#wrong views

[crime-scene-psychic]

It's always funny to me that Jason, Tim, and Damian all have personal beef with Ra's al Ghul and meanwhile, Dick is kinda just like

[poorly-drawn-mdzs]

We're going on an ass kicking adventure.

[First] Prev <–-> Next

[luxlightly]

"If you're hurt by finding out that a person you admired did something bad or are worried about the idea they might, it shows you need to not form attachments to people you don't personally know."

I have bad news for you about how literally the entirety of human socialization and the human mind work. You can say "here's a stick from off the ground. his name is Stanley and he has a loving family" and then break the stick and people will feel hurt because they formed a positive connection to Stanley. Humans project attachment onto everything. Asking people not to feel connections to other humans is not feasible. It's not possible and, if it were, it sure as hell wouldn't be healthy.

You didn't do anything wrong if you feel hurt that someone you didn't personally know did something wrong. You're not parasitic or obsessive for wanting people you don't personally know to be good people. Being devastated that someone you liked did something horrible isn't a sign you liked them too much, it's a sign you have the basic human ability to form emotional and social connections. Your responsibility is being aware of those connections and behaving in ways that are healthy, respectful, and keep you and others safe.

Trying to just not admire people or not feel a connection to other humans won't work. Focus instead on being aware of what your relationships to other people are, what actions on your part are acceptable given that level of relationship, what actions are acceptable on their part, and what level of relationship it's realistic or healthy to project. And be ready, as with all things in life, to change your views on something or someone when presented with new information, even if you have very strong emotional connections to the subject. For example: "I'd love to get a cup of coffee with the celebrity I don't know and talk with them about a film they're in. I imagine that would be nice." <- normal human emotion "I will go to this celebrity I don't know and ask them, apropos of nothing, to get a coffee with me/I expect this celebrity I've never met WILL go to coffee with me" <- Unrealistic level of projected relationship. Crosses boundaries of normal human interactions between strangers.

"I'm devastated this actor I liked was an abuser" <- normal human emotion

"I won't believe that this actor was an abuser because I like him and therefore can tell he wouldn't do that" <- Unrealistic and unhealthy level of projected relationship. Unsafe for you and others.

You can't just "not admire" people, yes, even people you don't know personally. Instead, be careful to make sure your admiration of someone doesn't affect your ability to make judgements about them.

[ironunderstands]

The way some of yall mischaracterize Ratio as being stoic in chill when in reality he is 24/7 resisting the urge to rip everyone around him a new one is crazy to me like. He cares so much, so much. It’s unhealthy, he loses the idgaf war every time because Ratio is the least nonchalant person ever like

He was this close to breaking character and throttling Sunday like you cannot tell me he wasn’t planning a murder in this scene. Ratio straight up calls Sunday a crazy bitch but everyone brushed it aside 😭

Honestly his entire conversation with Screwllum is just him tweaking, watch it on YouTube the VAs performance is amazing, you can here just how much He Cares

Genuinely, Aventurine is way better at concealing his true feelings that Ratio. Ratio may be acting for the sake of the plan but the way he truly feels about anything he’s doing always seeps through, it’s why he apologizes to Aventurine in 2.0 in their staged argument scene. It’s why he is as mean to Sunday as he can be. It’s why him pretending that he “hates” Aventurine makes him act so silly. Ratio can’t fully commit to the bit, he can’t force himself to not care or to be someone he isn’t, because fundamentally Ratio CARES and that is something he is incapable of hiding, alabaster bust or not.

The problem is that him expressing his care is often done in a rude and/or blunt manner which people tend to interpret as stoicism or apathy when it’s anything but. Ratio’s vial that he gives to Aventurine is short, sweet and gets straight to the point, because that’s the easiest way for Ratio to express his emotions, even if it’s often detrimental for him and anyone else around him. However Aventurine understands him quite well, and knows that although brief, Ratio telling him to “stay alive, survive this and keep on living” is how he truly feels towards Aventurine, and that’s enough to keep him going.

Underneath Ratios carefully crafted marble facade is a man who cares so much and is so bad at expressing it and I wish the community in general, especially Aventio shippers would acknowledge that more. Ratios true moments of sincerity are brief, but they are anything but stoic. Let the man be soft, it’s in character.

[philsgirlinprague]

Ignore them and look at the kitchen

[derpycatsu]

icarus

[jingle-jangle-spurs]

Robert House watching The Courier rip all the copper wiring out the walls of the Lucky 38

[demaparbat-hp]

Oh, Aang, you're really in it now...

This is Zu—I mean, Jian Li and Katara's second meeting in the Kyoshi Warriors AU. The first proper one, anyway.

Once they get through a minor difference of opinion or two (“I can carry my own basket!” “Never said you—” “I'm not weak!” “I didn't—” “Just because I'm a girl doesn't mean—” “Would you listen for once, woman?!” ) they'll become nearly inseparable.

For now Jian Li will carry Katara's basket all the way to the Kyoshi Warriors' dojo and, once there, they'll mercilessly tease Sokka when they see him in uniform.

[kawoala]

sorry, wrong number! — tanaka ryuunosuke. taglist ; open.

★ contents ; smau mixed w/ traditional. set in third year of high school. ooc! tanaka + everyone else, probably. kuroo’s sister! reader. rival schools! au. profanity. tanaka has braces for some reason.

syn ; after leaving a rather obscene voicemail for who she thinks is her older brother, she learns that school rivalry’s are stupid—like she thought—and, huh, maybe, buzz cuts aren’t so bad?

playlist / moodboard / contact list.

Edit Greeting

Voicemails

CHAPTER ONE 1/26/25 6 AM practice 00:14

CHAPTER TWO 1/27/25 GOATED 00:11

CHAPTER THREE 1/29/25 crazy crazy 00:15

CHAPTER FOUR 1/31/25 stalker 00:11

CHAPTER FIVE 2/01/25 you’re obsessed 00:13

CHAPTER SIX 2/03/25 no faith 00:10

CHAPTER SEVEN 2/10/25 chrome tf up 23:53 ^ transcript (low confidence)

CHAPTER EIGHT 2/12/25 the rizzler 00:12

CHAPTER NINE 2/15/25 On My Way! 00:11

CHAPTER TEN 3/5/25 the lord 00:09

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[freakyfreak01]

kind of dawned on me recently how much of mac's character is his inability to be his own person and how he will always have to rely on someone else (luther, dennis, god) to tell him what to do and who to be. he's always trying to label himself as something to avoid being nothing, and he cannot separate himself from being an extension of someone else. he is luther mcdonald's son, he is dennis reynolds' roommate, he is charlie kelly's best friend. he is catholic, he is gay, he is irish, he is the brains. and he accumulates a many number of titles to form his identity because without them, he doesn't know how else to function.

[liedownquisition]

Every time someone, whether in-universe or in meta tries to say that Jason's a "loner" I think about two things:

First of all, the fact that Bruce is frequently referred to as a loner, both in universe and out, as if he doesn't literally constantly have his emotional support child and a rotating cast of lovers (sometimes multiple in any given story at once). In this instance, it's used to try and make Bruce seem "cool," which whatever ig.

Batman #359, which, is so fucking funny to me because this is before Batgirl and Talia showed up in this story. Catwoman too. It was a real fucking ensemble. He's berating himself for snapping at Dick, and sending some civilians (The Todds btw) to die, against Dick's advice, because he's being bitchy about Catwoman. Like, my man, you have a mental breakdown every time you're truly alone. You're not a loner but maybe you should be.

Secondly, is Jason a loner or is he just always alone and isolated? Is he a loner or does he just not know how to be any other way? Jason consistently through both pre- and post-crisis express a lot of desire to be around other people/build connections, as well as referencing factors that isolate him from them. (I'm not sourcing every incident here but here's Jay trying to bond with Bruce right after he gets taken in, and some stuff wrt Jason at school)

Detective #527 (Pre-Crisis)

Batman#395 (Pre-Crisis. This is him being jealous of Catwoman, sure, but given how often in this arc it's referenced that he's isolated from the other kids in school- despite being on some kind of presumably sports team. I think it's baseball? I'm trying to find the exact issue that it actually SHOWS him on said team but it is referenced in the issues leading up to when they switch over the histories.)

Batman Annual #12 (This is Post-Crisis)

In Brothers in Blood Jason's trying to reach out to Dick. I'm not saying he did it the right way or that Dick was wrong for rejecting that, but he did literally expressly say that he was trying to reach out to him. in his brief period that he worked with the Titans, it's explicitly stated that he'd had to sneak out from under Batman's nose to join up with them. Jason has a sparse few interactions with mostly adult heroes in Pre-Crisis and the only hero his age he gets to meet is Kid Devil/Eddie Bloomberg and that's nebulously canon or not since Pre/Post-Crisis was a soft, slowly rolled out reboot where they changed a lot of things in retrospect but also implicitly kept others. (N52 was also like this but I get the impression Crisis was marginally more organized.)

UtH was Jason reaching out to Bruce for connection. Again, not really the right way to go about it but he pretty obviously/expressly wanted affirmation that his relationship with Bruce DID matter to someone other than himself because he felt it had been stripped from him and false.

Someone who keeps reaching out to other people, but gets rejected because they did it wrong, is not a loner.

When those attempts fail and he reaches out less and less, that's not loner behavior, that's lonely behavior, maybe even a dash of self-loathing. When he starts sabotaging his relationships further he thinks they're already fucked, that's not loner behavior, that's bad coping mechanisms for childhood trauma. I don't care that they state it exactly that he's some kind of "loner," his actions don't agree with that statement.

Is his status something of a self-fulfilling prophecy at this point? Yeah. I keep seeing people refer to him this way and, jesus. y'all wanna ostracize him so badly sometimes. You don't want him here you don't want him there. You use the "loner" rhetoric to enforce the idea that his isolation is a good thing that he wants. They use it IN UNIVERSE from the mouths of characters who have biased views about him.

If he's such a loner why does he keep going back? Why does he answer every call? Like a beaten, but unfortunately faithful dog that can't help but return to their abusive master.

[dollarstorefern]

*cough* if you hate amber volakis i hate you *cough* (just kidding!) (i’m not.)

[queer-here-and-in-fear]

have been thinking.. hadestown and sinners are so, so intertwined as stories and its honestly beautiful. they tell such similar stories.

stories inherently abt Black music and Black culture and Black labor. and the horror when those things are exploited and used and destroyed, but. stories still abt the beauty in that music and culture.

stories with a boy. some call him naive but with his life he couldn't be. stories about boys with a guitar, and a magic to them. boys who could heal the world with their songs. boys who healed old wounds.

stories with a girl that boy loves. a girl who softens for him and finds love in a night with him, a girl who he makes feel lovely.

that boys song brings the world back to Life, and for a moment - everyone dances, and the joy is real, and there is no danger. but the song ends when a white man comes calling.

a white man who promises eternal life in death, in eternal night, who promises he'll save you. who says it will only hurt for a moment, and never again. a white man who erases you to make you be apart of him.

a dance where that white man is in the center and the Black people hes "saved" dance like corpses around him, their heads hung down and all the spirit gone from them.

you try and save the ones you love most from their fate, but - you can't. damn, you can't. you look back. and you let them go, to live an awful half life forevermore.

a boy being held by a white man, who tells him to sing him a song before he kills him. like hes a songbird. and that boy escapes.

no girl, no family left. the boy wanders this earth alone. but he still sings. wherever he is now. he grows old alone. and its a sad song, its a tragedy. but for a day, forever ago?

goddamn, he lived. the people who are dead now lived.

and wasn't that worth it all?

[1v31182m5]

Kid

[hedwigette]

Why is it, when someone makes a positive post about Harry highlighted with canon evidence, there must be people trying to contradict it.

You can literally prove how Harry is academicaly above average and there will still be people who would be like "Yes but I still think he's not good enough."

You will make a post about how Harry is hyperaware except when it comes to romance and people will still say "Yes but he's oblivious to everything"

Holly shit can you just accept facts as it is without trying to contradict it with your opinion?

Giving nuances to the statement is absolutely valid. Trying to contradict an explicit canon evidence is just delusional.