celebration: Movie Night Afternoon (things that happen when you’re all working the night shift…)

if you squint you’ll see them breathing

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)