my writing tips, that i think people will find useful:
- write dialogue first and THEN make a scene around it.
i like to do this sometimes for multiple reasons. first, if you’re in a flow of good ideas, getting dialogue done will be a future GAME CHANGER. you don’t have to be stuck fussing over little word choices because you just do it when you have a good idea, and it works! fuss over it now, save time for descriptions later. second, the characters you’re writing usuuallly wont be able to read eachother’s minds. we people do everything by communication and talking! so, map out what you want your scene to look like through dialogue! i like to do mine as a screenplay or movie script, so that way i can ensure that the characters are speaking Like Real People (tm). and THEN I READ IT OUTLOUD >:)
- map out your chapters before you start to write. seriously, do it.
so, personally, my favorite part of fanfiction and writing is the planning stage. and i like doing it on paper, but we’ll get into that after this. first, you get the idea, the spark in your brain that could make an AMAZING story, comic, or au. that’s the general premise to work off of! write that down, if you need. next, do a VERY rough draft of what you want to happen—specifically, the 3 main points of your story: the beginning event, the middle event or climax, and the ending event, or your point A, B, and C. work off of and build up (or build down) from each of these core events of your story, planning the small events that lead up to The Big Guy (or B). these ideas or premises for each leading event can and probably will be VERY, VERY rough, but once you’ve got the rough idea of what will probably happen done, you can get to work on MORE PLANNING (sorry guys. learn to enjoy it)
- PLANNING PART TWO BABY WOOO (plan out your chapters. and if it doesnt work when you’re writing it, that’s okay!)
this is what you will do before you write your chapters, that works for me way better than just going in with no plan. personally, when i started to write the fic i’m currently writing, i mapped out all the rough details that i want to happen in the climax chapter of my story, because most people find the middle the hardest part. since i already had an rough idea of what would have happened before the climax with my previous planning stage, i already was able to connect how all of the buildup would lead into the climax of the story pretty easily. every action in your story will have a consequence, big or small, and that all will lead up to your protagonist bursting into tears or the main couple confessing their love or the final, epic battle between the protagonist and antagonist! if, when you’re writing, the rough idea you had just isn’t working out, you can either a: redo it completely if it’s a huge problem, or b (my favorite): work around it in the moment and improvise. i ended up making my fic’s climax way better just because of the extra scenes i added in while writing, but since i had my original plan to work off of, everything was a lot easier.
- make every scene with a motive to accomplish
most people know this one, but i thought it was good to add in. whether it’s to flesh out the world around your characters with fun and shenanigans or to give the audience a little more insight into a character who will be useful in the future, every scene and every chapter should have a purpose. when people act, they also like to give their characters motivations, and for a while, i wasn’t sure how that could connect. however, now i understand. let’s say a character is trying to motivate another one to be brave and face their fears, but character a is actually only interested in their own interests. character a’s motivation is to be self-serving—they’re not as concerned with helping character b, but instead, they want to help themself. this shows a lot about character a! when you have a purpose for every story beat and a motive for each character, it can help you flesh out the character much better.
- show don’t tell (and what i interpret that as)
okay, so for a while, i had NO idea what show don’t tell even meant. i LOVE writing about my character’s thoughts, their interests, their perspectives on what’s going on around them. character analysis is one of the best parts, for me! but there are ways to show what a character is thinking without the use of heavy description. for example, take this part from the fic i’m currently working on right now:
the character i’m writing for had not mentioned her mom the entire chapter, but when you go back and analyze her character throughout it, you can see major hints that part of why she who she is stems from her trauma with her mother. when she connects to an older adult female figure and feels understood, the issues she has are shown and not told, clear as day. by using dialogue and trusting your audience to connect the dots about your characters, you can make a better-written story! remember motivations; sometimes, characters don’t even know they have the motivations that they do, and the audience has to figure it out based on context clues. leave room for intrigue and mystery! think; if you were this character in this situation feeling the way they felt, what would you do? what would you say? why would you say it, and what would that reveal about you?
- write one story beat per day and WRITE ON PAPER
the word count, for me, doesn’t matter. if the quality of your writing is good, and the pacing gives audiences room to breathe, then that’s enough! quality over quantity, in my opinion. if you’re not up for writing, PLAN CHAPTERS! plan scenes, plan events! plan dialogue, make it fun! that is writing too. for me, when i have the planning done, i go with the One Story Beat Per Day Rule. if you get one small event done each time you write, you’ll be finishing The Big Event you wanted to accomplish in no time. and if you’re in the middle of a big story beat and you just need a break, i’d say to take one…. and later, come back with a notebook and a pen and think. paper has helped me write better because the flow of thought just keeps going when i’m focused, and i think it might work for a lot of people.
- remember, YOU CAN DO THIS! MAKE IT FUN!
writing and finishing stuff is really, really hard. but if you get one small thing done for the characters in your story, comic or au each day… you’ll eventually have an amazing, finished story. make it fun for yourself. listen to music, act out the scripts, use color theory, analyze your characters and don’t make it a chore! every small step contributes to getting to the top. make something you will love to write, and that you will love to read. make something for yourself, because in the end, if you enjoy it, the audiences will enjoy it.
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Fluent Freshman - Part 22
PREVIOUS
Y’know how sometimes you have something that you need to do or something that you know is going to happen but you just keep…putting it off? Like you know at some point it is going to happen but you put it off over and over and over and over again? You’re getting increasingly anxious every time you put it off because you know it has to get done but you also know that the longer you wait the worse it is going to get. Finally, FINALLY, the anxiety is just a little too much and you end up having to deal with it.
You finally deal with it and the whole ordeal takes maybe five minutes tops and it was in no way shape or form worth the level of anxiety that you put yourself through. Like you worried about this for a good and long while and it wasn’t even that bad?
That is currently how FF feels about being stabbed by Andrew Minyard.
This is what he was so worried about that he had lost sleep, had nightmares, had lost weight, and had exacerbated his stress ulcers over.
Getting stabbed wasn’t anywhere near as bad as he had thought it was going to be. Maybe it was the fact that it was just a single stab wound instead of the Psycho levels that he had been imagining (Wow, showers were going to be so much less stressful now that he didn’t have to confirm Andrew Minyard’s location before triple checking the lock). Maybe it was the fact that he is PUMPED full of adrenaline from his fights against Jackson and Romero but the stab wound didn’t even really hurt at the moment.
This isn’t even the worse thing that had happened to him this year!
That honor still goes to the joint winners of when his Step Family and mother found out that he had a full-ride to Palmetto and when he had tripped up the same step on the stairs at school three times in a row as people watched and laughed.
(Maybe also the solitary congratulations from his Grandma in regards to his graduation but FF doesn’t let himself think about that, won’t think about it.)
He wouldn’t necessarily call being in a state of ‘stabbed’ a pleasant time but Andrew was being so NICE about it.
“Stop trying to sit up you fucking idiot!” Andrew shouts at him.
Well….Andrew’s version of nice.
(This is the same version of nice that he had misunderstood for months at this point. Maybe FF is just enough in shock from the stab wound in his stomach that he’s starting to grasp the basics in the difficult language of Andrew Minyard’s niceness.)
Andrew had gotten off the phone with 911 and then started pulling off his own jacket before draping it over FF’s upper body, wedging his phone between his shoulder and his ear, and then Andrew started to apply pressure to his stomach wound.
Ow.
That is not a great feeling. This stabbing may eke out past the great triple trip of March 2010.
“No, take back your jacket. You’ll get cold if you don’t have it on.” FF argues because his own jacket is barely doing the job. Maybe it’s the cold pavement of the alley, maybe it’s the blood loss, or maybe it’s the cooling sweat he’d worked up but he is shivering pretty badly.
A thought occurs to him as he feels the weird wet stickiness of his own blood sticking to Nicky’s shirt. “Can you help me get my jacket off?” He asks looking pleadingly at Andrew, “It’s my dad’s. I don’t wanna mess it up with my blood.” He clarifies when Andrew looks at him like he’s a lunatic.
Except his second call must connect right then because Andrew’s answer is non-sensical to what FF had asked, “Neil, let Roland know the police and ambulances are en route.” There’s a brief pause and the pressure against his stomach increases as a muscle in Andrew’s jaw jumps. “Smith got stabbed.” He says and he looks angry, angrier than FF had ever seen Andrew when he’s talking to Captain Neil. There is another pause, more than likely Neil saying something or asking a question, “No, it wasn’t them.” Andrew grits out and the pressure on FF’s stomach hurts, “Just get out here, I need help with smith and making sure these two assholes don’t go anywhere before the police come and grab them.” He says before he pulls one hand away from Smith’s stomach (wow he really is bleeding isn’t he?) to hang up the phone.
Andrew’s gaze turns back to him fully, “You’re not moving an inch Smith, your jacket can be cleaned.” He hisses. “Now stay still and don’t fall asleep.” He orders.
Andrew seems stressed so FF complies. He can’t help but notice how Andrew’s hands seem to be shaking as the press down on his stomach. He kind of wishes he had a pillow or something for his head because he’s starting to feel a little dizzy. Andrew’s jacket would be safer from his blood if it was a pillow instead of a blanket. Still, FF would sooner die than spit on any of Andrew’s current efforts to make him more comfortable.
He looks at the knife sticking out of his stomach. Well, he might die regardless of whether or not he spits on Andrew’s efforts.
He needs to take his mind off this.
“Should we take it out and pretend the Dundee knife stabbed me instead??” FF asks letting his mind go to the first thought in his head so that he could be distracted from his own mortality. “I think it’s still under the dumpster over there.” He moves to point one of his hands towards where the knife had remained throughout this entire ordeal.
Andrew’s knee pinned his arm before he could move it, “Stop moving Smith.” Andrew reminded him before moving his knee. “We have to leave the knife in. You’ll bleed to death otherwise.” Andrew reminds.
“I guess that’s true, so do we just say that Romero got a handle on your knife and stabbed me?” He asks fighting his own shivers since he’s a little worried that any shaking on his part would just make the stab wound worse.
“I stabbed you Smith.” Andrew says looking at him with a furrowed brow.
“Yeah, I know,” FF agrees, “but we’re not going to say THAT to the cops.” He says and shock really is one HELL of a drug because he thinks he might have actually given Andrew Minyard an incredulous look with his atrophied face muscles. It’s either Shock or the knowledge that even if he irritates Andrew, what’s Andrew going to do about it?
STAB HIM?
“You’re going to lie to the cops?” Andrew asks, “I STABBED you Smith.” Andrew repeats.
“Yeah, I know!” FF repeats back, “You stabbed me on ACCIDENT.” FF makes sure to use the same intonation that Andrew had used to emphasize the word Stabbed. “Jackson wanted to stab me on PURPOSE. You saw that knife Andrew.” He tries to gesture towards the knife again but again Andrew’s knee pinned his hand.
He could use his other one but the reminder to stay still is enough.
“I still stabbed you.” Andrew says removing his knee again when it’s clear that FF wasn’t going to try and gesture again.
“Well, if I was going to get stabbed by anyone, I guess I’m glad my first time was with you.” Andrew let’s out a bark of a laugh that sounds more like it was punched out of him than anything, “Honestly, I don’t think Jackson would have given me his jacket afterwards or try and help me keep my blood in my body.” He says and it feels like a victory (not a both hands in the air victory cry level victory but it was close) when Andrew’s face settled into one of faint amusement.
“Probably not.” Andrew agreed, “He doesn’t seem big on Aftercare.” He says.
FF doesn’t know what that means but nods like he does, “So, Romero got a hold of your knife during our tussle and he’s the one who stabbed me. Okay? That’s the story I’m going to stick with no matter who asks me.” He looks Andrew in the eye.
“Alright Smith,” one of Andrew’s hands leaves his stomach and clasps around his shoulder and FF can’t help but notice how neither of Andrew’s hands are shaking anymore. “We can lie to the police.” He squeezes FF’s shoulder.
“Nice.” He says and lets his head fall back onto the concrete. He hears a siren in the distance and hopes it’s coming for him.
They sit in silence for maybe 30 seconds before the door slams open and only Andrew’s hands on his stomach and shoulder keep him from shooting straight up in a panic. Captain Neil seemed to take in the scene at lightning speed but it was Andrew who spoke first, “You left Aaron and Nicky with Roland?” He asks.
“Yeah I did,” Captain Neil confirms and FF can see the moment that his eyes land on the knife handle jutting out of FF’s stomach, “Andrew, what are we going to tell the police?” Captain Neil asks and FF could already see Neil crafting a lie to cover Andrew. That’s one of the things that FF likes about Captain Neil and Andrew’s relationship. He thinks it’s nice that both of them have someone who no matter the circumstances would be there with a shovel to help bury a body. He even thought it was nice when he thought it’d be his body!
“The second guy stabbed me.” The lie comes out smoothly which is good because he is planning on committing to it and Captain Neil blinks and looks at him, “He got hold of Andrew’s knife during the tussle.” He adds.
Captain Neil looks to Andrew, “You said it wasn’t-“
“I guess Smith can lie to a liar.” Andrew interrupts.
Captain Neil’s eyes widen before a wicked grin spread across his face that made FF just a little uncomfortable but only because Andrew’s grip on his shoulder suddenly tightened and his nostrils flared the way they did before the two usually started speaking in Russian.
He can handle being stabbed, he cannot handle being in shock and pretending that he doesn’t know what the two of them are saying to one another.
“Can you tell Nicky I’m sorry I got blood on his clothes?” He asks and both Captain Neil and Andrew’s gaze snap away from eye-fucking each other. He looks down and the clothes are black and they haven’t moved the knife so the wound is plugged still but yeah there’s definitely blood seeping into the shirt, not to mention the hole. “Could you tell him I’m sorry about that?” He asks.
“You are going to tell him yourself Smith.” Andrew hisses, “You are going to be fine. Do you understand me?” He asks before turning to Neil, “Can you bunch your jacket under his legs, it’s better to keep them higher than his head and heart?” He asks.
Aw.
Andrew is just so nice.
He can’t BELIEVE he thought Andrew wanted to hunt him for sport.
He’d apologize for thinking that but he thinks it’d be better to just let that particular misunderstanding go unmentioned.
Captain Neil bunches his jacket up and puts it under FF’s legs before he goes over to check on Romero and Jackson. In the corner of his eye he sees Captain Neil pause at the sight of Romero before moving over to Jackson.
“Why is he in these?!” Neil asks baffled.
“It’s a weird sex alley Captain Neil! I don’t know WHAT to tell you!” Yeah he’s definitely going into shock. The sirens are getting closer though so he’ll probably be okay.
***
The cops all have a bit of a laugh about Jackson’s cuffs until Neil tells them exactly who they are taking into custody. Neil could admit that he’s a little irritated with Andrew that at no point did the man clarify that the people who FF and Andrew were dealing with were Romero and Jackson.
Those are his father’s goons.
“They were here for me.” Neil says to the police officer and Andrew’s hand tightens in his, “They tried to take Smith because he’s my friend.”
They had decided on their story before the cops came. FF had no idea who any of these people were and was just defending himself. He’d gone out to catch his breath in the alley when Jackson had shown up. Neil had asked how in the world FF had handled Jackson on his own but FF must have been getting kind of loopy from blood loss because all he said was, “He told me to sing so I did.”
Neil can find out the full story later.
The important part is.
“Jackson went after Smith but Smith won the fight.” Neil says looking at where the cops are trying to decide how to get the fuzzy pink handcuffs off of Jackson to get him in the far more secure police issued handcuffs.
“Your friend said that you and he took out Romero together. That Romero is the one who stabbed him with your knife.” He says.
“Yes.” Andrew answers simply and Neil squeezes his hand as a reminder, “I went out to grab a smoke and Romero followed after me. Romero got hold of one of my knives in the struggle and stabbed Smith.” Andrew says with his usual deadpan affect.
“Yeah that’s what your friend Smith was saying too.” The officer says. “Well, I’m sure the FBI will want to talk to you all further but for now it’s a pretty clear cut case of self defense and no one but your friend has any serious injuries.” The officer pats Neil on the shoulder and Neil manages not to shirk away from the touch. The officer retracts his hand, “You guys are free to go tonight.” He says and turns back towards the car where a dazed Romero is in the back seat.
“Where did they take Smith?” Andrew asks since they’d been shepherded away from Smith the moment the ambulance had come. They hadn’t been able to ask which hospital Smith was going to be taken to so they could go and get updates.
“Lexington.” The cop answers, “Go on and see your friend. He seemed pretty loopy he kept talking about some beauty contest thing when he was getting loaded into the ambulance. I’m sure he’ll be a riot on painkillers.” The cop goes for a joke but it twists something in Neil’s stomach to think of FF so out of it that he’s talking nonsensically.
He feels Andrew’s hand stiffen in his and knows he’s not alone.
“Thanks.” Neil says before they head towards the front of the club. The club had been emptied out when the cops had come so Roland was babysitting Aaron and Nicky for them while they talked to the cops and FF was loaded out to the hospital.
In a way it’s almost a blessing that Nicky and Aaron are both so blasted that they aren’t comprehending any of what’s going on. They’ll have to drop them off back at the house before they go to the hospital. They’ll beat Wymack there easily even after the interrogation and drop off.
FF had asked them to call Wymack to let him know what was going on “I gave him the rights to make health care decisions for me if I’m incapacitated.” FF had said so Neil texts Wymack the hospital and the address after Andrew rattles it off for him.
“I don’t like that you hid it from me.” Neil says in the car.
“They wanted to kill you.” Andrew won’t apologize.
They still hold hands on the drive back to the Columbia house.
Andrew takes care of getting Aaron into bed while Neil helps Nicky.
Nicky who looks at Neil with a loopy smile and Neil hurts knowing that tomorrow when Nicky finds out about tonight and how he was too blasted to do anything to help FF.
Andrew and Neil reconvene in the Maserati and make their way to the hospital before either of them realize the issue.
“What is the name of the patient you’re looking for an update on?” The receptionist asks.
Both Andrew and Neil freeze.
Fuck.
MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
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